Rock & Indie 547 Items

Release: 2014 / US – Reissue

Genre: Rock & Indie

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THE WAR ON DRUGS, the Philadelphia-based project of Adam Granduciel, release their third full-length album, the beautifully sweeping "Lost In The Dream via Secretly Canadian. Written and recorded over two-plus years in Philadelphia, North Carolina, New York and New Jersey, following almost two years of nonstop touring in support of 2011's "Slave Ambient", "Lost In The Dream" is the outstanding presentation of Granduciel's progression and growth as a songwriter, performer, and producer. It is an immense listen to be absorbed and discovered now and for decades to come.

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Release: US

Genre: Rock & Indie

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Amatssou Black Vinyl Edition

Tinariwen

LP | 2023 | EU | Original (Wedge)

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2005 | US | Original (Virgin)

A Perfect Circle

Emotive

34,99 €*

Release: 2005 / US – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Target)

Trespass

Wolf At The Door

29,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Not Now)

Elvis Presley

King Creole

22,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Purple Clear Vinyl Edition

Stone Temple Pilots

LP | 2023 | EU | Original (Rhino)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Offer The Light Record Store Day 2023 Orange Vinyl Edition

Noctorum

LP | 2006 | CZ | Reissue (Schoolkids)

33,99 €*

First Fruit Record Store Day 2023 Edition

Release: 2006 / CZ – Reissue

Genre: Rock & Indie

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2006’s Offer the Light is the second release from Noctorum, the collaboration of Marty Willson-Piper (The Church, All About Eve, The Saints) and multi-instrumentalist/producer Dare Mason (The Church, Placebo, Wedding Present). Following the band’s most successful album to date, 2019’s The Afterlife, and 2021’s Record Store Day vinyl release of their debut Sparks Lane, this reissue of Offer The Light is eagerly awaited, especially as both The Afterlife and Sparks Lane sold out immediately and are currently out of print. . Offer The Light’s sonic blueprint doesn’t stray too far from The Church’s blend of Velvet Underground menace and the Byrd’s glorious jangle. It’s a rather beautiful “’70s rock album”, along the lines of Pink Floyd, but not too far from the band for which Willson-Piper is most famous. It will available for the first time ever on Orange Vinyl with download code, exclusively for Record Store Day 2023.

As any fan of The Church already knows, Marty’s one helluva guitar player, is an avid supporter of independent record stores, worked in one in Stockholm for years and has a vinyl record collection of over 50,000 albums. He also hosts a daily blog and website called the “In Deep Music Archive” where he talks about vinyl and albums from the past, showcasing several entries a day and having a loyal readership of several hundred followers a day.

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Sonseed

LP | 1981 | Reissue (Arena Rock)

Sound Emporium Record Store Day 2023

Release: 1981 / Reissue

Genre: Rock & Indie

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Limited Edition of 1000 copies worldwide. RSD Limited Run / Regional Focus Release.
14 million streams ago...God, where to start? We formed in the late-70s to play a special Mass for the Bishop at Our Lady of Perpetual Help Church in Brooklyn. Most of us met for the first time while rehearsing for that Mass and decided to keep in touch. We realized that Catholics (we were all Roman Catholics at the time) had nowhere to go to hear fun, inspirational music, so we began playing church halls and schools doing "rocked-up" versions of songs we pulled out of hymnals. Eventually some of us wrote our own stuff. We played hundreds of shows over the next 4 years, passing the hat for donations to pay for necessities that we needed to keep the group going (microphones, wires, gas for the van, and eventually, the "First Fruit" album, which we sold at concerts for just about cost). It was never about the money; it was all about spreading the Good News and having fun doing it. We consistently lost members through the years and gave our last concert in December 1983. Doug Prinzivalli, who owned a video copy of our appearance on a local TV show sometime in 1982, had been running "where are they now" (or more specifically, "who are they") contests on his California blog for years. It wasn't until he got his hands on a copy of the album (which is amazing considering we only printed 1,000 or so) that he found my name and tracked me down. That video was originally put on YouTube not by Doug, but by some visitor to his blog who thought it was too good not to share. --Sal Polichetti (Sonseed) (This is an exclusive 2023 Record Store Day release.)

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Jason Isbell & Amanda Sh

LP | 2023 | US | Original (Southeastern)

Moment Of Clarity Black Vinyl Editon

Release: 2023 / US – Original

Genre: Rock & Indie

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Limited edition of 11750 copies worldwide. RSD first release.
Single-sided 12" EP featuring two new originals from RSD US Ambassadors Jason Isbell & Amanda Shires, a reimagined version of "Tour of Duty" from the Jason Isbell and The 400 Unit album Here We Rest, and a cover of Richard Thompson's "Beeswing". Side B holds a stunning vinyl etching designed by Pearl Rachinsky-Moreland.

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Narrow Head

LP | 2022 | US | Original (Run For Cover)

Release: 2022 / US – Original

Genre: Rock & Indie

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V Golden Nugget Vinyl Edition

Unknown Mortal Orchestra

2LP | 2023 | US | Original (Jagjaguwar)

35,99 €*

LP | 2023 | EU | Original (20th Century Masterworks)

