Rock & Indie 2919 Items

LP | 1967 | EU | Reissue (RhIno)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Analogue Productions präsentiert eine weitere Uhqr - den Jimi-Hendrix-Klassiker "Are You Experienced". In Zusammenarbeit mit Quality Record Pressings ist diese Wiederveröffentlichung ein echtes Sammlerstück - eine Ultra High Quality Record (Uhqr) Veröffentlichung!

Diese Uhqr-Stereo-Wiederveröffentlichung ist auf 20.000 Exemplare limitiert und hat einen mit Goldfolie einzeln nummerierten Umschlag.

Bei seiner Erstveröffentlichung im Jahr 1967 stellte "Are You Experienced" die Musikwelt auf den Kopf, denn Hendrix zeigte allen, was es bedeutet, "erfahren" zu sein. Hendrix synthetisierte verschiedene Elemente der modernsten Rockmusik von 1967 zu einer Musik, die sowohl futuristisch klang als auch in den besten Traditionen von Rock, Blues, Pop und Soul verwurzelt war. Die meiste Aufmerksamkeit erhielt natürlich seine atemberaubende Gitarrenarbeit, mit der er neue klangliche Territorien in Bezug auf Rückkopplung, Verzerrung und schiere Lautstärke erschloss. Das hätte jedoch nicht viel bedeutet ohne sein hervorragendes Material, ob psychedelische Raserei ("Foxey Lady", "Manic Depression", "Purple Haze"), instrumentale Freak-Out-Jams ("Third Stone from the Sun"), Blues ("Hey Joe") oder zarte, poetische Kompositionen ("The Wind Cries Mary"), die die Bandbreite seines Songwriting-Talents demonstrierten. Nicht zu unterschätzen waren die Beiträge von Schlagzeuger Mitch Mitchell und Bassist Noel Redding, die der Musik einen rhythmischen Puls gaben, der Teile des Rock und des improvisierten Jazz verschmolz.

Was Jimi über die Neuauflage seines Debütalbums in den USA durch Reprise Records dachte, die "The Wind Cries Mary", "Purple Haze" und "Hey Joe" in die ursprüngliche 11-Track-Liste aufnahmen, ist nicht ganz bekannt. Aber Jimi äußerte bei späteren Bühnenauftritten seine Enttäuschung darüber, dass "Red House", seine großartige Original-Blueskomposition, aus dem US-Album gestrichen worden war.

Die US-Version des Titels wurde im August 1967 veröffentlicht. Enthalten sind auch die ersten drei britischen Singles der Gruppe: "Purple Haze", "Hey Joe" und "The Wind Cries Mary".

Diese Uhqr wurde von dem legendären Bernie Grundman von den originalen analogen Masterbändern remastert. Jede Uhqr wird im Presswerk von Acoustic Sounds, Quality Record Pressings (qrp), auf handselektiertem Clarity Vinyl® gepresst, wobei auf jedes einzelne Detail geachtet wird. Diese Platten weisen das gleiche flache Profil auf, das die ursprüngliche Uhqr so begehrenswert gemacht hat. Von der Einlaufrille bis zur Auslaufrille weist das Profil keine Neigung auf, so dass die Abtastnadel des Kunden wirklich senkrecht zu den Rillen von der Kante bis zur Mitte spielen kann. Clarity Vinyl ermöglicht die reinstmögliche Pressung und die visuell beeindruckendste Präsentation. Jede Uhqr wird nach Abschluss der Pressung von Hand geprüft, und nur die wirklich makellosen Exemplare werden auf den Markt gebracht. Jede Uhqr wird in einer Deluxe-Box verpackt und enthält ein Booklet, in dem der gesamte Herstellungsprozess einer Uhqr beschrieben wird, sowie ein handsigniertes Prüfzertifikat. Dies wird ein wahrhaft luxuriöses Sammlerprodukt sein.

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The Doors

Strange Days

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Elemental)

Nico

Chelsea Girl

The Amboy Dukes Lime Green Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The debut solo album (and second sb.Jdio LP) by German singer Nico, Chelsea Girt was released by Verve Records in October 1967, following Nico's collaboration with the Velvet Underground on their 1967 debut sb.Jdio album. The title is a reference to Andy Warhol's 1966 film Chelsea Girls, which Nico starred in. Born Christa Paffgen in Cologne in 1938, Nico was a singer, songwriter, actress and model. Besides working with Warhol, she had roles in several films, including Federico Fellini's La Dolce Vila (1960). In the 1980s, she toured extensively. She died in Ibiza on July 18, 1988, as the result of a cycling accident at the age of 49. Musically, Chelsea Girl can be described as a cross between chamber folk and 1960s baroque pop. Al/Music reviewer Lindsay Planer gave it four and a half out of five stars, stating tha???? "Nico's inherently bleak delivery is similar to the more modern contributions of Laurie Anderson, Ann Magnuson, and Patti Smith. An unqualified masterpiece." Produced by Tom Wilson, much of the album features instrumental work and songwriting credits from Velvet Underground members Lou Reed, Sterling Morrison, and John Cale. "I'll Keep It with Mine" was written by Bob Dylan, while three other songs are by Jackson Browne.

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The Amboy Dukes

LP | 1967 | US | Reissue (Sundazed)

31,99 €*

LP | 1968 | US | Reissue (Mainstream)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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The lost tapes have surfaced, bringing with them a walloping new stereo mix! A sonic cocktail of acid garage, blues & psych rock from one of Detroit’s finest – featuring Ted Nugent! Dominated by gritty head-swirlers and heavy, fuzz guitar licks, their debut is considered to be an early innovator of heavy metal. Their five and a half minute version of “Baby Please Don’t Go” is an absolute acid garage classic with some fantastic feedback and great guitar sustain. Nugent creates some serious guitar noise on this number and shows off his brilliant chops. The album closes with another garage classic, “Gimme Love.” This song has some laser fuzz guitar riffs and angry Mike Drake vocals. In between these two garage monsters are many other great compositions. There are a few covers, two work really well (the splendidly bluesy “Let’s Go Get Stoned” and the gritty Who cover “It’s Not True”). They also hit real hard with “Colors,” a furious acid rock song with some sinister soloing. “Phillip’s Escalator” is very Syd Barrett era Pink Floyd with brit vocals, clanging chords and first class guitar scrape. It’s a true classic on this exceptional outing. The guitar freakouts, Who-like energy and great songs make this debut a prime slice of early Detroit rock. – The Rising Storm

