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Roundtable Organic Grooves 4 Items

Organic Grooves 4 Funk | Soul 1 Jazz | Fusion 3 Rock & Indie 1 Electronic & Dance 1 Soundtracks 3
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Amancio D'Silva - Konkan Dance
Amancio D'Silva
Konkan Dance
LP | 2021 | AU | Original (Roundtable)
33,99 €*
Release: 2021 / AU – Original
Genre: Organic Grooves
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Following in the footsteps of the landmark 1966 double-quartet recording by Joe Harriott and John Mayer, Indian born musician Amancio D’Silva produced some of the most adventurous and sophis-ticated recordings within the canon of ‘indo-jazz’, a term used to define a pioneering east meets west synthesis that reflected the shifting musical and cultural landscape of post-war Britain. An ex-periment which reached a pinnacle in 1972 with D’Silva’s seminal recording Dream Sequence by Cosmic Eye (The Roundtable TRZY001), an adventurous fusion of modal jazz and Indian classical music viewed through the psychedelic lens of swinging London. Exotic third-stream jazz conceived by a visionary composer whose virtuosic technique and deeply emotive guitar playing defined his two earlier and now legendary 1969 UK jazz albums Integration and Hum Dono with Joe Harriott, both recorded for the much celebrated Lansdowne label.

Also recorded in 1972 although not released at the time was Konkan Dance, an unofficial sequel to Dream Sequence that further explored the unchartered possibilities of an Indian music-jazz fusion. Featuring many of the same personnel, this session also included support from Don Rendell and Alan Branscombe, two giants of the UK jazz scene who add serious credentials to D’Silva’s singu-lar and intimate compositions. For reasons unknown the album was cancelled by Lansdowne at the time and never saw the light of day until being resurrected again in the 2000s. The Roundtable are pleased to once again showcase this important artist and present a new addition of this incredible and almost forgotten piece of the Amancio D’Silva story. Pressed on 180g vinyl and packaged in a custom 1960s-style flip-back sleeve.
Armando Sciascia - Violin Reactions
Armando Sciascia
Violin Reactions
LP | 1974 | AU | Reissue (Roundtable)
30,99 €*
Release: 1974 / AU – Reissue
Genre: Organic Grooves
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Armando Sciascia - by day, notable composer for Italian erotic and exotic cinema - by night, experimentalist and nocturnal avant-gardener. Lovingly crafted in his hand-built Vedette studio, Sciascia’s “lust for experimental research” has never been more evident than on these precious, never before commercially released 1974 Library recordings. ‘Violin Reactions’ is a violently unique and beautiful work, studiously constructed out of multi-tracked strings, ominous VCS3 drones, subatomic dissonant clusters and the drumbreaks of Tullio De Piscopo. Part futurist broadcast, part Middle-Eastern short-wave transmission, anchored by De Piscopo’s breakbeats and calisthenic percussion - strangely melodic and at a times hauntingly otherworldly.
Brian Brown Quintet - Carlton Streets
Brian Brown Quintet
Carlton Streets
LP | 1975 | AU | Reissue (Roundtable)
33,99 €*
Release: 1975 / AU – Reissue
Genre: Organic Grooves
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Composer and saxophonist Brian Brown produced some of the most refined Australian jazz recordings during the 1970s. A versatile musician whose distinct impressionist music melded modern jazz with the outer limits of free experimentation. Considered to be his greatest work was the 1975 concept album Carlton Streets, an ambitious recording that romanticised the sights, sounds and the nostalgia of this once-bohemian Melbourne neighbourhood. Differing from his eco-jazz composition Wildflowers heard on the recent Roundtable compilation Pyramid Pieces, Carlton Streets explores the polar opposite, offering jazz impressions of the urban environment. Comparable to other pioneering jazz-rock groups such as Ian Carr’s Nucleus and mid-period Soft Machine, the album is a mosaic of ecstatic jazz-rock groove, spirited free improvisation and expanded experimental textures. A potent fusion that owes as much to Australian 20th-century avant-garde composers as it does to the influence of the electric jazz innovators, specifically early Weather Report and Herbie Hancock’s Mwandishi. The Roundtable are pleased to showcase this important artist and offer a new edition of this landmark Australian jazz recording. Restored from the original master tapes and presented in a gatefold sleeve including liner notes and rare photos. Released for Record Store Day 2021.
The London Experimental Jazz Quartet - Invisible Roots
The London Experimental Jazz Quartet
Invisible Roots
LP | 1974 | AU | Reissue (Roundtable)
33,99 €*
Release: 1974 / AU – Reissue
Genre: Organic Grooves
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Beyond the striking photography of the cover artwork, a cursory glance at this LP may appear mis-leading. One could be forgiven in thinking that what they had discovered was of a more obvious British provenance, but on closer inspection the truth is revealed… London in fact refers to London, Canada, an artistic hotbed that famously spawned the highly influential insurgent noise ensemble, ‘The Nihilist Spam Band’. Less celebrated yet equally remarkable was the improvisational power-house ‘The London Experimental Jazz Quartet’, a short lived group led by the forward thinking saxophonist Eric Stach.

Their debut album, Invisible Roots is an overlooked jewel from the Canadian jazz scene. Inspired by the revolutionary artists from the New York free-jazz movement, (namely Ornette Coleman, Ar-chie Sheep and Cecil Taylor), and fuelled by the exciting possibilities afforded by a completely free approach to music, Invisible Roots is an album of potent spontaneous composition, exhibiting both fiery unharnessed blowing alongside lyrical streams of consciousness. In recent years, the album has achieved notoriety in certain record collecting circles mainly due to the track Destroy The Nihi-list Picnic, an infectious piece of vamping avant-funk. Despite the commanding presence of this track, it would be misguided to judge the merits of the album on this piece alone, for Invisible Roots is a much deeper and more complex musical statement. This is confirmed by the Iberian-jazz sketch, Spain Is For Old Ladies, the spiritual introspection of Jazz Widows Waltz or the ferocious yet soulful Eric’s Madness, a track which wouldn’t be out of place on an ESP-Disk or BYG Actuel album. Behold, a rare piece of fire music from the Canadian Free-Jazz underground.
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