Organic Grooves 86 Items

LP - 180 Gram Vinyl / Handnumbered Edition limited to 200 Units / turqoise marble vinyl.The debut work of Viennese jazz violinist and composer Rudi Berger FIRST STEPFIRST STEP - now on vinyl for the first time since its release in 1985. It is regarded as a historic jazz violin album, affirming Rudi Berger`s pronounced talent as a composer from a young age. Since then he presented his music in jazz clubs, concert halls, and festivals in 29 countries worldwide, has lived in New York and Brazil, collaborated with various famous musicians, contributed to over 200 recordings, including award-winning soundtracks for animation, film, and theater and was named an honorary member of the Chet Baker Foundation. Today he is recognized as one of the most original and influential voices in jazz.

For the first time on vinyl, MELINGO’s 2000 album Ufa! takes listeners on a captivating journey through the gritty streets of Buenos Aires. The album captures the essence of the urban landscape and the stories of an array of characters, including Jack The Ripper, Count Dracula, dealers, hustlers, trans love, and much more. Ufa! delves much deeper than its predecessor, Tangos Bajos, as it solidifies Melingo's collaboration with tango lyricists Luís Alposta and Enrique Cadícamo across ten tracks. Melingo's partnership with the iconic tango poet Enrique Cadícamo becomes profoundly significant when he sets to music Cadícamo's poem 'Siga Cochero,' written at the age of 19 in 1929. This particular composition gains newfound relevance and preservation thanks to Melingo's intimate collaboration with Don Enrique. The album also features renditions of beloved songs such as the Uruguayan Alfredo ZITARROSA's 'El Violin De Becho,' a chamamé, 'Las Flores Del Paraguay,' and the enchanting lullaby 'Sin Luna,' all exquisitely mastered by Myles BOISEN."

LP - 180 Gram Vinyl The debut work of Viennese jazz violinist and composer Rudi Berger FIRST STEPFIRST STEP - now on vinyl for the first time since its release in 1985. It is regarded as a historic jazz violin album, affirming Rudi Berger`s pronounced talent as a composer from a young age. Since then he presented his music in jazz clubs, concert halls, and festivals in 29 countries worldwide, has lived in New York and Brazil, collaborated with various famous musicians, contributed to over 200 recordings, including award-winning soundtracks for animation, film, and theater and was named an honorary member of the Chet Baker Foundation. Today he is recognized as one of the most original and influential voices in jazz.

The band Gillespie assembled for this date – Junior Mance, Les Spann, Sam Jones, & Lex Humphries - was for the most part a working band on the club & concert circuit, offering a mixture of Gillespie’s entertaining songs, established repertoire, & some Latin & African-influenced pieces. With them, Dizzy found a middle ground in his music that gave his legacy room to breathe, but with much more rhythmic variety. The Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.

VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Single Sleeve.

Oscar Peterson's Frank Sinatra tribute features his trio with bassist Ray Brown & drummer Ed Thigpen. The renditions are all under four minutes and are highlighted by "Come Dance with Me," "Just in Time," "I Get a Kick Out of You," and "How About You?" This is one of Oscar Peterson's most essential dates—swinging and enjoyable.

VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Single Sleeve

Sleeve Records & Dig This Way teamed back to bring to light the history and the tracks of this iconic early 70' Psychedelic Afro-funk East Nigeria group.
The Hygrades's album will include all 4 rare 45"s united in a single LP with an insert of their story told by a true Uchenna narrator.

) "Night Reign", the title of Arooj Aftab's new album, would also have been a good fit for an episode of "Game of Thrones". At first glance, it seems a little gloomy, almost ominous. But as soon as you immerse yourself in the album's atmospheric music, such associations fade away, even if a slight melancholy often seems to resonate. Arooj knows how to write songs that nestle gently in the ear canals and are true balm for car-tune-ridden ears. Her songs are unique because they are rooted in the tradition of her Pakistani musical heritage, but at the same time are modern and groove in a subtle way. This makes her, according to FLOOD Magazine recently, "the least categorizable and most uncompromising singer in pop music today".

