Miles Davis Organic Grooves 159 Items

1958 Miles Red Vinyl Edition

Genre: Organic Grooves

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Workin With The Miles Davis Q Blue Vinyl Edition

25,99 €*

Genre: Organic Grooves

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Genre: Organic Grooves

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Genre: Organic Grooves

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Genre: Organic Grooves

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Genre: Organic Grooves

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Sketches Of Spain & 1 Bonus Tr

Genre: Organic Grooves

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Genre: Organic Grooves

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The Best Of Miles Davis White Vinyl Edition

LP | EU | Original (Art Of Vinyl)

Release: EU – Original

Genre: Organic Grooves

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LP | EU | Reissue (Second)

Seven Steps To Heaven

Release: EU – Reissue

Genre: Organic Grooves

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Seven Steps To Heaven White/Red Splatter Vinyl Edition

LP | EU | Reissue (Second)

Release: EU – Reissue

Genre: Organic Grooves

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Seven Steps To Heaven Yellow Vinyl Edition

LP | EU | Reissue (Second)

18,89 €* 20,99 € -10%

Release: EU – Reissue

Genre: Organic Grooves

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LP | 1953 | DE | Reissue (Blue Note)

Volume 2

Release: 1953 / DE – Reissue

Genre: Organic Grooves

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Bags Groove 200g Vinyl Edition

LP | 1954 | US | Reissue (Analogue Productions)

53,99 €*

Release: 1954 / US – Reissue

Genre: Organic Grooves

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There are a multitude of reasons why "Bags’ Groove" remains a cornerstone of the post-bop genre. Of course, says All Music Guide, there will always be the lure of the urban myth surrounding the Christmas Eve 1954 session — featuring Thelonious Monk — which is documented on the two takes of the title track. There are obviously more tangible elements, such as Davis’ practically telepathic runs with Sonny Rollins (tenor sax). Or Horace Silver’s (piano) uncanny ability to provide a stream of chord progressions that supply a second inconspicuous lead without ever overpowering.
Indeed, Davis’ choice of former Dizzy Gillespie Orchestra and concurrent Modern Jazz Quartet members Milt Jackson (vibes), Kenny Clarke (drums), and Percy Heath (bass) is obviously well-informed. This combo became synonymous with the ability to tastefully improvise and provide bluesy bop lines in varied settings. The up-tempo and Latin-infused syncopation featured during the opening of "Airegin" flows into lines and minor-chord phrasings that would reappear several years later throughout Davis’ "Sketches of Spain" epic. The fun and slightly maniacally toned "Oleo" features one of Heath’s most impressive displays on "Bags’ Groove". His staccato accompaniment exhibits the effortless nature with which these jazz giants are able to incorporate round after round of solos onto the larger unit. "Bags’ Groove" belongs as a cornerstone of all jazz collections.

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LP | 1954 | Reissue (Celson And Music)

Bag's Groove

Release: 1954 / Reissue

Genre: Organic Grooves

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* Recorded in 1954 * Pressed on Black Vinyl * Featuring Thelonious Monk / There are a multitude of reasons why Bags’ Groove remains a cornerstone of the post-bop genre. Of course, says All Music Guide, there will always be the lure of the urban myth surrounding the Christmas Eve 1954 session — featuring Thelonious Monk — which is documented on the two takes of the title track. There are obviously more tangible elements, such as Davis’ practically telepathic runs with Sonny Rollins (tenor sax). Or Horace Silver’s (piano) uncanny ability to provide a stream of chord progressions that supply a second inconspicuous lead without ever overpowering. Indeed, Davis’ choice of former Dizzy Gillespie Orchestra and concurrent Modern Jazz Quartet members Milt Jackson (vibes), Kenny Clarke (drums), and Percy Heath (bass) is obviously well-informed. This combo became synonymous with the ability to tastefully improvise and provide bluesy bop lines in varied settings. The up-tempo and Latin-infused syncopation featured during the opening of Airegin flows into lines and minor-chord phrasings that would reappear several years later throughout Davis’ Sketches of Spain epic. The fun and slightly maniacally toned Oleo features one of Heath’s most impressive displays on Bags’ Groove. His staccato accompaniment exhibits the effortless nature with which these jazz giants are able to incorporate round after round of solos onto the larger unit. Bags’ Groove belongs as a cornerstone of all jazz collections.

