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LRK are excited to announce their next full album release Lrklp-08

'all I Ever Wonder' By Johnny Burgos

Available on Lp/cd/digital

Singer, songwriter, and producer Johnny Burgos converges with veteran soul producer, Jeremy Page, (Kendra Morris, Czarface, MF Doom) to offer their first joint album together titled, 'All I Ever Wonder.' The album is a vividly vulnerable and honest effort by Burgos, lyrically and vocally, supported effortlessly by Page's masterful production. The pairing of the two seems meant to be, with a sound steeped in retro soul techniques, the album is equal parts novelty and nostalgia, equalling a timelessness that speaks to the humanity in all of us. All I Ever Wonder will be released on Vinyl, CD and all digital platforms on Friday, June 28th, 2024 via UK-based Soul label LRK Records.

Johnny - "Jeremy and I have been ships passing in the night for years now. However, our first official collaboration was a 2021 remix of my song The Grey, which featured his long-time co-collaborator Kendra Morris. From the get-go, the musical chemistry was strong, so we took a shot at writing some original tunes. Since then, we've locked in on a creative groove and churned out a bunch of material. As we learned how to complement each other's musical strengths, the project took on more form and purpose, exploring heavier subject matter and expanding its range of genres. I'm pretty sure that's what makes this project so fun for us, and possibly what the early gatekeepers and listeners resonated with most. Neither of us expected such a reception to the music, which only made us more excited to hone in with more intention towards a goal. This also allowed me to bring more raw ideas to the table and have the confidence in Jeremy to hear the potential, then work his magic to extrapolate on my foundation. The teamwork in this effort was inspiring as we listened and referred to each other in every step of the process, and had a crew of killer musicians on deck for when we needed the extra feels on some joints.

We worked really hard on this record and hope it reconnects our listeners to being human in a visceral way. It's accessible, honest, and soulful because I wanted it to speak to anyone who still wants music to relate to. Music to help you through the valleys, to celebrate the peaks, and handle everything in between. It's a journey of the soul that explores ego, insecurity, love, loss, survival, enlightenment and trusting the process. It's truly 'All I Ever Wonder.' "

"All I Ever Wonder" will have its digital release through LRK Records on all platforms on Friday, June 28th, 2024.

Johnny Burgos is a Brooklyn - born singer, songwriter, producer & engineer. His brand of future-soul embodies a raw uncompromising sound revealing beauty from pain, hope from despair, and the will to keep fighting. Especially influenced by his uncle and world-class percussionist, Andre Martinez, Johnny grew a fascination with the percussive rhythms of salsa and soul music, eventually manifesting into a devoted passion for Hip Hop production using an Akai MPC. With influences from Michael Jackson, OutKast, J Dilla, Lauryn Hill and D'Angelo, Johnny's music draws upon the core principles of R&B, while encompassing elements of Hip Hop, Funk, Pop, Salsa and Reggae.

Johnny has collaborated with DJ Skizz, for Mobb Deep & M.O.P., Marco Polo, Frans Mernick, Liza Colby (The Gold Setting) and led his band Bridge City Hustle, with whom he toured nationally.

As a solo artist Johnny debuted with back-to-back brand endorsements from French's Mustard and Samsung US, using them as a platform to launch his 2018 EP 'Love Through it All.' His debut album 'Gone Into The Grey' was released to critical acclaim in March of 2021 and has since been added to multiple editorial playlists by Spotify, Apple Music and Tidal, creating exponential growth. In 2022, Burgos' song 'Wild About You' was heard as the soundtrack to Neiman Marcus' "It's Your Moment" global streaming campaign. Johnny's currently amid promoting his latest album, The Tangent Tape, performing with his band The Butter, recording new collaborations and preparing his upcoming LP with Jeremy Page & LRK Records.
credits
releases June 28, 2024

Singer, songwriter and producer Johnny Burgos returns with veteran producer Jeremy Page (Kendra Morris, Czarface, MF Doom) for "Hit Me Like," the instrumental is dripping with retro soul nostalgia, serving up the drums and bass-forward and funky, under a blanket of buttery guitar chords. The production carries Burgos' silky smooth and heartfelt delivery effortlessly, offering a brilliant take on a timeless-sounding, soul-inspired love song.
Singer, songwriter, and producer Johnny Burgos returns with
veteran soul producer, Jeremy Page, (Kendra Morris, Czarface, MF Doom, That Handsome
Devil) for "Get Back." The fourth single off of the duo's upcoming album titled, 'All I Ever Wonder,' is a vulnerable retrospective of a love gone cold, with hopes of rekindling the
magic that once kept its flame alive. In true Neo Soul form, the song is driven heavily by the
drum and bass groove, distinctly reminiscent of an early 2000's J Dilla beat. Page's signature
colorful chords evoke the struggle in Burgos' story, as he confronts his inability to accept the fate
of his relationship and let go of the magic it once embodied.