Release: 2023 / US – Original

Genre: Rock & Indie

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Created between Palm Springs, California and Hilo, Hawai'i, V is the first double album from the Hawaiian-New Zealand singer-songwriter, multi-instrumentalist and producer Ruban Nielson's Unknown Mortal Orchestra band. Designed to play as one continuous movement and road-tested on dry California freeways, V is the definitive Unknown Mortal Orchestra car record. It's also the fifth full-length album Ruban has released in twelve years. Across fourteen sunbleached songs - written solo or with his brother Kody - Ruban draws from the rich traditions of West Coast AOR, yacht rock, weirdo pop and Hawaiian Hapa-haole music. Over a laidback blend of singalong anthems and cinematic instrumentals, he evokes blue skies, afternoons spent lounging by hotel swimming pools and the alluring darkness that lurks below perfect, pristine surfaces. It's a duality expressed in the dilapidated sunset blues and the saltcorroded soul Ruban explores through tracks like `Layla' and `Nadja. ' During the pandemic's early days, Ruban reunited with Kody at a cousin's wedding in Hawai'i. With assistance from their father, Chris Nielson (saxophone/flute) and longstanding Unknown Mortal Orchestra member Jake Portrait, they brought everything Ruban had been thinking about together. The result was V, due for release on March 3, 2023, through Jagjaguwar. When they talked about records that moved them in that spine-shivering manner, Ruban started thinking about the 70s AM radio rock and 80s pop songs that had lurked on the edge of his subconscious mind for most of his life. He wanted to write his version of records like that, leading to the two glorious uptempo singles Unknown Mortal Orchestra released in 2021, `Weekend Run' and `That Life'. However, the golden good times never last forever. Not long after, health issues began to plague his extended family.Putting his recordings aside, he helped his mother and his uncle move home from New Zealand and Portland to Hawai'i, and began dividing his time between Hawai'i and Palm Springs. During this period he reconnected with his relatives, reassessed his past, and started to look at things with fresh eyes. Hawai'i brought back memories of the darker side of his parents' lifestyle as entertainers. On those trips, he heard those classic AM radio rock records everywhere. They were inextricably intertwined with the palm trees, swimming pools, and glamorized hedonism he'd internalized from his childhood. There's a type of music in Hawai'i called Hapa-haole (Half white). You can hear it expressed in signature Unknown Mortal Orchestra style through the humid guitar-led atmosphere of V's penultimate song, `I Killed Captain Cook'. Although the songs are presented in a traditional Hawaiian manner, they're mostly sung in English. Having been influenced by Hawaiian music since Unknown Mortal Orchestra's first album, Ruban saw a space for himself within the tradition. When he reflected on his success, he realised he had the responsibility and platform to represent Hapa-haole music on the global stage.

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Elvis Presley

Debut Album

18,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Secret Measure Colored Vinyl Edition

Cloth

LP | 2023 | UK | Original (Rock Action)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Nancy & Lee Again 8-Track Tape

Tape | 1972 | US | Reissue (Light In The Attic)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Nancy & Lee Again Black Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

22,99 €*

LP | 2023 | UK | Original (Scruff Of The Neck)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* LP available on Standard Black Wax plus Special Limited Color Editions * First ever reissue of Nancy & Leeâ€™s 1972 classic * Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€ * Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin * Vinyl pressed at RTI * Beautifully packaged and expanded gatefold LP featuring a 20-page booklet * Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea * Never-before-seen photos from Nancy Sinatraâ€™s personal archive

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Bilk

Bilk Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Song Of A Gypsy Clear Vinyl Edition

Damon

LP | 1968 | US | Reissue (Now-Again)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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LP | 1996 | EU | Reissue (Geffen)

Weezer

Pinkerton

2LP | 2003 | US | Reissue (Third Man)

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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Few bands emerged as fully formed as Weezer, the Southern California band that would quickly shake the world with its reimagined vision of rock 'n' roll. With 17 million albums sold worldwide, and two LPs on Rolling Stone's list of most influential ever made, the L.A. quartet helmed by singer-guitarist Rivers Cuomo proved to be as popular as they are pioneering. Weezer's music continues to shape the sound of rock to this day, well after the release of its first album, the triple-platinum Weezer (The Blue Album), one of rock's most auspicious debuts.
The quartet's incredible run of Geffen Records releases is reissued on standard 140-gram vinyl. The records helped redefine the genre, mixing guitar hooks with a sense of geek-smart humor that radiated into the band's popular live act and multitude of cutting-edge videos and visuals.

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Sleep

Dopesmoker

39,99 €*

Release: 2003 / US – Reissue

Genre: Rock & Indie

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2LP | 1978 | US | Original (Warner Bros.)

Thin Lizzy

Live And Dangerous

29,99 €*

LP | 1982 | US | Original (Capitol)

Release: 1978 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

US original, Winchester pressing.

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Billy Squier

Emotions In Motion

8,99 €*

LP | 2012 | US | Reissue (Red Scare Industries)

Release: 1982 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

US original. Winchester Pressing.
Includes original inner sleeve.

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Masked Intruder

LP | 1985 | JP | Reissue (XXX)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Up until now, the only thing these four crooks were good at making was toilet wine in the joint, but we sent them into Atlas Studios to record with Matt Allison (Alkaline Trio, Less Than Jake, Smoking Popes, etc) and out came a pop-punk/power-pop masterpiece. They looted a vault of hooks, melodies, and many-layered harmonies for this debut full-length. Think Descendents meets Weezer in a dark alley! There’s already plenty of squealers and snitches talking about Masked Intruder, and these thugs have been invited to play all the cool festivals and will be touring with Teenage Bottlerocket in support of this release. It’s fun stuff and you’re gonna like it...or else.

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Gauze

Fuck Heads

Release: 1985 / JP – Reissue

Genre: Rock & Indie

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Originally released in 1985. GAUZE's legendary 1st album!!