With "Night Reign", the follow-up to her solo album "Vulture Prince" (which features the GRAMMY® Best Global Music Performance-winning track “Mohabbat”), Arooj has now created her most beguiling and stylistically diverse work. She was actively supported on the recording by creative partners as diverse as Vijay Iyer, Maeve Gilchrist, Moor Mother, Joel Ross, Cautious Clay, Kaki King, James Francies and Chocolate Genius, Inc.

A lost solo piano record from the Night Tripper! Originally put to tape in ‘82 & ‘83 for the Clean Cuts label, these tracks have remained unheard until now. Two numbers feature the doc's raspy growl while his solo piano navigates us through the rest of the train ride, past touches of blues, jazz, and foot stompin’ boogie-woogie jive. It's the kind of magic that can only come from a dusty tape box.

In 1981, Dr. John began recording his first of two solo piano albums. The “new” performances featured on this release are of the same quality as the music on Dr. John Plays Mac Rebennack and The Brightest Smile In Town.

His left hand creates a three-note rhythmic pattern that forms the foundation for the performance while his right soulfully plays the melody and then builds off of it in the tradition of the New Orleans piano blues masters. In other songs, it begins as a nostalgic and heartfelt ballad, picking up steam during the performance and switching moods several times before returning to where it began.

While it is a real shame that he would never again record a full album of unaccompanied solos (Dr. John enjoyed leading a band too much), the release of Frankie & Johnny gives one an additional opportunity to discover just how brilliant and spirited a pianist Mac Rebennack was during his colorful career.

If Tel Aviv's, The Flavors is the Funk and Soul supergroup of that cities vibrant Mediterranean Coastline music scene, then the even more obscure VuVuVu, comprised of some of the same musicians, is the instrumental stoner-rock gang of psychedelic bandits skillfully and sonically meandering in Israel's nearby deserts. A laid back, and welcoming intervention of hallucinating audio imagery awaits.

Straight from Rio de Janeiro, Dippin' Records introduces the studio album 'asa', by the sizzling hot modern Brazilian Multi-instrumentalist/Producer Fabio Santanna. Flyest modern Brazilian tropical disco-boogie you'll find in the market! Following up on his most recent collaborations with JKriv and Joutro Mundo, Fabio modernizes the MPB vibes of Joao Donato, Marcos Valle, Ed Motta for the current dance music lovers.

ASA: Dia (Day) evokes a sunny Balearic boogie 'day time' feels just in time for the Brazilian summer skies opening up. So sit back, put on your shades and sip on your tropical drinks and press play to vibe with the fabulous Fabio sounds.

Gondwana"s newest stars are West London"s Kessoncoda, aka drummer Tom Sunney and keyboardist Fil Sowa. Standing firm between acoustic tradition and electronica, they are founded on a unique blend of melodic ostinato-laced piano and unwavering drums. Black BioVinyl Limited LP, in printed coated-side board sleeve, finished in a matte varnish, containing a ltd 12" 300gsm artwork print and packed in resealable protective sleeve.

Celebrated by fans and fellow musicians as being among the blues’ most talented and exciting guitarists, Chris Cain is, according to Living Blues magazine, “turning out the best work of his career.” Good Intentions Gone Bad debuts 13 striking new songs, with Cain delivering top-shelf performances on blistering shuffles, slow-burning blues and joyful soul. Fellow Alligator artist Tommy Castro guests on one track.

Multi-Grammy winner, internationally celebrated pianist, vocalist, composer and arranger Eliane Elias returns to her signature style of Brazilian jazz with TIME AND AGAIN. Recorded in Sao Paulo, TIME AND AGAIN showcases Elias’ exceptional songwriting with eight new songs including three newly revisited and revised from across her storied career. Four of the songs were co-written with her partner and renowned bass player Marc Johnson. Joining her are section of noted Brazilian musicians along with special guests virtuoso guitarist Bill Frisell, and the legendary Brazilian singer Djavan. Produced by Eliane Elias, Marc Johnson and Steve Rodby.

Please see below info for the next release on Les Disques Magnetiques continuing their exploration of the Geneva underground. This time with Sid Spada"s album STELLAGONY. The album"s atmosphere dances between melancholy and the fantasy permitted by hyperpop, drawing from Latin and club sounds. A skillful balance between dark emotions and avant-garde energy is established.