Johnny Burgos is a Brooklyn - born singer, songwriter, producer & engineer. His brand of retro-soul embodies a
raw uncompromising sound revealing beauty from pain, hope from despair, and the will to keep fighting.
Influenced by his uncle and world-class percussionist, Andre Martinez, growing up Johnny developed a
fascination with the percussive rhythms of salsa and soul music, eventually manifesting into a devoted passion
for hip-hop production using an Akai MPC. With influences from Michael Jackson, OutKast, J Dilla, Lauryn Hill
and D'Angelo, Johnny's music draws upon the core principles of R&B, while encompassing elements of
hip-hop, funk, pop, salsa, and reggae. Collaborations include artists such as DJ Skizz, Mobb Deep & M.O.P.,
Marco Polo, Frans Mernick, and Liza Colby (The Gold Setting) and his band Bridge City Hustle, with whom he
toured nationally.

As a solo artist Johnny debuted with back-to-back brand endorsements from French's Mustard and Samsung
US, using them as a platform to launch his 2018 EP Love Through it All. In March 2021 his debut album Gone
Into The Grey received critical acclaim and has since been added to multiple editorial playlists by Spotify, Apple
Music and Tidal, resulting in an ever-growing listening fan base. In 2022, Burgos' song "Wild About You" was
then used as the soundtrack for Neiman Marcus' It's Your Moment global streaming campaign.

John Surman's Jazz in Britain '68-'69 is an overview disc of his '60s band and one of the more enjoyable vintage British jazz records. These tunes come from several different sessions recorded in the late sixties, as evidenced by the alternate drummers - Alan Jackson and Tony Oxley - and the use of different instrumentation, like the three-horn modal piece "Bouquet Garni," from 1968 that places Surman in the company of only two other horn players - Alan Skidmore and Mike Osborne - and no rhythm section, in the configuration that would emerge in the mid-'70s as S.O.S. For most of the other tracks, Oxley is the drummer, Kenny Wheeler plays flugelhorn, and John Taylor plays piano (acoustic and electric). The music here is all over the place stylistically, but it hardly matters because all the players are fully engaged, and as an ensemble, they all shine and were seemingly looking forward to the impact the new jazz would have.

Jimetta Rose and The Voices of Creation announce the release of new album Things Are Getting Better via Day Dreamer Recordings. A spirit-lifting, soul-stirring devotional that effortlessly unites house, funk, soul, RnB and hip-hop influences, Things Are Getting Better hears the LA-based vocal group reach new heights to spread a message of faith and togetherness in troubled times.

Electro-boogie-machine 'Straight Line' is taken from 'Cool Cool', the upcoming third album by British multi-hyphenate James Alexander Bright. "'Straight Line' started out as a wonky homage to 80s & 90s radio", says James. "It's based on the memory of meeting someone you want to stay up all night listening to music with".

James' passionate voice, pitched somewhere between Eddie Chacon, Beck and Michael McDonald, takes a confident lead over a melange of body-popping LinnDrum beats, a host of swooping, fuzzy synths, and backseat-rocking bass. Initially written and recorded at his home studio in the rolling hills of the Hampshire countryside, 'Straight Line' was completed with regular collaborator Peter Lyons in East London.

It's backed on 7" vinyl with the wonky dancefloor wobbler 'Oh My', sounding something like Theo Parrish producing Arthur Russell after a sleepless night.

The past six years has seen James release a veritable treasure trove of music, including 'Mallorca' and 'Strange Folk' EPs, debut album 'Headroom', joyous second 'Float', an album of collaborations and reworks with cosmic Americana-disco DJ/producer duo Flying Mojito Bros, and a new project with Groove Armada's Tom Findlay as Bright & Findlay.

