Organic Grooves 1746 Items

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (MIG)

Live At Rockpalast

Release: 2018 / EU – Original

Genre: Organic Grooves

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The Devil Is Loose Black Vinyl Edition

Asha Puthli

LP | 1976 | UK | Reissue (Mr Bongo)

LP | 1977 | Reissue (Chiaroscuro)

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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We can’t think of many artists that have had as diverse a career and who have been involved in as many different genres of music as Asha Puthli. A musical pioneer who forged a path through 60's psych, free-jazz, pop, rock, disco, and more. Asha's 1976 album 'The Devil Is Loose' is maybe her most well-known record. Featuring the beautiful disco-funk-classic 'Space Talk’, Asha's ethereal soaring vocals take us on a journey that almost mirrors Asha's eclectic career. The track was championed by a wide-range of musical scenes and movements, and over space and time it has been commandeered as their own. You would hear it played by David Mancuso at the now ‘mythical’ underground New York party 'The Loft’, in the most discerning disco nightclubs across the globe, in the Rare Groove scene, and also being sampled by hip-hop heavyweights such as The Notorious B.I.G / P Diddy, and The Pharcyde. The appeal and lifespan of ’Space Talk’ keeps on extending and morphing as new audiences gleefully discover it for the first time - it still sounds as relevant and fresh on the dancefloor today - a sign of a true classic. Here at Mr Bongo we are thrilled to be releasing records by such an iconic musical maverick as Asha, from her roots in India to becoming a globe-trotting artist with a celebrated career in music and acting, whilst always staying true to her art. She has blazed a trail so that others could follow. Whether you are buying this album as a replacement for your worn-out original copy or it's the first time you've heard of Asha Puthli and you're just intrigued and drawn in by the cover, we hope you enjoy this quintessential slice of Asha's world.

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James Mason

Rhythm Of Life

23,99 €*

Release: 1977 / Reissue

Genre: Organic Grooves

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Howlin' Wolf, Muddy Waters & Bo Diddley

Super Super Blues Band Colored Vinyl Edition

LP | 2016 | US | Original (Jackpot)

Release: 2016 / US – Original

Genre: Organic Grooves

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“Super Super Blues Band” started out merely as “Super Blues”, a conglomerate of blues pillars Bo Diddley, Muddy Waters and Little Walter. When Little Walter bowed out and was replaced by Howlin’ Wolf, they rightfully threw another Super on the name, and went on to release this burning, irreverent and even sometimes hilarious set of drunken, wild-eyed electric blues. Long form jams roll on in a trance as the trio of blues legends flex egos, talking shit to each other, trading off leads and ducking blasts of unexpected wah-wah guitar lines. Songs are peppered with an incredible level of banter between the trio of bandleaders that predicts the call and response sing- talking of early hip hop, laced with random screams in the background that teeter between celebration and danger. That these three ever got into the same room together is a miracle, and that they produced something so intense, energetic and weird is another almost unbelievable feat. The record is special enough as a stand-alone document of this meeting/melting of the minds before you find out the backing band consists of Hubert Sumlin, Otis Spann and freaking Buddy Guy. Lordy. Might have needed one more “super” in there. The record is pressed on limited colored vinyl.

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LP | 1979 | EU | Reissue (Music On Vinyl)

Muddy 'Mississippi' Live

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Muddy "Mississippi" Waters – Live (1979) is a live album by Blues guitarist Muddy Waters. The recording was awarded the Grammy for Best Ethnic or Traditional Folk Recording in 1979. Accompanied by Johnny Winter and his band, Muddy Waters turns in an enthusiastic performance on Muddy "Mississippi" Waters Live. This is an indispensable addition to the Muddy Waters catalogue!

180g vinyl.

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LP | 2011 | US | Reissue (Get On Down)

After The Rain

Release: 2011 / US – Reissue

Genre: Organic Grooves

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Spirits Standard Edition (With Seamsplit)

The Circling Sun

LP | 2023 | EU | Original (Soundway)

Release: 2023 / EU – Original

Genre: Organic Grooves

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A few copies arrived with a seamsplit Cover. We're therefore selling it on a reduced price.

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LP | 2023 | UK | Original (Blues Joint)

Sings Big Bill

Release: 2023 / UK – Original

Genre: Organic Grooves

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LP | 2023 | UK | Original (Bedroom Suck)

Don Glori

Welcome

LP | 1973 | US | Original (Warner Bros.)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Aptly titled, ‘Welcome’ is the debut album from Don Glori. A kaleidoscopic free dive into his world, featuring 8 recordings of revolving jazz, Brazilian, soul and funk inspired compositions spinning together and blurring into a genre bending slew of new music.

There is an intangible element of joy and connection sitting just outside the grasp of description or definition that can be felt throughout this album. Each song on this album captures the spirit and irrepressible energy that underpins the core of the Don Glori project.

Imperfections are captured along with the moments of transcendence. Layers of vocal harmonies oscillate next to pulsating samba rhythms while spiritual overtones permeate throughout. Congas and percussion form a holy union with the drum kit, co-piloted by Don Glori’s own bass lines.

Saxophones, horns and flutes flutter in between the musical canyons carved out by the piano and vibraphone. When you press all of these forces together you can start to feel the intangible; the intrinsic human elements existing in the creases. The sweat, excitement and willingness of each musician to dedicate their spirit and take risks on every track of this album.

It’s clear from the outset that this is an expansive body of work, from the spiritual jazz opener ‘Maiden Waters’ to the bubbling street party that is ‘Dlareme’, and ending on the unashamedly seductive ‘Commodore’. This is the kind of record that will translate equally well to both the dance floor and the lounge room rug.

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Ashford & Simpson

Gimme Something Real

7,99 €*

Under The Influence Of Love White Vinyl Edition

Release: 1973 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Promo copy with b/w labels

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Karin Jones

LP | 1982 | US | Reissue (Tidal Waves Music)

