Nu Disco | Disco Edits | Cosmic 291 Items

Saturazione Momentanea is the first single from the upcoming album by 291out, set to be released on Tasty Treats Records at the end of this year.

It is a warm soundtrack, built up on a hypnotic groove, enhanced by electric piano and brass solos and it's a blend of electronic music and jazz/fusion, sound of the 70/80's era. B side Saturazione Sistemica is built upon the motif of the other track but create a different atmosphere and it's characterized by a huge brass section, electronic arpeggiators and smooth flute solo.

291out are known for their passion for soundtrack and on these pieces you can hear the influences from notable italian composers such as Riz Ortolani, Francesco De Masi and Augusto Martelli, just to name a few.

Here's a brand new EP for the italo lovers. Released for the first time
in 1982 on Full Time Production off-shoot Good Vibes, 4 M
International's "Space Operator" is repressed on hand-numbered limited
edition vinyl on Mr Disc Organization!
This special EP includes the Techno producer Donato Dozzy cadillac
rhythms reshape and the vocal and instrumental versions of the record.

Spaced out disco electro. The mysteriously named 4M International was a
side project of the production team behind the Italo group Trilogy ("Not
Love", "Black Devil" etc). "Space Operator" is the only record the
outfit recorded and is an ultra spacey, pitched down, cosmic anthem with
a wealth of killer sound FX, synth washes and sinister vocoded voices
inviting us to join them in some intergalactic space travel!

Here is the debut, self-titled album from a.s.o., singer/songwriter Alia Seror-O'Neill, and producer Lewie Day. 'a.s.o.' is a thematic consolidation of the previous three singles and an impressive artistic progression. Day and Seror-O'Neill show they've mastered the format of the radio-friendly pop song and found how to subvert it completely. Across eleven songs, they have built a rich and compelling body of work.

We know where we are now, emotionally complex, trip-hop torch songs for club freaks. But the palette has broadened to encompass ethereal dream pop à la Cocteau Twins, slow-burning AOR-soul, and dubwise stylings. As a result, 'a.s.o.' is a satisfyingly coherent listen but never a musical monoculture. Variously there are nods toward Julee Cruise, Fleetwood Mac, and the uneasy listening of Portishead. It's an album that wears its influences lightly, is never weighed down by them, and always sure of its own identity.

It's anchored by Alia's unique voice. Her words speak of restraint and release, taking us from the elegiac to the euphoric. This elegantly crafted, perfect pop music sounds like it has had enough of your shit. And Day's music is the perfect foil; deep, slightly menacing, restrained, and powerful. The album has a cinematic texture, as with David Lynch; the seemingly familiar becomes uncanny and strange the closer we look. a.s.o. take our emotions for a joyride before leaving us floating in space.

'a.s.o.' is a journey; by its end, we all are changed.

For those seeking a musical experience reminiscent of the iconic Larry Heard, RON Trent & Kerri Chandler, delving into the enchanting sounds of A Vision OF Panorama is a journey well worth taking. A Vision OF Panorama, much like MR. Fingers, has mastered the art of crafting immersive and soulful electronic compositions. This latest release invites you into a sonic realm where lush melodies, dreamy textures, and intricate rhythms coalesce to create an atmosphere of pure musical bliss. In a landscape where electronic music continually evolves, A Vision OF Panorama stands out as an artist who skillfully pays homage to the timeless vibes of classic deep house while adding a contemporary touches of forward thinking smooth and Balearic jazz. The fusion of classic house elements with a futuristic flair makes A Vision Of Panorama the closest thing available to the legends that precede.

The Star Creature vet returns for Part 1 of his 2022 Chicago/Cali/Minn/Moon combo venture this time around bringing MR. Zackey Force Funk on vocals. This one spins round like the rings of Saturn. Intimate dancefloor funk. No matter how hard you throw it, it still comes back around.

