Reggae & Dancehall 609 Items

LP | 2023 | EU | Original (Wagram)

The Reggae Legend

51,99 €*

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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The Best Of The Upsetter Singles 1970-1972

7x7" | 2013 | US | Original (Cleopatra)

49,99 €*

Studio Recordings Intro To The Matrix

Release: 2013 / US – Original

Genre: Reggae & Dancehall

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Has storage wear on the box. Not sealed and without the adapter. 7" box set re-collects the original singles produced by Bob Marley and Lee Perry, plus 7" x 7" booklet and NO custom vinyl adapter.

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Bob Marley & The Wailers

2LP | 2023 | JP | Original (P-Vine)

48,99 €*

2LP | 1995 | EU | Reissue (BMG)

Release: 2023 / JP – Original

Genre: Reggae & Dancehall

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Recordings from a studio jam session before Bob Marley & The Wailers’ legendary performance at San Francisco's The Matrix reissued on vinyl for the first time ever! After the release of their world debut Catch A Fire, Bob Marley & The Wailers would embark on a U.S. tour supporting the legendary Sly And The Family Stone. Yet after five dates, they were fired from the tour, supposedly for upstaging the main acts! Left with no money and nowhere to go, they performed one legendary show at San Francisco's The Matrix. These recordings, taken from a studio session before their legendary performance, find Bob Marley and The Wailers at their best. Featuring the classic lineup of Bob Marley (vo/gt.), Peter Tosh (vo/gt), Joe Higgs (per.), Earl Lindo (pf.), Family Man Barrett (b.), and Carlton Barrett (ds.), the Wailers are imbued with the kind of Rock and Roll energy that could only come from outshining Sly Stone. Even sweet rocksteady ballads such as “Stir It Up” take on the form of a rock and roll anthem in this session! Despite internal tensions that would result in Tosh leaving the band the following year, The Wailers are tight as they ever were, with their iconic vocal harmonies and rhythmic prowess on full display. Discovered and released on CD by P-vine in 2005, these mythical studio recordings are finally getting a long deserved analog release! The double LP on black vinyl comes complete with an obi-strip! Put this on your player and let Kingston come to you!

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Pitura Freska

Yeah

48,99 €*

Release: 1995 / EU – Reissue

Genre: Reggae & Dancehall

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Heart Of The Congos 40th Anniversary Edition

The Congos

3LP | 2017 | US | Original (17 North Parade)

47,99 €*

2LP | 2018 | US | Original (Tuff Gong)

Release: 2017 / US – Original

Genre: Reggae & Dancehall

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The album classic was originally issued in 1977 in Jamaica only and 20 years later in 1997 released by the Blood & Fire label as the outstanding but now deleted "Heart Of The Congos". VP Records' sub-label 17 North Parade release now the definitive 2017 re-mastered 3CD / 3LP deluxe edition put together with both respect and gratitude to that illustrious antecedent.

This new 3 disc-set and 3LP-Vinyl-set is the first to feature the now almost impossible to find, original mix of the album, unavailable since producer Lee Perry withdrew the set in 1977 following the refusal of Chris Blackwell's Island Records team to licence the album (Disc 3), together with the more well-known mix, dubs, disco mixes, seven and twelve inch versions and "Don’t Blame It On I" an overlooked previously unreleased track unearthed (Disc 2) and the 'Blood & Fire' Kevin Metcalfe master (Disc 1).

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Bob Marley & The Wailers

Kaya 40

46,99 €*

Release: 2018 / US – Original

Genre: Reggae & Dancehall

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LP | 2015 | NL | Reissue (Tuff Gong)

Babylon By Bus

46,99 €*

Release: 2015 / NL – Reissue

Genre: Reggae & Dancehall

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LP | 1978 | US | Reissue (VP)

Gregory Isaacs

Cool Ruler

43,99 €*

Release: 1978 / US – Reissue

Genre: Reggae & Dancehall

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LP | 2024 | Original (Cleopatra)

Judge Dread

Rude Boy

42,99 €*

Release: 2024 / Original

Genre: Reggae & Dancehall

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Horace Andy + Sly & Robbie

Livin' It Up Record Store Day 2024 Edition

LP | 2024 | EU | Original (Diggers Factory/Tabou 1)

42,99 €*

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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2LP | 2023 | US | Original (Ghetto Youths International)

Kabaka Pyramid

The Kalling

41,99 €*

Release: 2023 / US – Original

Genre: Reggae & Dancehall

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3LP | 2008 | UK | Reissue (Ninja Tune)

The Bug

London Zoo

41,99 €*

LP | 1967 | JP | Reissue (P-Vine)

Release: 2008 / UK – Reissue

Genre: Hip Hop, Electronic & Dance, Reggae & Dancehall

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London Calling 2008: great dubstep, grime, digital dancehall tracks feat. Warrior Queen, Spaceape, Flowdan of Roll Deep Crew, Tippa Irie, ... highly recommended!

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Cynthia Schloss

Ready And Waiting

38,99 €*

Legend: The Best Of Bob Marley & The Wailers

Release: 1967 / JP – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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How Cynthia Schloss’ debut album Ready And Waiting ended up as part of the infamous tax-scam label TSG Records’ catalogue is characteristically mysterious and unknown. Originally released on Merritone Records in 1976, it’s rich reggae sound is a celebration of life and love, and the Jamaican singer’s syncopated grooves stand apart from familiar TSG funk and soul territory - though both find space to breathe inside the mix of this expansive album. Nevertheless, a year later the album found itself with a new sleeve and identity under the distinct TSG colour and logo. P-vine is thrilled to be reissuing Ready and Waiting as a limited edition LP for the first time in the world with an iconic Japanese obi strip attached.

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Bob Marley & The Wailers

LP | 1984 | CZ | Reissue (Tuff Gong)

38,99 €*

Release: 1984 / CZ – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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Kanade / Genki Wo Dashite

Crypto Room

7" | 2024 | JP | Original (Jet Set)

37,99 €*

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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Baby Feat. Hakim / Party In The U.S.A.

Tajh / Sophie

7" | 2024 | EU | Original (Smart Move)

36,99 €*

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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LP | 2015 | US | Reissue (Tuff Gong)

Survival

35,99 €*

Release: 2015 / US – Reissue

Genre: Reggae & Dancehall

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The Yabby You Sound Dubs & Versions

Yabby You & The Prophets

2LP | 2022 | UK | Reissue (Pressure Sounds)

Baby I Love You / Kaze No Tani No Naushika

Release: 2022 / UK – Reissue

Genre: Reggae & Dancehall

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In the early 1970s the island of Jamaica, and in particular its reggae musicians, developed a love affair with small Japanese motor bikes. Honda bikes were eulogised in Big Youth’s ‘s90 Skank’ and Dillinger’s ‘cb200’, whilst their rival was lauded on Shorty The President’s ‘Yamaha Skank’, to name the most obvious examples. The plot of the film ‘Rockers’ revolved around how transformative a motorbike could be, providing a livelihood whilst projecting an image of success in the ghetto. Vivian ‘Yabby You’ Jackson had been fiercely independent as a singer and producer, and the success of his early self-pressed productions, mostly on the Prophets or Vivian Jackson labels, had given him a sense of hard earned autonomy. A motorbike was one of the fruits of his labours, acquired as a way of zipping around the capital’s roads to deliver records and organise recording sessions. His wife Jean could often be see hanging on to the back. Twelve years after his death, she remembers various exploits on the pot-holed roads of Kingston. Jean Vencella Williams: ‘His first motorbike was a Honda 50 and then a 100, a Yamaha. I remember the Yamaha, it was a dark blue colour, it must have been from the mid 70s til the early 80s. I used to ride around on the back and we ride all over, like we go to the country cos his mother lived in Clarendon. And he had a little carrier thing for boxes of records, so we go to Mandeville in Manchester, sometimes to Spanish Town fe sell records. Most of the time he sell them to the shops, like Randys, and the people them buy it from there. He had pressing plants like Byron Lee and later Tuff Gong, so when the records pressed we find out the time when we get back the records, which usually was at least a couple of days or about a week. And later when we living in Clarendon we come into Kingston to pick them up at the pressing plant. And when he book the studio he might book two or three days and we come in and usually stay til late.