Sunshine / The End Of Our Love

Release: 1982 / US – Reissue

Genre: Organic Grooves

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* North American White Vinyl Edition * Limited 180g Vinyl Edition (500 copies) with obi strip * Rare Philadelphia Soul-Funk Album From 1982 * First Ever Official Vinyl Reissue since 1982Karin Jones (born and raised in Philadelphia) took her first musical steps singing in church. She was gifted with an extremely talented ear, and an accomplished pianist, percussionist and drummer, mostly developed without formal training. In her pre-teens Karin and her two older sisters formed a soul group called The Jonesettes that was managed by their father. They released a single titled 'Once I Had Love / Stop, Look & listen' on Cougar Records in 1971 and participated on the gospel classic “After While” by 'Rev. Arvetra Jones And The Jonesettes' released on HSE Records in 1975. In 1976 a friend of Stevie Wonder told her that Marvin Gaye was looking for backing singers for his new record and subsequent tour. Karin auditioned for Marvin and was instantly hired. They recorded the “Got To Give It Up” EP and she hit the road for Marvin Gaye’s London Palladium tour (later released as a double live album on Motown in 1977). Soon after Karin Jones started doing session work for the renowned label Jobete Records where Teddy Pendergrass got really impressed with her unique musical style. She signed with him for management in 1979, but with Teddy's own frantic schedule, the arrangement dissolved a year later. At a convention of the Black Music Association in Philadelphia, Karin met with Jim Tyrrell, who at the time was establishing his own label, T-Electric. Karin signed with T-Electric Records and recorded an album in 1980. However, the album was shelved because the label run out of money. After collecting dust for two years producer Jim Tyrrell brought it under the attention of industry veteran Ron Alexenburg who was president of Handshake Records. Alexenburg heard the album and very much liked it. He got Karin Jones to sign with his label and 'Under The Influence Of love' finally got its well-deserved release in 1982. “Under The Influence Of Love” is a monster of an album arranged by Dunn Pearson Jr (known for his work with Roy Ayers, Lou Ragland, Mary J. Blige, D’Angelo) and Bruce Hawes (Stevie Wonder, Kool And The Gang, The Temptations). All of this carefully supervised and produced by Jim Tyrrell. Also worth mentioning is that the duet on the album is the one and only time Eddie Levert, of the legendary O'Jays sang with a female artist. Sadly (and shocking) Karin Jones suddenly passed away in 1984 from a diabetic coma. Strangely, she predicted an early demise while preparing her photo shoot for the album. Karin Jones was a true example of a bright light burning out way too quickly, thankfully we are left with the unique (and very rare) document that is her “Under The Influence Of Love” album. The entire album is filled with heart breaking modern soul, deep disco, boogie-funk and a great range of tempos…all of this is topped off with Karin’s trademark vocals. Also included is the hit ‘Ready, Ready Love’ which was one of the biggest songs of the London steppers scene (or more fashionably known as 'rare groove') and almost impossible to get a hold of (unless you had deep pockets). To this day it remains a much sought-after gem and a 'holy grail' for fans and collectors alike. Tidal Waves Music now proudly presents the First ever Official vinyl reissue of this rare Philadelphia album that goes for hefty amounts on the second-hand market (it was originally released on Handshake Records And Tapes back in 1982 and plagued by inferior bootlegs ever since). This unique record comes as a deluxe 180g White North American vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork.

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Nancy Wilson

7" | 2023 | UK | Original (Expansion)

Release: 2023 / UK – Original

Genre: Organic Grooves

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7" | 1980 | UK | Reissue (Cultures Of Soul)

Betty Griffin

Free Spirit

13,99 €*

Fruko Power Vol.1: Rarities & Deep Album Cuts 1974

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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Betty Griffin's "Free Spirit" was previously released on the 2016 compilation - Greg Belson's Divine Disco Volume 1. This 7-inch comes with two epic remixes of the track. These remixes are being released as a celebration for the 10 Year Anniversary of Greg Belson's significant radio show - “Divine Chord Gospel Show” on Dub Lab. Both tracks were remixed by the Divine Situation featuring Paulo Fulci and Greg Belson. The A-side remix, Divine Situation NYC Downlow Rework is influenced by their DJ appearances at Glastonbury's Downlow Club Room while the B-Side is more of an instrumental version. Both are pure fire for the dancefloor!

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Fruko y sus Tesos

LP | 2023 | EU | Original (Vampisoul)

Its Raining The Allen Toussaint Sessions

Release: 2023 / EU – Original

Genre: Organic Grooves

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Twenty rarities and deep cuts from the early years of Fruko y Sus Tesos on legendary label Discos Fuentes. A collection of powerful Colombian salsa dura for the serious collector, DJ and dancer, but also enjoyable for those just discovering Fruko for the first time.2LP including an insert with photos and liner notes by DJ Bongohead (of Peace & Rhythm).The two-volume collection FRUKO POWER is not an homage, career overview, greatest hits or 'best of' collection showcasing the evolution of Fruko (Julio Ernesto Estrada Rincón), the Renaissance Man of Colombian tropical music. Instead, this compilation series shines a light on a lesser-known side of the bassist and band leader's work during the early 1970s with Fruko y Sus Tesos, reissuing in physical form many of his rare or hard to find salsa 45s as well as a few deep album cuts from the first half decade of his career, assembled in chronological order.There are interesting cover versions as well as originals, some of which never appeared on an LP. All of Fruko's classic vocalists are represented, from early collaborators Humberto "Huango" Muriel and Edulfamid "Píper Pimienta" Díaz to golden-era stars Joe Arroyo and Wilson "Saoko" Manyoma.FRUKO POWER is less for the newcomer and more for the serious salsa collector, DJ and dancer who may have a few of the maestro's albums or hits but wants to dig deeper and have all these obscure rarities in one place. However, it also serves as an excellent compendium of powerful Latin dance tracks by Fruko y Sus Tesos that have stood the test of time, so even those who do not know much of his work will be sure to feel the power of Fruko.

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Irma Thomas

LP | 2023 | UK | Reissue (Intermusic)

Release: 2023 / UK – Reissue

Genre: Organic Grooves

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LP | 1958 | UK | Reissue (Intermusic)

John Coltrane

Soultrane

Release: 1958 / UK – Reissue

Genre: Organic Grooves

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Street Lady Black Vinyl Edition

Donald Byrd

LP | 1973 | EU | Reissue (Music On Vinyl)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Woman Is Sweeter Record Store Day 2023 Edition

Galt MacDermot

LP | 2023 | US | Reissue (Now-Again)

Basil Kichin & Jack Nathan

Release: 2023 / US – Reissue

Genre: Organic Grooves

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Record Store Day 2023 first release limited to 1750 copies worldwide.

All Analog Lacquer by Bernie Grundman. Also Features An Extensive Booklet By Now-Again’s Eothen Alapatt The definitive reissue of Hair composer Galt MacDermot’s masterpiece - a quirky instrumental album originally created as the soundtrack to a film about fashion designer Yves St. Laurent. Long loved by hip hop samplers - one of the first to use it was the legendary J Dilla - funk and rare groove aficionados and those into the shapes of rhythm. Woman Is Sweeter is one of the few releases to feature drummers Bernard Purdie and Idris Muhammad on the same album. Presented for RSD 2023 in the first ever reissue from master tapes, lacquered in an all-analog transfer by Bernie Grundman with an extensive booklet written by Now-Again’s Eothen Alapatt, who worked with Galt Mac-Dermot since the 1990s, about the composer’s life in music.

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Viva La Tamla Motown

7" | 2023 | UK | Original (Measured Mile)

The Wynton Marsalis Quartet Live At Blues Alley

Release: 2023 / UK – Original

Genre: Organic Grooves

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Our next installment on Bob Stanley’s Measured Mile label is a KPM Library double header. Basil Kirchin and Jack Nathan’s ‘Viva La Tamla Motown’ is pulled from the rare “The Wild One” LP they recorded for De Wolfe in 1966 and, instrumentally, celebrates Berry Gordy’s classic Detroit label.

The flip is taken from the equally collectable 1972 De Wolfe library LP called “Hogan The Hawk & Dirty John Crown” where ‘Main Chance’ is described as “moody, beaty – featuring synthesiser.” It’s a stone-cold rhythmic beauty well worth a spin on anybody’s turntable – so, give both a chance.

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Wynton Marsalis

2LP | 1988 | US | Original (Columbia)

Greatest Hits - Stand By Me Red Vinyl Edition

Release: 1988 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Small light scuff on side 3.
Cover with faint ring wear.

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Ben E. King

LP | 1964 | US | Reissue (Friday Music)

41,99 €*

Release: 1964 / US – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Original (Cadet)

The Dells

Like It Is Like It Was

4,99 €*

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US original.

