Soundtracks 190 Items

Last year, we got together with The Netherlands Institute for Sound and Vision’s RE:VIVE initiative for the second time, inviting four local artists to breathe new life into four archival films from the Sound and Vision and EYE Filmmuseum archives. Jordan GCZ, Suzanne Kraft, Parrish Smith and Upsammy were all assigned short animated films dating back to 1921. The films and their new scores debuted at EYE on August 2nd as part of Dekmantel Festival 2018. Unsurprisingly, each artist imparted their unique styles onto the films that they previously had no relation with. From Suzanne Kraft's sparse atmospherics that have become more apparent in his new SK U KNO project to Jordan GCZ’s free flowing hardware jams. Parrish Smith showed his contemplative side and sparse orchestrations that he demonstrated on his RE:VIVE release, Genesis Black, a sonic departure from his bombastic releases and DJ-sets while upsammy showed yet again her deft hand for melody and texture, a style that dominates all her releases to date.
These four scores can live apart from their films, fitting seamlessly into each artists' growing catalogs of work. But when combined, it’s as if the films and music were made simultaneously with the artist and filmmaker together in the same room. Dekmantel and RE:VIVE are proud to present these new works as the electronic music scene in The Netherlands continues to show its multifaceted talent that continues to expand far beyond the dance floor.

Scottish synth pop sensations Chvrches have a history of commissioning remixes for each of their chart topping albums. Given the cinematic concept of their latest Screen Violence they wanted to get a composer involved who worked in that universe. Singer and percussionist Lauren Mayberry said that the master of horror John Carpenter was the top of their wish list elaborating that "His films and music have been so impactful on us over the years, and without the stories he created I am not sure that the concept of Screen Violence (and female narratives within the album) would exist in the way they do." They decided to reach for the stars and contact Carpenter's team and to their delight Carpenter was excited by the idea. Lauren continues "As horror fans, we know that John Carpenter is the godfather and the gold standard and we're so excited to get to work with him in any capacity... we never really thought he'd reply, let alone that he'd send back something better than the original." Carpenter's remix of the Chvrches song "Good Girls," created alongside his creative partners Cody Carpenter and Daniel Davies, enhances the depths of the song's already infectious synthesizer melodies and adds his signature slightly sinister swagger and groove.

Waxwork Records is excited to present the deluxe double LP film score release of The Eyes Of My Mother. Written and directed by Nicolas Pesce, The Eyes Of My Mother is a 2016 black and white horror film that focuses on a young woman, Francisca (Kika Magalhães) that grows up on the family farm where she has previously witnessed the murder of her mother during her adolescence. After keeping her mother’s murderer captive for years, and plagued by loneliness after the death of her father, Francisca begins a bizarre chain of actions that include luring victim’s back to the family farmhouse, dismemberment, kidnapping an infant to raise as her own son, and personally exhuming her mother.

Composed by Ariel Loh, the score to The Eyes Of My Mother is dark, haunting, and atmospheric. Composed entirely on vintage, modded analog synthesizers, the score effectively presents a tune drifting, ghostly, and often beautiful collection of compositions that captures the lead characters psychosis and devolvement.

The score to The Eyes Of My Mother has been pressed to two 180 gram colored vinyl records and housed in a deluxe, heavyweight old-style gatefold jacket with satin coating. Features include composer liner notes by Ariel Loh, new artwork by illustrator Nikita Kaun, and an 11”x11” art print.

The inspirational intake and respectful tribute of and to Hindi Cinema Soundtrack artists Kalyanji-Anandji and R. D. Burman and the Simla Beat guitar organ psych records of the early/mid 70’s, coupled with the Italian silver-stringed heavy-funked composers Piero Umiliani and Stefano Torossi kaleidoscopically conjure the sounds brought to you by Pleasurewood in this 7” single. Firework is ushered in by a Hofner Beatle bass’s nasal clacking joyfully assisted by clapping hands through murky spring reverb. A breakbeat incantation to the sun scored with Farfisa, Guitar Wah and Arp Odyssey. Move! is a more pensive post-apocalyptic funk hymn with the instrumentation of piano, cimbalom and mellotron, plus the layered and flanged vocals of the composers Paul Elliott and Anthony Donje, with the instruction to ‘Move!’ by studio kingpin Buddy Elliott.