‘He used to carry the records from the different pressing plants on the bike, but because of the rain and weather you know it not so good for the records, and also the sun beating down. Then Wayne Wade had an accident on the Yamaha, and he was hurt quite bad, and he had to go to the hospital for quite a while. Well Yabby didn’t ride it after that, cos it was getting dangerous with so many cars coming in. So he gave up the Yamaha and bought a Toyota Carina, and that car was very good to him. Then the Carina become a little shaky, so he got a Toyota Corolla which he drove until his death.’

This album presents a sample of the best of those ‘Dubs and Versions’ that Yabby was ferrying around town, whether rarities, B-sides or tracks culled from albums that showcase the breadth of Yabby’s productions between 1975 and 1982.

This release comes with sleevenotes original artwork.

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Irie Love

7" | 2024 | JP | Original (Smart Move)

Koi Ni Ochitara / Sakurazaka

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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Preorder shipping from 2024-07-26

Reggae covers of Che'Nelle's "Baby I Love You" and Narumi Yasuda's "Nausicaa of the Valley of the Wind"!

7" cut from the compilation "J-Pop Covers in Reggae Lovers" produced by Smart Move Records/Lee Francis!

This is a 7" cut from the compilation "J-Pop Covers in Reggae Lovers" produced by UK reggae label Smart Move Records/Lee Francis, featuring a cover by Irie Love, an island reggae songstress from Hawaii. Side A features Che'Nelle's "Baby I Love You" and Side B features Narumi Yasuda's "Nausicaa of the Valley of the Wind.

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Mynx / Adele Harley

7" | 2024 | JP | Original (Smart Move)

Ariwa Sounds: The Early Sessions Remastered

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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Preorder shipping from 2024-07-26

English Reggae covers of Crystal Kay's "Koi ni Ochitara" and Masaharu Fukuyama's "Sakurazaka"!

7" cut from the compilation "J-Pop Covers in Reggae Lovers" produced by Smart Move Records/Lee Francis!

This is a 7" cut from the compilation "J-Pop Covers in Reggae Lovers" produced by UK reggae label Smart Move Records/Lee Francis, featuring Mynx singing Crystal Kay's "Koi ni ochiraraita" and Adele Harley singing Masaharu Fukuyama's "Sakurazaka". This is a coupling of English cover of "Sakurazaka" by Masaharu Fukuyama sung by Adele Harley.

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Mad Professor

LP | 1984 | UK | Reissue (Melodies International)

Bad Brothers Limited Colored Vinyl Edition

Release: 1984 / UK – Reissue

Genre: Reggae & Dancehall

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Mad Professor, also known as Neil Fraser to his friends is renowned worldwide for his groundbreaking dub recordings, captivating live sets showcasing the creativity of dub sound engineers, and his collaborations with both reggae and non-reggae artists alike such as Lee Scratch Perry, Jah Shaka, Sade, The Orb, Massive Attack, Grace Jones and many more. Above all, he is celebrated for his prolific output in the genres of Dub, Lovers Rock, Reggae and more through his own Ariwa label and south London recording studio boasting an impressive catalog of over 300 releases, among other notable achievements. 

A few years back, we stumbled upon this outstanding Lovers Rock and Dub album which had a very unique raw sound and felt like a whole experience when listened to from start to finish. Alternate versions of the same tracks with different performers in varying styles, tape rewinds, it had us all wonder why it hadn’t gained wider recognition amongst Mad Professor's other releases. 

When we finally had the pleasure of meeting Neil at his recording studio, he revealed that this album was one of his earliest works. It was born out of a birthday gift from his wife—a four-track recorder that inspired him to venture into music-making after years of repairing and building electronics and audio equipment. When we asked him if he would be making music if not for that gift, he confessed that it was highly unlikely (!) 

Mad Professor further explained that this album, originally released in 1984, is a compilation of tracks recorded between 1979 and 1981, representing the nascent stages of his recording and production career, when the idea of establishing a studio and the Ariwa label were just beginning to take shape. He set up all his gear, including his first homemade four-track mixing desk, in the front room of his house in South London. With no prior studio experience, he positioned microphones where he thought they should fit and invited local musicians to collaborate. Errol Sly, Ranking Ann, Sergeant Pepper, Deborah Glasgow, Victor Cross, Sister Audrey, his backing band the Sane Inmates and a host of other talented local artists, some of whom would go on to become stalwarts in their respective genres, all contributed to this album, capturing the raw essence of Mad Professor and Ariwa's early sound. 

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Ronny Jordan & DJ Krush

LP | 1994 | EU | Reissue (Island)

33,99 €*

Release: 1994 / EU – Reissue

Genre: Reggae & Dancehall

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Tide Is High Yellow Vinyl Edition

Seeed

12" | 2023 | EU | Reissue (Warner)

33,99 €*

Release: 2023 / EU – Reissue

Genre: Reggae & Dancehall

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Live & Dangerous: Boston 1976 Record Store Day 2023 Translucent Yellow Vinyl Edition

Peter Tosh

2LP | 2023 | Reissue (Columbia)

Keep On Pushing Lp 20 Years Red Vinyl Edition

Release: 2023 / Reissue

Genre: Reggae & Dancehall

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Attn.: We did not receive this record in time for RSD, but we will get it this week.

This classic live concert from 1976 was the last show of Peter’s first solo US tour, supporting the Legalize It album, which had been released four months earlier. The rhythm section on the tour, and thus on this release, consists of Sly Dunbar and Robbie Shakespeare. This first vinyl pressing, on double transparent yellow vinyl, comes to record stores for Record Store Day 2023.

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The Black Seeds

LP | 2021 | EU | Original (The Black Seeds)

Best Of 30 Years On The Road

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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Twenty years on, The Black Seeds mark the 2 decade anniversary of their debut album ‘Keep On Pushing’ as a first ever vinyl release. In 1998, The Black Seeds formed their roots in Wellington - a creative, 90s rock based community that was embraced by the sounds of the likes of Shihad, Fur Patrol and Weta.

2001 marked the beginning of the Welly Roots sound and the release of The Black Seeds – ‘Keep On Pushing’ – reaching platinum sales in New Zealand and shaping the funk, soul, Afrobeat and other eclectic elements over their dub/reggae foundation.

Keep On Pushing’s bold themes of love, optimism and solidarity has resonated with fans across the world, shaping them as the creative, vibrant 8 piece band they are today.

"This album marked a change culturally as well as in sound, a south pacific take on soul, where we were proud of our multicultural heritage and our accents. It was a move away from DJ’s to a big band sound. It was the beginning of The Black Seeds as a party band, we wanted to create a funky feel good sound that embraced everyone who experienced it."

- Barnaby Weir, Lead singer and founding member

This special anniversary vinyl edition will feature mixes of all ten tracks from the original album.

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Shandon

LP | 2024 | EU | Original (Get Up)

Release: 2024 / EU – Original

Genre: Rock & Indie, Reggae & Dancehall

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Studio One Kings Yellow Vinyl Edition

V.A.

2LP | 2023 | EU | Original (Soul Jazz)

2LP | 2023 | UK | Reissue (Pressure Sound)

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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This is a very special one-off new special edition of one of the most popular of all the Soul Jazz Records" collections that has been out of print for many years! Featuring great new sleeve design as well as a special Colored Vinyl pressing, Studio One Kings is a "who"s who" of the world"s greatest reggae artists. Studio One"s list of singers launched at the famous label reads like a roll call of Jamaican music. Horace Andy, Alton Ellis, Ken Boothe, Freddie McGregor, Johnny Osbourne and more. This album features classic and rare tracks that span the breadth of the legendary Studio One catalogue: Ska, Roots, Rocksteady, Lovers and more from the 1960s and 70s. The album also comes with sleeve-notes by the great writer Chris Salewicz, author of books on Reggae Explosion, Rude Boy as well as books on Bob Marley, The Rolling Stones, Jimmy Page, Joe Strummer and more.