James balances music alongside the creative duality of a job in illustration and the responsibilities and constraints that come with raising a young family. Utilising any spare moment to write and record new ideas, his creative output under various projects had been relentless. Turning his back on apathetic major label offers in his early 20s, he's released through cult DIY label Tape Club Records, German stalwart !K7 Music and now with Scottish tastemaker Athens Of The North, presenting an evolving vision of a sound that has touched on everything from outsider art-rock to machine funk, mystic folk to experimental jazz.

A dynamic set of urgent funkers, gentle soul ballads, head-nodders, fuzzy folkers and straight-up disco bangers; album 'Cool Cool' is set for release on 26th July via Athens Of The North.

Funkyjaws Music keeps on keeping on with its Let's Dance series, which now hits volume number three. It is another doozy that follows the tradition of bringing together four different and equally able artists on one 12". Jacques Renault kicks off with some funky and disco-fried fun on 'Such A Tease' and The Patchouli Brothers take it old school with their steamy disco burner 'Wishin' U Would Call.' The flipside keeps the good vibes alive with some lovely cowbell action and mad-funky riffs on Paul Older's 'Dancin' On Your Mind' and then a little steamy psyched-out guitar magic defines the glorious closer 'House Of Rising Sun.'

Isaiah Collier & The Chosen Few return with a new musical journey, "The Almighty". The first quartet offering since 2021's Cosmic Transition. Collier's compositions and lyrics focus on using music to communicate deeper principles that are part of everyday. Isaiah showcases these principles through sounds that evolve within the titles: Love, Compassion, & Perspective. These principles once taken fully in are arranged to deliver the message that there is a Divine energy connecting through us all and is seen within all things.

This collaboration between Spanish producer Nueen and Manc vocalist / rapper Iceboy Violet - who has previously sprinkled their magic dust across Hyperdub releases from aya and Loraine James - traces the arc of a four year relationship, memorialising its highs and documenting its lows, processing, reflecting, and then ending with the ecstatic spark of new love. It's a magical, intimate and heartfelt album, sometimes anguished but often enchanting.Nueen's music responds with foggy, but richly detailed, production. Smudgy drill-laced beats contrast with curdled, spiralling chords, at times drawing out a malevolent ambience. `You Said You'd Hold My Hand Through The Fire' is an immensely affecting and lucid album, powerfully wrought, ultimately hopeful.

Mukatsuku back on the Afro funk vibe with two exclusive instrumental tracks from legendary Ghanian artist Gyedu Blay Ambolley .Both tracks originally appeared in vocal form from the Austrian label Agogo 'Ketan' album from 2017 .
A couple of timeless & exclusive infectious afro funk instrumentals that work just aswell with lashings of organ and brass stabs with hypnotic driving rhythm guitar. Only 300 hand numbered & pressed on 180 gram wax.

Large group session featuring deep spiritual modal jazz and new age ambient synthesizer pads.

Welcome to the first instalment of a new collaboration between The Reflex’ Discolidays label and Because Music in Paris, remixing gems from the Zagora catalogue.

Created in 1975 by producer Daniel Vangarde (father of Daft Punk’s Thomas Bangalter), the Zagora label created some of the most exciting disco music in France, ranging from cult underground artists Who’s Who and Starbow, to massive international hits by the Gibson Brothers, la Compagnie Créole and Black Blood. Unearthing the multitrack for obscure cuts, The Reflex shifts the focus on the great studio musicians involved in these recordings (Wally Badarou amongst others) and delivers stunning revisions of ‘Harlem Bound’, a 131bpm jazz-funk disco powerhouse cut (1977) and ‘Dancin’ The Mambo’, a 122bpm Chic-esque meets early piano House monster laced with that unmistakable French sound, originally released in 1980.

Both first time-ever remixes from the stems, released on 180g vinyl with custom artwork on card sleeve designed by Al Kent / Million Dollar Disco.

Three more releases will follow, to complete the 4 x 12” vinyl and digital package spread over several months in 2024.

After the resounding success of their last album "Garden Island," released in 2021, the octet hailing from Tenerife is back with a new album titled "Ganzfeld.

Gabriel Milliet, a singer-songwriter who works with O Terno, Bruno Berle, and others, has released his superb first album in 2023, and it is now available on analog record for the first time worldwide! Gabriel Milliet is a Brazilian SSW and multi-instrumentalist who has supported O Terno, Sessa, Luiza Lian, Soyuz, Fuensanta, Bruno Berle, etc. In September 2023, his debut solo album "um" was released exclusively digitally on Matraca Records. Using an old Yamaha 4-track recorder cassette, he recorded the guitars and vocals for all the songs, and layered flutes and other strings to complete "UM," an album with beautiful melodies and a sense of saudade unique to Brazil. The album was re-mastered for vinyl and is scheduled for release in late July on GG Records in Kyoto, Japan.

