Ska Vinyl LP 172 Items

Tel Aviv's world famous roots reggae & rocksteady band's latest album now on yellow vinyl! Darlings of BBC presenters DON Letts and David Rodigan, the band is once again set to hit the European reggae circuit in 2024. Ten tracks of lovers rock vibes with gorgeous three part harmonies.

The 2005 album by the Jamaican reggae artist, issued as a Double-LP.

Latest album from all-star Boston traditional ska/reggae act formed by ex members of Westbound Train and THE Toasters Ten trax of jazzy Jamaican vibes guests include Steve Jackson (the Pietasters), Alex Desert (hepcat), MR T T Bone, D. Hillyard (slackers) & THE Expanders. Repress orange wax.

Attention all California 17 band ska collection on random color vinyl, includes Half Past TWO, Left Alone, Goodwin Club, Bite ME Bambi, THE Step Daughters, Monkey, Hooray FOR OUR Side, Gabriela Penka, Codename Rocky Tunnel Vision, DAY Labor, Ghetto ON Phyre, Noise Compliant, Meddlers & more

The smooth and funky sound of prime-time Japanese reggae pop in the 1970s and ‘80s fired up an obsession with Jamaican music that persists to the present day.

If there is a year zero for the introduction of reggae music to Japan, you’d be forgiven for thinking it was 1979 when Bob Marley and the Wailers toured the country, trailed by an entourage of journalists, photographers and fans ready to spread the message of the music into all corners of Japanese society. But the story of Japanese reggae is not a linear one, and the music that is collected on Tokyo Riddim 1976-1985 captures the moment J-reggae entered the broader public consciousness, merging commercial city pop style with an infectious backbeat, that has drawn comparisons with the emergence of Lovers Rock in the UK.

Rather than look directly to Jamaica, many producers and artists in Japan were inspired instead by the more approachable sounds of The Police and Ub40, their reggae fix arriving pre-filtered through the lens of new wave pop from the UK. Playful and groovy, these album deep cuts have been overlooked for too long. Among them are Miki Hirayama, the idol singer who borrowed the bassline from Bob Marley’s Natural Mystic on ‘Denshi Lenzi’, Chu Kosaka, who headed to Hawaii to cut the Jimmy Cliff-inspired ‘Music’ and Marlene, the Philippine songstress whose cover of Roberta Flack’s ‘Hittin’ Me Wear It Hurts’ owed much to her producer’s obsession with Sly & Robbie’s Compass Point sound. Then there was Izumi “Mimi” Kobayashi, who enlisted the Babylon Warriors to perform on a dubbed-out version of her own track ‘Lazy Love’, the city pop-meets-new wave reggae sound of Miharu Koshi’s ‘Coffee Break’, Junko Yagami’s anti-apartheid deep cut ‘Johannesburg’ and Lily, whose ‘Tenkini Naare’ was produced by Ryuichi Sakamoto and closes out the compilation with a flourish.

While these stories may not always conform to neat narratives, they do provide a more accurate reflection of the indirect ways in which styles infiltrate one another and, in their naivety, have the potential to create something beautifully strange and entirely new. Previously only available in Japan, the tracks on this compilation are a testament to that curious alchemy.

Tokyo Riddim 1976-1985 is released on vinyl and as a full album download (no streaming), featuring original artwork by Japanese Fukuoka-based artist Noncheleee, whose cover pays homage to the iconic dancehall album art of Wilfred Limonious. Released on 1st September, Tokyo Riddim 1976-1985 is part of Time Capsule's Nippon Series, a loose series of compilations exploring different musical scenes from Japan between the 1960s and 2010s.

Catbite, WE ARE THE Union, Kill Lincoln & More Combine FOR A Modern DAY “dance Craze” Showcasing THE Current State OF SKA 2xLP Gatefold With 11x17 Poster on Doublemint Green Vinyl Recorded live across the 24 dates of the 2023 Bad Time Records tour, “this IS NEW Tone” captures the energy and diversity of the modern ska punk scene through 24 brilliant tracks from some of the genres best and brightest bands. With Catbite, We Are The Union, and Kill Lincoln highlighted as the tour headliners, you get a taste for what makes each of these bands so special live... the songs have a unique energy, you can feel the crowd responding, and it’s easy to imagine being packed into a club somewhere across the country sweating it out to your new favorite bands. Joined by fellow label mates BAD Operation, J. Navarro & The Traitors (Jay of The Suicide Machines), JER, Omnigone, Eichlers, The Pomps, Joystick, and Thirsty Guys, each of the bands contributes their unique brand of ska and punk to this jam packed celebration of one of the best live genres in music. With the help of engineer / mixer Rick Johnson (Mustard Plug, Jeff Rosenstock), the album captures the raw experience of being at the club while also maintaining a high audio fidelity in order to truly document these bands properly. The record also accompanies a live concert film / documentary of the same name which will premiere in Spring 2024. If you’re looking for evidence that ska is still alive and thriving, look no further than “this IS NEW Tone”.