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The Art Of Lovin'

18,99 €*

LP | 1968 | US | Reissue (International Artists)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Colored Vinyl

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Lost And Found

Everybody's here

16,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1968 | US | Reissue (ATCO)

Bo Grumpus

Before The War

16,99 €*

LP | 1968 | UK | Reissue (Pure Pleasure)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Signed By Simeon

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Canned Heat

Boogie With Canned Heat

37,99 €*

Release: 1968 / UK – Reissue

Genre: Rock & Indie

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At Folsom Prison Black Vinyl Edition

Johnny Cash

LP | 1968 | EU | Reissue (Sony)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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LP | 1968 | UK | Reissue (Outernational Sounds)

Shankar Jaikishan

Raga Jazz Style

LP | 1968 | EU | Reissue (Cosmic Rock)

Release: 1968 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Never before reissued, this legendary 1968 EMI recording is a revered Indian jazz rarity; a collectors’ holy grail.

Raga Jazz Style is an original Indian excursion into Indo-jazz fusion. A one-away recording from the almost unknown Bombay jazz scene, it is among the few jazz LPs to hail from the subcontinent.

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H.P. Lovecraft

H.P. Lovecraft II

LP | 1968 | EU | Reissue (RhIno)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The 2nd chapter, yet a revelation. Released on Philips in 1968, right after their ’67 self titled album this iconic psych-folk masterpiece still detain a refreshing and revelatory approach. The Chicago band, named after American supernatural fiction writer, is on the verge of some weird songwriting experience, as suggested by some explicit titles as Mobius Trip or At The Mountains Of Madness. Celestial electro-acoustic harmonies and spacey keyboards gave way to mystical show, still entertaining nowadays.

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Van Morrison

Astral Weeks

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Around Grapefruit Plus London Session

Grapefruit

LP | 1968 | EU | Reissue (Bonfire)

Dragonfly Black Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Officially reissued for the first time on vinyl here's a definitive pop psych masterpiece, originally released in 1968 on Dunhill Records. It's not a legend that John Lennon named the band after an art book by Yoko Ono. The Beatles were closely involved in their early career, signing them to Apple Publishing. Lennon and McCartney produced their single "Lullaby". Here's their debut album with extra tracks taken from their 1967-1968 London Session Apple.

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Dragonfly

LP | 1968 | EU | Reissue (Guerssen)

Ars Nova Green Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Ultra loud heavy psychedelic rock from Colorado, late 60s, with loads of fuzz guitar all over.

Dragonfly were actually a band called The Legend, who changed their name just when they were recording their self-titled album. Originally released by the Megaphone label in 1968, Dragonfly is a hard-psych classic, highly sought-after by collectors since day one. Back in 2012 we did the first official vinyl reissue and we now present a new, improved repress with expanded liner notes and newly sourced / remastered audio, sounding better than ever.

*Official reissue with original artwork in gatefold sleeve *Newly audiophile restoration / remastering *Insert with liner notes and rare photos *Repro of the elusive original sticker

“This album is sure to share space at the top of your shelf with Plastic Cloud, Savage Resurrection and SRC for those special moments when you want to teach a young, unsuspecting psych convert just what that acid rock guitar thing was all about” - Aaron Milenski

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Ars Nova

LP | 1968 | US | Reissue (Sundazed)

Ars Nova Black Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Classical infused psych from NY groovers Ars Nova! Through their creative use of medieval modes, hook-driven pop, & trombone, Ars Nova delivers psychedelia within a classical & prog rock lens, a style that’s their own, yet recalls bands like Left Banke, Honeybus, and Aphrodite’s Child - all who were experimenting with the short-lived baroque pop craze. Pressed on green vinyl! Ars Nova was something totally different for the musical ears of 1968, and still sounds fresh and exciting today, when you think of the great albums of ‘68, like Abbey Road, White Light/White Heat, The Hangman’s Beautiful Daughter, The Move, Electric Ladyland, This Was or Wonderwall Music shows how influential the year was and yet, Ars Nova with its wide sphere of influences has nothing in common with the trends of the year. The only albums that it can be vaguely compared to is either the Velvet Underground or United States of America, both bands that, like Ars Nova, bucked against existing trends and the end of psychedelia, instead preferring to go their own unique way. This is American progressive music, and takes the art of music making into a different genre, an alternative alleyway. The intelligence and musical nous that spans [this album] is really worth diving into and enjoying. It’s always great to get to hear albums like this, as it provides a counterpoint to the contemporary of the time and gives a real insight into the underground and alternative scene of that era. The beauty of being underground and away from the mainstream is that something that is not of its time ends up being timeless.

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Ars Nova

LP | 1968 | US | Reissue (Sundazed)

2LP | 1969 | EU | Reissue (RHINO)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Grateful Dead

Live dead

34,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Reissue (Mercury)

Van Der Graaf Generator

The Aerosol Grey Machine

Release: 1969 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | US | Reissue (Metromedia)

Sugar Creek

Please Tell A Friend

19,99 €*

Release: 1969 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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2LP | 1969 | EU | Reissue (Zappa)

Frank Zappa

Uncle Meat

38,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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LP | 1969 | EU | Reissue (Spoon)

Can

Monster Movie

27,99 €*

LP | 1969 | EU | Reissue (Garden Of Delights)

Release: 1969 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Shiver

Walpurgis

LP | 1969 | EU | Reissue (Tapestry)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The sole LP by Swiss psych/prog legends Walpurgis gets reissued, featuring the same artwork (by H.R. Giger) as the original 1969 album! Including an 8-page insert, this edition is limited to 1.000 hand-numbered copies.

