Rock & Indie Tape 844 Items

Tape | 2022 | EU | Original (Phantom)

Release: 2016 / US – Original

Genre: Rock & Indie

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Superheaven spent the past few years honing their grunge buzzing, and desperate sad sound across four EP's, showcasing and perfecting a talent for writing both jarringly heavy and delicately emotional songs. With high-anticipation, the Pennsylvania four-piece deliver JAR, their debut full-length. Engineer & producer Will Yip's massive production knocks you on your ass from the very first drum hit and snarling guitar riff. The stadium-sound drums, plus pulsing bass and walls of buzzsaw guitars are all mixed with the size and clarity of major label grunge breakthrough records like Nirvana's Nevermind and Smashing Pumpkins' Siamese Dream. Superheaven have delivered a towering rock record and an early contender for album of the year.

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Telesatan

Behave

Pape Nziengui Et Son Groupe

Release: 2022 / EU – Original

Genre: Rock & Indie

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Telesatan wrote the ultimate soundtrack to Dispo hooligan fans in Braveheart style battle w/ the Diensthund pack, while Telesatan disciples still burning out their motorcycles on Eisenbahnstraße, LE. The evil and scabious twin of Dispo strikes again with eight new tracks full of laid back rage and anger. They already did proof, that they have nothing left to lose and nothing to take care of. This is epic, this is for the books.

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Kadi Yombo

Tape | 2022 | US | Original (Awesome Tapes From Africa)

Tape | 2021 | US | Original (Dead Oceans)

Release: 2022 / US – Original

Genre: Organic Grooves, Rock & Indie

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Kadi Yombo, published in 1989, is the most successful album in the quest for a fusion between tradition and modernity in Bwiti harp music of the Tsogho people of Gabon. Combining beating rattles with a layer of synthesizers, Papé Nziengui blends in a contrapuntal dialogue characteristic of harp playing: male song in appeal and female choir in response, male voice of the musical arc and rhythms of female worship. But above all it's Tsogho ritual music and modern studio orchestration. The result is an initiatory itinerary of 10 musical pieces which are all milestones likely to be simultaneously listened to, danced, meditated on, and soon acclaimed. In the years since, Nziengui has traveled he world from Lagos to Paris, from Tokyo to Cordoba, from Brussels to Mexico City to become a true icon, the emblem of Gabonese music. Like Bob Dylan, "electrifying" folk and Bob Marley mixing rock with reggae, some purists have criticized Nziengui for having distorted the music of harp by imposing a cross with modern instruments. They even went so far as to claim that Nziengui was just an average harpist covering his shortcomings with stunts that were only good for impressing neophytes; like playing a harp placed upside down behind his back or playing two or three harps simultaneously. Sincere convictions or venomous defamations, in any case, Nziengui never gave in to such attacks, imposing himself on the contrary to pay homage to the elders (Yves Mouenga, Jean Honoré Miabé, Vickoss Ekondo) while instructing the maximum of young people. He is thus the promoter of many young talents, the most prominent of which is certainly his nephew Jean Pierre Mingongué. In a conservative society where the sacred is confused with secrecy, exposing the mysteries of Bwiti in broad daylight can be punished by exclusion or even execution. Papé Nziengui has always claimed that he faces such risks because he never felt enslaved to a community that governs his life, that regulates his conduct, that has a right of censorship over his activities. Like Ravi Shankar, the famous sitarist, Papé Nziengui is a man of rupture but also of openness, a transmitter of culture. As proof, he has established himself in Libreville, Gabo's capital, as the main harpist for sessions and concerts, accompanying the greatest national artists (Akendengué, Rompavè, Annie-Flore Batchiellilys, Les Champs sur la Lowé, etc.) as well as foreign artists (Papa Wemba, Manu Dibango, Kassav', Toups Bebey, etc.). In 1988, he was the first harpist to release an album in the form of a cassette produced by the French Cultural Center (Papé Nziengui, Chants et Musiques Tsogho). At the same time, he created his own group (Bovenga), combining traditional music instruments (musical bow, drums, various percussion instruments, etc.) in the framework of a true national orchestra, which gave the first concert and the first tours of a traditional music that was both modern and dynamic, thus "democratizing" the harp, to the dismay of certain purists. On the other hand, in modern music, dominated by the logic of profit or even commercialism, artistic creation must often be adjusted for a specific audience based on reason rather than heart. But instead of allowing himself to be distorted, Papé Nziengui has always tried to produce music that is not a caricature, worthy in its expression as in its content, of the sacredness and transcendence of the music of the Origins. This is what makes Nziengui-not only the musician, but the man-someone whose age hasn't altered any of his freshness or authenticity.

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Shame

Drunk Tank Pink

Tape | 2020 | US | Reissue (Sacred Bones)

Release: 2021 / US – Original

Genre: Rock & Indie

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Shame follow up their wildly acclaimed debut with a James Ford-produced peek into the riddled mind of the band's frontman, Charlie Steen. There are moments on Drunk Tank Pink where you almost have to reach for the sleeve to check this is the same band who made 2018's Songs Of Praise. Such is the jump Shame have made from the riotous post-punk of their debut to the sprawling adventurism and twitching anxieties laid out here. The South Londoner's blood and guts spirit, that wink and grin of devious charm, is still present, it's just that it's grown into something bigger, something deeper, more ambitious and unflinchingly honest. The genius of Drunk Tank Pink is how these lyrical themes dovetail with the music. Opener Alphabet dissects the premise of performance over a siren call of nervous, jerking guitars, its chorus thrown out like a beer bottle across a mosh pit. Songs spin off and lurch into unexpected directions throughout here, be it March Day's escalating aural panic attack or the shapeshifting darkness of Snow Day. There's a Berlin era Bowie beauty to the lovelorn Human For A Minute while closer Station Wagon weaves from a downbeat mooch into a souring, soullifting climax in which Steen elevates himself beyond the clouds and into the heavens. Or at least that's what it sounds like. From the womb to the clouds (sort of), Shame are currently very much in the pink.

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Molchat Doma

Monument

Tape | 2019 | US | Original (Sub Pop)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Monument is a fitting title for the third album by Belarusian trio Molchat Doma. Indeed, it stands as a monument to everything they've achieved in their short time as a band, from whispered-about unknowns, to enigmatic underground icons, to legitimate viral sensations with hundreds of thousands of TikTok videos using their music. Monument sees them return as conquering heroes, expanding on the minimalist greatness of S Krysh Nashikh Domov and Etazhi to fully realize a more maximalist vision of their crystalline post-punk sound.Written and recorded while the band was quarantined in their hometown of Minsk during the COVID-19 pandemic, Monument is a conscious step up in songwriting and fidelity, and it reveals a band preternaturally comfortable in its own skin. Whether playing to the dancefloor, as they do on the synthpop anthem "Discoteque," or working more introspectively on pre-pandemic live favorites "Otveta Net" and "Ne Smeshno," Molchat Doma are in complete control. Their greatest strength has always been their songwriting, and they've only gotten better.As the band's arrangements have grown more sophisticated, so too have the sounds they use to bring them to life. Roman Komogortsev and Pavel Kozlov's gear arsenal has grown to include an extensive range of synthesizers and drum machines, all of which they deploy with precision. Egor Shkutko's vocals move fluidly between his familiar deadpan monotone and an expressive croon, his beautifully delivered Russian lyrics at turns bleak and romantic. Shkutko has often been compared to Ian Curtis, but here, he outgrows the comparison. With Monument, Molchat Doma have done one of the hardest things to do as a band. They've greatly expanded the scope of their music while retaining everything that made them great in the first place.

