Metal 408 Items

The classic debut album of the melodic NWOBHM band, originally released in 1981, finally reissued on vinyl for the first time! Side A:1. Kaptain Amerika2. Backstreet Killer3. The Musician4. Lady Of MarsSide B:1. Louisa2. Rockbringer3. Lady Love4. Green Peace

SECOND ATTACK was CROSSFIRE’s second album

Having played with the likes of influential movers and shakers on the anarcho-punk scene Antisect and Icons of Filth, on their first full-length LP, Birmingham’s Sacrilege established themselves as a unique force to be reckoned with, wreaking havoc on what we could classify as sonic tropes belonging to a spectrum of subgenres dealing in the extremes: hardcore, doom, and thrash. Fronted by Lynda ‘Tam’ Simpson and her seizure-inducing spells injected with a fierce, sociopolitical-cum-mythopoeic banshee bite (but not wanting to understate the line-up of Damian Thompson on guillotine-quick/milkshake thick guitars) - the six-track onslaught is every bit as crushing as the title suggests. From depraved dungeon synth-scapes on opener Lifeline to the planet-flattening funeral toll of The Closing Irony, one question remains: One riff to rule them all? Yes.

Having played with the likes of influential movers and shakers on the anarcho-punk scene Antisect and Icons of Filth, on their first full-length LP, Birmingham’s Sacrilege established themselves as a unique force to be reckoned with, wreaking havoc on what we could classify as sonic tropes belonging to a spectrum of subgenres dealing in the extremes: hardcore, doom, and thrash. Fronted by Lynda ‘Tam’ Simpson and her seizure-inducing spells injected with a fierce, sociopolitical-cum-mythopoeic banshee bite (but not wanting to understate the line-up of Damian Thompson on guillotine-quick/milkshake thick guitars) - the six-track onslaught is every bit as crushing as the title suggests. From depraved dungeon synth-scapes on opener Lifeline to the planet-flattening funeral toll of The Closing Irony, one question remains: One riff to rule them all? Yes.

Perpetually out of print, much sought after and universally worshipped amongst those in the know, Winter's "Into Darkness" was a game-changing classic.

Formed in New York circa 1988, Winter played slow, deep and hard nuclear doom with a crust punk rawness, that came across like Hellhammer jamming with Amebix. Their penchant for mammoth sized and funeral-paced, wasteland droning has become a touchstone reference for bands across the whole spectrum of underground metal.

Their pre-internet infamy led to Winter demos being tape- traded in hallowed adoration by fans and bands alike, gaining notable fans such as Fenriz from Darkthrone. Deserving of their special place in the pantheon of one-off classic albums, the Swans-like noise and down-tuned Earth-like riffs of "Into Darkness" went on to spawn countless doom and sludge bands, being an influence for an entire doomed generation.

The Winter come-back show at Roadburn Festival in 2011 was massively anticipated and held a captivated audience. Packing out one of The Netherlands largest stages, that particular Winter show, after many years in obscurity is a rare event that is still highly regarded today. The band is a rare jewel amongst collectors, and audiences alike.

"Into Darkness" was a gateway drug to the dark depths of sludge metal, and now awaits a whole new throng of acolytes who bow down before the throne of heavy doom. Svart Records is proud to re-release it once more, putting the album back in print for a new generation of listeners. Eternal Winter awaits!

Perpetually out of print, much sought after and universally worshipped amongst those in the know, Winter's "Into Darkness" was a game-changing classic.

Formed in New York circa 1988, Winter played slow, deep and hard nuclear doom with a crust punk rawness, that came across like Hellhammer jamming with Amebix. Their penchant for mammoth sized and funeral-paced, wasteland droning has become a touchstone reference for bands across the whole spectrum of underground metal.

Their pre-internet infamy led to Winter demos being tape- traded in hallowed adoration by fans and bands alike, gaining notable fans such as Fenriz from Darkthrone. Deserving of their special place in the pantheon of one-off classic albums, the Swans-like noise and down-tuned Earth-like riffs of "Into Darkness" went on to spawn countless doom and sludge bands, being an influence for an entire doomed generation.

The Winter come-back show at Roadburn Festival in 2011 was massively anticipated and held a captivated audience. Packing out one of The Netherlands largest stages, that particular Winter show, after many years in obscurity is a rare event that is still highly regarded today. The band is a rare jewel amongst collectors, and audiences alike.

