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Organic Grooves Sale 952 Items

Hip Hop 972 Organic Grooves 952 Funk | Soul 368 Contemporary Funk 47 Jazz | Fusion 379 Blues 17 Disco | Boogie 85 Latin | Brazil 57 Afrobeat 65 Rock & Indie 2304 Electronic & Dance 2616 Reggae & Dancehall 418 Pop 502 Classical Music 45 Soundtracks 170
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The Trammps / Sylvester - The night the lights went out / over and over
The Trammps / Sylvester
The night the lights went out / over and over
12" | US (Giant)
11,69 €* 12,99 € -10%
Release: US
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Funkadelic - Let's Take It To The Stage
Funkadelic
Let's Take It To The Stage
LP | US | Reissue (4 Men With Beards)
34,84 €* 40,99 € -15%
Release: US – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Back Street Band - Shake
Back Street Band
Shake
12" | US | Original (Jenk-Al-Ron)
15,29 €* 16,99 € -10%
Release: US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Chikado - Infidélité
Chikado
Infidélité
LP | EU | Original
15,99 €* 19,99 € -20%
Release: EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
V.A. - A Tribute To Curtis Mayfield Record Store Day 2021 Edition
V.A.
A Tribute To Curtis Mayfield Record Store Day 2021 Edition
2LP (Warner)
40,79 €* 47,99 € -15%
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Record Store Day 2021 Drop 2 release limited to 3000 copies. 17 distinguished artists come together in tribute to one of the most influential musicians behind soul and political conscious African-American music. On vinyl for the first time. This 2LP Record Store Day exclusive is pressed on custom Light Blue and Gre
Joe Barr & Breezy Rodio - Soul For The Heart
Joe Barr & Breezy Rodio
Soul For The Heart
LP (Dixie Frog)
18,89 €* 26,99 € -30%
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Ruben Hein - Oceans
Ruben Hein
Oceans
LP (V2)
18,19 €* 25,99 € -30%
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Rockie Charles - Born For You
Rockie Charles
Born For You
LP (Orleans)
23,39 €* 25,99 € -10%
Genre: Organic Grooves
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Klabbes Bank - Bnk
Klabbes Bank
Bnk
LP (Hoob)
17,99 €* 19,99 € -10%
Genre: Organic Grooves
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Tyler Morris Band - Next In Line
Tyler Morris Band
Next In Line
LP (Vizztone)
17,99 €* 23,99 € -25%
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Young Holt Unlimited - Wack Wack
Young Holt Unlimited
Wack Wack
LP | US (Demon)
20,24 €* 26,99 € -25%
Release: US
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
William Hooker - Symphonie Of Flowers
William Hooker
Symphonie Of Flowers
2LP (ORG Music)
32,24 €* 42,99 € -25%
Genre: Organic Grooves
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Peter Ostroushko - Buddies Of Swing
Peter Ostroushko
Buddies Of Swing
LP (Red House)
15,74 €* 20,99 € -25%
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Big Band Of Brothers - A Jazz Celebration Of The Allman Brothers Band Electrified A.G.B. - Fly Away Record Store Day 2022 Vinyl Edition
Electrified A.G.B.
Fly Away Record Store Day 2022 Vinyl Edition
12" | UK | Reissue (Dome City)
14,39 €* 15,99 € -10%
Release: UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Anyone got a spare $3000.00? That's what it will cost you for the Only available 12" copy in the world right now and one of the world's holy grail independent Jazz-Funk gems.

"Fly Away" by Electrified A.G.B. (All Girl's Band) is a flawless slice of super-rare New Orleans slinky Jazz-Funk which could have come straight out of a ‘70s Lonnie Liston-Smith or Patrice Rushen session. It's literally that good. Previously stymied by it's extreme rarity, we're proud to finally be able to reissue the 12" on the original Dome City label and finally see this hypnotic and infectious jam reach a wider audience. Expect demand from across the board as there will be much interest in this previously unknown classic.
Actual Wolf - Faded Days
Actual Wolf
Faded Days
LP (Red House)
18,89 €* 20,99 € -10%
Genre: Organic Grooves
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Janko Nilovic & The Soul Surfers - Two Tales For The Mind
Janko Nilovic & The Soul Surfers
Two Tales For The Mind
7" | Original (Broc Recordz)
13,59 €* 15,99 € -15%
Release: Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Crosby, Stills, Nash And Young - Deja Vu
Crosby, Stills, Nash And Young
Deja Vu
LP | US | Reissue (Atlantic)
45,59 €* 47,99 € -5%
Release: US – Reissue
Genre: Organic Grooves
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180g pressing
Daniel Casimir - Boxed In
Daniel Casimir
Boxed In
2LP | Original (Jazz Re:Freshed)
28,79 €* 31,99 € -10%
Release: Original
Genre: Organic Grooves
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Timothy McNealy - Easy Easy Easy / Kc Stomp
Timothy McNealy
Easy Easy Easy / Kc Stomp
7" | US | Original (TS)
7,99 €* 9,99 € -20%
Release: US – Original
Genre: Organic Grooves
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Alex North - OST The Misfits
Alex North
OST The Misfits
LP (Waxtime)
13,59 €* 15,99 € -15%
Genre: Organic Grooves, Soundtracks
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Pip Millett - When Everything Is Better, I'll Let You Know
Pip Millett
When Everything Is Better, I'll Let You Know
2LP (Columbia)
34,19 €* 35,99 € -5%
Genre: Organic Grooves
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Charlie Parker & Lennie Trista - Charlie Parker & L. Tristano Helge Lien Trio - Guzuguzu
Helge Lien Trio
Guzuguzu
LP (Ozella Music)
22,94 €* 26,99 € -15%
Genre: Organic Grooves
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Torun Eriksen - Luxury And Waste
Torun Eriksen
Luxury And Waste
LP (Jazzland)
16,79 €* 20,99 € -20%
Genre: Organic Grooves
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Natalie Cole - Holly & Ivy
Natalie Cole
Holly & Ivy
LP (Craft)
22,76 €* 32,99 € -31%
Genre: Organic Grooves
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Alexander Patten - A Lil Lovin' Sometimes
Alexander Patten
A Lil Lovin' Sometimes
7" | UK | Reissue (Capitol)
11,03 €* 15,99 € -31%
Release: UK – Reissue
Genre: Organic Grooves
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Dee Clark - That's My Girl / It's Raining
Dee Clark
That's My Girl / It's Raining
7" | UK | Reissue (Constellation)
13,59 €* 15,99 € -15%
Release: UK – Reissue
Genre: Organic Grooves
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Karmello Brooks - Tell Me Baby
Karmello Brooks
Tell Me Baby
7" | UK | Reissue (Milestone)
12,79 €* 15,99 € -20%
Release: UK – Reissue
Genre: Organic Grooves
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V.A. - Garage Classics Volume 7
V.A.
Garage Classics Volume 7
12" | US (Garage Classics)
12,74 €* 14,99 € -15%
Release: US
Genre: Organic Grooves
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First Timers - Three Day Weekend B/W Out The Sheath
First Timers
Three Day Weekend B/W Out The Sheath
7" | US | Original (Cqql)
17,09 €* 18,99 € -10%
Release: US – Original
Genre: Organic Grooves
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Matek Deronjic, Ziga Golob, Krunoslav Levacic - Sunrise Sundown
Matek Deronjic, Ziga Golob, Krunoslav Levacic
Sunrise Sundown
LP | YU | Original (Croatia)
22,39 €* 27,99 € -20%
Release: YU – Original
Genre: Organic Grooves
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Ally Venable - Heart Of Fire
Ally Venable
Heart Of Fire
LP | EU | Original (Ruf)
21,59 €* 26,99 € -20%
Release: EU – Original
Genre: Organic Grooves
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Lead Belly - Easy Rider
Lead Belly
Easy Rider
LP | 1950 | US | Reissue (Smithsonian Folkways)
18,84 €* 28,99 € -35%
Release: 1950 / US – Reissue
Genre: Organic Grooves
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The Modern Jazz Quartet - Fontessa
The Modern Jazz Quartet
Fontessa
LP | 1956 | EU | Reissue (Speakers Corner)
26,99 €* 35,99 € -25%
Release: 1956 / EU – Reissue
Genre: Organic Grooves
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The famous critic and jazz expert Ralph J. Gleason quite rightly mentioned two highly distinctive men in his liner notes – John Donne and Pablo Picasso. Almost four hundred years and a great deal of seawater separate the two exceptional artists from England and Spain. Nevertheless the four black US-Americans who make up the Modern Jazz Quartet bridge the gap between time and continents effortlessly.
And what’s more, blues is also to be heard – and bebop! And evergreens from the Broadway shows of the Thirties too!
In contrast to some of the other rather more dawdling and laid-back MJQ LPs, "Fontessa" offers diversified and intense music. Nothing is routine, perhaps because the drummer Connie Kay had replaced Kenny Clark just one year previously. But maybe too because Milt Jackson’s blues influence inspired John Lewis perceptibly to forget all about discipline. All seven numbers are true gems. But if you want a special hint, just listen to "Bluesology". Well, perhaps the present author is too much of a Milt Jackson fan. Be that as it may, the music magazine "Rolling Stone" gave this LP a five-star rating!

