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Planet Mu Drum & Bass | Jungle 2 Items

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Reset all Filters No Used Vinyl Planet Mu
Meemo Comma - Loverboy
Meemo Comma
Loverboy
LP | 2023 | UK | Original (Planet Mu)
22,99 €*
Release: 2023 / UK – Original
Genre: Electronic & Dance
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Planet Mu welcomes back Meemo Comma for her third album 'Loverboy'. 'Loverboy' is a shift in gear from Meemo Comma’s previous works, speeding up the tempos and rhythms, it's set in the nineties with trance, breakbeat hardcore and jungle as some of the influences. After playing a club gig in Spain as lockdown rules were loosening, Rix-Martin was reminded of the power music and people coming together creates. ‘Loverboy’ is peppered with influences from friends past and new as well as artists that have transformed the sound of Meemo Comma over the years, including Autechre, Guy Called Gerald, Orbital and Shitmat as well as others. On this journey we follow ‘Loverboy’ through the club as the night builds and different characters are met, from dropping the first pill to a euphoric ‘Cloudscape’ whilst waiting in the queue, to meeting some shady sorts in ‘Loneheath’. The album changes pace throughout with different rooms of the club being explored which add to the brevity of Rix-Martin’s production style on tracks such as 'Kyle' and 'ak47'. What started as a personal joke about Rix-Martin’s background formed a narrative for some darker, cheeky breaks that echo back on title track ‘Loverboy’, a track that Rix-Martin describes as “working class gender euphoria”. Maybe the mask has come off, and the shackles of pseudo-intellectualism have been put to rest for an honest, fun and ‘propa cheeky’ rave album instead.
Ital Tek - Outland Black Vinyl Edition
Ital Tek
Outland Black Vinyl Edition
LP | 2020 | UK | Reissue (Planet Mu)
26,99 €*
Release: 2020 / UK – Reissue
Genre: Electronic & Dance
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2nd pressing on black vinyl! Ital Tek (a.k.a. Alan Myson) returns to Planet Mu with his sixth album ‘Outland‘. The album was written during a period of new beginnings following a move out of the city to a quieter space and the birth of his first child. During this time of self-imposed isolation Alan recorded a huge amount of source material and spent weeks and months sitting up at night with his newborn, listening back and making notes on how the new record should take form, focusing and developing ideas to shape this lean ten-track album. Alan talks of the record being a collaboration between two parts of himself, something that definitely comes across as the album unfolds. Textures are something Alan excels at and on his last album, the largely beatless ‘Bodied’, it felt as if he was building a new sound-world. On ‘Outland’ he expands upon this. The album brings together the extremes of Alan's sound, contrasting roughened bass and beats with starker more detailed atmospheres and emotions. The most beat-driven song here is ‘Deadhead’, with its gnarled bouncing bass, angular distorted melodies and cavernous textures. On tracks like ‘Bladed Terrain’ the contrasts are even more defined with buzzing drones and razor sharp drums plunging into a grainy fog, giving the track a dramatic 3D feel. Then there are the stop-start pauses of ‘Leaving The Grid’, where the song evaporates into space before reemerging with shuddering rhythms and ghostly textures. Melodies crawl around these tracks as if they’re just waking up, as heard on the atmospheric ‘Angel In Ruin’. The sleep-deprived fraying of the senses became Alan’s routine and one which he says gave him a renewed creative energy; half-asleep, working through the night, and then into the daytime super-focused but exhausted. Prone to audio hallucinations whilst writing the album, he aimed to capture these distortions in his perception of pitch and time, and you can hear these effects interpreted on tracks like ‘Endless’ and ‘Open Heart’ as melodies phase and slip out of time like an emotional Doppler effect. This is also true of the soaring atonal synths at the peak of ‘Diamond Child’, which feel like the aural equivalent of eye floaters. These intuitive feelings and functions are a difficult thing to capture in sound, but Alan manages it beautifully and always makes the result feel warm and adventurous, heartfelt and epic.
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Planet Mu Drum & Bass | Jungle

Planet Mu is an electronic music record label run by Mike Paradinas, who’s also known as µ-Ziq, based in Great Britain. From 1995 until 1997, the label was a subsidiary imprint of Virgin Records, releasing µ-Ziq’s own records and the “Mealtime” compilation. In 1998, Mike Paradinas took the label independent, distributed through SRD. The label started releasing music by like-minded experimental electronic musicians, its earliest successes in this field being Mike himself, Jega, Capitol K, Hellfish & Producer, and Luke Vibert. Since the early 2000s, the label has also tracked and reflected Mike’s love of British dance music, releasing one of the first Dubstep albums, Vex’d’s “Degenerate” and one of the first Grime artist albums, Virus Syndicate’s “Work Related Illness” both in 2005, as well as many 12" singles by the likes of Benga, Distance, Boxcutter, Pinch and more. In 2003, Planet Mu released the first of its famous reissues of peerless British dance producers in Remarc’s two retrospective albums – these have been followed by the acclaimed retrospectives of Terror Danjah and Bizzy B. In 2006, Mary Anne Hobbs curated the peerless “Warrior Dubz”, the first of three very successful compilations with the label. Planet Mu has followed this many-forked path to this day, in 2009, releasing cutting edge music by Floating Points, Brackles, Gemmy and Falty DL among others and 2010 is no exception, showing some incredible releases from the likes of Starkey, Raffertie, Slugabed, 0=0 and Rudi Zygadlo.