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Lindstrom - On A Clear Day I Can See You Forever Black Vinyl Edition
Lindstrom
On A Clear Day I Can See You Forever Black Vinyl Edition
LP | 2019 | EU | Original (Smalltown Supersound)
21,99 €*
Release: 2019 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Im Herbst 2018 komponierte Lindstrom ein Auftragswerk für eine Premiere im norwegischen Kunstzentrum Henie Onstad Kunstsenter. Skizzen der drei ausverkauften Aufführungen wurden zur Grundlage für die vier Tracks von ,On A Clear Day I Can See You Forever" (ein Titel, der sich an das Musical ,On A Clear Day You Can See Forever" mit Barbra Streisand anlehnt). Alle Songs basieren auf langen, einteiligen Aufnahmen. ,I felt totally unrestrained making this album", sagt Lindstrom. ,I've listened to Robert Wyatt's solo albums and his ,Matching Mole's" debut album a lot lately. It so effortless, fearless and free. And not insisting. I was very inspired by this." Dies ist auch das erste Mal, dass Lindstrom ein Album komplett mit Hardware statt mit Computer-Plugins veröffentlicht. Während seiner Performance im Henie Onstad Kunstsenter setzte er über 30 Synthesizer und Drumcomputer ein. Diese Erfahrung inspirierte ihn, bei der Erstellung des Albums ein ähnliches Setup zu wählen. Die Zugänglichkeit seiner beneidenswerten Sammlung von Musikinstrumenten - die größtenteils aus begehrten Synthesizern bestehen - ermöglichte es ihm, frei mit Ideen und Klanglandschaften zu experimentieren. ,The joy of making music on actual physical objects and devices makes a lot of sense to me now. After working on a computer for over 15 years, I don't think I'll ever look back," sagt Lindstrom mit einer fast kindlichen Aufregung. Lindstrom hat in den letzten Jahren die klassische Musik als Inspiration genannt. ,I used to study classical music at school. Back then I was listening to a lot of Opera, orchestral music and solo music on the piano. Listening to classical music again has been a revisit to my childhood days, just like I did when I embraced the 80s in the early 2000s". Als Lindstrom die Freiheit und die Freude am Musizieren ohne jedwede innere Befangenheit annahm und sich in das physische Reich des Musizierens mit Hardware vertiefte, lernte er nicht nur die Musik kennen - sondern auch sich selbst. ,I guess I've been tryi...
Lindstrom - On A Clear Day I Can See You Forever Clear Vinyl Edition
Lindstrom
On A Clear Day I Can See You Forever Clear Vinyl Edition
LP | 2019 | EU | Original (Smalltown Supersound)
23,99 €*
Release: 2019 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Im Herbst 2018 komponierte Lindstrom ein Auftragswerk für eine Premiere im norwegischen Kunstzentrum Henie Onstad Kunstsenter. Skizzen der drei ausverkauften Aufführungen wurden zur Grundlage für die vier Tracks von ,On A Clear Day I Can See You Forever" (ein Titel, der sich an das Musical ,On A Clear Day You Can See Forever" mit Barbra Streisand anlehnt). Alle Songs basieren auf langen, einteiligen Aufnahmen. ,I felt totally unrestrained making this album", sagt Lindstrom. ,I've listened to Robert Wyatt's solo albums and his ,Matching Mole's" debut album a lot lately. It so effortless, fearless and free. And not insisting. I was very inspired by this." Dies ist auch das erste Mal, dass Lindstrom ein Album komplett mit Hardware statt mit Computer-Plugins veröffentlicht. Während seiner Performance im Henie Onstad Kunstsenter setzte er über 30 Synthesizer und Drumcomputer ein. Diese Erfahrung inspirierte ihn, bei der Erstellung des Albums ein ähnliches Setup zu wählen. Die Zugänglichkeit seiner beneidenswerten Sammlung von Musikinstrumenten - die größtenteils aus begehrten Synthesizern bestehen - ermöglichte es ihm, frei mit Ideen und Klanglandschaften zu experimentieren. ,The joy of making music on actual physical objects and devices makes a lot of sense to me now. After working on a computer for over 15 years, I don't think I'll ever look back," sagt Lindstrom mit einer fast kindlichen Aufregung. Lindstrom hat in den letzten Jahren die klassische Musik als Inspiration genannt. ,I used to study classical music at school. Back then I was listening to a lot of Opera, orchestral music and solo music on the piano. Listening to classical music again has been a revisit to my childhood days, just like I did when I embraced the 80s in the early 2000s". Als Lindstrom die Freiheit und die Freude am Musizieren ohne jedwede innere Befangenheit annahm und sich in das physische Reich des Musizierens mit Hardware vertiefte, lernte er nicht nur die Musik kennen - sondern auch sich selbst. ,I guess I've been tryi...
Anja Lauvdal - From A Story Now Lost
Anja Lauvdal
From A Story Now Lost
LP | 2022 | EU | Original (Smalltown Supersound)
24,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Produced by Laurel Halo and released via Norway's respected Smalltown Supersound label, Anja Lauvdal's first solo release, From a Story Now Lost, is a gorgeous musical essay reflecting on time, its perception, and lost histories rediscovered. Finally exploring her own voice after more than a decade of collaborative improvisational playing - starting at her time injazz conservatory in Trondheim - the album is a jewel of subtle beauty and innovative detail. A freeform musician on piano, synthesizers, and electronics, Lauvdal's discography stretches back to 2013 and includes her participation in a myriad of ensembles and collaborations exploring the limits of sound andmusic in many forms, including noise, jazz, and more. Following her move to Oslo after graduation, she became deeply embedded in the music community there, touring with Jenny Hval as well as playing on her records. When pandemic hit and isolation was the norm, Lauvdal began working on her own, recording her improvisations in an attempt to capture something new for herself. Connecting to Laurel Halo via Smalltown's founder Joakim Haugland, the acclaimed American artist agreed to work with Lauvdal in shaping her solo record, becoming integral to its creation through all of its stages. Lauvdal credits Halo as a deep listener and gentle "thought-provoker", who contributed ideas as well as helping to shape the finished versions (Haloalso worked alongside Rashad Becker on the final mix of the album). Together, they found a method of recording Lauvdal's improvisations, making small loops from those, feeding them back into the synthesizers, and making synthesizers out of the improvisations, which Lauvdal would then re-improvise with. She describes the end result, "like seeing different pieces of time around in the universe." While the record is based on Lauvdal's improvisations, some tracks were inspired Agathe Backer Grondahl, a Norwegian classical pianist and composer from the latter half of the 19th century. Lauvdal notes that Grondahl is not widel...
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