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Hermin Chin Loy

Musicism Dub

Release: 2023 / UK – Reissue

Genre: Reggae & Dancehall

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Dancehall Caballeros Red Vinyl Edition

Seeed

12" | 2023 | EU | Reissue (Warner)

Release: 2023 / EU – Reissue

Genre: Reggae & Dancehall

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Hugh Mundell & Augustus Pablo

Africa Must Be Free By 1983 Record Store Day 2023 Africa Shaped Picture Disc Edition

12" | 2023 | US | Reissue (Nature Sounds)

LP | 2022 | UK | Original (Before Zero)

Release: 2023 / US – Reissue

Genre: Reggae & Dancehall

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Record Store Day 2023 exclusive release on Africa shaped vinyl, limited to 1200 copies wordwide.

The reggae classic issued for RSD 2023 on an Africa shaped picture disc.

Before his tragic death at the age of 21, Hugh Mundell was a rising star in Jamaica’s burgeoning reggae scene. In 1976, the Kingston native released the single “Africa Must Be Free By 1983”, produced by dub legend Augustus Pablo. The song would eventually become the title track on Mundell’s classic debut album, released through Pablo’s iconic label Rockers.

Now, Nature Sounds is partnering with Augustus Pablo’s family for a limited-edition Africa-shaped vinyl picture disc highlighting this indelible track. Written by Hugh Mundell and recorded when the famed singer was just 14 years old, “Africa Must Be Free By 1983” is an uplifting anthem steeped in the Pan-African ideals Mundell championed during his brief but memorable career. To celebrate the 50th anniversary of Rockers, this historic single is receiving a dazzling new deluxe vinyl pressing, complete with two rare Augustus Pablo dub mixes on the B-Side.

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Akae Beka

Beauty For Ashes

Let's Do Rock Steadythe Soul Of Jamaica

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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Akae Beka's inimitable style of rich, deep, multi-layered songwriting, uncompromising devotion to RasTafari and soulful healing melodies developed over decades performing with St. Croix based band Midnite and countless recordings. At the point of his untimely passing in 2019, he had released over 70LP's. He is without a doubt one of the most prolific reggae artists ever known.

The stellar production trinity that is Zion I Kings have been involved collectively and individually in creating some of the most highly regarded contributions to the vast Akae Beka catalogue. Beauty For Ashes was named as the best reggae album of 2014 according to iTunes. A monumental achievement for undiluted, uncompromising RasTafari roots reggae music this side of the millennium. Two of the LP's tracks, Weather the Storm and Same I Ah One, have been catapulted into global notoriety in part due to the viral success of the YouTube video of the 'Dub in the Rainforest' session organised in St. Croix by Tippy I in 2014. The video offered an unparalleled audio visual insight of the powerful, captivating, energy of Vaughn Benjamin, Pressure Buss Pipe, Ras Batch, and many of the bredrin and sisterin of St. Croix rallying around the I Grade Dub living dub experience.

Following 8 years of anxious anticipation, for the countless Akae Beka fans that are also vinyl connoisseurs, this LP is now being released on as a 12" vinyl LP courtesy of Before Zero Records. This offers the listener not only the chance to enjoy this LP in an analogue form, but also the chance to hold the artwork as a 12" square masterpiece, created by the hands of Ras Marcus, the artist who gave the powerful visual presence that became synonymous to much of the I Grade / Akae Beka works over the years.

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V.A.

2LP | 2024 | EU | Original (Trojan)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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2LP | 2023 | AU | Original (The Drop)

Fat Freddys Drop

Blackbird Returns

Dickes B Red Vinyl Edition

Release: 2023 / AU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Flying high for the tenth anniversary of "Blackbird" album, we"re pleased to announce the brand new Blackbird Returns remix album descending on the breeze. Friends from around the world, Nightmares on Wax, Jazzanova, Kings, Syrup D, Christoph El Truento & Lucky Lane, DJ Philippa, Feiertag, Marcus Worgull, The Kcbs, Yarni feat. Liv East, Dub Pistols vs Freestylers and Kid Fonque have remixed their favourite Blackbird tracks.

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Seeed

12" | 2023 | EU | Reissue (Warner)

Release: 2023 / EU – Reissue

Genre: Reggae & Dancehall

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2LP | 2021 | US | Original (Homegrown)

Red Astaire

Nuggets Instrumentals

2LP | 2008 | DE | Original (Downbeat)

Release: 2021 / US – Original

Genre: Hip Hop, Reggae & Dancehall

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Beat smith RED ASTAIRE (AKA FREDDIE CRUGER) returns with some crucial instrumental cuts from the 3 volumes of the "NUGGETS FOR THE NEEDY" series. The NUGGETS INSTRUMENTALS DLP features 'FOLLOW ME","MOVE YO ASS","COME DOWN " & more sounds of Lo Fi Hip Hop, Downtempo & Latin in full color jacket!

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Peter Fox

Stadtaffe

Mad World Limited Milky Vinyl Edition

Release: 2008 / DE – Original

Genre: Reggae & Dancehall

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Na also, doch auf Vinyl!!!

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Gentleman

LP | 2022 | Original (Urban)

Release: 2022 / Original

Genre: Reggae & Dancehall

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Brutal Remastered Black Vinyl Edition

Black Uhuru

LP | 1986 | EU | Reissue (RAS)

Release: 1986 / EU – Reissue

Genre: Reggae & Dancehall

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Marcus I Meets aDUBta

Cut A Wire Showcase

LP | EU (Hornin' Sounds)

Release: EU

Genre: Reggae & Dancehall

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LP | 2024 | UK | Original (Evidence Music)

Little Lion Sound

Kingston Journey

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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The Keyboard King At Studio One Black Vinyl Edition Reissue

Jackie Mittoo

LP | 2000 | UK | Reissue (Soul Jazz)

Live With Love Red Vinyl Edition

Release: 2000 / UK – Reissue

Genre: Reggae & Dancehall

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Jackie Mittoo is one of the defining figureheads of reggae music !From forming The Skatalites, at age 15, alongside Don Drummond, Roland Alphonso, Tommy McCook and others, to his work as writer, arranger, producer at Studio One records during the sixties, writing and playing for artists such as Alton Ellis, Ken Boothe, Marcia Griffiths and The Heptones (to name a few), to his career as a solo artist as well as leader of bands such as The Soul Brothers, Soul Vendors and The Sound Dimension, Jackie Mittoo is at the heart of reggae music. He was one of the instigators of Ska, Rocksteady and Reggae. In the seventies, DJ music and Dancehall were based upon classic rhythms of the sixties, many using the instrumental tracks that Jackie Mittoo created at Studio One at this time.This compilation features the work of Jackie Mittoo at Studio One. It features music recorded as a solo artist (as opposed to the numerous singers that he accompanied). Most of these are taken from his recordings in the mid-sixties where he was recording on an almost daily basis at Studio One"s Brentford Road studios developing the funky reggae sound that was his trademark.Jackie Mittoo is as much an icon of Reggae as he is to fans of Funk music. He is without doubt the funkiest keyboard player ever to come out of Jamaica!

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Roger Rivas

LP | 2022 | US | Original (Jump Up)

Legalize It Limited Transparent Green & Solid Yellow Mixed / Clear Yellow & Black Mixed Vinyl Edition

Release: 2022 / US – Original

Genre: Reggae & Dancehall

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Keyboard wizard from reggae kings THE Aggrolites, Long Beach DUB ALL Stars, and Jason MRAZ's recent ska/reggae album releases his third solo album on Jump UP. Ten tracks of instrumental Jamaican grooves that swing and sway, includes 5 dubs on the B-Side. Beautiful retro sleeve and blue vinyl.

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Peter Tosh

2LP | 2019 | EU | Reissue (Sony)

7x7" | 2012 | US | Original (17 North Parade)

Release: 2019 / EU – Reissue

Genre: Reggae & Dancehall

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Limited Edition.

