Movies | TV Sale 151 Items

"Rob wanted the world of The Northman to feel harsh and uncomfortable, and for everything to feel like it was caked in mud and dry blood, so it was crucial for the score to mirror that." Composers Robin Carolan (Tri-Angle Records) and Sebastian Gainsborough (Vessel) were given a task of epic proportions when director Rob Eggers (The VVitch, The Lighthouse) asked them to create the score for his ambitious and highly anticipated new film The Northman, releasing on April 22nd. They needed to make a score that both honored the immense research that had gone into the authenticity of this Viking era period piece and complimented the cinematic maximalism of the film for a modern audience. The artists stretched themselves to the depths of their creativity and the resulting album is a gorgeous sonic tableaux that places the listener right in the center of the film. While arranging the score the composers consulted musician and ethnographer Poul Hoxbro for inspiration and insight into the history of Viking music. Having backgrounds in left field electronic music, Robin and Sebastian felt liberated by the constraint of using a small selection of musical tools for this piece. "Electronic music has almost limitless potential when it comes to making sounds and that's obviously an incredible thing, but you can also go down the wormhole and get lost in it sometimes. There's no risk of that happening when you only have a few primary instruments to draw upon." Robin remarked. They utilized traditional instruments such as the tagelharpa, langspil, kravik lyre, and säckpip to build the cinematic world of The Northman but they also took creative freedoms in adding instruments likes drums, which some academics believe wouldn't have played a big part in Viking musical culture, simply due to the lack of archaeological evidence of actual drums. "One of the pieces we wrote was intended to emulate the sound of a bullroarer; an ancient instrument used in sacred rituals or in battle to intimidate enemies. It makes a really disorienting roaring vibrato sound and low frequencies capable of traveling insane distances." Robin says when asked about one of the more unique aspects of the score. Everyone involved put so much effort into both their research and their creativity and this richness is evident in every track. The album as a whole is a cinematic masterpiece of sound and ambiance, both gorgeous and disturbing, like the film it so beautifully accompanies.

Limited to 500 copies.

Six years before the release of his landmark Mother Earth's Plantasia LP, composer and arranger Mort Garson met experimental film director Skip Sherwood, who was interested in an electronic score for his new movie, Didn't You Hear? While not much is known now about the exact nature of their collaboration, we have Garson's magnificent score as a record of those heady, early days after his life-changing discovery of the Moog synthesizer. Notable for being one of the earliest screen appearances by a young Gary Busey, Didn't You Hear? also boasts one of the first-ever all-electronic movie scores. Though the score was first released in 1970, it sounds as adventurous and futuristic today as it must have then. Originally available only in the lobby of the theater at screenings of the movie in Seattle, the soundtrack LP went out of print shortly after the film's release. It has been a sought-after record for collectors of Mort Garson and early electronic music ever since. Sacred Bones is honored to reissue Didn't You Hear? as it was meant to be heard, taken from the original master tapes and given a pristine remaster by engineer Josh Bonati. Morton S. "Mort" Garson was a Canadian-born composer, arranger, songwriter, and pioneer of electronic music. He is best known for his albums in the 1960s and 1970s that were among the first to feature Moog synthesizers. His best-known album is Mother Earth's Plantasia, a 1976 Moog album designed to be played "for plants and the people who love them." Sacred Bones Records has undertaken the project of giving official, licensed reissues to key releases from Mort Garson's catalog, with the intention of bringing these bold masterpieces to a 21st century audience.

Limited to 1000 copies, foil numbered units pressed on red and black galaxy viny.

Inspired by the popular paranormal podcast The Midnight Society, A new record by The Rentals for Record Store Day 2022 Mondo & Death Waltz Recording Company are thrilled to be releasing a new record by The Rentals for Record Store Day 2022.

Inspired by the popular paranormal podcast The Midnight Society Matt Sharp (Weezer) & Nick Zinner (Yeah Yeah Yeahs) have created an expansive atmospheric soundtrack to some of life’s most bizarre and otherworldly unexplained paranormal activities.

This is an unsettling yet beautiful record, ambient passages give way to menacing jittering Synths amid Nick Zinner’s familiar guitar tones soaked in reverb, conjuring up long dark highways, deserted buildings and dense woods that never end. The artwork by Henry Abrams compliments the audio perfectly.

A soundtrack vinyl record release of a popular Mecha Anime series “SSSS.DYNAZENON” (2lp Vinyl). Contains 27 tracks, all music composed by a Japanese composer, arranger and music producer Shiro Sagisu. The cover art is a special edition, newly drawn by a Japanese animator and director Akira Amemiya.

Japanese pressing with obi.

Waxwork Records in partnership with Back Lot Music is honored to release NOPE Original Motion Picture Soundtrack by Michael Abels. Oscar® winner Jordan Peele disrupted and redefined modern horror with Get Out and then Us. Now, he reimagines the summer movie with a new pop nightmare: the expansive horror epic, Nope.

The film reunites Peele with Oscar® winner Daniel Kaluuya (Get Out, Judas and the Black Messiah), who is joined by Keke Palmer and Oscar® nominee Steven Yeun as residents in a lonely gulch of inland California who bear witness to an uncanny and chilling discovery.

NOPE marks Abels’ third feature film score with director Jordan Peele, having previously scored Peele’s GET OUT and US. The album also features songs from the film, including a new version of Corey Hart’s classic “Sunglasses at Night (Jean Jacket Mix)”, Dionne Warwick’s “Walk on By”, The Lost Generation’s “This is the Lost Generation”, Exuma’s “Exuma, the Obeah Man”, and a never-before-released gem by a young Jodie Foster, “La Vie C’est Chouette” from the 1977 film MOI, FLEUR BLEUE. “NOPE is my most ambitious score to date,” says Abels. “There are elements from the genres of sci-fi, action, horror, and westerns, but always through the tonal palette of Jordan Peele’s unique vision. The lines between source music and score are blurred, as a good part of the score seems to be playing at the theme park, which is a key location in the story. The score is at times terrifying, yet also invokes the sense of awe and wonder that the characters feel as they realize what they are seeing. The film eventually becomes a grand adventure, and so the music expands into the larger-than-life scale we expect of a summer blockbuster.” He goes on to say, “it was a joy to compose a score that encompassed such a broad range of genres and emotions, and I’m thrilled to have audiences experience all of them through this album.”

