Reggae & Dancehall 198 Items

Available on April 20th, we're excited to unveil "Free Indeed" by Akae Beka and Higher Bound Productions on vinyl for the first time as part of our ongoing collaboration with Higher Bound Productions.

Produced in 2012, this remarkable collection represents a tapestry of deeply resonant melodies and emotions showcasing the perfect harmony between Vaughn Benjamin and producer Ryan 'Ishence' Willard showcasing their undeniable artistry. With each note and lyric, they both paint a vivid portrait of their shared creative vision, demonstrating an unparalleled synergy and depth of expression. "Free Indeed" ships on 4/20.

Studio One was founded by Clement "Coxsone" Dodd in 1954, and the first recordings were cut in 1963 on Brentford Road in Kingston. Amongst its earliest records were "Easy Snappin" byTheophilus Beckford, backed by Clue J & His Blues Blasters, and "This Man is Back" by trombonist Don Drummond. Dodd had previously issued music on a series of other labels, including World Disc, and had run Sir Coxsone the Downbeat, one of the largest and most reputable sound systems in the Kingston ghettos. The label and studio were closed when Dodd relocated to New York City in the 1980s

sealed / black vinyl

I am Álvaro Sosa, a bassist musician originally from Cd. Nezahualcóyotl, Mexico, where I grew up and which remains my home to this day. Since my childhood, I have felt a great passion for music, exploring various rhythms and genres. However, Latin rhythms have always been a fundamental part of my life, thanks to the influence of my family. Although I didn't admit it at first, I understood that these rhythms were part of my identity and were rooted in my roots. Approximately 10 years ago, the idea of a Jamaican music project arose in my mind, an inspiration that grew up since I discovered these rhythms that I fell in love with. This music fueled my desire to play an instrument, consolidating my dedication to this beautiful profession. However, due to my development as a musician and resource limitations at the time, I was unable to shape the project. My love for Jamaican music persisted, and accepting that I could not replicate its authentic sound, I decided to fuse the Latin rhythms I have known since my childhood, with Jamaican music. This is how the project was born, impregnated with that Latin essence, evident in each song and in the session format that gives me the freedom to collaborate with musicians I admire. The challenge for this year is to bring the project to live stages, an idea that was not initially in my plans, but given the demand of those who appreciate the project, I am willing to make it a reality. The new album follows the same concept as the first, a journey through Latin American Ska with some Reggae and Rocksteady as well, maintaining the essence of The Jamming Sessions. It includes new collaborations, more solid arrangements and an improvement in recording quality, because a work done with love and respect deserves the best. I’m sure that those who enjoyed Vol.1 will fall in love with Vol.2. Featuring 11 flavored songs, this album represents my musical passion evolution.

bam bam rhythm

Emmanuel Rodriguez (Rico), was born in La Habana, Cuba, on October 17th 1934. He was one of the most important trombone players from Jamaica. He learned to play trombone at Alpha Boys School, the music school from where most of the best Jamaican musicians has come from, such as Johnny Moore, Yellowman, Lester Sterling or Roland Alphonso. His tutor was another pupil, Don Drummond, who later was one of the biggest Ska musicians. Rico continued his musical training at Stoney Hill Music school and joined the Rastafari culture of Wareika Hills along with drummer Count Ossie. Jazz influence was decisive his style, as well as the Cuban music from the 50’s. On 1961 he moved to the UK where he joined some reggae bands. On 1976 he recorded with Island Records his most important album: Man From Wareika. During the 70’s he joined the 2 Tone movement, being part of The Specials. From 1996, besides of other projects, was a member of Jools Holland's Rhythm and Blues Orchestra. On August 2015, being 80 years old, Rico Rodriguez entered in the hospital in London, after some time of convalescence, he passed away on Friday September 4th 2015 at, nearly, 81 years old. Andrés ‘Ska Beat’ Cotter is a well known bass player and producer, born in Buenos Aires in 1971. From 17th years old has been been playing Ska and Reggae, being founder of bands such as Riddim, Satélite Kingston and Ska Beat City. In this record Andrés Cotter, along with the prestigious Argentinian trombone player Bebe Ferreyra, decides to pay tribute to the great Rico Rodriguez in a Big Band format. They have selected four tunes from Rico’s repertoire, with some of the best local musicians, having as result 15 minutes of the highest musical level.

AYA Nakano AND THE Bremen, whose previous single disappeared from stores in an instant, are back with their new single! The Reggae Disco Rockers have remixed "Tenki Yohou (Weather Forecast)," a well-received song from their second album, and "Mirai (Future)," a famous ballad recorded as a duo with a guitar, into a beautiful and groovy Lovers Rock remix! This is a must-listen! It is now available in a limited edition clear vinyl.

Studio One was founded by Clement "Coxsone" Dodd in 1954, and the first recordings were cut in 1963 on Brentford Road in Kingston. Amongst its earliest records were "Easy Snappin" byTheophilus Beckford, backed by Clue J & His Blues Blasters, and "This Man is Back" by trombonist Don Drummond. Dodd had previously issued music on a series of other labels, including World Disc, and had run Sir Coxsone the Downbeat, one of the largest and most reputable sound systems in the Kingston ghettos.

Two classic sides from the Federal vaults! Mastered at D&M.

paper sleeve

After the digital release of their first EP last September, which already accumulated over 1 million streams on Spotify, Blundetto and Pupajim return on a full-length version of their recent collaboration.

