Nu Disco | Disco Edits | Cosmic 21 Items

Curlina is back with three massive edits, ranging from slow Balearic till fast refined Disco: a must have in your record bag! limited copies, don't sleep!

Italo bites on groovy beats. Limited to 300 copies.

EP with four dancing motion tracks, selected from the vaults of the secluded Archivio Fonomeccanico Ornavassese. The evolutionary restoration of the rediscovered pieces is the work of “I Bellissimi Dischi di Ornavasso” who, through structural modifications and sophisticated refinements, made them fit again for listening but more importantly for dancing. All the source tracks stem from 70s and 80s Italian music, revised and guaranteed by the Archivio Fonomeccanico, one of the few ultraphonic overhaul specialists in Italy. With their state-of-the-art audio department they can support the conception, production and mixing of melodies the quality of which is demonstrated by the famous psycho magical side effects. Let yourselves be thrusted into hyperspace by the undulations of your pelvic bone.

Curlina series is back repaying the gesture of the first release from his esteemed locker. Digging in the depths, there’s a flavour for every occasion here that span the world over.

In an age of regressive politics and inward-looking neo-nationalism, there’s something gloriously open and outward-looking about the musical worldview of Rose Robinson. A keen traveller whose mindset and musical vision has been shaped by her experiences visiting different destinations around the globe, Robinson’s releases as Tigerbalm thrillingly combine her roots in dance music – Robinson has been DJing around her home city of London and much further afield for well over a decade – with rhythms, sounds and instrumentation inspired by all manner of indigenous musical cultures from around the world.

This trademark sound is sonically kaleidoscopic, unflinchingly percussive and undeniably infectious, though attempts to accurately describe it are likely doomed to failure. While confounding those employed to review music not Robinson’s aim – she was much more interested in fusing her eclectic global musical influences and showcasing great female vocalists – her brilliant debut album, International Love Affair, will surprise as much as it delights – and all for the right reasons.

It arrives on the back of a string of celebrated singles and was created with the help of a large archive of recordings of jam sessions with musician friends, and contributions from a talented pool of female singers Robinson has met on her travels around the world. It’s those travels that shaped the sound of International Love Affair, with every track being a personal response to the musical cultures of places she’s visited. Combine these vivid experiences with nods to dancefloor-focused styles she loves – think organic house, nu-disco, Afro-house, dub disco, Afro-disco and Brazilian club cuts – and you have a debut solo album that’s as imaginative and entertaining as they come.

Taken as a whole, International Love Affair more than lives up to the promise of its title, marking out Robinson as one of electronic music’s most inventive and on-point global fusionists.

Fabrice Lig has melody running through his veins. On his quest to explore his deep love for the bitter-sweet yearning of Motor City techno, his tracks transcend trends. Over his three-decade spanning career he has refined his blend of soul-infused dance music to striking effect. His gift for a catchy hook is unmatched. His new studio album "The Mental Bandwidth" shows his musical range as a producer once again. On the album's twelve tracks, he effortlessly traverses, cosmic house, funkified techno and electronica, combining his trademark quirky melodies with playful songwriting and dance floor focused beats. The album format is giving Lig enough space to explore his musical ideas from different directions while staying true to the overall atmosphere. "The idea for the album was to go back to the fundamentals of the original Detroit sound and to find new ways of expressing that soul in my music - as I've been doing for years", explains Lig. With Ann Saunderson and the former Kraftwerk-member Wolfgang Flur, the album features two heavy-weight collaborations that connect the "The Mental Bandwidth" to Detroit's musical legacy, too. Slikk Tim aka Garry Grittness also has a cameo in the form of a funky bassline on "Healing", the pop-infused Ann Saunderson collaboration. The title of the album is inspired by Lig's lecture of Sendhil Mullainathan and Eldar Shafir book "Scarcity: Why Having So Little Means So Much" which explores new approaches to reduce poverty. "The authors discovered that the mental bandwidth of poor people is sometimes really low because of short term issues they are facing and are forced to solve", explains Lig. Those issues are reducing the mental bandwidth for long term thinking capacities, which in turn has consequences for the decision making process. An example: before the quality of education of poor kids is increased, the quality of life they have must be increased. This increases the capacities of the kids to learn more than solely better educational programs.

Iner compiled another kind grooving music from around the world. A lot of sunny house and deep vibes.

Legofunk Series continues the series on 7" with two tracks with Afro House & funky influences. For starting the day in a good mood, you will find “Yesaye “ the greatest way...Definitely not to be missed.

AUF Togo is the long-time collaboration of Sasa Crnobrnja (from In Flagranti and Mytron & Ofofo) and Clement Cachot-Coulom (from The Fabulous Penetrators and Big Girls).

After multiple singles and EPs on Leng Records and SaS Recordings, including two collaborative EPs with the tentacular outfit Becker & Mukai, acclaimed by fans and DJs alike, most of their time has been spent writing, recording and bringing to life the 8 amazing tracks that form their debut album “Movements”.

“Movements” follows in the steps of Auf Togo's previous releases and won't disappoint the early fans, but it also offers a completely new proposition. Their signature blend of slamming percussion, driving bass lines, psychedelic guitar hooks, fat analogue synths are expertly mixed with new musical ventures across the tracks: from the louche Hawaiian jazz of Along The Dotted Line to the psych-funk of Pan Con Tomate, the electronic wanderings of Mexico to the cinematic intensity of Radical Departures.

