Metal 235 Items

"From The Graveyard" Is The Second Full Length Of The Occult Doom Band "1782". In This Album There Is A Leap In Quality As The Production Is Much Better Than The Previous Releases. Eight Tracks And 43 Minutes Of Pure Dark Doom, With Slow And Powerful Riffs, And Heavy And Massive Drumming. After The Recording Of "Doom Sessions Vol.2", The Band Immediately Enters The Studio And Records The Heaviest Tracks They Have Done So Far, And They Have Done It While Maintaining That Catchy State They Have Always Had. Here Too There Are Featurings, Nico Sechi On Organ (Hammond In "1782" And "Celestial Voices" In The Debut Album) And Alfredo Carboni's Synth. As In The Eponymous Debut Album, The Artwork Was Done By The Mighty Sscvlt. "From The Graveyard" Was Recorded, Mixed And Mastered In November 2020 By Alfredo Carboni At "Rks Studios" In Ossi, Sardinia (Italy).

Orange w/ black marble vinyl, limited to 750 copies.ACxDC_full name Antichrist Demoncore_are anything but subtle. So to make sure that their message is heard loud and clear, they take things a step further, smashing these ambiguous, sophisticated, and abstract notions into a pulp and shoving them down throats. What's left are sharp, caustic, and unabashedly vicious bits of truth and poisonous tongue-in-cheek propelled by bursts of powerviolence, metallized hardcore, and grindcore. Over the seventeen short songs, the music closely follows these themes.

The Flenser is pleased to announce the release of Living Is Easy, the latest EP from ecstatic black metal band Agriculture. This new EP will be paired with the band’s debut EP, The Circle Chant. For the first time, both EPs will be pressed together on a single 12-inch vinyl record as well as a cassette format

Living Is Easy represents a significant new statement from the band. With their debut self-titled, Agriculture embarked on a journey to explore how heavy music can provide insights into the joys of life, both everyday and divine. Their extensive touring with this material led to a profound experience of ecstasy, surpassing expectations as they shared the intensity and joy of these songs with audiences worldwide. This experience was a catalyst for the band, inspiring them to delve even deeper into the realm of “ecstatic black metal” music. They believes that with this release they have pushed this concept to its limit, resulting in a transformative explosion of sound and meaning.

For principal songwriter and frontman Neige, Alcest has always been a gateway to the otherworldly, a means of exploring his spirituality. An elemental two-piece, completed by long-serving drummer and creative confidante Winterhalter, their forthcoming sixth album »Spiritual Instinct« finds Neige at his most personal. “This time I had something urgent to put on the table,” he explains. “It is a very cathartic record - something needed to get out of me. It’s darker than usual, and heavier.”

Live at Irvine Meadows Amphitheatre, Irvine, CA, USA on October 19, 1991 from the Bring the Noise Tour.

Red/Black Splatter Vinyl Originally issued in 1995, ‘Slaughter of the Soul’ is considered as one of the most important and influential metal albums of all time. Featuring the classic tracks ‘Blinded by Fear’, ‘Cold’ and ‘Suicide Nation’, the album married melodic sensibilities with razor edged aggression to devastating effect. Pressed From THE Original Master Tapes. This Album HAS Been Specially Recreated Using ‘fdr’ – Full Dynamic Range MasterING - Allowing THE Music’s Nuances TO Shine Through AND Giving This Classic Album A More Ferocious AND Dynamic Sound, Enabling THE Listener TO Immerse IN THE Full Audio Heaviness Like Never Before.

First-ever US issue of this key 2003 release from Japan's shapeshifting heavy lords, Boris. The album title says it all. Immerse yourself in 43 minutes of sonic waves of slow-building fuzz, feedback and layered dimensions where lysergic solos and unintelligible vocals compete for their place deep inside your id.

Bretus‘ fifth full-length album and the official follow-up to 2019s Aion Tetra as 2020s Self-Titled EP A mix of the heavy blues metal of the first Danzig album as well as the spooky death-rock intonations of Samhain III: November-Coming-Fire…

Chicago’s Broken Hope shook up the US death metal scene with a series of transitional releases, during a time when the genre was shifting from the styles of old vanguards to themes of heavy gore, with a matching visual aesthetic. Sixth album Omen Of Disease was the sole LP to feature Gorgasm’s Tom Leski on vocals, with new drummer Mike Miczek and guitarist Chuck Wepfer of the Rise & Fall joining mainstays Jeremy Wagner and Shaun Glass for gloriously gory excursions, with high speed guitar blasts galore and a few slam elements, along with Sci-Fi synth interludes. Brutally excellent…and not for the faint-hearted!