Les Rythmes Ruban invites you to immerse yourself again in the unique sonic universe of Pupajim and Blundetto. They welcome saxophonist Laurent Bardainne on "Les Plages du 22" and deliver 8 tracks blending Roots Reggae and Poetry.

Combination summer anthem by Japanese reggae DJ BunBun The MC and singer Sister Sheez. Remixes by Akio Nagase (EmotionalEspecial,DarkerThanWax,Chillmountain Rec) and Big Ken-G, previously only released digitally, are now available on vinyl for the first time.

Sol Power Sound is back in a big way with a reissue and remix EP from the legendary Nigerian Ju-Ju king, Chief Commander Ebenezer Obey. The double A-side EP features 'Eyi Yato' a tune from 1981 that captures Chief Commander and his band at their absolute funkiest, with a driving drum and bass groove, wah-wah guitar, and signature call-and-response vocals. Remixers include the legendary dub producer Mad Professor, the disco don Eddie C, and the Sol Power All-Stars themselves.

The Sol Power All-Stars keep things organic with chugging drums, heavy analog synth bass and sequences, as well as Daniel Meinecke’s additional keys and solos. The Canadian disco don Eddie C goes a little electro and a little acid with his analog bass-heavy flip. Like a good dub should, Mad Professor’s version accentuates the drum and bass groove and drenches everything in vintage sounding Mad Professor delay, reverb, and filtered dub-sauce, live and direct from his classic mixing desk. Alongside an extended edit of the original, the Eyi Yato EP is sure to find a permanent spot in DJ record bags around the world.

* Top slice of early 90’s digital roots from reggae legend Earl 16, best known for his work with the likes of Lee Perry, Augustus Pablo, Mikey Dread, Leftfield and Dreadzone.

* Produced by Earl Sixteen and previously only available on Earl’s 1992 LP `Boss Man’ (released on CD as `Roots Man’).

Fully remastered and licensed, ltd to 500 copies. Reissued here for the first time, in an extended version, the UK reggae band’s only album, originally released on Ball Record in 1978. One of the best-kept secrets of the late 70’s/mid 80’s British reggae scene who, with Steel Pulse, competed for the title of best reggae band in Birmingham. The album includes these eight tracks plus both sides of the bands final single and a brace of previously unreleased tracks.

A new compilation collecting all of the band’s extended 12" remixes. This will be a one-time pressing on The Vinyl Factory's 'Eco-Jazz Recycled Vinyl.'

50th anniversary reissue of the ground-breaking set, originally released on Charisma in 1974.

* A record that at the time straddled the world between `Pub Rock’ scene and the then seemingly new sound of reggae music, at least to UK years.

* Released hot-on-the-heels of the Wailers’ `Catch a Fire’ and `Burnin’’ when “reggae fever” was starting to take root in the UK.

* G.T. Moore had previously been part of the legendary folk group Heron, before becoming the first white musician to make any serious attempt to make authentic reggae.

* The eponymously titled debut set from the Reggae Guitars featured session musician John `Rabbit’ (who has worked with Wailers, Free and The Who) and was mixed by Tom Platt who engineered the `Catch a Fire’ album.

* The set mostly consists of originals with the exception of covers of tracks by Bob Dylan, Heptones and Diana Ross.

Reissued for the first time on vinyl, here's Jamaican reggae singer George Faith second album, originally released on Hollywood Records in 1979. Amazing soulful reggae melodies backed by the likes of Sly & Robbie, Aston "Family Man" Barrett, Tommy McCook, Earl "Chinna" Smith and more. Produced by the one and only Bunny Lee at Harry J Studios, and mixed by Scientist at King's Tubby's Studios!

Hoziah Lawrence, at times spelled as Hosbah or Hosiah, recorded a handful of tracks during his brief career, primarily under the guidance of Jack Ruby. The distinct hard stepping and militant style of 'Money Lover' found its place on an obscure and unique label named Haughton Sound in 1977. This label was owned by the up-and-coming lawyer at the time Antonette Haughton who used to spar with many musicians in day. She later transitioned into a fiery and radical talk show host at RJR and more recently became a controversial lawyer who was eventually disbarred from the roll of attorneys before her passing in 2023. The reason behind Jack Ruby attributing production credits to Ms. Haughton remains a puzzle with speculation suggesting potential political motivations, according to the Estate of Jack Ruby. Nonetheless, 'Money Lover' has persistently captured the attention of rare vinyl collectors over the years, and we are delighted to present its reissue, contributing to the ongoing mystique surrounding its creation.

Long time followers of Dubwise Vinyl will know I'm a big fan of Ivan's music and this latest release provides the perfect showcase for the distinctive signature sound that he's been perfecting over the last few years,

A-sider "Pleased" is a dancefloor ready slice of cold wave influenced dub that combines some icy synths with a monstrous bassline to devastating effect. Treading a similar path to other musical adventurers in the synth dub realm such as Froid Dub but with added steppers pressure.

Flip it over for the more instrumental post-punk influenced delights of 'Satisfied.' This one is closer in sound to the amazing experimental live dub Ivan makes under his Wilbur's alias (remember those excellent Whiskers Of Dub records...) and captures the magic that lies between the post-punk experimentalism of On-U Sound and the dub-funk of the Upsetters.

Another great little record

A dig into the vaults leads us to the lesser-spotted Jah Free, a stalwart of the 90’s dub scene and purveyor of all things musically DIY.

* This 12” comprises of slices of `Lightning Clap’, the lead cut being a vocal.

* Originally released on the Jah Free Music label in 1993.