This album here is a lightning roller coaster musical journey through the music of Studio One, the most important record company in the history of Jamaican reggae music. Ska and Rock Steady feature from the greatest names in reggae: The Skatalites, The Maytals, Marcia Griffiths and The Heptones alongside vocal and roots styles from Horace Andy, Willie Williams and Wailing Souls; DJ and dancehall styles from Michigan and Smiley, Prince Jazzbo and Lone Ranger; plus some wicked instrumental and dub. It's all here! 100% essential foundation style.

Ska never stopped you know! From it’s Jamaican music if the piano’s not playing ska or the guitar… any music you have… reggae… even the computer music… the piano’s playing ‘ska, ska, ska…’ it leads the music so ska is still the backbone of Jamaican music. Right?” Bunny Lee

The music of Jamaica has had a profound and lasting influence all around the world and reggae is the name by which it has become universally known. Although the term ska is often used to describe all Jamaican music before dub, deejays and dread in the mid seventies the real Jamaican ska was made in Kingston between 1961/1962 and 1966.

In the early fifties the popularity of driving rhythm & blues from the USA reached fever pitch in Jamaica and mobile sound systems (the forerunners of today’s discos) were assembled and operated by men such as Tom ‘The Great Sebastian’ Wong to play this music to wildly appreciative audiences at levels that were felt physically rather than merely heard. Competition was fierce, both metaphorically and literally, and sound system operators including Arthur Reid, ‘Duke Reid The Trojan’, and Clement Dodd, ‘Sir Coxsone The Downbeat’, would travel to America on record buying expeditions. On their triumphant return to Kingston, laden with exclusive records, they would be met by their enthusiastic supporters. Only the followers of their sound systems could hear these records and the records’ real identity would be a closely guarded secret. The titles were often scratched off and the tunes renamed to confuse the opposition.

As the decade drew to a close America turned to a softer more mellow sound and supplies of the music favoured in Jamaica began to dry up… so the sound system operators began to make their own rhythm & blues recordings. Initially intended for sound system play only on one-off acetates these tunes proved so popular that they were soon made

commercially available. Many sound men now became record producers including ‘Sir Coxsone’, Duke Reid ‘The Trojan’ and Prince Buster ‘The Voice Of The People’ although the first ‘local’ recording to make the number one spot in Jamaica was Laurel Aitken’s ‘Boogie In My Bones’/‘Little Sheila’ on Chris Blackwell’s R & B label.

The emphasis was placed firmly on the offbeat and these rhythm & blues shuffle and boogie recordings were unmistakably Jamaican in form and content and far, far more than straightforward copies of American rhythm & blues. A sound was gradually created that was not only completely new and original but that would also go on to outlive a large proportion of its influences. Powered by the musical collective known as The Skatalites together with solo singers including Derrick Morgan, Eric ‘Monty’ Morris, duos Higgs & Wilson, Keith & Enid and Stranger & Patsy and vocal groups The Maytals, The Wailers, Justin Hinds & The Dominoes the producers now began to drive the music one step beyond. Together they created an entirely new genre of music whose inventions and innovations would reach far beyond its parochial beginnings in Kingston sound system rivalry.

A blistering collection of ska tunes from Clement 'Sir Coxsone' Dodd's legendary Studio One Records, Jamaica's foundation label of reggae music. Featuring classic cuts from the originators of Ska - The Skatalites, The Wailers, Lee Perry - alongside a heavy dose of superb rarities from the might vaults of 13 Brentford Road - pure Ska Fever !