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LP | 1956 | EU | Reissue (Jazz Images)

Birth Of The Cool

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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LP | 1956 | EU | Reissue (Blue Note)

Birth Of The Cool

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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Finally, this jazz classic gets a proper reissue treatment. All material got remastered from the original tapes and pressed to 180-gram vinyl.

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LP | 1957 | US | Reissue (Mobile Fidelity)

Round About Midnight

65,99 €*

Release: 1957 / US – Reissue

Genre: Organic Grooves

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180 Gram Audiophile Vinyl, Numbered Limited-Edition

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Walkin' 180g Vinyl Edition

LP | 1957 | EU | Reissue (Dol)

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Birth Of The Cool White Vinyl Edition

LP | 1957 | EU | Reissue (Dol)

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Birth Of The Cool Black Vinyl Edition

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Birth Of The Cool Transparent Red Vinyl Edition

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Birth Of The Cool Transparent Red / Black Marble Vinyl Edition

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Miles Ahead Black Vinyl Edition

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Miles Ahead Yellow Vinyl Edition

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Miles Ahead Marble Vinyl Edition

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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LP | 1957 | EU | Reissue (Intermusic)

Birth Of The Cool

21,99 €*

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Cookin' Black Vinyl Edition

LP | 1957 | EU | Reissue (SAAR)

23,39 €* 25,99 € -10%

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Cookin’ is the first of four albums derived from the Miles Davis Quintet’s fabled extended recording session on Octobre 26, 1956; the concept being that the band would document its vast live-performance catalog in a studio environment, rather than preparing all new tracks for its upcoming long-player. The bounty of material in the band’s live sets– as well as the overwhelming conviction in the quintet’s studio sides– would produce the lion’s share of the Cookin’, Relaxin’, Workin’ and Steamin’ albums. As these recordings demonstrate, there is an undeniable telepathic cohesion that allows this band– consisting of Miles Davis (trumpet), John Coltrane (tenor saxophone), Red Garland (piano), Paul Chambers (bass) and Philly Joe Jones (drums)– to work so efficiently both on the stage and the studio. This same unifying force is also undoubtedly responsible for the extrasensory dimensions scattered throughout these recordings. The immediate yet somewhat understated ability of each musician to react with ingenuity and precision is expressed in the consistency and singularity of each solo as it is maintained from one musician to the next without the slightest deviation. « Blues by Five » reveals the exceptional symmetry between Davis and Coltrane that allows them to complete each others’ thoughts musically. Cookin’ features the pairing of « Tune Up / When the Lights Are Low » which is, without a doubt, a highlight no only of this mammoth session, but also the entire tenure of Miles Davis mid-‘50’s quintet. All the éléments converge upon this fundamentally swinging medley. Davis’s pure-toned soloes and the conversational banter that occurs with Coltrane, and later Garland during « When the Lights Are Low », resound as some of these musicians’ finest moments.

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LP | 1957 | US | Reissue (Mobile Fidelity Sound Lab)

Round About Midnight

84,99 €*

Release: 1957 / US – Reissue

Genre: Organic Grooves

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LP | 1958 | US | Reissue (Mobile Fidelity)

49,99 €*

Release: 1958 / US – Reissue

Genre: Organic Grooves

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180 Gram, Mono, Audiophile Vinyl, Numbered Limited-Edition

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Relaxin' 180g Vinyl Edition

LP | 1958 | EU | Reissue (Dol)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Ascenseur Pour L'Echafaud

10" | 1958 | EU | Reissue (Sam)

42,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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In 1957, Miles Davis is in Paris for an engagement at the Club Saint-Germain and a wonderful concert at the Olympia Theatre. Once in Paris, Miles came into contact with many members of the modern existentialist cultural environment in the neighborhood of Saint-Germain-des-Près. These include the director Louis Malle who had just finished his first movie : "Ascenseur Pour L'échafaud". Jean-Paul Rappeneau, a Jazz fan and Louis Malle's assistant at the time, suggested asking Miles Davis to create the film's soundtrack. A private sceening has been organized.
On December 4 1957, Miles Davis brought three French Jazzmen - Barney Wilen on tenor saxophone, René Urtreger on piano, Pierre Michelot on bass and his american compatriot Kenny Clarke on drums - to the recording studio Le Poste Parisien without having them prepare anything. Miles Davis only gave the musicians a few rudimentary harmonic sequences he had assembled in his hotel room. This recording was made at night in a most informal atmosphere.
The soundtrack was not released on it's own in the USA but ten songs from this soundtrack were released as one side of the album "Jazz Track" which received a 1960 Grammy nomination for Best Jazz Performance, Solo or Small Group.
"Ascenseur Pour L'échafaud" has become a great achievement of artistic excellence.