Gondwana"s newest stars are West London"s Kessoncoda, aka drummer Tom Sunney and keyboardist Fil Sowa. Standing firm between acoustic tradition and electronica, they are founded on a unique blend of melodic ostinato-laced piano and unwavering drums.

A mysterious release, not only for its unique expressive style but also because it isn't even known when it was initially recorded let alone its release date. According to non profit Studio Piccolo owner Vincent Bruley, it could have been recorded during the 70s and eventually released in the early 90s, sometime throughout Nilton Castro's time in Paris making music for contemporary dance classes (often led by his wife). This album was originally intended for accompanying dancers in classes with an emphasis on rhythm and coordination. Given Nilton's background and expertise in percussion, the focal point of this album is to present an array of Afro Brasilian rhythms performed by himself with additional moments of choir, flute and keys/metallophone. Effortless due to Nilton's prowess and unburdened by typical financial pressures (often behind the release of a record), the result feels like charmingly unadulterated and pure expression throughout the entire album. But what really takes the listener to places of unheard-of bliss is “Ondes (Les Vagues)” a track that has plagued the curiosity of diggers and collectors for a while now. With its harmony crescendos elegantly coming and going as per the title, overlayed on Nilton's subtle percussive patterns, an aural landscape of illusory beauty - listening is believing. Remastered and officially re-issued with its original artwork.

ZZK Records presents TORNA, a new series of releases exploring electronic music from a Latin American perspective. With these DJ-level vinyl editions (12" and 45 RPM), we're aiming for the global dancefloor, bringing fresh and challenging tracks. The name is inspired by the concept of "La Torna," an economic institution formed by indigenous Atacama Lickan-Antay, Aymara and Diaguita peoples (in territories now occupied by Argentina, Bolivia and Chile), involving working together for the common good, for the benefit of the whole community. Just as we decided to found ZZK Records in 2007 at the height of the crisis in the recording industry, releasing Latin American electronic material on vinyl records of 7 to 9 minutes per side (in some cases with just two tracks) is also a leap of confidence today. This is our humble contribution in synergy with the community of music artists and fans, who we hope to keep running into on the dancefloors of the world. Colombian-born, Argentina-based producer Hermetics heads up the first release, setting the tone for the series with two fresh and challenging tracks, aiming for the global dancefloor.

The Selenites Band returns with a Live album ahead of their 3 Studio album, due for release in late 2024. 8 tracks of psychedelic jazz influenced by Ethio-groove, Swinging Addis and pentatonic grooves, recorded in analog on tape recorders during two concerts between 2021 and 2023.

These recordings are an opportunity to discover 5 previously unreleased tracks, as well as live versions from the previous album "Behind The Mask". The Selenites Band are first and foremost a live band, and we've seen them at the New Morning, in Paris, in Belgium, as well as opening for the prestigious group Gong, on their only date in France, and at many other festivals. The Selenites Band's lively style takes us into a world of traditional music, Shamarnic grooves, spicy jazz and bewitching rhythms. A melodic universe, a music of heady modal trance, a cinematic space of energetic jazz punk! . All compositions are by Antoine "Obi Riddim" Laloux, with the exception of two tracks by Seyoum Gèbrèyès and Tlahoun Gèssèssè.

All sleeves are hand-silk-screened and numbered / limited edition.

In a testament to Ireland’s vibrant musical history, Allchival presents an anthology celebrating the disco era’s hidden gems from Stuart Bingham's Sunshine. Culled from the annals of their studio recordings, this collection shines a light on the country’s lesser-known contributions to the global disco phenomenon.

Kicking off the compilation with Sunshine's electrifying "Boogie on Up," a testament to the band's prowess in embracing disco rhythms despite their pop cover origins. Produced by the acclaimed Paul Curtis, the track embodies the infectious spirit of disco, marking a pivotal moment for Irish disco hits. Accompanying it is "Don't Stop Me," radiating with Euro-disco vibes, further exemplifying Sunshine's versatility. Bingham recounts the bittersweet journey of "If This Is Free." Initially slated for success under Curtis's wing, the disco era's abrupt demise altered its trajectory, leading to an independent recording that retains a raw, garagey edge reminiscent of the era's ethos.