Unas cumbias pesadadas brought to you by Discos Resaca.

merch community
S​ü​ddeutschland & Der Untergang des Hauses H.
by Familie Hesselbach

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Süddeutschland (Lautt Sampler, 1983) 00:00 / 04:09
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Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Buy Digital Album €8 EUR or more
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Limited Edition 12" Red Vinyl
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Includes unlimited streaming of Süddeutschland & Der Untergang des Hauses H. via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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Süddeutschland 05:12
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Das Bild 04:46
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Rimini 03:34
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Zur Kur 04:10
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Süddeutschland (Lautt Sampler, 1983) 04:09
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Siechtum (Der Untergang des Hauses H. Tape, 1985) 02:41
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Fred (Der Untergang des Hauses H. Tape, 1985) 03:57
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Paul (Der Untergang des Hauses H. Tape, 1985) 03:14
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Susi (Der Untergang des Hauses H. Tape, 1985) 03:26
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Barbara (Der Untergang des Hauses H. Tape, 1985) 03:55
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Baden (Der Untergang des Hauses H. Tape, 1985) 02:31
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"40 years after six students from the prestigious university of Tübingen were latecomers to the German new wave (...), it is once again the turn for Familie Hesselbach, who have always been called "The German Talking Heads", something we could agree with, if we add to their sound the rhythm schemes of A Certain Ratio, the groovy bass of Bush Tetras, the skronky disco-esque of James White, and turns Byrne's voice to a more spastic and cons ice one. Berlin´s play loud! label reissued in vinyl this early 80s German new wave gem, and if you think of all the bands we've named, you know this is going to blow your mind!" (Tremendo Garage about the first LP "1982").

After re-releasing "1982" (first LP) and the double LP "Froh zu sein & 8-EP-Sampler", play loud! now completes the Familie Hesselbach catalog (1980-1985) with the third vinyl LP "Sueddeutschland & Der Untergang des Hauses H." Enjoy!

Edwin Starr was a Northern Soul hero, noted for his Ric Tic and Gordy/Tamla Motown recordings in the mid to late 60s.He is best known for his international chart topper 'War' a Vietnam War protest song from 1970. These two sides are from the same album 'War And Peace' .'Time' has been one of Edwin's most in demand Northern Soul dancers for many decades and certain issues of original copies have sold for over £250. In more recent times the flipside ' Running Back And Forth' has been played and is demand on the Northern Soul/Crossover Soul scene making this a great value 45 with two brilliant tracks in demand in their own right, which epitomise the era.

1977: In the middle of the era of punk groups, up-tempo music, high-energy rock and a mini rock-'n-roll revival, a record with the cheeky title Tranquility by the group Dutch Treat has come onto the market. A record - as the title suggests - that exudes tranquility. The record is a serious product by five of Holland's best-known and most-talented studio musicians: Jan Huydts, Wim Essed, Hans Hollestelle, Louis de Lussanet and Steve Boston. Jan Huydts: ‘We want to make music that brings people peace and tranquility. We are a recording group. We like each other. We are just close friends. The idea was to make non-aggressive music with aggressive instruments like synthesizers and electric guitars. You may even call it background music, maybe with a double meaning.’

Wim Essed in 2024: 'After decades it is still amazing that in all their diversity the pieces on this album fit together so well, taking the listener on an instrumental road trip through rainy as well as sunny landscapes.'

'When we had finished the original recording, the first and only issue was marketed by Polydor records, in quite a modest edition, instigating an equally modest success. Nowadays many more can get access through the web and Tranquility has since found a certain following and cult status, as the original record got harder to come by and more expensive on the second-hand market. So people started to ask for a reissue, which we can at last and proudly offer, bonus material included!'