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Pacific Breeze: Japanese City Pop, AOR & Boogie 1976-1986 Blue Beach Umbrella Vinyl Edition

2LP | 2019 | US | Reissue (Light In The Attic)

40,99 €*

The Sisters Red Vinyl Edition

Release: 2019 / US – Reissue

Genre: Organic Grooves

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Cover art by famed artist Hiroshi Nagai
• Extensive liner notes and bios
• Compiled by Andy Cabic (Vetiver), Zach Cowie (DJ & music supervisor) and Mark “Frosty” McNeill (dublab)
• 2xLP housed in a deluxe wide spine jacket with over sized fold-out booklet, full color printed inner sleeves, and custom die-cut obi card
• Remastered audio
• Digital mockups are not an exact representation of the colors “Beach Umbrella” wax (Blue, Green)

Pacific Breeze documents Japan’s blast into the stratosphere. By the 1960s, the nation had achieved a postwar miracle, soaring to become the world’s second largest economy. Thriving tech exports sent The Rising Sun over the moon. Its pocket cassette players, bleeping video games, and gleaming cars boomed worldwide, wooing pleasure points and pumping Japanese pockets full of yen.

Japan’s financial buoyancy also permeated its popular culture, birthing an audio analog called City Pop. This new sound arose in the mid ’70s and ruled through the ’80s, channeling the country’s contemporary psyche. It was sophisticated music mirroring Japan’s punch-drunk prosperity. City Pop epitomized the era, providing a soundtrack for emerging urbanites. An optimistic spirit buzzed through the music in neon-bathed, gauzy tableaus coated with groove-heavy strokes.

Pacific Breeze is an expertly compiled collection of choice cuts that range from silky smooth grooves to innovative techno pop bangers and everything in between. Long-revered by crate diggers and adventurous music heads, this music has never been released outside of Japan until now. Including key artists like Taeko Ohnuki and Minako Yoshida, as well as cult favorites Hitomi Tohyama and Hiroshi Sato, the long-awaited release also features newly commissioned cover painting by Tokyo-based artist Hiroshi Nagai, whose iconic images of resort living have graced the covers of many classic City Pop albums of the 1980s.

Many of the key City Pop players evolved from the Japanese New Music scene of the early ’70s, as heard on Light In The Attic’s acclaimed Even a Tree Can Shed Tears: Japanese Folk & Rock 1969-1973, the first release of the ongoing Japan Archival Series. In fact, you could say City Pop set sail with a champagne smash from Happy End, the freakishly talented subversives who included amongst their ranks Haruomi Hosono and Shigeru Suzuki, both featured on this compilation. As Michael K. Bourdaghs noted in his book, Sayonara Amerika, Sayonara Nippon, this music was, “Deconstructing the line between imitation and authenticity.” Some of the best City Pop teeters in this zone—easy listening with mutant exotica, tilted techno-pop, and steamy boogie bubbling beneath the gloss.

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Weldon Irvine

LP | 1998 | US | Reissue (Nature Sounds)

12" | 2022 | EU | Original (Growing Bin)

Release: 1998 / US – Reissue

Genre: Organic Grooves

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Keyboardist and composer Weldon Irvine is among the most celebrated Jazz-Funk artists of all time. A longtime bandleader for Nina Simone, he wrote the lyrics for Simone's iconic civil rights anthem "To Be Young, Gifted and Black". Throughout the 1970s, Irvine released a series of seminal albums full of deep, soulful, funky grooves, many of which were later mined for samples. The Sisters is a collection of lost tracks and demos from his late-1970s studio sessions with fellow Jazz-Funk luminary Don Blackman. A potent mix of instrumental and vocal tracks from a remarkably consistent artist, The Sisters contains the hit single "Morning Sunrise", famously sampled on Jay-Z's "Dear Summer". Now, this rare album is available on limited red colored vinyl while supplies last.

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The Person

Magic $

Mochilla Presents Timeless: Mulatu Astatke

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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The Person is back on the dancefloor and she brought the delicious Australian version of a good old Italian recipe - Italoz Disco. Mouthwatering rhythms spiced with everyday hustle, cosmic boogie and the extra dose of synthesizer! Changing the Meatballs for Oddballs to worship the Magic $ properly. Sull' alto lato (aka on the B-Side) we're changing the Oddballs for the Mothballs as the one and only Hysteric warms up the magic ragout in his unique steam-powered kitchen. Now go to work!

You still need to be convinced? Take these great lines by Patrick: "Magic $" beams into the discotheque direct from deep space; a shimmering body of squelching bass, nebulous pads and snapping percussion which hosts Minna's bewitching vocals. The arch delivery and vintage sequences flirt with kitsch, but that playful genius particular to The Person pushes this into wonderfully wonkier territories. Basslines climb, keys collapse and the whole thing chugs and bubbles through a flawless arrangement. We thought they didn't make them like this anymore, but we were wrong. Stepping in on remix duty, renowned (Moth)baller Hysteric turns out a treatment that's worth a million bucks, boosting the bottom end with an acidic sequence, supercharging the percussion and punching in some strange sampler fun to guarantee utter club chaos. Every superhero needs a theme song, and "The Person" sees Minna step away from the dancefloor to deliver a synthetic ballad for lucid dreamers everywhere. Jamming on top of a malfunctioning Jomox, Minna channels chimes, piano and a gentle chug into the classiest chord progression this side of Mike Francis. Closing cut "Go To Work" gives us neon lights and nighthawks as The Person indulges in a little Antipodean electro, proving once and for all that Australians Do It Better.

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Mulatu Astatke

2LP | 2010 | US | Reissue (Mochilla)

Release: 2010 / US – Reissue

Genre: Organic Grooves

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Herb Alpert & Hugh Masekela

Main Event Live

LP | 1978 | US | Original (A&M)

8,99 €*

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Still shrink wrapped but opened.
Includes original inner sleeve.
Cover with cut-out.

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Cumbia - Take Place At Heart Of

LP | 2022 | EU | Original (Wagram)

12" | 1983 | EU | Reissue (Spittle)

Release: 2022 / EU – Original

Genre: Organic Grooves

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In anice gatefold sleeve this vinyl will make you discover the most emblematic artists of Cumbia and other more confidential ones selected and explained by the journalist and expert OSMAN JR. Original versions entirely remastered.

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Massimo Barsotti DJ

Whole Lotta Love

12" | 1982 | EU | Reissue (Spittle)

Release: 1983 / EU – Reissue

Genre: Organic Grooves, Pop

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Killer rendition of the classic Led Zeppelin stomp, arranged by famous dj & producer Massimo Barsotti. Programmed by none other than Maurizo Dami aka Alexander Robotnick, this robotic version is delivered with alien vocals and cold as ice synth lines. Still a favorite for many international djs.

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Trophy

Slow Flight

Release: 1982 / EU – Reissue

Genre: Organic Grooves, Pop

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Originally released in 1982 this pure electro-jam was a surgical trait d’union between the italo-disco phenomenon and the American boogie. The frantic vocal version is paired with the instrumental on the b-side. Scientific Saturday night fever with vocoder and the likes !

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Fuzz Dance Classics Over The World

LP | 2022 | EU | Original (Spittle)

14,99 €*

I'll Never Do It Again / A Feeling Deep Inside

Release: 2022 / EU – Original

Genre: Organic Grooves, Pop

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Pioneers, that’s what we call them. Not properly a giant team, but a bunch of forward thinking producers. In the heyday of the italo disco there was some forward thinking, a new way to address the club scene. 1985 is the golden year and if you want to get to the core of the synth-pop experience look no further ! This previously unreleased compilation collects a series of unbelievable tracks. An outstanding vision featuring la crème de la crème of the early 80s scene. All the way from electro wizard Alexander Robotnick to the astonishing performance of vocalist Mya Fracassini, through the French connection of Bigazzi brothers of Mon Bijou.