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Ashkan

In From The Cold

LP | 1969 | EU (Trading Places)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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This was the first album released on Decca's progressive Nova label. Co-produced by Peter Sherter and Ian Sippin, much of the album bares an uncanny resemblance to early Spooky Tooth. Propelled by Bailey's hoarse vocal growl and the band's penchant for screaming guitars, this comparison is reinforced on tracks such as Going Home, Take These Chains and Out Of Us Two. Elsewhere Bailey sounds like Joe Cocker on Practically Never Happens, while Bob Weston's Slightly Country sounds like it was stolen from the early Steve Winwood and Traffic catalogue. With the exception of the pedestrian blues number Backlash Blues the album, but including the extended Darkness, is worth hearing.

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Beau

I Quelli Red Vinyl Edition

Release: 1969 / EU

Genre: Rock & Indie

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Leeds-born folk-rocker John Trevor Midgely, alias Beau, was known for his deft twelve-string guitar work, his poignant voice and distinctive song-writing, which brought him onto the roster of John Peel’s Dandelion label in 1969. His self-titled debut album is arguably his best and includes the outstanding single ‘1917 Revolution,’ said to have inspired America’s smash, ‘Horse With No Name,’ the LP ably demonstrating that all the artist needed was his voice, his guitar, and his individual approach to song writing, the work bearing his haunting hallmarks throughout. In short, an unjustly obscure release that is ripe for current reappraisal. Including 2 Bonus Tracks

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Quelli

LP | 1969 | EU | Reissue (RCA)

31,99 €*

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Morgen Black Vinyl Edition

Morgen

LP | 1969 | EU | Reissue (Guerssen)

2LP | 1969 | US | Reissue (Analogue Productions)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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US heavy psych masterpiece from 1969. Powerful sound and recording with thunderous drums, piercing fuzz guitars and the incredible vocals of Steve Morgen. Formed as Morgen’s Dreame Spectrum in 1967 in NY, Morgen were one the first bands signed to ABC’s offshoot Probe Records (home also of Soft Machine in the US). Fuelled by the chemistry between ace guitar player Murray Shiffrin and creative songwriter/singer Steve Morgen, they recorded their self-titled album in 1968 but, much to the band’s dismay and frustration, it wasn’t released until December 1969. Morgen included seven impressive tracks, all of them written by Steve Morgen. You can hear subtle influences of Hendrix, Stones, Who, Doors or Donovan but Morgen’s sound is clearly a beast of its own kind. The mysterious gatefold cover featured Edvard Munch’s iconic 1893 composition The Scream on the front. Welcome to the Void! *Original gatefold artwork. *Repro of the elusive poster insert. *New color insert with cool photos and detailed liner notes by Mike Stax (Ugly Things) *Audiophile restoration / remastering by Ezra Lesser.

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Jethro Tull

Stand Up

78,99 €*

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Andromeda Black Vinyl Edition

Andromeda

LP | 1969 | EU | Reissue (Guerssen)

LP | 1969 | EU | Reissue (Akarma)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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One of the key albums when talking about psychedelic hard-rock and early proto-metal, originally released in 1969. Featuring the great John Du Cann (The Attack, Atomic Rooster, Hard Stuff…) on guitar plus Mick Hawksworth (Fuzzy Duck, Alvin Lee) on heavy bass plus the powerful drumming of Ian McLane (Neat Change, Ray Owen’s Moon).

Andromeda was formed during the final days of Du Cann’s previous band The Attack, when he decided to go in a full heavier & proggier musical direction. Recruiting his friend/room mate Mick Hawksworth on bass plus drummer Jack McCulloch (of One In A Million, soon to be replaced by Ian McLane), the power-trio was born. After initial interest from John Peel (Dandelion) and Kit Lambert (Track Records), Du Cann decided to go with a major label, RCA, who offered him the chance to self-produce their first album. Recorded at Advision Studios, the impressive Andromeda debut was released in 1969, housed in a sleeve designed by John with photos by Gered Mankowitz. But despite receiving excellent reviews and the band playing lots of gigs (some of them billed above bands like Black Sabbath), RCA didn’t know what to do with such a heavy rock band. Tired of the lack of promotion and support, John accepted an offer to join Atomic Rooster… but that’s another story.

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Sacred Mushroom

U.F.O. Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Sacred Mushroom -- led by future Pure Prairie League member Larry Goshorn (guitar/vocals) and featuring brother Danny Goshorn (vocals) -- were a short-lived rock/blues quintet based in Cincinnati, OH. Their efforts coalesce on this, the band's self-titled debut (and only) long-player. The album contains a blend of proficient originals as well as a pair of well-chosen cover tunes, such as the blues standard "Mean Old World" and the Kinks' "I'm Not Like Everybody Else." While their name conjures images of late-'60s psychedelic or acid rock, Sacred Mushroom's roots were decidedly more bluesy than trippy.

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Jim Sullivan

LP | 1969 | US | Reissue (Light In The Attic)

LP | 1969 | UK | Reissue (Ace)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.

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Mighty Baby

LP | 1969 | EU | Reissue (Out-Sider Music)

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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Mighty Baby evolved out of the Action, club favourites who released a number of poor-selling singles. Dropped by Parlophone, musical chairs saw Ian Whiteman (keyboards/flute) and Martin Stone (guitar) join and the music now blended progressive psychedelia with longer pieces dominated by instrumental prowess rather than Reggie King’s soulful vocals. King departed and guitarist Alan King and Whiteman began to share vocal duties on newly penned material like ‘Egyptian Tomb’ and ‘House Without Windows’ that, in retrospect, can be seen as reflecting light from the dark star of the Grateful Dead.

“Mighty Baby” was first released on the Head label on 7th November 1969 in a superb gatefold sleeve with artist Martin Sharp serving up the arresting front cover that looked like a lion being showered in blood. The album received positive reviews, with International Times stating “The music has a hundred characters… Eastern, Oriental, country, folk, rock, blues, pop etc. etc… At this moment in time Mighty Baby’s record is simply THE best thing in its class.”

The album is now seen as a progressive rock classic; cohesive, with no low spots, the inventiveness and musical prowess on a par with the equally revered, albeit jazzier, prog rock band Cressida. This latest edition from Ace, not only replicates the gatefold sleeve of the original but also contains an inner sleeve replete with memorabilia from the collection of Richard Morton Jack

“Mighty Baby” is a must-have purchase not only for fans of the band but those who want to discover this classic progressive rock album for the first time.

