Print & Design 563 Items

Big Takeover returns with features on THE Damaned, Slowdive (part 2), Jesus & Mary Chain, Meat Bodies, Real Estate, J. Robbins, Alejandro Escovedo, Meat Puppets, Camera Obscura, Jane Weaver, Mary Timony, Umbrellas, THE Shop Window, Paul Collins, and more!

"Té De Flores Silvestres" is the result of the dialogue between the Belgium photographer Michael Roemers and the Argentinian musician Federico Durand initiated by Iikki, between February 2023 and May 2024.

Federico Durand’s music is a weave of sound searching introspection and delight through simple melodies, made in the heart of Argentina. Federico likes music, gardens, John Keats’ poetry, collecting stamps and Earl Grey tea. Since 2010 he has been released on some labels such as 12k, Home Normal, Iikki, Spekk, White Paddy Mountain, Laaps and more.

Michael Roemers, a child of the borders, was born in 1987 in the Belgian village of Plombières, studying sound at the Institute of Broadcasting Arts in 2008. He discovered the power of the image, and became passionate about photography. He began his photographic career following Belgian underground music bands as they toured Europe, capturing crazy moments on stage and backstage. Then, he decided to devote himself to a personal project, to capture his native Wallonie region, highlighting the richness and a part of these Belgian traditions region while exploring the themes of identity, memory and membership. Since 2021, Michael Roemers has added a new string to his bow by running the Vice Versa podcast with his partner Sébastien Van Malleghem. This podcast explores the themes of photography, art and culture by giving voice to renowned guests in these fields. Té De Flores Silvestres is his first book.

Fine Art Book, Ltd. to 400 copies: Hardcover book printed on Glossy Modern Paper 170g/m2 // 80 pages, 19cm x 22.5cm, 50 photos // Front cover points and back cover logo embossed // Selective UV varnish // Hand-numbered.

"For A Fleeting Moment" is the result of the dialogue between the Swiss photographer Simone Kappeler and the Japanese musician Tomotsugu Nakamura initiated by Iikki, between March 2023 and May 2024.

Tomotsugu Nakamura is a musician and graphic designer residing in Tokyo, Japan. His primary artistic practice is to compose music with some fragments of minimal acoustic and electronic tones and some field recordings. In Concert, he he has played with various genre of musicians and his works have been released by Kaico, Audiobulb Records, and more recently by the French label Laaps.

Born in 1952 in Frauenfeld (Switzerland) where she lives and works, Simone Kappeler started taking pictures at the age of 11. After studying German literature and art history, she studied photography at the Zurich University of the Arts. During a three-month trip to the United States in 1981, she took her first pictures using cheap cameras, especially the Diana camera. Hasselblad, Leica, Diana, Brownie, Polaroid, disposable camera, expired or infrared films, since 1970, Simone Kappeler has explored all types of photographic techniques. Her work, experimental and poetic, reveals to us the curiously foreign world that surrounds us. Since 1982, ongoing projects in southern France and the Grisons.1982/83, studio in New York, conceptual photography and Super 8 films. 1983/84, theater photographer, Schauspielhaus Zürich. 2009, six-week photographic study of Japan, 2015 studio in New York. Her work was the subject of a first monograph: "Seile. Fluss. Nacht. Fotografien 1964–2011", edited by Hatje Cantz and is regularly exhibited in Galleries and Museum in Europe and United States. For A Fleeting Moment is her first book gathered exclusively a part of her wide polaroid works from 2011 to 2023.

Fine Art Book, Ltd. to 700 copies: Hardcover book printed on Glossy Modern Paper 170g/m2 // 104 pages, 19cm x 22.5cm, 66 photos // Front cover points and back cover logo embossed // Selective UV varnish // Hand-numbered.

Our first cover this time is dedicated to OUR Legacy and their Spring 24 collection titled ‘Snow in April’. The covershoot, shot in Tokyo is also accompanied by an interview with one Jockum Hallin, one of the label’s co-founders. Our second sees the return of norbit by Hiroshi Nozawa as a cover brand featuring an editorial shot in the mountains west in the Greater Tokyo area. Lastly a simple cover dedicated to our love of Navy featuring some of the latest pieces from the editor’s choice x SEE SEE.

We’ve also included several multibrand editorials for this issue featuring a plethora of different labels alongside our regular product highlights.