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Culture

Seven Sevens Clash

Release: 2012 / US – Original

Genre: Reggae & Dancehall

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God Is Good Feat. Lizzard

Little Roy

LP | 2024 | UK (Love Injection)

Release: 2024 / UK

Genre: Reggae & Dancehall

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Release: 2024 / UK

Genre: Reggae & Dancehall

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Scientist / Cruical Bunny

Dub Duel

LP | 2024 | UK | Reissue (Hawkeye)

Release: 2024 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 2024 | UK | Reissue (Hawkeye)

Desi Roots

Doing It Right

Release: 2024 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 1978 | EU | Reissue (Lantern)

Ras Allah

Heaven Is My Roof

LP | 1983 | EU | Reissue (Lantern)

Release: 1978 / EU – Reissue

Genre: Reggae & Dancehall

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Reissued for the very first time on vinyl here's Prince Alla's (aka Keith Blake) debut album, under the Ras Allah pseudonym, originally released on Tappa Zukie's Stars Records in 1978. Featuring a who's who of the roots reggae community with top notch contributions from the likes of Sly & Robbie, Earl ‘Chinna’ Smith, Don Drummond Jr., Bingy Bunny (Roots Radics) and more. Recorded at the almighty Black Ark and mixed at Tubby's. Produced and Arranged by Tappa Zukie.

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Cornell Campbell

Fight Against Corruption

2LP | 2023 | EU | Original (Fifth Son / Top Ranking Sound)

Release: 1983 / EU – Reissue

Genre: Reggae & Dancehall

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Released for the first time in 1983 on the UK label Vista Sound, “Fight Against Corruption” sees Campbell backed by most of The Aggrovators musicians (Sly & Robbie, Earl “Chinna “ Smith, Jackie Mittoo, Winston Wright) .The album was produced by Bunny Lee and Campbell itself, who – here - clearly skims some social criticism , but also does not disdain some more lovers tunes…another killer album to love forever!

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Akae Beka

Standing Ground

Hooked On A Feeling Picture Disc Edition

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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300 limited copies, hand numbered, vinyl only, mastered by DJ Steaw, Made in Europe

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The Untouchables

7" | 2022 | US | Original (Jump Up)

Adrian Sherwood Dub No Frontiers

Release: 2022 / US – Original

Genre: Reggae & Dancehall

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Legendary 80's Los Angeles 80's Ska/mod band release their first new single in 35+ years - a collectible picture disc 45 designed by Chema Skandal. A wonderful summery ska take on the Blue Swede / B.J. Thomas oldies hit with a dubbed out version on the flip. Limited edition 750 copies.

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V.A.

LP | 2022 | EU | Original (Verve)

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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Drum Sound: More Gems From The Channel One Dub Room 1974 To 1980

The Revolutionaries

2LP | 2007 | UK | Reissue (Pressure Sounds)

Release: 2007 / UK – Reissue

Genre: Reggae & Dancehall

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2LP | 2015 | US | Original (Konfrontation Muzic)

Ky-Mani Marley

Maestro

Taikokissie & Dub Passengers

Release: 2015 / US – Original

Genre: Reggae & Dancehall

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colored vinyl edition

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Tepid Sunshine

10" | 2024 | JP | Original (I Like Your Anger)

Valley Of Decision - The Collection 1973-1974

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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Taikokissie & DUB Passengers, led by Tokyo-based Lo-fi musician Taikokissie, whose previous album "slow Dance IN Suburbia" was well received, presents their second 10-inch release!! Hard jazz, improvisation played with skill and dubwise with deep effects that dive deep. A great masterpiece with the warmth of mellow raw sound that emerges in the darkness. Four songs and 28 minutes long, recommended for chill out along with gentle dancing. Includes download code.

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Alton Ellis

LP | 2006 | EU | Reissue (Lantern)

LP | 1980 | EU | Reissue (Lantern)

Release: 2006 / EU – Reissue

Genre: Reggae & Dancehall

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Fully licensed, 140 gr vinyl. A wonderful collection of early seventies recordings produced by Alton Ellis himself. High-impact reggae tunes with a great horn section. Alton Nehemiah Ellis OD (1 September 1938 – 10 October 2008) was a Jamaican singer-songwriter. One of the innovators of rocksteady, he was given the informal title "Godfather of Rocksteady". In 2006, he was inducted into the International Reggae And World Music Awards Hall Of Fame.

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Suns Of Arqa

Revenge Of The Mozabites

Soul Jazz Records presents

Release: 1980 / EU – Reissue

Genre: Reggae & Dancehall

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Fully remastered and licensed, ltd to 500 copies. Welcome to the realm of creator and mentor Michael Wadada, the man behind the exotic manoeuvres of Suns of Arqa, one of the most sought after world beat fusion project of the early eighties. His main goal was to increase the vibrations of classical Indian raga with the rhythms of Niyabinghi drumming, epitomized in England by contemporary dub producers. Released in 1980 on Manchester’s own Rock Steady Records, Revenge Of The Mozabites is an essential masterpiece paving the way for future over the border contamination. Deeply informed by cosmic mysticism the album still reverberates with the hidden sounds of earth & soul.

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Studio One Women 2

2LP | 2022 | UK | Original (Soul Jazz)

Black Art From The Black Ark

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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Soul Jazz Records follows up one its most popular Studio One releases with a brand new selection of rare and classic releases by women in reggae. Featuring legendary artists such as Marcia Griffiths, Rita Marley and Hortense Ellis (with a guest appearance by her brother Alton), alongside a host of rarities from lesser known names such as Nina Soul, Nana Mclean, Denise Darlington, Myrna Hague and also Doreen Schaeffer, a vocalist who was a founding member of The Skatalites. There are notable covers (from Tyrone Davis' soul classic Can I Change My Mind to the Band's 60s psychedelic classic Turn Turn Turn in a rub-a-dub style!). Doreen Schaeffer reversions Alton Ellis's seminal I'm Still in Love with You, Nina Soul reversions the slack rocksteady anthem Barb Wire. A number of these tracks are almost impossible to find and many have never been issued ever since their initial release. The music on the album is of course 100% killer and features backing from all of the seminal groups at 13 Brentford Road including The Skatalites, Sound Dimension, Soul Brothers and the Brentford All Stars, and ranges from ska, rocksteady, roots, lovers and more from the 60s, 70s and 80s. All produced by Clement 'Sir Coxsone' Dodd at Studio One Records, the number one sound in reggae music.

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Lee Perry & Friends

2LP | UK (Pressure Sounds)

Conquering Lion Expanded Edition

Release: UK

Genre: Reggae & Dancehall

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A tumultuous selection of recordings from Black Ark, Perry's legendary studio and hotbed of creation. Rare 12" versions, unreleased mixes and featuring a stellar line-up, including:

Drums: Mikey ‘Boo’ Richards, Lowell ‘Sly’ Dunbar
Bass: Boris Gardiner, Radcliffe ‘Dougie’ Bryan
Guitar: Earl ‘Chinna’ Smith, Ernest Ranglin, Robert ‘Billy’ Johnson, Lynford ‘Hux’ Brown
Keyboards: Winston Wright, Robbie Lynn, Keith Sterling
Percussion: Noel ‘Scully’ Simms, Lee Perry

A quick internet search brings up some extraordinary footage of Lee ‘Scratch’ Perry producing a session at the Black Ark. Taken from the film ‘Roots, Rock, Reggae’, directed by Jeremy Marre, the sequence shows Junior Murvin collaborating with members of the Congos and the Heptones on a song improvised on the spot for the film crew. Before the vocals are recorded, the Upsetters lay down the backing track. The musical director of the session is the afro-haired bass player, Boris Gardiner; unusually, it is he who counts in the band to start each take. After a long conversation with Boris a few years back, I asked Lee about his contribution to the Black Ark sound.

Lee Perry: ‘Boris Gardiner was a good person, just a humble person, and he’s the best person I ever met in the music business so far. Boris is a very top musician, and with him you could put anything together, him do “Police And Thieves” and all that. You just tell him what you want and him can do it. A very great person.’

Boris is probably best remembered today for his huge international hit from 1986, the schmaltzy ‘I Want To Wake Up With You’. Yet in the 60s and 70s he was one of Jamaica’s top bass players and arrangers, having an international hit with ‘Elizabethan Reggae’, and creating a run of classic tunes at Studio One.