“Michael is one the most exciting composers working today - he has this amazing ability to create new sounds which was important for this film,” Jordan Peele says. “He's able to play in the familiar and in the unfamiliar at the same time, so that helps give every film its own character, and he has an incredible mastery of so many different music genres.” Abels is known for his genre-defying scores for the Jordan Peele films GET OUT and US, for which Abels won a World Soundtrack Award, the Jerry Goldsmith Award, a Critics Choice nomination, and multiple critics’ awards. The hip-hop influenced score for US was short-listed for an Academy Award® and was named “Score of the Decade” by The Wrap. Abels is also co-founder of the Composers Diversity Collective, an advocacy group to increase visibility of composers of color in film, gaming and streaming media.

Waxwork Records is thrilled to present the official NOPE deluxe double LP soundtrack album. The package comes complete with 180-gram colored vinyl, quality packaging, original artwork by Ethan Mesa, heavyweight gatefold jacket with matte coating, a multi-page 12”x12” booklet, liner notes, & more!

Acclaimed label Light in the Attic proudly partners with River Road, Zurich Avenue, and Roadside Attractions to release Dreamin’ Wild Original Motion Picture Soundtrack. The film follows the real-life story of brothers Donnie & Joe Emerson, whose teenage dreams of rock stardom suddenly came true 30 years later. The soundtrack blends vintage recordings by Donnie & Joe (including the cult favorite “Baby”) with exclusive new performances by Donnie Emerson, Nancy Sophia Emerson, and actor Noah Jupe, plus original score selections by composer Leopold Ross (Black Mirror, A Million Little Pieces).

Red transparent vinyl!

Red Vinyl. Side 3 has a deeper scratch, the other sides are between VG+ and NM

“Nell’Anno del Signore” is a 1969 film directed by Luigi Magni; set in Rome in 1825, it is based on a real event, the execution of two individuals belonging to the Carbonari revolutionary secret society; the main characters are interpreted by Nino Manfredi, Enrico Maria Salerno and Claudia Cardinale.

The drama and gloom atmosphere of the movie reflect in a soundtrack composed and arranged by Maestro Armando Trovajoli for an orchestra conducted by Gianfranco Plenizio; a few but essential notes outline the principal melodies of the main themes of the work, for a result that is still enticing today. In addition, we have the fundamental contribution of Alessandro Alessandroni’s Cantori Moderni and Edda Dell’Orso, together with the extraordinary participation of Fabrizio De André in the song “Nell’Anno del Signore (Suite)”, here released on vinyl for the first time.

This soundtrack special reissue, with audio remastered by Claudio Fuiano, is accompanied by a completely renewed graphic design compared to the original 1969 version, and also contains a special A4-sized 12-page booklet with a reproduction of the manuscript of the original score of “Tema di Giuditta”.

* Pressed on 5-lp 180 gm transparent color vinyl * Remastered from original master tapes * 12-page full color booklet * Exclusive hard box set * Limited edition of 1000 units

40th anniversary of the blockbuster First Blood with Rambo: THE Jerry Goldsmith Vinyl Collection, a mammoth 5-lp box set that includes Jerry Goldsmith’s powerful music for the original Rambo trilogy, presented for the first time in expanded form on vinyl!

Back in the 1990s video games were still largely seen as nerdy: fun, sure, but basically a guilty pleasure that you'd soon grow out of. The release in 1995 of wipE'out'', a lightning-fast, razor-sharp, futuristic racing game that helped to launch the PlayStation in Europe and North America, changed all that. This was a game that looked and sounded both adult and cool, the kind of game you would put on display in your living room, rather than hide away under your bed. Key to this was the fact that wipE'out'' borrowed unashamedly from the clubbing experience and electronic music, in a way that put it at the heart of progressive mid 90s culture. It soon became a phenomenon. wipE'out'' looked sensational, with Sheffield agency The Designers Republic - known for their work with Warp - creating the visuals, packaging and manual for the game, drawing heavily on the bright colours and excitable geometric shapes of the rave and club flyers of the early 90s. wipE'out'' also sounded like a new rave dream. The European version of the game included music from The Chemical Brothers, Leftfield and Orbital, the kind of fashionable game syncs that were almost unheard of at the time. Equally striking was the game's original music, which came from Welsh musician Tim Wright, aka CoLD SToRAGE, by this point already a veteran in the video games world, having worked on the music for Amiga titles such as Lemmings and Shadow of the Beast 2. His music for wipE'out'' was, if anything, even more extreme than the big-name syncs, mixing the accelerated beats of drum & bass with the pure synth rush of trance to make music that sounded as breathlessly exciting as playing the game felt. These tracks were burned into the brains of millions of gamers; the soundtrack to a generation of late-night anti-gravity racing, as the sun gingerly rose beyond the curtains. But they haven't, perhaps, quite got the respect they deserve, something that this release will address. In 2023, video game music is finally getting its dues; here, remastered and repackaged -and also remixed by cutting edge producers such as Kode9, ?-Ziq, Brainwaltzera, Simo Cell, Wordcolour, James Shinra, Surgeons Girl and Dattassette- are some of the most important, thrilling, innovative and most fun songs ever committed to game release.

The debut film for The Coen Brothers and Carter Burwell, who would go on to work together on numerous films including The Big Lebowski, No Country for Old Men and Fargo. Blood Simple has only been previously released as one side of a shared 12″ LP with an abbreviated score to Raising Arizona on the second side. The score will be expanded to a full album with unreleased tracks and alternate versions and pressed exclusive for RSD on transparent red smoke marble vinyl.

Waxwork Records is thrilled to present THE Midnight Club Original Netflix Series Soundtrack By The Newton Brothers. Created and directed by Mike Flanagan (The Haunting Of Hill House, Midnight Mass, Doctor Sleep), the series brings back Flanagan’s longtime collaborators THE Newton Brothers who once again bring their expert scoring blend of orchestral and synth driven cues wrapped in an eerie, ambient shroud of emotion and darkness.

Starring Iman Benson, Igby Rigney, Ruth Codd, and Annarah Symone, The Midnight Club tells the story of a group of eight terminally ill young adults residing at the Brightcliffe Home hospice center. Each night at midnight, they gather in the Brightcliffe library to share scary stories. They have also formed a pact: the first to die from their disease must come back and communicate with them from the other side.