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Catalogue Raisonne: Vol. 13: Anonymous Days Part 2

Release: 2022 / UK – Original

Genre: Rock & Indie

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Catalogue Raisonne: Vol. 5: Mk.Iv Cellar Rehearsals

Release: 2022 / UK – Original

Genre: Rock & Indie

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Catalogue Raisonne: Vol. 4: Mk.Ii Studio. Mk.Iii Studio. Mk.Iii Cellar & Mk.Iii Live

Release: 2022 / UK – Original

Genre: Rock & Indie

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Catalogue Raisonne: Vol. 3: Mk.Ii Live Part Two

Release: 2022 / UK – Original

Genre: Rock & Indie

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Catalogue Raisonne: Vol. 2: Mk.Ii Live Part One. 41m

Release: 2022 / UK – Original

Genre: Rock & Indie

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Catalogue Raisonne: Vol. 1: Mk.I Live & The Jam 1975

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 1970 | US | Reissue (Elektra)

The Doors

The Soft Parade

Crime & The City Solution

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Pitman Pressing.
Small light scuff on side 2.
Includes original inner sleeve.

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Paradise Discotheque Colored Vinyl Edition

LP | 1989 | UK | Reissue (Mute)

Release: 1989 / UK – Reissue

Genre: Rock & Indie

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LP | 1980 | US | Original (Columbia)

Elvis Costello

Taking Liberties

Tv Sky 30 Years Anniversary Edition

Release: 1980 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Cover with slight ringwear, innersleeve with small sticker rip off and tear.

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The Young Gods

2LP | 1992 | EU | Reissue (Le Label)

32,99 €*

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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LP | 1975 | US | Original (Asylum)

Eagles

One Of These Nights

LP | 2023 | EU | Original (Capitane)

Release: 1975 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Specialty Pressing.
Includes original inner sleeve.

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Adam Green

That Fucking Feeling

... And Farewell To Hightide Deluxe Expanded Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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The New Yorker Adam Green's 11th and latest solo album, That Fucking Feeling, continues his musical explorations with longtime collaborators Loren Humphrey, James Richardson (MGMT), and Jesse Kotansky. The album places large-scale 'Wall of Sound' style productions alongside home-recordings done during COVID quarantine. When talking about the title track, Adam says: "I wanted to release something home-recorded. Back in the Moldy Peaches days I used to record everything on my parent's kitchen table, but it's been 20 years since I put out something like that. I wrote a few songs in quarantine singing into my laptop, and I like how direct it feels. Not every song has to be big, this is just a little song th...

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Cerberus Shoal

2LP | 1996 | US | Reissue (Temporary Residence)

30,99 €*

Coral Fang White Vinyl Edition

Release: 1996 / US – Reissue

Genre: Rock & Indie

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Remastered, expanded reissue of the breakthrough sophomore album by the pioneering, creatively restless collective - Finally available on vinyl for the first time ever - Limited edition of 500 copies on Sky Blue colored vinyl // The long out-of-print sophomore album by the pioneering, creatively restless troupe, Cerberus Shoal, highlights the earliest phase of their transition from experimental hardcore band to transcendent exploratory collective. Originally released in 1996, ...And Farewell To Hightide combined the group's unique command of patient anticipation with a significantly expanded musical palette and a refined musicianship. Shedding virtually all obvious references to the frenetic post-hardcore of their eponymous debut album, Hightide saw Cerberus Shoal incorporating elements of Talk Talk, Tortoise, and the early Windham Hill catalog into a sound that was incomparable at the time. Now, more than 20 years later, it's proven astonishingly prescient and truly timeless. Beautifully remastered and finally made available digitally for the first time ever, this expanded deluxe edition includes the Lighthouse In Athens EP recorded during the same era as ...And Farewell To Hightide.

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Distillers

LP | 2003 | EU | Reissue (Music On Vinyl)

Lady Aicha & Pisko Cran's Original Fulu Miziki

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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After the success of their second studio album, the punk rock band The Distillers signed to Sire Records in 2002. There, they released their major label debut Coral Fang the year after. The album was primarily influenced by grunge and lyrically was inspired by the fallout of Brody Dalle’s marriage and the media attention of it. It became their mainstream breakthrough. The album spawned three charting singles, “Drain The Blood”, “The Hunger” and “Beat Your Heart Out” and was received largely positive reviews from critics. Coral Fang featured explicit artwork by Tim Presley, but as many US retailers refused to stock the album, the band created an additional “safe” cover. This edition of Coral Fang features its original explicit artwork and is available as a limited edition on white coloured vinyl. It also includes an insert. T

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N'djila Wa Mudjimu

LP | 2022 | UG | Original (Nyege Nyege Tapes)

LP | 2022 | US | Original (Sahel Sounds)