As ever, the next project on Opilec Music is one with a rich back story this time paying homage to a very specific disco scene of the early 80s: it finds label boss I-Robots turning out one of his brilliant reconstructions, namely of a classic and cult track by one hit wonders Ahzz.
This track was first released on Land of Hits, a label run by Peter Brown (who also wrote "Material Girl" for Madonna) and Michael Campbell and has now been officially licensed for this reissue by Opilec Music.
The track, 'New York's Movin'' was huge on the New York disco scene and was played by the likes of David Mancuso at The Loft, Larry Levan at The Paradise Garage and by Nicky Siano at Studio 54, but continued to be a big hit with modern New York tastemakers Kenny Dope, DJ Spinna, Danny Krivit and his Body & Soul party crew well into the 90s, as well as with stars like Motor City Drum Ensemble and Bulljun.
I-Robots is a notorious producer and record collector with a vast understanding of the history of house and disco and his version combines an original vocal and instrumental version into something really magical.
‘New York's Movin'' (I-Robots Reconstruction Take I) is a jangling, organic and lose limbed disco number with a funky drum line, soul in its bones and plenty of lovably rough percussion, clicks and drums.
A retro and impassioned vocal line adds flair to the track at the midpoint just before that groove kicks once more. This version is featured on the new I-Robots - Reconstructions 2007-2017 10th year Anniversary release.
‘New York's Movin'' (I-Robots Reconstruction Take II) is then just as emotive and outgoing but after the break has more of a focus on funk.
This is a huge party starting track filled with feel good vibes and once again proves Opilec Music work on only the most special projects.

Alan Strani returns to Bordello with a remix package of his album title track ‘Apocalypso’ featuring I:Cube, Lauer, In Flagranti and himself on remix duties!

Alison Goldfrapp has set a towering bar for British synth-pop in the 21st century and she’s only just getting started. The magnetic London-born singer, songwriter and producer’s seven albums with Goldfrapp were fuelled by an unfailing modernity and a sixth sense for sounds that were more timeless than any trend. With the release of her debut solo album The Love Invention—an electrifying dance-pop suite—her multi-faceted musicianship reaches a new peak.

The Love Invention marks Alison’s reawakening as a dancefloor priestess, in an intoxicating showcase of the disco and house influences that have always been at the heart of her musical DNA. “So Hard So Hot” bottles the ephemeral joy of a dancefloor with its anthemic house beat, disco handclaps, and an exquisitely alluring vocal from Alison. The sense of uninhibited liberation courses through album highlights like “In Electric Blue,” a yearning synth-pop confection with a chorus as blissful as love’s first butterflies. On “Never Stop,” she is flooded with the rush of an all-encompassing love over a buoyant, rubberised beat; the sublime synth-pop of “Fever” is an ode to the intoxicating majesty of the dancefloor, with a chorus that explodes as if setting off a glitter cannon.

Alison Goldfrapp has set a towering bar for British synth-pop in the 21st century and she’s only just getting started. The magnetic London-born singer, songwriter and producer’s seven albums with Goldfrapp were fuelled by an unfailing modernity and a sixth sense for sounds that were more timeless than any trend. With the release of her debut solo album The Love Invention—an electrifying dance-pop suite—her multi-faceted musicianship reaches a new peak.

The Love Invention marks Alison’s reawakening as a dancefloor priestess, in an intoxicating showcase of the disco and house influences that have always been at the heart of her musical DNA. “So Hard So Hot” bottles the ephemeral joy of a dancefloor with its anthemic house beat, disco handclaps, and an exquisitely alluring vocal from Alison. The sense of uninhibited liberation courses through album highlights like “In Electric Blue,” a yearning synth-pop confection with a chorus as blissful as love’s first butterflies. On “Never Stop,” she is flooded with the rush of an all-encompassing love over a buoyant, rubberised beat; the sublime synth-pop of “Fever” is an ode to the intoxicating majesty of the dancefloor, with a chorus that explodes as if setting off a glitter cannon.

South Street delve into the The Sound Of Detroit from one of its unsung heroes, reissuing Amp Fiddler's 'Motor City Booty' LP on Yellow & Blue vinyl respectively. Coming straight off the D Funk assembly line, it's a full on dance floor affair from Motown to P-Funk, Techno and Neo Soul.

This 12 track album produced by Amp Fiddler & Yam Who? includes the massive 'Soul Fly' sounding like a Mark Ronson production had he been hanging out with George Clinton's Parlet followed by the bonafide P-Funk anthem 'Steppin' both featuring the stunning vocals by the Dames Brown girls.