With the score, The Newton Brothers lean on their classic roots of piano, effect pedals, synths, and skillful melody to create a dynamic and haunting composition. The continued sense of dread and fear undercuts the beauty of the music. Though bright orchestral themes highlight the score, the electronic and ghostly arpeggiated sounds create a feeling of tension-building unease.

Waxwork Records is so excited to continue our series of official soundtracks with filmmaker Mike Flanagan and composer duo The Newton Brothers with the premiere release of The Midnight Club Original Netflix Series Soundtrack. Featuring the complete series music by The Newton Brothers pressed to heavyweight "Beyond The Grave" swirl colored vinyl, deluxe gatefold packaging with design by Creepy Duck Design, an art print insert, and more!

THE Midnight Club Original Netflix Series Soundtrack Features:

The Complete Series Music By The Newton Brothers 2xLP "Beyond The Grave" Swirl Colored Vinyl Deluxe Gatefold Packaging with Matte Satin Coating Design by Creepy Duck Design Art Print Insert Catalog Number: Ww166 UPC: 657768405969

Straight from the original master tapes and remastered on Limited Edition Vinyl LP for the First Time Ever 'ScappoPerCantare' by Giuliano Sorgini is one of the finest titles in his vast production. New cover artwork designed by Eric Adrien Lee.

Another dream coming true! One of Giuliano Sorgini’s finest and most sought-after titles is finally available as an official LP reissue – the first ever – remastered from the original tapes.
Originally released in 1971 on the small library music imprint FAMA, which operated as a sub-label of RCA Italy, the record contains the original music written for Scappo per cantare, a small, pseudo-psychedelic ‘musicarello’ (musical comedy film) broadcast on RAI television and starring, among others, Italian singers Gianni Morandi and Mauro Lusini.
The only credited album artist is Sorgini, but it’s impossible not to perceive, in this record, the hand of his close friend and colleague Alessandro Alessandroni.
This should not come as a surprise. In the early 70s, the two composers and multi-instrumentalists had a fruitful collaboration that saw them, under the monikers Braen (Alessandroni) and Raskovich (Sorgini), produce an abundance of works together, most of which have now gained the recognition they deserve. These include, among others, two 7” singles from their band The Pawnshop, three records in the series Alle sorgenti delle civiltà (Folkmusic), the crime/noir library albums Quarta pagina (Usignolo) and Inchiesta giudiziaria (Octopus Records), as well as the LP Tempo Libero (Panda Records), which was released shortly after the record presented here and in some ways drew rhythmic inspiration from it.
While their collaboration remained unacknowledged on the original release of Scappo per cantare (this was not uncommon at the time, especially in the field of library music), the record sounds perfectly in line with other works composed by Alessandroni in the early 70s, such as Complesso Gisteri’s Mostra Collettiva (co-written with Oronzo De Filippi), or even a landmark album like Spontaneous, where Sorgini contributed to a handful of tracks.
So, yes, the sheer beauty of Scappo per cantare is the result of an incredible synergy between two heavyweights of Italian library music! Airy and sweeping melodies à la Zoo Folle, psychedelia à la Under Pompelmo, and various percussion instruments played by Sorgini seamlessly blend and fuse with elements and touches provided by Alessandroni.
More specifically, we find Alessandroni’s signature, melancholy whistle in “Desolazione”; the peaceful and dreamy sound of his 12-string guitar in “Scogliere” and “Con Amore”; the trademark harmonies of his vocal ensemble Cantori Moderni in the last two tracks mentioned and in “Per cantare”; and his ingenious use of distortion on his Fender Stratocaster in the suspenseful transitions “Concentrazione” and “Fantocci”, as well as in the frantic/hypnotic hippie numbers “Mordente” and “Fendente” (as a side note, it is worth remembering that Alessandroni experimented extensively with distortion in the rock-infused album Underground, co-written with De Filippi and released in 1971 under the moniker Braen’s Machine, probably a reference to British psychedelic band Soft Machine).
The creative relationship between Sorgini and Alessandroni was so symbiotic that it would be useless to try to identify in more detail their respective contributions to the sound of Scappo per cantare. The alchemy between these two musical geniuses is the key to the album’s exquisitely Italian mixture of cheerful lounge, sweet psychedelia and smooth easy listening.
To do justice to the quality of the music, this remastered reissue is enriched by a new artwork by Eric Adrian Lee, who drew inspiration from the psychedelic visual culture of the period in which the album was written and recorded.

Burning Witches Records are once again honoured to be working with Director Brian O’Malley (The Lodgers) to bring you the fantastic and atmospheric score to 2015’s cult horror Let Us Prey by composer Steve Lynch.

Rookie cop Rachel (Pollyanna McIntosh) is about to begin her first night-shift in a neglected police station in a Scottish backwater town--the kind of place where the tide has gone out and stranded a motley bunch of the aimless, the forgotten, the bitter-and-twisted who all think that they really deserve to be somewhere else. They all think they're there by accident and that, with a little luck, life will get better. Wrong on both counts. Six (Liam Cunningham) is about to arrive--and all hell will break loose

“The Minimoog pulsating bass throughout the score is a nod to 80’s horror, but I wanted to modernise it too, so all the synth textures are on a Dave Smith Prophet 12, which is a modern classic. Rachel’s Theme was a chance to bring in a more emotive organic tone using cellos, bowed bass guitar and voices. I think the combination of all these elements gave the score its own particular sound.” -Steve Lynch

Rob Zombie and Waxwork Records have partnered to release an exclusive, curated line of classic Horror movie soundtracks. “Rob Zombie Presents” will feature several never-before-released film soundtracks that were personally selected by the singer, songwriter, and filmmaker.