"Give It To Me" is another standout, blending Nile Rodgers-inspired arrangements with a Euro-disco flair. Stuart Bingham's production prowess and Rosey's captivating vocals converge to create an irresistible groove that transcends disco conventions.

Venturing into more experimental territory, "The Boogie Bug" showcases some Irish ingenuity in rap-infused grooves. Despite its ahead-of-its-time sound, the track faced resistance in a disco-weary landscape and rounding out the compilation is "Oh Gee, I Got U B.B.," a playful nod to dub-mix traditions.

This Sunshine anthology is a journey through Ireland's disco era, unearthing forgotten gems and shedding light on the country's rich musical tapestry. From Sunshine's infectious rhythms to Stuart Bingham's resilient spirit, each track encapsulates the era's vibrancy and innovation.

The carbon footprint left by the Modern Talking duo is undeniable. Already in the 1980s, the sound created by Dieter Bohlen, Luis Rodriguez and Rolf Kohler was an inspiration for many producers of electronic disco music from countries such as the Italy, France, USA, Greece, Netherlands, Sweden or Switzerland. Nostalgia for romantic disco does not fade away, and one of its most interesting representatives is the Romanian project Romantic Avenue. Perfectly recreated sounds and progressions, as if they were created back in 1985 in studio 33. Anyone who brings tears to their eyes when they mention Modern Talking will be delighted when putting this record on the turntable.

During the weekends, we used to drive a 131 "caffellatte" for a trip out of town towards the South. Family adventures from a distant time, the cassettes carefully chosen long before the departure, all around us the scent of the sea and in the background the Vesuvius.

In a kaleidoscope of memories and Mediterranean influences, Baffone recount in their own special way that Golden Age between the 70s and 80s. An era full of dreams, passions, unresolved issues and dizzying grooves. Mixing Napoli Soul, Funk, Disco and songwriting, Baffone gives us a profound investigation of the human soul, performed with an original and authentic language.

A tribute to primordial forces, the sea, the lava earth and the childhood that slips away.

XXX016 consists of two original tracks by Anastasia Zems & Radial Gaze on the A-side and two remixes by Chinaski & S.I.R.S on the flip side.
While the original tracks are infused with dark industrial vibes combined with a sharp kick and throbbing playful basslines, the remix side takes a completely different turn. An (unexpected) almost trance-like remix by Chinaski is best described as a rollercoaster ride that only goes higher and faster. S.I.R.S. delivers us a disco remix with the most groovy bassline that will not go unnoticed on any dancefloor. This altogether makes XXX016 an exploration of different sounds combined on
one EP, exactly how we envision things at XXX. The artwork by Gees Voorhees also perfectly embodies this.

One of the most interesting publishing events of the 1980s were special British editions of Italian, French or German productions containing PWL remixes. Behind PWL name were producers associated with the hit trio Stock/Aitken/Waterman, which promoted a number of great artists, including Dead Of Alive, Banarama and Kylie Minogue to name a few. PWL’s remixes for London Boys and Blue System became evergreens. And since the group of artists associated with Disco Nostalgic included those who sounded like Blue System, the label decided to refer to the events of 1989 and prepared an EP with remixes inspired by the mixture of German and British euro disco.

Great music is often about chance meetings and impromptu creative sessions and so it is that Hell Yeah proudly serves up Sensory Blending, a new collaborative album from Italian collective Aura Safari and Finnish musician Jimi Tenor. The nine-track record is a lush and luxurious fusion of jazz-funk styles.

This glorious record came about after Tenor was playing a Hell Yeah party at Tangram in Perugia. Aura Safari were local and, in some free time the day before the gig, everyone jumped in the studio together. They had never met before but soon found plenty of free-flowing common ground and the result of that one-off session is now served up on this vibrant new album that brims with musicality, indelible melodies and subtly uplifting vibrations.