‘tranquility’ by dutch treat was recorded, mixed and mastered between October 1976 and January 1977 at Procom Studio in Kirchhellen, West Germany

Remastered in August and September 2023 by Fritz Fey (original assistent engineer) at Double-D Mastering, Oberhausen, Germany For the remastering a direct transfer from the original master tape in 192 kHz and 24 bit was used. The master was cut in a lacquer and the actual reissue is a 180 gram hi quality pressing

Colemine Records is proud to announce a brand new pressing of Witchoo / Love Will Work It Out, on limited edition "Midnight Blue" color vinyl variant. "Witchoo" is a light-as-a-feather funk number powered by Mike Montgomery's wiggly bassline, and Aaron Frazer Durand Jones' engaging high/low vocal harmonies, all imbued with quiet, but unmistakable confidence. Jazzy keys ambient conversation lend the song smoothly celebratory vibe, as do its group-chant choruses: Come through, bring crew / I just wanna be witchoo!" Driven effortlessly tight musicianship, an irresistible ode to getting together having good time_cathartic summer right around corner in States, band's timing couldn't better. Seeing Frazer, Jones The Indications moving from isolation joyous togetherness accompanying visual (dir. Weird Life) hammers excitement home."Witchoo" is a light-as-a-feather funk number powered by Mike Montgomery's wiggly bassline, and Aaron Frazer Durand Jones' engaging high/low vocal harmonies, all imbued with quiet, but unmistakable confidence. Jazzy keys ambient conversation lend the song smoothly celebratory vibe, as do its group-chant choruses: Come through, bring crew / I just wanna be witchoo!" Driven effortlessly tight musicianship, an irresistible ode to getting together having good time_cathartic summer right around corner in States, band's timing couldn't better. Seeing Frazer, Jones The Indications moving from isolation joyous togetherness accompanying visual (dir. Weird Life) hammers excitement home."Love Will Work It Out" finds Durand Jones reflecting on the state of America in 2020. Ultimately, song's message is one optimism, as declares chorus that love will work it out." That comes from my grandmother, who raised me and really believed what Dr. King stood for," he told Mojo. She's long gone now, but after George Floyd died, I was feeling despair doubt, I'd think about things she would say. And song sort thing tell me, like, it's hard right don't give up.""Love Will Work It Out" finds Durand Jones reflect...

"Witchoo" is a light-as-a-feather funk number powered by Mike Montgomery'swiggly bassline, and Aaron Frazer and Durand Jones' engaging high/low vocalharmonies, all imbued with a quiet, but unmistakable confidence. Jazzy keys andambient conversation lend the song a smoothly celebratory vibe, as do its group-chant choruses: "Come through, bring the crew / I just wanna be witchoo!" Drivenby effortlessly tight musicianship, "Witchoo" is an irresistible ode to getting togetherand having a good time_with a cathartic summer right around the corner in theStates, the band's timing couldn't be better. Seeing Frazer, Jones and TheIndications moving from isolation to joyous togetherness in the accompanyingvisual (dir. Weird Life) just hammers the excitement home."Love Will Work It Out" finds Durand Jones reflecting on the state of America in2020. Ultimately, the song's message is one of optimism, as Jones declares on thechorus that "love will work it out." "That comes from my grandmother, who raisedme and really believed in what Dr. King stood for," he told Mojo. "She's long gonenow, but after George Floyd died, and I was feeling despair and doubt, I'd thinkabout things that she would say. And that song is the sort of thing she would tellme, like, it's hard right now, but don't give up."

Recorded in 1956 for Tom Wilson’s Transition label, Watkins At Large was the first of two albums bassist Doug Watkins made as a leader. With a first-rate band featuring Donald Byrd, Hank Mobley, Kenny Burrell, Duke Jordan, and Art Taylor, Watkins swings through a stellar set of blues, ballads and more. This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket with an 8.5” x 5.5” booklet.

A product of the not-so-underground, genre-bending melting pot that is Naarm (Melbourne, Australia). producer, composer and multi-instrumentalist Don Glori (aka Gordon Li) prepares to unleash his forthcoming album ‘Don’t Forget To Have Fun’ via DeepMatter Records.

Following the release of his much-heralded 2022 LP ‘Welcome’, and a relocation to London, Don managed to tap into a potent creative current, by taking himself to a place of discomfort, and taking his creative back to basics for ‘Don’t Forget To Have Fun’. This invigorating approach helped distill the initial album sketches into a compelling and intoxicating listening experience across the record, creating a true work of art, traversing jazz, funk, soul, RnB, samba and beyond. Whilst the record itself is hard to describe, but even harder to forget.