Release: 2022 / UG – Original

Genre: Rock & Indie

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In 2003, Pisco Crane assembled a six-piece band from motivated and talented like minds in the Kinshasa slums where he grew up. Pisco had been involved with a handful of local rap acts when he was younger, but after meeting legendary instrument builder Bebson De La Rue, he was inspired to follow a new path. He set about building instruments from the discarded trash that surrounded his city: bits of old computers or oil cans were fashioned into bass guitars and drums, and keyboards were bashed together using springs, metal pipes, and offcuts of tubing. If there was a core philosophy that guided Pisco at this stage in his journey, it was that everyone should have access to instruments, no matter where they come from or what their budget might be. And following in the footsteps of Bebson, Pisco locked into a Congolese tradition that touches on the eccentric genius of globally lauded artists like Konono N§1 and Staff Benda Bilili. Over the years, Fulu Miziki's notoriety grew in the Kinshasa underground - their utopian vision of the future was infectious. Eventually, they were joined by performance artist, sculptor and fashion designer Lady Aisha, who offered the band unique colour and a soulful central focus. Influenced by Kinshasa's street performance scene, Aisha helped the band devise vivid masks and costumes that were as electric and singular as the instruments they played, and the scene was set. In 2020, as the world was plunged into lockdown, footage of Fulu Mziki went viral and their star began to grow exponentially, with a video of the band preforming the track 'Tikanga' racking up millions of views on Facebook. The band used this opportunity to work on documenting their sound, and shored up at the Nyege Nyege studios in Kampala for a year to assemble a definitive album. Recorded by HHY & The Macumbas' Jonathan Saldanha, this record captures the band's furiously innovative mixture of industrial sonics, spiritual jazz, punk, and Congolese soukous pressure. At their best, Fulu Mziki sound almost completely out of time, curving pounding rhythms around microtonal clanks, rousing chants and spiky sonics. On 'Mutangila', there's a hint of disco in the 4/4 stomp, but it's been shifted into a post-punk ritual, adorned with complex bell percussion and overlapping vocals. 'Congo' is even harder to define; electrified buzzes form a bassline, but it's the mindboggling rhythms that shuttle the track into psychedelic realms, led confidently by Lady Aisha's limber rhymes. Fulu positively slither on the sultry, industrial-influenced 'Sebe', while 'Tikanga' reminds of Congo's rumba-derived soukous traditions, materializing the sounds into the future with tight, pounding percussion and head-melting fx. The story of Fulu Miziki is sprawling and complex and constantly evolving, with various offshoots and band iterations. Two members left the band in 2016 to form Kokoko! with French producer Débruit. Not long after they recorded this magnum opus album, several other original members left to form a similarly named outfit currently based in Europe. This other incarnation recently released an EP of electronic productions without the band founder Pisko Crane and lead vocalist Lady Aicha, on the UK based Moshi Moshi records. Pisco and Lady Aicha currently lead a different outfit in Kinshasa made up of completely new musicians. This full-length is the remaining proof of Fulu Miziki at their most vital and most complete - it won't be repeated - and can never be recreated. It's an essential portrait of one of the Democratic Republic of Congo's most innovative contemporary outfits, and some of the most surprising hybrid music you're likely to hear.

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Wau Wau Collectif

Mariage

LP | 2022 | EU | Original (FatCat)

Release: 2022 / US – Original

Genre: Rock & Indie

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Wau Wau Collectif's second album, Mariage, is instilled with a newfound sense of purpose. Expanding upon the inspirational themes of their acclaimed 2021 debut, Yaral Sa Doom (Educate The Young), this long distance collaboration from musicians in Senegal and Sweden's Karl Jonas Winqvist is an even more stylistically expansive affair Joyful children's songs collide with fuzzy guitar solos and thumping hip-hop beats. Shimmering synths lift off from the plunky percussion of the balafon and versatile sounds of the 22-string kora. Familiar voices from the first album return with more explicitly political lyrics, while the music feels both rhythmically dense and sonically weightless, flowing from one spellbinding moment to the next. For Mariage, band members from each country were inspired to include a wider array of instrumental flourishes unique to their cross-continental collaboration. "Yay Balma" revolves around the cycling riffs of Jango Diabaté's xalam guitar, as this song's fuzzy tones and soaring sax solos open side two with a bang. "Pitchi Goubidi" provides a stark contrast, with the kora played like a harp and Gilbert Badji's gravelly lyrics about "the bird of the night" disappearing into dubbed-out chamber pop. Winqvist's omnichord hovers back into focus on "Yonou Natangue," a free-floating jam that maintains the messages of Wau Wau Collectif's debut, promoting youth education to address the social issues facing contemporary Senegal: "Peace is the better wealth / The way to wander."

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Clarice Jensen

Esthesis

Release: 2022 / EU – Original

Genre: Rock & Indie

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Old Dogs, New Tricks Black Vinyl Edition

The Skinflicks

LP | 2022 | EU | Original (Trisol Music Group)

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Dirt Cult)

Allvaret

Scam Och Skuld

LP | 1980 | DE | Original (Musikant)

Release: 2022 / US – Original

Genre: Rock & Indie

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It’s always a good sign when you cannot explain why a band is so awesome. It means something new and inexplicable is at work in their music. Småland, Sweden’s Allvaret is that awesome. The elements are easy enough to define: there are the surf-drenched guitars, the outstanding female vocals and the rock ‘n’ roll frenzy of X – a sound which has been brewing in Denmark and Sweden over the last decade with bands like Masshysteri, THE Vicious, Terrible Feelings, Vana Inget, and NO Hope FOR THE Kids. But there is something more than that, too. Their tuneful hooks take hold of you, drag you deep into their bleak and feral songs and threaten to tear you apart once you’ve been captured. Their music is simultaneously melancholic, frantic, and joyfully danceable. It’s wild and new and something wholly of its own. The energetic melodies that blast through Allvaret’s new album are simply mind-blowing. This Swedish punk band will release their 2nd Album – and it may just be one of the best things that have ever been produced in the history of Swedish melodic punk rock. The anthemic vocals of Sushila are the perfect balance of aggression and sincerity, while the predominantly choppy guitar chords and the drumbeats keep up the motivating energy that drives their music. The ten short and catchy songs that make up this album are simple yet powerful, and the beginning of each new track jolts the listener back into their music. At first, the inability to understand their lyrics may seem jarring to the foreign listener. However, after listening to the entire album a few times, I forgot they were even singing in Swedish! The surf-rocky guitars and snappy punk drumming release sustaining energy, while the passionate tone of the harmonized male-female vocals, at times angry and at times melancholic, create the perfect blend of hooks that will grab you and lead you into a place set up by this musical phenomenon. Any fan of stripped-down garagey punk that is derived from the past but doesn’t live in it would be well-advised to check out Allvaret. Their latest album demonstrates the extent to which they have honed each of their many strengths, re-configuring rather than regurgitating influences and crafting songs which will lodge themselves firmly into the head of any listener, regardless of whether or not he or she can understand the lyrics.

