Rock & Indie 420 Items

Trilogy Yellow Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Listening to The Softies has always felt like peeking into a diary, with no personal detail spared. Lyrically the band documents a lovelorn heart in every manifestation, and hope is the bright silver lining adorning each song. As the third Softies album, Holiday in Rhode Island [KLP119] presents a more accessible view to the humble honesty of their emotive universe.When Holiday in Rhode Island was originally released in Sept. 2000, it had been three and a half years since The Softies previous album Winter Pageant [KLP061]. In that time Jen and Rose's introspective musings are reborn, sparkling with renewed vision, both musically and spiritually. The trademark harmonies between Jen Sbragia (All Girl Summer Fun Band) and Rose Melberg (Tiger Trap, Gaze) simply shimmer, brighter than ever before, benefiting from strong yet simple arrangements and excellent production (at a house on Galiano Island near Victoria, British Columbia) by Dave Carswell and John Collins. Thebeautiful surroundings and supportive production crew inspired The Softies to extend their minimalist blueprint of two delicately jangling guitars and two crystalline voices to include acoustic guitar embellishment on "Just a Day," "You and Only You;" piano and sparse drums on "Me and the Bees;" a xylophone makes subtle appearances here and there. Holiday in Rhode Island is a stunning artistic accomplishment from these two much heralded pop icons.

Go to Item

Sean Nicholas Savage

LP | 2024 | CA | Original (Arbutus)

LP | 2024 | CA | Original (Constellation)

Release: 2024 / CA – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Canadian cult songwriter Sean Nicholas Savage is renowned for his bittersweet ballads, and beautifully raw live performances, his singing delicate and brave, full of energy and space. Each new record is an adventure in sensitivity and nuance.'Trilogy' collects standouts from Savage's fan-favourite string of cassette releases: Magnificent Fist (2016), Yummycoma (2017), Screamo (2018). Now available on LP for the first time, this pressing commemorates a remarkable era in Savage's career.

Go to Item

Eric Trio Chenaux

Delights Of My Life

Starmarket White / Grey Vinyl Edition

Release: 2024 / CA – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Following the release of Eric Chenaux's last album Say Laura (2022), The Guardian wrote"the Canadian songwriter has one of the all-time great singing voices in popular music, anintensely romantic Chet Baker-ish instrument that seems to float with piercing direction,like a paper aeroplane thrown hard through mist." With Uncut describing his songcraft "asdelicate and lovely as a rare orchid" and Record Collector praising the album's "sublimealien balladry" such are the accolades that have accrued throughout Chenaux's uniqueand consummately uncompromising solo music for well over a decade now.Delights Of My Life opens a new chapter for the singer/guitarist and formally introducesthe Eric Chenaux Trio, with Toronto-based musicians Ryan Driver on Wurlitzer organ andPhillipe Melanson on electronic percussion. Driver is a longtime collaborator, appearingon several of Chenaux's solo albums (even embedded into the very title of the 2010masterpiece Warm Weather With Ryan Driver). Melanson has a long list of involvementsthat include Bernice, Joseph Shabason, and U.S Girls, and a recent release with hisImpossible Burger project on Chenaux's own experimental label Rat-drifting, but thismarks the first fulsome involvement between the two as players on a recording.In many ways Delights Of My Life also picks up right where Chenaux's previous albumleft off, in its subversions of a classic, timeless jazz-inflected balladry, while the interplayof the trio formation indeed unfurls many new delights. Recording together at Chenaux'sspartan home studio in rural France, Driver's harmonically warped organ and Melanson'selectroacoustic sampling and percussion hold time in newfound ways. Where previouslyChenaux relied on a freeze/sustain pedal and minimalist rhythmic triggers to generate bothpulse and chordal foundations, Melanson now paints timekeeping with expressive andintricate colourations, through live deployments of fluid sampled percussion (includingorchestral timbres like timpani, k...

Go to Item

Starmarket

LP | 1995 | UK | Reissue (Thirty Something)

Here Orange Smoke Vinyl Edition

Release: 1995 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Reissue of the Swedish indie rock / emo band’s first album on Colored Vinyl with bonus tracks.

Go to Item

Mammoth Penguins

LP | 2024 | UK | Original (Fika)

LP | 2024 | US | Original (Flowing Downward)