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Weyes Blood

Titanic Rising

Release: 2019 / US – Original

Genre: Rock & Indie

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I Tried To Freeze Light, But Only Remember A Girl (Mc)

Jahnah Camille

Tape | 2024 | EU | Original (Winspear)

Tape | 2023 | Original (Drag City)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Introducing Jahnah Camille (pronounced Hannah), a young artistemerging from the DIY scene of Birmingham, Alabama. Camille'ssongs capture the rollercoaster of teenage angst, heartbreak andintrospection over a well-made bed of driving guitars and catchy,compact melodies. A five-track EP infused with anxiety and grit, i triedto freeze light, but only remember a girl, is a shining introductoryproject smoothed over by Camille's sugar-sweet voice and cuttinglyricism.Much of the EP's songs were written and recorded while Camille wasstill in high school, taking trips back and forth from Atlanta to record.In the time following, Camille dug into the local DIY scene, steadilygaining an impressive resume of opening slots as she cut her teethsupporting acts like Clairo, Soccer Mommy, Cryogeyser andWednesday as they came through town. Now 19 years old, Camilledelivers an excellent snapshot of those uncertain and wildly hopefullate teen years. i tried to freeze light captures Camille approachingheartbreak and self-perception from a variety of angles-each trackplaying slightly with genre and cadence and infused with influencefrom her musical heroes, like Liz Phair and Fiona Apple.The EP pulls at a range of alternative rock and pop threads, there'sthe 90s alternative rock opener "flesh" and the country-gaze-tinged"roadkill." Camille then softens on the swooning synth-layered ode tolove lost, "elliot," before relaxing into a folksy, acoustic "paper doll."Iwanna talk and not spill out carnival sounds" Camille confides oncloser "carnival sounds"--a track that illuminates the singer's art-popinfluences and knack for revealing tender and at times searing admissionsthrough her lyricism. While misunderstandings color theemotional sentiment of the EP, Camille's artistry and expressioncome through clear as day on i tried to freeze light, presenting her asa promising young voice with real talent and a hunger for musicalexperimentation.

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Cory Hanson

Western Cum

Release: 2023 / Original

Genre: Rock & Indie

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Tape | 2015 | US | Reissue (Dead Oceans)

Mitski

Bury Me At Makeout Creek

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Since releasing Bury Me at Makeout Creek in November 2014, Mitsku has received international acclaim for her distinct, arresting sound and profoundly reflective lyrics.

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Tape | 1993 | US | Reissue (Bikini Kill)

Pussy Whipped

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Tape | 2020 | EU (Radiation)

Dinosaur Jr

Where You Been

Tape | 1991 | EU (Radiation)

Release: 2020 / EU

Genre: Rock & Indie

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Limited edition of 350 only copies on cassette! Formed in 1984, Dinosaur Jr carved a singular path through the latter half of the 1980s and early 1990s, issuing a number of highly influential albums in the process before finding a home with Sire Records. “Where You Been”, their fifth record, emerged in 1993, at the height of enthusiasm for grunge and the alternative American rock scene the band had long been part of. Produced by a new line-up of the group (longtime drummer Murph and new bassist Mike Johnson completing the three-piece), the album became the band’s most successful up to that point, reaching #50 in the US (where it sold over a quarter of a million copies) and #10 in the UK album charts, and spawning the hit single ‘Start Choppin’. Released to unanimously positive reviews, and containing many tracks that would become staples and fan favourites, “Where You Been” continued Dinosaur Jr’s global ascent, being issued simultaneously across the US, Europe, Australasia, Asia and South America.

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Dinosaur Jr

Green Mind

Tape | 2024 | EU (Radiation Reissues)

Release: 1991 / EU

Genre: Rock & Indie

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Limited edition of 350 only copies on cassette! Formed in 1984, Dinosaur Jr carved a singular path through the latter half of the 1980s, issuing three highly influential albums in the process before finding a home with Sire Records, who issued “Green Mind” in 1991 as the alternative American rock scene the band had long been part of exploded globally. Produced by a stripped down line-up of the group (in fact, J Mascis himself plays almost everything), the album and Sire’s international reach took Dinosaur Jr’s reputation to a new level, aided by the singles ‘The Wagon’ and ‘Whatever’s Cool With Me’, a non-album EP of new material and live recordings, all of which are included here alongside a previously unreleased live recording capturing the group at the Hollywood Palladium in June 1991. Critically lauded on release, “Green Mind” remains one of the band’s strongest collections, and a firm fan favourite.

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Stiv Bators

Disconnected

Tape | 1994 | US | Reissue (Pirates Press)

Release: 2024 / EU

Genre: Rock & Indie

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Originally released in 1980, Stiv Bators first solo effort. As we all know, Mr. Bators was the man who destroyed Rocket from the Tombs, from which he hijacked half the members to found one of the most influential American punk bands to have existed, The Dead Boys. Stiv has turned in his broken teeth for a more power pop oriented solo career. This is not an album recorded by a has-been former punk idealist; instead its a true step forward into another unknown arena packing all the glare and attitude that remained from the last. Bomp Records 50th anniversary reissue.

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Cock Sparrer

Guilty As Charged

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Tape | 1983 | US | Reissue (Pirates Press)

Cock Sparrer

Shock Troops

Release: 1983 / US – Reissue

Genre: Rock & Indie

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The Prisoners

In From The Cold

She Said 'Burn' (Purple Shell)

Release: 2023 / EU

Genre: Rock & Indie

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British garage rock revivalist's 1986 album for Stiff Records' 54321 Countdown affiliate. The Prisoners got their start in the same Medway River delta area of Britain as Billy Childish's Pop Rivets. After the band's demise singer/guitarist/songwriter Graham Day went on to join Childish's Thee Mighty Caesars & eventually formed the Prime Movers, organist James 'Jamie' Taylor went on to form the James Taylor Quartet.

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Deep Purple

Tape | 2023 | EU | Original (CODA)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tape | 2023 | US | Original (Tompkins Square)

Bobby Lee

Endless Skywalks

Release: 2023 / US – Original

Genre: Rock & Indie

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"Scanning the horizons of Americana from its old weird beginnings, Opry outliers and cosmic cowboys through to today’s residents of the honky tonk at the end of the universe. Bobby LEE plays high lonesome folk songs, slow moving outlaws, Nashville oddities, cocaine cowboys, choogling rural rock and ambient country zoners."

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Revolution Girl Style Now

Tape | 1994 | US | Reissue (Bikini Kill)

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Tape | 1996 | US | Reissue (Bikini Kill)

Reject All American

21,99 €*

Release: 1996 / US – Reissue

Genre: Rock & Indie

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Kicking Away At The Decrepit Walls Til The Beautiful Sunshine Blisters Thru The Cracks

MXLX

Tape | 2024 | US | Original (Ba Da Bing!)