The result is a spell-binding summer album, one to listen to on a coastline somewhere under the Mediterranean sun, and one that is not afraid to wear its many influences on its sleeve, from 70s psych-rock to Balearic Beat, Space Disco and Afro Beat. The scope of “Movements” is wide and proves a captivating and gratifying listen.

Strictlybutters is a music lover, DJ, skateboarder, cyclist, and sneakerhead. He is also a dad with a full-time career, who somehow still manages to go cratedigging on his lunchbreaks. Strictlybutters fully embraces that Danny Tanner "Full House" lifestyle and comes from the same small town that gave us Lyman Woodard. When he is not doing yardwork, making dinner for his daughter, or detailing his Jeep, he is upstairs in his lab making beats, cutting up the 1200's, or listening to music. Strictlybutters is meticulous in everything he does. Although he has been buying records since the early '80s and beat digging since '91, every record that he owns is a gem. His choice of weapon is the Mpc3000, Mpc2000xl, and Sp-303, and he only uses original pressings when making beats. He has also been skating and landing tricks consistently for nearly 30 years, has a half dozen rare '80s BMX cruisers that he rides no matter the weather, as well as a massive collection of kicks. Strictlybutters' love for hip hop began like most people his age who grew up outside of the vicinity of NYC... after seeing "Beat Street" and "Breakin'", he was hooked. He was heavy into breakdancing in '83-'84 and began listening to The Boogie's "Saturday Night Fresh" hip hop/electro show on 107.1FM-Saginaw. In '89, he started listening to the "Cultural Vibe" hip hop show on 88.9FM-Lansing, and it cannot be understated just how important this show was to him throughout the '90s. Also, throughout the '90s and even to this day, Strictlybutters would drive all over Michigan to hit up numerous record spots. If the record excursion took place on a Friday, it was a guarantee that he would end up in Detroit. Every Friday night between '95-'00, you could always find Strictlybutters somewhere in the crowd at St. Andrew's Hall while House Shoes and others would DJ. In the late '90s, Strictlybutters began to hang out with the Starving Artists Crew and would eventually become one of their DJ's. He provided scratches on their first 12" single in ’01 (“Four Square”), and on their "Up Pops The Sac" album in ’03 (“Intro”, “The Kick Clap”, “Up Pops The Sac”, and “96 West Ferry”). It was the time that he spent with the Starving Artists Crew that got him interested in making beats. Ever since '03, Strictlybutters has been making classic '90s hip hop beats for the fun of it, with no intention of ever doing anything with them… until now. In ‘20, he worked with Shepard Fairey (obey) and contributed a couple of Strictlybutters beats that were used in multiple promo spots for the New Deal x Shepard Fairey skateboard collection. And in ’21, Strictlybutters will be releasing his first 7” single on the Galaxy Sound Co. label, with more to come in the future!

Disco Bits are back with another party time 45. Cannon & Mirrorball are in the edit suite once again re-touching and consensually grappling with funky old 70's grooves and late nite club accapellas to bring you the heat that your record box has been needing. Ain't no party like a Cannon & Mirrorball party, y'all. Get 'em while you can.

FrescoEdits is back with another 4-tracker of straight dance floor heat, including 2 disco re-edits, a loopy rework of an italian pop song, and a heavy-rolling instrumental cut with a monster bass sample from a funk track. Fresh juice for your hot summer!

While Bobby was the track that sparked the idea for Caserta to start BridgeBoots, Diana was always in the back of his mind. Diana started off as a release on the long since defunct LegitMix platform. Now it gets new life remixed and mastered by Caserta @TheBridge StudioLA, with a more concise 7 inch edit as well as a brand new Sing A Long dub on the flip, it's sure to be a main stay in the crates for years to come.

the latest effort by James Murphy the head of DFA under the moniker of LCD Soundsystem ... 9 tracks

Time Capsule is a new reissue label that unites the record collectors and DJs of the brilliant corners and Beauty & The Beat communities in London. For each release, Kay Suzuki works alongside one co-curator to reinstate and repackage the music they hold dear into perfectly restored historic artifacts.
For the first release, brilliant corners regular and Meda Fury signing Ryota OPP curates the reissue of Il Guardiano Del Faro’s 1978 album Oasis.
Born 1940 in Milan, Federico Monti Arduini was a child prodigy who studied piano and was already performing at concerts from the age of eight. He composed pop songs for other artists which sold millions of copies, but his own solo success came after he encountered synthesizers in the early 70s. Viewed as a precursor of New Age sound art, Arduini was one of the first producers in Italy to use the Moog synthesizer and a meeting with Bob Moog in New York only added to this obsession. He was also an early adopter of the tradition among electronic producers to use a moniker to disguise his identity. Il Guardiano Del Faro (translated as “the guardian of lighthouse”) is a nod to the small Italian fishing town Porto Santo Stefano, where Arduini created his studio in the mid-70s.
He produced a number of albums from this seaside idyl of electronic instruments and tape recorders, but Oasis stands out from the pack. Released in 1978, it became a cult classic for its experimental sounds and emotional expressions. Spiritual synth sounds cover the album in a dreamy haze, oscillating between ambient and psychedelic. Sparing deployment of the Roland rhythm box gives dance floor favourites ‘Disco Divina’ and ‘Oasis’ touches of space disco and even teases proto-house elements like the great Sun Palace.
“The passionate and dramatic sound of Il Guardiano Del Faro made me fantasise about so many romantic aspects of Italian culture. Oasis is sonically more interesting than his other albums and these exotic, eccentric rhythms sound quite familiar to the modern music fans.” Ryota