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.
Gil Evans - Gil Evans & Ten Mono Black Friday Record Store Day 2023 Vinyl Edition
Gil Evans
Gil Evans & Ten Mono Black Friday Record Store Day 2023 Vinyl Edition
LP | 1957 | US | Reissue (Concord)
38,94 €* 40,99 € -5%
Release: 1957 / US – Reissue
Genre: Organic Grooves
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The rare Mono version of Gil Evans’ classic album on Prestige Records, featuring lacquers cut from the original tapes (aaa) by Kevin Gray, pressed on 180-gram vinyl at RTI and housed in a tip-on jacket
Hank Mobley - Mobley's Message Black Vinyl Editoin
Hank Mobley
Mobley's Message Black Vinyl Editoin
LP | 1957 | EU | Reissue (SAAR)
24,69 €* 25,99 € -5%
Release: 1957 / EU – Reissue
Genre: Organic Grooves
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This is tenor saxophonist Hank Mobley’s first release on the Prestige label, after one previous Blue Note release. Here he is joined by Donald Byrd (trumpet), Barry Harris (piano), Doug Watkins (bass) and Art Taylor (drum) with a guest appearance from Jackie McLean (alto saxophone) on one track.

As one might expected, the program is quite « beboppy », with the band running through bop standards like Bud Powell « Bouncing with Bud », Monk’s « 52nd Street » and Parker’s « Au Privave ».

Mobley’s supremely confident solos are highlights of these tracks and he swings through the rather plain arrangements of « Bouncing with Bud » and « Au Privave » , with exceptional phrasing and melodic finesse, through Byrd’s and Harris’s solos as satisfying as well.

« 52nd Street » is taken at a very quick tempo and has a short horn interlude between the solos.

It’s a small detail but it’s enough to elevate the piece beyond being just a blowing tune. Donald Byrd seems to struggle a little with the tempo, but Mobley and Harris excel. Jackie McLean takes a nice guest solo on « Au Privave » through for the first half of his solo a recording malfunction gives his sax an odd, muted sound.

Byrd sits out for a lovely ballad version of Rodgers’ and Hart’s « Little Girl Blue ». Mobley’s affecting read of the melody manages to recall the sentimentality of the old tenor ballad masters, while maintaining his own tone and distinctive melodic flair. Two Mobley’s originals round out the record with more bebop attitude. « Minor Disturbance » has a catchy melody and somewhat interesting changes but « Alternating Current » has no written melody and instead jumps right into solos and trading from the band.
Miled Davis - Milestones Numbered Limited Edition 180G LP SuperVinyl
Miled Davis
Milestones Numbered Limited Edition 180G LP SuperVinyl
LP | 1958 | US | Reissue (Mobile Fidelity Sound Lab)
84,99 €* 99,99 € -15%
Release: 1958 / US – Reissue
Genre: Organic Grooves
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Miles Davis created just one studio album with his original sextet: Milestones. And he made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, Davis not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Sandwiched between the more famous 'Round About Midnight and the epochal Kind of Blue, Milestones remains a seminal work of art.

Sourced from the original master tapes and pressed on dead-quiet SuperVinyl, Mobile Fidelity's numbered-edition 180g LP grants each musician their own space amid broad soundstages. Afforded the benefits of a nearly non-existent noise floor and supreme groove definition, this vinyl reissue doubles as a time machine back to the February-March 1958 recording sessions.

Colors, shapes, and dimensions appear in the manner that resembles what you'd glean from behind a studio control room's window. Davis' burnished trumpet is rendered in three-dimensional perspective and seemingly coaxes the band to play with unburdened zest. Coltrane's trademark saxophone teems with lifelike tonality and images with specificity; his solos work in tandem with and against the driving rhythms. Garland's swaggering piano lines? Visualize the keys as he hits full stride, the chords and fills slithering around skeletal frameworks.

Inducted into the Grammy Hall of Fame and selected as a "Core Collection" record by the Penguin Guide to Jazz, Milestones is as famous for its title track – widely considered ground zero for modalism and bolstered by Jones' hallmark "Philly Lick" rim shot – as the players that produced it. The launching pad for many of Davis' improvisational flights, the album teases the explorations Coltrane would soon chase. Davis' own solo work broaches territories that far exceed what he had done in his bop-rooted past. Every song is a highlight.

Take the bravado "Dr. Jackle," featuring a hot-foot pace and bebop strains, or "Sid's Ahead," which continues the album's blues theme while juggling edgy harmonics and inside-out structures. On "Billy Boy," distinguished with an arco bass solo from Chambers, Garland gets a turn in the spotlight and channels the openness practised by one of his heroes, Ahmad Jamal. Even more instructive is the band's reading of Dizzy Gillespie's "Two Bass Hit." Three years removed from the version Davis and company recorded for the trumpeter's Columbia debut, this interpretation demonstrates the extent to which the group had jelled in a relatively short amount of time.

Then there's "Straight, No Chaser," the definitive rendition of Thelonious Monk's signature piece. Coltrane's marbled playing pulls at the tune's borders, Adderley takes liberty with solos, and Davis dances around his mates, at one point quoting "When the Saints Go Marching In" while demonstrating his knowledge of tradition and casting an eye towards the future.

About that future. Garland already had one foot out the door during the Milestones sessions to the extent Davis spells him on "Sid's Ahead." Jones would stick around for a bit longer but soon plot his exit. History proves Davis navigated the changes with visionary aplomb. Yet the chemistry, excitement, and beauty the sextet achieves on Milestones cannot be overstated. This reissue helps put the album in proper perspective – and presents the music the fidelity it deserves.
Annie Ross & Zoot Sims - A Gasser
Annie Ross & Zoot Sims
A Gasser
LP | 1959 | UK | Reissue (Pure Pleasure)
30,39 €* 37,99 € -20%
Release: 1959 / UK – Reissue
Genre: Organic Grooves
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Although best known as a member of the vocalese supergroup Lambert, Hendricks & Ross, the great jazz singer Annie Ross's solo albums are gems unto themselves and "A Gasser!" from 1959 is the finest of them all. Miss Ross is in peak vocal form here and is joined by the great Zoot Sims on saxophone and much of the same band featured on the Lambert, Hendricks & Ross classic "The Swingers". Don't expect any of the vocal acrobatics of the Lambert, Hendricks & Ross recordings however. This is straight-ahead jazz singing by one of the great singers in her prime. From the wry wit of "Everything I've Got" through the sheer perfection and beauty of "You're Nearer", this set is a must-have for jazz vocal fans. Highly recommended.
Ornette Coleman - The Shape Of Jazz To Come Crystal Clear / Black Marble Vinyl Edition
Ornette Coleman
The Shape Of Jazz To Come Crystal Clear / Black Marble Vinyl Edition
LP | 1959 | EU | Reissue (Second)
19,99 €* 24,99 € -20%
Release: 1959 / EU – Reissue
Genre: Organic Grooves
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John Coltrane - Coltrane Time Clear Vinyl Edtion
John Coltrane
Coltrane Time Clear Vinyl Edtion
LP | 1959 | EU | Reissue (Sowing)
22,49 €* 24,99 € -10%
Release: 1959 / EU – Reissue
Genre: Organic Grooves
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Limited Clear Vinyl edition, 500 copies! Recorded in NYC in 1958 and originally released in 1959 as "The Cecil Taylor Quintet - Hard Driving Jazz" this is in fact the only existing document of the meeting between John Coltrane and Cecil Taylor. Even if caught at an early stage in their career the two masters show great personality and deep respect for each other while trumpeter Kenny Dorham sticks more to his familiar bop idiom. Cordially backed up by Chuck Israel on bass and Louis Hayes, Coltrane swings madly on Taylor's dissonant comping producing a rare, fascinating friction between two worlds. A must for every Coltrane maniac out there.
Miles Davis - Sketches Of Spain
Miles Davis
Sketches Of Spain
LP | 1960 | UK | Reissue (20th Century Masterworks)
22,79 €* 23,99 € -5%
Release: 1960 / UK – Reissue
Genre: Organic Grooves
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Bill Evans Trio - Portrait In Jazz
Bill Evans Trio
Portrait In Jazz
LP+CD | 1960 | EU | Reissue (Groove Replica)
24,64 €* 28,99 € -15%
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Dinah Shore - Dinah Sings - Previn Plays
Dinah Shore
Dinah Sings - Previn Plays
LP | 1960 | EU | Reissue (Supper Club)
17,09 €* 18,99 € -10%
Release: 1960 / EU – Reissue
Genre: Organic Grooves
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Miracles - Hi We're The Miracles
Miracles
Hi We're The Miracles
LP | 1961 | US | Reissue (Tamla)
16,99 €* 19,99 € -15%
Release: 1961 / US – Reissue
Genre: Organic Grooves
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Three Sounds - Here We Come
Three Sounds
Here We Come
LP | 1961 | US | Reissue (Culture Factory)
19,99 €* 24,99 € -20%
Release: 1961 / US – Reissue
Genre: Organic Grooves
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Herbie Mann - Flute, Brass, Vibes And Percussion
Herbie Mann
Flute, Brass, Vibes And Percussion
LP | 1961 | EU | Reissue (Life Goes On)
22,09 €* 25,99 € -15%
Release: 1961 / EU – Reissue
Genre: Organic Grooves
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In 1959, flutist Herbie Mann put together a very interesting band that was in its brief existence (before Mann's interests shifted elsewhere) one of the top in Afro-Cuban jazz. Utilizing four trumpets (including Doc Cheatham), up to three percussionists and a flute-vibes-bass-drums quartet, Mann performs four standards (including "Dearly Beloved," "I'll Remember April" and "Autumn Leaves") and two originals in a style that was beyond bop and much more African- and Cuban-oriented.

