Reggae & Dancehall Preorder 127 Items

Jamaica's ska originators celebrate their 60th anniversary with two new songs on a limited edition 45! Both tracks are midtempo ska groovers, with cool lyrics and hot horns. Beautiful old skool label art designed by Chema Skandal, big hole black vinyl DJ friendly press of 1000 copies. (

Years ago we were lucky enough to get an incredible and uncredited Acetate with a deep instrumental cut of Satta Massagana , long story short after few weeks we got it the plate totally cracked and became unplayable. We managed to send the plate to Rome at Vinyl restoration who made a little miracle and somehow fixed it well enough for us to export a digital crackling recording of it to keep in our archives. Few years later , we played the noisy recording to the great musicians from Dig This Way All Stars and we decided it was absolutely the case to attempt a modern remake of it. Thats how Abeng , Sere and Monz made the structure of the Riddim , than Rootikal Horns handled the Trombone and Sax version , Nicola Gallo did the Organ part and Jonny De Ambassador played the percussions! The final touch is done by Yakka who mixed a couple wicked dubwises of it and Pressure Mastering that made it sounds proper! The 45rpm is pressed in 250 black copies.

Tel Aviv's world famous roots reggae & rocksteady band's latest album now on yellow vinyl! Darlings of BBC presenters DON Letts and David Rodigan, the band is once again set to hit the European reggae circuit in 2024. Ten tracks of lovers rock vibes with gorgeous three part harmonies.

Reggae covers of Che'Nelle's "Baby I Love You" and Narumi Yasuda's "Nausicaa of the Valley of the Wind"!

7" cut from the compilation "J-Pop Covers in Reggae Lovers" produced by Smart Move Records/Lee Francis!

This is a 7" cut from the compilation "J-Pop Covers in Reggae Lovers" produced by UK reggae label Smart Move Records/Lee Francis, featuring a cover by Irie Love, an island reggae songstress from Hawaii. Side A features Che'Nelle's "Baby I Love You" and Side B features Narumi Yasuda's "Nausicaa of the Valley of the Wind.

English Reggae covers of Crystal Kay's "Koi ni Ochitara" and Masaharu Fukuyama's "Sakurazaka"!

7" cut from the compilation "J-Pop Covers in Reggae Lovers" produced by Smart Move Records/Lee Francis!

This is a 7" cut from the compilation "J-Pop Covers in Reggae Lovers" produced by UK reggae label Smart Move Records/Lee Francis, featuring Mynx singing Crystal Kay's "Koi ni ochiraraita" and Adele Harley singing Masaharu Fukuyama's "Sakurazaka". This is a coupling of English cover of "Sakurazaka" by Masaharu Fukuyama sung by Adele Harley.

paper sleeve

Dragon Dance is the third release by Twin Cities Sound System duo, Feel Free Hi Fi following the Prophet Noir EP and a split 12” with Kingston's Equiknoxx in 2021. Dragon Dance's instrumentals pick up where Prophet Noir left off. The dark dystopian industrialism of Prophet Noir remains present in Dragon Dance but in lieu of a dancehall influenced approach, Dragon Dance leans into the duo's love of foundation UK steppers and dub history. The blend of deep and subtle textures create tracks that are both heavy and minimal. Dragon Dance is another glimpse into Feel Free Hi Fi's uneasily defined musical vision.

The records come in double sided silkscreen printed DJ jackets, with Obi Strip style stickers and hand stamped white labels created and printed by Digital Sting.

King Tubby’s and Channel One, two of the great studios that produced so many of the great reggae rhythms in Kingston, Jamaica, find themselves for one night only, battling it out for the trophy. King Tubby’s (b. Osbourne Ruddock, 194, Kingston, Jamaica) studio was set up at 18 Drummile Avenue, Kingston, Jamaica. His fascination with all things electronic grew out of working and repairing radios and TV sets and the lucrative work of winding transistors. A job that was much in demand in the 1970’s Jamaica. This work gave Tubby a great understanding of sound, ow it worked and how it could be manipulated. Encouraged and helped along by producer Bunny ‘Striker’ Lee and with access to Bunny’s ever growing master tapes, that were stored at Tubby’s studio. Dubplates were made to supply the sound systems of Kingston and in fact Tubby’s own Hometown Hi-Fi sound.