Amp Fiddler is credited for taking both a young J Dilla and also Q-Tip under his wing teaching them his Akai MPC techniques, setting the path for some of Hip Hop's finest recordings which have defined the shape of things to come.

His musical collaborations & current duties include: Moodymann's musical maestro, keyboard wizard for Theo Parrish's live band, a longstanding Funkadelic member, co-writer for Sly & Robbie, Prince, Maxwell, Jamiroquai & Seal to name a few.

RNT welcomes Amy Douglas to their ever-growing lineup of illustrious talent with a double A-side 7" of pulsating, Rough-N-Tumble NYC Disco. Known to the heads as a voice and pen behind Horse Meat Disco, Roisín Murphy, and as the face of Hard Feelings (her project with Hot Chip’s Joe Goddard), Amy’s distinctive vocal swagger and songwriting talent are on full display on this EP. Co-written with and produced by RNT co-honcho JKriv, both tracks are bass heavy instant earworms, and wickedly naughty party starters. Grab this pair of future modern disco classics, conceived by a pair of experienced dance-floor auteurs.

Anané’s Take A Ride EP was produced by Two Soul Fusion, aka Louie Vega and Josh Milan, all with live string arrangements courtesy of the Apple Hill String Quartet and conducted by Leroy Burgess. The recording dives from the effortless heights of Punk Disco (Let Me Be Your Fantasy, High) into the swirling eddies of Jazz Funk (Coffy Is The Color) before climbing back out into the languorous arms of Italo-Disco (Tutto Previsto). Strings across the production were

The EP is held together in its entirety by the dreamy, sumptuous vocal of its creator Anané, who considers her top line one vital part of the instrumental whole. “I am art,” Anané reflects carefully, “for I am the music as much as I am the singer. Creation means to crawl into the unseen of my own dreams and becoming the beast of my vision, singing to the world as I go by.”

Opening singles Let Me Be Your Fantasy and High both tap into the lifeblood of classic punk disco – when rock, punk and disco merged in the early 80s to create the seminal NYC sound – chugging bass lines and tempestuous high hats providing the DNA for both cuts. On Let Me Be Your Fantasy Vega and Milan employ a dizzying array of tumbling, soaring string sections that dance across rivers of percussion and bass courtesy of Elements of Life band member XXX, Anané’s vocal swirling effortlessly above it all. High starts in similar fashion, Anané pulling the listener into the dance from the moment the needle drops, the chugging bassline catching her wind as the single begins to gather momentum. In both tracks it’s all about the movement, a thrilling, heady sense of dynamism and rhythm that grows with each song as they relax into their natural groove.

From disco Anané coaxes us down into the freewheeling depths of jazz funk with the single Coffy Is The Color. At nine minutes long this is an indulgent masterpiece, a carefully controlled riot, expertly orchestrated so that it builds and grows in energy and pace bar on bar. Anané is the central riff underpinning everything, her voice the steadfast constant within the experiment, various instruments tumbling, diving, rising and swirling around her, adding in volume and excitement until the listener is swimming in whirling electronic and acoustic waters. For any audiophile, Coffy Is The Color is as luxurious an experience as it gets.

Sensual, languid, practically slinking its way out of the speakers and across the terrazzo is Italo-Disco single ‘Tutto Previsto’. A homage to Anané’s love of Italy, the single embodies the unhurried, lazy heat of the Mediterranean. Slow basslines and sliding guitars that have an almost Cajun feel to them provide the song’s foundation, while strings shimmer and dance across the top. Between the two, prowling with an almost feline nature, is Anané’s simmering vocal.

Michael Gray’s Dub Mix of Get On The Funk Train brings the EP full circle back into disco, chunky, squelching rhythms rubbing up against undulating organs, insistent percussion and glistening strings. Paying homage to the original production of Giorgio Moroder and Pete Bellotte, it showcases the truly timeless nature of the genre, a legacy only added to by Anané’s latest body of work.

Take A Ride is a typically daring outing from Anané, who has for her entire career as musician, writer, singer, DJ and label boss, forged her own path. “My role as an artist has a higher purpose,” she explains, “not only my own personal expression but inspiring, creating, and possibly moulding the world around me. Understanding this sense of power. That I have within comes with great responsibility and understanding that my music will always be more than what I could ever imagine.”