Our first cover this time is dedicated to OUR Legacy and their Spring 24 collection titled ‘Snow in April’. The covershoot, shot in Tokyo is also accompanied by an interview with one Jockum Hallin, one of the label’s co-founders. Our second sees the return of norbit by Hiroshi Nozawa as a cover brand featuring an editorial shot in the mountains west in the Greater Tokyo area. Lastly a simple cover dedicated to our love of Navy featuring some of the latest pieces from the editor’s choice x SEE SEE.

We’ve also included several multibrand editorials for this issue featuring a plethora of different labels alongside our regular product highlights.

Our first cover this time is dedicated to OUR Legacy and their Spring 24 collection titled ‘Snow in April’. The covershoot, shot in Tokyo is also accompanied by an interview with one Jockum Hallin, one of the label’s co-founders. Our second sees the return of norbit by Hiroshi Nozawa as a cover brand featuring an editorial shot in the mountains west in the Greater Tokyo area. Lastly a simple cover dedicated to our love of Navy featuring some of the latest pieces from the editor’s choice x SEE SEE.

We’ve also included several multibrand editorials for this issue featuring a plethora of different labels alongside our regular product highlights.

Mit den Büchern von Christiane Rösinger, Bernd íBegemann und Carsten Friedrichs starten wir eine Reihe, in der die Texte deutscher Musiker:innen erstmals in Buchform zugänglich gemacht werden. Texte von Musiker:innen, die die hiesige (Sub-)Kultur mit ihren íSongtexten in der Retrospektive ebenso geprägt haben wie die ausschließlich schreibende Zunft. Eine längst íüberfällige Würdigung außergewöhnlicher Songwriter:innen, deren Texte nicht bloße Anhängsel ígroßartiger Musik sind, sondern ebenso auch für sich stehen. Christiane Rösinger, geboren 1961, zog 1985 aus dem íBadischen nach West-Berlin, wo sie mit Almut Klotz und Funny van Dannen die Lassie Singers gründete. Nach deren Auflösung war sie Kopf der Band Britta. Rösinger war zudem eine der Betreiberinnen der legendären Flittchen Bar und betrieb das Label Flittchen Records. Sie veröffentlichte zwei Soloalben, mehrere Bücher und schrieb zahlreiche Theatermusiken. 2019 hatte ihr erstes Musical "Stadt unter Einfluss" Premiere im Hebbel am Ufer. "Was jetzt kommt" ist die Würdigung einer außergewöhnlichen Songwriterin. Ob Lassie Singers, Britta, Solo: das Buch enthält Lyrics aus allen Schaffensphasen, Geschichten und ein exklusives Christiane-Rösinger-Glossar.

This issue features exclusive interviews with Donovan, Adam Green, P.G. Six, Modern Nature, Moving Gelatine Plates and Pete Brown (pt. 2), as well as features about Cornwall's Psychedelic Underground, the Gathering of the Juggalos, Folklore Tapes, LSD Underground 12, Vascha, book reviews, new music reviews, creative writing, poetry & more.

Shellac, Arnold Dreyblatt, Robyn’s Rocket, Zoh Amba, Normil Hawaiians, Kalia Vandever, Antti Vauhkonen, Marion Cousin, Invisible Jukebox: Iceboy Violet, The Inner Sleeve: Kai Fagaschinski on The Jimmy Giuffre 3, Global Ear: Berlin choir A Song For You, Unlimited Editions: Ipecac, Unofficial Channels: Music Republic & Moroccan Tape Stash, Epiphanies: Tashi Wada on tuning systems, plus 40 pages of reviews including Tony Conrad & Jennifer Walshe, FUNK.BR: São Paulo, Christer Bothén featuring Bolon Bata, Somerset House Studios’ Assembly, and much more

On the cover: Still House Plants. Inside: Cheer-Accident, Lolina, NikNak, FUJI|||||||||||TA, Ana Lua Caiano, BBBBBBB, Fatboi Sharif, Angelica Sanchez, Invisible Jukebox: Kristin Hersh, Unlimited Editions: Tripalium Corp, The Inner Sleeve: Lee Gamble on Chain Reaction, Epiphanies: Jlin on Philip Glass, Global Ear: Tashkent, plus 40 pages of reviews including Kavain Wayne Space & XT, Natalia Cappa, Bianca Scout, NOUT, Ustad Noor Bakhsh, punk rock in Northern Ireland, Indonesia and Kosovo, female Latin American electronic music composers, Sakamoto on film, and much more.

A four-year filming of the present-day live houses and clubs that supported band members and band kids from the 1980s to the 2010s, but are no longer around today. Tokyo Rockers - The band boom, the melodic hardcore boom, and the places where we kids poured our youth into.