Personnel: Herbie Mann (flute, bass clarinet), Johnny Rae (vibes), Nabil Knobby Totah (bass), Rudy Collins (drums), Ray Mantilla (conga drums), Ray Barretto (bongos except on #8 and #12). Plus trumpet section: Doc Cheatham, Siggy Schatz, Jerome Kail and Leo Ball. Recorded in New York City, 1959
Don Ellis - How Time Passes
Don Ellis
How Time Passes
LP | 1961 | US | Reissue (Candid)
29,44 €* 30,99 € -5%
Release: 1961 / US – Reissue
Genre: Organic Grooves
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A fascinating blend of jazz and contemporary classical influences, How Time Passes is the debut album from the envelope pushing trumpeter and composer Don Ellis. Known for his extensive musical experimentation, particularly in the area of time signatures, Ellis began his long career in the New York City’s post bop and avant-garde jazz scenes of late 1950s. Most notably he appeared on Charles Mingus’ Mingus Dynasty, and albums by George Russell and Maynard Feguson. But he also worked with, among others, the Glenn Miller Orchestra, Lionel Hampton, and Woody Herman. On subsequent albums, Ellis would take an even wilder direction. Here, on his first recoding date as a band leader, the experimentation begins. Ellis stretches the boundaries of bop-based jazz playing with time, tempo and meter. It is the start of his exploration of Third Stream - a fusion of jazz and contemporary classical music. The album title itself - How Time Passes - was taken from an article written by the controversial German composer Karlheinz Stockhausen on the “function of time.” The exceptional section features Ron Carter on bass, the underrated Jaki Byard on piano and saxophone, and Charlie Persip on drums. The LP includes extraordinary liner notes by Candid A&R man and producer Nat Hentoff, and noted musician, historian and writer Gunther Schuller - the originator of the term “Third Stream” - giving a context and insight that adds to the experience of hearing these extraordinary performances.
The Staple Singers - The Twenty-Fifth Day Of December Black Friday Record Store Day 2021 Edition
The Staple Singers
The Twenty-Fifth Day Of December Black Friday Record Store Day 2021 Edition
LP | 1962 | EU | Reissue (Concord)
21,74 €* 28,99 € -25%
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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Originally released in 1962, The Twenty-Fifth Day Of December is The Staples Singers’ holiday classic, featuring traditional songs such as “Joy To The World, “Silent Night,” “Go Tell It On The Mountain” and more. This reissue features the original album artwork and is cut from the analog master, pressed on 180-gram vinyl at Memphis Record Pressing and housed in a tip-on jacket.
V.A. - Passaporto Per L'italia
V.A.
Passaporto Per L'italia
LP | 1962 | EU | Reissue (Dialogo)
72,74 €* 96,99 € -25%
Release: 1962 / EU – Reissue
Genre: Organic Grooves
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First time officially reissue, sourced from the original master tapes in a new edition, the Milan based imprint Dialogo, returns with this compilation published in Italy by RCA Victor in 1962 - a precious historical document of some important international jazz and pop artists who came to Italy and left their marks, influencing the generations of those golden years. The RCA artists on this LP record have only two things in common: “Inter-continental Airport Rome-Fiumicino” stamped on their passports and a great love for Italy. As a tribute to the country which gave them a friendly welcome and where they spent unforgettable vacations and reaped enthusiastic applause, all of them chose to sing songs in Italian or perform - in the case of Perez Prado - a number of outstanding Italian hits. The dazzling trumpets and electrifying rhythms of Perez Prado, the captivating voice of Helen Merrill, rightly considered the top-notch white jazz singer by critics over the world, the young, all-time best-sellers, Paul Anka and Neil Sedaka, the fantastic trumpet of Chet Baker and his mysterious swinging style of singing, and lastly Antonio Prieto, the Latin-American singer-songwriter who wrote “LA Novia”, are the guest stars of this “passport TO Italy”, which, more than a record, is a full-fledged musical show, with a vast assortment of voices, of musical styles and songs. The Italian pronunciation of these North and South American recording artists is virtually perfect and particularly praiseworthy, if for no other reason than for the effort they have made in getting around, in just a few days, the difficult twists and turns of the Italian language. Their accent is naturally somewhat exotic but it only adds to the charm and the originality of the interpretations. The “show” opens with the already classic “arrivederci Roma”, which, though turned into an overpowering “chunga” by Perez Prado, has kept all its original melody intact. Prado, the wizard of Latin-American dance music, is an extremely refined blender of sounds and rhythms, and without any difficulty can take even a Neapolitan song, change it into a mambo and adapt it to his orchestra. In “guaglione”, for example, the “corruption” comes off perfectly and testifies to the everfresh inventiveness and the unmistakable personality of the Cuban-born pianist arranger. Helen Merrill prefers quality over quantity and so has made very few records but they already occupy a place of their own in the annals of jazz. She consented to record two popular ballads only because Armando Trovajoli, the most qualified exponent of Italian jazz as well as a far-out modernist, was to conduct the orchestra. Furthermore, the two songs, “nessuno AL Mondo” and “estate” are particularly congenial to her musical temperament, for she is most of all concerned with creating subtle and seductive moods, making an intelligent use of her vocal resources in that she tries to “add” her voice to the orchestra as though it were another instrument. Canadian-born Paul Anka, by now a regular member of the exclusive club of top-selling vocal artists of America, presents one of his own songs, “ogni Giorno” originally entitled “love ME Warm AND Tender”, the most requested hit in his present-day repertoire. And the young singing star’s interpretation of “voglio Sapere” (“i’d Like TO Know”) once again makes clear why his name became a permanent fixture as all-time best-seller. Neil Sedaka is another representative of the younger generation of American singers. When he was still in high school in Brooklyn, Neil became a close friend of one of schoolmates: Howard Greenfield. The two of them wrote numerous songs together for school shows: Neil handled the music and Howard the words. Their collaboration proved extremely fruitful, and they were soon to make their debut as professional songwriters with two hits of the calibre of “stupid Cupid” and “falling”. The Sedaka-Greenfield team, which in only a few year time has become one of the best-known, presents, in Italian, two songs which in their original tongue have already climbed to the top: “esagerata” (“little Devil”), translated by Leo Chiosso, and “UN Giorno Inutile” (“I Must BE Dreaming”), translated by Gentile and De Simoni. After Sedaka comes one of the big names of cool jazz: Chet Baker. Trumpet-player and singer, he proves here for the nth time that the names “Golden Trumpet” and “Angel Voice”, given him not only by his fans but by the crites as well, are in no way exaggerated. With an at once restless, desperate and almost possessed musical style, Chet sings and plays two songs which he himself wrote: “IL MIO Domani” and “SO CHE TI Perdero”. His reserved, curiously, precarious and profoundly dramatic way of singing, virtually the mirror-image of his life, is the same in both songs and makes them seem almost unconsciously autobiographical. The “show” then closes with Antonio Prieto. Precisely because of his Latin origins (he was born in Chile, but is Argentine by adoption), it is perhaps easier for him than for the others to express himself in Italian. As is well-known, the name of Prieto soared to the Olympic heights of popular music with “LA Novia” which he wrote in collaboration with his brother, Joaquin. He is a typically Latin singer with a warm, melodious and romantic voice, tinged with melancholy, and on more than one occasion he has shown that he thoroughly understands the tastes of the public. Listen to his two most recent compositions: “papà”, written in collaboration with singer-songwriter Sergio Endrigo, the author of “aria DI Neve”, and “baciami” and... judge for yourselves.
Frank Frost With The Night Hawks - Hey Boss Man! Clear Vinyl Edtion
Frank Frost With The Night Hawks
Hey Boss Man! Clear Vinyl Edtion
LP | 1962 | EU (Destination Moon)
13,99 €* 19,99 € -30%
Release: 1962 / EU
Genre: Organic Grooves
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"Legendary Sun Records producer Sam Phillips knew talent when he saw it, and when he started up his new Phillips label in the early 1960s, one of the first acts he signed was Frank Frost and his electric Delta blues trio. Now known as one of the greatest harp players of his generation, Frost learned his trade playing with none other than Sonny Boy Williamson and his influence can be heard whenever he blows. Originally released in 1962, Hey, Boss Man! is one of the last great electric blues albums."
Duke Jordan - Les Liasons Dangereuses
Duke Jordan
Les Liasons Dangereuses
LP | 1962 | UK | Reissue (Be! Jazz)
23,39 €* 25,99 € -10%
Release: 1962 / UK – Reissue
Genre: Organic Grooves
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Etta James - Rocks The House Blue Vinyl Edition
Etta James
Rocks The House Blue Vinyl Edition
LP | 1963 | US | Reissue (Jackpot)
30,39 €* 31,99 € -5%
Release: 1963 / US – Reissue
Genre: Organic Grooves
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Best known for the lush 1961 rendition of the ballad “At Last”– a slow-dance staple at wedding celebrations everywhere,she is also celebrated for having recorded one of the bestlive albums of all time, “Rocks the House.” Recorded in 1963at the New Era Club in Nashville, James is captured at her performance peak. The foundation for her reputation as a fiery no-holds-barred performer was firmly established in this recording.