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LP | 1958 | EU | Reissue (BMG)

25,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Ascenseur Pour L'echafaud

LP | 1958 | EU | Reissue (20th Century Masterworks)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (Not Now)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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When 17 year-old Drummer Tony Williams joined The Miles Davis Group in 1963 he told the leader that Milestones was 'the definitive Jazz album of all time'. Miles was stunned and immediately began playing the title tune again in his band's live set. While it took the brash youngster to renew the Trumpeter's interest in his own heritage, the set of tunes first released in 1958, had already been acknowledged as a timeless work of art. The British Critic, Author and Editor of Melody Maker Richard Williams recently described Milestones as 'the greatest piece of music created in the 20th century'.

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LP | 1958 | Reissue (Celson And Music)

Relaxin'

Release: 1958 / Reissue

Genre: Organic Grooves

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* Originally released in 1958 * Pressed on Black Vinyl * Featuring tenor saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones... / Relaxin’ with the Miles Davis Quintet is in every way a masterpiece. When Miles Davis, the trumpeter (1926-1991), had formed the band in 1955, his colleagues - tenor saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones - were not considered jazz-world A-listers. And before conquering his narcotics addiction earlier in the ’50s, Davis had seen his once-promising career go into eclipse. By 1956, however, his sound, especially when muted, was an achingly personal counterpart to the vocals of Billie Holiday and Frank Sinatra. Relaxin’ (plus its prestige companions, Miles, Cookin’, Workin’ and Steamin’) reestablished Davis, and elevated his quintet as the gold standard of small groups. This set is called Relaxin’ because of the ballad performances in several different bright tempos. From medium-bounce to crisply up, Relaxin’ remains one of Davis’s sunniest outings, a prime example of one of the outstanding ensembles of the 20th century reaching the summit of their artistry.

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Ascenseur Pour L'echafaud

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Ascenseur Pour L'echafaud Grey Marble Vinyl Edition

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Ascenseur Pour L'echafaud Magenta Vinyl Edition

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Milestones Orange Marble Vinyl Edition

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Milestones Orange Vinyl Edition

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1959 | UK | Reissue (Not Now Music)

Release: 1959 / UK – Reissue

Genre: Organic Grooves

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180g vinyl

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Miles Davis & The Modern Jazz Giants

LP | 1959 | US | Reissue (Fantasy)

Release: 1959 / US – Reissue

Genre: Organic Grooves

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Workin' With The Miles Davis Quintet 180g Vinyl Edition

LP | 1959 | EU | Reissue (Dol)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Kind Of Blue 180g Vinyl Edition

LP | 1959 | EU | Reissue (Dol)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Ascenseur Pour L'echafaud

LP | 1959 | EU | Reissue (Waxtime)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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2LP | 1959 | US | Reissue (Mobile Fidelity Sound Lab)

84,99 €*

Release: 1959 / US – Reissue

Genre: Organic Grooves

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The best-selling album in jazz history receives the prestigious Mobile Fidelity treatment: mastered from the original master tapes.
Deluxe 180g 45RPM 2LP box set is definitive version: your choice seat to hear the dream team of Miles Davis, John Coltrane, Bill Evans, and more make history
.

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Kind Of Blue Stereo Version

LP | 1959 | EU | Reissue (Sony)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Kind Of Blue Blue Vinyl Edition

LP | 1959 | UK | Reissue (Not Now)

25,49 €* 29,99 € -15%

Release: 1959 / UK – Reissue

Genre: Organic Grooves

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LP | 1959 | US | Reissue (Columbia)

Release: 1959 / US – Reissue

Genre: Organic Grooves

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This is a limited edition reissue. It is remastered, mono, and on 180g vinyl.