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The Corvairs

7" | 1965 | UK | Reissue (Sylvia)

11,99 €*

Eddie Hill / Detroit Emeralds

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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Here are two great cuts, previously unreleased as singles, recorded for Al Sears’ Sylvia label in New York City in 1965. The Corvairs had one very good release on the label in a soul group harmony style. ‘I'll Never Do It Again’ and ‘A Feeling Deep Inside’ are more R&B and sound earlier than the 45 release. Both tracks have picked up admirers from their New Breed and Modernist CD releases and their release as a Sylvia repro label single will be very welcome.

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I Am So Thankful / Long Live The King

7" | 2022 | UK | Original (Kent)

LP | 1977 | US | Original (Columbia)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Finding a new Eddie Hill recording from 1969 was quite a thrill and on hearing the beautiful mid-tempo groove, we included it on both our “Westbound Northern Soul” and “Masterpieces Of Modern Soul Vol 3” CDs in 2010. Since then, demand for ‘I Am So Thankful’ has risen and we can now issue it as a single. It was originally scheduled to be Westbound 151 in the USA but that spot was claimed by Emanuel Lasky’s ‘Never My Love’. Eddie now has a Kent release to go with his Detroit waxings on Thelma, Ge-Ge and M-S. ‘Long Live The King’ was an LP track from the Detroit Emeralds’ acclaimed debut album “Do Me Right”. It didn’t get a US 45 release but did sneak out on a Various Artists UK DJ-promo EP in 1973 for then-current Phonogram releases. This is the first time this superb and popular dance track it has been commercially available as a single. .

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Al Di Meola

Elegant Gypsy

9,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

2LP | 2019 | EU | Original (Label Bleu)

Das Kapital

Vive La France

24,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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Art Pepper + Eleven Contemporary Records Acoustic Sounds Series Edition

Art Pepper

LP | US | Reissue (Craft)

34,99 €*

LP | 2022 | EU | Original (Music Brokers)

Release: US – Reissue

Genre: Organic Grooves

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180g pressing

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Karen Souza

Essentials 2

Release: 2022 / EU – Original

Genre: Organic Grooves

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Force Of The Wind Black Vinyl Edition

Soyuz

LP | 2022 | UK | Original (Mr Bongo)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Some records just stop you in your tracks. They resonate with you and feel instantly familiar like an old friend, even on the first listen. Soyuz's third album ‘Force of the Wind’ is one of those records. It holds all the trademarks, beauty, and eccentricities of classic Brazilian recordings, from the 60s and 70s, that we have come to love. Think artists such as Milton Nascimento, Lô Borges, Burnier e Cartier, Arthur Verocai et al. But this record wasn’t made in Brazil and is in fact a brand-new release. Soyuz (which translates as 'union') is a creative collective from Minsk, Belarus, led by composer, arranger, and singer, Alex Chumak, multi-instrumentalist, Mikita Arlou, and drummer, Anton Nemahai. Soyuz's previous albums explored and reimagined the legacy of jazz-oriented, non-English-language pop music of the 20th century. For their third album, there is a stronger focus, and it is influenced by 70s Música popular Brasileira and building bridges from it to present-day Belarus. Alex notes that from the moment he first encountered Brazilian music, he found in it a kind of concentrated emotion that felt as if it were familiar to him from his childhood. This non-verbal emotion and connection between the listener and musician echoes in the music, regardless of understanding of the language the album is recorded in. ‘Force of the Wind’ includes songs sung in Russian and Portuguese as well as instrumental compositions. Its musical palette is both acoustic and electroacoustic: rich warm Rhodes piano, soaring string arrangements, and a controlled drum swagger sounding both relaxed yet super tight. Alongside Alex's sublime vocals, that grace the majority of the tracks, the album features guest performances by multi-talented musician and vocalist Kate NV and rising Brazilian star, Sessa. Alex also recently arranged a number of tracks on Sessa's highly praised 2022 album 'Estrela Acesa'. On the album, the trio is joined by a cast of friends; NY-based musician of Turkish origin percussionist, Cem Mısırlıoğlu, classically trained composer, Simon Hanes, who aided with string arrangements and conducting the string players, Netherlands-based Brazilian multi-instrumentalist, Gabriel Milliet, on flutes. With the collaboration of these friends Soyuz have created nine songs/suites that are subtle and plenitude and like the best albums, leave you aching for more. ‘Force of the Wind’ is an enigma, Brazilian yet not Brazilian, vintage yet still contemporary, out of sync with modern culture yet completely relevant and necessary.

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Welcome To Zamrock Volume 2

2LP | 2017 | US | Reissue (Now-Again)

35,99 €*

LP | 1989 | US | Reissue (Craft)

Release: 2017 / US – Reissue

Genre: Organic Grooves

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By the mid-1970s, the Southern African nation known as the Republic of Zambia had fallen on hard times. Though the country’s first president Kenneth Kaunda had thrown off the yoke of British colonialism, the new federation found itself under his self-imposed, autocratic rule. Conflict loomed on all sides of this landlocked nation. Kaunda protected Zambia from war, but his country descended into isolation and poverty. This is the environment in which the ’70s rock revolution that has come to be known as Zamrock flourished. Fuzz guitars were commonplace, as were driving rhythms as influenced by James Brown’s funk as Jimi Hendrix’s rock predominated. Musical themes, mainly sung in the country’s constitutional language, English, were often bleak. In present day Zambia, Zamrock markers were few. Only a small number of the original Zamrock godfathers that remained in the country survived through the late ’90s. Aids decimated this country, and uncontrollable inflation forced the Zambian rockers that could afford to flee into something resembling exile. This was not a likely scene to survive - but it did. Welcome To Zamrock!, presented in two volumes, is an overview of its most beloved ensembles, and a trace of its arc from its ascension, to its fall, to its resurgence.

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John Lee Hooker

The Healer

37,99 €*

Release: 1989 / US – Reissue

Genre: Organic Grooves

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2LP | 2020 | US | Original (Nature Sounds)

Shafiq Husayn

The Loop Instrumentals

Release: 2020 / US – Original

Genre: Organic Grooves

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12" | 2022 | US | Original (Albina Music Trust)

Lights Out

LP | 2022 | UK | Original (Social Joy)

Release: 2022 / US – Original

Genre: Organic Grooves

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"There was no internet, no cell phones. We didn't have streaming services, cable television, or even VCRs. People in Portland were out to see music seven nights a week"

In 1982, it seemed club nightlife in downtown Portland had reached its zenith. Musicians could make a living in a multitude of clubs throughout the city. And they made music on their own terms. Calvin Walker's recollection above speaks to the sovereignty of an independent community devoid of the recording industry's bottom line.

Lights Out gained traction when Pleasure wasn't in the studio or on the road. They were led by Pleasure's trumpeter Tony Collins, whose agenda involved prodding his group with gnarled fusion covers, complex horn arrangements, and masterful wardrobe flexing. "We wanted to be better at what we did," claims Collins. "Everybody grew."

But even with platinum level players holding recording contracts a la Fantasy Records, Lights Out struggled to find bookings in Portland's white-owned club circuit. "There were rules to these things and you had to play by them," remembers Walker. "They had to push up against that."

"I remember it being tough to get this band booked on the West side of the Willamette River back then," remembers bassist John Mazzocco. "When Peter Mott at Last Hurrah called to book us on a Tuesday, I was elated."