Barcelona’s Anbau (Aspecto Humano) debuts on Bordello with a Giro d’Italia themed EP. Dedicated to its heroic riders and specifically the late Marco Pantani. He broke through in 1994, winning one of the hardest Giro climbs with an incredible time record; the Passo del Mortirolo. He eventually became second in the final rankings of this legendary tour of Italy.

The release will be out on the 4th of May, kicking off the 108th edition of La Corsa Rosa. Every copy comes in a limited edition sleeve with a unique and rare original Merlin collector’s sticker of the 78th Giro from ’95.

Riposa in pace, Il Pirata.

We’re very proud to welcome Rome’s Andy Romano to the Bordello family with his long-awaited debut release! These tracks were shelved for more than 10 years and floating around between a handful of DJ’s after Andrea Confrancesco chose a different path in his creative career by becoming a professional illustrator.

The A-side makes space for the almost 10 minutes long monster anthem “Monday”. A killer composition in typical Romano fashion and on repeat at the Bordello HQ for many years. The flipside starts with the very catchy love ballad “Loredane” featuring the master himself on vocals, followed by the galactic journey “Cyber Black Spaceship”. Grandioso.

The much anticipated album by Another Taste released on Space Grapes — an eclectic ooze of boogie, funk, and obscure disco. Comes in a Tip-on sleeve and with a download code.

Another Taste's debut brings together a blend of boogie, 70’s funk and obscure disco - birthed from unearthing forgotten sounds and reinventing them for the modern era. A recipe they’ve been cooking up successfully over the last years in the studio, through their label Space Grapes and on tour through some of Europe’s finest stages.

Another Taste is a Rotterdam-born concept band formed by a group of longtime friends, consisting of Bobby van Putten (keys), Bob Roche (bass), Barend Lippens (keys) and Teun van Zoggel (drums).

Inspired by the obscurity and the do-it-yourself approach of private press culture of the late 1970s and 80s, their first releases were mostly a product of late night sessions between the four of them at the studio of their co-producer Danilo Plessow (mcde), leading to the founding of Space Grapes Records.

The band’s first songs were released under various pseudonyms such as Mad Honey, Galxtc or Jambonne and quickly gathered them a loyal following and support from the likes of Gilles Peterson, Kenny Dope and many more.

Another Taste ripples their sound beyond the studio and onto the stage. In their live performances they introduce additional band members in Sarina Voorn (Vox), Diogo Carvalho (percussion) and Florian Verhagen (guitar). A core group with whom they’ve played at prestigious festivals such as Worldwide or Kappa Futur and legendary venues such as Jazz Cafe London, New Morning Paris, and Tresor Berlin.

The March-scheduled album release is the latest iteration of the band’s evolution. From the A-side opener "Turn Up" to the B-side closer "Perfect Night," the album is a testament to Another Taste’s ceaseless creative exploration. Each of the 6 songs on the album presents a new invitation to experience their genre-defying sound and bring people together in delight!

Dimitri From Paris remixes Space Talk! Naya Beat is proud to announce a historic Asha Puthli 12” disco single, "Space Talk: With Remixes By Dimitri From Paris", the first in a series of Naya Beat remixes and retrospective releases featuring the legendary Asha Puthli. Working with the original Space Talk stems and studio recordings, Dimitri From Paris does the impossible – delivering not one but two stellar versions of the original masterpiece. Two remixes that are destined to be classics in their own right. Be it the world of disco, rare groove or hip hop, Space Talk is one of those rare tracks that transcends time, genre and place. A track equally at home in David Mancuso’s The Loft as in the hands of afro cosmic pioneers Beppe Loda and Daniele Baldelli. A track that has been sampled by The Notorious B.I.G and P Diddy, 50 Cent, and Redman. A track that has seen countless bootleg disco edits but that until now has never been remixed. No stranger to working with iconic music, Dimitri’s two stand apart remixes deliver his trademark sound and more. This is Dimitri at his best. Beautifully dubbed out and magically lush production (with plenty of laser sounds to boot) builds on the original’s interplanetary excursions. While the remixes are quintessentially Dimitri, they also pay homage to greats like Tom Moulton, Patrick Adams and Larry Levan. Exclusive to this release (along with "Dimitri From Paris Spacer Dub") are a "2023 Mix" and "Extended Mix" of the original, lovingly mixed for the discerning DJ by Naya Beat cofounders Turbotito & Ragz using the original studio recordings. Their very existence the stuff of rumour and legend, Naya Beat and Asha have tracked down the original stems and studio recordings from her most seminal albums, including "The Devil is Loose". "Space Talk" is the precursor to a full length LP coming out in September 2023 featuring remixes by legends like Maurice Fulton, Yuksek, Kon, Psychemagik, JKriv and Black Devil Disco Club to name a few. This is a once in a lifetime opportunity for producers inspired by her music to honour Asha’s influence and legacy. This is Naya Beat’s third release in a series of reissues, reworks, remixes and compilations dedicated to uncovering electronic and dance music from the subcontinent and South Asian diaspora

