Movies | TV Sale 113 Items

After the release of the successful soundtrack for the TV series Gomorra (which was aired outside Italy as well) the Italian combo Mokadelic returns with a brand new score, Sulla Mia Pelle, for one the most controversial movies around. Based on the despicable history of Stefano Cucchi, literally killed in prison by a bunch of policemen, the album renews the cinematic style of Mokadelic through a series of almost dramatic instrumental sketches. Equally informed by the post-rock of luminaries such as Godspeed You Black Emperor and Explosions In The Sky - not to mention the subtle rhythms of contemporary IDM (Boards Of Canada first came to mind) - the band delivers their signature with several epic moments. That is the real companion to a tragic feature film.

4 Track EP In partnership with Sony Interactive Entertainment Europe, Black Screen Records is excited to release the soundtrack to Blood & Truth - London Studio's brand new PlayStationrVR title - on limited edition double vinyl. The genre-bending "orchestral-meets-grime" score was composed by Joe Thwaites and Jim Fowler, produced by Zdot and features vocal tracks from UK's grime rappers JME, Eyez, Kamakaze and Ocean Wisdom. This unique soundtrack is a combination of Bond-esque orchestral compositions (featuring a 90-piece orchestra recorded at AIR and Abbey Road Studios) and grime elements. All 25 songs got remastered for vinyl by Christian Bethge (Anno 1800, Divinity: Original Sin II, So Let Us Melt) and will be available on heavy-weight 180g translucent pink/clear double vinyl with original artwork by Chris Clancy

180 Gram Colored Vinyl /// Disc 1: Green and Purple Sorcery Swirl /// Disc 2: Jack Lantern and Fire Swirl /// 12" Printed Insert /// Deluxe Packaging /// Waxwork Records in partnership with Back Lot Music is proud to present The House With A Clock In Its Walls Original Motion Picture Music by Nathan Barr. Directed by Eli Roth (Cabin Fever, Hostel) and scored by Nathan Barr (True Blood, Cabin Fever), The House With A Clock In Its Walls is a 2018 dark fantasy film based on the 1973 novel of the same name by John Bellairs. The film follows a young boy (Owen Vacarro) who, after his parents are killed in a car accident, is sent to live with his uncle Jonathan (Jack Black) in a mysterious, old creaky house. He soon learns that his uncle is a warlock, their neighbor (Cate Blanchett) is a witch, and that the house was previously inhabited by a sinister wizard (Kyle MacLachlan).

BMI Award Winning composer Nathan Barr returns to work with Eli Roth for the dark, yet whimsical score to The House With A Clock In Its Walls. Previous collaborations between the composer and director include Cabin Fever, Hostel, and Hostel: Part II. The thematic, haunting score features a 34 piece string ensemble, an 11 piece brass ensemble, and features a newly restored Wurlitzer pipe organ which was previously housed at the 20th Century Fox scoring stage from the 1920’s until the mid-1990’s.

Waxwork Records is thrilled to present the deluxe double LP album loaded with 180 gram colored vinyl, artwork by French fine artist Jérémy Pailler, a 12”x12” printed insert, and old style tip-on gatefold jackets with gloss coating.

Last year, we got together with The Netherlands Institute for Sound and Vision’s RE:VIVE initiative for the second time, inviting four local artists to breathe new life into four archival films from the Sound and Vision and EYE Filmmuseum archives. Jordan GCZ, Suzanne Kraft, Parrish Smith and Upsammy were all assigned short animated films dating back to 1921. The films and their new scores debuted at EYE on August 2nd as part of Dekmantel Festival 2018. Unsurprisingly, each artist imparted their unique styles onto the films that they previously had no relation with. From Suzanne Kraft's sparse atmospherics that have become more apparent in his new SK U KNO project to Jordan GCZ’s free flowing hardware jams. Parrish Smith showed his contemplative side and sparse orchestrations that he demonstrated on his RE:VIVE release, Genesis Black, a sonic departure from his bombastic releases and DJ-sets while upsammy showed yet again her deft hand for melody and texture, a style that dominates all her releases to date.
These four scores can live apart from their films, fitting seamlessly into each artists' growing catalogs of work. But when combined, it’s as if the films and music were made simultaneously with the artist and filmmaker together in the same room. Dekmantel and RE:VIVE are proud to present these new works as the electronic music scene in The Netherlands continues to show its multifaceted talent that continues to expand far beyond the dance floor.