Release: 2024 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12” Orange Smoke Vinyl, Gatefold Sleeve Edition Of 500. 6 Panel Digifile CD. Mammoth Penguins are a 3-piece indie powerhouse, showcasing the songwriting and vocal talents of Emma Kupa (Standard Fare) backed up by the noisiest rhythm section in indie pop. May 2024 sees the release of their fourth album Here on Fika Recordings. After 2019’s big, bold and confident There’s No Fight We Can’t Both Win, and the initial shock of the global pandemic cancelling a trip to Sxsw in 2020, the band returned to the studio in the summer of 2021 to start recording. The new record leans into a raw pop-punk power-trio sound more than ever, with a deep growl in layered guitars and bursts of percussion and harmony. The songs and artwork explore themes about finding a place for yourself and familiarity with people and places. Although it turns back towards a classic three-piece sound, the band weren’t restricted by that palette, adding finishing touches of percussion, extra guitars and backing vocals in short bursts in a garden shed, and also bringing in gorgeous strings to sweeten the title track. The sound builds on the band’s first album, Hide and Seek, which was released with the much-loved and sorely missed Fortuna POP! in 2015. The follow-up LP John Doe in 2017 was an ambitious concept album, exploring the feelings of loss and anger at a man who fakes his own death only to return years later, expanding well beyond the 3-piece rock‘n’roll template, with washes of strings, synths and samples. The ‘Penguins have been smashing it at some high-profile support slots in the lead up to this album release, including at Allo Darlin’s joyous reunion at Islington Assembly Hall (Oct 2023) and Muncie Girls last ever 3 London show (Dec 2023). They play the Leicester Indiepop all-dayer and Wales Goes Pop in March, before heading out on tour in support of the new album in May. Those big singalong choruses need your voice shouting back from the crowd with joy and defiance. Mammoth Penguins are Emma Kupa (guitar, vocals), Mark Boxall (bass, vocals) and Tom Barden (drums, vocals). Reminiscent of the pop melodies of The Beths, the indie dissonance of Land of Talk, and the guitar forward slacker rock of Weezer, Mammoth Penguins marry heart-ache indiepop with spiky guitars and Emma’s frank confessional songwriting. “wonderfully awkward indie pop with a literate flair, sounding a lot like a Weezer record or even a more feminine Wedding Present” Clash // “eminently relatable earworms” Brooklyn Vegan // “one of the finest examples of simple and true indie rock around” All Music // “her characterful voice still carrying masses of charm and the messier, grungey approach bringing a strength all of its own, aided by a clutch of cheerful hooks and riffs that contrast nicely with lyrics dealing mostly with heartbreak and misery” Drowned In Sound

Go to Item

Dismalimerence / Sadness

Resplendence

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1974 | UK | Reissue (Time Capsule)

Niningashi

Heavy Way

LP | 2023 | EU | Original (Escape)

Release: 1974 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A long-lost Japanese acid folk gem, Niningashi’s 1974 private press debut Heavy Way shimmers with originality, deft song writing and a dream-like groove.

Although he was training as a pharmacist, Kazuhisa Okubo was much more interested in prescribing musical medicine.

A coming-of-age album, Heavy Way captured a turning point in Okubo’s life, and Japanese society more widely as a nostalgia for the pastoral calm of the traditional life, met the cosmopolitan thrill of coffee, sex and cigarettes in the big city.

Intoxicated by Tokyo, driven by a passion for music and surrounded by a thriving acid folk scene, the young student filtered his experiences through a psychedelic cocktail of soulful influences from the US and Japan.

Niningashi was his first band, and Heavy Way was their only album. It was honest and raw, deep and strangely funky, in an off-beat kind of way. Across nine tracks, Okubo and the 6-piece band put their own spin on the new folk sound of Japan, combining witty lyrics with electric guitar-driven solos and crisp, understated grooves.

Melancholy and profound, opening track ‘Ameagari’ feels like a synthesis of Harvest-era Neil Young and Haruomi Hosono’s Happy End. Then there’s the whimsical washboard country sound of ‘Semai Boku No Heyade’; the moody, low-lit charm of ‘Restaurant’; and ‘Hitoribotchi’, a sensitive portrayal of childhood, steeped in memories of rainfall that will resonate with fans of Woo and Mac Demarco.

While Okubo would go on to taste success with psychedelic folk bands Neko and Kaze, the latter of which scored three #1 albums, little is known about his mysterious debut with Niningashi.

Self-released by Okubo in 1974, and featuring album artwork by his brother, it has slowly generated a cult following online, intrigued by its soft and enchanting sound. So few records were ultimately pressed that those remaining have fetched up to £1,500 online.

Featured on Time Capsule’s era-spanning collection Nippon Acid Folk, Niningashi’s Heavy Way is a deep-cut grail of a vibrant time in Japan’s musical history, where even the pharmacists were making jams.

Go to Item

Atack

Nine Lives

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | EU | Original (Less)

The Radio Field

Don'ts And Dos

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Captain Entropy Clear Vinyl Edition

Bruce Haack

LP | 1974 | EU | Reissue (Shimmy Disc)

U.F.O. Blue Splatter Vinyl Edition

Release: 1974 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

An electro-surrealist musical journey from the mind of Bruce Haack "The Captain" - capturing his inventive genius musically in tandem with tapping into the voice of his inner child, innovative story songs inspired by Bruce Haack's diverse musical interests and a love of Science and explorations of the Natural World, songs to excite the imaginations of listeners, both young and old.Ahead of his time and beyond categorization- Haack continued to create trying to find new platforms in order to promote his electronic music. He scored many commercials during the 1960s and promoted electronic music on TV, even demonstrating his inventions on Mister Rogers' Neighborhood in 1968. He self-released his first children's music album later that year. Haack constantly added new genres and inspirations to his compositions and was greatly influenced by the psychedelic rock of the era. He constantly created new work that reflected not only his varied interests, but his shifting musical horizons. He created multiple youth oriented albums, dipping into science fiction, psychedelia and electronica, using traditional song structures in order to capture children's attention to educate them, while wrapped in one of his many personas.Bruce Haack wanted people to know him through his medium: music. He dedicated his life to exploring, inventing and sharing his eclectic brand of humor and many musical points of view. In failing health, he never stopped pursuing his distinctive musical dreams.