Release: 2024 / US – Original

Genre: Rock & Indie

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Matt Loveridge is a prolific multi-instrumentalist condemned to Bristol, UK. He has over sixty solo records under various monikers, done before and after his time in Beak>, none of which appear on major streaming platforms, nor get much attention. His work as Mxlx is a miasmatic fog, and he tosses the listener deep into it. Kicking Away At The Decrepit Walls Til The Beautiful Sunshine Blisters Thru The Cracks is his most celebrated release (if one counts hate mail), and it appears here for the first time both on vinyl and somewhere not on his own site.

Songs swerve between ambient, electronic ambient noise, metal, and industrial. Vocal harmonies ride arpeggiated basslines and shimmering synth lines, ascending upwards before plummeting into distorted screams. And yet, Loveridge’s aggression does not overlook introspection. He faces one stripped of all pretense, creaking “I’ve got that dumb skull of yours locked in place,” apologizing, “I’m sorry for all that I’ve done in the name of myself” and laughing in one’s face, “Just kidding, I hope you rot in the ground.” Drawing from an obsession with literature, he’s converted a life stricken with bouts of depression and homelessness into febrile sonic turbulence. He channels the intensity of groups like Pharmakon and The Body, while embracing compositional noise like Colin Stetson. With droning organs, emotionless chanting, and fleeting walls of sound, his results have more to do with cosmic futility than petty score-settling.

Mxlx produces barren liturgies of raw emotion, like a fallen medieval monk given a synthesizer. He pulls the listener from comfort, spits in their eye, and abandons them as roadkill. An explosive catharsis not for faint hearts or distracted minds.

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Tape | 1992 | US | Reissue (Bikini Kill)

Release: 1992 / US – Reissue

Genre: Rock & Indie

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Tape | 2006 | UK | Reissue (Back On Black)

Dismember

The God That Never Was

Tragic Tiger's Sad Meltdown

Release: 2006 / UK – Reissue

Genre: Rock & Indie

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Founded 1988 in Stockholm/Sweden, Dismember were among those responsible for Death Metal's big break through. The debut album, Like An Ever Flowing Stream from 1991, clearly showed that Dismember are an uncompromising band which resulted in their rise to cult status and within a short period of time the album took the scene by storm. Extensive touring with bands like Death, Morbid Angel and Cannibal Corpse showed that Dismember are a live force to be reckoned with and the number of fans grew steadily. The band then released the 5-track EP, "Pieces", and went out on tour again with Napalm Death and Obituary. They played for thousands of fans throughout Europe thus reinforcing their status as one of the best live bands on earth. Dismember set a new path and in 2004, they released their sixth studio album titled Where Ironcrosses Grow which sounds close to Hate Campaign and is heavily inspired by Iron Maiden and Autopsy. Their seventh album The God That Never Was followed in 2006, continuing in the style of its predecessor.

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Heavenly

Tape | 2022 | UK | Original (Death Is Not The End)

2Tape | 2021 | US | Original (Mom+Pop)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Tragic Tiger's Sad Meltdown is Heavenly aka Tiger Hutchence-Geldof's debut album of sorts, cut from cassette tapes of rehearsals mixed with snippets of field recordings. Recorded with contributions from Nicholas Allbrook (Pond), Scarlett Stevens (San Cisco), India Rose & Jacob Diamond.
"I made this cassette in the living room of our house in Fremantle, a seaside town in Western Australia. I had always been shy to sing with others but moving across the world and my ex-boyfriend Nick had given me some bravery. Something about living closer to nature meant I felt creative and open hearted. It was as if the wide open landscape of Australia had finally given my heart enough space to open properly. The recordings are actually just recordings of our rehearsals, I never feel set in how song is meant to be so they usually just come out of me in the moment. My friends playing along with me are luckily all very empathic players and we found a way to play with one another without any structure or plan. It was really moving to create with so much freedom and understanding. Most of the songs are about my sister Peaches who I lost as a teenager so singing them aloud felt very potent but my band always made me feel held"

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Del Water Gap

Release: 2021 / US – Original

Genre: Rock & Indie

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Tape | 2012 | DE | Original (Family Business Records)

No Weather Talks

4,99 €*

Release: 2012 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Tape | 2010 | US | Original (Sub Pop)

Male Bonding

Daytrotter

Release: 2010 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Tape | 2023 | US | Reissue (Little Record Company)

Rilo Kiley

Demos

6,99 €*

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Mint, Cover: Sealed

Tape | 2024 | EU | Original (Svart)

Winter

Into Darkness

Was Weiss Ich Limited Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Perpetually out of print, much sought after and universally worshipped amongst those in the know, Winter's "Into Darkness" was a game-changing classic.

Formed in New York circa 1988, Winter played slow, deep and hard nuclear doom with a crust punk rawness, that came across like Hellhammer jamming with Amebix. Their penchant for mammoth sized and funeral-paced, wasteland droning has become a touchstone reference for bands across the whole spectrum of underground metal.

Their pre-internet infamy led to Winter demos being tape- traded in hallowed adoration by fans and bands alike, gaining notable fans such as Fenriz from Darkthrone. Deserving of their special place in the pantheon of one-off classic albums, the Swans-like noise and down-tuned Earth-like riffs of "Into Darkness" went on to spawn countless doom and sludge bands, being an influence for an entire doomed generation.

The Winter come-back show at Roadburn Festival in 2011 was massively anticipated and held a captivated audience. Packing out one of The Netherlands largest stages, that particular Winter show, after many years in obscurity is a rare event that is still highly regarded today. The band is a rare jewel amongst collectors, and audiences alike.

"Into Darkness" was a gateway drug to the dark depths of sludge metal, and now awaits a whole new throng of acolytes who bow down before the throne of heavy doom. Svart Records is proud to re-release it once more, putting the album back in print for a new generation of listeners. Eternal Winter awaits!

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Max Mueller

LP | 2023 | Original (Fidel Bastro)

Release: 2023 / Original

Genre: Rock & Indie

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Tape | 2023 | US | Original (Hardly Art)

Shana Cleveland

Manzanita

Main Offender / Winos Live In London '92 Black Friday Record Store Day 2022 Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Manzanita is the common name for a kind of small evergreen tree endemic to California which has strong medicinal properties. It's also the name of the brand new full length by visual artist, writer, songwriter, and musician Shana Cleveland. Subtle, powerful, and unafraid. We can't actually tell you how much we love this record because you'd never believe us, so we'll just say that it is her strongest and most personal album to date. These songs are as strong as the bricks in the Brill building, and seem destined to be covered by others in years to come. Where her previous record, 2019's Night of the Worm Moon (Hardly Art) functions as a collection of speculative fictions equally inspired by Afro-futurist pioneers Herman "Sun Ra" Blount and Octavia Butler, Manzanita concerns the love that loves to love. "This is a supernatural love album set in the California wilderness," Cleveland explains. The combinations of words and song structure are so strong throughout that one hardly notices Cleveland's nimble fingerpicking on first listen, or how much is packed into the arrangements. The lyrics are satisfyingly direct, with the buoyantly whimsical descriptions typical of the 1960s New York School of poetry. It's peppered with the kind of unexpected turns that make the words more modern, and in their spookiness they are more West Coast, as in "Mystic Mine," with its "Mystic Mine Lane, cars rotting away/ I feel so relieved to be/ Back in the country." So much of the pop music we love is propelled by those first blushes of infatuation and lust, but Manzanita concerns the kind of love that one can only experience with time, work, and devotion. Cleveland says: "The songs were all written while I was pregnant (side A) or shortly after my son's birth in that weird everything-has-quietly-but-monumentally-shifted state (side B)," she says. Moving to the country, starting a family, laughing for real at the same joke the thirteenth time you've heard it, surviving heavy shit (this is the first release since Cleveland's successful treatment for a diagnosis of breast cancer at the start of 2022). This is a love album that's somehow populated with the insect world, ghosts, and evil spirits. Sonically, Manzanita sits in a meadow similar to her previous solo records, set back and away from the genre-recombinant garage pop of her band La Luz. This is part due to the fact that there's a different sonic palette in use here. While Cleveland continues to play guitar and vocals; Johnny Goss, who has recorded all of Shana's solo material and early La Luz recordings, and Abbey Blackwell (Alvvays, La Luz) play the bass; Olie Eshleman is on pedal steel; and Will Sprott plays the keyboards, dulcimer, glockenspiel, and harpsichord-little of which would have been out of place on her previous two solo records-Sprott also adds layers of synthesizer infused with the sounds of the natural world.