Blues, soul, jazz, R&B, and rock vocalist Etta James, needs no introduction. An icon from early rock’n’roll’s pantheon of divas, she has inspired 5 decades of listeners and fellow artists with her vocal stylings. From Janis Joplin to Beyonce, her expressive and guttural style has been imitated but never quite matched.

Jackpot Records is honored to release this momentous record on stellar blue vinyl, with the original album artwork and including 3 bonus tracks which have only ever been released previously on CD. Her powerful version of “Something’s Got a Hold on Me” will shake you. Her impassioned version of “All I Could Do Is Cry,” will break you.
Bill Evans - Conversations With Myself
Bill Evans
Conversations With Myself
LP | 1963 | EU | Reissue (Elemental Music)
26,39 €* 32,99 € -20%
Release: 1963 / EU – Reissue
Genre: Organic Grooves
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Sahib Shihab - Summer Dawm 2024 Repress
Sahib Shihab
Summer Dawm 2024 Repress
LP | 1964 | EU | Reissue (Rearward)
21,59 €* 23,99 € -10%
Release: 1964 / EU – Reissue
Genre: Organic Grooves
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Sahib, besides being an undisputed leader and releasing records for prestigious European and American labels, was one of the key members of the prestigious Kenny Clarke Francy Boland Big Band.
Aretha Franklin - Yeah!
Aretha Franklin
Yeah!
LP | 1965 | UK | Reissue (Pure Pleasure)
33,24 €* 34,99 € -5%
Release: 1965 / UK – Reissue
Genre: Organic Grooves
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Nina Simone - Pastel Blues Back To Black Edition
Nina Simone
Pastel Blues Back To Black Edition
LP | 1965 | EU | Reissue (Verve)
29,74 €* 34,99 € -15%
Release: 1965 / EU – Reissue
Genre: Organic Grooves
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This 180g reissue comes with a download code.
Brenton Wood - Baby You Got It
Brenton Wood
Baby You Got It
LP | 1967 | US | Reissue (Craft)
28,79 €* 35,99 € -20%
Release: 1967 / US – Reissue
Genre: Organic Grooves
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Milford Graves / Don Pullen - Nommo
Milford Graves / Don Pullen
Nommo
LP | 1967 | US | Reissue (Superior Viaduct)
24,69 €* 25,99 € -5%
Release: 1967 / US – Reissue
Genre: Organic Grooves
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In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."
Czeslaw Niemen & Akwarele - Dziwny Jest Ten Swiat..
Czeslaw Niemen & Akwarele
Dziwny Jest Ten Swiat..
LP | 1967 | PL | Reissue (Warner)
39,59 €* 43,99 € -10%
Release: 1967 / PL – Reissue
Genre: Organic Grooves, Rock & Indie
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Ewa Demarczyk - Spiewa Piosenki Zygmunta Koniecznego Red Vinyl Edtion
Ewa Demarczyk
Spiewa Piosenki Zygmunta Koniecznego Red Vinyl Edtion
LP | 1967 | EU | Reissue (Warner)
25,19 €* 27,99 € -10%
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Herbie Mann - Glory Of Love
Herbie Mann
Glory Of Love
LP | 1967 | EU | Reissue (Endless Happiness)
26,99 €* 29,99 € -10%
Release: 1967 / EU – Reissue
Genre: Organic Grooves
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Flutist Herbie Mann is backed by a large rhythm section and a small horn section on this Creed Taylor-produced A&M set (which has been reissued on CD). Actually the most interesting aspect of the R&B-oriented date (which includes such songs as “Hold on, I’m Comin’,” “House of the Risin’ Sun” and “Unchain My Heart”) is that the up-and-coming flutist Hubert Laws is matched with Mann on several tracks.
Eric Dolphy - Iron Man Black Friday Record Store Day 2023 Gold & Black Marbled Vinyl Edition
Eric Dolphy
Iron Man Black Friday Record Store Day 2023 Gold & Black Marbled Vinyl Edition
LP | 1968 | EU | Reissue (Culture Factory)
29,24 €* 38,99 € -25%
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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Quantity: 2200
Release type: RSD Exclusive Release
Iron Man (aka the Eric Dolphy Record), originally released in 1968, is known as an extraordinarily complex and challenging recording. A jazz multi-instrumentalist who gained prominence in the 1960s, Dolphy extended the vocabulary and boundaries of the alto saxophone and was among the earliest significant jazz flute soloists. Vinyl for the album ALL MUSIC calls “ESSENTIAL” has been long out of print and unavailable. This deluxe package for RSD Black Friday includes an OBI side strip, single album jacket, original album art work, printed inner sleeve, original record labels and specialty color vinyl.
Paulo Moura Hepteto - Mensagem
Paulo Moura Hepteto
Mensagem
LP | 1968 | EU | Reissue (Mad About)
23,99 €* 29,99 € -20%
Release: 1968 / EU – Reissue
Genre: Organic Grooves
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One of the greatest musicians in the history of Brazilian music. Conductor, composer, arranger, band leader and, without a doubt, one of Brazil's most brilliant sax and flute players.

In 68, Paulo Moura brought together a notable group from the country's jazz and instrumental music to record the album "Mensagem". He walked between African rhythm and American and European avant-garde, transforming the Brazilian soul.

Licensed by Halina Grynberg
Brugnolini - Torossi - Musica Per Commenti Sonori
Brugnolini - Torossi
Musica Per Commenti Sonori
LP+CD | 1969 | EU | Reissue (Schema)
19,79 €* 21,99 € -10%
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Yet another collaboration between Sandro Brugnolini and Stefano Torossi, who also worked together on the masterpiece “Feelings”. “Musica per commenti sonori” consists of twelve amazing tracks that will excite lovers of the wildest funk, producers in search of rare breaks, and those with a penchant for the psycho-beat atmospheres of the sixties. One of the rarest library music releases ever, that’s never been re-released in any form until now!

“Musica per commenti sonori” is a cult series within the diverse world of Italian library music. In the late sixties and seventies, the small record label Costanza Records has published several releases precisely focusing on ‘background music’, including works of great composers such as Peppino De Luca, Roberto Pregadio, Franco Micalizzi, Vito Thomas, Giancarlo Thomas Puccio Roelens, Riccardo Luciani, and by the protagonists of this long-time due reissue: Sandro Brugnolini and Stefano Torossi.

The two musicians, who had also worked together on the masterpiece “Feelings” (1974), have often collaborated and delivered some of the best Italian library music of all time. “Musica per commenti sonori” is certainly one of the most interesting. On the two equally split sides of this LP, the first for Torossi and the second for Brugnolini (but it seems that this partition was exclusively dictated by legal demands), there are twelve amazing tracks that will excite lovers of the wildest funk, producers in search of rare breaks, and those with a penchant for the psycho-beat atmospheres of the sixties.