“I have always been a huge fan of movie soundtracks. So I jumped at the opportunity to work with Waxwork on this project.” Says Zombie, “I can’t wait to release these albums. So many of these films are greatly under appreciated and, they all contain such great music. So, to be able to release these deluxe packages is a dream come true.“ - Rob Zombie

Rob Zombie and Waxwork are thrilled to announce their first soundtrack title as “Rob Zombie Presents White Zombie”. Starring Bela Lugosi, 1932’s White Zombie is considered the first zombie movie. It was also filmed on Universal Studio’s lot, using several props from other horror films of that time. Starring Madge Bellamy, Robert W. Frazer, and John Harron, the film follows the cast as they navigate zombies, love, obsession, and treachery. Initially slammed by critics upon its release, the movie has been reevaluated and praised by recent critics for its classic horror production. The film has gone on to influence mainstream media, even influencing the band name of White Zombie. Rob Zombie has said of the film, “It’s a great film that not a lot of people know about. It amazes me that a film that is so readily available can be so lost.”

After working together on the successful release of the official soundtracks to Zombie’s films House of 1000 Corpses, The Devils Rejects, 3 From Hell, The Lords of Salem, Halloween 1 & 2, and The Munsters, Zombie explored other ways to collaborate with Waxwork in an effort to unearth, re-master, and release classic, left-of-center Horror soundtracks from films that he is a life-long fan of. The line of soundtracks features deluxe packaging, heavyweight colored vinyl, new artwork by prominent Horror illustrator Graham Humphreys, liner notes and interviews conducted by Rob Zombie with filmmakers and actors. Titles include premiere releases of Spider Baby, Carnival Of Souls, The Last Man On Earth, The House On Haunted Hill, Island Of Lost Souls, and many selections from the Hammer film library.

ROB Zombie Presents White Zombie Original Motion Picture Soundtrack Features:

The Original Soundtrack Available For The First Time On Vinyl Liner Notes by Rob Zombie 180 Gram "Zombie & Jungle" Hand Poured Colored Vinyl Old Style Tip-On Gatefold Jackets with Matte Satin Coating New Art by Graham Humphreys 12"x12" Insert

4 titles of the cult Japanese cartoon (Candy) that marked a whole generation of babies bottle-fed at Club Récré A2 then at Club Dorothée.

A first vinyl edition in limited series with the original versions fully remastered! ... To sing the heady chorus 'In the land of Candy, like in all countries… ”

Although this wasn’t directed by but Sergio Leone, but by the less known Giulio Petroni, “Tepepa” is one of the best films in the spaghetti western genre, thanks to a perfect synopsis – even if as set in the ‘abused’ Mexican Revolution of the early ‘900 – to a trio of exceptional actors and, finally, to Ennio Morricone’s soundtrack. The protagonists are in fact the immovable doctor John Steiner, the histrionic revolutionary Tomas Milian and the massive Colonel Orson Welles, a unique and practically unrepeatable combination, however directed in a ‘leone-ish’ way by Petroni, who often focuses on large panoramas and close-ups on the character’s faces. As always, Morricone means quality: for “Tepepa” the Maestro creates a memorable soundtrack, dominated by strings and, curiously, by the acoustic guitar! Reissued several times on CD, this album has been reissued on vinyl almost 40 years later! When the film was premiered in the theatres (1969) just a the single 45rpm “Viva la Revolucion / In Mexico I would like” had been released; both songs are of course included here, the second of which is sung by Christy (stage name of Mary Cristina Brancucci) in a very felt and compelling way.

Born of the overarching World of Darkness and the tabletop phenomenon Vampire: The Masquerade, Bloodhunt is Sharkmob’s thrilling spin on the multiplayer action genre that sees players take part in a ruthless war between vampire factions.

Bloodhunt boasts a sonically rich score sired by acclaimed Polish-Bulgarian composer Atanas Valkov, and featuring the Sofia Session Orchestra & Choir. The city of Prague provided much of the aesthetic inspiration for Bloodhunt’s soundscape: classical and romantic, yet with many a shadowy corner in which a vampire might secrete themselves. Valkov enjoyed creating contrast between modern electronic musical elements and old world ones, as well as layering guitars and using irregular rhythmic structures. The overall soundtrack is both cinematic and brutal.

The deluxe double LP set features a deluxe gatefold sleeve (individually inkjet numbered) and printed inners dripping with stylish artwork by Sharkmob. 16 tracks have been mastered specially for vinyl, and pressed onto heavyweight, red and transparent LPs with a cloudy effect. Also included are composer liner notes.

Reprint of the rare 1972 library LP by Maestro Giuliano Sorgini under the pseudonyms of Raskovich and The Bid-On. Originally released in just a few copies for a small label owned by a friend of Maestro Sorgini, this LP includes 12 really beautiful tracks with positive vibes. From Jazz Dance, Bossa Nova, Funk, and some Killer BreakBeat, with lots of percussion, growling flute and honking sax. Reissued with the original minimal artwork designed by Giuliano Sorgini drawn with chalk on a black sheet. Glossy Cinedelic cover. Limited to 600 copies.

Island of the Hungry Ghosts is a hybrid documentary that moves between the natural, human and spiritual worlds. Located off the coast of Indonesia, the Australian territory of Christmas Island is inhabited by migratory crabs traveling in their millions from the jungle towards the ocean, in a movement that has been provoked by the full moon for hundreds of thousands of years. Poh Lin Lee is a trauma therapist who lives with her family in this seemingly idyllic paradise. Every day, she talks with the asylum seekers held indefinitely in a high-security detention centre hidden in the island's core, attempting to support them in a situation that is as unbearable as its outcome is uncertain. As Poh Lin and her family explore the island's beautiful yet threatening landscape, the local islanders carry out their "hungry ghost" rituals for the spirits of those who died on the island without a burial. They make offerings to appease the lost souls who are said to be wandering the jungles at night looking for home. This album presents the original score Aaron Cupples created for the film. Rich in texture and harmonics, the music is characterized by the bespoke instruments and recording techniques employed in its creation. The soundtrack also features sound recordist Leo Dolgan's vivid field recordings. All captured on Christmas Island, the four pieces recall insect choruses, strange and ominous bird calls, erupting blowholes, fire, ocean, and Buddhist prayers for the dead. The album is mastered by Rashad Becker, featuring design by N MRE 08. *LP comes with an obi strip, a booklet containing stills from the documentary & liner notes, as well as a postcard granting access to the full film*

Waxwork Records is proud to present the Lovecraft Country Soundtrack From The HBO Original Series by Laura Karpman and Raphael Saadiq.