Studio One Freedom Sounds is the new collection from Soul Jazz/ Studio One focussing on the intense period in the second half of the 1960s when Studio One’s vast and unbeatable output of ska, soul, rock steady and reggae made it literally one of the hottest musical empires in the world.
During this highly successful period, Clement ‘Sir Coxsone’ Dodd released hundreds and hundreds of superlative singles seemingly on an almost daily basis, in the process making huge stars out of Jamaican singers such as Alton Ellis, Delroy Wilson, The Wailers, Slim Smith, Jackie Opel and many more.
Powered by the finest in-house musicians working in Jamaica, whether it was The Skatalites, Jackie Mittoo’s Soul Brothers, The Sounds Dimension or The Soul Vendors, Studio One functioned as hit factory on the scale of Motown in the USA, shaping and defining reggae music for decades to come.
Singlehandedly Studio One’s founder Clement Dodd was able to create the most successful vertically-integrated record company that Jamaica had ever known with pressing plant, printers, studio, shops, and sound systems all running at once, with over 50 employees and hundreds of artists working with Studio One during this time.
Studio One Freedom Sounds tells the story of Studio One in the 1960s with a stunning set of ska, soul, rock steady and reggae killer tunes as well as informative sleevenotes and track-by-track info by Noel Hawks. The album is released as heavyweight double vinyl (+ free download code), deluxe CD and digital album.

Record Store Day 2023 limited run of 650 copies.
During the final two years of the original Jamaican ska era, producer Arthur ‘Duke’ Reid released arguably his finest works in the genre. The popularity of his work from this time is reflected in the high demand for his productions from this period, with most of the 7” singles he issued between 1965 and 66 now fetching three figure sums on the collectors market. ‘Ska La-Rama’ brings together 14 of the Duke’s most elusive works from this golden era, with half of the tracks on the album appearing on vinyl for the very first time. Among those that have previously seen issue are a number of recordings widely regarded as being among the finest ska productions of the period, notably, the title track, ‘True Confession’ and the hugely collectable ‘Renegade’ by the Zodiacs. Pressed on Colored Vinyl and boasting an insert featuring a fascinating essay on the recordings by esteemed music historian Tony Rounce, this limited edition collection album comes housed in a stylish, retro-style sleeve, which captures the exciting spirit of the original ska era. An essential addition to the collection of any self-respecting fan of ska and Duke Reid’s inimitable sound.

Brand New 2017 Recut - finally available on Vinyl for the First time. 2LP+Mp3 in full Original Coverart. The legendary movie soundstrack based out of Kingston, Jamaica in April 2008, telling the story of the original vocalists and musicians involved. The sixteenth release on the Moll-Selekta label shares its title with a wonderful film, a heartwarming homage to the golden age of rocksteady. It documents the recordings being made for this very album at the Tuff Gong studios, Kingston, Jamaica in April 2008, telling the story of the original vocalists and musicians involved. Excerpts from an all star reunion concert staged in Kingston and older archive material complete the picture. Never before in the history of Jamaica, which already occupies a unique place on the world map of song, its sound embraced by western popular music, has such an illustrious collection of singers and players been assembled. The album showcases 15 rocksteady classics in sparkling, deeply inspired new versions, recorded in the studio which also played host to album sessions of a certain Bob Marley. Under the musical direction of Ernest Ranglin, a guitarist of considerable renown not only on the reggae circuit, but also on the jazz scene, mixed by legendary engineer Errol Brown - in Duke Reid’s employ at the Treasure Isle studio in the sixties - and freshly arranged by Lynn Taitt.

In the 1950s, Jamaican dancehall regulars were crazy about the haunting sounds of American Rhythm & Blues. But in the mid-1950s, Rock 'n' Roll began to replace RnB in America, and Jamaican dancehall owners like Duke Reid and Clement Dodd turned to local musicians to record their own versions of American RnB. The trend of covering foreign hits exploded during the Ska heyday of the early 60s and continued through the Rocksteady and Reggay eras. Jamaican musicians have covered virtually every genre of music, from jazz and rock to film scores, television soundtracks, pop, classical music and more. Over the years, they have also recorded many "versions" of already existing covers. Cover of cover of cover… Admittedly, some of these covers were futile but many were sublime as this new and eclectic collection of Ska, Rocksteady and Reggay nuggets, compiled by the very competent and very charming D.J. Héléa, brilliantly demonstrates. Attention we are here "undercover", there are no well-known covers. Some of the tracks selected are rare, others unknown or forgotten - but all are excellent and blended in an impeccable mix, in line with previous the Harlem Shuffle compilations... All Killer, No Filler! Reggay Undercover is an exciting musical kaleidoscope of Jamaican and Reggae music from the early 60s through to the mid 70s. We hope you will enjoy listening to this album as much as we had composing it for you. All aboard for Reggay Undercover!