Knee-deep in the jazz fusion sound made popular throughout the city, Lights Out soon evolved into a synthesizer-fueled funk group fronted by vocalist Andy Stokes and featuring guitarist Greg "Gee Mack" Dalton. It's this era of Lights Out that made converts of the haters and annihilated 800-capacity dancefloors. It’s this era of Lights Out that is being celebrated on this release.

Recorded in 1982 at Wave Sound Studios - a facility that housed local punk acts such as The Wipers and The Rats - the material on this LP was intended as a demo for Solar Records. As a touring trumpeter for The Whispers, Collins was to pass the reel up the chain. When Solar fumbled it, Collins and Dalton left Portland for Los Angeles signaling the end of the group.

Forty years later, the legacy of this canonical Stumptown act has been remembered in devastating detail. The vinyl package includes a 12-page booklet of the band's oral history and deluxe archival photography. With tape restoration and mastering by Gus Elg, this painfully obscure recording has been waxed and buffed by one of the reissue industry's greatest.

Lights Out personnel have since made waves beyond the Pacific Northwest. Collins founded NDN Records in Atlanta. Andy Stokes has received the Grammy nod, releasing singles with Snoop Dogg and Battlecat. John Mazzocco toured with John Lee Hooker and was recently inducted into the Oregon Music Hall Of Fame. Damian Dillon went on to a successful radio career in Germany. And Greg Dalton has sessioned relentlessly, working with everyone from Patrice Rushen to Kamasi Washington to Tupac.

As Stokes puts it, "Being in this band gave me the strength to branch out. You don’t just do that by yourself. You have a family. This a family.” credits released July 15, 2022

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Natural Lateral

Tapestry Of Life

23,99 €*

You Gotta Shout / Love And Romance

Release: 2022 / UK – Original

Genre: Organic Grooves

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Social Joy Records presents Natural Lateral's new album "Tapestry of life", a superb excursion in fusion jazz with a wonderful blend of electronics and subtle elements of spiritual Jazz.
Undeniably on the rise after the success of their first album, "Cogito Ergo Jam", which received support from the British Jazz scene and was featured on Gilles Peterson's BB6 broadcast,the North London Based collective goes a step further this time by carefully crafting a new release of a tapestry of music stemming from rich jam sessions at the Lazy Robot Studio and representing the band's phenomenal musical canvas. Echoing jazz legends like Azymuth, Roy Ayers, Alice Coltrane and Miles Davis by paying tribute to those who paved the way but always searching for new musical territories, this six-track LP is moving, thought-provoking and engaging. It is a musical questing where each band member searches for meaning through sounds and rhythms - giving a new life to Jazz music and dropping the full spectrum of a vibrant tapestry of life into the listener's ears.
The band's work ethic is based on a sense of freedom in the studio filled with live jam sessions where it's all about "catching a moment" and letting the inspiration flow. "We just want to feel a sense of freedom and connection through playing. In the studio, it's the music which connects us all, and we just want to allow that process to unfold".

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Spoilsports

7" | 1980 | UK | Reissue (Freestyle)

13,99 €*

Ibio-Ibio Yellow Vinyl Edition

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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Freestyle Records reissue a DIY 7" from 1980 by short-lived all-female group Spoilsports. Existing at the intersection of post-punk, jazz-rock and modern soul - these two political yet playful numbers were laid down by a band formed from a range of players active in London's feminist and improvised music scenes at the time, and represent the groups only recordings.

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Spoilsports began in 1979 with the aim of having an all-female band that could be actively feminist and playful at the same time, with an eye toward gaining an appeal beyond that of the wider women's lib movement of the time. The line-up originally consisted of Carole Nelson on keys, Angele Veltmeijer on saxophone, Sheelagh Way on drums, Lesley Shone on bass, Isabel on congas and with Laka Koq providing vocals. After a short while this would become just Carole, Angele & Sheila - with Ruth Bitelli being brought in on bass, and Barbara Stretch topping things off on vocals. The band played at Gay Pride '79 in Hyde Park, a Women's Music Festival in Neimegen, Holland; lots of benefits, and maintained a weekly residency at The Earl of Aberdeen in Mile End (now sadly demolished).

Unfortunately the group lasted only 18 months or so all in all, and this is their first and last record - in fact, they intentionally laid it down to tape in order to provide a memory of the group before they called it a day, and we are so glad they did! Recorded in Pimlico's Archipelago Studios in the same year that Elvis Costello would record his album Get Happy there, the original 7" gained a review in the NME, whom dubbed it "a cross between Steely Dan and The Joy of Cooking".

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Camilla George

LP | 2022 | US | Original (Ever)

LP | 1977 | US | Original (Philadelphia International)

Release: 2022 / US – Original

Genre: Organic Grooves

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Saxophonist, composer, bandleader and innovator Camilla George makes a stunning return with her third album 'Ibio-Ibio' - a rich, cultural journey dedicated to her Ibibio tribe of south eastern coastal Nigeria, out on Ever Records / !K7. The album is a heady mix of afrobeat, hip hop and jazz coproduced by Camilla George. Across eight tracks, Camilla's virtuosic alto saxophone performance collaborates with a stellar line-up of some of the hottest players in London's jazz scene including Daniel Casimir (bass), Shirley Tetteh (guitar), Winston Clifford (drums), Sheila Maurice-Grey (trumpet), Rosie Turton (trombone), Renato Paris (vocals), Sarah Tandy (keys), plus Senegalese kora player Kadialy Kouyate, acclaimed US drummer Daru Jones (Jack White, Pete Rock, Talib Kweli), and Birmingham's finest MC Lady Sanity.

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Teddy Pendergrass

10,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1974 | US | Reissue (Get On Down)

Shuggie Otis

Inspiration Information

Release: 1974 / US – Reissue

Genre: Organic Grooves

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Brazilian Boys / Rubinho E Mauro Assumpcao

Super Herois / Tudo Ai

7" | 2022 | UK | Original (Mr Bongo)

Os Carbonos / Sandra De Sa

Release: 2022 / UK – Original

Genre: Organic Grooves

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Sometimes the best things take time to come into fruition, and here we are, ready to finally unleash Brazil45 number 88 - the missing 7"! Featuring two Mr Bongo favourites that we have been longing to share with the world.

First up is a lesser-known Brazilian Boys track titled 'Super Herois’. This slightly trippy and quirky funk-rock groove is taken off an obscure 7" on CID records and was originally released in 1975. 'Super Herois' is super catchy, addictive and a guaranteed complete earworm. It’s a muti genre, crossover nugget that will branch scenes and tick all sorts of boxes.

On the flip is the driving, jazz-rock-samba dancefloor joint 'Tudo Ai’, a cut taken from Rubinho E Mauro Assumpção's highly sought after 1972 album 'Perfeitamente, Justamente Quando Cheguei’. Originally released on Tapecar Records, this short in stature track packs a real punch!

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Pássaro Selvagem / Palco Azul

7" | 2022 | UK | Original (Mr Bongo)

LP | 2022 | US | Reissue (Get On Down)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Number 94 in the Brazil45 series is one for the Brazilian boogie lovers out there.

The vocal and instrumental group Os Carbonos from São Paulo had a long career that straddled the 60s, 70s and 80s. 'Pássaro Selvagem' is taken from the latter years of their career. Its a bass driven, boogie-funk groove (with a bassline not too dissimilar to Queen 'Another One Bites The Dust') that is Brazilian boogie at its finest. Taken from the B-side to a 7" campacto released in 1981 on Copacabana records, its proven to be a favourite of Luke Una and we foresee it becoming a staple in your DJ box for years to come too.