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Pulse

Walpurgis Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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First ever official vinyl reissue of this bluesy psychedelic hard-rock album from 1969.

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The Shiver

LP | 1969 | EU | Reissue (Sommor)

LP | 1969 | EU | Reissue (Wiseraven)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Heavy prog-psych with tons of organ and fuzz guitar courtesy of THE Shiver from Switzerland. This is their sole album from 1969, housed in a sinister cover designed by surrealist painter H.R. Giger (his first album cover work). Originally formed in the mid-60s in St. Gallen (Switzerland) as a beat, R&B band in the vein of Spencer Davis Group or The Yardbirds (and featuring an English vocalist), The Shivers dropped soon the “s” from their name at the same time as they adopted the early progressive sounds of British bands like Procol Harum or Moody Blues. After winning the first prize at a couple of major music festivals and even sharing stage with Pink Floyd, they started recording their first album. Combining interesting cover versions (the LP opens with a monster heavy cover of Procol Harum’s “Repent Walpurgis") and original songs, the album is a perfect example of the transition from beat and blues-rock to psychedelia and heavy prog.

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Pesky Gee!

Exclamation Mark

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Idiosyncratics And Swallows Wings Orange Vinyl Edtion

Jeremy Harmer

LP | 1969 | EU | Reissue (Sommor)

Idiosyncratics And Swallows Wings Black Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Mega rare UK private album (99 copies originally pressed in 1969) by singer/songwriter Jeremy Harmer, featuring David Costa of psych-folk band Trees on guitar.

Melancholic, introspective psych-folk with chamber/ baroque feel. Guitar, flute, viola, bass, drums…

Jeremy Harmer started singing and playing at school and university, where his circle of friends included aspiring folk musicians like Nick Drake and pre-Trees David Costa. Jeremy has a long history as a singer/songwriter and performer, along with his work in the field of English language teaching.

“Idiosyncratics and Swallows’ Wings” was recorded one night in 1968 at the studios of Anglia Television, Norwich, while Jeremy was at the University of East Anglia. Along with Jeremy singing and playing guitar, the album features a mini-chamber ensemble of flute, viola, bass and drums with orchestral arrangements written by John Trevitt from the School of Fine Arts. Jeremy’s friend David Costa (prior to forming the psych-folk band Trees) played guitar on several tracks and co-wrote “Tuesday P.M.”

Only 99 copies were pressed at the time and all were sold to people at the University, making it impossible to find now.

*Original artwork in hard cardboard sleeve *First ever vinyl reissue *Insert with liner notes and photos *Download card

Riyl: Nick Drake, John Cale, Bert Jansch, Incredible String Band, Will Malone…

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Jeremy Harmer

LP | 1969 | EU | Reissue (Sommor)

LP | 1970 | EU | Reissue (Motown)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Nick Drake

Bryter Layter

36,99 €*

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Spoon)

Can

Soundtracks

27,99 €*

LP | 1970 | UK | Reissue (Warner)

Release: 1970 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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The Velvet Underground

Loaded

LP | 1970 | EU | Reissue (Legacy)

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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UK reissue of this classic Velvet Underground album (their fourth), originally released on Cotillion in 1970. Edition on 180-gram vinyl.

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Santana

Abraxas

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Original (Repertoire)

UFO!

UFO 1

23,99 €*

Release: 1970 / EU – Original

Genre: Rock & Indie

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LP | 1970 | UK | Reissue (Parlophone)

Jethro Tull

Stand Up

22,99 €*

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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The Gospel According To Zeus

Power Of Zeus

LP | 1970 | EU | Reissue (Mr Bongo)

22,99 €*

Underdogs, The (Pig, Mann & Edwards)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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* Record Store Day Europe / UK 2019 Exclusive Release!
* Transferred from 2 x 1/4"" analog reels at 192kHz/24-bit.
* Half-speed cut at Abbey Road Studios.
* One of the most sampled breaks in hip hop history - including KRS-One, Kanye West, Jay-Z, Cyprus Hill, Tribe Called Quest and Eminem to name a few.
* 180gm vinyl

Seminal funk-rock album originally released on Rare Earth in 1970. Featuring the monster breakbeat on 'The Sorcerer Of Isis’.

Formed in Detroit in 1968, Power of Zeus became the first rock band to be signed by Motown subsidiary label, Rare Earth. The group drew inspiration from British hard rock and heavy metal giants like Cream, Black Sabbath, and Led Zeppelin when they created this well-produced, seminal post-hard rock album. After ‘The Gospel According to Zeus’, the group never made another album and the band slipped into obscurity, until it was discovered by the hip hop diggers. The drum beat from "Sorcerer of Isis" has been one of the most sampled in hip-hop music, including KRS-One, Kanye West, Jay-Z, Cyprus Hill, Tribe Called Quest and Eminem to name a few.

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Wasting Our Time

LP | 1970 | EU | Reissue (Wah Wah)

For Sale Brown Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Wah Wah is proud to release the first ever legit vinyl reissue of New Zealand's legendary Underdogs' second LP. By the time of this album, originally released in late 1970, The Underdogs line-up had changed. The original Underdogs had disbanded in 1969, and original guitarist Harvey Mann and bass player Neil Edwards decided to rebirth it with the help of Glen 'Pig' Absolum on drums - hence the band's nickname Pig, Mann & Edwards. This power trio line-up also saw the initial Underdogs UK flavoured R&B sound get heavier and evolve towards a more Cream-ier - Hendrix influenced territory. It was recorded under the production of former Brew man Bob Gillett in their native Auckland and saw its original release on the PYE label.

This is a 500 copies only reissue, housed in its original artwork in a vintage styled backflaps sleeve and featuring gatefold poster insert.

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Fever Tree

LP | 1970 | EU | Reissue (Klimt)

The Worst Of Jefferson Airplane

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Three stunning covers, the traditional ‘Hey Joe’ (as arranged by Jimi Hendrix), Screamin' Jay Hawkins ‘I Put a Spell on You’ (1957) and Love ‘She Comes In Colors’ (1967) for a revolutionary psychedelic album with hints of folk-pop and rare groove (thanks to master drummer Hal Blaine precious performance). Released on New York label Ampex Records in 1970, the record shows up a slight gospel tinge, thanks to backup vocalists the Blackberries. While Dennis Keller bluesy inflection brings to mind a Jim Morrison twin or maybe a proto Mark Lanegan. A must have Texas psych highlight !