The second volume of the "Past Venue GUIDE," which tracks the sites of live houses and clubs that have been our allies from the 1970s, the era of rapid economic growth, to the 2000s, is now available. In the previous issue, 42 sites were introduced, mainly in the Tokyo metropolitan area, but this time 64 sites were covered. The coverage area has been expanded to include not only the Tokyo metropolitan area, but also Osaka, which is important for unraveling the history of punk/hardcore in Japan. The text (Japanese only) is kept as simple as possible, and more photographs are used to create a sense of realism. Full color, 56 pages. Random trading card included.

American rap artist, Notorious B.I.G., is here to take your music collection back to the 90s with this Pop! of Notorious B.I.G. in his Biggie jersey. Vinyl figure is approximately 9.5 cm tall.

Very limited edition document to accompany the Various Artists - Noho EP: Turning THE Crank EP. 68 page, A5 size 'Zine' Printed with Risograph in grey scale.

Northampton, Massachusetts. The Five Colleges. Hampshire College. Forward-thinking education. Electronic Music studies. A vast student population created and sustained a vibrant cultural scene. This is but a snapshot of a fraction, but a fertile and significant one that impacted the lives of many who came in contact with it. The book follows a tight group of people who got together, made music, promoted and released it, created the conditions for others to record and release music, booked bands and then scattered throughout the Midwest and East Coast.

First person memories and memorabilia from Christopher Vine, Craig O'Donnell, Elliott Sharp, James Whittemore, Nicholas Brown, Sean Elias and others, patch up a story of joyous action, firm and enthusiastic DIY endeavours to make things happen as they would like them to happen. It is about a local scene and some key protagonists and it communicates values and methods that are still current — and probably will always be in some form or another among young people with a serious drive to act upon their artistic inclinations. This is also a depiction of what was in fact a model of a music scene. A complete ecosystem was in place during this period. Northampton, sure, but extended across the whole of Pioneer Valley in Western Massachusetts. Bars, music and record stores, live music, College radio, electronic music studios, written press and a lot of energy going into creative work. The immediate "punk effect" motivated the appearance of numerous bands, many short lived, others evolving into New Wave / Power Pop territory, eventually crossing into Post-Punk experimentation.

Turning The Crank is also a companion to an EP of the same title, including music played, produced and recorded in Northampton between decades (1970s going into the 1980s) by different combinations of individuals resulting in The Higher Primates, The Scientific Americans and Human Error. Music in turns mechanical and austere, gorgeously loose, in love with Dub.

The twelfth issue of We Jazz Magazine, "Worldwide" for Gilles Peterson. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Includes Gilles Peterson by Anton Spice, Ingrid Laubrock by Stewart Smith, Hannibal Lokumbe by Bret Sjerven, Universal Folks Sounds by Magnus Nygren, Spoken Word / Free Jazz by Alex Coles, Dutch Jazz Archive by Danny Veekens, Takuya Kuroda by Rob Garratt, Jan Roder and Michael Griener of Die Enttäuschung by Bill Meyer, divr by Daryl Worthington, Astro Can Caravan by Wif Stenger, Discaholic Column by Mats Gustafsson, J Jazz 1955-88 by Tony Higgins + album reviews & more.

An incomplete anthology of Memphis Hip-Hop albums from the nineties curated by 404 Eros & Asel Tambay.

“Cause times is changed and life is strange.” Ghostface Killah shines a light on the contrast between simpler, but tough days gone by and the complicated reality of trying to achieve a lavish lifestyle free of those hardships. This 3.75” scale articulated Ghostface Killah ReAction figure is inspired by his appearance in the music video for “Can It Be All So Simple” featuring his jacket, backward cap, and shorts as well as included gold chain and microphone accessories.

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Gold Chain, Microphone
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

“Guess who just got back today!” As frontman, lyricist, and bass player, Phil Lynott was the driving force behind Thin Lizzy’s unique blending of poetry and their hard rock sound! This 3.75” scale, articulated Thin Lizzy ReAction Figure of Phil Lynott is inspired by the album cover from the group’s live album, Live and Dangerous, and features the legendary rocker in a black leather outfit along with a bass guitar accessory. Spread the word around, because the Thin Lizzy ReAction Figure of Phil Lynott is back in town!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Removable Bass Guitar
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

Delve into the largely overlooked footprint that Black punks have on the underground music scene in a new archival publication brought to you by Raeghan Buchanan and Silver Sprocket. The Secret History of Black Punk: Record Zero by Buchanan is an illustrated roll-call for punk, post-punk, hardcore, no-wave, and experimental bands from ground zero ‘til now. A starting point for anyone curious, another reference for those who devour all genre-related things, or a cool artifact for anyone in the know. This book is part of an ongoing series that covers musicians like Sister Rosetta Tharpe, Poly Styrene, Don Letts, Minority Threat, and many others. From LA to London, from the early 1900s till today, Buchanan examines and presents narratives to show how Black musicians shape (and are shaped by) the world we live in. 64 full-color pages. 6.625" x 10.187" with spine.