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Keith Richards

2Tape | 2022 | US (BMG)

23,99 €*

Tape | 2022 | US | Original (Jackpot)

Release: 2022 / US

Genre: Rock & Indie

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Exclusive Limited Edition cassette release of Keith Richards’ 2nd album, Main Offender. Main Offender is newly remastered under the supervision of original producer and X-Pensive Wino Steve Jordan. Also included is the Winos Live in London ’92 album that puts you in the Front row at the show with live versions of “Eileen,” “Hate It When You Leave,” “Happy” and more. This live show was only previously available in the Main Offender Deluxe LP Box Set.

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Wipers

Is This Real

Release: 2022 / US – Original

Genre: Rock & Indie

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Tape | 2021 | US | Original (Sacred Bones)

Molchat Doma

S Krysh Nashikh Domov

Tape | 2021 | US | Original (Sub Pop)

Release: 2021 / US – Original

Genre: Rock & Indie

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When S Krysh Nashikh Domov The Debut Album By Molchat Doma, Was Released In 2017, It Announced A Bold New Voice In Underground Music. The Album Found A Passionate Audience On Bandcamp And Other Streaming Services And Was Released On Cd And Cassette. Sacred Bones Records Is Proud To Present The Album On Vinyl For The First Time. Molchat Doma (Translated As "Houses Are Silent"), Founded In 2017 In Minsk, Belarus, Stands At The Intersection Of Post-Punk, New-Wave And Synth-Pop. Dark Yet Danceable, And With A Heavy Dose Of Goth Ethos, Their Music Is Reminiscent Of The Masters That Predate Them, But Make No Mistake: Molchat Doma Creates A Sound And Meaning That Is Immediately Recognizable As All Their Own. The Band Is Comprised Of Egor Shkutko, Who Sings The Russian Lyrics In His Deep Monotone, Roman Komogortsev On Guitar, Synths, And Drum Machine, And Pavel Kozlov On Bass And Synths.Riyl: Depeche Mode, New Order, Drab Majesty, Black Marble

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Lael Neale

Acquainted With Night

Nine Red Foil Clear Colored Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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It Is The Simple Thing That Is So Hard To Do. This Is The Paradox That Musician Lael Neale Has Lived Within Throughout Her Development As An Artist. It Is The Reason She Became Enthralled With Poetry. Poems Are A Distillation. Lael Says, "This Challenge To Winnow Away What Is Unessential Is The Most Maddening And, Ultimately, Rewarding Part Of Writing A Song."Lael's New Album Acquainted With Night Is A Testament To This Poetic Devotion. Stripped Of Any Extraneous Word Or Sound, The Songs Are Lit By Lael's Crystalline Voice Which Lays On A Lush Bed Of Omnichord. The Collection Touches On Themes That Have Been Thread Into Her Work For Years: Isolation, Mortalit...

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Blink 182

Tape | 2019 | US | Original (Columbia)

20,99 €*

After The Magic Green Vinyl Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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NINE is the new album from Grammy nominated California rock heavyweights, blink-182. The album features soon to be classics ''Darkside,'' ''Happy Days,'' ''Generational Divide,'' ''Blame It On My Youth,'' and others.

blink-182 is Mark Hoppus (vocals/bass), Travis Barker (drums) and Matt Skiba (vocals/guitar). Since their humble beginnings in 1992 in San Diego, blink-182 have sold over fifty million albums worldwide and rocked audiences around the globe, becoming one of the defining and inspirational rock bands of their generation.

TRACK LISTING:
1. The First Time
2. Happy Days
3. Heaven
4. Darkside
5. Blame It On My Youth
6. Generational Divide
7. Run Away
8. Black Rain
9. I Really Wish I Hated You
10. Pin the Grenade
11. No Heart To Speak Of
12. Ransom
13. On Some Emo Shit
14. Hungover You
15. Remember To Forget Me

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Parannoul

Tape | 2024 | US | Original (Topshelf)

Tape | 2024 | US | Original (Drag City)

Release: 2024 / US – Original

Genre: Rock & Indie

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A sprawling patchwork of the artist’s dreams and fears, Parannoul’s third album After the Magic explores the enigmatic solo artist’s life in the wake of his second album’s overnight success.

Expanding on the shoegaze-shaded emo that made Parannoul’s To See the Next Part of the Dream so beloved by lo-fi and indie rock fans alike, After the Magic sees the anonymous auteur striving to write a follow-up as worthy of acclaim as the last.

Across the album’s ten songs, Parannoul plunges yet deeper into his diverse pool of influences, coming back to the surface with a record that captures and extends the magic of its predecessor. Unexpected flashes of orchestral ambient and glitched-out electronica meld seamlessly with Parannoul’s signature passages of noisy, distortion-laden shoegaze, offering a real time glimpse into the maturation of one of indie rock’s most exciting artists.

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Jim White

All Hits: Memories

Frankie And The Witch Fingers

Release: 2024 / US – Original

Genre: Rock & Indie

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This is long overdue. A solo album by Jim. The trap kit - so straightforward, so mysterious. What"s inside those things? Air and light - from which century? Which continent? Which planet? Depending on how and when you hit them it can be a vibration sent through a prehistoric breath, particles of Saturn"s atmosphere, the dead, wet leaves you walked through on the way to the first day of school. These are the memories of the drums on this record. Infinite and personal. Editing each other as they muscle to the front or soft shoe to the shadow. Cymbals can override/cancel everything out - wipe your memory clear or make the memory clearer. Drums are the instrument where you can feel the presence of the player the most - the full body - and sense the thoughts of the player the most. The instrument with the most choices to be made sends out the most brainwaves. A bouquet of brainwaves is on this LP. Jim oversees it all, surveys from the lost place we"re in, the void - the drumless song. We trust. We trust, Jim. His big green eyes search for the right tool (mallet, brush, etc), eyes that search you like you"re a song he wants to join, wants to see if he can add to or understand. Before humans, drums were playing - these drums. Genesis was a solo drum piece. After humans, these drums, this album. Someone - the last man - is out in a spaceship at the edge of space. He plays a single chord on a synth to set time free from its bind and then lets go. This album sets time free, lets it frolic, lets it graze, lets it remember. This is a record of thoughts, memories, surgery. A deft surgical operation you may not even realize is happening as it"s happening but you"re back on your feet when it"s over. Memories refreshed. Did you really even listen to it? -Bill Callahan, November 2023

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Data Doom

LP | 2023 | EU | Original (Ras / Greenway)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Kitten Rob)

Candy Whips

Automaton

Release: 2022 / US – Original

Genre: Rock & Indie

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Tape | 1989 | US | Reissue (Revelation)

Gorilla Biscuits

Start Today

18,99 €*

Tape | 2021 | EU | Original (Subsound)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Gorilla Biscuits' "Start Today" is one of the most influential records in hardcore. Hailing from NYC, Gorilla Biscuits carved a niche within the NY hardcore scene. Blending the aggression and energy of bands like Agnostic Front with a sense of melody likened to Dag Nasty, Gorilla Biscuits still stands as a unique reference point for many hardcore bands that have come after them. Now available again on cassette.