Album opener ‘Pause’ pairs psychedelic influences with a cyclic loping groove and focuses on recognising a safe space that can act as a refuge. Taking inspiration from Steely Dan, Brian Bennett & Azymuth, ‘Emerald’ channels Jazz rock, 70's LA studio energy, with the faster funk sections featuring an unruly amount of mouth percussion, synth lead lines, and vocal melodies that weave in and around the tight horn arrangements. ‘All Seeds’ is a heady blend of samba and Brazilian street soul, with field recordings of Don’s old house in Melbourne providing additional seasoning. ‘First Touch’ is a downtempo 80’s boogie-infused gem, keeping proceedings nice and sleazy. The final three movements move through one fluid composition, charting the disorientating course of a fever dream, through beguiling astral travels, unexplainable occurrences, and transcendent moments.

A product of the not-so-underground, genre-bending melting pot that is Naarm (Melbourne, Australia). producer, composer and multi-instrumentalist Don Glori (aka Gordon Li) prepares to unleash his forthcoming album ‘Don’t Forget To Have Fun’ via DeepMatter Records.

Following the release of his much-heralded 2022 LP ‘Welcome’, and a relocation to London, Don managed to tap into a potent creative current, by taking himself to a place of discomfort, and taking his creative back to basics for ‘Don’t Forget To Have Fun’. This invigorating approach helped distill the initial album sketches into a compelling and intoxicating listening experience across the record, creating a true work of art, traversing jazz, funk, soul, RnB, samba and beyond. Whilst the record itself is hard to describe, but even harder to forget.

Album opener ‘Pause’ pairs psychedelic influences with a cyclic loping groove and focuses on recognising a safe space that can act as a refuge. Taking inspiration from Steely Dan, Brian Bennett & Azymuth, ‘Emerald’ channels Jazz rock, 70's LA studio energy, with the faster funk sections featuring an unruly amount of mouth percussion, synth lead lines, and vocal melodies that weave in and around the tight horn arrangements. ‘All Seeds’ is a heady blend of samba and Brazilian street soul, with field recordings of Don’s old house in Melbourne providing additional seasoning. ‘First Touch’ is a downtempo 80’s boogie-infused gem, keeping proceedings nice and sleazy. The final three movements move through one fluid composition, charting the disorientating course of a fever dream, through beguiling astral travels, unexplainable occurrences, and transcendent moments.

This isn’t just a seminal album. It is an estuary. All the black rivers that would form Brazilian funk/hip-hop flow through it. Led by Paulista pianist Salvador Silva Filho – Dom Salvador – “Som, Sangue, e Raça” from 1971, one year after the explosion of Tim Maia on the scene, catalyzed the bossa nova and jazz background of its leader with the rhythm and blues of its members like saxophonist Oberdã Magalhães, nephew of samba-enredo master Silas de Oliveira and future leader of Banda Black Rio, who since the group Impacto 8 (which had, among others, Robertinho Silva on drums and Raul de Souza on trombone) had already been trying to reconcile MPB with Stevie Wonder and James Brown.

Add to all this a mixture of samba, Nordestino accent, and even the black side of the Jovem Guarda represented by the authorial presence of Getúlio Cortes (older brother of Gerson King Combo, our James Brown “cover”) in ‘Hei! Você’. Alongside these elements and the presence of Rubão Sabino (bass), who still called himself ‘Rubens’, drummer Luis Carlos (another member of Black Rio), the record enlists the trumpet and flugelhorn of symphonic musician Darcy in place of the original Barrosinho (yet one more founder of Black Rio), who was traveling during the recording but would end up being a leading force of the band.

The album ‘Som, Sangue e raça’ paves the way for future generations of musicians and producers of the Carioca scene at the beginning of the 1970s. The lyrics that dealt with the question of race and the explosive fusion of samba, soul, jazz, and funk, elaborated by Dom Salvador and his troupe, Abolição, established the bases for the development of new sounds and tendencies in Brazilian music.