Go to Item

Jim Sullivan

LP | 1969 | US | Reissue (Light In The Attic)

Song Of A Gypsy Clear Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

* Newly Remastered!* Ultra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector) * Lacquers cut by John Golden Mastering * Plated at Record Technology Inc. (rti) * Includes deep booklet with liner notes by Andria Lisle, rare photos, archival materials and full lyrics (LP: 16-pgs, CD: 48-pgs) In March 1975, Jim Sullivan mysteriously disappeared outside Santa Rosa, New Mexico. His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.

By coincidence – or perhaps not – Jim’s 1969 debut album was titled U.F.O. Released in tiny numbers on a private label, it too was truly lost, until Seattle’s Light In The Attic Records begun a years-long quest to give it the full release it deserves – and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.

For record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. U.F.O. is one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame; hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, Easy Rider.

Friend and actor Al Dobbs thought he could change all that, and founded a label – Monnie Records – to release Jim’s album, enlisting the assistance of Phil Spector’s legendary sessioneers The Wrecking Crew to do so. That’s Don Randi, Earl Palmer and Jimmy Bond you can hear, the latter also acting as producer and arranger.

U.F.O. was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; instead, it was a fully realised album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy – but filled with despair. The album is punctuated with a string section (that recalls David Axelrod), other times a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show). U.F.O. is a slice of American pop music filtered from the murky depths of Los Angeles, by way of the deep south.

With no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left, for Nashville and the promise of a new life as a sessioneer in the home of C&W. That’s where it gets hazy.

We know he was stopped by cops for swerving on the highway in Santa Rosa, some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes and several copies of his second album, but no note, and no Jim. It was as if he had simply vanished into thin air.

Jim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening Jim and Buster were talking about what would you do if they had to disappear. Jim said he’d walk into the desert and never come back.

Tracking down the truth behind Jim’s mystery became an obsession of Light In The Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love. He took on a cross country pilgrimage in search of master tapes and truth, and came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings and meetings with Jim’s wife, son and producer. Thanks to superb digital mastering techniques, Light In The Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.

Go to Item

Damon

LP | 1968 | US | Reissue (Now-Again)

Release: 1968 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1993 | EU | Reissue (Chrysalis)

Grant Lee Buffalo

Fuzzy

Release: 1993 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2222 Yellow Vinyl Edition

Chaosbay

LP | 2022 | EU | Original (Circular Wave)

Heart Under Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

With their new concept album "2222", Chaosbay definitely leave their status as an insiders' tip behind: The Berlin Progressive Metalcore band pushes their unmistakable interplay of unrestrained brutality and inescapable catchiness to the extreme in the almost 45 minutes spread over 12 songs. Almost every song has the potential for an epic stadium hit that couldn't be more festival-ready. The album describes a utopia of our future world in a kind of anti-apocalypse, from the point of view of a person who finds himself in the year 2222. He is surprised how many problems that seem insoluble today have been overcome in the meantime. In the light of the new era, many things that still determine our everyday life seem bizarre. The album is also interesting because of three internationally known feature guests: "What Is War" was created in collaboration with Mirza Radonjica from the Danish band Siamese, to whom Chaosbay feel very close. The other two collaborations can be heard in the songs "Home" (with Alexia Rodriguez from the US band Eyes Set To Kill) and "Passenger" (with Jake Oni from the Canadian band ONI).

Go to Item

Just Mustard

LP | 2022 | UK | Original (Partisan)

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1969 | NL | Reissue (Elektra)

The Stooges

Release: 1969 / NL – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

I'm Not Sorry, I Was Just Being Me Black Vinyl Edition

King Hannah

LP | 2022 | Original (City Slang)

Release: 2022 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

I Grow Tired But Dare Not Fall Asleep Colored Vinyl Edition

Ghostpoet

LP | 2020 | EU | Original (Play It Again Sam)

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2003 | US | Reissue (Third Man)

Boris

Feedbacker

LP | 2011 | US | Original (ATO)

Release: 2003 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First-ever US issue of this key 2003 release from Japan's shapeshifting heavy lords, Boris. The album title says it all. Immerse yourself in 43 minutes of sonic waves of slow-building fuzz, feedback and layered dimensions where lysergic solos and unintelligible vocals compete for their place deep inside your id.

Go to Item

The Bees

Every Step's A Yes

Release: 2011 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2011 | US | Original (Asian Man)

Bomb The Music Industry

Album Minus Band

Release: 2011 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Decline Of British Sea Power Yellow Vinyl Edtion

British Sea Power

LP | 2003 | UK | Reissue (Golden Chariot)

LP | 2023 | EU | Original (Busy Bee Production)

Release: 2003 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Released on the band’s own Golden Chariot Records label comes this lovingly rendered reissue of ‘The Decline of British Sea Power’, the band’s debut album, originally released in June 2003 to huge critical acclaim and available now on Colored Vinyl for the first time.