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Kind Of Blue Blue Vinyl Edition

LP | 1959 | EU | Reissue (20th Century Masters)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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LP | 1959 | EU | Reissue (Sony Music Catalog)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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LP | 1959 | EU | Reissue (Danger Groove)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Kind Of Blue Grey Marble Vinyl Edition

LP | 1959 | EU | Reissue (Second)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Kind Of Blue. The Mono & Stereo Versions

2LP | 1959 | EU | Reissue (Waxtime)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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LP | 1959 | Reissue (Valentine)

19,99 €*

Release: 1959 / Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Sony)

Sketches Of Spain

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Sketches Of Spain Yellow Vinyl Edition

LP | 1960 | EU | Reissue (Columbia)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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The release comes on 180g Vinyl.

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LP | 1960 | UK | Reissue (20th Century Masterworks)

Sketches Of Spain

23,99 €*

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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Sketches Of Spain Clear Vinyl Edtion

LP | 1960 | EU | Reissue (Destination Moon)

19,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Complex, emotive, and straddling several genres, Sketches Of Spain is one of Miles Davis’ masterpieces, a landmark of orchestrated jazz. The third of his collaborations with Gil Evans, Sketches was inspired by the classical ‘Concierto de Aranjuez,’ which sparked the suite that makes up the LP. Drummers Jimmy Cobb and Elvin Jones and bassist Paul Chambers reconfigured their approaches to blend with the orchestra under Evans’ command and Davis uses a muted flugelhorn for the epic opener; his solo on ‘Saeta’ is blinding and the adapted Andalusian folk song ‘Solea’ draws on flamenco. This absolute stunner is a must-have!

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Steamin' 180g Vinyl Edition

LP | 1961 | EU | Reissue (Dol)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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In Person At The Blackhawk

2LP | 1961 | US | Reissue (Impex)

79,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 1962 | EU | Reissue (Not Now)

At Carnegie Hall

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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LP | 1963 | US | Reissue (Analogue Productions)

Seven Steps To Heaven

53,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

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LP | 1963 | US | Reissue (Mobile Fidelity Sound Lab)

Seven Steps To Heaven

64,59 €* 75,99 € -15%

Release: 1963 / US – Reissue

Genre: Organic Grooves

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Diggin' With The Miles Davis Sextet 180g Vinyl Edition

LP | 1964 | EU | Reissue (Dol)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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LP | 1964 | EU | Reissue (Speakers Corner)

Miles In Berlin

32,99 €*

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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It's 1964 and the first Berlin Jazz Festival is about to reach its absolute peak: the final concert on the night of Friday, 25th September by Miles Davis. And the European subsidiary of Columbia Records, CBS, couldn’t wait to release this legendary event on LP.
The new quintet, for the first time with Wayne Shorter on the tenor sax (and not yet as composer), thrilled and roused the audience in the Philharmonie from the first minute to the very end. The classics "Miles(tones)", "So What" and "Walkin’" were performed at an astonishingly fast pace, the ballads were tender and dreamy. Such a magical atmosphere was rarely evoked at later concerts, which was probably due to the excellent acoustics of the large concert hall. The audience were also seated behind the stage, so Miles couldn't turn his back provokingly on people; sometimes he just squatted on the stage. However, this didn’t prevent him from performing his solos lyrically and tenderly, most of them finely nuanced, soft and gentle, yet audible right into the furthest corner. The rhythmic structure created by the young drummer Anthony Williams provided the necessary excitement.
Miles at the top of his form, an enthusiastic audience, impressive acoustics and, to top it all, excellent recording technology and a fantastic pressing on virgin vinyl - what more does a jazz fan want? Now’s the time to dig out your credit card!

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

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Quiet Nights Clear Vinyl Edtion

LP | 1964 | EU (Destination Moon)

Release: 1964 / EU

Genre: Organic Grooves

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The last of the collaborative LPs Miles Davis recorded with Gil Evans for Columbia, Quiet Nights is easily the most controversial. Following the success of Sketches Of Spain, Davis and Evans aimed to further the Latin explorations, this time pointing to Brazil, as heard on the adaptation of Antonio Carlos Jobim’s ‘Corcovado’ and Joao Gilberto’s ‘Aos Pés Da Cruz,’ with its stellar Ron Carter bass accompaniment, though some were surprised by the brevity of the proceedings, including Miles himself. Nevertheless, those who get to know the album will appreciate its intricacies, the product of the pair’s unique creative chemistry.