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Cannibal Corpse

Violence Unimagined

18,99 €*

Tape | 2020 | EU (Radiation)

Release: 2021 / EU – Original

Genre: Rock & Indie

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In cooperation with Metal Blade, Subsounds Records has announced an exclusive, limited Tape edition of the upcoming Cannibal Corpse album. The album title already tells you everything you need to know about Cannibal Corpse's fifteenth hellish opus. Comprised of eleven brutal tracks, Violence Unimagined is state of the art death metal played with passion and breathless precision, making for another flawless addition to what is inarguably one of the premier catalogues the genre has thrown up. “It really follows the path we’ve been going down for a few years now,” states bassist and founding member Alex Webster. “I think we approach the writing in a similar way most every time: each of us try to write the heaviest, most memorable songs we can. We want each song to have its own identifiable character. Showing my age, I like to say you can ‘drop the needle’ on any point of one of our albums and quickly tell which song you’re listening to.” While they continue to do what they do with aplomb, the one substantial change to Cannibal Corpse is the addition of guitarist Erik Rutan to their ranks, joining Webster, founding drummer Paul Mazurkiewicz, guitarist Rob Barrett and vocalist George “Corpsegrinder” Fisher. Known for his roles in Morbid Angel, Ripping Corpse and most notably fronting the mighty Hate Eternal, Rutan has long established himself as one of the most dynamic forces in contemporary death metal. Simultaneously, he has built up a reputation as one of the most in demand producers in metal, having previously produced four Cannibal Corpse albums (in addition to Violence Unimagined), alongside the likes of Goatwhore, Soilent Green and Belphegor. Filling in live on guitar since 2019, in 2020 he became a full member, contributing to the writing process. Already well known for the level of extreme technicality they bring to every record, on Violence Unimagined, Cannibal Corpse have further upped their game, particularly in Mazurkiewicz’s drumming. “I think we all pushed ourselves a bit technically on this one, with Paul probably pushing the hardest. This album is probably the most drum-intense album we’ve done yet. Part of that could be a result of Erik joining the band. His song writing style often features technically challenging drumming, probably owing to his years of experience in high speed death metal.” And with typically dark and warped lyrical content, Mazurkiewicz came up with the fitting title of the record, “summing up what the band is about in every facet, and taking violence to another level of extremity.”

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Dinosaur Jr

Without A Sound

Tape | 1983 | EU | Reissue (Rocka Tapes)

Release: 2020 / EU

Genre: Rock & Indie

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Limited edition of 350 only copies on cassette! Formed in 1984, Dinosaur Jr carved a singular path through the latter half of the 1980s and early 1990s, issuing a number of highly influential albums in the process before finding a home with Sire Records. “Without A Sound”, their sixth record, emerged in the summer of 1994, in the wake of personal bereavement and the departure of longtime drummer and founder member Murph. Performed primarily by J Mascis, “Without A Sound” continued the band’s growth in popularity and commercial achievement, reaching #44 in the US (their highest ever album placing there) and featuring the hit singles ‘Feel The Pain’ and ‘I Don’t Think So’. Released to positive reviews, “Without A Sound” also took Dinosaur Jr around the world, including dates in Australia, New Zealand and Japan, and into the mainstream as the group contributed ‘Blah’ to the hit US TV show Melrose Place.

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Crash Box

Demo 1983

19,99 €*

Tape | 1984 | US | Reissue (Pirates Press)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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A quartet of milanese kids destined to write the history of hardcore punk: ladies and gentlemen, here are Crash Box! At their debut and grappling with some of the most iconic hits such as Nato per essere veloce and Veleno per voi. Demo 1983, where Marco Maniglia Medici's lyrics are already at the peak of creativity and at the service of one of the most virtuous formations in the history of the band. 22 minutes of true Italian hardcore. Anastatic reissue of the original 1983 cassette and remastered audio. Graphix by DeeMo on original materials.

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Cock Sparrer

Running Riot '84

Release: 1984 / US – Reissue

Genre: Rock & Indie

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Tape | 1988 | US | Reissue (Revelation)

Bold

Speak Out

Tape | 2023 | UK | Original (Mètron / Small Measures)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Speak Out, originally released in 1988, has been remastered, pressed on color vinyl, and includes a bonus, full-color, 40-page booklet curated by the band, and has been returned to it’s original gatefold layout with an added embossing on the cover.

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Gonubie

Signals At Both Ears

Nancy Sinatra & Lee Hazlewood

Release: 2023 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Born and based in Cape Town, South Africa, Gonubie is an interdisciplinary artist with a background in fine art, landscape architecture and urban design. A classically trained musician and flautist, her debut album, Signals at Both Ears, acts as a personal sonic exploration of the notion of space and ideas surrounding the making of home. On Signals at Both Ears, sonic elements are combined organically through a process akin to painting. Incorporating the movement of synthesisers and percussive drumming with expansive chords, the compositions aim to immerse the listener in a world where sound is the primary tool for navigation and finding refuge. Profits from physical album sales will be donated to Bridges for Music, South Africa, a non profit organisation focused on empowering young talent from under-served communities. Recently highlighted in DJ magazine (djmag.com)

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Nancy & Lee Again 8-Track Tape

Tape | 1972 | US | Reissue (Light In The Attic)

19,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Nancy & Lee 8Track Edition

8Track | 1968 | US | Reissue (Light In The Attic)

19,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 1968 / US – Reissue

Genre: Rock & Indie

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This is an 8track-cartridge, not a music cassette

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

Go to Item

Nancy & Lee

Tape | 1968 | US | Reissue (Light In The Attic)

Tape | 1983 | US | Reissue (ORG Music)

Release: 1968 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Bad Brains

Rock For Light

Tape | 2021 | US | Original (Sub Pop)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Rock for Light is the second full-length album by Bad Brains, released in 1983. It was produced by Ric Ocasek of The Cars. We're proud to present the original mix of the album, for the first time in decades, as the band originally intended. Most fans will be more familiar with the 1991 reissue, which was remixed by Ocasek. Version used an altered track order, significantly different mixes and a speed increase of the master which results in a raising of the pitch by one-half step.

This reissue marks the fourth release in the remaster campaign, re-launching the Bad Brains Records label imprint. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering and pressed at Furnace Record Pressing.

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Father John Misty

Fear Fun

Tape | 2023 | Original (Blackened)

Release: 2021 / US – Original

Genre: Rock & Indie

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Reissued - Father John Misty's First From 2012! Father John Misty Is The Nom-De-Plume Of Josh Tillman, Who Has Been Recording And Releasing Solo Albums Under His Own Name Since 2003, And Who Left Seattle's Fleet Foxes After Playing Drums With Them From 2008-2011. When Discussing Father John Misty, Tillman Paraphrases Philip Roth: "'It's All Of Me And None Of Me, If You Can't See That, You Won't Get It.'" Fear Fun, Father John Misty's Debut Album, Began Gestating During What Tillman Describe...