Jamaican artist Peter ‘Roots’ Lewis recorded various tracks with his brother Paul Lewis, for Lee Perry in the mid 1970’s at Black Ark studio JA, most notable track: ‘Ethiopian Land’. Here he features on an observational Roots Vocal track. The tracks date from the late 90’s and have previously been released on vinyl, now deleted. Alternate versions of the tracks can be found on the ISR Rootspective CD album, (IRONCD 05). Also available: 7” Peter Roots Lewis-It’s A Roadblock / Alien Dread–Dub Vs ((IRON 010-07).

Together with Edwin, Seekersinternational have created a limited edition “Healing Hifi” T-Shirt with a graphic approach that mirrors the Skrs style in a playful way. To accompany the release, they have created an exclusive mix for The Edwin Music Channel, that will also be available as a cassette tape

Repress of Mad Professor's 90s Japanese Mono Lovers remix masterpiece 7" S.S.W. Yoshiko Gotoh is also known as the vocalist of Denki Groove's 'Niji'. This is the first 7" release from '19, coupling the classic "First Light" with a superb dub mix of "Nameless Pierce", and is now being repressed in a limited edition of 300 copies Yoshiko Goshima was described as "a genius female singer with a five-octave voice" in the 1990s and early 2000s. She is a talented artist who is popular for her soulful singing that combines sweetness and toughness, and her 1999 hit single 'Open Up', which was used in a TV commercial, is also memorable. This 7" couples two rare remixes by the reggae dub scene's Mad Professor. The A-side features the 'Mad's Lovers Smooth Mix ver.' from the 'First Light Remixes' 12" single, which was released as a promo-only single in '97 and is now hard to find. A light dub number with dreamy synths and a stretched high-tone voice that feels great, the B-side is the "Mad's Summer Swim Mix" of "No Name Earrings" from the CD single "Swingin' the Swing", also released in '97. " from the CD single 'Swingin' the Swing', also released in '97. It is a moving song with powerful yet melancholy and delicate vocals and a chorus work that builds to euphoria towards the latter half of the song

Single LP 13 Tracks

Beautiful Songs from the Studio One Archives (First Release 1997)

When Will We Learn sees O$vmv$m reunite with Gloucester voice of thunder Rider Shafique for the spiritual successor to 2017’s Lion (lava Lava). These tracks have been circling around in various forms for a few years and graced dancefloors / soundsystems from Riga-Bristol-NYC - but for various reasons are only now coming to light. The A side features Rider delivering a wake up call / warning over a Computer Paul via Radiophonic workshop style rhythm track while on the B side Dj Neek sends it through the desk on the fly and strips the instrumental down to its core essence.

The long awaited re-press of the Alvin Davis, ‘My Homeland’, track is now available again. Sax/Hornz instrumental track and features top Jamaican Hornzman, Alvin Davis. The B side has a heavyweight Dub version from Alien Dread. Alvin is also well known ref Jazz and other musical areas, as well as Reggae and has worked with many Jazz, Soul and mainstream artists including: Andy Hamilton, Rose Royce, Prince, Edwin Starr, The Foundations, Neville Staples (Specials & Fun Boy Three), Jackie Graham, Nigel Kennedy and Reggae-wise, Alton Ellis, Macka B, Maxi Priest and David Hinds (Steel Pulse) and many others.

Exquisite mood of exotic electronic dub, rhythm box organ reggae instrumentals at its finest! This is a completely limited 7" from the second album "Woven" released in 2007! This is the first analog version of the very popular Ylnw self-cover of the last single by the Determinations in 2003. This one is a must have! Yossy Little Noise Weaver consists of ex-Determinations keyboardist Yossy and trumpet player Icchie, and the A-side is a self-cover of a classic song from the latter years of the Determinations' career, written by Yossy. The A-side is a self-covered version of a late Detami classic composed by Yossy. The minimalist composition of rhythm box, organ, and trumpet creates an exotic mood, and the endlessly sweet melody with just the right amount of dub is a superb organ reggae instrumental number! The B-side features a cover of the spiritual jazz classic "Love In Outer Space" by Sun Ra. This one has a cosmic exo-jazz groove with electronic sounds, organ, and trumpet, and is super cool! This is a super strong double-sider single without any complaints.

All Nations Records present a new 12" with 2 original instrumental tracks, followed by their own dubs.
Thoses 2 tracks are the result of a collaboration between Higher Meditation and Simon Nyabinghi.
Simon sent the drum patterns to Addis from Higher Meditation, for him to play the rest of the instruments. A task he accomplished brilliantly!
The stunning melodies and bass fit perfectly with the raw drums.
Side A offers "Conquering Dub", a stepper tune that will surely be played on sound system sessions, as it has all the ingredients selectors and massives need when the dances get hot.
On B Side you will find a different groove, a tune called "Lion Dub", more down tempo, but as interesting as the first track.