A collection of rare 60's sound sources, mainly by the Skatalites, that shows the heat of Kingston in the heyday of Ska!! Selections from Indian-Jamaican Dada Tewari's Caribou and Down Beat labels. Caribbean Recording Company, owned by Dada Tewari, was one of the first Jamaican studios to follow in the footsteps of Ken Khouri and Stanley Motta, and this album contains songs from the boogie shuffle to the heyday of ska. In addition to Lord Tanamo's ska anthem "In The Mood For Ska", this is the label's first album of mega-rare singles and top Caribou ska, including Don Drummond's last recording "Bellevue Special", "Up & Down" by the Mighty Vikings and "Way Of Fortune" by Pat & Roxie.

Here is the much anticipated volume 4 of the HOT SAUCE compilation LPs dedicated to the Trojan related UK labels between 1965 and 1975.
HOT SAUCE VOLUME 4 features outstanding original Rock Steady, Boss Reggae and early Reggae (“Reggay”) tracks including rare songs, overlooked gems, hidden treasures and a couple of hits.
The record labels showcased on this fourth volume are Amalgamated, Big Shot, Duke, Explosion, Grape, High Note , JJ Records, Treasure Isle and Trojan.
The tracks here have been selected according to their musical interest firstly, their rarity, and their complementarity.

Here is the much anticipated volume 3 of the HOT Sauce compilation LPs dedicated to the Trojan related UK labels between 1965 and 1975. HOT Sauce Volume 3 features outstanding original Rocksteady, Boss Reggae and early Reggae (“Reggay”) tracks including rare songs, overlooked gems, hidden treasures and a couple of hits. The record labels showcased on this third volume are Amalgamated, Duke, Gayfeet, Grape, Harry J, Rio, Randy’s, Treasure Isle, Upsetter and Trojan. The tracks here have been selected according to their musical interest firstly, their rarity, and their complementarity. These tracks are all outstanding tracks, “killer tracks”, there is no “filler” whatsoever. Particular attention has been paid to the way the songs are sequenced (or “mixed”) so that the album builds up nicely and gradually, generally starting with the Rocksteady songs on the A side and the 70s songs on the B side. HOT Sauce is a musical journey across early Jamaican Reggae - highlighting its diverse musical genres and outstanding artists – as it was once published by the U.K. record labels during this golden decade… Since the early 70s “Tighten Up” series, no compilations have really explored these labels in depth on vinyl.

This is the first volume of the HOT Sauce compilation LPs dedicated to the Trojan related UK labels between 1965 and 1975. The initial plan is for at least 3 albums of 14 titles. HOT Sauce Volume 1 features Rocksteady, Boss Reggae, early Dub & early Reggae outstanding original Jamaican tracks including rare songs, overlooked gems, hidden treasures and some hits. The record labels showcased on the first volume are Attack, Amalgamated, Black Swan, Blue Cat, Downtown, Doctor Bird, Duke, Grape, High Note, Randy’s and Trojan. The tracks here have been selected according to their musical interest firstly, their rarity, and their complementarity. These tracks are all outstanding tracks, “killer tracks”, there are no “fillers” whatsoever. Particular attention has been paid to the way the songs are sequenced (or “mixed”) so that the album builds up nicely and gradually, generally starting with the Rocksteady songs on the A side and the 70s songs on the B side. HOT Sauce is a musical journey across the early Reggae UK labels and across different Jamaican musical genres & talents and the way they interact together. Since the early 70s “Tighten Up” series, no compilation have really explored these labels in depth on vinyl…

Originally released in 1987, this album is considered by many to be the birth of modern "third wave" ska in the USA. Remastered audio with "new" artwork that includes illustrations by legendary comic book artist BOB Fingerman. Repressed on random color vinyl in picture sleeve

Originally released in 1987, this album is considered by many to be the birth of modern "third wave" ska in the USA. Remastered audio with "new" artwork that includes illustrations by legendary comic book artist BOB FINGERMAN.

Classic 1995 third wave ska classic pressed on vinyl for the very first time! One of THE TOASTERS best selling albums of all time, released in the USA, Germany, Japan with a worldwide tour in support of the album. 14 trax on marble vinyl, now in a full picture sleeve. Repressed!

Originally released on MOON NYC in 1997, this third wave ska classic back on vinyl once again. Feat big MTV hits "I WASN'T GOING TO CALL YOU ANYWAY" & "2 TONE ARMY", 14 total tracks. Finally repressed with a full picture sleeve.