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Bots

Aufstehn

4,99 €*

Release: 1980 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Unison Life Transparent Orange Vinyl Edition

Brutus

LP | 2022 | EU | Original (Hassle)

LP | 2022 | EU | Original (Take This To Heart)

Release: 2022 / EU – Original

Genre: Rock & Indie

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When times are tough, or you're feeling worn down, you start longing for a life of total peace. A life where there are no fights, arguments or lies; where there is no such thing as disappointment and your actions have no consequences. Some might call it a "fantasy world". Genre-jumping Belgian trio Brutus call it the "Unison Life" - a phrase that titles their third studio album. Unison Life is about all the stuff that wears you down in the first place. It's the ugliness, the pain, and the acts of bravery that get you through it all. Beginning with a portrait of contentment and unravelling from there, the album goes into battle and asks what really counts. In their own words: "Is this Unison Life a hoax? Or a quest?" Unison Life finds Brutus at their most intentional. They were more deliberate about the sound, which links into the artwork (produced by Mulders), as well as the music video for "Liar", which saw Mannaerts travel to Morocco for the first video the band has done that has fun with concepts and storytelling. The absence of touring over the last few years has seen Brutus channel 100% of their energy into Unison Life, and the result is a blistering illustration of a boundary-pushing band at the top of their game.

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Snarls

What About Flowers?

18,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 1993 | EU | Reissue (Chrysalis)

Grant Lee Buffalo

Fuzzy

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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2LP | 2015 | EU | Reissue (Music On Vinyl)

Lonely Robot

Please Come Home

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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LP | 2015 | EU | Original (Repertoire)

Ufo

Live

Release: 2015 / EU – Original

Genre: Rock & Indie

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LP | 2022 | US | Original (Light In The Attic)

Lou Reed

Words & Music, May 1965

Words & Music, May 1965 Yellow Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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*Available: August 26, 2022*

“To hear a tape containing their earliest demos, recorded on May 11, 1965, and locked away until now, is to hear traces of things rarely associated with The Velvet Underground: blues and folk, earthy and traditional, uncertain and hesitant... yet bristling with that rusty, caustic, Lou Reed spirit. It is a revelation.” - *Will Hodgkinson, Mojo*

Light in the Attic Records, in cooperation with Laurie Anderson, proudly announces the inaugural title in their ongoing Lou Reed Archive Series: Words & Music, May 1965. Released in tandem with the late artist’s 80th birthday celebrations, the album offers an extraordinary, unvarnished, and plainly poignant insight into one of America’s true poet-songwriters. Capturing Reed in his formative years, this previously unreleased collection of songs—penned by a young Lou Reed, recorded to tape with the help of future bandmate John Cale, and mailed to himself as a 'poor man’s copyright'—remained sealed in its original envelope and unopened for nearly 50 years. Its contents embody some of the most vital, groundbreaking contributions to American popular music committed to tape in the 20th century. Through examination of these songs rooted firmly in the folk tradition, we see clearly Lou’s lasting influence on the development of modern American music - from punk to art-rock and everything in between. A true time capsule, these recordings not only memorialize the nascent sparks of what would become the seeds of the incredibly influential Velvet Underground; they also cement Reed as a true observer with an innate talent for synthesizing and distilling the world around him into pure sonic poetry.

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Lou Reed

LP | 2022 | US | Original (Light In The Attic)

22,99 €*

Earl's Closet The Lost Archive Of Earl Mcgrath 1970-1980 Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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V.A.

2LP | 2022 | US | Original (Light In The Attic)

Earl's Closet The Lost Archive Of Earl Mcgrath 1970-1980 Clear Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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All tracks previously unreleased including unheard recordings from Daryl Hall and John Oates, David Johansen (New York Dolls), Terry Allen, Delbert McClinton, Andy Warhol’s Superstar Ultra Violet, Norma Jean Bell, and The Jim Carroll Band Restored and remastered audio by GRAMMY®-nominated engineer, John Baldwin Extensive booklet featuring unseen archive photos, ephemera and label history (LP: 20-pgs, CD: 40-pgs) Liner notes by journalist Joe Hagan with exclusive interviews Double LP pressed on 180-gram vinyl and housed in a gatefold jacket ‘Cocktail Party’ Vinyl Color Edition pressed on Clear Wax “Earl was a wonderful man with a great eye for new and innovative art. And such an amusing companion, too.” – Mick Jagger

Earl McGrath was the ultimate ’70s jet setter, an art collector and comic bon vivant who stumbled into the record business between legendary parties in New York and LA and discovered Daryl Hall and John Oates and then Jim Carroll. Atlantic founder Ahmet Ertegun gave Earl his own label, Clean Records, in 1970; Mick Jagger hired him to run Rolling Stones Records in 1977.

Friend to Joan Didion, Andy Warhol, and a galaxy of luminaries, Earl was an inveterate tastemaker. Actor Harrison Ford, who before Star Wars fame was Earl’s handyman and pot dealer, called him “the last of a breed, one of the last great gentlemen and bohemians.”

After Earl died in 2016, journalist Joe Hagan, author of the critically-acclaimed Sticky Fingers, the biography of Rolling Stone founder Jann Wenner, discovered a trove of rare and unheard tapes in Earl’s apartment in New York—literally inside his closet. “I asked for a step ladder and the first box I pulled off the shelf was a master tape of Some Girls, the Stones album,” says Hagan.

Now Light in the Attic Records proudly presents Earl’s Closet, a double album of the treasures discovered inside, including unheard music by Daryl Hall and John Oates, David Johansen, Terry Allen, Delbert McClinton, Warhol “Superstar” Ultra Violet, Detroit sax legend Norma Jean Bell, Jim Carroll and an eclectic cast of undiscovered artists who once vied for fame and glory—folk, rock, country, funk and R&B gems that virtually no one has heard in decades. Whether it’s the almost-famous power pop of Shadow from Detroit, or the Delfonics-style soul of the Blood Brothers Six, Earl’s Closet retraces the dreams of artists who once sent demos to Earl McGrath. Longtime Light in the Attic-affiliated reissue producer Pat Thomas assisted Hagan in tracking down the artists and finalizing the paperwork.