High Roller Records, 2nd 10inch pressing, white/ gold splatter vinyl, 4 flat PMS cover, ltd 333

(Clássicos Em Vinil) Reissue on 180 Gram vinyl by Polysom (Brazil, 2019)

Deafheaven’s new album, Ordinary Corrupt Human Love, finds them working with old friends again. The Jack Shirley-produced and Nick Steinhardt-art directed (of Touché Amoré) collection gets its title from Graham Greene’s novel The End of the Affair, referencing a moment when someone is looking for love, in all of its
imperfection and simple beauty. This sentiment is carried throughout the hazy, yearning romanticism of the record with song titles and words as sumptuous as the sounds around them. Clarke describes the composition of Ordinary Corrupt Human Love beginning with “small seeds of healing, repair, and rebirth,” and like each subsequent Deafheaven album, this record is, in fact, a revelation.
Defeat has inspired some of our best art. If you survive something terrible, you surface on the other side, walk toward the light, and come back to life. If you’re an artist, this kind of new self-knowledge can lead to creating something universal and remembered, something that can live longer than you do. While Deafheaven have managed to cross over this road in the past, they’ve nailed the feeling wholly with Ordinary Corrupt Human Love, a feeling that comes with experience and wisdom.
Yes, everybody deals with hurt, everybody’s been the cause of their own implosions, and everybody has the capacity to overcome and love again. Deafheaven have found a way to externalize all of this, and in making their most complete record to date, they turn it into a balm and a cathartic exorcism.

Heavy music’s evolution has always been a murky swamp of sub-genres. So, combining Thin Lizzy’s glistening twin guitar harmonies with Melvins-grade sludge and a hearty dose of proto-metal psych probably shouldn’t sound so revolutionary as it does in the hands of L.A. quartet Deathchant. But theirs is a special, transcendent sound. Waste, the band’s sophomore album and first for Riding Easy Records, is anything but. The thirty three-minute, seven-song blast flows seamlessly from song to song, aided by droning segues, while simultaneously slithering between genres and moods. Rumbling noise, chiming guitar melodies, bluesy boogie, Nwobhm thrash, COC grunge and punk fury all rear their head at times, sometimes all at once. Though one wouldn’t be able to tell by the concise structures and well-crafted songs, a lot of Deathchant’s music is improvised, both in the studio and live. That’s not to suggest their songs are jammy— they’re very tightly organized compositions. But the four musicians have that special musical telepathy that allows them to keep the song structures open-ended. “Improv is a huge things for us and always has been,” singer / guitarist T.J. Lemieux says. “The musical freedom to look at the other dudes in the band and be able to take things wherever we want to go is magical. I like the feel of flying off the hinges.” Likewise, the band itself is similarly amorphous in its membership. “We run the band with an open door. No lineup is definitive,” Lemieux explains. On Waste, the lineup is: Lemieux, George Camacho on bass, Colin Fahrner on drums, and John Belino on second guitar. Waste was recorded live in a rented cabin in the mountains of Big Bear, CA. “We packed a big-ass van and set up in the living room and kitchen,” Lemieux says. “Tracked it live, with overdubs after.” The whole album was recorded over two separate weekends, engineered by Steve Schroeder, who also recorded the band’s 2019 self-titled debut album. “I’d say it has sort of a DIY LA punk aesthetic,” he adds. “Very ironically going hand in hand with a classic metal vibe: Thin Lizzy, Judas Priest, classic Deep Purple, Uriah Heep and other melodic heavy rock bands.”

Stillbirth Records is thrilled to announce the release of the highly anticipated album, Otakuslam Animecide, by Dehumanizing Itatrain Worship. Originally conceptualized in 2018, but delayed due to the Covid-19 pandemic, this 8-track album marks the culmination of the band's work from 2018-2023 and serves as their first full-length album since their EP release in 2016. Inspired by the idea of infusing various music genres with Japanese idol music, Dehumanizing Itatrain Worship has created a unique and groundbreaking blend of brutal death metal and unconventional elements that sets Otakuslam Animecide apart from other albums in the metal genre. The band has collaborated with an impressive roster of guest artists, including members of Bodysnatcher, THE Dark Prison Massacre, Dualinsomina, Gorepot, Kraanium, Chelsea Grin, Gizmo, Vulvodynia, Leviathan, and Scarlet Horizon, pushing themselves to create something truly special.