For the first time on 7’’, the two grooviest tracks from the soundtrack composed by Riz Ortolani for “Confessione di un commissario di polizia al procuratore della Repubblica” (aka, “Confessions of a Police Captain”), the renowned 1971 crime drama by Damiano Damiani, starring Franco Nero at the peak of his career. A succession of irresistible and elegant jazz-funk breaks, practically tailor-made for sampling.

Dolby B noise reduction Multi-panel Jcard Tanzania purple shell

Glass replicated, PS1-style black CDs 16 page booklet

12 tracks incl. 'are you man enough' performed by The Four Tops ... classic blaxploitation soundtrack!!

- "Shaft in Africa" sampled by Beatnuts for "It's Da Nuts",
Cookie Crew for "Born this Way",
Diamond D for "Best Kept Secret",
Dismasters for "Black and Proud",
Hakeem for "Hip Hop Reborn",
Naughty by Nature for "The Hood Comes First",
Ras Kass for "Rasassination",
Tony Scott for "Get Into It" and
Tuff Crew for "Soul Food"

Explore the treasure trove of Austria's leading film music composer on this first time release: A blend of 19 tunes offer more than you expect from the sound of the 1970s.
Hey, you don’t know Gerhard Heinz? Heinz, Gerhard Heinz, the John Barry of Austria? We find a remedy for that…with this compilation of this best film tunes.

Watching the elusive adventures of Melody O’Brian and Sascha Hehn on the beach of the Mauritius with the finally erupting volcano (!) during their love scene, you will never forget the music of Melody In Love (1978). Responsible for the soundtrack and for more than 200 other films, mainly in the erotic genre, is Gerhard Heinz Shameless / Schamlos (1969), The Naked Countess / Die Nackte Gräfin (1971), Julia: Innocence Once Removed / Die Nichte der O. (1974) or Love Bavarian Style / Geh Zieh Dein Dirndl Aus (1975). Titles like Svenska Disco Machine provide flawless disco-funk, Bangkok At Night appeals to arose directly out of a James Bond movie from the 1970s, Die Sieben Sünden is a Vienna Melange consisting of Chanson and Easy Listening and Dampfnudeln (sweet yeast dumpling) have never been prepared that voluptuous as in this alpine homage of Je t’aime.

The enormous variety from marvellously arranged and sung Beat, Bossa Nova, Pop and Groove Jazz stands out from the mostly bad films and makes this compilation a highlight of our past repertoire.

Dynam7135 Keith Papworth – Hard Hitter / Decisive Action

A Hard Hitter

B Decisive Action

Keith Papworth was born in 1919 in Poplar, He died in 1990.

The hard Hitter Dewolf album is one of the big movers in the collectors world, This single give you two of the big numbers breaks and bass grooved

"Hard Hitter" – this is right up there with its super funky bass line and drums. A touch of flute and horns to give you that extra pick up

"Decisive Action"

DJs beware, its work out time !!! A superb funky groove sampled by Paul Nice on Vol.15 (Track 17)(2001)

Dynamite Cuts are proud to unleash another selection of musical delights. The World OF Library music is a mind field of goodies. Our first release in this 5-part series from the UK Library label De Wolf Music.

Dynam7136 Nick Ingman

A - Throng

B - Trip Wire

This is as kitch as it gets, Firstime on 7" vinyl for these two beauties. A side "Throng" with its Perfect funky opening, lifts it up into a lovely little groove, Clavs, flutes, horns… Thank you ! On the flip "Trip Wire", a slow intro building up to a wicked head knodder,

"Throng" was sampled by Ltj Bukem for the Inner Guidance" release

limited vinyl LP re-issue of the great 1967 soundtrack album 'Anna'!