Az aka Lodger is back on Stamp with this great double-header of edits - it's a soul/funk classic on the A side with an excellent new interpretation of an early UK house hit on the flip.

Baia Club is a new collaboration born in the Really Swing headquarters L’Amaro Studio, between Quiroga, Whodamanny and Dario Bass. "Shine On" is an italo funk groove with an incredible vocal by Whodamanny, while on the flip side the instrumental version is an homage to the Italian house golden era.

The debut release from the recently-launched London party of the same name, Balearic London shines a light on lesser known grooves from the past in this new edits series - and reappraisals of some classics given a new twist. A1 will result in spicy synchronised dancing wherever you play it so proceed with caution. Catch the Balearic London crew at festivals this summer including secretsundaze presents Multi Multi...

Noted reggae vocalist Barry Biggs comes under the Emotional Rescue microscope here with celebrated LA digger Patrick Billard aka DJ Duckcomb remixing one of his cuts. First up is the original version of 'Illusion' which has big pianos over the clean digital dub. The soaring vocal is obscured by plenty of lush effects and melodies. After a version twists and contorts the original, the DJ Duckcomb Discomix slows things down and ups the dazzling disco vibes but keeps the dub dubby bottom end to ensure plenty of dance floor impact. This is a classy one as ever from this label.

Magic Wand welcomes Baz Bradley for a series of Special Editions that keep blissed-out late summer dancing sessions alive and possible even as days shorten and the sun fades away. He opens up with 'Soul Boys' (Acetate edit) which is an 80s disco jaunt with superb vocals and noodling funk rifts. 'Super Maxi' is a more stripped-back and aloof groove with sung-spoke vocals and hook melodies making for a weird yet wonderful vibe. 'Flight 207' (Gate One) is another slow-motion and dubbed-out disco funker then 'Burn The Candle' has a raw percussive twist.

This remix is crazily catchy! Beatconductor comes beatdown style with a low slung Barry White bassline & sublime silky vocals from Charlotte Cardin on "deep Deep Deep". A limited & stamped one sided offering.

A side has Donna Summer acapella over a classy smooth 60s Motown groove. Beyonce is looking crazy in the dancehall on top of a classic Kingston cut on the B side. Stamped 7"!

Stevie sounds ever so fresh and updated on the A side's bass heavy piece of funky 4-on-the-floor neo-soul, "wish". This will surprise a few people. THE Rolling Stones disco classic gets reworked on "I Miss U" with ultra groovy beats, a funky bass line, and a few gorgeous breakdowns.

Beatconductor "and his famous All-Star Orchestra" drop 7 remixes/reworks of "chart topping hits from the day!". Some killer new wave and classic rock tunes reworked & re-edited by the prolific Swede to marvelous effect. None of these re-edits have been released on vinyl before. Full pic sleeve. Limited One-Time Only pressing.

The infamous mighty Swede kicks of his second album of remixed nuggets with one of the heaviest rock track of all time: 'TOM SAYWER'. And it don't stop there. Adding a supreme BST beat to LED ZEP's famous WHOLE Lotta LUV makes it a mix that won't leave the bag. If you aren''t satisfied there are 5 more tracks that will keep the dancefloor in euphoria.

BEATCONDUCTOR strips down the STEVIE WONDER's "SUPERSTITIOUS" to the core of moogbass & vocals. PHIL COLLINS' "I'M NOT MOVIN" gets a Balearic rework with new rhythms and MICHAEL JACKSON's "ROCK WITH YOU" gets the vocals stripped out to make "DUB WITH YOU". Hand stamped limited 12".