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Metallica

72 Seasons

22,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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Tape | 2022 | EU | Original (Transgressive)

Alvvays

Blue Rev

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | EU | Original (Hospital Productions)

Jesu

Terminus

Wish 30th Anniversay Edition Limited Lost Wishes Cassette

Release: 2022 / EU – Original

Genre: Rock & Indie

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Terminus' is a varied yet still cohesive album that leaves the crushing heaviness of jesu’s early material behind for the most part while also containing their most introverted emotive cold spaces. following the EP “never” which was released earlier last year, this is jesu’s first full-length release since 2013’s “every day I get closer to the light from which I came”. The space between these two albums is significant as in the interim jesu main man Justin Broadrick resurrected the beyond cult and inimitable Godflesh. Fold out cover with deluxe multi-panel spot gloss art variation. Includes digital download code.

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The Cure

Tape | 1992 | Reissue (Polydor)

Release: 1992 / Reissue

Genre: Rock & Indie

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Tape | 1994 | US | Reissue (Joyful Noise)

The Folk Implosion

Take A Look Inside

Never Let Me Go Red & Green & Blue Cassette Edition

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Folk Implosion's fan favorite album is available on cassette for the first time!They say there's always something special about the first time and this record is that first time for the Folk Implosion. The band left the acoustic guitars and fragmentary sketch modus operandi of their earlier cassette behind to focus on an eccentric version of home studio craft, held together by a few cheap microphones (including a Radio Shack PZM) and a Tascam cassette 4-track recorder sequestered under the eaves of a 3rd floor, Cambridge Massachusetts double-decker house apartment. Wood floors and Christmas lights were as much a part of the vibe as an Ampeg VT 40 guitar amp and a small chord organ. The duo would wait until the downstairs neighbor went to work in the morning and then would play until the tunes snapped like a high-pitched snare drum. The setup would close down just before the neighbor came home from work, keeping the peace long enough to see the project through to completion.Once tracked, the band snuck into Fort Apache studios with Tim O'Heir (producer of Sebadoh's 'Bakesale' LP) early one morning, freeloading off the Sebadoh sessions that were set to get going that afternoon. Tim mixed the songs through a very hi-fi Neve board in a matter of hours with the Tascam sitting right on the giant board like a tugboat keeping time with an oil tanker. The duo hoped that the spirits of ancestors like The Troggs, Devo, Al Green, and The Bee Gees would be pleased with the scent of tribute that arose from the ashes of the pyre. Today, they are pleased to see the Slaps and the Sputniks on view again nearly 30 years later.

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Placebo

3Tape | 2022 | Original (So)

22,99 €*

Release: 2022 / Original

Genre: Rock & Indie

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Tape | 2021 | US | Original (Twintoe)

Smirk

10,99 €*

Release: 2021 / US – Original

Genre: Rock & Indie

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Massive Ordnance Air Blast Demo

M.O.A.B.

Tape | 2024 | US (Roachleg)

8,99 €*

Release: 2024 / US

Genre: Rock & Indie

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Tape | 2022 | US | Reissue (Dais)

High Vis

Blending

Tape | 2023 | US | Original (Trouble In Mind)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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High Vis were formed in 2016 from the ashes of some of the UK's besthardcore bands. Gild-toothed frontman Graham Sayle's anguished lyrics aboutlife in working class Britain were familiar to fans of Tremors' full-throttle thrash,but alongside his former bandmate Edward `Ski' Harper and veterans of DirtyMoney, DiE and The Smear, High Vis sought to transform that energy andintensity into something entirely new.Like scene-mates Chubby and the Gang did by pulling in unlikely sourcematerial from classic doo-wop or Micromoon have by combining everythingfrom psychedelia and metal into their high potency mix, High Vis' 2019 debutalbum, No Sense No Feeling showed the band were never going to beconstrained by any sense of genre rules or regulations. Its claustrophobicrattle bore traces of Joy Division, Bauhaus, Crisis, The Cure and Gang Of Fourlurking in the shadows. 2020's synth-driven EP, Society Exists, was furtherevidence of the band's restless creative MO.High Vis' second album Blending sees them open their viewfinder wider thanever before. Alongside longstanding favourites such as Fugazi and Echo andThe Bunnymen; Ride and even Flock Of Seagulls were shared reference pointsas the band worked on the album together.From the anthemic sweep of opener "Talk For Hours", through the title track'spsychedelic swirl and "Fever Dream"'s baggy groove, it sees High Vis' soundblossoming into something with an unlimited richness. The hazy drift of"Shame" or the melodic jangle of "Trauma Bonds" may take them untiluncharted waters, but they still have all the power and bite that made NoSense No Feeling so remarkable.Lyrically, the album represents another leap forward too. Talking frankly aboutpoverty, class politics, and the challenges of everyday life, Sayle's lyrics havealways addressed the downtrodden and discarded communities across Britainslipping below the waterline. This time around, Sayle's lost not of that socialconsciousness, but he's looked at himself and his own em...

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Facs

Still Life In Decay

Release: 2023 / US – Original

Genre: Rock & Indie

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Everything eventually turns to dust. Everyone knows this, but few want to acknowledge that our time on this mortal coil is fleeting, preferring to remain in stasis, in hopes that "the end" will pass them by. Chicago trio Facs (guitarist Brian Case, bassist Alianna Kalaba & drummer Noah Leger) have been perfecting their brand of intense, cathartic post-punk over the course of four ever-evolving albums, beginning with 2017's "Negative Houses" thru 2021's landmark "Present Tense', which saw the trio dig deep into the gaping maw of a black hole & pulling back whatever debris they could grasp onto. Their newest "Still Life In Decay" comes as an addendum to the last album - a "post-event review" if you will. "Still Life In Decay" starts with a squall of white noise before collapsing into the band already locked into "Constellation"s lumbering groove, with Case's guitar a ghostly presence, appearing & disappearing in washes of gauzy feedback throughout the track. Facs have never been more locked in as a unit, and "Still Life In Decay" is a decidedly more focused effort. The apocalyptic chaos that defined their previous album "Present Tense" is waved away in favor of an examination of events with cumbrous clarity. Facs are a heavy band, but they don't necessarily Feel like one (see side two's "Still Life", where Case's fluttering, melodic guitar lines are buoyed by the insistent, underlying pulse of the bass & drums). As a rhythm section, Kalaba & Leger dance & twist around each other like a double helix, forming the DNA of what makes Facs special. Collectively they approach rhythm from outside the groove as opposed to inside it, creating a lattice where Case weaves guitar lines like creeping vines, which makes the moments on "Still Life In Decay" where the band Does lock in even more powerful. When the guitar punctures the lock-step swing of "When You Say", it hits like a hammer. Case utilizes his lyrics like a person suffering from anterograde amnesia; repeating phrases & holding onto old memories in a desperate attempt to avoid the slide into oblivion. Freeform poetic missives touching on themes of resignation, cynicism, class warfare, and a search for identity & meaning in a crumbling society; A primal desire to hold onto anything in a post-pandemic barrage of sensory overload. The album is a decidedly local affair; recorded once again at Chicago's famed Electrical Audio by renowned engineer Sanford Parker & mixed at his Hypercube Studio in Chicago's Ravenswood neighborhood & mastered by Matthew Barnhart at Chicago Mastering Service.