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Jefferson Airplane

LP | 1970 | EU | Reissue (Sony)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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A Divina Comedia White Vinyl Edition

Mutantes

LP | 1970 | EU | Reissue (Vinyl Lovers)

LP | 1970 | EU | Reissue (Cosmic Rock)

Release: 1970 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Originally released in 1970 this was the third album from Os Mutantes, the geniuses of wacked out Brazilian psychedelic rock. They may have been trying to pay homage to their better known icons back in the States, but in doing so they created something that went beyond all that until, 30 years later, they became the ones that everyone was trying to imitate. This album, further testimony to their limitless creativity and considered by many to be their best, was recorded during the height of the Brazilian military regimes crack down on artists, and fellow members of the Tropicalia movement, Caetano Veloso and Gilberto Gil had already been sent into exile in the UK.

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Richard Twice

LP | 1970 | EU | Reissue (Guerssen)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Fuzz guitars, organ, celestial vocal harmonies, a single effort and then…eternity (or obscurity if you look at the other side of the coin). In 1968 leader Richard Atkins - Richard Manning his artistic partner & co-writer, hence the name - was building toward success, his musical adventures and philosophy not that far from the likes of The Byrds or the more eccentric Simon & Garfunkel. He’d won a contract with Mercury Records, and recorded with the Wrecking Crew members, a group of Los Angeles session musicians famous for their work with the Beach Boys, Elvis, Frank Sinatra, and hundreds more. But stage fright triggered a disastrous make-or-break performance in a small Hollywood nightclub, and everything abruptly fell apart. Atkins gave up music in the prime, and for 50 years he refused even to listen to a radio, so painful were his memories of a career he was convinced could have been. Featuring top-notch backing from musicians such as Drake Levin (Paul Revere & the Raiders), Larry Knechtel (Bread), Mark Tulin (the Electric Prunes) and Rusty Young (Poco), the album - nonetheless - it's bound to appeal to all fans of high-quality early '70s US pop-rock. In 2017 the short history of this unlucky but brilliant combo was featured in a short animated movie of 10 minutes !

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Crystalline

Axe Music

Dedicated To Markos III (A.K.A. Black Flower)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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First reissued by us in 2012 and out of print for many years, here’s a new, improved repress of this UK psych holy grail. Axe (known also as Axe Music and finally Crystalline by the time they recorded their rare acetate) were an obscure British psych band led by acid-rock guitar player extraordinaire Tony Barford and graced by Vivienne Jones ethereal vocals. The band hailed from Northampton (home also of their mates Dark of “Dark Round The Edges” fame). In 1970, they recorded a demo album of which only 12 copies were pressed as a demo acetate. Here's a straight reissue of this legendary artifact, as the previous "reissue" on the Kissing Spell label from 1993 and credited to Axe was altered without the band consent and included newly edited tracks, artificial echo / phasing effects, altered song titles...

Here' you'll find the acetate recording on its pure form: 100% unadulterated heavy psych and acid-rock sounds full of raw, fuzzed-out guitars and dreamy female vocals. Four impressive original songs plus a long, psyched to the max cover of Love's "A house is not a motel" which has to be heard to be believed. Carefully remastered from an original acetate copy in 24-bit. Unfortunately, no masters survived and no 100% clean copies are known to exist of the original acetates, but you’ll get the best result for the possibilities. In fact we’ve managed to improve the sound a bit over our first edition from 2012. * New artwork (the original acetate came in blank sleeve), insert with unseen pictures and liner notes by Paul Cross (Sweet Floral Albion). Rated with the maximum rarity (six stars) in Hans Pokora's 5001 Record Collector Dreams book.

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Nirvana

LP+7" | 1970 | EU | Reissue (Wah Wah)

Women And Children First Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Nirvana's third LP is a masterpiece of late UK sixties popsike turning into symphonic pop, but not having received proper promotion despite being equally good as, if not better than their previous releases, it also marked the end of the collaborations between Patrick Campbel-Lyons and Alex Spyropoulos back in 1969.

Nirvana presented it to Island boss Chris Blackwell under the title of Black Flower. Blackwell, however, decided to turn it down for release, but gave the masters to Campbell-Lyons and Spyropoulos so they could find a new label to release the album. That was to happen in the USA through Metromedia Records in 1969. At that time, the label's owner went through a scandal due to the payola days, which left Nirvana's third offering without any promotion - as a result of that, very few copies were pressed. There was also a UK release on PYE and it was even released by Metromedia in Japan. However, for years it remained as "the lost" Nirvana release, with the added fact that none of the released editions launched the album under its original title of Black Flower but under the rather cryptic Dedicated To Markos II (read why in the liner notes!).

Musically, this is Nirvana at their best. The tune that should have been the title track, Black Flower, is an incredible piece of symphonic psychedelia and probably the best produced Nirvana track ever. Campbell-Lyons and Spyropoulos were backed for the occasion by Spooky Tooth, who played on many tracks of the album, and big orchestral arrangements mesmerize the listener in one of the duo's darkest offerings. This song aside, the rest of the album was deemed as sounding too much like a French soundtrack by Island, which may do at some points –without that being a bad thing,– but there is a lot more to it, since Nirvana have not lost that popsike edge that characterised their sound in their two previous outings.

This is also a record that was widely acclaimed in the hip hop scene. And samplers of it have been used by several artists, most notably DJ Shadow used Love Suite in his 1996 debut album Endtroducing.

The Wah Wah edition has been remastered from the original tapes by Roger Prades @ Prades Mastering and comes with a bonus 7" EP and a four page colour insert with liner notes by Malcom Dome, plus a sheet with the lyrics of the songs. First ever official vinyl reissue since 1970 in a limited edition of 500 copies only!