The B-side comes from one of our all-time favourite artists, the mighty Sandra Sa. Sandra is a wonderful vocalist, her intense and recognisable style is one of THE voices of the Brazilian boogie golden era. Check out her classic album 'Vale Tudo' (mrblp230) on Mr Bongo for further proof of her credentials here. 'Palco Azul' is also taken off a 7" single from 1981 and is a feel-good dancefloor groover with punchy brass stabs, warm keys and uplifting chord changes. It contains all the right elements that we have come to associate with that knockout late 70s / early 80s Brazilian sound.

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Shuggie Otis

Freedom Flight

LP | 1976 | US | Original (Oasis)

Release: 2022 / US – Reissue

Genre: Organic Grooves

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Well before Shuggie Otis cut his debut album, musicianship and performance had long been a part of his life. The son of rhythm and blues legend Johnny Otis, Shuggie learned to play guitar as early as the age of two, and performed professionally with his father's band at eleven. Throughout his long and illustrious career he'd performed on records for the likes of Frank Zappa, Al Kooper, Etta James, and George Duke, to name a few. In spite of all this,widespread mainstream success eluded Shuggie for much of his career. His most famous release to date is his 1974 album Inspiration/Information, which would experience new resurgent life in the 2000s. Those willing to dig a little deeper however, would discover hidden gold in his earlier releases, especially in the album directly before Inspiration/Information, his sophomore 1971 release Freedom Flight. As with his debut, Freedom Flight was produced by Shuggie's father Johnny Otis, and built upon the distinct sounds of his debut album: lush, baroque, string section arrangements, paired with hard funk rhythms, and funky blues melodies, with the majority of the instruments once again performed by Shuggie himself. The album also features backing from premium session greats like George Duke and Aynsley Dunbar, and the track "Strawberry Letter 23" which became a monster hit for The Brothers Johnson 3 years later. Freedom Flight is a treasure of deft, technical skill, and virtuosic composition.

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Donna Summer

A Love Trilogy

5,99 €*

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Stan Getz & Joao Gilberto

Getz / Gilberto

LP | 1964 | US | Original (Verve)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G

US mono pressing.
Sleeve has seam-splits.

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LP | 2022 | EU | Original (Musica Macondo)

Brasil Novo

LP | 1982 | EU | Reissue (Music On Vinyl)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Musica Macondo unearths eight contemporary Afro Brazilian tracks on the compilation Brasil Novo, disseminating the rich and percussive heritage of black Brazil and Samba De Coco. Selected by DJs Tahira (São Paulo) and Tim Garcia (London), the diversity and positivity of Brazil shines, featuring elements of samba, Candomblé, batuques, jazz, folk and beyond, designed with the esoteric dancefloor in mind. UK label Musica Macondo place their focus on contemporary Brazilian and African diaspora on Brasil Novo, an eight track compilation of discovery, snare and tamborim heavy, showcasing both celebrated and unfamiliar artists south of the equator from the cities of Recife, Rio de Janeiro and São Paulo. With the aim of presenting and thus preserving these moments in music - some tracks like Dona Celia's O Bar and Toró Instrumental's Dunas never been released before - DJs and co-curators Tahira (São Paulo) and Tim Garcia (London) dig deep into the troves, avoiding mainstream Brazilian popular music clichés, and also giving a sense of what fuels their dancefloors and radio sets. It was their joint passion for record collecting, Djing and 'the dance' which, not surprisingly, brought these two leading figures within their respective scenes and cities together. The selection also includes tracks by Grupo Bongar, Renata Rosa and women's Afro Bloco, Ilú Obá De Min. DJ Tahira is a massive Brazilian music fan and has been on a research journey for a number of years, dedicated to the preservation and archiving of music made or influenced by black and indigenous Brazilians. Based out of São Paulo he has a particular interest in the history of Samba de Coco, a folkloric musical form that was very popular in, (and probably originated from), the northeast of Brazil, by slaves and indiginous people from working class backgrounds who came together, making a rhythmical mesh of sounds dating back hundreds of years and allowing them to carve a unique cultural identity. Ignored or disregarded as inferior by Brazil's predominantly white faced recording industry, there are few existing original recordings of this music from the twentieth century, relying instead on oral tradition and carnivals like those in Recife or Pernambuco. In recent times, there has been a flux of contemporary proponents who mix Samba de Coco with other contemporary Brazilian musical forms. Brasil Novo features both the roots, and more divergent fusions. Perhaps the best example of the Samba De Coco of old is from Dona Celia Coquista or Dona Celia do Coco as some people called her. She was a singer from Pernambuco who released only one album Nasci Com Dois Dentes in 2007 despite being an enormously important proponent of Samba De Coco for many years. She sadly passed 4 years later in 2011. The track O Bar features a plethora of local and native percussion instruments and a call and answer harmony of uplifting choir, a cacophony of positivity.

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L.J. Reynolds

Travelin'

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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You Must Believe In Spring

Bill Evans

2LP | 2022 | US | Original (Craft)

47,99 €*

Release: 2022 / US – Original

Genre: Organic Grooves

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LP | 1983 | CH | Original (Musk Project)

Lazy Poker Blues Band

Still Lazy

3,99 €*

Release: 1983 / CH – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Together: Duets On The Air & In The Studio

Frank Sinatra

LP | EU (Vinyl Passion)

17,99 €*

Release: EU

Genre: Organic Grooves

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Thelonious Monk

Straight No Chaser

LP | EU (Music On Vinyl)

Release: EU

Genre: Organic Grooves

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Hi Jackin' Record Store Day 2022 Gold Vinyl Edition

Jack Van Poll

LP | 2003 | EU | Reissue (Music On Vinyl)

Got The Love / Party Vibes

Release: 2003 / EU – Reissue

Genre: Organic Grooves

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Limited to 750 copies.

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Homegrown Syndrome

7" | 2022 | UK | Original (Athens Of The North)

13,99 €*

Is This Love Or Desire Gold Vinyl Edition

Release: 2022 / UK – Original

Genre: Organic Grooves

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Huge 45!! after last months Memphis 7" (the same band) we have here 2 unreleased Homegrown Syndrome trakcs rescued from an acetate in Jerry Jones attic . Double sided Disco funk burners all the way.

Home Grown Funk was also known as "Homegrown Syndrome," a controversial name bestowed to them. Before heading to LA they gigged all over Memphis. Some of the members were from an earlier 70s group called "Brothers Unlimited" and had earlier ties during the 60s with the "Memphis Invaders" (a peaceful civil rights activist group).

With aspirations of pushing Homegrown further, a few members including Jerry Jones made the move out west. It was LA 1977 when they were introduced to Ike Tuner through a mutual friend "Ricky G". It was a casual meetup. Then one night Ike had his son Ike Jr. go check them out while performing at the Soul Train hangout spot "Maverick Flats". Ike Jr. praised their performance to Ike and he had them come out to his Inglewood studio. The group walked into the studio with a funky track already playing and that's when Jerry Jones improvised this opportunity and started singing. Ike then turned and said… "Who is that singing?" Jerry said, "Thats me." Then Ike replied " YOU BIG Muthaf***a! You could be my new Tina." From that point the group cut bunch of tracks with Ike over the years up until they're feature on his 1980 album "The Edge."