Over the course of their 5 studio LPs and three award winning film soundtracks, British Sea Power have become a true British institution: Top 10, Mercury nominated LP, 3 UK silver discs and renowned for their astonishing live shows in unique and unlikely locations – National History Museum, Great Wall of China, Cutty Sark, Cern Hadron Collider, Chelsea Flower show, down a Cornish mine, up in the hills in the highest pub in England, Jodrell Bank and at the John Betjeman centenary with Nick Cave, Barry Humphries, Ronnie Corbet and Prince Charles – as well as hundreds of more traditional sell out tours and festivals around the world.

Go to Item

Goat

Medicine

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Let's 'Ave It! Black Version

The Skinflicks

LP | 2024 | UK | Original (Trisol Music Group)

Release: 2024 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | Original (Mri Associated)

Circles Around The Sun

Language

Release: 2023 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nancy & Lee Black Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

LP | 2011 | US | Reissue (Dead Oceans)

Release: 1968 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

Go to Item

Destroyer

Kaputt

LP | 1977 | US | Reissue (Culture Factory)

Release: 2011 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Repress.Kaputt Is His Latest Vision: An Opulent, Lyrical, Game-Changing Masterpiece To Rank With The Choicest Works Of Sade, Scritti Politti, Simply Red And Steely Dan. For A More Contemporary Touchstone, Feel Free To Consider It The Sad-Eyed Psychic Cousin Of Gayngs' Smooth Opus Relayted. These Elaborate Songs Were Lovingly Crafted By A Large Studio Ensemble Of Dedicated Players.Kaputt Was Released By The Good People Of Merge In North America, Entering The Billboard Chart At Number 62 And Receiving Exultant Hosannas From Such August Publications As The New York Times, Rolling Stone, Spin And The Washington Post.

Go to Item

Sex Pistols

No Future Uk?

Release: 1977 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sweep It Into Space Black Vinyl Edition

Dinosaur Jr

LP | 2021 | US | Original (Jagjaguwar)

LP | 2015 | US | Original (Old Omens)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The 13th studio album from these indie rock legends, coproduced by Kurt Vile! Here is Sweep It Into Space, the fifth new studio album cut by Dinosaur Jr.. during the 13th year of their rebirth. Originally scheduled for issue in mid 2020, this record's temporal trajectory was thwarted by the coming of the Plague. But it would take more than a mere Plague to tamp down the exquisite fury of this trio when they are fully dialed-in. And Sweep It Into Space is a masterpiece of zoned dialing. Recorded, as usual, at Amherst's Biquiteen, the sessions for Sweep It Into Space began in the late Autumn of 2019, following a West Coast/ South East tour. The only extra musician used this time with Kurt Vile. Indeed, Sweep It Into Space is a very cool album. As is typical, Lou Barlow writes and sings two of the album's dozen tunes and Murph's pure-Flinstonian drumming drives the record like a go cart from Hell. Lou's songs here are as elegant as always. But there are very few moments where you wouldn't know you were hearing Dinosaur Jr. in blindfolded needle drop. They have a signature sound as sure as the Stooges or Sonic Youth or Discharge ever did. They continue to expand their personal universe with Sweep It Into Space, without ever losing their central core.

Go to Item

John Moreland

High On Tulsa Heat

Release: 2015 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2013 | US | Original (Deathwish)

Oathbreaker

Eros Anteros

Release: 2013 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2013 | US | Original (Secretly Canadian)

Suuns

Images Du Futur

Release: 2013 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Perlas Record Store Day 2024 Edition

Josephine Foster

LP | 2011 | US | Reissue (Fire)

When Love Met Destruction

Release: 2011 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Originally released in 2011, now re-issued on vinyl. Their follow up to the acclaimed ‘Anda Jaleo’. A document of Josephine Foster's magical partnership with Victor Herrero breathing new life into timeless traditional melodies, drawing from the Spanish-folk traditions of Castile, the Basque, Santander and the Costa Brava.

Go to Item

Motionless In White

LP | 2009 | US | Reissue (Craft)

Release: 2009 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ryoko Moriyama X Comoesta Yaegashi X The Fuzziyama Surfers

God Father Rock Feat. Ryoko Moriyama

7" | 2024 | JP | Original (Unchantable)

LP | 2024 | EU | Original (Aaa / Am Anfang Angekommen)

Release: 2024 / JP – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ryoko Moriyama x Comoesta Yaegashi x The Fuzziyama Surfers A special collaboration that transcends genre boundaries! The Fuzziyama Surfers, a Nagoya-based electric guitar and surf sound that has also been released in the U.S., and the original Japanese Wamono DJ Comoesta Yaegashi, aka Comoestas, and Ryoko Moriyama, whose cover of "Gauloise" last year made a splash, have collaborated on a special single. A surf & garage and brilliant cover of the Love Theme from The Godfather. This is a highly anticipated 7-inch single for a wide range of music fans.