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Ancient Grease

LP | 1970 | EU | Reissue (Sommor)

LP | 1970 | EU | Reissue (Guerssen)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Heavy-rock / bluesy sound with West Coast overtones and some devastating fuzz-wah guitar. Originally named Strawberry Dust, Ancient Grease was a hard psychedelic band from Wales, connected to Eyes Of Blue and Racing Cars. They were supported by John Weathers (Eyes Of Blue) who also acted as producer and songwriter for their sole album, recorded in London. When eventually released in 1970, “Women and Children First” was credited to Ancient Grease instead of Strawberry Dust (one of those “great” ideas by major labels). The album was first issued in the US and later in the UK, both on the Mercury label but with different sleeves (being the UK one the most desirable and collectable).

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Elias Hulk

Unchained

7" | 1970 | EU | Reissue (Madmua)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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A classic in the collecting circuit since ages, the sole release by UK group Elias Hulk was out in 1970 on the Youngblood label. Raw hard-rock, adding some Eastern and blues-rock elements as well. Previously available on our Sommor sub-label and out of print, we present a new edition on Guerssen.

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Manolo Y Ramon

Lágrimas, Sonrisas

23,99 €*

LP | 1970 | UK | Reissue (Panegyric)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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In 1970, famous Spanish duo Manolo y Ramón, known as El Dúo Dinámico since the early 60s, changed musical direction and name and recorded a full album in London in a cool pop-psych style. Using a dream team of session musicians (Jimmy Page, Ian Anderson, Billy Preston…) and arrangers connected to George Martin, the duo laid down 13 tracks of which “Lágrimas Sonrisas” backed with “Adiós, Adiós, Goodbye” were selected for a 45 release. It went unnoticed at the time but now “Lágrimas, Sonrisas” is mod psych anthem, full of powerful vocals, Hammond splashes, female chorus…highly sought after by DJs and collectors, here’s a deluxe legit reissue limited to 500 copies (not to be repressed). Includes postcard and insert with liner notes in Spanish by Vicente Fabuel.

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McDonald And Giles

Mcdonald And Giles

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Elemental)

Linda Perhacs

Parallelograms

Rumplestiltskin Green Vinyl Edtion

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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An album whose depth and beauty is, nearly five decades on, still utterly staggering."- Mojo Released by the Kapp label in 1970 and produced by the Oscar-winning Leonard Rosenman, Parallelograms was the first and only album by American psychedelic folk singer Linda Perhacs until the release of The Soul of All Natural Things in 2014. Discouraged by the lack of commercial attention and the label's reluctance to promote the album, Perhacs returned to her career as a dental hygienist. In the 30 or so years that followed, this record gradually developed a cult following. Combining fragile and ethereal melodic acid folk with perfectly rendered electronic effects, Parallelograms consists of what Perhacs herself described as "visual music." The spotlight is placed clearly on Linda's guitar and voice, where echoes of Joni Mitchell, Joan Baez and even Grace Slick (lead singer of Jefferson Airplane) can be traced. As was common in his work, Rosenman's production ends up shaping a soundscape located somewhere between jazz, classical music and the avant-garde. All Music reviewer Richie Unterberger gave it 4 ½ out of 5 stars, stating that "Perhacs' cult favorite Parallelograms instantly evokes the spare and isolated feel of the songs and the production on Joni Mitchell's first albums. Perhacs is adept at dropping unusual effects and arrangements into the mix, that on occasion have a mildly disquieting and psychedelic vibe. Not all of the record is unusual, though; much of it's just attractively wistful, moody singer/songwriter folk, sometimes with an engaging folk-jazz backup, sometimes just with a guitar, sometimes enlivened by creative smudges of organ and electric guitar.

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Rumplestiltskin

LP | 1970 | EU | Reissue (Sommor)

Rumplestiltskin Black Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Psychedelic, funky hard-rock with plenty of distorted guitar and Hammond by this “supergroup” created by legendary producer Shel Talmy and featuring some of the best session musicians from the UK: Herbie Flowers (bass), Alan Parker (guitar), Clem Cattini (drums), Alan Hawkshaw (keyboards) plus Peter Lee Sterling (Daniel Boone!) on powerful vocals.

This is their first album from 1970, originally released in the UK, Europe and the US, now officially reissued on vinyl for the first time, faithful to the original UK edition with the effects between songs and the lavish gatefold sleeve (both omitted on the US one).

Riyl: Led Zeppelin, Ugly Custard, Hungry Wolf, Black Cat Bones, Atomic Rooster…

*Original UK artwork in gatefold sleeve *Sourced from the original master tapes *Insert with liner notes by Alec Palao and rare photos / memorabilia

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Rumplestiltskin

LP | 1970 | EU | Reissue (Sommor)

LP | 1971 | EU | Original (Elektra)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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The Doors

L.A. Woman

21,99 €*

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1971 / EU – Original

Genre: Organic Grooves, Rock & Indie

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incl. 'riders on the storm' & 'l.a. woman'

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America

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | US | Reissue (Mobile Fidelity)

Carole King

Tapestry

58,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Replica)

Moving Gelatine Plates

19,99 €*

2LP | 1971 | EU | Reissue (Island)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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A vinyl reissue of the debut album (1971) by this highly regarded French progressive jazz / rock fusion band from the early 1970s. These guys were strongly influenced by Canterbury bands like Soft Machine and Caravan, and their music is also often compared to the Dutch band Supersister's.

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The Allman Brothers Band

At Fillmore East

33,99 €*

UFO 2: Flying - One Hour Space Rock

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Here comes a great reissue of The Allman Brothers Band’s classic album. All recordings got fully remastered and cut with help from Abbey Road Mastering Direct Metal Mastering (DMM). Pressed on 180g vinyl.

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UFO!

LP | 1971 | EU | Reissue (Repertoire)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Music On Vinyl)

Judee Sill

LP | 1971 | EU | Reissue (Guerssen)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Judee Sill was an American singer and songwriter. She released two albums and partially completed a third album before her death in 1979. Sill encountered Graham Nash and David Crosby and toured with them for a time as their opening act, a year before the release of her eponymous debut album.

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Monument

The First Monument

21,99 €*

Witch Burning Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Heavily organ and guitar doom-hardrock recorded in London in 1971 by same guys as hard-rockers ZIOR. A must for fans of early Black Sabbath or Leafhound.