Italian Jamaican boogie, calypso & ska trio return with a brand new album. Ten tracks including wonderful versions of "got MY Mojo WORKING","L-O-V-E', "buona Sera", "that's Amore", "down IN Mexico" plus the title track. Back in print on random color heavyweight vinyl.

The US ska-heroes captured live in a German studio, during a couple of days off from their 2023 European tour. 'Men In Underwear' contains impromptu live versions of 11 popular Toasters tunes!

1988 debut from these US ska legends, finally reissued.

One More Bullet is the ninth studio album from the ska band The Toasters. Released in 2007, the album was the first Toasters release on Stomp Records. It was their second album not to be released on Moon Ska Records (excluding early records); as that label became defunct in 2000.

Vinyl reissue of third wave ska classic from 1994, originally released on Moon Ska NYC. At the time of release, the ska scene was on the verge of breaking into the mainstream. Excitement electrified the air. No album captured the sheer exuberance of this time like Dub 56. From the opening note to the closing refrain 14 tracks later, the listener is drawn into a party that just doesn't want to end - the band play like they're standing in front of an ecstatic hometown crowd. Highlights include "Mona" with it's irrepressible melody and swing, Skatalite Lester Sterling on "Dancin'" and "Marlboro Man," "Midnight Hour" shows just how much fun you can have with a soul classic, and of course title track with the toasing skills of Coolie Ranx. Essential Third Wave Ska album.

Don't Let The Bastards Grind You Down is the seventh studio album by The Toasters. It has a much more mature sound than their previous albums and wasn't as solely focused on one genre (2-Tone) as their other albums before it had been. The album's cover includes the supposed-Latin motto, "Illegitimis non carborundum", which is supposed to mean "one must not be ground down by the bastards", although it is largely faux-Latin, with "carborundum" (intended to look like a Latin gerundive) actually referring to silicon carbide, a type of abrasive.

There were some cool ska albums released at the turn of the millennium, including 2 albums by THE SPECIALS! Both “SKINHEAD GIRL” and “CONQUERING RULER” dig into the TROJAN RECORDS songbook, and the band’s sound was top notch, lead by RODDY RADIATION, NEVILLE STAPLE, HORACE PANTER, and NEOL DAVIES. The release of these records on vinyl from Black Butcher Classics gives the albums a new lease on life and will be enjoyed by an entire generation of vinyl fans!

a Sino/Japanese twist.

In the early 1960s Justin Yap and his brother Ivan [aka ‘Jahu’] ran the Top Deck sound system from their family’s ice cream parlour and restaurant in Barbican, Kingston. The local success of the sound system encouraged them to venture into the recording business, and by 1962 Justin had recorded singers Larry Marshall, Ephraim ‘Joe’ Henry and Ferdie Nelson. The fledgling label enjoyed a modest local Jamaican hit in 1963, with trumpeter Baba Brooks and the Trenton Spence Orchestra's “Distant Drums” issued on Top Deck Records as the b-side to Larry Marshall’s hit “Too Young To Love”. As a fan of exotica composer Martin Denny, Justin had heard “Jungle Drums” on Denny’s 1959 LP “Afro-Desia”. His liking for Martin Denny would prove fruitful later, when Justin recorded the Skatalites in a mammoth all-night session in 1964 at Clement Dodd’s Studio One on Brentford Road.

By 1963-1964, hundreds of ska tracks were being recorded by Clement Dodd, Arthur ‘Duke’ Reid, Vincent Edwards, Vincent Chin, Leslie Kong and Prince Buster and others. Justin had linked up with Allen ‘Bim Bim’ Scott, a friend of Clement ‘Coxson’ Dodd, owner of the Studio One label who had already recorded the musicians who became the Skatalites.

Justin and Ivan organised a session in November 1964 at Studio One; it lasted 18 hours. The length of the session allowed for alternate takes to be recorded, but the highlights of the sessions were the five original compositions by Don Drummond – “Marcus Junior”, “The Reburial”, “Confucious”, “Chinatown” and “Smiling”. The first two are in tribute to the Pan-Africanist Marcus Garvey; “The Reburial” refers to the occasion of his interment in Jamaica in 1964, his remains having been brought from the cemetery in Kensal Green London, where he was originally buried in 1940, and reburied in King George VI Memorial Park Kingston [later renamed National Heroes Park].