Lovecraft Country is an American horror drama television series based on and serving as a continuation of the 2016 novel of the same name. The series follows a young black man who travels across the segregated United States in the 1950’s in search of his missing father, learning of dark secrets plaguing a town on which famous horror writer H.P. Lovecraft based the location of many of his fictional tales.. This begins a struggle to survive and overcome the racist horrors of Jim Crow era America and terrifying monsters that could be ripped from a Lovecraft paperback novel.

Showrunner Misha Green asked composers Laura Karpman and Raphael Saadiq to capture a sound she coined ‘gothic R&B,’ which the pair flawlessly produced, combining influences from J Dilla, 1960’s string work, & 18th century classical. Karpman describes the score as “the Twilight Zone meets Raphael Saadiq.”

Due to the Covid-19 pandemic, Karpman and Saadiq faced many challenges creating the score, but agree that ultimately, they wouldn’t have gotten the extraordinary sound they achieved had they undergone the traditional recording process. To achieve the full orchestra sound the creators wanted during the height of the pandemic, each member of the orchestra had to learn how to use pro-tools in order to record themselves while isolating in their own homes all over the world. To ensure the best sound quality, everything was close-miked, giving the score period authenticity by using the same techniques composers like Bernard Hermann (Psycho, Taxi Driver)l & Jerry Goldsmith (Planet of the Apes) would have used in the 1950’s and 60’s. Additionally, the musicians had no conductor, so Karpman relied heavily on music notation to achieve ‘aleatoric music’ or ‘chance music,’ which is usually attained directly from conductor cues.

Waxwork Records is thrilled to present Lovecraft Country Soundtrack From The HBO Original Series by Laura Karpman and Raphael Saadiq as a deluxe and expansive triple album set. Pressed across three 180 gram colored vinyl records and housed in a heavyweight triple gatefold jacket featuring matte satin coating and artwork by Ngabo D. Cesar (El'Cesart) and Sam Gilbey.

Lovecraft Country Soundtrack From The HBO Original Series Features:

The Complete Soundtrack by Laura Karpman and Raphael Saadiq 180 Gram 3xLP Colored Vinyl Artwork by Ngabo D. Cesar (El'Cesart) and Sam Gilbey Heavyweight Triple Gatefold Jackets with Matte Satin Coating

Limited Edition for Record Store Day 2022.

Another master of the soundtrack is Francesco De Masi, that, through a long carrier, has moved between different genres, giving the soundtrack to spaghetti western movies (like Vado l’ammazzo e torno) comedies, and action movies like La Macchina della violenza (The Big Game), by Robert Day. A soundtrack that goes from tense and nervous songs, to soft ballads with female voice.

The Nest is a 2020 thriller film written, directed, and produced by Sean Durkin. It tells the story of a family plunged into uncertainty upon relocation from America to England, as the tense isolation of their new home affects them differently. Its soundtrack was arranged by Richard Reed Parry, a Canadian multi-instrumentalist, composer, producer, best known as a core member of the Grammy Award-winning indie rock band Arcade Fire, where he plays a wide variety of instruments. The Nest is available as a limited edition of 500 individually numbered copies on crystal clear vinyl. The package includes an insert with pictures from the movie.

Waxwork Records is thrilled to release Monster House Original Motion Picture Soundtrack by Douglas Pipes. This special double LP marks Waxwork's third soundtrack album release with composer Douglas Pipes following 2014's Trick 'r Treat and 2016's Krampus. Monster House is a 2006 animated Horror film directed by Gil Kenan (Scream, Ghostbusters: Afterlife). The plot tells the story of a neighborhood that is terrorized by a haunted house during Halloween. The movie features the voices of Steve Buscemi (Reservoir Dogs), Maggie Gyllenhaal (Donnie Darko, The Secretary), Mitchell Musso (Hannah Montana), Sam Lerner, Spencer Locke, Kevin James (The King of Queens), Nick Cannon, Jason Lee, Fred Willard (Spinal Tap), Jon Heder (Napoleon Dynamite), Catherine O-Hara (Beetlejuice), and Kathleen Turner (Jessica Rabbit in Who Framed Roger Rabbit).

Monster House marks Sony's first computer animated film produced by Sony Pictures Imageworks. Produced by Roger Zemeckis (Back to the Future Trilogy) and Steven Spielberg's Amblin Entertainment, the film was released in 2006 and was met with praise from fans and critics for its blending of horror and accessibility to a broad audience as a feature animated film.

Roger Ebert gave the film his highest ranking of four stars calling it "one of the most original and exciting animated movies I've seen in a long time" and compared it to the work of Tim Burton.

About the composer:

Douglas Pipes is an award winning American film score composer whose feature films include the Academy Award nominated Monster House, the Halloween horror anthology classic Trick 'r Treat, and the Christmas comedy-horror film Krampus.

Waxwork Records is thrilled to release yet another score by Douglas Pipes after the deluxe vinyl releases of the soundtracks to both Trick 'r Treat and Krampus.

500 Copy Limited Edition ~ Includes 4 Individual Full Size Artwork Inserts. Hyperdub Are Excited To Present Our First Soundtrack Release, Lawrence Lek's Score For His Debut Feature Film `Aidol', Which Premiered At Sadie Coles Hq In 2019 And Has Been Shown At Numerous Virtual And Physical Festivals And Exhibitions Worldwide.Lawrence Lek Is A Simulation Artist Who Uses Computer-Generated Animation And Video Game Engines To Create Films And Virtual Worlds That Play With The Language Of Science Fiction, Music Videos And Corporate World Building. He Has Released Soundtracks To Five Of His Previous Projects, Most Recently `Temple' Ost (Vinyl Factory, 2020). `Aidol' Continues His On-Going 'Sinofuturist' Cinematic Universe, Which Posits The Creative Theory That China's Technological Rise Is An Emergent Form Of Artificial Intelligence.`Aidol' Is A Cgi Fantasy That Tells The Story Of A Fading Superstar, Diva, Who Enlists An Aspiring Ai Songwriter To Mount A Comeback Performance At The 2065 Esports Olympic Finale. Set In A Realm Of Spectacular Architecture, Sentient Drones And Snow-Deluged Jungles, `Aidol' Revolves Around The Long And Evolving Struggle Between Humanity And Artificial Intelligence; A Shifting And Seductive Virtual Reality, Punctuated By Diva's Songs And The Voice Of Kode9 As The Unforgiving Label Boss.The Soundtrack Is A Delicate Lattice - Complex, Opaque And Entirely Synthetic. Diva's Yearning Vocals - Created With A Vocaloid Voice Synthesiser, Sung In English And Mandarin - Cast Classical Melodies Over Billowing, Intricate Arrangements. The Instrumental Tracks, Produced With Composer Seth Scott, Are Elegiac And Beautiful, Hybridising The Film Score Archetype, Folding In Patterns From Game Soundtracks, Vaporwave, And Ambient Fourth World Music.