Go to Item

Georg Auf Lieder

8-Spur 22607+22419 Tape

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Feedback Yellow Vinyl Edition

Thee Alcoholics

LP | 2024 | UK | Original (Rocket)

Marjaa: The Battle Of The Hotels

Release: 2024 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Thee Alcoholics are the brainchild of Rhys Llewellyn, a longtime Rocket Recordings alumnus whose background leans as heavily into the bassbin-shaking realms of electronic music as it does the tinnitus-inducing world of howling, cranked-up ampstacks. Not content with hammering drumskins for numerous floor-shaking records on the Rocket discography from the likes of Hey Colossus and The Notorious Hi-Fi Killers, he’s also been responsible for brain-rearranging electronic works under the Drmcnt and Acidliner monikers. Thee Alcoholics, however - which initially gestated as a result of Rhys himself wanting to pursue the somewhat hostile sound in his own head during lockdown - maps out a collision course between all of the above. Cranky and cantankerous yet lysergically aligned, Feedback is mesmeric rock with swagger, warped into sci-fi shapes by the spirit and sonics of bass and soundsystem culture. The psychedelic shapes here are redolent of the ur-klang of The Fall and the monolithic lurch of The Heads, the motorik malevolence less an uplifting trip to the heavens than a drill down to the earth’s core. Discernible in these jackhammer beats, grimly murmured vocals and delirious dirges to certain heads may be the trash futurism of Chrome, the decomposed stomp of unsung legends Earl Brutus and the electro-punk attack of Six Finger Satellite, yet all of the above co-ordinates are waylaid effortlessly by a balls-out intensity and a 6 fearsome intent on aural oblivion at all costs. Feedback may be elemental and primal, yet this is no psych comfort-blanket nor retrofetishism, rather a repetition-driven journey headlong into intimidating territory unknown. Get on board and strap yourselves in for a bumpy ride

Go to Item

Mayssa Jallad

LP | 2023 | CA | Original (Ruptured)

Pleasure To Kill Edition Splatter Vinyl Edition

Release: 2023 / CA – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“Marjaa: The Battle of the Hotels” is a concept album born of the idea of merging singer/songwriter Mayssa Jallad’s two vocations: music and urban research/architectural history. Written in collaboration with producer Fadi Tabbal, the music builds upon Tabbal’s spatial approach to sound and Jallad’s research on Beirut’s Hotel District.

The album is a reference to Jallad’s Historic Preservation master's thesis, in which she detailed the history of the “Battle of the Hotels”, a 5-months battle that took place in Beirut at the beginning of the Lebanese Civil War, from October 22nd, 1975 to March 29th, 1976.
Jallad saw architecture as a main protagonist of the battle, as she discovered it was the first high rise urban battle in the world. The close of the battle resulted in the 15-year Green Line, an urban rift which split Beirut into “East and West”, restricting movement and communication and creating a violent divide that still resonates today.

The album comprises two parts. Part A: Dahaliz, is a stroll in the city, where Jallad tries (and fails) to follow an old map. Musician Youmna Saba is a companion in this journey of remembering the once winding corridors (“Dahaliz”) of the city, destroyed by new developments since the 1960s. Empty skyscrapers propel her onto a past filled with the violence of snipers, and a present filled with the glamorous injustice of empty luxury real estate endorsed by powerful warlords-turned-politicians.

In Part B: Maaraka, Jallad inhabits the building of the Battle of the Hotels, as its events unfold. She calls the fighting militias the Blues and Reds, respectively the Lebanese Front (Christian Nationalists) and the Lebanese National Movement (Pro-Palestinian leftists), leveling the playing field, and drawing a map of the battle through songwriting. Sary Moussa produces the conclusion of the battle in “Holiday Inn (March 21 to 29)”, which ends with the ultimate severance of the city of Beirut.

The music caters to post-war youth who have never been taught this difficult history. Once we consider the “Battle of the Hotels” as our common heritage, it provides an opportunity to teach the value of civil peace. It is also a call to protest for the renewal, rather than the recycling of the political class that has once destroyed the country and holds us, to this day, hostage of its violence.

Go to Item

Kreator

LP | 2023 | EU | Reissue (Noise)

Release: 2023 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | UK | Original (Domino)

Panda Bear & Sonic Boom

Reset In Dub

Friends Of Mine 20th Anniversary Transparent Magenta Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A year after their acclaimed debut album Reset, psychedelic pioneers Panda Bear & Sonic Boom continue their kaleidoscopic adventures with Reset in Dub - a reissue of the album, engineered by one of UK dub's most influential and innovative figures Adrian Sherwood (Depeche Mode, Primal Scream, Sinéad O'Connor). It's a luxuriously spacious album, yet true to the original, that takes the listener on a sonic journey through 60s nostalgia, peppered with dub guitars, electronic chatter and Noah's signature vocals.

Go to Item

Adam Green

LP | 2003 | US | Reissue (Capitane)

LP | 2021 | EU | Original (Mascot Label Group)

Release: 2003 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Single LP Reissue. Not the 2LP Edition with Bonus Tracks.