Along with these originals were some well-chosen cover versions. Two came from the Duke Ellington songbook: “Ska-Ra-Van” is of course Ellington and his trombonist Juan Tizol’s classic composition “Caravan”, while “Surftide Seven” is Ellington’s “In A Mellotone”. The LP title track “Ska-Boo-Da-Ba” is a version of Bill Doggett’s 1958 “King” US 45 “Boo-Da-Ba”. “Ringo” had also appeared on Arthur Lyman’s “Taboo” LP [1958] as “Ringo Oiwake”. Originally it was sung by Hibari Misora – a very famous vocal song in Japan, recorded in 1952, the melody composed by Masao Yoneyama. Yet another tune copped from Lyman’s “Taboo” LP is “China Clipper”, composed by the pianist / arranger / orchestrator Paul Conrad.

The last track on this fine LP is “Lawless Street”, a feature for Roland Alphonso. Unlike the other Skatalites, Roland wasn’t a graduate of the celebrated Alpha School, like many of Jamaica’s top musicians from Bertie King to Yellowman. Alphonso was a graduate of Boys Town School in Denham Town. “Lawless Street” was another tune that was recorded twice at the session – the second version features vocal ‘peps’ and exhortations by DJ King Sporty.

By late 1966, Justin emigrated to the USA, settling permanently in New York. There he took up US citizenship and was called up to serve in the US Army in Vietnam, In the early 1970s he worked in computers and eventually drove a New York cab. In his all too brief involvement in the competitive Jamaican music business he certainly left his mark as a producer. He produced some of the best ska ever made, and the LP reissued here is perhaps the most coherent LP in that genre, deriving as it does from a single session.

The celebrated record producer at Randy’s Studio, Clive Chin:

“It wasn’t the fact that they [the musicians] really love Justin; it was the fact that Justin used to pay them the right money and make them comfortable. Make sure them have them smoke, them food, them drink, and after them finish they got paid.” Unlike many other producers, Justin actually attended the sessions.

It stands as his defining legacy in Jamaican music history.

The originators of Jamaican ska release their latest album on vinyl with JUMP UP RECORDS. Two of the tracks feature original 60's era drummer LLOYD KNIBB plus it also captures alto sax player LESTER STERLING and vocalist DOREEN SHAFFER. Includes three bonus dubs from the session.

Jump UP issues the 1999/2000 classic on vinyl for the very first time in cebration of RSD. All time classic with original members Lester Sterling, Lloyd Brevette, Lloyd Knibb and Doreen Shaffer. Guests include KEN Boothe. New sleeve art Chema Skandal. Colored vinyl 150 only for RSD indie shops.

First time on vinyl for 1999 ska reggae classic originally released on Moon NYC. St Louis' darlings blended soul, neo-traditonal ska & rock steady into a wonderful mix that truly shows on this sophomore album. Inc fan faves "hold ME Tight" and "strikeout Summer". Heavyweight green vinyl.

First time on vinyl for classic 1995 album from long running New York ska act, originally released by Moon NYC. Inc the band's biggest hits "william Shatner" & "nude Beach". Traditional big band ska with the zest of 2-Tone, with Victor Rice and Buford O'sullivan (easy Star). Blue vinyl.

The Pogues' live performance at Chalet-à-Gobet in Lausanne, Switzerland, on June 15th, 1989, stands as a testament to their electrifying stage presence and unrivaled musical energy. Te band delivered an unforgettable performance, blending their signature blend of punk, folk, and traditional Irish music with raw passion and fervor. The Pogues captivated audiences with their infectious rhythms, poignant lyrics, and Shane MacGowan's distinctive vocals. This historic concert showcased the band at the height of their creative powers, leaving an indelible mark on the annals of live music history.

Debut Epitaph/Hellcat release for the pietasters. Produced by Brett Gurewitz of Bad Religion/Epitaph Records. Peaked at #44 on 10/25/1997

New album from long running Washington DC act, produced by Agent Jay of THE Slackers. Soulful female vocals with a sound that infuses psychedelia and jazz into traditional ska & rocksteady. Features members of fellow DC jazz ska loyalists Eastern Standard Time. Twelve tracks on white vinyl.

After a nine year wait, The Eskargot Miles pick up straight where they left off on their 2021 album Rise Again. Expect to be transported to fairer shores, as the nine member Japanese ska band add their Japanese spin on a classic reggae sound. With recent P-vine releases from Little Tempo, Natsu Summer and Asuka Ando, The Eskargot Miles find themselves as part of a thriving scene, and P-vine is excited to bring the album to vinyl format with this limited edition pressing.