Among the most heated tracks featured on Torossi’s side, we can’t pass over the amazing “Sweet-Beat”, “Interrupted” (perhaps the best track of the album) and “Repetition” while “Polyphony”, “Motuproprio” and the closing track “Flyer” shine on Brugnolini’s. Virtually impossible to find, even at astonishing prices, this reissue puts back into the market one of the best examples of ‘The Italian Art of Library Music’: a genre worldwide envied and collected.
Masahiko Togashi Quartet - Speed And Space - The Concept Of Space In Music
Masahiko Togashi Quartet
Speed And Space - The Concept Of Space In Music
LP | 1969 | EU | Reissue (Cinedelic)
23,74 €* 24,99 € -5%
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Recorded in November 1969 at Teichiku Kaikan Studio, Tokyo, "Speed and Space - The Concept of Space in Music" is one of those landmark works in which Masahiko Togashi is accompanied by talented musicians who possess a unique style and innovative approach. The album is an exploration of Togashi's notion of the “Time Law" and can be seen as a study of how texture, rhythm and differing rates of change effect our perception of the passage of time in music. Sounding quite obscure and contemplative, the brief introductory theme signed as “Presage” prepares the listener for powerful and scathing Free Jazz. In a pace of increasing intensity, “Panorama” remits us to the liberating ways of an absorbing percussion where the more muscular interventions are interspersed with moments of enormous sensitivity. Grounded by Togashi’s varied percussion, the disconcerting piano of Masahiko Sato and the vigorous bass of Yoshio Ikeda mark the guidelines of this long abstract exercise. Among several solo notes and brilliant moments played through an energetic improvisation, this theme of 14:35 minutes flows into a grand finale with the involvement of all the musicians. “Expectation” closes the A side in a short but intense reverie of percussion, bass and flute, guided by an improvisation free of harmonic prejudices. The floating world of 'Expectation' closes side A in a brief but intense reverie of percussion, bass and flute, guided by an improvisation devoid of harmonic prejudices. At the piano (and gong), Masahiko Sato (another illustrious representative of Japanese music) assumes a mediation function, granting some harmony traits to the, almost always, abstract and corrosive concepts of this collective. Certainly less known, bassist Yoshio Ikeda (which in the 70s recorded, among others, with trumpeter Terumasa Hino and in the early 80s with the renowned pianist Aki Takase) through a valuable contribution, imprints a decisive mark to the robust rhythm-section as to the overall sound of this date. Even with a less active participation, Mototeru Takagi helps impart a tonal diversity and a colorful exoticism through his forays into the tenor saxophone, bass clarinet and flute. Of sharp forms dominated by technique and irreverence, side B continues with the title track, divided in two distinct but equally penetrating parts. With a depth marked by Togashi’s percussion, “Speed & Space # 1” unfolds on a fast tune over 11 minutes of a harsh and incisive improvisation. The interaction of an irreverent rhythm section finds its complement in the disturbing screams of a delirious saxophone. Shorter, the 2nd part gives voice to an ambiental and minimalist concept in which the central role of Togashi finds an interesting matching in Masahiko Sato’s piano as well in the saxophone and flute of Mototeru Takagi. In this challenging exercise, the flank “space” reaches its fullness before culminating in an entrancing performance by Togashi (percussion, vibraphone, bells, etc.). Includes OBI and insert
Madeline Bell - Doin' Things Black History Month Colored Vinyl Edition
Madeline Bell
Doin' Things Black History Month Colored Vinyl Edition
LP | 1969 | UK | Reissue (UMR)
37,79 €* 41,99 € -10%
Release: 1969 / UK – Reissue
Genre: Organic Grooves
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Dexter Gordon & Slide Hampton - A Day In Copenhagen Black Friday Record Store Day 2023 Sky Blue Vinyl Edition
Dexter Gordon & Slide Hampton
A Day In Copenhagen Black Friday Record Store Day 2023 Sky Blue Vinyl Edition
LP | 1969 | EU | Reissue (Musik Produktion Schwarzwald)
25,49 €* 33,99 € -25%
Release: 1969 / EU – Reissue
Genre: Organic Grooves
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Quantity: 1000
Release type: RSD Limited Run / Regional Focus Release

With his big, warm, round-toned sound, sophisticated phrasing, and hip quotes, Dexter Gordon was one of the major forces on the tenor saxophone from the mid-1940s until his death in 1990. Gordon was cited by both Sonny Rollins and John Coltrane as a major influence on their playing and is acknowledged as a jazz icon.

The popularity of mainstream jazz was on the decline in the States during the 1960s. The Vietnam war and racial turmoil were in high gear, and many of the music’s top-flight musicians, including Gordon, migrated to Europe in order both to escape and to make a living playing jazz. Gordon eventually settled in Copenhagen, Denmark. During this period, he usually played and recorded backed by a piano trio, but this 1969 recording is different. The usual quartet has been expanded with some of those premiere jazz ‘refugees’, each a major voice on his instrument, assembled for the session.

One of the great modern jazz trombonists, Slide Hampton, is also a composer/arranger of note. The album was a collaborative venture between Gordon and Hampton, and three of the compositions and all the arrangements on the album are his. The classy Jamaican trumpeter Dizzy Reese completes the front line. The rhythm section includes two jazz giants who were Gordon’s constant companions at Copenhagen’s famous Club Montmartre, fellow American expatriate pianist Kenny Drew and the great Danish bassist N-H Örsted-Peterson. The Gordon/Drew pairing is one of the classic horn-/piano matchups in jazz, and has often been compared with the Miles Davis/Red Garland and John Coltrane/McCoy Tyner pairings. Art Taylor, who “helped define the sound of modern drumming”, was brought in from Paris to complete the all-star rhythm section.
Los Cirros - Los Cirros
Los Cirros
Los Cirros
2x7" | 1969 | EU | Reissue (Madmua)
36,09 €* 37,99 € -5%
Release: 1969 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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LOS Cirros are one of the most obscure Spanish rock bands from the late 60s. Coming out of a tiny village in one of the smallest provinces of the country sure helped them being fully ignored, but how cool those guys proved to be when discovered in compilations such as “Viñedos” or “Pentecostés Vibrations”!!! They released two seven inches (1969 and 1970), both very very rare and featuring pretty cool songs in a blend of garage, light psychedelia and pop. Now, these two 45s are reissued (marketed together, not to be sold separately!), including an unreleased bonus track and with the usual attention to detail of the Madmua label, with the addition of an insert and two postcards. Limited to 500 copies.
Stanislas Tohon - Dans Le Tchink Systeme
Stanislas Tohon
Dans Le Tchink Systeme
LP | 1970 | EU | Reissue (Hot Casa)
20,69 €* 22,99 € -10%
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Afro-Soul Holy Grail by the “Soul Brother from Benin“, featuring the famous “Vis à Vis” band from Ghana and recorded in Kumasi in 1979.
Patty Pravo - Bravo Pravo Yellow Vinyl Edition
Patty Pravo
Bravo Pravo Yellow Vinyl Edition
LP | 1970 | EU | Reissue (Rca Label)
28,49 €* 37,99 € -25%
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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New Dawn - Theres A New Dawn Orange Metallic Swirl Vinyl Edition
New Dawn
Theres A New Dawn Orange Metallic Swirl Vinyl Edition
LP | 1970 | US | Reissue (Jackpot)
24,64 €* 28,99 € -15%
Release: 1970 / US – Reissue
Genre: Organic Grooves
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After being highly sought after by collectors, we are proud to release this definitive reissue, produced in close collaboration with Dan Bazzy, singer, songwriter, and founder of The New Dawn. Also included on a download are three previously unreleased 1971 New Dawn demos and a live track from a 2008 band reunion.
Ben Webster & His Quartet - Wayfaring Webster Black Friday Record Store Day 2023 Black Vinyl Edition
Ben Webster & His Quartet
Wayfaring Webster Black Friday Record Store Day 2023 Black Vinyl Edition
2LP | 1970 | EU | Reissue (Tidal Waves Music)
28,79 €* 35,99 € -20%
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Record Store Day Black Friday 2023 exclusive release Limited 180g Deluxe Double Vinyl Edition (1000 copies) with obi strip Rare unearthed Dutch recordings from 1970 Featuring an all-star line-up First Time ON Vinyl Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual. The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra. Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians. Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note. Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others. On the album we are proudly presenting you today (Wayfaring Stranger recorded in 1970 by the NPS Radio network in The Netherlands) you will find mind-blowing high-quality Dutch sessions that were left dormant on a shelf and weren’t commercially released for over 30 years! On ‘Wayfaring Stranger’ the listener is treated to no less than nine sublime tracks that document Webster’s trademark relaxed-swinging but imaginative playing style that never gets boring. The album features an all-star line-up from the likes of Rob Langereis (Toots Thielemans), John Engels (Chet Baker, Dizzy Gillespie) and Cees Slinger (Dexter Gordon, Slide Hampton). Expect a 61-year-old Ben Webster in excellent form giving a warm, dusky, gritty yet funky performance where he delivers everything from up-tempo material, 12-bar blues jams to soulful expressive ballads. Webster’s quartet is in constant musical dialog with each other, creating a unique back and forth between musicians at the top of their game. Tidal Waves Music now proudly presents the First Ever vinyl release of this fantastic album (originally released as a limited Compact Disc edition back in 2000). This unique record comes as a deluxe 180g Double vinyl edition (strictly limited to 1000 copies) with obi strip. Released exclusively for Record Store Day Black Friday (UK & Europe) 2023 and available in participating stores on November 24, 2023.
Majoie Hajary - La Passion Selon Judas
Majoie Hajary
La Passion Selon Judas
LP | 1970 | EU | Reissue (Mad About)
28,49 €* 29,99 € -5%
Release: 1970 / EU – Reissue
Genre: Organic Grooves
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Majoie Hajary is an atypical musician. Born in Paramaribo (Suriname) to Indian parents and raised in Amsterdam. In 1970, in France, accompanied by the best Jazz musicians and with arrangements by Roger Guerin, she recorded “La Passion Selon Judas”.