Boris Gardiner: ‘I did at least seventy or eighty songs at Studio One, all in this one short period between January and April 1968. And we used to work four days per week, and we did four rhythms per day for 30 pounds a week – it was good money. I played on songs like “Feel Like Jumping”, “Nanny Goat”, “Baby Why” by the Cables, the whole “Heptones On Top” album, and “Party Time”. Lee Perry used to be at Studio One same time as me, kind of working around, so he know me from there. So he came and roped me into the group when the Black Ark studio was in progress. He built it right there at the back of his home. So Scratch called me and asked me to come and do some sessions around his studio. I was always ahead of my time as I can see it, in the music in Jamaica. So the songs that I made you always hear chord progressions and changes. Sometimes I think it’s as if I was born in the wrong country, because I just couldn’t do a two chord tune – heheh! To me it need more than two chords to give it some excitement, like it need some changes or something.’

After years of moving between Jamaica’s competing facilities, Perry had decided to build his own studio at the back of his house in Washington Gardens.

Lee Perry: ‘The Black Ark make over a pile of shit – my pile and me put it under the Black Ark. I make the Black Ark over my shit piss, so the bass always go “Poo Poo Poo Poo”! Errol Thompson put the machines in there, and make the patch panel. So the studio was all waiting, but only me could operate it. I didn’t have the Soundcraft mixer then, I did buy a lickle thing you call a Alice mixer. We didn’t have anything professional, but the sound was in my head and I was going to get down what I hear in my head. And it’s like a toy, a toy affair, that’s the way music is. You see like when you buy a kid’s toy, well you bring a joy to them, so is that way I see music. I don’t see music like how other people see it, I see it just like a toy.’

Unusually, Lee decided to do everything himself, both producing and engineering. The film clip shows Lee fully relaxed as he simultaneously directs the musicians and adjusts his recording machines.

Boris Gardiner: ‘To me Scratch always knew what he wanted. Out of all of them Scratch was a true producer, because he would be in the studio and he would listen and say change this or I don’t like that, and he was his own engineer also, so he was always around there listening. So he knew what he wanted and how to try and get it from the start, unlike Coxsone Dodd or Duke Reid, who knew what they liked or didn’t like only after they heard it. Scratch was in there with everybody, so he is really doing a full production as a true producer.’

Lee Perry: ‘I used to do them all by myself. Anybody in my studio could sit down in the visitor’s chair and look, but me do everything – me have a chair that can move from here to there, a chair that have wheels. So I could be turning in any area or any direction, so I could have my hand over here and my hand over there. Heh heh.’

And at a time when 8 and 16 track recording had become the norm in most high end studios, Lee recorded everything to a semi-professional TEAC 4 track recorder, which he can be seen casually adjusting with a screwdriver in the film clip. He explained that since he would end up mixing down to a stereo (or two track) master, more tracks would just be a distraction.

Lee Perry: ‘It was not a professional tape recorder, I was using those TEAC 4 track set that they was trying like experiment to see what would happen. Well, I have it all set up. The first thing I’d think about, all right, is you have to mix everything back down to the 2 track stereo or 1 track mono. Then you can press it and release it. So I knew what I wanted at the end, and I balance it just like that in the studio with the instruments. Sometime when you put only four or five instrument in the studio, you have a better, cleaner record, you can hear what everybody play. And if you have maybe eight musician in the studio, it’s more like a confusion, because everybody wants to play a different thing, yunno. If you is the producer and you can tell them what you want to hear it will be better. So I can put the bass and drum together on one track because me know exactly what me need. If you don’t know, then you need more tracks so you can balance it later. So for the backing, I would just do the two tracks: the bass and drum and percussion track, that is one; and the guitar, organ and piano on another track, that is two. So you still have two more tracks if you want to do vocal, that would be three. And if you want to do horns or a harmony vocal, you can do that on the fourth track. To me it’s a waste of time, a waste of energy with a 24 track machine, waste of current and waste of money. Because it all have to come down to one or two tracks in the end.’

The early Black Ark sound was stripped down and minimal, often with only one or two musicians playing keyboard or guitar. Lee would also use extreme EQ to emphasize the bass and tops, and his hi-hat sound is instantly recognisable from the earliest days of the Ark.

Lee Perry: ‘Well, I used to have an equaliser for the bass drum, and it’s like for heaviness on the beat, and then I had another equaliser for the cymbal, to give it that “Ssshhh ssshhh”. So we have different machine to send different instrument through that they can sound different. I managed to change the vibration of the music, because the music was just local music produced by rum drinkers and cannibals. So me turn on the music to a higher range.’

Boris Gardiner: ‘I think I always use a DI box to record bass at the Black Ark. Because bass want to fade into the other instruments’ microphone, so we often plug it straight into the board and then Perry sets the EQ on the board and take it straight. Then we built a drum booth so the drums really sound separate too – it give him more control.’

As the Black Ark evolved, Lee developed a richer collage of sound, built around three primary effects: the Mu-tron Bi-Phase phaser, a spring reverb and a Roland Space Echo.

Boris Gardiner: ‘One thing about Scratch was that he always used his effects – that was his sound. He always phase the ska guitar, but you don’t always know he’s recording it like that until he play it back. So until he play it back you have no idea what it will sound like.’

Lee Perry: ‘I did have a phaser that I buy, and then when I’m in the studio, in the machine room, and phasing them, the musicians don’t hear it, what I am doing, until them come in the studio, and them hear the phasing. So we did it all live. And the musicians they won’t even know what goes on! While the musicians are playing, I am doing the phasing. I take the musician from the earth into space, and bring them back before they could realize, and put them back on the planet earth. The phaser was making things different, like giving you a vision of space and creating a different brain, a phasing brain. So that’s where I take the music out of the local system and take it into space. The Space Echo also have something to do with the brain. You send out telepathic message and it return to you, so that’s how the Roland Space Echo chamber come in – what you send comes back to you. And while you know you send the telegrams out, you are waiting for what is the reply of the telegrams coming back. So that’s why the Space Echo go and come, rewinding the brain and forward winding the brain. I was also using a spring echo chamber, but just for drum, for the clash of the drum. And everything just fit in, like the thing I want to do it just come to me and come from nowhere, and then it appear and it happen.’

Boris Gardiner: ‘He loved to do things that nobody had done before, him always try a new thing. And he was a good writer too you know. Perry bring in a drum machine sometimes and we use that on some songs for the Congos and everyone. Well I actually like playing with a drum machine cos a drum machine is always steady. Most drummers they either push forward or pull back – they call it the human touch, but I call it out of time! Hahaha. “Row Fisherman Row” was really the great hit with the Congos, but that is all real drums and percussion, it’s just that Perry makes it sound almost like a machine with his echoes on the percussion. I played on “Police and Thieves” and that was a big hit too, maybe it was Sly Dunbar on that. One day Bob Marley came to him with a song on a tape and said “boy Perry, I don’t really like the bass and drum on this song here, if you can do anything to it then just change it and see if we can get something better”. Well Perry had only 4 track tape at his studio, but this was a 24 track tape that Bob bring. So Perry called me and Mikey Boo and took us down to Joe Gibbs studio and started playing the rhythm and all that on the 24 track. So I was on bass and Mikey Boo was on drums and we listen and we listen, and then we dub it back over to make new drum and bass. Well that song became “Punky Reggae Party”, so that shows you how Bob trusted Perry.’

Lee’s other great innovation was adding layers of sound effects, sometimes live through an open mic, but often pre-recorded onto a cassette tape which he would add to the collage on mixdown. Because these effects – bells, cymbals, animal noises, dialogue from the TV – were not synched to the music, they would add a layer of randomness to the sound.