At once an archival mixtape, a secret history and a journey into the heart of an era, Earl’s Closet features a deep booklet of documents, images and ephemera from Earl’s archive, expansive liner notes by Joe Hagan, who tracked down and interviewed the artists, and astonishing photographs by Earl’s late wife, the Italian countess Camilla Pecci-Blunt McGrath.

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V.A.

2LP | 2022 | US | Original (Light In The Attic)

LP | 1981 | EU | Reissue (Repertoire Entertainment Gmbh)

Release: 2022 / US – Original

Genre: Rock & Indie

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Sparks

Whomp That Sucker

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 1974 | EU | Reissue (Repertoire Entertainment Gmbh)

Judas Priest

Rocka Rolla

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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2222 Yellow Vinyl Edition

Chaosbay

LP | 2022 | EU | Original (Circular Wave)

Kalapana II Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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With their new concept album "2222", Chaosbay definitely leave their status as an insiders' tip behind: The Berlin Progressive Metalcore band pushes their unmistakable interplay of unrestrained brutality and inescapable catchiness to the extreme in the almost 45 minutes spread over 12 songs. Almost every song has the potential for an epic stadium hit that couldn't be more festival-ready. The album describes a utopia of our future world in a kind of anti-apocalypse, from the point of view of a person who finds himself in the year 2222. He is surprised how many problems that seem insoluble today have been overcome in the meantime. In the light of the new era, many things that still determine our everyday life seem bizarre. The album is also interesting because of three internationally known feature guests: "What Is War" was created in collaboration with Mirza Radonjica from the Danish band Siamese, to whom Chaosbay feel very close. The other two collaborations can be heard in the songs "Home" (with Alexia Rodriguez from the US band Eyes Set To Kill) and "Passenger" (with Jake Oni from the Canadian band ONI).

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Kalapana

LP | 1976 | US | Reissue (Aloha Got Soul)

17,99 €*

LP | 2022 | EU (Survival Research)

Release: 1976 / US – Reissue

Genre: Rock & Indie

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Following the massive success of their debut album in 1975, Kalapana returned to the studio in 1976, this time at Audiotronics in West Covina, California, this time taking the lead in producing the record. Barry Fasman, the Los Angeles-based producer whom the band credited with making their first record shine, joined them in the studio for string arrangements and to conduct certain tracks. However, on Kalapana II, the band felt fully prepared to produce the album themselves. And they did so, marvelously.

Little did they know, this would be the last time all four original band members would record an album together.

Second in a trio of eponymous albums from 1975 to 1977, Kalapana II expanded upon Kalapana I’s now-classic sound while leaning into styles not previously heard on their debut: lead vocalist Malani Bilyeu weaved a love-lorn country ballad into the new LP with “Wandering Stranger”, and keyboardist Kirk Thompson forever left his mark on the group’s legacy with the latin jazz-funk instrumental, “Black Sand”. (The tune became a staple for the band’s live performances: they’ve opened practically every concert ever since with the composition).

Considering the mastery and timelessness of Kalapana I, a sophomore LP could have easily fallen short of the high standard they had set. Yet they did it, cutting a second LP with back-to-back, timeless hits that continue to resonate today. As a quartet — supported by the propulsion of drummer Alvin Fejarang and saxophonist Michael Paulo’s prowess — Mackey Feary, Malani Bilyeu, D.J. Pratt, and Kirk Thompson solidified their legacy as one of Hawaii’s greatest groups of all-time with this recording.

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The Battered Ornaments

Mantle-Piece

Loggerhead Light Green Vinyl Edition

Release: 2022 / EU

Genre: Rock & Indie

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Following the breakup of Cream, lyricist/vocalist Pete Brown formed his Battered Ornaments with guitarist Chris Spedding, drummer Rob Tait, bassist Butch Potter, percussionist Pete Bailey and saxophonist Nisar Ahmed Khan, but during the recording of sophomore album Mantle Piece, Brown fell out with Spedding, resulting in his departure. The resultant spacey venture has jazz and blues shades, riding the sonic waves under Spedding’s direction, with Khan’s sax and Potter’s bass fitting foils to Spedding’s guitar and keyboards. This is another great piece of the Spedding puzzle, with pleasantly meandering interludes.

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Wu-Lu

LP | 2022 | Original (Warp)

Release: 2022 / Original

Genre: Rock & Indie

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Leader of the punk-rap awakening, Wu-Lu pulls inspiration from personal hardship and the underrepresented on his latest for Warp entitled 'loggerhead'. Miles Romans-Hopcraft based his artistic moniker on the Amharic word for water, “wu-ha”. True to his fluid sound and nature, he decided to change it to something that felt more liquid. He ended up with Wu-Lu, a name he has been using since 2015. His first record Ginga opened the floodgates to a career that would take him to various places, people, and genres. From breaking bones at skateparks as a teenager, to DJing as one of the original members of Touching Bass, and eventually getting signed to Warp in 2021.

As an artist, Wu-Lu seems concerned with feeling and communicating the full spectrum of human emotion. Throughout his varied discography, he touches on disparate themes and sounds, straddling a divide between blissed-out beats and grungy guitar dirges, and often mixing both into one amorphous, unclassifiable sound of his own.