Tenor has toured the world and previously collaborated with the likes of Japanese master Calm. He is a psychedelic space-jazz-funk king, skilled musician, composer and producer who, since the mid-nineties, has released more than 25 albums and 45 EPs. Aura Safari is made up of bass, synth, guitar and keys players Lorenzo Francioli, Ruggero Bonucci, Nicola Pitassio Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni and Nicholas Iammatteo, and they are label regulars who served up their sublime Island Dreams album here last year.

Says Jimi, who enjoyed his time in Perugia and adds that 'the studio session was 100% efficient. I showed up and we started to play. Almost all that was made was material that we could use for the album. I love to work fast. Quick brushstrokes. Finish! I was amazed at how intuitively the Aura Safari guys could come up with new parts for songs. I mentioned some feeling or approach and they seemed to find it just like that.'

'Bodily Synesthesia' is the seductive opener with steamy sax notes and gentle grooves that are topped by aloof vocal whispers. 'Lunar Wind' is another slow and steamy mix of jazzy keys and soulful vocal hooks, 'Bewitched By The Sea' is a more tropical and percussive number with majestic melodies and 'My Bluebell' picks up the pace with jazz-funk grooves and hustling chords. 'Last Waltz In Perugia' has freeform sax lines soaring over meticulous drums that ebb and flow and 'Gimlet' brings a playful, samba-tinged rhythm and sunny flute leads straight from South America. There's a laidback, carefree mood to 'It's Too Easy To Love You' while 'Your Magic Touch' is a dancey number that exudes melodic joy, and 'Indigo' closes in dramatic fashion with a conversational sax that sticks long in the memory.

Sensory Blending is a seamless fusion of collaborative minds from Aura Safari and Jimi Tenor and it could well be performed live at some special select shows later in the year.

Grand Soleil is an ode the awakening. Composed for Organ and Piano, this 7 tracks album is a soul trip with gospel accents. The great french soul singer Lynn is blessing this record with her airy vocal layers and a dope song: Clouds. Blackjoy closest partner, Blundetto is rocking the drums over minimal drum machine paterns. This record is recommended for the best morning routing.

''More Than Ever'' is another impeccable pearl of Roberto Ferrante, considered one of the most extraordinary and evocative Italo-Disco productions, one of those songs that attracted millions of followers and made everyone fall in love with the genre. GLAM's original 1985 12inch is no ordinary record. This vinyl reissue from Planet Records Classics with stunning new mastering makes it even more special. The voice of GLAM is Clio, according to followers one of the favorite singers in the distorted and mirrored world of Italo-Disco; she always has full control of the voice, therefore a perfect interpretation, full of emotion. If you listened to ''Faces'', ''Feel the Fear'' or ''Eyes'' by Clio and liked them, I'm sure you'll love this epic piece too! Thanks again to Roberto Ferrante for this new powerful mastering of ''More Than Ever'' fresher overall, performed with much more vitality and energy.

Contemporary classical composer Sophia Jani and violinist Teresa Allgaier announce their new collaborative work Six Pieces for Solo Violin on Squama Recordings. Characterized by its calmness and poise, each movement focuses on a particular technical aspect, bending the boundaries of the instrument while maintaining the illusion of simplicity.

Sometimes the most complicated thing anyone can do is to try to create something that feels uncomplicated. Arvo Pärt, ballet, a delicious meal we didn’t cook ourselves, Ella Fitzgerald, a safe place to lay our heads at night, a quiet pine forest – […] In all these things, it takes a lot of effort to make us feel as if something is effortless.
– David Lang (from the liner notes)

With a mysteriously unknown release date, “Photochrome” could have been originally put out somewhere between the late 70's to early 80's on the Italian Idea label, which although only boasting a minuscule catalogue of mainly 7”s has gotten the attention of many collectors of European disco obscurities for releases such as “Flavio – Drum Explosion” and “Aleo's Band - Eoe”. “Photochrome” features a very organic sound with hints of early electronics that might have been making their way into studios at the time. A fast passed driving bass line layered with what almost sounds like an early 303 bass line and spacey/cosmic vocals. Dry drum recordings give it a naive DIY feel which coupled with the experimental tricks on the vocals results in a very unique sound that has put this release on the radars of diggers world-wide. Now available once again at an affordable price with a new two part bonus beats remix that starts off as a more DJ friendly tool but soon embarks into a questionable full-fledged acid house excursion. Originally only released in 7" format but now re-issued in remastered 12" format.