The Discos Reseca Collective is a collective of songwriters and musicians whose sounds are distinctly from the Bay Area: mixing traditional cumbias with hip-hop and oldies, honoring the band members’ roots while providing a solid party soundtrack. Based in the Bay Area (Oakland, East Bay), Mariposas Del Alma are fronted by the Meza-Blanco Sisters. Jasmin, Nathaly, and Marina captivate the audience with their soulful vocals and powerful harmonies. Having grown up in a home with a musician father, and a lineage (Maternal Grandfather) that traces back to the days of the Trios all throughout Latin America—it was only natural that the sisters became the amazing vocalists they are today. "Music by the collective Discos Resaca—Spanish for hangover—leaves listeners feeling anything but zapped. The family of Bay Area musicians specializes in cumbia—the popular, accordion-forward and rhythmically percussive genre of Latin music with variations from Colombia, Peru, Mexico and beyond... Y Te Cuento (And I’ll Tell You) is full of powerful stories, a traditional feature of cumbia. Some songs tell tall tales (“Chupacabra”), others big up their communities throughout the Bay (“Cumbia de San Jose” and “San Juan”) and several tell the history of the area’s cumbia movement (“Movimiento De Cumbia”). The album’s love songs meld boleros, corridos, cumbia and cha-cha with mid-tempo soul, forming a familiar aural history."—KQED

A collaboration between The Bay/West Coast and Mexico Cumbia Powerhouses! Back again is the OG Deuce Eclipse along with the Discos Resaca crew teamed up with el maestro Robin Revilla of Grupo Maravilla Y Discos El Papi This 45rpm includes “Tírate la Chancla” and “Quiero yo Cumbia” on the flip side, Puro sabor tropical y Cumbia Trap.

The Album „hi“ is an invitation by Dani Scheffels to explore different emotions while
listening to his instrumental music.

In his debut album, the Munich based multi-instrumentalist presents music, that is
influenced by both his background as an accomplished drummer as well as his love for
modern jazz and experimental electronic music.

There is no rule in his writing except one: no lyrics.

That way everyone can tie the emotional music to their own experiences best.
First not sure, if he wanted any features on this album, he decided to collaborate with his
sister Amelie Scheffels on the track “this” and his longtime friend Ralph Heidel (known for
his brilliant releases on the Kryptox-label, as well as through his work as musical director
for artists such as Casper, Tarek K.I.Z, Drangsal, Bazzazian just to name a few..) on the
track “finally”.
“hi” is the second LP-release on the Munich based label tunnel.visions.

Outrageous Norge-Funk™ from Lyskestrekk !! Heavyweight, loose and live organic goodness... Limited as ever and totally essential !

Mitos & Ritos, the debut EP by the Ecuadorian group Cruzloma, consolidates in its six songs a spirit of promoting traditional rhythms in contemporary styles, a process of reinvention and self-discovery in homage to the indigenous peoples of the Ecuadorian jungle and the riches of ceremonial music all in a mix featuring electronica, global bass and dembow.The hostile times humanity is going through have awoken a need to get back to our roots, reclaim ancestral knowledge, and question where the excessive exploitation of natural resources has led us. We have heeded that urgent call to care for everything that seems unlimited but which is increasingly scarce. And so we have looked to the past to understand our relationship with what surrounds us and establish a dialogue between the past, the present and the uncertain idea of the future. Applied to music, this has aroused the interest of artists and producers who use the rich folklore and traditions of Latin America to replicate that dialogue between what was and what will be. With this in mind, Mitos & Ritos ("Myths and Rites"), the debut EP by the Ecuadorian group Cruzloma, consolidates in its six songs a spirit of promoting traditional rhythms in contemporary styles, a process of reinvention and self-discovery in homage to the indigenous peoples of the Ecuadorian jungle and the riches of ceremonial music, based around the bambuco style from Esmeraldas on the northern coast, and the bomba del chota and the san juanito from Imbabura province. On this EP there are also sacred prayers of the Shuar nation, called Ujaj and Anets, including ceremonies like the taking of ayahuasca and of the tzan tza, all in a mix featuring electronica, global bass and dembow. It is a journey into mysticism, the jungle and the dancefloor, reflecting a search for musical identity that is at once contemporary and futurist.

A few copies arrived with a seamsplit Cover. We're therefore selling it on a reduced price.

Bristol based band Cousin Kula announce their debut album Double Dinners. With co-signs from the likes of Badbadnotgood and newly signed to Rhythm Section, Cousin Kula have created their own musical universe of otherworldly pop serenity with vastly distinct, but complementary elements: “the possibilities of jazz, the emphatic energy of club culture, and the sonic tapestries of psychedelia” Clash Magazine remark.

Living and recording together, nestled in the sun-drenched hills on the outskirts of Bristol, Cousin Kula are masters of their craft, and also of restraint; widely regarded by their fans for their superior live show. Having performed live in various bands for the past 10 years since their early teens, not being able to hit the stage during lockdown took its toll on these musicians. Ever resourceful, however, Cousin Kula began a series of their own home-made live sessions, which lead in turn to a Boiler Room Session and further a request from XL signees Badbadnotgood to record a live adaptation of their new single.