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Plays For Lovers Clear Vinyl Edtion

LP | 1965 | EU (Destination Moon)

17,99 €*

Release: 1965 / EU

Genre: Organic Grooves

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Collecting recordings made between 1953 and 1956, Miles Davis Plays For Lovers is a look at the more sensitive and sensual side of the great trumpeter, focusing on his sultry and smoky late night ballads. Mostly featuring his legendary mid-50s quintet of Coltrane, Garland, Chambers, and Jones, this collection highlights that groups ability to slow things down to a soulful, brilliant simmer. Classic jazz ballads that swing, perfect for late nights with a lover at your side.

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LP | 1967 | EU | Reissue (Columbia)

Nefertiti

41,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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180g audiophile pressing.

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2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Nefertiti

83,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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2LP, 180 Gram Audiophile Vinyl, Numbered Limited-Edition

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2LP | 1967 | US | Reissue (Mobile Fidelity Sound Lab)

Sorcerer

75,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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180 Gram 45RPM Audiophile Vinyl, Numbered Limited-Edition

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LP | 1967 | EU | Reissue (Music On Vinyl)

Sorcerer

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Sorcerer Crystal Clear Vinyl Edition

LP | 1967 | EU | Reissue (Music On Vinyl)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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2LP | 1968 | US | Reissue (Mobile Fidelity Sound Lab)

Filles De Kilimanjaro

75,99 €*

Release: 1968 / US – Reissue

Genre: Organic Grooves

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180 Gram 45RPM Audiophile Vinyl, Numbered Limited-Edition

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LP | 1968 | EU | Reissue (Music On Vinyl)

Miles In The Sky

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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LP | 1968 | EU | Reissue (Music On Vinyl)

Filles De Kilimanjaro

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Columbia)

Greatest Hits

19,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (Sony Legacy)

Greatest Hits

Release: 1969 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | EU | Reissue (Sony)

In A Silent Way

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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2LP | 1970 | EU | Reissue (Sony)

Bitches Brew

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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180 gram pressing!

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2LP | 1970 | EU | Reissue (Music On Vinyl)

Live Evil

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Live-Evil (1970) by Miles Davis is a double live album which features different settings of Miles Davis' bands. One of such recordings is of a 1970 gig at the Cellar Door, which featured a band comprised of Miles, bassist Michael Henderson, drummer Jack DeJohnette, guitarist John McLaughlin, saxophonist Gary Barts, and Keith Jarrett. The group is groovy, fast, and funky.

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Live Evil Black Vinyl Edition

2LP | 1970 | EU | Reissue (Music On Vinyl)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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SACD | 1970 | US | Reissue (Mobile Fidelity)

Bitches Brew

66,99 €*

Release: 1970 / US – Reissue

Genre: Organic Grooves

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LP | 1971 | US | Reissue (Mobile Fidelity Sound Lab)

Tribute To Jack Johnson

83,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 1972 | US | Reissue (Mobile Fidelity Sound Lab)

On The Corner

74,99 €*

Release: 1972 / US – Reissue

Genre: Organic Grooves

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SOURCED FROM THE ORIGINAL MASTER TAPES: MOBILE FIDELITY 180G 33RPM SUPERVINYL LP
REVEALS MULTIPLE LAYERS OF RHYTHM, VISCERAL BASS, AND PIONEERING PRODUCTION TECHNIQUES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches — the likes of which fill Davis' boldest and most controversial — undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g 33RPM SuperVinyl LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid fashion. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can discern the multiple layers of rhythm Davis employed on complex tracks such as "Black Satin," as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would’ve loved MoFi’s groundbreaking SuperVinyl profile that features the lowest-possible analogue noise floor as well as pristine transparency, dead-quiet surfaces, and superb groove definition.

New degrees of spaciousness and airiness — equally important to the musique concrete arrangements — give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. Mobile Fidelity's SuperVinyl LP captures Teo Macero's innovative production — and the trumpeter's cutting-edge aural collages — in definitive fashion.