The result was an incredible fusion of Psych, Funk, Indian and Jazz elements – deep religious Jazz in the vein of Jef Gilson.
Carole King - Carole King In Concert - Live At The Bbc 1971 Black Friday Record Store Day 2021 Edition
Carole King
Carole King In Concert - Live At The Bbc 1971 Black Friday Record Store Day 2021 Edition
LP | 1971 | EU | Reissue (Columbia)
23,74 €* 24,99 € -5%
Release: 1971 / EU – Reissue
Genre: Organic Grooves
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Limited to 6550 copies worldwide. Recorded Live for the BBC In Concert Series in 1971, and produced by Series producer Stanley Dorfman, Carole King performs hits from the seminal album Tapestry. Backed by members of Jo Mama (who were featured on the album), including her longtime friend and collaborator Danny “Kootch” Kortchmar on guitar. The setlist includes her songs “I Feel the Earth Move”, “(You Make Me Feel) Like A Natural Woman”, “So Far Away” (ft. James Taylor), “It's Too Late”, “Will You Still Love Me Tomorrow” and “Up on the Roof.” Never before released on vinyl.
Tsu Toronados - Please Heart Don't Break / Ain't Nothin' Nowhere Record Store Day 2023 Edition
Tsu Toronados
Please Heart Don't Break / Ain't Nothin' Nowhere Record Store Day 2023 Edition
7" | 1971 | UK | Reissue (Rampart Street)
14,24 €* 14,99 € -5%
Release: 1971 / UK – Reissue
Genre: Organic Grooves
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A first official reissue of this vintage Houston double header from TSU Toronados – the house band for Ovide who recorded the original ‘Tighten Up’ riff. With originals of the 7 inch selling on the second-hand market for £300+, it’s high time a reissue hit the shelves.

Side A sees a crossover, mellow groove classic in the form of ‘Please Heart Don’t Break’ full to the brim with emotion encapsulated in those sweet vocals and harmonies. On the flip you’re treated to the energetic excellence of ‘Ain’t Nothin’ Nowhere’, an up-tempo funk jam with a raucous trading off of voices in the mix. Two super collectable cuts across a multitude of scenes. Red label version original black sleeve.
Atlantic Bridge - I Can't Lie To You
Atlantic Bridge
I Can't Lie To You
12" | 1971 | EU (Trading Places)
11,19 €* 13,99 € -20%
Release: 1971 / EU
Genre: Organic Grooves
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Glasgow-born pianist Mike McNaught’s aim was to infuse pop and rock into jazz, forming Atlantic Bridge after leading the London Jazz Four, recruiting bassist Darryl Runswick and drummer Mike Travis, who he played with in the Henry Lowther Band, alongside flutist/saxophonist Jim Philip of the Michael Garrick Sextet to craft a sole LP for Pye’s Dawn subsidiary. The lead track on this rare 12-inch EP, ‘I Can’t Lie To You,’ was a non-standard original that summed up all of their capabilities, with uncredited female vocals and unusual enhancing overdubs; instrumentals ‘Hilary Dickson’ and ‘Childhood Room’ are pleasantly atmospheric, the latter showcasing the awesome power of Runswick’s melodic bass prowess.
O' Jays - Super Bad
O' Jays
Super Bad
LP | 1971 | EU | Reissue (Soulgramma)
25,49 €* 29,99 € -15%
Release: 1971 / EU – Reissue
Genre: Organic Grooves
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One of the most influential vocal groups of the 60’s with their original masterpiece, a necessary collection of rare groove and soul ballads. Officially reissued on vinyl after more than 40 years here’s the band fifth album, originally released in 1971 on Little Star Records. Formed in 1958 in Canton, Ohio, and originally consisting of Eddie Levert, Walter Lee Williams, William Powell, Bobby Massey, and Bill Isles. The O'Jays made their first chart appearance with the minor hit "Lonely Drifter" in 1963, but reached their greatest level of success once Gamble & Huff signed them to their Philadelphia International. Super Bad is a raw, deep funk classic. Ranking among their finest work and it is widely regarded as their most complete album.
Takesi Inomata & Sound Limited - Innocent Canon Black Vinyl Edition
Takesi Inomata & Sound Limited
Innocent Canon Black Vinyl Edition
LP | 1971 | EU | Reissue (Cinedelic Orient Series)
24,64 €* 28,99 € -15%
Release: 1971 / EU – Reissue
Genre: Organic Grooves
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Original masters licensed by King Records Japan. Includes OBI and insert. 'Innocent Canon' is one of the hopelessly obscure Japanese underground albums that few people know about. It is a kind of unreleased delirious groovadelic soundtrack played by an acid-soaked Japanese big band with powerful drumming, heavy jazz fumes and delirious organ/guitar lines and luminary narration.Inomata was a well-known jazz musician at the time, but like many of his contemporaries, he went off the deep end with psychedelic music between 1970-1972. Upon the release of the record in 1970 there was a great debate among Japanese journalists who tried to catalog a genre to the record. The attempt was in vain. They couldn't figure out what it was. Rock? Jazz? They had to accept that you couldn't always label everything. Takesi Inomata & Sound Limited produce music that has nothing to do with stereotypical genres; they play to bring to life an expression of modern sensibility. The title of the album, "Innocent Canon," is particularly intriguing to analyze in relation to this concept of the fluidity of music. The same can be said of Kano Tenmei, a talented photographer and DJ, who participated in the sessions with the role of a narrator who improvises aloud, and it doesn't matter if you don't understand everything he says; what matters is being able to fit into this complex emotional quest. Sound Limited consists of 10 members, but this number varies often; Inomata always leaves the door open to anyone who wants to join the band founded on a very loose philosophy. The recording process took only 24 hours. Inomata eventually declared, "we managed to create something exciting and interesting (in such a short time)." The album opens with an acidic "Introduction," played with organ, guitar, bass and drums. It is followed by "Funeral," a flute-dominated track over an organ carpet; it is dedicated to Janis Joplin. In a triumph of brass riffs, guitar, sax and drums solos, Kano Tenmei screams "No, No..." in "Rebellion"; a psychedelic funk shake over 7 minutes long. "Toy" is reminiscent of samba, with prominent horns and an electric piano solo. "Melancholy" follows a sick guitar riff over a cha-cha rhythm, with piccolo, sax and organ solos. This is followed by the long "Lonesome" introduced by sitar. The beginning and end of the song are breathtaking, as is the schizophrenic middle section. Closing is the short "Return," a folk ballad with acoustic guitar, whistles, piano and recorders. It is fair to say that this improvisational session produced outstanding results. The artwork is original features some very strange erotic sketches.
Septet Matchi-Oul - Terremoto
Septet Matchi-Oul
Terremoto
LP | 1971 | EU | Reissue (Souffle Continu)
25,19 €* 27,99 € -10%
Release: 1971 / EU – Reissue
Genre: Organic Grooves
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To abandon animals for music – and avant-garde jazz at that –, could seeming shocking to some people. However, it is exactly what Manuel Villarroel did, as he was a vet for three years before leaving his native Chili for Europe and a career in music. And though the animals may have suffered, the world of music can be grateful.

Born in 1944, Manuel Villarroel lent an ear to the best pianists from North America: Oscar Peterson and Erroll Garner then Herbie Hancock, McCoy Tyner and Cecil Taylor. Manuel left Santiago in September 1970 to participate in the Contemporary Music Workshop in Berlin. To pursue his musical career, he rapidly decided to remain in Europe.

The following year in Paris, Manuel began a quartet with saxophonist Jef Sicard (who would also play with his brother Patricio, in the Dharma Quintet). But the group would rapidly expand: Villarroel and Sicard added Gérard Coppéré (saxophone), William Treve (trombone), François Méchali (bass) and Jean-Louis Méchali (drums). And with the arrival of Sonny Grey, a Jamaican trumpeter heard ten years earlier with Daniel Humair, the Matchi-Oul Septet was complete.