Red, Green, and White Marble Vinyl Archive tape transfer and mastering by Darren Page at Abbey Road Studios Heavyweight Sleeve Artwork by John J Pearson Burning Witches Records are honored to announce the reissue of – Silent Night Deadly Night.

“Little Billy witnesses his parents getting killed by Santa after being warned by his senile grandpa that Santa punishes those who are naughty. Now Billy is 18 and out of the orphanage, and he has just become Santa himself…”

Perry Botkin’s chilling electronic score to the famed and much loved 1984 festive slasher is as charming, warm, disturbing and extreme as the movie. Immediately the record starts with the first time on vinyl track of a young child carol singer juxtaposed against the hard edged bombastic main theme. From there on it doesn’t let up.

Lovingly transferred from the original 1984 session tapes and remastered at Abbey Road Studios, this new vinyl release includes 2 new cues not before released on vinyl, plus 10 alternate mixes from the original film sessions.

Waxwork Records is proud to present Barbie Score From The Original Motion Picture Soundtrack composed by Mark Ronson and Andrew Wyatt! The score is featured in the juggernaut film Barbie, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling as Barbie and Ken.

On composing the score, Ronson says, “Greta’s Barbie overflows with emotion in a way that inspired us to no end, not just with harmony and melody but also textures, sonics and rhythms. Sometimes Greta wanted us to elicit tears, sometimes she wanted it to feel like a disco. Sometimes she loved the warmth of vintage analogue synthesizers, sometimes she wanted the richness of the orchestra. Often, she wanted both.

“The late nights and crazy hours we put into Barbie were all worth it to us, because we were so in love with this film. And we truly hope listening to our score from beginning to end will give others the same emotional, whimsical experience they had watching this magical film.”

The highly anticipated film score vividly brings Gerwig’s vision to life and adds the perfect layer to the film that immerses fans into the Barbie Universe.

Waxwork Records is thrilled to present Barbie Score From The Original Motion Picture Soundtrack on several beautiful colored vinyl variants to choose from that all correspond to fun elements in the film, housed in heavyweight LP jackets with overall high gloss coating, with a 12"x12" insert.

9 x 7" box set.

The Godzilla franchise is a Japanese media franchise created and owned by Toho, centered on the fictional kaiju character Godzilla.

It is the longest-running film franchise, having been in ongoing production from 1954!



From the first ever Godzilla record "Godzilla-san / Our Anguirus" to the big hit "Shin Godzilla" in 2016, it is a permanent preservation board that traces Godzilla's music history in the form of a single record. In addition to "All Monsters Attack", the theme song that colored Godzilla's hero era at the Toho Champion Festival is recorded in the form of a reprint of the original version of Crown Toho Records. For the theme song "Kaese! Taiyo wo" of "Godzilla vs. Hedorah (1971)", which is gaining cult popularity, the soundtrack version used in the movie was made into a record for the first time. "Godzilla vs. Mothra (1992)" and "Shin Godzilla (2016)", which boast the largest number of mobilization in the Heisei Godzilla series, are the first 7inch records of the inserted songs.

The reprinted 7inch single record contains valuable past art. (* The recording form of art is different from the original board)The four new records will be recorded with completely new art.

Released in 2020 to celebrate the 100th anniversary of the theremin, The Gateway features the instrument as a lead voice in the extraordinary realm of high-energy post-Italo electronics.

For this newest collection of original works, Brown transports the theremin to the heart of the dance floor – reimagining its mysterious interface as an electro-magical conduit for the opening of forbidden portals and the summoning of subversive spirits.

The Gateway also features a contemporary expansion of the classic theremin sound. Brown plays the Moog Etherwave Pro theremin in two ways – employing both its familiar heterodyne voicing and possessing a range of analog synthesizers via control voltage technology.

This groundbreaking combination presents a fresh voice and thrilling new context for the world’s oldest electronic instrument.

Waxwork Records is proud to present the complete ÆON Flux Original Series Soundtrack Box Set by Drew Neumann. Officially available for the very first time in any format, the soundtrack to the groundbreaking animated series is now available as a deluxe 6xLP box set, multi-disc CD set, and across all digital streaming services today, February 17th, 2023. In partnership with ÆON Flux creator, artist, and director Peter Chung, composer Drew Neumann, and MTV, Waxwork Records assembled a comprehensive box set experience featuring the complete soundtrack music from all 21 ÆON Flux episodes sourced from the composer’s original masters.

Originally airing from September 1991 through October 1995, ÆON Flux is an avant-garde science fiction animated television series that inspired live action films, video games, and comic books. It premiered on MTV’s Liquid Television experimental animation show as a six-part serial of short films, followed in 1992 by five individual short episodes. In 1995, a season of ten half-hour episodes aired as a stand-alone series.

The original and innovative series featured elements of science fiction, allegory, dystopian and spy fiction, psychological drama, and psychedelic imagery. ÆON Flux is set in a surreal futuristic universe. The setting comprises a bizarre dystopia populated by mutants, clones, and robots, set within the separated border wall cities of Monica and Bregna. The title character is a tall, sexy, dominatrix secret agent from the city of Monica that is skilled in espionage, assassination, and acrobatics. Her mission is to infiltrate and destroy the strongholds of the city of Bregna which is led by her sworn enemy, and sometimes lover, Trevor Goodchild.

About the Composer

The music and sound design of ÆON Flux was created by Drew Neumann. Neumann is an American composer and musician of film and television scores. He studied film, animation, and composition at the California Institute of Arts where he first met and began a longtime friendship with Peter Chung. He has composed music for Disney, E!, Nickelodeon, MTV, Mattel, Paramount Pictures, Cartoon Network, and trailers for feature films. In addition, he has contributed sound design and music composition for a variety of hardware synthesizers, sound libraries, and software and computer products. Neumann works closely with and consults for synthesizer companies such as 1010 Music LLC, Arturia, Studio Electronics, Ensoniq, Oberheim, Sequential, UDO, Waldorf, and Moog.