Heavily inspired by Sly and the Family Stone, On the Corner portrays street vibes and remains Davis' Blackest-sounding record. The conscious attempt to connect with youthful audiences tapped into rock and funk is evident not only on the colorful cartoon cover art depicting hot-pants and zoot-suit revelers, but in the music's emphasis of recurring drum and bass grooves. Distinct from Davis' earlier fusion experiments, the record's long-misunderstood set dials back improvisation in favor of beats, loops, and atmospherics that generate trance-like effects. While Davis utilizes his band for core duties — Chick Corea and Herbie Hancock prominently figure — he also relies on an all-star cast of side-men for concentrated soloing and additional support.

With rhythm providing the basic foundation, other notes fall into place, with their positioning steered by Macero and Davis' editing-room techniques. Looking to the manipulation-based work of Karlheinze Stockhausen and teaming with Stockhausen disciple Paul Buckmaster, Davis re-imagines what grooves constituted and could accomplish throughout On the Corner. The shapes of the songs become completely transformed as they progress. Faint melodies, spacey chords, chunky riffs, wah-wah fills, and repeated motifs bounce in and out of a sonic funhouse that wouldn't be out of place at a Harlem block party.

Exotic, intrepid, and filled with Davis' "jungle sound," On the Corner remains daringly hip more than four decades later.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are virtually indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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2LP | 1973 | EU | Reissue (Music On Vinyl)

Black Beauty

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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2LP | 1974 | EU | Reissue (Music On Vinyl)

Dark Magus

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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The double live album Dark Magus was recorded on March 30, 1974, at Carnegie Hall in New York City. Dark Magus was released after Davis' 1975 retirement. After releasing the live recordings Agharta (1975) and Pangaea (1976), Dark Magus was originally only released in Japan.

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2LP | 1974 | EU | Reissue (Music On Vinyl)

Big Fun

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1974, Big Fun presents music from three different phases of Miles Davis's early-seventies "electric" period. Sides one and four ("Great Expectations" and "Lonely Fire") were recorded three months after the Bitches Brew sessions and incorporate sitar, tambura, tabla, and other Indian instruments. "Ife" was recorded after the 1972 On the Corner sessions, and the framework is similar to tracks from that record. Recorded in March 1970, "Go Ahead John" is an outtake from Davis's Jack Johnson sessions.

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2LP | 1974 | EU | Reissue (Music On Vinyl)

Get Up With It

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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2LP | 1975 | EU | Reissue (Music On Vinyl)

Agharta

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Agharta was recorded on the afternoon in 1975, at one of two concerts Miles Davis performed at the Osaka Festival Hall in Japan. The album has received retrospective acclaim as an important and influential Jazz-Rock record. Its abrasive music and Cosey's innovative playing influenced a generation of young musicians, including those in the British Jazz scene.

180g vinyl.

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LP | 1981 | US | Reissue (Get On Down)

The Man With The Horn

17,99 €*

Release: 1981 / US – Reissue

Genre: Organic Grooves

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We Want Miles Yellow Vinyl Edition

2LP | 1982 | US | Reissue (Get On Down)

21,99 €*

Release: 1982 / US – Reissue

Genre: Organic Grooves

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Pressed ON Opaque Yellow Vinyl With Japanese Stylized Insert AND Deluxe OBI Strip Remastered From The Original Analog Tapes The first live Miles Davis electric band release since 1977’s very dark and heavy Dark Magus. The album features live performances from shows at Boston’s Kix Club. The double vinyl release contains reimagined versions of songs from The Man With the Horn (1981), tunes from the pre-electric Gil Evans collaboration Porgy and Bess (1959), and a dedication to the Boston venue called Kix. While this was one of the first live Miles Davis performances in over half a decade it certainly did not show!!! This album features R&B legend Marcus Miller on bass, Mike Stern on guitar, Bill Evans on saxophone, Mino Cinelu on percussion, and electric band alumni Al Foster on drums. Produced and edited by long time Miles collaborator Teo Macero.

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Decoy Crystal Clear Vinyl Edition

LP | 1984 | US | Reissue (Get On Down)

17,99 €*

Release: 1984 / US – Reissue

Genre: Organic Grooves

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