Brand new album from all-star Denver band, 10 tracks of top-shelf ska-jazz instrumentals for fans of THE SKATALTES or modern acts like NEW YORK SKA JAZZ ENSEMBLE. Tracks range from BLUE NOTE flavored rock steady to uptempo scorching ska with a 2-TONE feel. A truly wonderful listen.

The Delegators play rocksteady, ska and early reggae, with hints of Motown and 60s soul. The Delegators features lead vocalist Janet Kumah, who commands an audience with her electrifying stage presence and gutsy vocal performance. Laying down a relentless groove behind her are a bunch of fine musicians, including Leon Vince, Ramy Eissa and Arthur Béranger. Since 2008 they have been inspiring audiences from London to Leipzig, from Rennes to Rome, to dance to their irresistible beat. To get an idea of the Delegators' sound, imagine the Supremes moved to Kingston via South London. They've shared bills with reggae legends and acts as diverse as The Pioneers, Dave Barker, Pat Kelly, Doreen Shaffer, The Nextmen, Hepcat and The English Beat. The Delegators kicked off the 2012 International Ska Festival in London with a bang, have performed four times at the Glastonbury Festival (including an opening slot for Lady Gaga!) and featured on Mark Lamarr's 'God's Jukebox' on Radio 2.

The release of debut album, All Aboard, was met with critical and popular acclaim, BBC Radio London 99.4FM's Robert Elms describing the album as 'one of my records of the year [by] one of my bands of the year.' A string of UK dates followed and continues into 2014, a year which will see the Delegators reach further and gain bigger and better exposure.

The Carmines are back with their 3rd full length album "Work Harder Not Smarter"! The band may have matured over the last decade, but the sound is the same and the melodies are here to stay! Staying true to their roots, they pump out 10 new songs, recorded and mixed all analog by Pete Mattern at Horsetown Recording Company, that really capture the sound and spirit of early ‘90s Lookout! Records! Limited to 200 copies on blue-ish/green-ish vinyl

Original album + live. 2 x 140g Crystal Clear / 2 x Printed Inner Sleeves / Gatefold LP Jacket / RSD Sticker

Debut vinyl outing from British ska/reggae act who formed in the early 90s, a infectious concept album that lyrically references 60's political events using samples and looped drums/horns. A 90's style electronica/ska hybrid that's unique in today's scene. White wax, pic sleeve, limited pressing of 300.

"Skinhead Moonstomp Revisited" is a new recording of the classic album with Roy Ellis.

Second album from long running NYC ska pop new wave act, mixed by Agent JAY of THE Slackers. Multiple US tours including an appearance at Sxsw21 under their belt, this female fronted powerhouse delivers 8 tracks including a cover of Bikini KILL's "rebel Girl". Limited edition pink vinyl.

Chicago's first reggae band gets it's first proper anthology of rare and unreleased recordings. Twelve tracks of rock infused reggae ska that was light years ahead. Inc "jesse James" and "heart Full OF Soul" singles + "IT Happened", "strange Cargo", "tonight" & more. Yellow wax w/poster.