About the Creator

Peter Chung is a Korean American writer and director of animated films. In addition to creating ÆON Flux, Chung’s directing credits include The Animatrix, and the Cartoon Network feature Firebreather. He served as art director for the animated series Teenage Mutant Ninja Turtles and as designer and director for the Nickelodeon series Rugrats. Chung has also directed commercials for Levi’s, Pepsi, Honda, Jaguar, Sony, and many others. He currently teaches a Master Class at the Division of Animation and Digital Arts at the USC School of Cinematic Arts.

ÆON Flux Original Series Soundtrack Box Set Features:

Waxwork Records worked closely with both Drew Neumann and Peter Chung to create the comprehensive ÆON Flux Original Series Soundtrack box set. All artwork elements were provided to Waxwork by Peter Chung from his own personal archive. The deluxe 6xLP set features:

The complete series music by composer Neumann remastered from the original masters 6xLP set pressed to 180 gram colored vinyl Vinyl discs are each devised of a unique color variant correlating to the album’s art The full box set contains original artwork by Peter Chung A high-quality deluxe soft-touch coated “perfect-bound” book that includes: Exclusive liner notes by Peter Chung An extensive essay by Drew Neumann Chung’s original, never-seen-before storyboards and sketches, character design drawings, and much more Each jacket features film laminate gloss coating A turntable slip-mat with art by Chung Housed in a heavyweight slipcase with matte satin coating

Waxwork Records is proud to present MALUM Original Motion Picture Soundtrack by Samuel Laflamme. MALUM is a bold and expanded reimagining of the 2014 horror cult classic, LAST SHIFT. On a search to uncover the mysterious circumstances surrounding her father’s death, a newly appointed police officer, Jessica Loren (Jessica Sula) is assigned to the last shift in a decommissioned police station where a notoriously vicious cult saw their demise years prior. The lone officer at the station, she soon finds herself barraged by terrifying paranormal events, and in the process, is taken on a journey during which she learns the shocking truth behind her family’s entanglement with a demented cult leader. MALUM takes the premise of the 2014 festival hit and flips it on its head, thrusting viewers into an unrelenting, adrenaline-fueled, bloody cult nightmare.

About the Composer

Samuel Laflamme is a composer who has strengthened projects across the film, television and video game worlds. Samuel Laflamme began his composing career scoring numerous television shows, documentaries, and ad spots across a multitude of genres. He has collaborated with many of the top video game companies in the industry, including Ubisoft, Activision, and Red Barrels where he worked on the critically acclaimed survival horror-game Outlast. Samuel’s other credits include French Canadian dramatic comedy series Le Chalet, along with the 2016 Canadian-American co-production, fantasy film Wait Till Helen Comes, based on Mary Downing Hahn’s best-selling novel from the 1980’s.

About the Director

Protégé of filmmaker/novelist Clive Barker, Anthony DiBlasi partnered in Barker’s production company Seraphim Films for nearly ten years, serving as a key executive & producer on films such as MIDNIGHT MEAT TRAIN starring Bradley Cooper and BOOK OF BLOOD. DiBlasi adapted and directed DREAD from the Barker short story, starring Laura Donnelly (HBO’s The Nevers) which won "Best Independent Feature" at the Spike Scream Awards. DiBlasi has adapted several Barker novels for the screen including THE DAMNATION GAME (Warner Bros) and THE THIEF OF ALWAYS (Fox).

DiBlasi directed, co-wrote and edited “Last Shift” a critically acclaimed supernatural horror film released by Magnolia Pictures in 2015. Last Shift was named among the top 5 horror films of 2015 and won both a Golden Skull award and an iHorror award. DiBlasi has directed 8 features including the critically acclaimed thriller MISSIONARY and MOST LIKELY TO DIE for Netflix. DiBlasi recently wrapped production on MALUM, an expanded reimagining of “Last Shift,” and is currently in development on the thriller THE STEP COUNTER with his writing partner and wife Natalie Victoria and Malcolm Spellman’s The 51 (The Winter Soldier).

The debut vinyl release of MALUM features the complete soundtrack by composer Samuel Laflamme pressed to 180 gram colored vinyl.

MALUM Original Motion Picture Soundtrack Features:

The Complete Soundtrack by Samuel Laflamme
180 Gram Colored Vinyl
Original artwork by Jérémy Pailler
Deluxe gatefold packaging

A long awaited release for a wonderful soundtrack composed by Guido & Maurizio De Angelis for the first italian cop-movie. A great proof of ability by the director Enzo G. Castellari with this superb movie interpreted by a great Franco Nero.

4 Track EP In partnership with Sony Interactive Entertainment Europe, Black Screen Records is excited to release the soundtrack to Blood & Truth - London Studio's brand new PlayStationrVR title - on limited edition double vinyl. The genre-bending "orchestral-meets-grime" score was composed by Joe Thwaites and Jim Fowler, produced by Zdot and features vocal tracks from UK's grime rappers JME, Eyez, Kamakaze and Ocean Wisdom. This unique soundtrack is a combination of Bond-esque orchestral compositions (featuring a 90-piece orchestra recorded at AIR and Abbey Road Studios) and grime elements. All 25 songs got remastered for vinyl by Christian Bethge (Anno 1800, Divinity: Original Sin II, So Let Us Melt) and will be available on heavy-weight 180g translucent pink/clear double vinyl with original artwork by Chris Clancy

La notte e il momento (The Night and the Moment) is a 1995 British-French-Italian erotic drama film co-written and directed by Anna Maria Tatò and starring Willem Dafoe, Lena Olin and Miranda Richardson. It was screened out of competition at the 51st Venice International Film Festival. A writer (Dafoe) is invited to the house of a noblewoman (Olin) who adores freethinkers. He attempts to seduce her but she insists that he tell her of his past love exploits. While doing so, he takes her through his time in prison where he was unknowingly incarcerated in the cell beside hers. The movie was nominated for a Nastro d Argento, an Italian Movie Award. Ennio Morricone (10 November 1928) composed and arranged the score of the movie. He has made scores and soundtracks for more than 500 film and television productions, making him one of the most influential and best-selling film composers since the late 1950s. This release is available in the Ennio Morricone Classic Soundtrack series.