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Tape | 2022 | US | Original (Needlejuice)

Live At Bonnaroo '22

Release: 2022 / US – Original

Genre: Rock & Indie

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•Slime green cassette shell •Dolby B noise reduction •Download card •Will have some cool on-body printed design when we come up with it… you know, we always do.

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Live At Levitation '14 And '16

2Tape | 2022 | US | Original (Needlejuice)

Release: 2022 / US – Original

Genre: Rock & Indie

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Dolby noise reduction 3 panel Jcards Download card Entirely new cover artwork by Gonzalo Sepulveda

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2Tape | 2022 | US | Original (Needlejuice)

Live In Brisbane '21

Tape | 2022 | US | Original (Jackpot)

Release: 2022 / US – Original

Genre: Rock & Indie

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Dolby noise reduction 3 panel Jcards Butterfly case

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Wipers

Youth Of America

Release: 2022 / US – Original

Genre: Rock & Indie

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Tape | 2006 | US | Reissue (Needlejuice)

Lemon Demon

Dinosaurchestra

Release: 2006 / US – Reissue

Genre: Rock & Indie

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2Tape | 2021 | US | Original (Needlejuice)

Live In Milwaukee

Marvin's Marvelous Mechanical

Release: 2021 / US – Original

Genre: Rock & Indie

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•Dolby noise reduction
•3 panel Jcards
•Butterfly case
•Download card

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Tally Hall

Tape | 2005 | US | Reissue (Needlejuice)

Tape | 2019 | US | Original (Dead Oceans)

Release: 2005 / US – Reissue

Genre: Rock & Indie

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Translucent white cassette shell Dolby B noise reduction A download code is included.

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Kevin Morby

Oh My God

Tape | 2024 | US | Original (K)

Release: 2019 / US – Original

Genre: Rock & Indie

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This is Kevin's opus, a concept album on spirituality and religion. Throughout his four solo albums and myriad records of various collaboration, Kevin Morby has recognized in his work the ubiquity of an apparent religious theme. Though not identifying as "religious" in the slightest, Morby - the globetrotting son of Kansas City who has made music while living on both coasts before recently returning to his Midwestern stomping grounds - recognizes in himself a somewhat spiritual being with a secular attitude towards the soulful. And so, in an effort to tackle that notion head-on and once-and-for-all, he sat down in his form of church - on planes and in beds - and wrote what would become his first true concept-album: the lavish, resplendent, career-best double LP Oh My God. This one feels full circle, my most realized record yet," he says.

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Lake

Let's Build A Roof

Tape | 2017 | UK | Reissue (Partisan)

Release: 2024 / US – Original

Genre: Rock & Indie

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LAKE's 2009 album Let's Build A Roof [KLP213], produced by Northwest legend Karl Blau, is sweet, funky and nostalgic - a paragon of psychedelic pop. Originally, this landmark album had overlooked sonic anomalies now corrected by REMASTERING. Five bonus songs have been added to the DIGITAL ALBUM, creating a whole new Let's Build a Roof.Let's Build A Roof is LAKE's most popular album with many fan favorites, though every track is unique. After extensive touring in 2009, LAKE entered Dub Narcotic Studio (Olympia, Wash.) to record fresh with their live energy. In the studio they were able to fill out their jingly pop aesthetic, enhanced with the vintage sounds of instruments available at Dub Narcotic and the local community. Blazing synth solos, timpani, flutes, saxophones, cello, and marimba, are just some of the featured sounds on Let's Build a Roof.Some of the album's most requested songs: "Madagascar," a dubby, slow-groove track; "Christmas Island" a surfy Phil Spector-sounding song used as theme music for the television in show Adventure Time; and "Don't Give Up", an upbeat motivating dance song with Blau performing the hook on harmonized saxophones; "Gravel" is the first single and has that a driving intensity that we can all deeply relate to - trying to keep up.

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Cigarettes After Sex

Release: 2017 / UK – Reissue

Genre: Rock & Indie

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6Tape | 2022 | US | Original (Needlejuice)

Live At Red Rocks '22

42,99 €*

Tape | 2023 | EU | Original (BMG Rights Management)

Release: 2022 / US – Original

Genre: Rock & Indie

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King Gizzard’s epic 3-night run is now available as a deluxe box set! 86 songs, with no repeats across all 3 nights. This epic 12-LP set features the complete concerts uncut, new artwork by Echo Barrett, and a photo booklet. Live at Red Rocks Amphitheatre, Morrison, CO, USA, – Oct 10, Oct 11 and Nov 2 2022.

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Dope Lemon

Kimosabè

Release: 2023 / EU – Original

Genre: Rock & Indie

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2Tape | 2024 | US | Original (Needlejuice)

Demos Vol. 5 + Vol. 6

Release: 2024 / US – Original

Genre: Rock & Indie

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•Green and red cassette shells
•Dolby B noise reduction
•On-body print

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6Tape | 2024 | US | Original (Needlejuice)

Live In Chicago '23

39,99 €*

Tape | 2021 | US | Reissue (Sacred Bones)

Release: 2024 / US – Original

Genre: Rock & Indie

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•Dolby B Noise Reduction
•Double-cassettes in a butterfly case
•6 cassettes total (2 tapes per night)
•Cassette Shells with On-Body Printing

In 2023, King Gizzard performed multiple nights in cities across the Us-- this tour being known as the Residency Tour. This is one of those 3-night runs at The Salt Shed in Chicago!

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Molchat Doma

Etazhi

Tape | 1993 | US | Reissue (Numero Group)

Release: 2021 / US – Reissue

Genre: Rock & Indie

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- Reissue of the breakthrough sophomore album by the rising Belarussian post-punk/synthpop band//The second LP by Belarussian trio Molchat Doma, Etazhi, meaning "Floors", was first released in 2018 on Berlin-based Detriti Records. It became a viral hit, garnering over one million views on YouTube and becoming a legitimate phenomenon on Bandcamp. The band may fly under the radar in their native Belarus, but they've reached huge audiences across Europe and beyond. Six separate vinyl pressings of the album have sold out in quick succession, and Sacred Bones Records is now thrilled to bring the record back in print for good. Molchat Doma (translated as "Houses Are Silent"), founded in 2017 in Minsk, Belarus, stands at the intersection of post-punk, new-wave and synth-pop. Dark yet danceable, and with a heavy dose of goth ethos, their music is reminiscent of the masters that predate them, but make no mistake: Molchat Doma creates a sound and meaning that is immediately recognizable as all their own. The band is comprised of Egor Shkutko, who sings the Russian lyrics in his deep monotone, Roman Komogortsev on guitar, synths, and drum machine, and Pavel Kozlov on bass and synths.RiYL: Depeche Mode, New Order, Drab Majesty, Black Marble

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Unwound

Fake Train

Tape | 2022 | US | Original (Flesh And Bones)

Release: 1993 / US – Reissue

Genre: Rock & Indie

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A pulsing cluster of wiry feedback, lurching bass, and single stroke rolls, Fake Train entangles the energies of frustrated backpack emo, faded Riot Grrrl back issues, and their own dash of teen spirit and unleashes it all in an earsplitting 10-song assault.