Introducing the fifth release on the Dub Junction label: All Praise' from York's Dbc3 (Dub Barn Collective) - featuring vocals from regular collaborators Dandy Dizzle and Nikki H

Originally released on our charity compilation Tour Dub Yorkshire, we are finally giving it the full release it deserves, with new mixes, new masters and a beautiful 12" ice-blue vinyl!

Two brand new dubs from Simma complete the A Side, with Bristol's Tubby Isiah bringing three remixes to the B Side. Pure soundsystem sub-bass bliss, perfect for any session, showcasing both one-drop and steppa styles credits

ZamZam 95 is a link with the enigmatic French producer Hiss Is Bliss. We’ve been fans since the very first drop on their 777Hz label and these two sides drive straight to the heart of the dub techno galaxy.

Little is known about Hiss Is Bliss beyond the fact that they hail from France, are steeped in esotericism, and create tunes as masterfully grounded in roots reggae as they are in techno and related strands of electronic music. Their releases are utterly free of hype, beautifully crafted 10” vinyl plates that let the singers and tracks speak for themselves.

At the risk of being cheeky, “Nope” is absolute dub techno bliss. The 808 kick propels the track relentlessly forward, saturated washes of color streak the night sky, while syncopated hi hats and warm, soulful chords bring life- dare we say funk- to a style too often stiff and clinical, too in thrall to the past to truly step forward. Matching Hiss is Bliss in mystery, Ras Lys’ vocal brings a Dread perspective on music and the sometimes shady business of music, a grounded contrast to the deep inner space explored by the tune itself. The B-side version “Abbadia” splits musical atoms through the desk, focusing squarely on the stripped 4/4 elements and gloriously distorted pads that echo and cycle like tides in a darkly shimmering sea.

Peak 1987 all time, top tier digital reggae. Killer one-away rhythm and awesome militant vocal from Hopeton Lindo. One of our all time favorite politically conscious reggae tunes, still relevant today. Better still, this release is taken straight from the original master tape and is nearly a full minute longer than the original release, wherein Hopeton drops a bit of our favorite dancehall vernacular. Real hardcore DKR heads will know when they hear it.

Hard piece of stepping digital from 1989 with the masters of the era on the rhythm track, Steely & Clevie. Likewise, Conroy is one of the iconic artists of the late '80s digital era with numerous classics to his name.

Killer combination roots tune from these two legends. Released in 1986, but the music sounds more in a 1980-81 Roots Radics style. Backed with hard dub version.

Here's the inaugural release in a new series from the archives of the late great engineer & producer Philip Smart. Philip's resume is impeccable - early friend and collaborator of Augustus Pablo, radio host and dj, first apprentice of King Tubby, and founder, producer and engineer at one of the major reggae studios of New York City history, Hc&f. Many years back our brother label Goldshop did a series of 45 reissues of the dancehall classics from Philip's Eclipse label. We always wanted to go deeper, but time moves fast, and unfortunately, Philip left us in 2014. But everything in due course, and now with his estate we've gone thru the archives to assemble a fantastic series of releases. This first release is a must - produced by Philip during his time as engineer at Tubby's studio, this is an awesome rockers style take on the moody Paragons classic. The flip features a classic blueprint mid 70s Tubby's style dub, HPF in effect with the first Prince, Philip Smart at the helm. Originally released thru Brooklyn's legendary Keith's record shop back around the time it was recorded.

We've been overdue to let off a modern gem from the Wackie's vaults, so here we go. Another of our favorite 12 Tribes related artists, the late great Judah Eskender Tafari, on a hard and moody but uplifting digital stepper straight from the Bronx. B-side features a great ghostly raw rhythm version from Bullwackie.

All killer no filler 10 track compilation of peak late 80s digital tunes from Park Heights' most productive period. Pure fire produced between Jamaica and New York City. Featuring two previously unreleased tunes and the rest reissued for the first time.

Ten great tracks from Park Height's productive late '80s period, where Mr. Francis produced a lot of great early digital reggae both in Jamaica and right here in NYC. We've selected eight great never before reissued tracks from the catalog, plus two previously unreleased gems. As always, housed in a fresh jacket with the vibes of the time.