Lee Perry: ‘You know cassette? I make cassette with sound track, and all those things with cymbal licking, flashing. In my Black Ark studio if you listen the cymbal was high, like “Ssshhh ssshhh”. But I did have them all recording on cassette, and while I was running the track and it was taking the musician from the studio, I was playing the cassette to balance with the drum cymbals and things like that, so them didn’t have to play that because it was already on cassette playing. You could call that sampling. And I have this “Mooooow”, like the cow, running on the cassette, and it go onto the track that I wanted to sound like that. Somebody discover it in a toilet. You know when the toilet paper is finished, and you have the roll, and the hole that come in the middle. Well you put it to your mouth and say “Hoooooo”, and it sound like a cow. You put it to your mouth and you imitating a cow and say “Moooooo”. Heh heh heh. Yeah, sound sampling. Well somebody had to start it, and we was loving to do those things.’

Boris Gardiner: ‘Well the Black Ark did have a strong vibe, but, once everybody all there, most of those guys who smoke really like it, but those who didn’t smoke didn’t really like it, like myself. Scratch is a man who never joke fi draw him herbs, you know? Heheh. But I am not a smoker cos it’s not good for my heart. I have a heart problem called tachycardia, an irregular beat of the heart. So it could be upsetting at times when there’s so much smoking going on.’

By the late 70s the relaxed atmosphere at the Black Ark had soured, as Lee attempted to extricate himself from various outside pressures, and his behaviour became more erratic.

Lee Perry: ‘What happened I did for myself not to be working with jinx and duppy called dread. And those duppies they think that me owe them favour. I open the door, and the duppies them find that me is the door opener, and then the duppies them take shape inna me yard and inna me house, and they were a jinx. Jinx mean bad luck. So to get rid of them, me had to burn down the Black Ark studio fi get rid of jinx.’

Boris Gardiner: ‘Was Scratch crazy? Well some say now that he was just putting on an act. But I think, why did he put it on? After all the problems he was having and that sort of thing, and they were saying that he was getting off his head, and he start to act strange, well I just stopped going. I stopped working there. It wasn’t a good atmosphere – nobody could really enjoy that again. So I called it a day. It is sad after all the good work we did. But when you try to be smart and try to outsmart others, well it don’t work out for long with you. He came and did a show here in Jamaica the other day, but I didn’t really know Lee Perry as a singer. He won the Grammy not long ago, but I find it surprising that he got a Grammy as a performer not a producer. He’s been very lucky: now he is successful in a sense and some people love him cos he’s a character, and they don’t see nobody dressed like that. Hahahah!’

Speaking to Lee in February 2021, via WhatsApp to Jamaica, he sounded relaxed and positive, with more praise for Boris and optimism for the future.

Lee Perry: ‘Boris Gardiner was very good, very great in the brain. He really intelligent in music, and me and him work miracle together! And remember that there was no end to the Black Ark, the Black Ark will be coming back. The Black Ark keep on living and cannot die.’

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Yabby You & The Prophets

2LP | 2021 | UK | Original (Pressure Sounds)

Release: 2021 / UK – Original

Genre: Reggae & Dancehall

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Decibel: More Cuts And Dubs 1976-1983

Dennis Bovell

2LP | 2003 | UK | Reissue (Pressure Sounds)

Jr. Thomas & The Volcanos

Release: 2003 / UK – Reissue

Genre: Reggae & Dancehall

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A giant of the UK reggae scene since the late 70s and founder member of Matumbi. Bovell went on to produce a trail of classics by a genre-defying roster of artists, from Fela Kuti, dub poet Linton Kwesi Johnson, to The Slits and The Pop Group, while also recording as Blackbeard for EMI. As if that wasn't enough, he also recorded the early Lovers chart hit, Janet Kay's Silly Games, and later a slew of Lovers Rock.

An essential collection of late 70s dubs by this living legend.

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Rockstone Black Vinyl Edition

LP | 2018 | US | Original (Colemine)

Count Ossie & The Rasta Family

Release: 2018 / US – Original

Genre: Reggae & Dancehall

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Jr. Thomas & The Volcanos’ sophomore effort Rockstone is more than just a love letter to the roots of Jamaican music. It’s an actual love letter. Tom McDowall aka Jr. Thomas explains, “I could write a musical love letter to all things I loved: my wife, my family, my friends, my band mates. I could write a song to tell me to Chin Up when times got tough. I could give gratitude to the Jamaican artists that paved the way for the beautiful music we now call reggae. I could write a song about what it’s like to lose someone important to you. Or write a song to invigorate me spiritually. Music is healing and that’s the best therapy there is for me.”
Rockstone isn’t just another throwback record to an era gone by. It’s a record that takes risks within the genre, but more importantly it’s a genuinely honest record.
“I called the album Rockstone because true love cannot be defeated. It lives forever. We write tributes on our tombstones because they live on beyond our lives as a remembrance of something special and important to us.”
Recommend for fans of: The Frightnrs, Toots & The Maytals, Jimmy Cliff

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Man From Higher Heights

LP | 2016 | UK | Original (Soul Jazz)

2LP | 2009 | UK | Original (Honest Jon's)

Release: 2016 / UK – Original

Genre: Reggae & Dancehall

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Soul Jazz Records are releasing Count Ossie & The Rasta Family’s long lost reggae album ‘Man From Higher Heights’ (originally released in 1983), digitally remastered and with full original artwork.
This release follows on from the earlier release of Count Ossie and The Mystic Revelation of Rastafari ‘Tales of Mozambique’ (1975), also by Soul Jazz Records.
Recorded in Kingston, Jamaica, somewhere between the last Mystic Revelation album and the 1983 official release of ‘Man From Higher Heights’, it remains unclear whether this album is a mixture of original recordings overlayed with additional players, or Ossie’s post-Mystic Revelation players remaining true to the spirit of Count Ossie (who had died in a car crash in 1976). Either way, it is a fascinating and successful blend of heavyweight Rastafarian roots rhythms and drumming alongside deep jazz improvisation and tripped out psychedelic fuzz guitar.
Count Ossie is the central character in the development of Rastafarian roots music, an almost mythical and iconic figure. His importance in bringing Rastafarian music to a populist audience is matched only by Bob Marley’s promotion of the faith internationally in the 1970s.
Count Ossie’s drummers made the first ever song to integrate Rastafarian traditional music into popular music - The Folkes Brothers’ song ‘Oh Carolina’, recorded for producer Prince Buster in 1959. In 1966 his drummers greeted the arrival of Haile Selassie at Kingston airport.
His Rastafarian compound in the hills of Wareika, Kingston, hosted jam sessions between his drummers and Jamaica’s finest musicians, Roland Alphonso, Don Drummond, Johnny Moore and others.
Count Ossie and the Group’s Man From Higher Heights remains one of the most elusive of his highly progressive Rastafarian inspired recordings, the final release in Count Ossie’s career.

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Moritz Von Oswald Trio

Vertical Ascent

Prince Istari Meets Erik Satie

Release: 2009 / UK – Original

Genre: Electronic & Dance, Reggae & Dancehall

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At the heart of Vertical Ascent is a dream crossing of Basic Channel, Larry Heard and Can, as at home with calypso as it is Stravinsky. Dig?

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Inna Heavy Dub Encounter

12" | 2024 | UK | Original (Sozialistischer Plattenbau)

Yasashisa De Dekita Himitsukessha

Release: 2024 / UK – Original

Genre: Electronic & Dance, Reggae & Dancehall

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The earliest musical memories of young Prince Istari are of his mother beautifying the home with her piano playing. She would repeatedly play the tranquil pieces of Erik Satie. Skipping school and sitting in the sun, young Prince would listen to these catchy, calm compositions. In the first week of 2024, the older Prince Istari rediscovered himself and found a box containing his mother's old sheet music. He transferred them to his computer and began spinning dub versions from them. It became a tapestry. As his mother used to say: "To weave a net, one must first spin." The form of the pieces dictated the direction each would take. The heavy dub transforms here into a light weightiness until it dissolves into a pure piano piece accompanied by a synthesizer. However, the last piece is much older, from the time when Prince was still known as Istari Lasterfahrer. The ending includes a distorted recording of Huberta, Prince's mother, playing a Gnossienne by Satie. At the end, she turns the sheet music, and the record can be turned back to the beginning. In the essence of its material, this record rejects the Loudness War. The originality of the compositions guided the dub within their tracks, thereby imparting to each a form descriptive of its essence.