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Salem Mass

LP | 1971 | EU | Reissue (Guerssen)

21,99 €*

Psychedelic And Underground Music Yellow Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Ultimate US hard-psychedelic / proto-prog burner from 1971!! Obscure Sabbath-esque hard-rock band Salem Mass self-released their only album in 1971. Recorded at a beer bar converted studio, “Witch Burning” consists of seven tracks full of ripping guitar, crazy Moog attacks, heavy keyboards, demented vocals and Satanic / Occult related lyrics, especially in the mindblowing ten minute long title track.

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The Psycheground Group

LP | 1971 | EU | Reissue (Vinyl Magic)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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If I Could Only Remember My Name

David Crosby

LP | 1971 | EU | Reissue (RhIno)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU (Trading Places)

Mighty Baby

A Jug Of Love

Concerto Grosso Clear Green Vinyl Edition

Release: 1971 / EU

Genre: Rock & Indie

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Evolving from London Mod act The Action, Mighty Baby signed to Parlophone on the reputation of their live sets, featuring guitarist Alan King, bassist Mike Evans and drummer Roger Powell, with former Savoy Brown guitarist Martin Stone and keyboardist/sax player Ian Whiteman joining after. Their 1969 debut moved into heavy psych and sophomore set A Jug Of Love took semi-acoustic form, blending bluesy folk and a touch of North African spice into their psychedelic prog, the style reminiscent of the Grateful Dead, but very much their own. An unsung masterpiece, feted by Julian Cope, and here with lyrics insert.

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New Trolls

LP | 1971 | EU | Reissue (Vinyl Magic)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Bonfire)

Salamander

The Ten Commandments

22,99 €*

LP | 1971 | EU | Reissue (Repertoire)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Fully licensed, ltd to 500 copies, 180 gr. The biblical ten commandments are surely the main inspiration behind this concept album originally released on british independent label Young Blood in 1971. The one and only release by Salamander, a short- lived UK four piece , the album is a quintessential prog opera with a heavy effort on Hammond organ and lush orchestral arrangements. Comprised of Alister Benson (Organ, Vocals), Dave Chriss (Bass), John Cook (Drums) and Dave Titley (Lead Vocals, Guitar) the band was often compared to The Moody Blues and Deep Purple Mark I. Even if the 10 tracks are inspired by the holy script, the band was not proven to be Christian rock itself. The album is a sublime pompous pop affair, with a good dose of fuzz guitars and brass section.

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Ben

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (RhIno)

The Doors

L.A.Woman

41,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Orang-Utan Black Vinyl Edition

Orang-Utan

LP | 1971 | EU | Reissue (Guerssen)

2LP | 1971 | EU | Reissue (Elemental Music)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Orang-Utan were in fact a London based band called Hunter, featuring vocalist Terry "Nobby" Clarke (of psych-pop legends Jason Crest), guitar player Mick Clarke, drummer and songwriter Jeff Seopardi and bass player Paul Roberts. They recorded their sole album in 1971 at DeLane Lea studios. In a bizarre twist of events, their producers / managers ran with the tapes to the US, where they placed the album on Bell Records under a new band name: Orang-Utan, without telling any of the band members. A lost classic of blazing, early hard rock with minor psychedelic hangover vibes, a twin-guitar attack, and waves of fuzz/wah, along with powerful vocals. Think Leaf Hound, Budgie, Bang, Sir Lord Baltimore, Hard Stuff... Legit reissue done in co-operation with the original band members.

Insert with liner notes telling the bizarre story of the band for the first time, and rare photos. Includes download card "Quintessentially British hard-rock, transforming the blues in a way American bands rarely did, and with a kind of vocal intensity that compares to Free, Humble Pie et al" - Aaron Milenski (Galactic Ramble)

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The Allman Brothers Band

At Fillmore East

38,99 €*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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What A Beautiful Place Black Vinyl Edition

Catherine Howe

LP | 1971 | US | Reissue (Numero Group)

Smash Your Head Against The Wall Green Vinyl Edition

Release: 1971 / US – Reissue

Genre: Rock & Indie

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This recorded autobiography of Catherine Howe, age 20, briefly appeared in 1971. Too young for memoirs, most artists have barely established any sort of musical competence by the age of legal adulthood, let alone compositions matching the maturity and complexity of Howe's. What A Beautiful Place, however, is a prodigious effort wrought from the melancholy ruminations of post-adolescence. The album's twelve songs unfold like a classic bildungsroman, beginning in the smoke-stained industrial county of Yorkshire, transformed by the electrified creative landscape of mid-century London, and retiring to the warm pastoral bliss of the county of Dorset on England's southern coast. Produced by noted jazz pianist Bobby Scott, the LP_oft-mistaken for a concept album_was available for only a month in the summer of 1971, disappearing after Reflection Records' shuttering in 1971.

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John Entwistle

LP | 1971 | UK | Reissue (Demon)

36,99 €*

Release: 1971 / UK – Reissue

Genre: Rock & Indie

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LP | 1971 | EU | Reissue (Wiseraven)

Trifle

First Meeting

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Camenbert Electrique Black Vinyl Edition

Gong

LP | 1971 | UK | Reissue (Charly)

31,99 €*

Release: 1971 / UK – Reissue

Genre: Rock & Indie

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Camenbert Electrique Marbled Vinyl Edition

Gong

LP | 1971 | UK | Reissue (Charly)

33,99 €*

Release: 1971 / UK – Reissue

Genre: Rock & Indie

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No Secrets Pink Vinyl Edition

Carly Simon

LP | 1971 | US | Reissue (Friday Music)

42,99 €*

Release: 1971 / US – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Wah Wah)

Ibliss

Supernova

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1972 | US | Reissue (RCA)

Highway Robbery

For Love Or Money

19,99 €*

Release: 1972 / US – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Music On Vinyl)

Babe Ruth

First Base

LP | 1972 | EU | Reissue (Replica)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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First Base is an album by British rock music group Babe Ruth. It was released in September 1972 and went gold in Canada, and sold very well in the US. It was their biggest success, both in terms of popular and critical acclaim. This LP defined an interesting junction between hard rock and progressive rock.