Now, Cousin Kula flutter into the collective consciousness with a timeless slice of psychedelic soul on debut album Double Dinners. The latest band to emerge out of the buoyant Bristol music scene, they have stripped back all excess baggage for their most accomplished recordings to date. Existing on a similar plane to contemporaries such as Connan Mockasin, Mildlife, Toro Y Moi, Mac DeMarco and Homeshake, the band caught the attention of renowned tastemaker Bradley Zero with their 'Casa Kula Cassette' EP at the end of 2020, with the Rhythm Section founder swiftly taking the 5 piece under his wing, with him commenting:

“The band balance an outsider approach with more hooks than you can shake a stick at... the result being a gently beguiling sound that effortlessly draws you in, revealing more character with each listen.”

Discodelic and Groovie Records present two incredible singles / amazing finds of musical archeology. Four recordings made in Panama in the 70s and lost in time, we finally managed to license these Latin Psych Funk gems through Tamayo Records in a deluxe limited edition. These four groups Conjunto Raza, The Meditators, The Scepters and Los Misticos, were groups that barely recorded a single, which were only used for radio stations and forgotten in warehouses, they represent the most underground and forgotten Panama!

Miraculous 7inch collaboration single "I don't know" by Chara and In-sist is finally re-released after 10 years! The superb hip tune "On & On" by In-sist is included on the B-side. Chara, a singer who has established a strong position in the J-Pop scene as a Japanese girl pop icon, has clearly etched her roots in black soul music on this eternal soul classic!

The second single from the well-received previous release, "Samurai," is now available. This time, the song "Pastime Paradise," written by Stevie Wonder and released in 1979 by Ray Barretto, has been updated in the Central style! In 2024, Central is preparing to release its first album in many years, but before that, another strong 7-inch is on the way. The groove created by the percussion, bass, and keyboards working in unison, and the exquisite arrangement of the horn ensemble, which is full of Central style, is a true gem.

We wrote Accept When between 2022 and 2023, after a long, beautiful period improvising together intimately in the safety of a friend’s practice space. Our friendship, the quality of attention that colored the light of that and all our other practice spaces, became the basis for our activity and growth as songwriters and our relationship as improvisers. Friendship, how we relate to each other, is our nucleus: the central and essential part of our movement; the positively charged central core of our atom. A nucleus is supposed to be an especially essential form in eukaryotic cells. Their nuclei are surrounded by a membrane, which in that world permits them to be said to have 'true nuclei.' Even their smallest parts, their organelles (incidentally also the name of Caroline’s keyboard heard throughout the record), are held by that membrane. The deepening of our musical friendship, the affordance of space we give to the possibility of synchronicity, the reminders we write of the preciousness of our existence—all of this we put into these songs for you, to help us all accept these miracles and metaphors, in our lifeboats."

“Is that what you wanted, Alfred?” we hear in Miles Davis’ unmistakable rasp at the end of “One for Daddy-O,” making it clear that the legendary (and assertive) trumpeter was not just playing the role of sideman on Somethin’ Else, the sole Blue Note album by Cannonball Adderley. The alto saxophonist was a memb¬er of Davis’ band at the time and the depth of their musical camaraderie lifts this session up to rarefied heights throughout, from the breathtaking performance of “Autumn Leaves” that opens the album to the thrilling call-and-response theme of the title track. Pianist Hank Jones, bassist Sam Jones, and drummer Art Blakey round out the quintet on this timeless classic.

"Celestial Echo is thrilled to introduce the reissue of Brutal Force's revered classic, 'Dreams For Sale.' Originally released, this soulful gem has maintained its status as a sought-after treasure by DJs and electronic music enthusiasts for years. A favourite of Floating Points, Jeremy Underground and Frederika

With original copies becoming more and more elusive, and only released on poor quality styrene, the decision to reissue this soulful gem was an easy one.

Celestial Echo proudly presents the re- issue on a limited edition 7-inch vinyl re- cord, remastered and pressed on heavyweight vinyl for an authentic ana- log experience. This exclusive release is adorned with a striking picture sleeve and redesigned labels, adding a con- temporary touch to this soulful master- piece.

CER001 gained huge support from DJs such as Gilles Peterson, Craig Charles and Ross Allen, with more to be expected as the label grows."