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Lantern Parade

7" | 2024 | JP | Original (Lantern Parade)

LP | 2023 | US | Original (Merge)

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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The latest EP, which was released digitally in 2023, is now available on 7" vinyl!

Lantern Parade, a solo project by Tamihiro Shimizu, who has been interpreting dance music in his own unique style since his debut, has released four songs from his latest EP "Yasashi-Sa-dekkakuho" in analog format!

Released two years after his last album "love is the mystery" ('21) on Rose Records, this sampling-driven work is a return to his roots, incorporating the fragile and sweet essence of hip-hop and psychedelic rock, which he admires and respects, with a light and sweet touch. It is a piece with beautiful swinging melodies and a smoky, lyrical sound. The lyricism of the lyrics, the fragile, sometimes spitting, sharp words, and the quietly burning passion of the soul make this urban new soul music a joy to listen to.

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Hollie Cook

Happy Hour In Dub

At Studio One - Reggae Mash Ups Yellow Vinyl Edtion

Release: 2023 / US – Original

Genre: Reggae & Dancehall

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A heavenly set of dub versions to pair with Hollie Cook's critically acclaimed 2022 album Happy Hour. Hollie’s first full dub record since 2012, Happy Hour in Dub was coaxed into being by close listening of the original album’s modern lover’s rock.

Hollie and Happy Hour producer Ben Mckone explain:

The reason and inspiration for wanting to make the dub record is because Happy Hour, in its original form, has so many intricate musical details running throughout the songs—from the backing vocal and string arrangements to some far more subtle details. And during the mixing process, hearing some of these parts on their own over the drum and bass foundation, we felt there was so much left to explore and expose in the songs and take them to outer space.

At the controls rejoining Hollie in exploring the space, Mckone takes her soulful creations and stretches them to their sonic limits, with new vocal features by Josh Skints and Kiko Bun.

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Jay-Z

LP | 2010 | US

LP | 2023 | EU | Original (Chapter Two)

Release: 2010 / US

Genre: Hip Hop, Reggae & Dancehall

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Jay-Z's 'Black Album' acapellas mashed up with classic Studio One riddims striaght out of 70s Kingston.

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Inna De Yard

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Soul Jazz Records presents

Studio One Soul - New Edition

LP | 2001 | UK | Reissue (Soul Jazz)

LP | 2022 | UK | Original (Before Zero)

Release: 2001 / UK – Reissue

Genre: Reggae & Dancehall

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Soul Jazz Records their classic Studio One Soul is now available in a new edition on black vinyl + download code.Owned and founded by Clement "Coxsone" Dodd, Studio One"s output serves as a comprehensive guide to the history of Reggae music.Studio One Soul tracks the link between American Funk and Soul and Jamaican Reggae at the legendary Studio One Records.Curtis Mayfield, Aretha Franklin, Otis Redding, The Temptations, King Floyd, Booker T and The MGs - all these artists had a huge influence on Jamaican artists and this album contains versions of songs by all of them. Featuring classic and rare Reggae Funk and Soul cuts from the Reggae giants alongside rarer cuts, Studio One Soul spans over 20 years of classic Reggae from the Rocksteady Funk through to the deep Roots music.

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Earl 16

Rightful Ruler

Police In Dub Red Vinyl Edition

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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Rightful Ruler returns the legendary Jamaican vocalist Earl 16 to the center stage of international roots reggae music. This four song showcase style ep demonstrates that matching an A-class veteran singer/ songwriter with the sounds of the Zion I Kings (zik) production team serves to revitalize the musical forces long associated with the classic reggae tradition- roots, reality, and culture!
Earl 16's career now spans five decades and is marked by hits and highlights throughout. HIs Jamaican recordings from the cornerstone studios (Studio One, Black Ark, Channel One) are still sought after gems from the golden age. But, unlike many of his peers, Earl 16 successfully adopted the changing sounds and styles of reggae in the U.K.(where he resides) and collaborated with top producers like Mad Professor and Nick Mannaseh. He has remained current into the new millennium with "Release The Pressure", a notable vocal to LeftField's breakthrough drum & bass hit.
The all star lineup of musicians on Rightful Ruler is anchored by drums provided by ace producer and multi-instrumentalist Roberto Sanchez (A-Lone Productions). Keyboards by Pau "Nattykeyz" Dangla Valls and trumpet by Patrick "Aba Ariginal" Tenyue complement the rhythmic foundations set by ZIK core players David "jah David" Goldfine (bass) and Laurent "Tippy I" Alfred (rhythm guitar, piano, organ). Sheldon Bernard's flute and Errol "Blacksteel" Nicholson's background vocals are heard on the title track and lead guitars by David Prout and Andrew "Moon" Bain appear on "Find A Way", a feature with the dynamic toasting of Mr. Williamz. All dub mixes are done by JAH David with cover art by Ato K.D. Roberts .

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DubXanne

LP | 2008 | EU | Reissue (Echo Beach)

Release: 2008 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1981 | EU | Reissue (Music On Vinyl)

Mikey Dread

World War Iii

Release: 1981 / EU – Reissue

Genre: Reggae & Dancehall

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Happy Hour Pink & Orange Vinyl Edition

Hollie Cook

LP | 2022 | US | Original (Merge)

LP | 2021 | US | Original (Jump Up)

Release: 2022 / US – Original

Genre: Reggae & Dancehall

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With Happy Hour, her ravishing new LP, Hollie Cook matures into the queen of modernday "lovers rock"... the lush girly harmony reggae style beloved in Britain since the 1970s. Evolution rings from the bittersweet opening title track; tender yet assertive, Hollie's voice caresses evocative lyrics through the arrangement's tumbling changes. Hollie dares to invite listeners into her true personality through these alluring songs, which she co-produced with her General Roots band members Ben Mckone and Luke Allwood, and executive producer Youth. "Particularly with the songwriting, I was trying to really push myself and be open, to not be restricted in any way. I have always been a fan of theatrical pop music and wanted to experiment more with the song form." Indeed, the dizzying arrangement of "Gold Girl" shows Hollie as boldly orchestrated, cinematic. "Now I don't shy away from it when I want to be dramatic," she declares. Full of emotion, leaning into healing and understanding, Hollie's lyrics on Happy Hour speak directly to our pain and confusion and steer us towards resolution on tracks like "Moving On," "Unkind Love," and "Love in the Dark." Touring as a teenager with punk legends The Slits encouraged the fierceness within her sweetness. Hollie's mentor was Ari Up, the band's lead singer and a lifelong friend of Cook's parents (Sex Pistols drummer Paul and her singer mother Jeni). "My father always said I would be a singer. But I discovered lovers rock on my own. I heard it on pirate radio and at friends', and I was bewildered, enchanted," she recalls. "The Slits are the reason I have pursued this career. I was surrounded by powerful women at a young age, and when my time came, I was never fazed by male dominance. They were my wall of courage." From those feisty roots, Hollie has only grown. Her soulful directness on Happy Hour is relatable and authentic.

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Boomtown United

Tuffer Than I

Fight The Good Fight Black Vinyl Edition

Release: 2021 / US – Original

Genre: Reggae & Dancehall

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Debut album from St. Louis's premier ska collective, a powerful 8 piece delivering horn driven harmony-laced 2-Tone style songs. As featured on the Check One-2 and Drink THE SKA collections. For fans of THE Specials, THE Crombies, THE Hotknives, Buster Shuffle or THE Skapones.