Complete and ready: on May 8th, 1971, Matchi-Oul was in the studio for Gérard Terronès’ Futura label. The septet recorded seven of the pianist’s compositions. A succession of tracks which flow magically from one to the next: from the first drum strokes to the last deep notes of the bass, the successive waves roll over the piano and whistle through the wind instruments. And when they all come together it gives even greater force to Villarroel’s beautiful songs. Terremoto is a masterpiece of collective expression: but what else could we expect from a “supergroup’’ of this stature?
Stevie Wonder - Talking book
Stevie Wonder
Talking book
LP | 1972 | EU | Reissue (Vinyl Lovers)
26,09 €* 28,99 € -10%
Release: 1972 / EU – Reissue
Genre: Organic Grooves
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180g remastered reissue
Blind Willie McTell - Atlanta Twelve String
Blind Willie McTell
Atlanta Twelve String
LP | 1972 | US | Reissue (Atlantic)
20,79 €* 25,99 € -20%
Release: 1972 / US – Reissue
Genre: Organic Grooves
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180 gram vinyl!
Celia - Celia
Celia
Celia
LP | 1972 | EU | Reissue (Mr Bongo)
19,54 €* 22,99 € -15%
Release: 1972 / EU – Reissue
Genre: Organic Grooves
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Célia Regina Cruz recorded four self-titled albums for Continental between 1971 and 1977, ‘Amor’ in 1982 plus several more before she sadly passed away late in 2017. Célia was a Brazilian vocalist who worked frequently with master arranger-composer Arthur Verocai in her early years and many other heavyweights over the course of her extensive career.
This, her second self-titled LP from 1972, features an all-star line up including Arthur Verocai, Erasmo Carlos, Roberto Carlos, Marcos Valle, Antonio Carlos Jobim, Nonato Buzar and Vinicius de Moraes amongst others. Célia’s version of ‘Na Boca do Sol’ – taken from this album – is arguably her most well-known and well-loved song. An incredible take on Verocai’s original, featuring waling fuzz guitars, strings, piano, horns and drums. Needless to say clean, original versions of this record now change hands for silly money! We are very proud to be able to reissue it officially, at long last. Official Mr Bongo reissue. Replica original gatefold artwork. Licensed from Warner Music.
Ben Webster - In Hot House Record Store Day 2023 Edition
Ben Webster
In Hot House Record Store Day 2023 Edition
LP | 1972 | US | Reissue (Tidal Waves Music)
28,79 €* 35,99 € -20%
Release: 1972 / US – Reissue
Genre: Organic Grooves
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Record Store Day 2023 first time ever on vinyl exclusive release limited to 500 copies with OBI strip. Rare Private Pressed Dutch Recordings From 1972

Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual.

The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra.

Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians.

Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note.

Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others.

On the album we are proudly presenting you today (‘In Hot House’ recorded at Leiden, May 1972) you will find mind-blowing rare Dutch sessions recorded at the Hot House club in Leiden. Hot House is one of the oldest jazz venues of The Netherlands (It has existed since 1969.) The album includes an international all-star line-up featuring Rob Langereis (Toots Thielemans), Eric Ineke (George Coleman) and Tete Montoliu (Rashaan Roland Kirk). Webster is in constant musical dialog with the rhythm section creating a unique back and forth with these musicians at the top of their game.

Ben Webster played a total of three shows in Leiden, the first one dating back to 1967, then the recordings we are presenting you today (from 1972) and then the last one in 1973 (just two weeks before his untimely death). Needless to say the venue was packed with loyal fans…and the love an audience has for Webster can be clearly heard on this album. The musicians are constantly being fired up by a spirited crowd (almost making the audience a 5th bandmember).

Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released as a limited private pressing by the Dutch Ben Webster fan club society back in 1979). This unique record comes as a deluxe 180g vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork. Released exclusively for Record Store Day (uk/europe) 2023 and available in participating stores on April 22, 2023.
Pierre-Alain Dahan - Continental Pop Sound
Pierre-Alain Dahan
Continental Pop Sound
LP | 1972 | Reissue (Be With)
25,19 €* 27,99 € -10%
Release: 1972 / Reissue
Genre: Organic Grooves
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A Tele Music CLASSIC from 1972, Pierre-Alain Dahan's Continental Pop Sound is of those library albums with something for everyone. Breaks? Check. Fuzz guitar? Check. Slower, jazzy stuff? Double check. It's a stunning collection of psychedelic rock, soulful funk and retro pop stylings that's currently going for over £200 on Discogs. And with good reason. French drummer, percussionist and composer Pierre-Alain Dahan was a key member of the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou and Sauveur Mallia) and Jef Gilson Septet. So, you know this Be With reissue is nailed on essential.

Skip the by-numbers opener "Rock Extra" and head straight to the deeeeeep, minimalist groove of "Slowrama", a humid masterclass in low-slung, creeping crime funk with weighty breaks and beefy bass complimented by hypnotic wah-wah and warm electric piano. Sensational. It was sampled by Prince Po in 2004 for his "Love Thang" track. The galloping "Latin Pop Sound" is a percussive, Santana-esque tour de force featuring fantastic guitar shreds over a bassline to die for. "Morning Melody" is a lightweight amble whereas the brief but deliciously psych-rock heavy "Islam Blues" is a must for your mixes when requiring short segue tracks. The A-Side closes out with "Phasing Drums N° 1, 2 & 3", all completely ace. For us, N° 3 is the pick of the bunch, with particularly slooooow and deliberate drums underpinned by a droning, sinister organ. Hip-hop, before hip-hop, no less.

The genuine monster "Pacific Rock" blasts out the gate to usher in Side B, a thrilling and unrelenting pop-rock instrumental that really drives. "Quasimodo Pop" contains great slow mo funk breaks and scratchy guitars that alternate with pretty heavy riffing to create a compelling base track. "Carmel Beach" is as beautiful as the location it's named after, as insouciant guitars glide over super slo-mo beats and dramatic organ before it breaks down to a laconic, reflective electric piano showcase. Sumptuous. "Auto Moto Rallye" is a brief driving funk gem, as you might expect, complete with revved up guitars tuned and played to emulate the irresistible sound of growling race cars.

The upbeat, piano-led rock stomper "V.S.O.P Rock" is all well and good but, what you might really be here for is the trio of tracks that ensure the LP ends on an almighty high. The three most famous tracks “Rythmiques 1, 2 & 3” all come complete with *ultra*-dope breaks. N° 2 is probably our favourite, with the shuffling bassline and breaks combo augmented by the wonderful cowbell. Though on any other day, it could be N° 3! This album is often considered as the “baby brother” to Tele Music's Rythmiques, and this triptych is all the proof you need. Outstanding.

One of the very best French drummers ever, Pierre-Alain Dahan began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon and Daniel Humair. Some start, eh?! He also participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson' before going on to make countless KILLER library funk records and be a key member in the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Sauveur Mallia et al), Jef Gilson Septet (alongside Henri Texier) and many more. Some pedigree.

The audio for Continental Pop Sound has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Weldon Irvine - Liberated Brother
Weldon Irvine
Liberated Brother
LP | 1972 | JP | Reissue (P-Vine)
24,79 €* 30,99 € -20%
Release: 1972 / JP – Reissue
Genre: Organic Grooves
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Liberated Brother was the debut album from Weldon Irvine, and remains a landmark jazz release from the multi-talented explorer of sound. Originally released in 1972, over the course of eight tracks Irvine weaves through a collage of genre and instrumentation, fusing elements that would come to define his pioneering jazz-funk sound.

The album features Irvine’s early instrumental jazz before his decidedly conversational approach on the follow-up album Time Capsule. The title and opening track 'Liberated Brother,' with its playful Latin arrangements introduces the first half in spritely fashion, and mellows as Irvine's piano sets the mood for “Here’s Where I Came In” - a track where sombre tones feel luxurious, and conscious instrumentation tests the waters, spreading weight evenly across the soundscape. Guitarist Tommy Smith emerges as a singular figure at the start of side B with 'Gloria' - a timeless guitar composition so wholesome with its delicate simplicity, it attests the level of musicianship that keeps Irvine company across these tracks. The two then strike up a jazz-funk partnership on the subsequent “Homey” with their respective keyboards and guitar.