Danish popstars Gitte and Inger bring forth 'Ud Af Buret', their 1978 high energy cover of Creative Source's hit, 'Can't Hide Love.' Gitte and Inger infused their unique style into this timeless classic, an electrifying experience that captures the soul of the original and bringing their own energy.

Randy Wiper is only known for this highly sought-after 100% pure Italo-Disco song from 1984, but the reason why he hasn't published anything else is that the artist embarked on a career as a film actor immediately after. The beginning of the song "I'd Like To Know" could be divided into three, the pattern of which is repeated in the subsequent instrumental parts, the piece possesses the sidereal energy of space disco. When it seems that we will leave the planet on board a shuttle, the soloist's voice enters, full of personality, it is that of Marcello Arcangeli and has the gift of inflections that sometimes recall that of Roy Orbison, at other times that of David Bowie. What remains most imprinted on the listener is the romantic part of the ballad, highlighted by the piano and passion. Finally there is the chorus which sounds exclamatory, imploring, but at the same time casual and danceable. Through a unique theme, that of a rare piece like "I'd Like To Know", we explore space, the heart, the disco.

After their debut album "Hoa Am Xua" (2019), which was nominated for Songlines Music Award 2021, featured as Record of the Month on Radio FIP in France and celebrated by Iggy Pop on Bbc6, among others, Saigon Soul Revival returns with their latest record, "Mối Lương Duyên". Descending out of the southern night sky through a turbulent cloud of dreams, memory, longing and psychedelia, Saigon Soul Revival’s second full length album — Mối Lương Duyên — represents the latest act in the group’s resuscitation of the raw, heavy and subversive sounds of 1960s and 70s Saigon.

Roughly translated to “destiny”, Mối Lương Duyên is a journey through eight original compositions and three soul-stirring reinterpretations of Saigonese nhạc vàng or golden music: the soundtrack to a Saigon once thought lost to history and amnesia. Driven by Western influences rock, bolero, soul, jazz and the rich heritage of Vietnamese ballads, Mối Lương Duyên delivers a seamless blend of genres and traditional instrumentation (Đàn Tranh, Đàn Bầu & Đàn Nguyệt) with themes from across time and space. Nguyễn Anh Minh's seductive vocals glide through this multi-stylistic tapestry of sound, going beyond the universal concepts of love and heartbreak to explore how destiny can be forged through individual experiences... or as she puts it in her own words:

Anything and anyone that comes into your life, every occurrence, whatever comes and whatever goes. It all happens as it is meant to. Saigon Supersound! Whatever you have to face, whoever you love or lose - we must accept it. We can’t choose our physical body, family, happiness or misery, our place in the world, in the universe…but we have the power to embrace and welcome our destiny. In Vietnamese "Mối Lương Duyên" means destiny but it doesn't only refer to love. It can mean many things, for example: How we all came together to form this band. In this way - by being part of the unfolding story - the album also attempts to musically connect the past with Vietnam's evolving future.

And the fact that Saigon Soul Revival seems to succeed in this is perhaps also the reason why the song ĐÁM Cưới NHÀ EM will be featured in the upcoming HBO Mini-Serie „The Symphatizer“ (directed by Par Chan-Wook (Oldboy) / Robert Downey Junior producer and actor), which is based on the novel of the same name (Pulitzer Prize 2016) by Viet Thanh Nguyen.

Sol Power Sound is back in a big way with a reissue and remix EP from the legendary Nigerian Ju-Ju king, Chief Commander Ebenezer Obey. The double A-side EP features 'Eyi Yato' a tune from 1981 that captures Chief Commander and his band at their absolute funkiest, with a driving drum and bass groove, wah-wah guitar, and signature call-and-response vocals. Remixers include the legendary dub producer Mad Professor, the disco don Eddie C, and the Sol Power All-Stars themselves.