On ‘'loggerhead'’, Wu-Lu hones his unique sound. On ‘Take Stage’, a despondent spoken word intro opens with sombre strings and underlying bows dragged delicately across them. Then the lights flicker to life on ‘Night Pill’, and the mosh pit with them - the bassline approaches like a hungry shark and the guitars snarl with a homemade 90s grunge energy. This grunge drawl and punk spirit is peppered with dry old-school drum sounds of classic hip-hop, with laid-back beat-oriented tracks are spread amongst those with intermittent growls, scratches, and shrieks. Sonic elements are constantly rearranged and juxtaposed throughout the album, like on ‘South’ where the fluctuating pitch of squealing guitars and screaming vocals is contrasted with the steady flow of Lex Amor.

Listening through the album you are constantly greeted with about-turns, and through the element of surprise and deft use of contrast 'loggerhead' sits at an exciting point in Wu-Lu’s genre-defying artistry.

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Nancy & Lee 8Track Edition

8Track | 1968 | US | Reissue (Light In The Attic)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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This is an 8track-cartridge, not a music cassette

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Tape | 1968 | US | Reissue (Light In The Attic)

Nancy & Lee

9,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

Go to Item

Nancy & Lee Black Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

24,99 €*

The Raging Wrath Of The Easter Bunny Demo Colored Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

Go to Item

Mr. Bungle

2LP | 2020 | US | Reissue (Ipecac)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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LP | 2003 | US | Reissue (Mri Associated)

Dengue Fever

Release: 2003 / US – Reissue

Genre: Rock & Indie

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7" | 1980 | EU | Reissue (Reminder)

Wild Boys

Last One Of The Boys

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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LP | 1983 | CH | Original (Musk Project)

Lazy Poker Blues Band

Still Lazy

3,99 €*

Release: 1983 / CH – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

LP | 2015 | US | Reissue (Run For Cover)

Pinegrove

Everything So Far

LP | 2022 | EU | Original (Lewsberg)

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Pinegrove's Everything So Far is exactly what its title suggests - an anthology of all of Pinegrove's output up to the point of their breakout Run For Cover Records full-length, Cardinal. The collection encapsulates their debut LP Meridian, a number of EPs and even some singles like the captivating track "Angelina" & Cardinal Favorite "New Friends."Everything So Far is pressed on vinyl as a double album and includes a 16 page booklet featuring lyrics & photos documenting the band's earliest moments. Listening to Everything So Far is a rewarding experience for new & old fans, as the time capsule of a tracklist shows Pinegrove developing a signature sound, maturing & learning with each song.

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Lewsberg

In Your Hands

Release: 2022 / EU – Original

Genre: Rock & Indie

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Sometimes change comes with big shocks, sometimes it comes with small steps. On 'In Your Hands' Lewsberg's new album a bit of both seems to be happening. Take the second song, 'The Corner'. A remarkably discreet song; a violin plays a simple melody, a gentle drum loop keeps its finger on the pulse. "This brick is a brick to build", it sounds, though a little later: "This brick is a brick to throw". A brick offers many possibilities, for those who want to see it. One time as a part of something bigger to come, the next time just as a simple stone, left on the ground. After all, most things are relative. Sometimes one can achieve more by breaking something than by building something. If you think you can determine which of these two is needed, you'd be fooling yourself. 'In Your Hands' embodies the moment when all the bricks are there, but the wall has yet to be built. It's a moment with perspective, a moment where everything still seems possible, but caution is advised. The album sounds both smaller and more spacious than the previous albums. Guitar chords are plucked instead of fiercely struck, the bass guitar is given more room for melodic explorations, the drum kit is dismantled to just a tom and a tambourine. There is doubt in the lyrics, but it's a strong kind of doubt. A doubt that can stand in the way of a wrong decision, but can also invite for a good conversation. The old Lewsberg has been professionally demolished and the building blocks are on display. Ready for future applications and already finished at the same time. 'In Your Hands' is therefore an ode to the potential and a call to carefully give way to it. "Skewed, defiantly left-field indie rock" - Clash // "Van Vliet's idiosyncratic lyrics and buttoned-up delivery complement the bracing, no-frills performances." - Uncut // "Stripped down.. clever rock and roll of the highest quality" - Louder Than War // "You should get on board with Rotterdam's answer to Velvet Underground" - NME // "Rotterdam Talking Heads/Television enthusiasts ju...

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Genre: Rock & Indie

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Heart Under Colored Vinyl Edition

Just Mustard

LP | 2022 | UK | Original (Partisan)

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 1972 | US | Original (Elektra)

John Kongos

Kongos

8,99 €*

LP | 1974 | US | Reissue (Mobile Fidelity)

Release: 1972 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Santa Maria Pressing.
Record has some hairlines and a few superficial scratches.

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Ravi Shankar

Shankar Family & Friends

49,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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LP | 1976 | US | Reissue (Mobile Fidelity)

Eagles

Hotel California

161,99 €*

Release: 1976 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | NL | Reissue (Elektra)

The Stooges

Release: 1969 / NL – Reissue

Genre: Rock & Indie

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LP | 1977 | DE | Original (RCA Victor)

The Sweet

Off The Record

8,99 €*

Release: 1977 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: G+

LP | 2021 | EU | Original (Nettwerk)

SYML

Sacred Spaces

Release: 2021 / EU – Original

Genre: Rock & Indie

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I'm Not Sorry, I Was Just Being Me Black Vinyl Edition

King Hannah

LP | 2022 | Original (City Slang)

Release: 2022 / Original

Genre: Rock & Indie

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People Move On - 2021 Vocals White Vinyl Edition

Bernard Butler

2LP | 2022 | UK | Original (Demon)

Release: 2022 / UK – Original

Genre: Rock & Indie

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2LP | 2021 | EU | Reissue (Music On Vinyl)

Buzzoven

Sore

The Hillbilly Moon Explosion

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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American sludge metal band Buzzov•en was formed in 1990 by Kirk Fisher, Fred ‘Fuzzy’ Hutch and Scott Majors. The band was known for being one of the founders of the sludge genre. In 1994, Buzzov•en released their second studio album Sore. Lasting over an hour, this album perhaps has the most vicious, violent sound ever recorded, but in the purest and most honest way. Sore is a legendary Roadrunner cult release and features the tracks “Sore” and “Unwilling To Explain”.