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The Interrupters

LP | 2018 | EU | Original (Epitaph)

Release: 2018 / EU – Original

Genre: Rock & Indie, Reggae & Dancehall

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2LP | 2016 | EU | Original (MIG)

Black Uhuru

Live At Rockpalast

Release: 2016 / EU – Original

Genre: Reggae & Dancehall

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Next Cut! (Dub Plates, Rare Sides & Unreleased Cuts)

Bunny Lee & Friends

2LP | 2015 | UK | Original (Pressure Sounds)

Release: 2015 / UK – Original

Genre: Reggae & Dancehall

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Creation Rebel / New Age Steppers

Threat To Creation

LP | 2014 | US | Original (Anthology)

Joe Yamanaka & The Wailers

Release: 2014 / US – Original

Genre: Reggae & Dancehall

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Received an 8.0 rating from Pitchfork. This 1981 collaboration between two acts on Adrian Sherwood's nascent On-U Sound label captures, like few other records of the day, the dubbed-out pressure of living in Thatcherite London, pounded flat by class warfare and left to fend for oneself. Threat To Creation channels the raw earth blues through pounding rhythms and left-field sonic anachronisms, and reclaims dub reggae as a music defined by the struggle. Sherwood's touch created invisible links between dub and punk rock, fostered through guest appearances by Ari Up (The Slits) and Keith Levene (Public Image Ltd.), Anthology is pleased to present the first-ever U.S. edition of this crucial work.

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Reggae Vibration HHV Exclusive Green & Red Vinyl Edition

LP | 1982 | EU | Reissue (Jamdung)

Glen Washington, Zion I Kings

Release: 1982 / EU – Reissue

Genre: Reggae & Dancehall

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HHV exclusive vinyl edition on multi-colored vinyl, limited to 100 copies. Only available at hhv.de!

Joe Yamanaka, born in Yokohama, was of mixed descent. His father was a US Army soldier who hailed from the Caribbean. He played Psychedelic Rock with the Flower Travellin' Band. He was also a philanthropist, travelling around the world to help people in countries where conditions aren't great. He himself was raised in harsh conditions as well, being born in a brothel and growing up in an orphanage. In post-war Japan, it was not easy for him to grow up looking racially different from his peers. Joe Yamanaka joined The Wailers after Bob Marley had passed away and recorded with them 'Reggae Vibration'. The very first track is also called 'Reggae Vibration' and can be seen as his introduction to the genre, being a Rock artist in his home country. You will still hear a strong Rock influence in his songs. 'Reggae Vibration' was Recorded And Remixed At Tuff Gong Studios, 56 Hope RD Kingston Jamaica, In April 14th 1982 ~ April 30th 1982

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Jah Children

12" | 2023 | EU | Original (Before Zero)

Say You Love Me / Reach The Star

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Glen Washington’s long lasting musical legacy continues to flourish with JAH Children, a roots and culture showcase ep with the celebrated roots and culture reggae sounds of the Zion I Kings.

Starting from the mid-1970s, Glen Washington’s singing and drumming have been mainstays in reggae dance halls and on stage shows worldwide. In 2012, Zion High Productions paired the Jamaican born and Florida-based singer with the Zion I Kings on Masterpiece to great critical acclaim. JAH Children is further evidence that working with producer/ engineer JAH David Goldfine over many years brings out the best in the singer’s songwriting and vocal performances.

On the four songs with matching dub mixes, the Zion I Kings are joined by a stellar array of reggae’s top musicians. Included are drums by Roberto Sanchez, Winston “Horseman” Williams, and Lincoln “Style” Scott, saxophones by Donald “jah Bless” Toney and Garrett Kobsef, trombone by Balboa Becker, trumpet by Okiel Mcintyre, flute by Zoe Brown, and percussions by Scully Sims and Norman Grant. Russ “Tuff Lion” Williams does the lead guitar on “No Limit” and Chet Samuels is a featured vocalist on the title track.

Cover artwork is by longtime Zion High Productions collaborator Ato “Art of the Covenant” K.D. Roberts.

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Little Kana & Hemo

12" | 2023 | UK | Original (Jet Set)

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Dub Cuts: Mixed By Paolo Baldini Dubfiles

Al Brown & Inner Force

LP | 2023 | UK (Pressure Sounds)

Release: 2023 / UK

Genre: Reggae & Dancehall

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LP | 2023 | US | Original (Bad Time)

Omnigone

Against The Rest

LP | 2022 | UK | Original (Pressure Sounds)

Release: 2023 / US – Original

Genre: Reggae & Dancehall

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Former Link 80 Members Make THE Fully Realized SKA / Punk / Hardcore Follow UP That Fans Have Been Waiting FOR Featuring Members OF RX Bandits AND THE Suicide Machines When Link 80 played their final show / reunion show in San Francisco in 2017, members Adam Davis and Barry Kripene realized they weren’t done with ska punk. The incredible response emboldened and inspired them to create a new ska punk project to carry on Link 80’s legacy.... in spirit, style, and sound, while blending new ideas to fit the burdgeoning and newly revived ska scene. Thus, Omnigone was born. In 2019 the band released their debut LP “No Faith” on the then fledgling Bad Time Records, both parties unsure of what the general response from those who bore a connection to previous projects would have... but soon those fears were proven to be unfounded, as new and old fans alike rallied around the record and helped launch both the band and the label into moderate underground success. After 4 years of honing the band’s sound and style, “Against The Rest” fully realizes Omnigone’s potential in a way that their debut only flirted with, with the help of producer / engineer Jack Shirly (Jeff Rosenstock, Joyce Manor). The songs are agressive mixes of ska and hardcore, with as many catchy singalong gang vocal sections as brutal skull splitting screaming sections. The lyrics find singer Adam davis grappling with the insanity of the modern world and modern politics, tackling hypocrisy, injustices, and the need to band together to take on evils new and old. He makes it clear that you’re either with us or against us, and only together are we Against the Rest.

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Patrick Andy / Yabby You

Living In Mount Zion

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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The seed for this album comes from a tape compiled but never released by Vivian “Yabby You” Jackson, labelled “The Best Of Patrick Andy”. On the tape were three unreleased tunes, one unreleased dub, and stereo mixes of several singles which had only been heard in mono before. So “Living In Mount Zion” is in full stereo on the tape, as opposed to mono on the released 7”, with Yabby’s characteristic production trick of switching the panning of the horns and rhythm tracks back and forth from left to right, as also heard on several of his albums. “You Don’t Want Me” is also different to the 7” cut, presented in stereo and with extra horns overdubbed. The three unreleased songs are all well worthy of inclusion in this compilation, showing Patrick Andy’s spiritual side over some heavy rhythms. Together they form a fitting tribute to a fine singer and a legendary producer.

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Genre: Reggae & Dancehall

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LP | 2018 | EU | Original (Ariwa)

The Mad Professor

Ariwa 2018 Rthym Series

Release: 2018 / EU – Original

Genre: Reggae & Dancehall

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LP | 1982 | EU | Reissue (Patate)

The Gladiators

Back To Roots

LP | 1982 | UK | Reissue (On-U Sound)

Release: 1982 / EU – Reissue

Genre: Reggae & Dancehall

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Reissue of this 1982 Reggae classic!!

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African Head Charge

Environmental Studies

Endlessly Yellow Vinyl Edtion

Release: 1982 / UK – Reissue

Genre: Reggae & Dancehall

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Features contributions from Bruce Smith (The Pop
Group), Style Scott (Roots Radics) and Deadly
Headley (The Wailers).

Re-cut at Dubplates & Mastering in Berlin for
maximum bass pressure. Includes printed inner
with sleevenotes by Steve Barker (‘On The Wire’),
plus download card for full album.

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Young Israelites

LP | 2024 | US | Original (Jump Up)

LP | 2020 | UK | Reissue (ATO)

Release: 2024 / US – Original

Genre: Reggae & Dancehall

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Preorder shipping from 2024-05-31

Tel Aviv's world famous roots reggae & rocksteady band's latest album now on yellow vinyl! Darlings of BBC presenters DON Letts and David Rodigan, the band is once again set to hit the European reggae circuit in 2024. Ten tracks of lovers rock vibes with gorgeous three part harmonies.

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Pachyman

At 333 House

Release: 2020 / UK – Reissue

Genre: Reggae & Dancehall

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The Cool Operator Limited

Delroy Wilson

2LP | 2024 | Original (17 North Parade)

Release: 2024 / Original

Genre: Reggae & Dancehall

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LP | 2024 | Original (Badasonic)

The Bandulus

Tell It Like It Is

Release: 2024 / Original

Genre: Reggae & Dancehall

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Genre: Reggae & Dancehall

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LP | 1975 | EU | Reissue (Greensleeves)

King Tubby

The Roots Of Dub

24,99 €*