The Sol Power All-Stars keep things organic with chugging drums, heavy analog synth bass and sequences, as well as Daniel Meinecke’s additional keys and solos. The Canadian disco don Eddie C goes a little electro and a little acid with his analog bass-heavy flip. Like a good dub should, Mad Professor’s version accentuates the drum and bass groove and drenches everything in vintage sounding Mad Professor delay, reverb, and filtered dub-sauce, live and direct from his classic mixing desk. Alongside an extended edit of the original, the Eyi Yato EP is sure to find a permanent spot in DJ record bags around the world.

Imagine for a moment that Arthur Russel had learned to speak Brazilian and then moved to Italy to produce an Italo-Disco single back in 1984. There's a good chance it would sound like the Dub version of the B side on this record (Remixed by Bob One). A percussive foundation channeling Latin Freestyle beats sets the groundwork for the chill sunset vibed melody to pleasantly unfold intertwined with the alluring Brazilian lyrics. The recording engineering on this production is clearly at a higher standard (than the usual neighborhood italo disco studio from back in the day) with some of the techniques at play giving it a very balanced and sophisticated sound for its time. The meticulous remastering this re-issue underwent allow for a generous low end with crystal clear mid range – game changing on any well calibrated dance floor sound system.

Mexican sensation Pahua comes to Razor-N-Tape via a huge remix project featuring some of the hottest producer names in current outer-national dance music.

Remixers on this 12” includes both staples and newcomers to the RNT production stable. Label co-head JKriv turns in a late-nite bass mix of the exceedingly popular ‘Porque Yo,’ Captain Planet delivers a percussive & thumping afro-house flip to “‘Espantapajaros’, Tigerbalm brings her chugging international disco flair to ‘Pa’lante,’ Prince of Queens digs deep with a housey dub of ‘Calla,’ and Londoner Clive From Accounts takes ‘Cana Brava’ into moody nu-disco meets amapiano territory.

With a collection of remixes as prolific and solid as these, RNT opted for an expansive 12” and 7” package which features seven of the remixes across two slabs of vinyl, with gorgeous artwork that flips the moonrise eclipse motif of the original Habita album cover perfectly in a slick device that reveals a crescent moon as the record is removed from the jacket.

This package honors the essence of the original music, while flipping it in quintessential RNT club-ready fashion.

Formed by Roland Treaudo and Manuel Herrera Jr, the Family Underground emerged from the rich musical tapestry of New Orleans. Despite their distinct upbringings in Baptist and Hispanic congregations, the band achieved widespread popularity. Securing a coveted Sunday residency at Whitey’s Devil’s Den, located in the heart of New Orleans, the band's dynamic performances led by Manuel on the grand piano and Roland on the mic drew in crowds that exceeded the 400-person capacity. Remarkably, this energetic scene continued until 4 am every Monday for over 250 consecutive weeks, all without the need for promotion or flyers. Amidst frequent tours and a bustling schedule across the Southern states, the band had limited time for recording. In 1975, at 'Cos' Matassa’s Warehouse Studio, they produced the single 'Everybody Knows'. The following year, their rendition of the Isley Brothers’ 'For The Love Of You' became a stripped-down classic, surpassing the original. Until now anyone wanting to own this piece of rare New Orleans funk and soul had to pay out nearly £150 for the pleasure, but for the first time in 49 years, the release has been officially licensed and lovingly reissued on heavyweight 7 inch vinyl, exclusively for RSD. An essential purchase for any lovers of rare soul and funk from the Deep South!

The mighty Modern Funk band from Annecy France hit one more time with this double sider. Two heavy electro funk tracks with creamy vocals from Mae Rojas on the A side, both track are fully made with analog synths and drum machines. Enjoy the vibes of that French Touch !!

This First Vinyl Release Highlights Two Brothers, Musicians and Producers, Lucas Moinet Et Adrien Moinet (Daerin), on This Project That Has Been Close to Our Hearts for a Long Time. 'Foret Nébuleuse' Is the Starting Point for an Exploration of the Terroirs and Grape Varieties for Which We Have a Certain Passion. Musically, You Can Expect Effective House Music in Its Proper Form as Well as an Exploration to the Limits of the Definition of the Genre That Brings Together So Many Sonic Experiences....