Kultural Grooves is thrilled to unveil Shakedown Unlimited’s inaugural album, a masterpiece crafted amidst the vibrant cultural backdrops of Italy and Spain. This album is a testament to the eclectic talents that are part of the contemporary European Reggae, Funk, Soul, and Jazz scenes. Steering this sonic expedition are the adept Michal “Michu” Krygiel, also known as Baodub, and the inventive Davide “Deez” Di Sauro. Michu, a stalwart in the dub sound system and electronic scene, not only anchors the album with his foundational drum beats but also takes the helm in mixing and recording. Davide, with his creative spark, orchestrates the album’s arrangement and composition, weaving in his unique bass rhythms that echo his past work with The Officinalis and Napoli Rockers Syndicate, alongside the pulsating beats of Afrodesia’s ‘Episode One’. Their artistry is amplified by the spirited strumming of guitarists Andrea Farias and Alessandro “Sugar / Papa” Rizla, and the percussive precision of Giosuè Perna, whose collaborations with Periodica Records and Aloe Vera have refined their collective harmony, enriching the musical journey with a diverse palette of auditory hues. The album’s vocal prowess is delivered by Payoh Soul Rebel, whose voice stands unrivaled in the European reggae and soul landscape. The icing on the cake is undoubtedly the presence of Andres Balbucea, the singer, composer, and pianist of the breakout Disco/Afrobeat band, Parlbleu. A fellow member of the Napoli Rockers Syndicate, like the pianist Giulio Neri, Andres is entrusted with the entire composition of the organ sound for this album—an indispensable element of offbeat music—imbued with his unmatched touch. The brass arrangements, a soul-stirring element of the album, are the brainchild of jazz maestro Enrico Fumo, with the alto saxophone melodies woven by the esteemed Jah Wind, a name synonymous with reggae aficionados. The fusion of these musicians and their diverse styles, rooted in a strong reggae foundation yet infused with Soul, Funk, Latin, and Jazz, is visually encapsulated by Riccardo Corda. Corda, a visionary designer whose work has graced albums like ‘The Mauskovic Dance Band’ by Soundway Records and ‘Bar Mediterraneo’ by Nu Genea, lends his artistic signature to this album, further solidifying its place as a modern classic. The trumpet and trombone are in the capable hands of the Valencian duo, Jonas Sanchez and Manuel Pardo, masters of brass who bring a vibrant soul to every note. Shakedown Unlimited’s debut is more than an album; it’s a musical journey enriched by the essence of the Mediterranean, a reggae anthology that resonates with the soulful rhythms and vibrant influences of its heritage. We are beyond delighted to present this auditory treasure, a testament to the enduring spirit of reggae and its universal appeal.

First time on vinyl for debut album from Wash DC ska/reggae troop, on red wax. This 16 track 10th Anniversary edition includes many early favorites with guest appearances from ANGELO MOORE of FISHBNE and JORGE PEZZIMENTI of THE PIETASTERS & LOVING PAUPERS fame. Limited to 500 copies.

Punky reggae rockers from Baltimore, fearlessly lead by singer-guitarist Lady Hatchet. An infectious sound that blends classic Jamaican grooves with 2-Tone spirit, produced/mixed by Dave Hillyard & Agent JAY of THE Slackers. Includes a funky reggae cover of LORDE's "royals". Repressed!

Punky reggae rockers from Baltimore, fearlessly lead by singer-guitarist LADY HATCHET. An infectious sound that blends classic Jamaican grooves with 2-Tone spirit, produced/mixed by DAVE HILLYARD & AGENT JAY of THE SLACKERS. Includes a funky reggae cover of LORDE's "ROYALS".

Brand new album by the Jamaican legend Roy Ellis
and the Transilvanians backing band, who have been
touring with Roy for the last 10 years. This new album
features 12 songs that goes from Ska to Reggae and
including some cover versions that Roy Ellis takes to
his own territory, adapting to his style and giving
these tracks quite a new dimension.
Transilvanians prove to be a perfectly greased
machine, contributing with a perfect rhythm section,
full brass and even strings on the great ‘You'll Never
Find Another Love Like Mine’

Keyboard wizard from reggae kings THE Aggrolites, Long Beach DUB ALL Stars, and Jason MRAZ's recent ska/reggae album releases his third solo album on Jump UP. Ten tracks of instrumental Jamaican grooves that swing and sway, includes 5 dubs on the B-Side. Beautiful retro sleeve and blue vinyl.

Man from Wareika was the first album recording for Rico Rodriguez led by his own artistic imagination, not to mention the only roots reggae album to be released on Blue Note Records in the USA. After 15 years Rodriguez returned for the first time to Jamaica. He had left the country in 1961 when he was already heavily involved in creating the then new ska sound. In 1976 he added something new to reggae music. The nine self-composed tracks on the album offer intense Jamaican rhythms with seriously horn lines more linked to the jazz heritage. The trombonist album was released on Island Records in 1976 for the UK market and soon labeled as a revolutionary step forward.

Brand new album from Minneapolis ska/reggae/rocksteady band, who've backed many Jamaican greats inc Derrick Morgan and Stranger Cole. Twelve tracks of authentic Jamaican foundation sounds for fans of Trojan, Studio 1 and Treasure Isle. Golden orange vinyl with insert

Repress of second LP from Minnesota's top traditional ska/rocksteady act, a great mix of Treasure Isle and Studio ONE style tunes. The band has backed Derrick Morgan, Stranger Cole, ROY & Yvonne and their last studio project helped revive the career of Charley Organaire. Twelve tracks. Repress on yellow vinyl.