Go to Item

Vola

Witness

LP | 2020 | EU | Original (Glitterbeat)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Das dänisch-schwedische Quartett Vola meldet sich mit einem neuen Studioalbum zurück. Auf ‘Witness’ präsentieren sie ihre ikonische Mischung aus futuristischem Progressive Rock, Electronica und modernem Metal, gekrönt von klaren, schönen Gesangslinien. Der Grammy-nominierte Sänger, Gitarrist und Musikproduzent Jacob Hansen (Volbeat, Delain) inspirierte Vola dazu, mit ihren vielseitigen Fähigkeiten ein sehr zeitgemäßen, atmosphärischen Albums aufzunehmen. Es gibt immer eine unterschwellige cineastische Ästhetik bei Vola. Die Band vermag es den Hörer zu fesseln um immer tiefer in die Sounds und Geschichten der Songs einzutauchen.Mit ‘Witness’ laden Vola den Hörer auf eine Reise ein, Charakteren zu folgen, die in ihrem Leben Zeuge von großen Veränderungen wurden.

Go to Item

Lucidvox

We Are

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | US | Original (Third Man)

North Americans

Roped In

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Live At Third Man Records

The Hives & Olivia Jean

LP | 2020 | US | Original (Third Man)

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | EU | Original (Century Media)

Grave Pleasures

Plagueboys

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | EU | Original (Not Now)

Elvis Presley

King Creole

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nancy & Lee Again Black Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

Words & Music, May 1965 Yellow Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

* LP available on Standard Black Wax plus Special Limited Color Editions * First ever reissue of Nancy & Leeâ€™s 1972 classic * Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€ * Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin * Vinyl pressed at RTI * Beautifully packaged and expanded gatefold LP featuring a 20-page booklet * Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea * Never-before-seen photos from Nancy Sinatraâ€™s personal archive

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

Go to Item

Lou Reed

LP | 2022 | US | Original (Light In The Attic)

LP | 2020 | US | Original (Anti-Corp)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

*Available: August 26, 2022*

“To hear a tape containing their earliest demos, recorded on May 11, 1965, and locked away until now, is to hear traces of things rarely associated with The Velvet Underground: blues and folk, earthy and traditional, uncertain and hesitant... yet bristling with that rusty, caustic, Lou Reed spirit. It is a revelation.” - *Will Hodgkinson, Mojo*

Light in the Attic Records, in cooperation with Laurie Anderson, proudly announces the inaugural title in their ongoing Lou Reed Archive Series: Words & Music, May 1965. Released in tandem with the late artist’s 80th birthday celebrations, the album offers an extraordinary, unvarnished, and plainly poignant insight into one of America’s true poet-songwriters. Capturing Reed in his formative years, this previously unreleased collection of songs—penned by a young Lou Reed, recorded to tape with the help of future bandmate John Cale, and mailed to himself as a 'poor man’s copyright'—remained sealed in its original envelope and unopened for nearly 50 years. Its contents embody some of the most vital, groundbreaking contributions to American popular music committed to tape in the 20th century. Through examination of these songs rooted firmly in the folk tradition, we see clearly Lou’s lasting influence on the development of modern American music - from punk to art-rock and everything in between. A true time capsule, these recordings not only memorialize the nascent sparks of what would become the seeds of the incredibly influential Velvet Underground; they also cement Reed as a true observer with an innate talent for synthesizing and distilling the world around him into pure sonic poetry.

Go to Item

Josh Okeefe

Bloomin' Josh Okeefe

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | EU | Original (Vendetta)

Sunken

Livslede

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Lament In Deep Style 1929-1931

Kitsos Harisiadis

LP | 2018 | US | Original (Third Man)

Release: 2018 / US – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP+CD | 2017 | EU | Original ([PIAS])

Gisbert Zu Knyphausen

Das Licht Dieser Welt

Release: 2017 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2013 | US | Original (Arbutus)

Sean Nicholas Savage

Other Life

Release: 2013 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1972 | EU (Endless Happiness)

Gnidrolog

Lady Lake

Tape | 2023 | Original (Blackened)

Release: 1972 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Lady Lake is the second album by British progressive rock band Gnidrolog. Originally released in 1972 offers fans an immersive experience into the band's unique blend of intricate melodies, complex arrangements, and thought-provoking lyrics. Gnidrolog's Lady Lake showcases the band's exceptional musicianship and songwriting skills. The album seamlessly combines elements of progressive rock, folk, and classical music to create a captivating sonic journey.

Go to Item

Metallica

72 Seasons

Release: 2023 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sound Emporium Record Store Day 2023

Jason Isbell & Amanda Sh

LP | 2023 | US | Original (Southeastern)

LP | 2012 | US | Reissue (Red Scare Industries)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited edition of 11750 copies worldwide. RSD first release.
Single-sided 12" EP featuring two new originals from RSD US Ambassadors Jason Isbell & Amanda Shires, a reimagined version of "Tour of Duty" from the Jason Isbell and The 400 Unit album Here We Rest, and a cover of Richard Thompson's "Beeswing". Side B holds a stunning vinyl etching designed by Pearl Rachinsky-Moreland.