FRANKIE FOREVER

Without Frankie Knuckles there would be no Faith or the culture we are built on. He has been our guiding star since we launched back in the late '90s.

So ten years on from his passing, welcome to the very special Frankie Knuckles / Spring issue.

Frankie was so much more than The Godfather of House as our many loving tributes, stories and memories from friends and fans show.

His legacy continues through the music and memories he has left behind. And thanks to the Frankie Knuckles Foundation who have helped with this issue, his mission as the global ambassador of house music continues through the causes he supported.

With much love and deep admiration, we give you our Frankie Knuckles special.

Keep the Faith.

Unfortunately we have to sell a few slightly damaged copies.

For millennia, “nirvana” has been a term associated with belief systems of the Indian subcontinent. But in 1988, a band from a small coastal town in Washington state decided to create some new associations with this word . . . through their music.

Active for just six years, Nirvana left an indelible mark on the late twentieth century that remains visible today. Photographer and self-described “music fanatic” Charles Peterson, a fellow twenty-something from the suburbs of Seattle, was present with his camera as a genre took form, and his images have become synonymous with the sounds, styles, movement and attitude known as grunge.

Charles Peterson’s Nirvana, in the tradition of many great documentary photobooks, expands beyond Peterson’s iconic images of the band seen repeatedly over the last thirty years (on album covers, in magazines, and in dozens of compilation books and exhibitions focused on this music and its birth era) to highlight gems never before published. Over a five-year photo edit, Peterson looked at each one of thousands of frames, considering what drew him to Nirvana in the first place—their songs. He honed in on the compositions that stimulated visceral memories of their live performances.

The resulting selection of photographs and their carefully constructed sequence mash up venues and years, suffering and the sublime, to arrive at a visual experience that one cannot help but also feel, and hear.

Book design by Jeff Kleinsmith.

9 x 12.25 inches vertical; ~90 black and white photographs; 168 pages;. Hardcover. Foreword by Krist Novoselic.

Charles Peterson (b.1964, Longview, Washington) is internationally known for his photographs of the Seattle music scene of the late eighties and nineties. He began making photographs while a student at Bothell High School, and then went on to study photography at the University Washington, where he first met as friends many of his future subjects.

Peterson’s distinct visual style and early work for Sub Pop Records became an important signifier of the phenomenon known as grunge.

His photographs have been featured in numerous publications, as well exhibited in group and solo exhibitions around the world. They are included in many private collections, and the permanent collections of the Seattle Art Museum and MoPOP.

Krist Novoselic (b. 1965, Compton, California) is co-founder of Nirvana.

Nirvana originated in Aberdeen, Washington in the late 1980s through the energies of Novoselic and Kurt Cobain. They were joined by drummers including Chad Channing (1988–1990) and David Grohl (1990–1994). Nirvana’s live performances, music videos, and albums Bleach (1989), Nevermind (1991), Incesticide (1992), In Utero (1993) and MTV Unplugged in New York (1994) made their music a defining component of the late twentieth century internationally.

Prince of Grass is the debut poetry collection from Dan Wriggins, songwriter and frontman of the band Friendship. Loving and absurd, Wriggins' poems are overflowing cauldrons of metaphor, always inviting, always in motion. For fans of James Tate, C.D. Wright, David Berman, and pie for breakfast. Dan Wriggins is a writer and musician from Maine. He records and tours solo and with the band Friendship. His debut poetry collection, Prince of Grass, is coming in July of 2024 from Dear Life Records. He lives in Philadelphia with his dog, Roy.

Pop! Chris Stapleton is taking to the stage of your music collection! Queue the lights and get ready for the award-winning artist to bring country music to life in your display today in his ACM Awards outfit! Vinyl figure is approximately 10.9 cm tall.

Infectious Grooves "War At Warfiled" sticker. Approx. 4 by 6 inches.

With the "War At Warfield" Back Patch on tne back of your denim vest or bomber jacket, you label yourself as a die-hard Suicidal Tendencies stan. But don't forget to sport your ST bandana! Measures: approx. 21.5 x 30.5 cm.