"Into Darkness" was a gateway drug to the dark depths of sludge metal, and now awaits a whole new throng of acolytes who bow down before the throne of heavy doom. Svart Records is proud to re-release it once more, putting the album back in print for a new generation of listeners. Eternal Winter awaits!

Red/Black Splatter Vinyl Originally issued in 1995, ‘Slaughter of the Soul’ is considered as one of the most important and influential metal albums of all time. Featuring the classic tracks ‘Blinded by Fear’, ‘Cold’ and ‘Suicide Nation’, the album married melodic sensibilities with razor edged aggression to devastating effect. Pressed From THE Original Master Tapes. This Album HAS Been Specially Recreated Using ‘fdr’ – Full Dynamic Range MasterING - Allowing THE Music’s Nuances TO Shine Through AND Giving This Classic Album A More Ferocious AND Dynamic Sound, Enabling THE Listener TO Immerse IN THE Full Audio Heaviness Like Never Before.

Coloured vinyl reissue of 'Downfall', the classic fourth album from legendary US doom metal gods Solitude Aeturnus.Solitude Aeturnus was founded in 1987 in Dallas, Texas, by guitarist John Perez. Being influenced by power metal bands (Metallica, Jag Panzer, Metal Church, Fates Warning), as well as the early crop of doom metal bands (Candlemass, St. Vitus, Trouble, Pentagram), Solitude Aeturnus allowed further inspirations from genres such as psychedelic and 70’s hard rock. All this melted into a style that would soon make the band a metal phenomenon.Their history has been pretty much infallible, and 'Downfall' is no exception, consisting of a wide range of some of their fastest material, and some of their most emotional. 'Downfall' is one of the bands most riff centric albums. With the approach focussing on their more melodic, catchy side 'Downfall' is still a Solitude Aeturnus album, and everything that makes this band is still here in droves, just presented slightly differently. Lowes vocal approach is as godly as ever, just with less huge wailing and more aggression. For fans of: Candlemass, Sanctuary, Crimson Glory, Black Sabbath, Witchcraft SIDE A:1. Phantoms 5:572. Only This (And Nothing More) 5:253. Midnight Dreams 6:064. Together And Wither 5:36Total side length – 23:04SIDE B:5. Elysium 3:086. Deathwish 2:157. These Are The Nameless 5:248. Chapel Of Burning 4:249. Concern 6:16Total side length – 21:27

"Green" is distinguished by its fusion of thrash metal with progressive and technical elements. The band expands its musical horizons by incorporating more complex rhythms and innovative song structures. Sharp and precise guitars are intertwined with intricate solos that demonstrate the musicians' technical skill. Now reissued by Black Sleeves on a limited edition LP Gatefold Picture Disc.The album is a milestone in their discography and a gift for fans looking for a deeper and more nuanced thrash metal experience. With “Green”, Forbidden not only defied expectations but also expanded the boundaries of the genre. LP-Side A1- What Is The Last Time? 2:342- Green 3:163- pHat 3:324- Turns To Rage 5:475- Face Down Heroes 3:446- Over The Middle 3:18LP-Side B1- Kanaworms 3:232- Noncent$ 3:533- Blank 5:544- Focus 5:285-(Silence) 5:556- (Hidden Track) 1:11

Ghost is the name of a devil worshipping ministry, that in order to spread their unholy gospels and, furthermore, trick mankind into believing that the end is ultimately a good thing, have decided to use the ever so popular rock music medium as a way to achieve their ends. Standing motionless and anonymous beneath the painted faces, hoods and robes which their sect demand, the six nameless ghouls of Ghost deliver litanies of sexually pulsating heavy rock music and romantic lyrics, that glorify and glamorise the disgusting and sacrilegious, with the simple intention to communicate a message of pure evil via the most effective device they can find - entertainment. In May 2010 Ghost were contracted to a UK based gramophone company called Rise Above Ltd, who swore an oath stating that they will assist the group in the task of spreading their musical blasphemies through formats such as Compact Discs, Long Playing Vinyl Records and Digital Downloading. The first full length Ghost album ‘Opus Eponymous’ will be released in October 2010 and it is understood and agreed that Rise Above Ltd will invest money in areas such as magazine advertising and retail marketing and will employ the services of music publicity specialists in order to expose the music of Ghost to the wider public. Specific attention will be paid to targeting people (research suggests these are most likely to be adolescents) who have a void in their life, perhaps caused by some form of emotional trauma or upset, that can be filled by the music and philosophies of Ghost. In time, these easily manipulated children will come to share the views and goals of the Ghost sect and can prepare their own plans for the downfall of humanity....