Sore is available as a 2LP on black vinyl and comes with an insert.

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Buy Beg Or Steal

LP | 2015 | EU | Reissue (Goldtop)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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LP | 2006 | US | Original (XL)

Thom Yorke

The eraser

35,99 €*

Release: 2006 / US – Original

Genre: Rock & Indie

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LP | 2011 | US | Reissue (Dead Oceans)

Destroyer

Kaputt

24,99 €*

LP | 1984 | US | Original (Sire)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Repress.Kaputt Is His Latest Vision: An Opulent, Lyrical, Game-Changing Masterpiece To Rank With The Choicest Works Of Sade, Scritti Politti, Simply Red And Steely Dan. For A More Contemporary Touchstone, Feel Free To Consider It The Sad-Eyed Psychic Cousin Of Gayngs' Smooth Opus Relayted. These Elaborate Songs Were Lovingly Crafted By A Large Studio Ensemble Of Dedicated Players.Kaputt Was Released By The Good People Of Merge In North America, Entering The Billboard Chart At Number 62 And Receiving Exultant Hosannas From Such August Publications As The New York Times, Rolling Stone, Spin And The Washington Post.

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Talking Heads

Stop Making Sense

40,99 €*

North Americans & Friends

Release: 1984 / US – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

US original. Specialty Pressing.
Includes original inner sleeve.

Record still shiny with just a few hairlines.
Cover with faint storage abrasions.

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Going Steady Opaque Pink Vinyl Edition

LP | 2021 | US | Original (Third Man)

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 1985 | US | Original (Atlantic)

Roger Daltrey

Under A Raging Moon

6,99 €*

LP | 2021 | EU | Original (Island)

Release: 1985 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Specialty Pressing.
Includes original inner sleeve.
Record has some hairlines and a few superficial scratches.

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JP Cooper

She

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 2021 | UK | Original (Lewis)

Skinshape

...And We Dance / Clouds

15,99 €*

2LP | 2001 | EU | Reissue (Craft)

Release: 2021 / UK – Original

Genre: Rock & Indie

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'_and We Dance' Was Originally Recorded In 2012 Around The Time Skinshape (Will Dorey) Bought His First Four Track Reel-To-Reel Tape Recorder. He Was Listening To A Lot Of 60s Psych At The Time And Wanted To Create A Track In That Style. This Was The Result. 'Clouds' Was Recorded In 2020 And Was Never Intended For Release. It's A Heavy Track With Some Fun Trumpet Parts And To Quote Dorey "A Pseudo-Funk Vibe With A Suitable Amount Of Weirdness". Both Tracks Produced And Recorded By Skinshape. Personnel - _and We Dance: All Instruments Skinshape. Personnel - Clouds: Drums - Ivan Kormanak, Trumpet - Cameron Johnson, Everything Else - Will Dorey Aka Skinshape. Skinshape Is The Moniker Of London Based William Dorey. He Played Bass In The Indie Band Palace Performing In The Us And Uk Including Glastonbury. His Last Show With The Band Was Their Sell Out Headline Show At Shepherd's Bush Empire. As Skinshape He Has Released Six Albums Including 2018's Critically Acclaimed 'Filoxiny' (Featuring The Single 'I Didn't Know'). In 2020 He Released Two Albums - The World Music Themed 'Umoja' Followed By 'Arrogance Is The Death Of Men' Which Saw Dorey Return To His 'Skinshape' Style.

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Paul Weller

Day Of Speed

46,99 €*

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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LP | 1977 | US | Reissue (Culture Factory)

Sex Pistols

No Future Uk?

24,99 €*

Release: 1977 / US – Reissue

Genre: Rock & Indie

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I Guess I'm Living: The Charmed

Half Japanese

LP | 2021 | UK | Reissue (Fire)

29,99 €*

7" | 2021 | US | Original (Third Man)

Release: 2021 / UK – Reissue

Genre: Rock & Indie

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1000 copies pressed on Yellow vinyl & DL card. Fist time on vinyl. All-enveloping superbly alternative third take on 1988's 'Charmed Life' album featuring previously unissued versions and a half dozen previously unreleased songs. Includes brand new liner notes and an interview with Jad and David Fair.

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Bob Dylan

Blind Willie McTell

Release: 2021 / US – Original

Genre: Rock & Indie

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An Orchestrated Songbook With Jules Buckley & The BBC Symphony Orchestra

Paul Weller

2LP | 2021 | EU | Original (Polydor)

37,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2003 | US | Original (Fat Possum)

The Black Keys

Thickfreakness

34,99 €*

LP | 2021 | EU | Original (Take This To Heart)

Release: 2003 / US – Original

Genre: Rock & Indie

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11 tracks

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Snarls

Burst

Release: 2021 / EU – Original

Genre: Rock & Indie

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Holograph Dark Red Vinyl Edition

Richard Youngs

LP | 2021 | EU | Original (Glass Modern)

LP | 2021 | EU | Original (Mascot Label Group)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Richard Youngs Is Not Shy Of Broaching New Genres Or Approaches. Within Each Album He's Remarkably Conceptually Consistent. On Holograph, His First New Songs Lp For Glass In 2 Years, He's Working With Temporal Constraints, Composing To Commission Across A Long Weekend. The Sleeve Itself Tells The Story. It's Pop-Not-Pop With Youngs' Clarion Call Folksy Voice Soaring Over The Top On Dark Red Vinyl.

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Vola

Witness

23,99 €*