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Townsel Turner

Felt Like Eternity

Tape | 2022 | EU | Original (Better Noise)

Release: 2022 / US – Original

Genre: Rock & Indie

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After over a decade of cutting their teeth in the realm of DIY born in the hills of eastern Kentucky, Dylan Combs presents Townsel Turner, an ever evolving project involving a revolving cast of Combs’ friends as well as some of the best talent that the region has to offer, culminating in a vivid and ever expanding soundscape. Combs’ has spent the past five years quietly releasing music under the moniker, and has led to their latest effort, “Felt Like Eternity”, which is their biggest project to date. Featuring artists from every era of their music career, “Felt Like Eternity” chronicles the story of struggling to find balance in an increasingly chaotic and devastating world, all while packaging the words within an intriguing blend of gripping melodies and crushing dynamics. With plenty more music on the way, Townsel Turner, and other projects in Combs’ realm are definitely worth keeping an eye and ear out for.

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Five Finger Death Punch

Afterlife

Release: 2022 / EU – Original

Genre: Rock & Indie

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If You Look Long Enough It All Starts Moving

Sulk

Tape | 2022 | US | Original (Flesh And Bone)

Tape | 2022 | US | Original (Flesh And Bone)

Release: 2022 / US – Original

Genre: Rock & Indie

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Sulk is a nu-gaze band based out of Detroit, Michigan. The band consists of Jake Spencer, Dalton Thorns, Valerie Klaft, and Kyle Allis. Their music is an eclectic blend of alt rock and post punk that heavily harks back to the drowned out, speaker blowing days of 90s shoegaze, with their own take on modern sounds with influences like Diiv, Spirit of the Beehive, Nothing, and My Bloody Valentine.

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Trauma Ray

Transmissions

Tape | 2022 | EU | Original (Sucata Tapes)

Release: 2022 / US – Original

Genre: Rock & Indie

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Trauma Ray is a band from Fort Worth, TX that blends grunge with shoegaze.

All the songs on Transmission are written and performed by Trauma Ray Trauma Ray is Nicholas Bobotas, Darren Baun, Coleman Pruitt, Jonathan Perez, and Uriel Avila. Instrumentation recorded by Elliott Page Vocals recorded by Brandon Sanders Mixed and Mastered by Zac Montez

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Babau

Stock Fantasy Zone

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Hear Nothing See Nothing Say Nothing

Discharge

Tape | 2021 | EU (Radiation Reissues)

Anthology (Deluxe Box Set)

Release: 2021 / EU

Genre: Rock & Indie

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Fully Licensed, Limited Cassette Version FOR This Absolute Punk Classic!

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Lou Reed

3Tape | 1992 | US | Original (RCA)

Release: 1992 / US – Original

Genre: Rock & Indie

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Tape | 2024 | Original (Reigning Phoenix Music)

Kerry King

From Hell I Rise

Release: 2024 / Original

Genre: Rock & Indie

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Tape | 2024 | Original (Reigning Phoenix Music)

Kerry King

From Hell I Rise

Release: 2024 / Original

Genre: Rock & Indie

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Tape | 2024 | EU | Original (Black Lodge)

Wormwood

The Star

Release: 2024 / EU – Original

Genre: Rock & Indie

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Teenage Jesus & The Jerks

Live At The Ontario Theater Washington Dc 1984

Release: 2023 / EU

Genre: Rock & Indie

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During the late 1970s, after No Wave pioneer Lydia Lunch met saxophonist James Chance, she began setting her angry and disjointed poetry to anti-music, founding her ground-breaking band Teenage Jesus and The Jerks with Lunch’s shouted lyrics matched by her non-conventional use of electric guitar. The group’s self-titled debut EP is a fast and furious affair, produced by Robert Quine of the Voidoids/Lou Reed, with future Nick Cave drummer Jim Sclavunos on bass and Bradley Field on minimalist percussion; steeped in aggression and audacity, it’s an awesome disc that rebuffs punk’s easy cliches and refuses to be categorized. This reissue also includes the ‘Pre’ EP and the tracks from the legendary No New York compilation. Essential!

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The Cure

Tape | 2023 | EU (Tape It Dee Dee)

Release: 2023 / EU

Genre: Rock & Indie

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The Cure had been gradually building their U.S. fan base when they embarked on their third American tour to promote their 1984 studio release, The Top. This recording was made on that tour, and features the band during their most defining musical period. Coming off the success of hits like “Let’s Go To Bed” and “Boys Don’t Cry,” Robert Smith and the band had finally come to the point where they could take The Cure’s eccentric, characteristically dark sound and combine it with a more radio-friendly approach.

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The Fall

77-Early Years-79

Release: 2023 / EU

Genre: Rock & Indie

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77-Early Years-79 is a compilation of the band's first four singles, all originally issued on Step Forward Records, and was first released as an LP in 1981. One album track ("Dice Man" from Dragnet) is also included, and a CD reissue in 2000 adds two tracks from the various artists compilation Short Circuit: Live at the Electric Ballroom, from the same time. 2002's Early Singles drops "Dice Man" and adds three singles recorded for Kamera Records in 1981 and 1982, with their B-sides. In 2003, tracks from the Step Forward singles and two albums recorded for the label were selected for It's the New Thing! - The Step Forward Years. The first of multiple Fall compilation albums and certainly one of the most valuable.

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The Fall

Live At The Witch Trials

Tape | 2023 | US | Original (The Flenser)

Release: 2023 / EU

Genre: Rock & Indie

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Live at the Witch Trials was the debut studio album by The Fall. It was released in March 1979, through record label Step-Forward. Despite it's title, it is not a live album. The album was recorded at Camden Sound Suite on 15 December 1978 and mixed by producer Bob Sargeant the next day. The group had been booked into the studio for a week but Mark E. Smith had fallen ill, leading to the cancellation of the first three days. Some songs dated from earlier incarnations of the group with both Tony Friel and Una Baines featuring on the writing credits.

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Giles Corey

Au Zenith: Live In Paris 1991

Release: 2023 / US – Original

Genre: Rock & Indie

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Giles Corey is the gloomy folk-driven solo project from Have A Nice Life mastermind DAN Barrett. Here, Barrett forgoes the post-industrial trappings of Have A Nice Life in favor of an intimate singer-songwriter approach. While thematically related to his other work—dealing with subjects like suicide, death and the paranormal—Giles Corey feels more personal, with impressive shifts from quiet desperation to cathartic outburst. Over the years the album has gained a fervent following, and has sometimes been compared to a religious experience. It is dark yet purgative enterprise not for the frail of heart.

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Siouxsie & The Banshees

Tape | 2024 | EU (Tape It Dee Dee)

10,99 €*

The Poss Tapes - 1981-1984

Release: 2024 / EU

Genre: Rock & Indie

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On October 28, 1991, the legendary post-punk band Siouxsie and the Banshees delivered a electrifying performance at the Zenith in Paris, France. This live captures the band in full flight, showcasing their unparalleled musicianship and Siouxsie Sioux's captivating stage presence.

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Reagan Youth

Tape | 2024 | Original (New Red Archives)

Release: 2024 / Original

Genre: Rock & Indie

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Ajanta Theatre Derby 1980

Joy Division

Tape | 2023 | EU (Tape It Dee Dee)