Death Is Not The End together all three LP volumes of the critically acclaimed If I Had a Pair of Wings LP compilation series for a bundled edition.
"...all of the music on this compilation is the result of the forward-thinking artists and producers that realised the worth of local Jamaican artistry during a time when the island's leading political figures had not yet managed to throw off the colonial yolk. These are sounds with a certain innocence and the optimistic promise of better to come, with the influence of American pop ballads and doo-wop looming large, yet already pointing to the innovations of the future. Listen keenly and take in the sounds of the Jamaican music industry at its very beginnings, its singers and players drawing from the popular styles of the island's larger neighbour and already changing those styles into something their own." - David Katz
Lauren Laverne's comp of the week on BBC Radio 6 Music w/c 11th Jan.
Guardian feature: https://www.theguardian.com/music/2020/oct/12/a-thousand-teardrops-how-doo-wop-kickstarted-jamaica-pop-revolution-reggae-rocksteady

Kheper Wax is the second solo album of Imhotep, artist known for have being the sound architecht of IAM, a very popular hip hop group from Marseille (South of France) in the 90’s and the early 00’s.

The 100% instrumental album is a blend of Dub and Trip-Hop, infused with oriental music samples.

It was self-released by the artist in 2013 and since, the album price has increased a lot on Internet.

`Orthodox Music’ – originally released in 1989 was produced by the innovative dub duo Sound Iration, consisting of Scruff Gilder and Nick `Manasseh’ Raphael and featuring the voice of roots singer Tena Stelin.

A sound system anthem – particularly fot Jah Shaka - from the late 80’s / early 90’s alongside the original dub mix `New Style’ and dubplate cuts which are featured on Side B.

This album was inspired by the music coming out of Jamaica in the mid 1970s, in particular the use of drum machines by Lee Perry and Aston Family Man Barrett (and Sly Stone in the USA) but also the instrumentals and dubs by Keith Hudson and Im & Count Ossie etc. Searching out, buying and listening to those records had a deep and profound effect on me and became a big influence on me as a musician, which continues to this day.
All instruments, recording and mixing by Nat Birchall

Asuka Ando, Japan's leading Lovers Rock diva, has finally completed her highly anticipated 3rd album! Wearing a gradation of pink and violet tinged with mature colors, the song sings about "the joy that comes from layering" (double Happiness), and a new masterpiece of Japanese Lovers Rock is born!

Wise Records is thrilled to announce the release of the EP 'Max Romeo Sings Classics'. The EP includes newly recorded versions of "Kingston Town", "Man Next Door" and "No Place Like Home", recorded with Max's touring band during a break between gigs on tour in France, and mixed by legendary producer Dennis Bovell.

Dennis Brown's roots classic "Milk and Honey" freshly remastered, complete with Clive Hunt's original "Bitter Sweet" dub (under his Azul moniker) on the A Side. On the B side, Jay Glass Dubs unfolds a skewed and deconstructed contemporary dub. Strictly limited-edition white label vinyl.

First single from Ekowmania's upcoming album "Dr. Afrodub" is the grand Roots/Reggae track "Kwame Nkrumah". This Jimi Tenor production is simply a classic Roots track thatmight have it all; tight big horns, riding drums, a strong voice and magnificent backing choir support elegant and Class-A song writing rarely surfacing in our days. B-side of this 7" is a DJ Sotofett Mix where only the vocals, choir and horns are used for full effect choral version. Ekowmania aka Ekow Alabi Savage from Ghana is the drummer and percussion player in KabuKabu who plays with Jimi Tenor since almost 20 years. Also he is one of the founding members of one the first Afro-Reggae bands in Germany back in 1982. Album released by Ronet Records later in 2024.

Third release on O.M. Theorem is a nuclear club bomb featuring remixes by Ossia and DJ Sotofett as well as two VIP mixes of Lemma1. DJ Sotofett with his Dub-heavy output on Honest Jon's and Sex Tags Amfibia invites Ghanese Afro-Dub drummer Ekowmania for vocals and usual collaborator LNS for keyboard works on his bright, tight and colourfull Steppers remix. Bristol and Peng! Sounds Ossia drives the mixing desk in tru Dub-fashion with a classic riddim that meets an avant garde melody pattern going in and out of the mix. Both of the VIP mixes rebuilds percussion and bass while exploring further corners of UK-style Bass Music with Roots in D'n'B and Steppers.THIS 12" IS CUT With Loud Volume FOR Excellent Club USE!