180g vinyl.

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Moving Gelatine Plates

The World Of Genius Hans

17,99 €*

Impressions On Reading Aldous Huxley

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Second album by this french progressive rock band (widely influenced by jazz and psychedelia), initially released in 1972 on CBS. Easily one of the most interesting group to come out of France in the early 70's along with MAGMA and the GONG galaxy.

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Brave New World

LP | 1972 | EU | Reissue (Wah Wah)

LP | 1972 | EU | Reissue (Warner Music Poland)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Conceived as a studio project and conceptually inspired by the world of sci-fi novelist Aldous Huxley, Brave New World was created by Reinhart Firchow (recorders, flutes, ocarina, Stylophone, percussion, vocals), John O'Brien-Docker (guitars, organ, percussion, vocals, wind chimes) and Herb Geller (flutes, cor anglais, saxophones, organ). They where aided by Dicky Tarrach (drums, percussion), Lucas Lindholm (bass, bass fiddle, organ, piano) and Esther Daniels (voice). Irishman John O'Brien-Docker had previously played on Die City Preachers and Marcel, and also recorded as Inga & John - Inga was, of course, Inga Rumpf of Frumpy fame. He also played with Dagmar Krause and Anthony Moore, who would later be known as Slap Happy. Reinhart Firchow had also been around for a while and would later form Kaarst. Herb Geller was an accomplished jazz musician who had been playing and recording in several jazz outfits since 1954. Their album, originally released on Vertigo in 1972, featured an eclectic mixture of styles, blending medieval music, folk, electronics, jazz and rock in pure krautrock eclectic lore in the line of Annexus Quam, Achim Reichel or Tomorrow's Gift.

First ever reissue, housed in a glossy laminated gatefold cover reproducing the phenomenal original artwork and an insert with notes, and it's limited to only 500 copies!

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Skaldowie

Krywan, Krywan

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (Wah Wah)

Siloah

Sukram Gurk

2LP | 1972 | EU | Reissue (BMG)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Coming out of the boiling Munich scene of the sixties that also gave us the original Amon Düül (Thom Argauer had played in a dixieland band with Chris Karrer in the late 60s, actually), Siloah are one of the best kept secrets of the krautrock production. In 1972 Siloah had suffered a certain number of changes. Thom Argauer was still leading the project, but since his coleagues had left the farm in which they were all leaving he had to start again with new members Markus Krug and Florian Laber. He also looked for a more electric approach, himself moving from acoustic guitar to electric organ.

'Sukram Gurk' was the title chosen for their second LP. It was the name of Markus Krug spelled backwards. Markus' name was chosen because it was the one that sounded better phonetically to the ears of the trio. The sound of the album takes it all one step further, turning into an electric storm, yet retaining the free psychedelic improvisation feel of its predecessor.

The Wah Wah reissue is made in cooperation with Thom Argauer family, it has been cut from the original master tapes, has one bonus track not on the original LP added, features an insert with photos and liner notes and comes in a strictly limited edition of 500 copies only.

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Amon Düül

Carnival In Babylon

32,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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LP | 1972 | EU | Reissue (RCA)

Lou Reed

Transformer

LP | 1972 | EU | Reissue (Vampisoul)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Legendary second solo studio album by American recording artist Lou Reed. Produced by David Bowie and arranged by Mick Ronson, the album was released in November 1972 by RCA Records. Pressed on standard black vinyl.

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Manduka

17,99 €*

LP | 1972 | EU | Reissue (Elkar)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Progressive Psych Folk At Its Best Featuring Members Of Los Jaivas, Amerindios And Congregación.First Album By Brazilian Musician, Poet And Plastic Artist Manduka. Originally Released In 1972 On Irt, The Album Is A Sought-After Collectors Item, Especially Among Those Who Seek In Its Cultural Richness, Fundamental Episodes Of Chilean Popular Musical History.An Essential Record Almost Entirely Written By Manduka During His Exile Years In Chile, Away From His Home In Brazil. It Includes Improvised Jams And Songs About Brazilian History, His Own Exile And The New Cultures He Got Exposed To.A Sublime Combination Of Acoustic Guitar Sounds, Percussions And Delicate Songwriting That May Remind You Of Some Other Brazilian Artists Like Os Novos Baianos Or Even Caetano.It Includes A Special Cover Version Of Violeta Parra's 'Qué Dirá El Santo Padre' And Features Guest Artists Like Soledad Bravo, Patricio Castillo, Baltasar Villaseca -From Congregación-, Brothers Gabriel And Eduardo Parra, Members Of Los Jaivas, And Numhauser Himself.Limited!

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William S. Fischer

Akelarre Sorta

23,99 €*

Azimut Yellow Vinyl Edition

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Pello Joxepe is in the bar, but this time he's moving his hips to the sound of Curtis Mayfield's Superfly funk-soul groove. These are the kind of psychedelic visions created by this esoteric "Akelarre Sorta", an unparalleled gem. The African-American saxophonist, pianist and composer William S. Fischer, who worked in the 1950s with stars of the stature of Ray Charles, Muddy Waters, Joe Zawinul and Roberta Flack, in 1972 made an album of catchy, funky versions of popular tunes. And that's it, as simple as it is mysterious and surprising. Little more has ever been known about this recording or about the reasons behind William's visit to the Basque Country. So here it is, ready to attract a new audience to join the cult following it has gradually built up over nearly 50 years.

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Perigeo

LP | 1972 | EU | Reissue (RCA)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Reale Accademia Di Musica

Reale Accademia Di Musica Record Store Day 2022 Blue Vinyl Edition

LP | 1972 | EU | Reissue (RCA)

34,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Solid Oak Black Vinyl Edition

Top Drawer

LP | 1972 | EU | Reissue (Guerssen)

LP | 1972 | EU | Reissue (Guerssen)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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One of the rarest private pressings from the US, originally released in 1972 by this band from Mansfiel, Ohio. Psychedelic hard rock with a charming, homemade feel. Including the monster psych opus "Song Of A Sinner" plus more cool tracks with great guitar/organ interplay.

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Necronomicon

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