Go to Item

Masked Intruder

LP | 2022 | US | Original (Dirt Cult)

Release: 2012 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Up until now, the only thing these four crooks were good at making was toilet wine in the joint, but we sent them into Atlas Studios to record with Matt Allison (Alkaline Trio, Less Than Jake, Smoking Popes, etc) and out came a pop-punk/power-pop masterpiece. They looted a vault of hooks, melodies, and many-layered harmonies for this debut full-length. Think Descendents meets Weezer in a dark alley! There’s already plenty of squealers and snitches talking about Masked Intruder, and these thugs have been invited to play all the cool festivals and will be touring with Teenage Bottlerocket in support of this release. It’s fun stuff and you’re gonna like it...or else.

Go to Item

Allvaret

Scam Och Skuld

People Move On - 2021 Vocals White Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

It’s always a good sign when you cannot explain why a band is so awesome. It means something new and inexplicable is at work in their music. Småland, Sweden’s Allvaret is that awesome. The elements are easy enough to define: there are the surf-drenched guitars, the outstanding female vocals and the rock ‘n’ roll frenzy of X – a sound which has been brewing in Denmark and Sweden over the last decade with bands like Masshysteri, THE Vicious, Terrible Feelings, Vana Inget, and NO Hope FOR THE Kids. But there is something more than that, too. Their tuneful hooks take hold of you, drag you deep into their bleak and feral songs and threaten to tear you apart once you’ve been captured. Their music is simultaneously melancholic, frantic, and joyfully danceable. It’s wild and new and something wholly of its own. The energetic melodies that blast through Allvaret’s new album are simply mind-blowing. This Swedish punk band will release their 2nd Album – and it may just be one of the best things that have ever been produced in the history of Swedish melodic punk rock. The anthemic vocals of Sushila are the perfect balance of aggression and sincerity, while the predominantly choppy guitar chords and the drumbeats keep up the motivating energy that drives their music. The ten short and catchy songs that make up this album are simple yet powerful, and the beginning of each new track jolts the listener back into their music. At first, the inability to understand their lyrics may seem jarring to the foreign listener. However, after listening to the entire album a few times, I forgot they were even singing in Swedish! The surf-rocky guitars and snappy punk drumming release sustaining energy, while the passionate tone of the harmonized male-female vocals, at times angry and at times melancholic, create the perfect blend of hooks that will grab you and lead you into a place set up by this musical phenomenon. Any fan of stripped-down garagey punk that is derived from the past but doesn’t live in it would be well-advised to check out Allvaret. Their latest album demonstrates the extent to which they have honed each of their many strengths, re-configuring rather than regurgitating influences and crafting songs which will lodge themselves firmly into the head of any listener, regardless of whether or not he or she can understand the lyrics.

Go to Item

Bernard Butler

2LP | 2022 | UK | Original (Demon)

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Living Room Black Friday Record Store Day 2020 Edition

The Living Room

LP | 2020 | US | Original (Fuzze-Flex)

LP | 2020 | US | Original (Matador)

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Black Friday Record Store Day 2020 Release.
RSD Exclusive. Limitation: 1500 copies.

At the beginning of quarantine in April, Ed Roland was in Sarasota, Florida with a few others and they decided to start a new band and call it The Living Room. They didn’t want it to sound like Collective Soul or The Sweet Tea Project (Roland’s Americana side band) and they started talking about favorite bands to which Ed said that one of his is The Cars. So, Ed woke up and began writing songs inspired by the new wave era of The Cars, ELO, and Roxy Music.

Go to Item

Yo La Tengo

Sleepless Night

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2019 | EU | Original (Rookie)

Pascow

Jade

Release: 2019 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2009 | EU | Reissue (Virgin)

Jamie T

Kings & Queens

Release: 2009 / EU – Reissue

Genre: Hip Hop, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Flügge Black Vinyl Edition

Odd Couple

LP | 2016 | EU | Original (Cargo)

Release: 2016 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU (Cardinal Fuzz / Centripetal Force)

Mirage

Telepathic Radio

Release: 2022 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2024 | UK | Original (Redundant Span)

Dearthworms

Sapsucker

Dig That Groove Baby Green Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-07-26

Rising Sheffield five-piece Dearthworms are set to release their debut album Sapsucker; a ferocious yet considered blend of jagged noise, wonk-rock, and a touch of experimental post-punk, in the vein of the Pixies, The Fall, Shame, Gilla Band, Protomartyr, Uranium Club.

Infused with eerie, surreal lyrics, stepping into Sapsucker is to dive head first into a parallel universe populated by snivelling, pathetic men, tales of eroticism, ruminations on death, and even a giant worm rooted in North-East folklore.

The band, who all have a longstanding history of being in various other bands in Sheffield inc. Blood Sport, Amorous Dialogues, Knorke and Stray Bullet, are a by-product of the local DIY space Hatch; a place that has existed as a creative incubator and experimental breeding ground.

Lyndon Hobson’s production captures the tone of the album itself, which is one equally rooted in anxious introspection as much as it is noisy and cathartic outpourings. This is a debut album that is genuinely distinct and singular, filled with varying twists and turns and off-kilter movements.