Piano skanked & cosmic dub stepper from Tapes & DJ Sotofett, this is the original live rhythm take from the two artists 2013 dub remixes for Thug Records. B-side a bit more dreamy with stiff plastic drums, rubbing sub bass and a whistly whirly synth solo guiding you through the instrumentation.

Echoltd009: 12" EP 180g Gold / Blue marbled vinyl.

Long time followers of Dubwise Vinyl will know I'm a big fan of Ivan's music and this latest release provides the perfect showcase for the distinctive signature sound that he's been perfecting over the last few years,

A-sider "Pleased" is a dancefloor ready slice of cold wave influenced dub that combines some icy synths with a monstrous bassline to devastating effect. Treading a similar path to other musical adventurers in the synth dub realm such as Froid Dub but with added steppers pressure.

Flip it over for the more instrumental post-punk influenced delights of 'Satisfied.' This one is closer in sound to the amazing experimental live dub Ivan makes under his Wilbur's alias (remember those excellent Whiskers Of Dub records...) and captures the magic that lies between the post-punk experimentalism of On-U Sound and the dub-funk of the Upsetters.

Another great little record

Death Is Not The End turns 10 years old in May, and as part of the celebrations are committing a selection of Dinte NTS Radio shows from over the years to cassette. Kicking off with the recent special Skateland Soundtapes, 1980-1986 - comprising a selection of clips from sessions held at Halfway Tree, Kingston's most storied roller skating rink during the dancehall era's golden period of the early to mid/late 1980s.

Audio sourced with the indefatigable efforts of the Who Cork The Dance crew - big thanks going out to Jayman, Ruff House, Keimo, Omar, Gee Wizz and the one Jah Humble.

Fully remastered and licensed, ltd to 500 copies. Reissued here for the first time, in an extended version, the UK reggae band’s only album, originally released on Ball Record in 1978. One of the best-kept secrets of the late 70’s/mid 80’s British reggae scene who, with Steel Pulse, competed for the title of best reggae band in Birmingham. The album includes these eight tracks plus both sides of the bands final single and a brace of previously unreleased tracks.

Reissued for the first time on vinyl, here's Jamaican reggae singer George Faith second album, originally released on Hollywood Records in 1979. Amazing soulful reggae melodies backed by the likes of Sly & Robbie, Aston "Family Man" Barrett, Tommy McCook, Earl "Chinna" Smith and more. Produced by the one and only Bunny Lee at Harry J Studios, and mixed by Scientist at King's Tubby's Studios!

The first 7" by "Boso Vinyl Aikoukai," formed by record-loving members in Kamogawa, Boso, Chiba Prefecture, is now available! The recording features Pancho from K-zion, active in Kamogawa, Boso, and guest performers MR Hero and Matsurika united, who is well-known for her work on "the Entertainer" produced by Naniwaman. The song "Toki Wo Koete Yukou" (Let's Go Beyond the Time) is a wonderful song filled with positive messages like 90s Japanese reggae. Limited Pressings!!

* Top slice of early 90’s digital roots from reggae legend Earl 16, best known for his work with the likes of Lee Perry, Augustus Pablo, Mikey Dread, Leftfield and Dreadzone.

* Produced by Earl Sixteen and previously only available on Earl’s 1992 LP `Boss Man’ (released on CD as `Roots Man’).

Keith Hudson, who temporarily worked as a dentist in the ghettos of Kingston, emigrated to New York City in 1976 and died there prematurely in 1984. He is best known for his work as a producer for artists such as U-Roy, Big Youth, Ken Boothe and Horace Andy and within short order Hudson brought his all-round talent to full fruition.

In 1974, he produced two ground-breaking albums. “Pick A Dub” was one of the first official dub albums ever, and is still considered to be one of the greatest moments of Jamaican music. In addition, the unique “Flesh Of My Skin, Blood Of My Blood” became the first concept album in reggae history. Thematically dedicated entirely to black history, this masterpiece captivates with an atmosphere that is as dark as it is deeply spiritual, charged by Hudson’s eccentric vocals.

In 1981, he created the dub masterpiece “Playing It Cool, Playing It Right” which he produced with the help of Wackie’s founder and mastermind Lloyd ‘Bullywackie’ Barnes. It remained the only collaboration between the two producers. Hudson decided to release it on his own label Joint International as he has done on his previous releases.