In 1981 Perry Kibble (Keyboardist for Taste Of Honey) was at "Concerts In The Park" and heard Home Grown Funk performing. He linked up with the group and got them a deal with Arista. During this time they recorded their hit track " Confrontation." Perry suggested that the group change their name because he didn't want another group with the work "Funk" in it and hence "Homegrown Syndrome." They also use the Arista studio to cut an unreleased acetate with tracks "Got the love" and "Party Vibes" which we have here

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Betty Davis

LP | 1976 | US | Reissue (Light In The Attic)

36,99 €*

Is This Love Or Desire Black Vinyl Edition

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Betty Davis was a musical maverick with vision. Image, substance, sex, and grit combined with a badass band that could deliver the funk bed backbone to the sultry music between the sheets. After cutting two notorious discs for the Just Sunshine label (Betty Davis and They Say I’m Different), and Nasty Gal for Island Records, Davis went to work on her most personal and expressive record yet. After capturing 10 hard-hitting tracks in 1976 at the remote Studio In The Country (Louisiana), a creative difference with her then label caused the platter to be unexpectedly shelved. Davis would cut one final album and soon retreat from the music business, completely disappearing from the public eye.

Is It Love Or Desire is a little-known gem in the Davis catalog. Mastered from the original tapes, and untouched for over 30 years, this release features detailed liner notes, the originally intended artwork housed in a lavishly packaged digipak, rare photos, archival material, and recent interviews with Davis and her skin-tight band Funk House.

Never bootlegged, never released, never heard until now, the secret story of this lost album will finally enter the history books and cement this bold soul sisters contributions to music and popular culture. Its time to get down…

Long live Betty Davis!

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Betty Davis

LP | 1976 | US | Reissue (Light In The Attic)

Zito Righi E Seu Conjunto

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Alucinolandia

LP | 1969 | EU | Reissue (Mr Bongo)

Dirty States Of Mind DJ Tron Remix Red Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Some things take time to happen, some things perhaps take a bit longer than they should but, finally, we are delighted to present an issue of the iconic, and sought-after, Brazilian album 'Alucinolândia' by Zito Righi e Seu Conjunto from 1969.

The trippy, surrealist 60s cover design with hands holding eyeballs is somewhat confusing. Rather than the stoner acid rock record that the art may suggest, 'Alucinolândia' is actually a quintessential 60s gem, mixing samba, MPB, bossa nova, quirky organ-led mod-jazz groovers and easy-listening crooners with a relaxed cool swagger.

Zito Righi aka Isidoro Righi, the Brazilian saxophonist, instrumentalist, conductor and composer brought together an illustrious cast for this masterpiece, including the much-loved vocalist Sônia Santos. Sônia delivers a masterclass on the album's opener, and maybe its crown-jewel 'Poema Ritmico Do Malandro’. The song is fierce and driving with an enticing funk intro that bursts into a Samba / Batucada workout. A real monster that works magic on the dancefloor. Sônia would later re-visit this track in 1971 on a recording for Copacabana Records, which Mr Bongo released as part of the Brazil45 series. The Brazilian songwriter Roberval penned three tracks on the record, including another highlight and the far too short 'Birimbau'; a catchy Brazilian jazzy-samba dancer at its finest. Other musicians include the drummer Fernando who also recorded with the greats Dila & Guilherme Coutinho.

The fact the record was released in 1969 meant it was probably a bit out of step with its contemporaries in comparison to the works of artists such as Os Mutantes, Gilberto Gil et al. The core of 'Alucinolândia' is that of a more optimistic early to mid-sixties party feelgood vibe rather than the angsty, psychedelia, and rebellion of the Tropicália movement. Over 50 years since its release, the work can finally be judged on its own merit; and what a beauty it is.

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King Rooster; The

7" | 2022 | EU | Original (Burning Sole)

14,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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LP | 1982 | US | Original (Elektra)

Grover Washington, Jr.

The Best Is Yet To Come

8,99 €*

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | 1967 | US | Original (A&M)

Wes Montgomery

A Day In The Life

14,99 €*

Stro Elliot (The Roots) & James Brown

Release: 1967 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Writing on cover.
Cover with seam split.

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Black & Loud: James Brown Reimagined

LP | 2022 | EU | Original (Polydor)

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 1978 | US | Reissue (Dash)

Foxy

Get Off

7,99 €*

2LP | 2006 | EU | Reissue (Mr Bongo)

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Brazilian Beats

Brooklyn

23,99 €*

7" | 2021 | EU | Original (Outta Sight)

Release: 2006 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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22 tracks feat. Jose Roberto, Rita Lee, Toni Tornado, ...

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Sam Dees

Lonely For You Baby

15,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Another Side Black Vinyl Edition

Leo Nocentelli

LP | 2021 | US | Original (Light In The Attic)

11,99 €*

Have You Ever Seen The Rain

Release: 2021 / US – Original

Genre: Organic Grooves

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“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet alongside hand-written lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960’s and early 1970’s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard...Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

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Stanley Turrentine

LP | 1975 | US | Original (Fantasy)

9,99 €*

LP | 1976 | US | Original (Fantasy)

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

US original. Santa Maria Pressing.
Record has some hairlines and a few superficial scratches.

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The Blackbyrds

Unfinished Business

4,99 €*

LP | 1975 | US | Original (Philadelphia International)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Ships in a brand new plain sleeve.
Writing on label.

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The Three Degrees

International

4,99 €*

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Paul Ortiz Y La Orquesta Son

Los Que Son

LP | 2021 | US | Reissue (Nature Sounds)

Akuma Ga Kitarite Fue Wo Fuku

Release: 2021 / US – Reissue

Genre: Organic Grooves

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Rare Salsa/Soul gem produced by Joe Bataan, which has been out of print for 50 years. Vocals by Papo Felix. Remastered off original analog tapes. Limited to 500 units - splatter vinyl. Released on Ghetto Records in 1971, long out of print.

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Hozan Yamamoto & Yu Imai

LP | 1978 | EU | Reissue (Mr Bongo)

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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We've got a bit of an obsession with Hozan Yamamoto here at Mr Bongo! A legend of Japanese jazz, he is rightly regarded as a true master and was recognised as a "living national treasure" by the Japanese government in 2002. Over five decades he pushed the genre into new directions, absorbing fusion, funk, spiritual jazz and many other sounds, resulting in a discography studded with gems of rare beauty. Exploring his back catalogue has taken us on an engrossing journey that now sees us reissuing another work from this ground-breaking musician.

Though not translating perfectly into English 'Akuma Ga Kitarite Fue Wo Fuku', (kitarite has not been a modern expression in Japanese) roughly means 'The Devil Comes Playing The Flute' / 'The Devil Is Coming While Blowing The Whistle' or 'Devils Flute’. It is the original soundtrack to Kôsei Saitô’s 1979 mystery and suspense movie, ‘Devil’s Flute’. The film is based on a story by the famous author, Seishi Yokomizo, and is centred around a much-loved fictional Japanese detective, Kosuke Kindaichi. A Japanese Sherlock Holmes that has been popular for generations.

Hozan Yamamoto was invited to compose the soundtrack directly by the producer of the film, Haruki Kadokawa. Mr Kadokawa also hired keyboard player and producer Yu Imai as assistant producer on the project, resulting in a stunning cosmic, breaks and beats-laden, funk, disco soundtrack extravaganza.

When it comes to the soundtrack and the technology of the time, Hozan Yamamoto and Yu Imai got inventive, tripped out, funked up, and experimented, creating a quirky soundtrack masterpiece that needed to be heard more outside of Japan. Differing from the more traditional Japanese music orientation of some of his other albums such as 'Beautiful Bamboo-Flute' (also released on Mr Bongo) the album showcases a number of genres, from lush atmospheric incidental music to disco and funk grooves, experimental nuggets, drum and flute workouts, to neo-classical and more.