Waxwork Records is beyond thrilled to release WENDELL & WILD Original Soundtrack From The Netflix Film! Wendell & Wild is a 2022 stop-motion animation film directed by Henry Selick (The Nightmare Before Christmas, Coraline) and written by Selick and Jordan Peele. It stars Keegan-Michael Key and Jordan Peele as the titular characters Wendell and Wild, with Angela Bassett, Lyric Ross, James Hong, and Ving Rhames in supporting roles. The film marks Selick's first feature since Coraline (2009).

Wendell & Wild is an animated tale about two scheming demon brothers Wendell (Keegan-Michael Key) and Wild (Jordan Peele) who enlist the aid of 13-year-old Kat Elliot, a tough teen with a load of guilt and a love for punk rock, to summon them to the Land of the Living. But what Kat demands in return leads to a brilliantly bizarre and comedic adventure like no other, an animated fantasy that defies the law of life and death, all told through the handmade artistry of stop motion.

Waxwork Records is proud to release the soundtrack to Wendell & Wild as a deluxe vinyl album featuring score cues by composer Bruno Coulais and tracks by X-Ray Spex, Death, TV On The Radio, and more. Features include 180 Gram "Wendell & Wild Demon Swirl" colored vinyl (Green and Purple swirl), new album artwork by TV On The Radio frontman Tunde Adebimpe, a four page booklet with an exclusive essay by Adebimpe, heavyweight gatefold jackets with matte satin coating, and more!

WENDELL &WILD Original Soundtrack From The Netflix Film Features:

Score Cues By Composer Bruno Coulais
Tracks By X-Ray Spex, Death, TV On The Radio, and more
180 Gram Green and Purple "Demon" Swirl Colored Vinyl
Artwork by TV On The Radio Frontman Tune Adebimpe
Exclusive Essay by Tunde Adebimpe
Four page Booklet
Heavyweight Gatefold Jackets with Matte Satin Coating

Composed by Carl Thiel
Pressed on 2x 180 Gram Black Vinyl with artwork by César Moreno
Mondo, in collaboration with Powerhouse Animation and Viz Media are proud to present the soundtrack to the Netflix Original Series: Seis Manos.

Composed by Carl Thiel (Machete, From Dusk Til Dawn) the music for the Seis Manos is a unique blend of soundscapes from the exploitation films of the 60’s and 70’s, modern action adventure films, all anchored by classical mexican instrumentation. It’s a one of a kind soundtrack for a one of a kind animated series.

Waxwork Records is proud to present Barbie Score From The Original Motion Picture Soundtrack composed by Mark Ronson and Andrew Wyatt! The score is featured in the juggernaut film Barbie, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling as Barbie and Ken.

On composing the score, Ronson says, “Greta’s Barbie overflows with emotion in a way that inspired us to no end, not just with harmony and melody but also textures, sonics and rhythms. Sometimes Greta wanted us to elicit tears, sometimes she wanted it to feel like a disco. Sometimes she loved the warmth of vintage analogue synthesizers, sometimes she wanted the richness of the orchestra. Often, she wanted both.

“The late nights and crazy hours we put into Barbie were all worth it to us, because we were so in love with this film. And we truly hope listening to our score from beginning to end will give others the same emotional, whimsical experience they had watching this magical film.”

The highly anticipated film score vividly brings Gerwig’s vision to life and adds the perfect layer to the film that immerses fans into the Barbie Universe.

Waxwork Records is thrilled to present Barbie Score From The Original Motion Picture Soundtrack on CD, housed in a jewel case, with a 16 page booklet.

* Debut7' 45rpm * Mastered byMell Dettmer in Seattle, WA * Art, Design, and layout by Andy Reichel

“Nightshade” creeps in on sly keyboards, haunting cuica moans reminiscent of Airto Moreira’s work with Miles Davis, and skewed cha-cha beats before an incongruously jaunty synth melody plinks skyward, and releases all the tension that the intro built up. It proceeds to stack up three distinct keyboard motifs, each one more enchanting than the last. – Dave Segal

Waxwork Records is proud to release Archenemy Original Motion Picture Score by Umberto (aka Matt Hill). The film follows fallen superhero turned homeless alcoholic, Max Fist (Joe Manganiello), who fell through time after saving his home planet & was left on Earth powerless. The only person to believe Max’s story is a teen named Hamster (Skylan Brooks) and together they go on a mission to take down a local drug dealer and his gang.

This electronic score uses heavy synth to form dark, gritty themes and combats them with elements of hip hop to portray a sense of teenage optimism.

Presented as a concept album entitled A Black Hole The Size Of Twelve Billion Suns Waxwork Records is thrilled to present the score music of Archenemy as a deluxe album with 180-gram “Cosmic” colored vinyl, deluxe packaging, new artwork by Robert Beatty, heavyweight old-style gatefold jackets with matte satin coating, a 12”x12” art print, and more!

The Archenemy Original Motion Picture Soundtrack Features:

The complete film score, available for the first time on vinyl 180 Gram "Cosmic” Colored Vinyl New artwork by Robert Beatty 12” x 12” Art Print Heavyweight Gatefold Packaging with Matte Satin Coating

* Pressed on red double vinyl * Housed in a gatefold package * Composed by Academy Award and Grammy-winning composer Ryuichi Sakamoto

In the distant future, humanity has been forced to leave Earth and migrate to another galaxy. A spacecraft is sent to a planet to terraform it and the crew is created one by one by a biological 3D printer. However, a fatal error occurs during the creation of one of the members. The crew then begins to encounter a series of unpredictable events.

A terrifying space horror story from the mind of Hirotaka Adachi (Otsuichi) with character designs by Final Fantasy’s Yoshitaka Amano, the Netflix anime series ‘exception’ features original score music by Academy Award and Grammy-winning composer Ryuichi Sakamoto. Ranging from stunning, otherworldly orchestral pieces to haunting electronic soundscapes, the vinyl edition of the soundtrack highlights twenty-seven tracks from Sakamoto’s expansive original score for the outerspace saga. This vinyl release comes pressed on two solar red colored LPs housed in a gatefold package featuring original art from the series.