The album continues Hudson’s psycho-acoustic journey into the abyss of existence and has the power to overwhelm the listener with the beauty of artistic self-empowerment. “Too Much Formula” sings Hudson, whose voice occasionally recalls Sly Stone, “Darkest Night” answers an echoing background chorus found elsewhere on the track “California”. Hudson’s production techniques are fascinating on this album. We often hear a kind of flashing-whip sound on the snare, which adds dynamics to the whole album. Rarely has a dub record sounded so electrifying, with radical spatial sound spreading out in all directions and rarely has it been as crystal clear, with warm bass and echophonic treatments as contained within these 30 minutes of music.

43 years after its first release and 20 years after its last re-release on the German-British label Basic Replay (Basic Channel/Honest Jon’s), “Playing It Cool, Playing It Right” is now finally available again via Week-End Records, with a newly revised master and a rare interview with Lloyd ‘Bullywackie’ Barnes, talking on the making of this amazing album.

This album consists of unreleased Dubs recorded between 1986-90 at the early Blakamix Studios.

Blakamix have re-opened the tape vaults and let Mixman loose to revamp and revitalise and give the Dub Doctor treatment to these early Dub tapes.

This album consists of unreleased Dubs recorded between 1986-90 at the early Blakamix Studios.

Blakamix have re-opened the tape vaults and let Mixman loose to revamp and revitalise and give the Dub Doctor treatment to these early Dub tapes.

Available on April 20th, we're excited to unveil "Free Indeed" by Akae Beka and Higher Bound Productions on vinyl for the first time as part of our ongoing collaboration with Higher Bound Productions.

Produced in 2012, this remarkable collection represents a tapestry of deeply resonant melodies and emotions showcasing the perfect harmony between Vaughn Benjamin and producer Ryan 'Ishence' Willard showcasing their undeniable artistry. With each note and lyric, they both paint a vivid portrait of their shared creative vision, demonstrating an unparalleled synergy and depth of expression. "Free Indeed" ships on 4/20.

Dubbed out new version of a Japanese reggae classic from 1982 by UK-based Tokyo Riddim Band. Recorded and mixed by the legendary Prince Fatty in South London, it's a fusion of past and present, East and West. Three generations of female musicians from Japan come together, blending reggae drums, funky bass, and the smooth City Pop guitar, all magically dubbed-out live on stage. Tokyo Riddim Band is a culture clash phenomenon unlike anything else.

Championed by Gilles Peterson, and featured on NTS, Pitchfork and Bandcamp Daily, the group was born out of Time Capsule’s wildly popular compilation “Tokyo Riddim 1976-1985”. In just a matter of months they have sold out headline shows across London and supported Kyoto Jazz Massive at Jazz Cafe, conjuring a raucous, dubby dancefloor that brings the classic Japanese reggae sound of the ‘70s and ‘80s to life for a new generation.

Led by the inimitable pianist and composer Izumi ‘Mimi’ Kobayashi who featured on the original compilation, Tokyo Riddim Band are set to release a series of 7” singles in the coming months with more live shows planned throughout the summer 2024.

The first single, 'Denshi Lenzi', reinvents the Natural Mystic riddim of the original Japanese production, infusing it with dubbed-out vocals, sirens, and electrifying e-tom sounds, delivering an authentic reggae/dub experience with a distinct UK flair.

Onegram, who sold out their cover of KIRINJI's classic song "Aliens" immediately, released a new song! The song "Samidare No Ato Ni (After the long rain)" on Side-A is a straight and mellow lovers' rock song with their unique arrangement and sound. The B-side features a Funky Disco Reggae cover of "it's Just Begun" by Jimmy Castor Bunch, a classic that appeared on the previous "Random Access Music" album and has been long awaited as a single.

Spinna B-ill's sweet cover of Al Jarreau's 1981 classic! A double-sided 7" record featuring a sweet cover number of Al Jarreau's 1981 classic "We're In This Love Together" by Spinna B-ill and a guitar instrumental tune by Yota Kobayashi on the B-side!

Produced By Donovan Germain, recorded at Channel One and Harry J's, backed by The Roots Radics & The Taxi Gang, originally released in 1982. A pre-digital taste of what was to come.

Cool Rasta is an album by The Heptones, which consisted of Earl Morgan, Barry Llewellyn, and Leroy Sibbles. Brought up in the Trench Town area of Kingston, their first successful record was Fatty Fatty, first released in 1966. Since then, they have had several hits including 'Country Boy,' 'Mama Say,' and 'Book Of Rules.' At the guiding hand of top producer, Harry Johnson they recorded Cool Rasta, which came out in 1976. The title track of the album is a typical example of The Heptones at their brilliant best.

Remastered and pressed on audiophile virgin vinyl for your listening pleasure.