P-vine is thrilled to be reissuing Liberated Brother as a limited edition LP with newly remastered audio, and an iconic Japanese obi strip attached.
Sylvia - Pillow Talk
Sylvia
Pillow Talk
LP | 1973 | EU (Future Shock)
18,89 €* 20,99 € -10%
Release: 1973 / EU
Genre: Organic Grooves
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Often credited as the “Mother of Hip-hop”, Sylvia Robinson was a seminal blues-turned-soul singer, producer, and writer who released a slew of sultry and sensually charged records in the 1970s as a solo act and in the duo Mickey & Sylvia. Pillow Talk remains her most intoxicating work; a steamy bedroom funk record featuring her illustrious breathy, intimate vocals embedded with silky acoustic guitars, lush orchestral strings, piloted by a series of soft, subtle, and seductive clubby rhythms that still sounds fresh and entrancing today.
Billy Cobham - Spectrum
Billy Cobham
Spectrum
LP | 1973 | US | Reissue (Friday Music)
37,79 €* 41,99 € -10%
Release: 1973 / US – Reissue
Genre: Organic Grooves
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Billy Brooks - Window Of The Mind Ultra Clear Vinyl Edition
Billy Brooks
Window Of The Mind Ultra Clear Vinyl Edition
LP | 1974 | EU | Reissue (Wewantsounds)
30,39 €* 31,99 € -5%
Release: 1974 / EU – Reissue
Genre: Organic Grooves
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Jim Marks - Touching Your Feelings
Jim Marks
Touching Your Feelings
LP | 1974 | Reissue (Nicole)
31,19 €* 38,99 € -20%
Release: 1974 / Reissue
Genre: Organic Grooves
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Boo And The Tru-Tones - Show The World Gold Vinyl Edition
Boo And The Tru-Tones
Show The World Gold Vinyl Edition
LP | 1974 | US | Reissue (Not Dark Yet)
19,49 €* 29,99 € -35%
Release: 1974 / US – Reissue
Genre: Organic Grooves, Reggae & Dancehall
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Limited edition of 200 copies on golden vinyl.

Reissued for the first time in over 40 years, Show the World is an unrated and relatively unknown soul / reggae album from the Caribbean. Having recently been sampled by Benny The Butcher, collectors and producers are starting to pay attention to what has been an overlooked gem until now. With the album ranging from sweet soul that sounds like it could have been released on Motown in its prime, to funky numbers that could be played in clubs, to reggae that could stand alongside some of the Studio 1 releases, this is sure to please many. No filler.
Vee Gees - Talkin'
Vee Gees
Talkin'
7" | 1974 | UK | Reissue (Stream)
16,99 €* 19,99 € -15%
Release: 1974 / UK – Reissue
Genre: Organic Grooves
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The Vee-Gees (previously known as the Versatile Gents) were from Greensboro, N.C. The versalite Gents started the Group in 1967 originally as "the African Americans" performed at a talent show at Gillespie Park School, Geensboro, North Carolina. Soon After Virginia Massey a Senior Music Major at A&T joined the group and the name was changed to Gin And The Gents. After one year Massey left the Band and their name was changed to The Versatile Gents. They reformed and called themselves the Vee Gees in the early 70’s. The Members are Robert Evans (Vince Evans of the NFL's brother), Nathaniel Herring, Anthony Quick, CC Stewart, Cecil Young.In their band. Carlton Morales that wrote "Vallotte" and played with Julian Lennon on guitar. Kevan Tynes on drums. Walter Carlton on bass. They recored a beautiful sweet soul side call It’s hard to say so long on Jump in 1973. They came back to the studio in 1974 and cut the incredible Talkin on Jump off records. Vee Gees Talkin is the ultimate crossover tune, Spun by some of the best deejays in the world in the last 3 decades including Arthur Fenn, Keith Money, Andy Burns, Buey, Andy Dawes, Alexander Dimitriades Bentley, Jens Chreisti, Steven Clancy and many others. We’re sure you will be singing all day “Hey brother, brother, just had a talk with the man yesterday.. what did he saaaaaay? “
3 Hür El - Hur El Arsiv
3 Hür El
Hur El Arsiv
LP | 1974 | TR | Reissue (Ada Müzik)
25,64 €* 26,99 € -5%
Release: 1974 / TR – Reissue
Genre: Organic Grooves, Rock & Indie
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3 Hürel is a folk rock and psychedelic rock band consisting of 3 brothers from Trabzon, a northern city in Turkiye. The band's guitarist uses a self-made double-handled guitar and reed instrument, which has become a symbol of the band in concerts. What makes the band special is its groovy guitar tone and excellent bass guitar and percussion technique. They have become one of the most important representatives of psychedelic rock in Turkiye. This album was first released in 1974. "Sevenler Aglarmış", "Yara", "Gönül Sabreyle Sabreyle", "Canım Kurban" are their most popular songs
Phil Ranelin - The Time Is Now!
Phil Ranelin
The Time Is Now!
LP | 1974 | JP | Reissue (P-Vine)
41,64 €* 48,99 € -15%
Release: 1974 / JP – Reissue
Genre: Organic Grooves
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After Motown left Detroit for Los Angeles in 1972, trombonist Phil Ranelin was largely left without work or direction, until he co-founded Tribe with Wendell Harrison later that same year. Two years after forming Tribe, Phil Ranelin would release his first album as a solo leader, The Time Is Now! The record contains all of the hallmarks of the best Tribe recordings: spiritual-leaning improvisations, soulful grooves, and appearances from Tribe regulars: Wendell Harrison, Marcus Belgrave, Reggie Fields, and more! The album opens with a 13 minute improvisation titled “The Time Is Now For Change”. As Ranelin , Belgrave, and Harrison exchange flurries of notes and squeaks over improvised chaos from the rhythm section, the group builds to a spiritual high that calls to mind the best Albert Ayler recordings. Bebop lines and unison phrases occasionally rise to the surface, offering a glimmer of familiarity in what is largely a harsh soundscape. Yet what sets Ranelin (and indeed, all of his Tribe contemporaries) apart from the larger free and spiritual jazz scene at the time is their sense of rhythm. Even as Harrison evokes sounds that would make a Meditations era Coltrane blush, the drums stay in time, and the looping bass and piano riffs take on an almost hypnotic quality, repeating quietly under a whirlwind of sound. Later tracks see the ensemble veer into soul jazz, and jazz-funk, with “Black Destiny” perfectly highlighting the group’s ability to meld the avant-garde with grooves that you won’t be able to stop yourself from tapping your foot to. Members of the Tribe were well known for their appreciation of African American popular music, and the influence of groups such as Sly And The Family Stone is clear in the song’s edgy rhythms and dense sound. This double LP reissue also contains alternate versions and outtakes that are so good you’ll be wondering why they were originally left out! With modern remastering, three bonus tracks, and an obi-strip, you don’t want to miss the definitive version of Phil Ranelin’s The Time Is Now!
Harold McKinney - Voices And Rhythms Of The Creative Profile
Harold McKinney
Voices And Rhythms Of The Creative Profile
LP+7" | 1974 | EU | Reissue (P-Vine)
46,54 €* 48,99 € -5%
Release: 1974 / EU – Reissue
Genre: Organic Grooves
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The sole solo album from Harold McKinney! Originally released in 1974 from vaunted spiritual jazz label Tribe, Voices & Rhythms of the Creative Profile sees the pianist, who was the backbone of many a Tribe recording, in tip-top shape. Opener “Ode to Africa” is a nine-minute, groove session, with African rhythms that would fit on any Tribe recording. Congas interplay with writhing basslines, for a track that feels as fresh now as it did nearly half a century ago. The Eddie Harris penned “Freedom Jazz Dance” is just as groovy, with amazing showings from the typical Tribe cadre of musicians, including Wendell Harrison (ts.) and Marcus Belgrave (tp.). But from the gospel-inflicted “Heavenese”, to Herbie Hancock’s classic “Dolphin Dance”, the groove never lets up, with eight hard hitting tracks showing exactly why McKinney was the go-to pianist for Tribe. P-vine is proud to be reissuing Voices & Rhythms of the Creative Profile along with a reissue of a 7-inch containing “Ode To Africa (single version)” and “Jelly Loa”, initially also released around the same time. This deluxe edition LP+7-inch is available on limited edition vinyl, now with an obi-strip and modern digital remastering! Make sure to get this while it’s hot!
Poder Del Alma - Poder Del Alma Black Vinyl Edition
Poder Del Alma
Poder Del Alma Black Vinyl Edition
LP | 1974 | EU | Reissue (Pharaway Sounds)
22,94 €* 26,99 € -15%
Release: 1974 / EU – Reissue
Genre: Organic Grooves, Rock & Indie
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First ever reissue!! Psychedelic Latin-funk holy grail from Nicaragua, 1974!! Poder del Alma (“Soul Power”) was a supergroup formed by some of the best musicians from the Nica scene. This all-star band of nine members was assembled to play at the famous free concert of Santana in Managua in benefit for the 1972 earthquake. After that successful gig supporting the Latin-Rock superstar, what was to be a one-night stand became the seed of the most loved Nicaraguan act from the 70s. All the members had already played an important role in the history of the Nica music / hippie scene in the 1960s. Among them, we can find Román Cerpas (previously on Bwana), René “Chapo Domínguez (Los Rockets), Edgar “El Gato” Aguilar… A few months after the Managua concert with Santana, Poder del Alma traveled to Guatemala to record their first long play for Dideca (Discos De Centroamérica, S.A.) in just one week of recording sessions. Despite the low budget and precarious recording equipment, the band managed to obtain a powerful psychedelic / afro / funk-rock sound full of electric guitar, heavy drums, hot, percussion, horns, Spanish male/female vocals…featuring titles like “El Valle del Ayatimbo”, “Ia-Taa Yo”, “Zúmbale”…
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