Go to Item

Toy Dolls

LP | 1983 | EU (Radiation)

LP | 2023 | US | Original (Asian Man)

Release: 1983 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hailing from Sunderland in England’s industrial northeast, the Toy Dolls infused their take on punk with ample doses of working-class humour, the three-chord format a launching pad for witty originals and clever cover tunes. 1983 debut Dig That Groove Baby captures the group at their finest, their twisted rendition of kiddies tune “Nellie The Elephant” topping the indie charts; the title track is an infectious singalong, while “Spiders In The Dressing Room” and “Glenda And The Test Tube Baby” are more irreverent tongue in cheek, all delivered in the peculiar androgynous accent of frontman Michael “Olga” Algar. Essential!

Go to Item

Bat Boy

Fun Machine

LP | 2023 | US | Original (Asian Man)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The debut full length from east coast pop punk band Bat Boy. Feat ex members of Spraynard and Sundials. Fronted by Hannah Eagle, the band delivers a powerful shot of punk rock adrenaline that brings back the old sound of Lookout Records era bands like Tilt, Green Day, or Mr. T Experience.

Go to Item

Doki Doki

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2018 | EU | Original (Target Group Aps)

Trespass

Footprints In The Rock

Release: 2018 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Von Wegen Black Vinyl Edition

Muff Potter

LP | 2005 | EU | Reissue (Grand Hotel Van Cleef)

Release: 2005 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | EU | Original (Suburban)

Bad Nerves

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ptooff! Clear Vinyl Edition

Deviants

LP | 1986 | EU | Reissue (Tiger Bay)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2015 | US | Original (Ipecac)

Cortar Todo

LP | 1965 | US | Reissue (4 Men With Beards)

Release: 2015 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Guests include Joey Karam (The Locust), Stefano Pilia, & a field recording of an indigenous Shipibo medicine man recorded by Massimo during his travels around the Amazon. "Combines the abstractions of Sonic Youth with the out-there explorations of the best free jazz" - The Times.

Go to Item

Holy Modal Rounders

Bbc Sessions 1962 -1965 Record Store Day 2024 Edition

Release: 1965 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180 gram vinyl!

Go to Item

Blues Incorporated

LP | 2024 | UK | Original (Rhythm & Blues)

Release: 2024 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Mayway)

Haunted Youth

Dawn Of The Freak

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nancy & Lee Again 8-Track Tape

Tape | 1972 | US | Reissue (Light In The Attic)

LP | 2022 | US | Original (Light In The Attic)

Release: 1972 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

Go to Item

Lou Reed

Words & Music, May 1965

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Nancy & Lee 8Track Edition

8Track | 1968 | US | Reissue (Light In The Attic)

LP | 2021 | EU | Original (Nettwerk)

Release: 1968 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This is an 8track-cartridge, not a music cassette

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

Go to Item

SYML

Sacred Spaces

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Hillbilly Moon Explosion

Buy Beg Or Steal

LP | 2015 | EU | Reissue (Goldtop)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | EU | Original (Wolverine)

The Feelgood Mclouds

Life On A Ferris Wheel

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | EU (Dr Records)

Coroner

Death Cult - The Demo

Release: 2023 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | EU | Original (20th Century Masterworks)

Elvis Presley

Debut Album

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Take This To Heart)

Snarls

What About Flowers?

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Poison The Unreleased Demos

Jay-Jay Johanson

10" | 2021 | EU | Original (Wort)

The Hillbilly Moon Explosion

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Includes five unreleased songs, three early demo recordings and two Robin Guthrie covers.

Go to Item

The Sparky Sessions

LP | 2020 | EU | Original (Jungle)

LP | 2019 | EU | Original (Gunner)

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Hillbilly Moon Explosion are a modern rock'n'roll band. With six albums under their belt, they tour the world with their authentic take on the roots of the wide genre of rock.They comprise two Englishmen abroad - Oliver Baroni, double bass & vocals, and Duncan James, guitar; a French drummer Sylvain Pettitte, and their captivating Italian/Swiss chanteuse, Emanuela Hutter. Building on their live gigs, in recent years they've become an online and vinyl phenomenon, with many tens of millions of Youtube viewers - in particular on distinctive duets with Sparky Phillips of psychobilly band Demented Are Go. Now an entire album of duets with the "Welsh Tom Waits" is issued, including 'Jackson' and the 'My Love For Evermore' vinyl and video hit. Seven new tracks are added to previous Sparky collaborations.

Go to Item

Mobina Galore

Don't Worry

Release: 2019 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Broadcast Live At Amoeba: Hollywood 2008

Melvins

LP | EU (Hollywood Warning)

Release: EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2024 | EU (Die Hard)

Mayhem

Dawn Of The Black Hearts

Release: 2024 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2024 | Original (Dots Per Inch Music)

Amiture

Mother Engine

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Teenage Jesus & The Jerks

Teenage Jesus & The Jerks Black Vinyl Edition

LP | 1979 | EU (Radiation Reissues)