First in the new series of 7" singles from Beatconductor. Feel good summery Disco on the A side. "stop Draggin MY Heart Around" acapella on top of a moody, Rotary Connection style, mid-tempo disco chugger on the B. Stamped!

Straight Outta…Belpaese, a label fast becoming a go-to for those curiously catchy, exotic edits. Maxing out that luggage allowance with Latin, Disco and Italo-funk rarities for the demanding digger… be quick - these edit EP’s are snap up on sight business!

Straight Outta Belpaese, MORE disco – exotica – balearic - Italo-funk for the demanding digger!!!

Four smoking hot disco tunes picked by Mr. Fonk and reworked by our veteran edit producer and KitKat resident Billy Idle. Sounding like the mid 70s and early 80s, these tracks have all been tested thoroughly on our Disco Bizarre floor to maximum effect. No fillers, just thrillers!

The release is on 180g vinyl. One year on since their last venture as Black Spuma on International Feel, Fabrizio Mammarella, also known as Telespazio and Phillip Lauer, one half of Tuff City Kids, are back with the insatiable Orme EP.

Disco Runnerz 2 features more vibes from Chicago's Southside with "action 78", "come Inside" & "super City" on this limited hand stamped release of underground disco edits from the legendary BOO Williams. Get it!

Last year saw Greek edit wunderkind C Da Afro drop two joints on Cardiology amongst a whole load more discofied party fodder for the likes of SpinCat, Sound Exhibitions and more besides. Now he's back on Cardiology with even more goodies to share with the people in the place, leading in with intention through the rabble rousing 'Get On Your Feet'. He's working the filter hard on 'The Solution', teasing the funk until that sweet release on the drop. 'Disco Gang' whips up Backlash's classic '81 stomper 'Hang With The Gang' and gives it a gentle house injection, while 'Doing The Boogie' burrows deep into the groove for a simmering cut to keep the crowd loose and limber.

Gentle waves lap the soft white sand. The limitless ocean fills the view as the sun slowly sinks below the horizon. As the day ends in blue and orange tones, the heat begins to subside, a sure sign that the slow evening migration from the beach will soon begin.
A pleasant, yet formidable music comes from the radio tuned into a frequency transmitted from Paris. Maybe it was written and recorded in the 70s, or maybe it has simply soaked in that aesthetic all the way down to the pauses. It doesn't really matter.
Delving deep to explore the roots of Brazil’s musical tradition, the Camarão Orkestra has tapped into Candomblé and its rhythms. Born on the drums of enslaved Africans in a ritual that invokes numerous deities, they lay the foundation for this new album, Nação África.
The eleven musicians, guided by Amanda Roldan’s silky voice and guest appearance by Anthony Joseph (“Canto De Bahia”), explore and embrace the murmuring polyrhythm of Brazilian percussion instruments, vibrating berimbau and squeaking cuícas, pouring their tightly-wound funk bass into the groove and letting their jazz fly free, together and solo.
The seven nonchalant tracks get your hips swaying, whether you’re in a comfortable armchair or surrounded by other dancers. They take your mind far away, on a journey paved by analog synths with Fender Rhodes crystals to the horizon where the sun’s last glimmer has finally faded away. The brass section’s shiny bells, valves and keys reflect the images and ambiance of the soft Brazilian night air.

Following the 7” revisiting Candi Staton’s much-loved gospel anthem, this Glitterbox Recordings 12” features four diverse remixes of ‘Hallelujah Anyway’, three of which are new to vinyl. Kicking off with Larse’s Vocal mix, touching deeper territory with a mid-tempo house rendition, Dr Packer’s indulgent piano-littered mix is next, picking up the energy and re-introducing the disco beat. Italian producer Moplen delivers a 90s-influenced Classic Club Vibe mix, maximising Candi’s uplifting vocal. Finally is FK’s Director’s Cut Signature Praise 12” Edit, a Frankie Knuckles and Eric Kupper production which is available here on vinyl for the very first time. Picking up the pace with soaring synths and a grooving beat, the mix takes the anthem firmly back to the dancefloor, compelled by the original song’s call for jubilation. Four must-hear mixes from Glitterbox, breathing fresh energy into this timeless record.