A special record that showcases the further depths of this wonderful musician's talents.

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LP | 1975 | US | Original (CTI)

Fire Into Music

3,99 €*

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G+

The Cannonball Adderley Quintet

Mercy, Mercy, Mercy! Live At "The Club"

LP | 1976 | US | Reissue (Capitol)

5,99 €*

LP | 2021 | EU | Original (Pessimist Productions)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: G

Cover has ring wear, yellowing and complete seam split on the bottom!
Vinyl shows loads of scratches!

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Stigma

Too Long

27,99 €*

Stage Two Clear Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Kristian Jabs Is One Of Bristol's Favourite Sons In The Modern Era Of Electronic Music. As Pessimist, Boreal Massif And Soft Boi, Jabs Has Solidified His Position As A Leader Of A Generation Of Artists. In His Latest Carnation Jabs Presents 'Too Long', A New 7 Track Album Project Under A New Artist Moniker Of Stigma. Enlisting A Prolific Cast Of Collaborators In The Form Of L, Justin K. Broadrick (Godflesh, Napalm Death, Jk Flesh), Taylor E Burch (Tropic Of Cancer, Dva Damas) And Karim Maas, Too Long Clocks In At Almost 40 Minutes Of Personally Reflective, Intimately Authentic Cyber-Noir-Esque Trip Hop. Industrial Anarcho Breaks, Syncopated Sleaze, Analogue Call And Response. Too Long Is A Tale Of Texture, Feel And Tone. Unadulterated. Aiming To Shine A Light On The Relationship Between Poverty And Mental Health Issues In The Uk, All Proceeds From The Album Will Be Donated To Second Step Bristol, A Charity Dedicated To Supporting People With Mental Health Problems, Gently Acknowledging The Possibilities For Change.

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Pat Thomas

LP | 1976 | US | Reissue (Tidal Waves Music)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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North American version on CLEAR vinyl
Limited 180g Vinyl Edition (500 copies) with obi strip
Rare Ghanese Highlife-Soul album from 1976
Featuring the Marijata band backing up Pat Thomas
First ever vinyl reissue
First ever release outside of the African continent

The legendary Ghanaian singer-producer Pat Thomas needs little introduction, he is a globally recognized vocalist and songwriter, famed for both his solo works and that with the highlife bands The Blue Monks, Broadway-Stargazers Dance Band, The Satellites, The Sweet Beans, Marijata, The Kwashibu Area Band and The Uhuru Dance Band. Between 1974 and 2019, he issued more than two dozen recordings offering a unique take on highlife, funk, reggae, soul and Afro-beat/pop. Pat Thomas’ work was sampled many times and continues to be featured on compilations by renowned reissue-labels across the globe.
Born in 1946 in Agona (in the Ashanti region) as Kwabena Nyamekye Amoo-Mensah, Pat Thomas almost literally had music in his DNA: his father was a music theory teacher and his mother worked as a bandleader. His uncle was none other than legendary Ghanaian guitarist King Onyina, who was not only renowned for his own recordings, but for his performing work with Nat King Cole, Miriam Makeba, Ray Charles and Ella Fitzgerald. Thomas went to live with his uncle where he learned musical notation, began to study guitar and play drums. He became a notable composer, and as a teenager, quickly established a reputation in the local club scene as a singer.
In the early Seventies, he moved to Accra to join Ebo Taylor’s legendary highlife band The Blue Monks (their residency at the Tip Toe Nite Club is an important part of Ghanaian musical history). Pat Thomas left Taylor’s band (though their friendship and their musical association continued) and moved to the Ivory Coast in 1973, where he formed The Satellites. The band was short-lived but they did record a few singles. In 1974, he formed The Sweet Beans (which also featured Ebo Taylor in some of its incarnations) and started to cut several albums for the Ghanaian label Gapophone Records between 1974 and 1980. Soon, his singles started to become major radio-DJ favorites.
1976 turned into Pat Thomas’ busiest year…this was the year that he released his most-famed works: the “Stay There”, “Pat Thomas Introduces Marijata” and “Stage Two” albums! Marijata was a notable funky Ghanaian group (who had their own unique identity) that started to back Thomas’ on several of his classic albums.
In 1978, he was voted “Mr. Golden Voice of Africa” and in the first half of the Eighties he started issuing his well-known ‘Action’ album series…here his musical vision got broader and Thomas started to include Afro-Latin sounds & funky African disco parallel to his already signature Afrobeat-Afropop sound. It was also during this period that he moved to London to record several of his own albums and collaborations with other artists. Pat Thomas was restless…he moved and played all over Europe for the next years, recording for a series of labels. In 1990 he moved to Canada where he began teaching in addition to playing and recording (his 1991 album “Sika Ye Mogya” on Fire Records won the Album of the Year award in Ghana).
Pat Thomas remains active as a performer and recording artist in the 21st century and currently resides in Ghana, where he resumed his teaching career and plays across the African continent, making occasional forays to Europe.
The album we are presenting you today (Stage Two from 1976) comes swinging right out the gate with a set of nine monster tunes, heavy drum-breaks, reggae infused afro-beats, funky bass lines, Wah-wah-psyche guitars and lyrics that straddle between a sense of melancholy and frantic urgency. This is a quintessential Pat Thomas (backed by the Marijata band) record that every serious collector or fan needs to have in his collection.
Originally released in 1976 on Gapophone Records Ghana, Tidal Waves Music now proudly presents the first official reissue of this rare album (original copies tend to go for LARGE amounts on the secondary market…that is if you’re lucky enough to come across one). This is also the FIRST time Stage Two is being released outside of the African continent. This North American vinyl version is limited to 500 copies on 180g Clear Vinyl and also comes with an obi strip.

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Wamono A To Z Volume III - Japanese Light Mellow Funk, Disco & Boogie 1978-1988 Black Vinyl Edition

LP | 2021 | EU | Original (180g)

Orchestre Tout Puissant Marcel Duchamp

Release: 2021 / EU – Original

Genre: Organic Grooves

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Active as a professional DJ in Japan since the late eighties, DJ Yoshizawa Dynamite is also a renowned remixer, compiler and producer. An avid record collector and an expert of the Wamono style, Yoshizawa published the Wamono A to Z records guide book in 2015 which instantly sold-out. The book unveiled a myriad of beautiful and rare records from a highly prolific, but still then unknown, Japanese groove scene.

After many years working as a record buyer for several stores, DJ Chintam opened his own Blow Up shop in 2018 in Tokyo’s Shibuya district. A member of the Dayjam Crew and a specialist of soul, funk, rare groove and disco music, Chintam is also an expert of the home-brewed Wamono grooves. He supervised and wrote the Wamono A to Z records guide book together with Yoshizawa.

For this third chapter of the acclaimed Wamono series, Yoshizawa and Chintam unheart some of the best and rarest light mellow funk tunes and disco boogie bangers produced in Japan between 1978 and 1988. Put the needle on the record, turn up the volume and dig right now into the Wamono sound - the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan!

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Weære Okay.But Weære Lost Anyway.

LP | 2021 | EU | Original (Les Disques Bongo Joe)

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 1983 | US | Original (Solar)

Shalamar

The Look

9,99 €*

Release: 1983 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

LP | 2021 | EU | Original (Palmetto)

Fred Hersch

Songs From Home

24,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Bacao Rhythm & Steel Band

Dirt Off Your Shoulder

7" | 2021 | US | Original (Big Crown)

11,99 €*