With the Infectious Grooves "The Warfield Theater" Wall Banner, you put a piece of the Suicidal Tendencies history on your wall. This ST banner is equipped with a high-quality print as well as metal eyelets at each corner, the fabric is made from 100% polyester. measures: approx. 60 x 91 cm.

Hang a piece of Cyco history to your wall.
Infectious Grooves' show artwork banner. High quality 100% poly.
Size: 24"x36" - With metal rings in each corner.

The Tories Are The Real Criminals is an A5 zine of Matt Smith’s images of non-violent direct action from demonstrations against the Criminal Justice and Public Order Act 1994. The legislation was invented to criminalise the culture of free parties, festivals, squatters, travellers and peaceful protest which had grown, flourished and thrived over the previous decade attracting vast public support.

Three national demonstrations took place in London during 1994’s long, hot summer that transformed the nature of peaceful protest forever. In May, July and October hundreds of thousands of people from all over the country travelled to England’s capital city to dance their way through its streets. The common intention was to just say no to new laws designed to outlaw the lifestyle choices of a generation. For the first time, the spirit of carnival fused with rave culture to combine celebration and opposition.

In a modern liberal democracy standing up for liberty, freedom and voicing dissent at injustice is supposed to be a valuable tradition with immense social worth. A judge called Hoffman even said so at the time. The Tories disagreed and passed their laws anyway with a little help from their secret inside weapon, the new leader of the “opposition.”

1994 was a year of fervent resistance against the encroaching Criminal Justice Act in the UK. Amidst the clamour of dissent, three historic demonstrations echoed through the streets of London, challenging the very fabric of authority and transforming the nature of peaceful protest, forever.

Through the lens of Matt Smith (Exist To Resist), witness the raw energy and unity of the protests that shook the capital. Each image in this zine is a testament to the power of the people, capturing not just moments frozen in time, but the spirit of a generation refusing to accept oppressive legislation.

Pages: 68
Size: A5 (21cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Front cover design: Tom Booth Woodger
Interior design: Jez Tucker

A retrospective of Third Earth Visual Arts and the career of AbuQadim Haqq who as many of you know created art for Transmat, Drexciya and Underground Resistance.
The book covers his early life in Detroit to his last project for Third Earth Visual Arts in 2023.

Over 100 pages of art.
Over 100 pages of photos.
258 pages

The Radio Phonics Laboratory explores the intersection of technology and creativity that shaped the sonic landscape of the 20th century. This fascinating story unravels the intricate threads of telecommunications, from the invention of the telephone to the advent of global communication networks.

At the heart of the narrative is the evolution of speech synthesis, a groundbreaking innovation that not only revolutionised telecommunications but also birthed a new era in electronic music. Tracing the origins of synthetic speech and its applications in various fields, the book unveils the pivotal role it played in shaping the artistic vision of musicians and sound pioneers.

The Radio Phonics Laboratory by Justin Patrick Moore is the story of how electronic music came to be, told through the lens of the telecommunications scientists and composers who helped give birth to the bleeps and blips that have captured the imagination of musicians and dedicated listeners around the world.

Featuring the likes of Leon Theremin, Hedy Lamarr, Max Matthews, Hal 9000, Robert Moog, Wendy Carlos, Claude Shannon, Halim El-Dabh, Pierre Schaeffer, Pierre Henry, Francois Bayle, Karlheinz Stockhausen, Vladimir Ussachevsky, Milton Babbitt, Daphne Oram, Delia Derbyshire, Edgar Varese & Laurie Spiegel.

Quotes:
“From telegraphy to the airwaves, by way of Hedy Lamarr and Doctor Who, listening to Hal 9000 sing to us whilst a Clockwork Orange unravels the past and present, Moore spirits us on an expansive trip across the twentieth century of sonic discovery. The joys of electrical discovery are unravelled page by page.” Robin Rimbaud aka Scanner

“Embark on an odyssey through the harmonious realms of Justin Patrick Moore’s Radio Phonics Laboratory echoing the resonances of innovation and discovery. Witness the mesmerising fusion of telecommunications and musical evolution as it weaves a sonic tapestry, a testament to the boundless creativity within the electronic realm. A compelling pilgrimage for those attuned to the avant-garde rhythms of technological alchemy.” Nigel Ayers (Nocturnal Emissions)

“In this captivating exploration of electronic music, Justin Patrick Moore unveils its evolution as guided by telecommunication technology, spotlighting the enigmatic laboratories of early experimenters who shaped the sound of 20th century music. A must-read for electronic musicians & sound artists alike—this book will undoubtedly find a prominent place on their bookshelves.” Kim Cascone