Stanley Kubrick has a troubled past with Deerhoof. An argument over whether Eyes Wide Shut was good almost broke up the band in 1999 and again in 2003. When Famous Class suggested a 7" of music from The Shining, the band waffled for three years about whether they thought they could do it justice. But once a Halloween release date was proposed, Deerhoof couldn't resist. They got the score to Bartok's "Music For Strings, Percussion and Celesta" out of the library, and transcribed one of the 20s songs straight from the closing credits. Music that in the movie echoed from some ghostly, gilded past takes on a more urgent character in Deerhoof's versions, as if to underscore that the horrors of white supremacy, oligarchy, and domestic abuse are alive and well in 2018 America.

Another master of the soundtrack is Francesco De Masi, that, through a long carrier, has moved between different genres, giving the soundtrack to spaghetti western movies (like Vado l’ammazzo e torno) comedies, and action movies like La Macchina della violenza (The Big Game), by Robert Day. A soundtrack that goes from tense and nervous songs, to soft ballads with female voice.

Previously unreleased full edition for this explosive jazz-funk score by Italian Maestro Riz Ortolani, created in 1973 for the crime-movie “Si può essere più bastardi dell'ispettore Cliff?” (also known as “Mafia Junction”). Only two tracks from this OST were published at the time in a now extremely rare C.A.M. 7-inch, but that was enough to create the legend... Four Flies is honored to had access to the original C.A.M. master tapes, so to present here, just your pleasure, the complete session for the first time! Just expect one of the funkiest piece of the whole Ortolani’s career: car chases, sex scenes, vicious kills are served here by amazing drum breaks, fat bass lines, captivating horn section and wonderful guitar effects. Totally outstanding session, and a real new classic for all crime-funk lovers!

Reprint of the rare 1972 library LP by Maestro Giuliano Sorgini under the pseudonyms of Raskovich and The Bid-On. Originally released in just a few copies for a small label owned by a friend of Maestro Sorgini, this LP includes 12 really beautiful tracks with positive vibes. From Jazz Dance, Bossa Nova, Funk, and some Killer BreakBeat, with lots of percussion, growling flute and honking sax. Reissued with the original minimal artwork designed by Giuliano Sorgini drawn with chalk on a black sheet. Glossy Cinedelic cover. Limited to 600 copies.

According to Morricone’s 60th professional anniversary as a composer, „Morricone 60“ collects his definite greatest and most famous pieces of work to date.

Cinedelic Records never ceases to amaze us and they are back again with the rediscovery of these two amazing and mind-blowing unrecognized gems (originally released individually in 1971 in ultra-limited edition), by the American transplanted to Florence, David H. Kimball (also known by the pseudonym Peymont) and Riccardo A. Luciani (who, for contractual reasons, could not use his name). Another two tracks are composed by Serena Marega.

Abstract, mysterious, evocative, experimental, futuristic and avant-psychedelic, ATMOSFERE is a fascinating electro-acoustic, industrial, dreamy journey that stands out in the panorama of Italian discography as one of the most original and unusual examples of psychedelia.

10" vinyl only release limited to 500 in beautifully printed tip-on jacket. A mysterious film score from Sean Lennon with dreamy washes of echoey drum machines & keyboards with dark & foreboding synth arrangements, twangy guitar riffs with a sci-fi western flair, 50s pop, 70s punk, creepy demonic themes interlaced with a touch raunchy, swaggering horns that recalls old school film noir, with a surprisingly fresh indie rock edge. Features guest spots from KING KHAN, MARY OCHERS, KARLA MOHENO, & BISHY & FOLEY STEWARD. NO EXPORT TO UK/EU/JAPAN

Waxwork Records proudly presents the debut LP release of 2014's STARRY EYES. Composed by SUB-POP recording artist Jonathan Snipes (clipping, Room 237), STARRY EYES has been hailed not only as one of the best horror movies of 2014, but one of the best horror films of the last decade. The LP features an incredible 100% analog synth score composed and performed by Snipes that has grabbed the attention of fans of the film worldwide.STARRY EYES and it's score has received countless awards and accolades. TIME has called the film one of the ten best films of South by Southwest.