* First physical format release of classic horror soundtrack * From Oscar Winning Composer Joseph Renzetti (Child's Play, The Buddy Holly Story, Poltergiest Iii) * Limited Edition Blue Vinyl / Ship to Shore PhonoCo. is very proud to announce the release of Joseph Renzetti’s score to Dead & Buried, on a physical format for the very first time! The creators of Alien bring a new terror to Earth in Dead & Buried, the cult horror film from 1981 which sees a local sheriff investigating a string of murders in his hometown, leading to one of the best reveals in 80s horror film history… Joseph Renzetti’s score is pure creepiness, accentuating the thick sense of dread which permeates the movie yet also infusing it with a wonderful sense of melancholy, making this one of the more interesting soundtracks from the era. Available in a transparent blue variant, these records are sure to be highly sought after so don’t miss out!

Four Flies 45s Serie strikes back with this unmissable Piero Umiliani double-filler, featuring the only two tracks survived from BABA YAGA's score, a pop-mystery movie inspired by the comic books of Guido Crepax, Valentina. Limited edition: 250 copies with cyan sleeve and purple label + 250 copies with gold-cover and label.

BLEACH (Original Soundtrack) highlights music from the BLEACH anime TV show and films, adaptations to one of the best-selling manga titles of all time, and a much- beloved anime franchise. This release is the only official vinyl product to be released outside of Asia and comprises music from the iconic first two seasons of the TV series.

Featuring the BLEACH main theme “Number One”, the vinyl also contains other musical highlights from the show by Japanese superstar composer Shiro SAGISU, who has also scored such prestigious projects as Shin Godzilla and the full EVANGELION series.

This variant is pressed on two 140g translucent clear vinyl in a double-sided gatefold. Also included is an insert that features images from the show and liner notes from composer Shiro SAGISU.

Waxwork Records is proud to present C.H.U.D. Original Motion Picture Soundtrack! In close partnership with the film's composers Martin Cooper and David Hughes, we located the original 1984 master tapes, restored them, and mixed and mastered the complete film music to create the definitive and official C.H.U.D. soundtrack album release.

Released in 1984, C.H.U.D. has gained a devoted cult following amongst B-Movie Horror fans. The film is widely referenced in pop culture via The Simpsons, Archer, and most recently, Jordan Peele's Us. C.H.U.D. has also served as a launching pad for several actors such as John Goodman (Roseanne, The Big Lebowski, Raising Arizona), Daniel Stern (Home Alone), and John Heard (Home Alone).

The primitive electronic score composed and performed by Martin Cooper and David Hughes captures the seedy, grim landscape that embodied early 1980s NYC via synth drones, sound design, loops, and arpeggiated notes.

Waxwork is thrilled to present the complete film music to C.H.U.D. on CD package featuring art by Ghoulish Gary Pullin, gatefold jackets with matte satin coating, and more.

C.H.U.D. Original Motion Picture Soundtrack Features:

Re-Mastered From The Original 1984 Master Tapes Artwork By Ghoulish Gary Pullin

Galcher Lustwerk has put together a collection of 10 ambient cuts here that he wrote to score a film by Josh Kline, a fine artist whose solo exhibition "Project for a New American Century" recently opened at the Whitey Museum of American Art in New York. It is a dystopic science fiction movie that details what happens after the climate crisis really takes hold. The music is an esoteric mix of free jazz, drones and bleeped-out ambient that is alive with busy, fizzing frequencies. It's a dense, textural brew that collides synth and sax sounds into a new sort of tribute to Ridley Scott's Blade Runner score.

Augustus Muller and Jae Matthews’ fifth release entitled ‘The Runner (Original Soundtrack)’ is not a traditional album. Rather, it is the soundtrack to a short film, also entitled ‘The Runner’. The film, written, produced, and directed by the duo, is a searching horror film, attached to a meta-style “documentary” about Boy Harsher’s recording process. The album includes several distinct components: cinematic arrangements, vocal features, and of course classic Boy Harsher dark pop. Both the album and short film will be released in January 2022.

The album opens with “Tower”. The only track on ‘The Runner (Original Soundtrack)’ that Boy Harsher has previously played live, but never recorded. The song is an incantation, with its pulsing synth and Jae’s begging vocals. A spell about desire and impending destruction. Jae asks 'But are you honest? Do you trust? You trust in me?' Questions answered by her desperate yells. It starts both the film and the soundtrack with a heavy presence.

Two songs on ‘The Runner (Original Soundtrack)’ feature vocalists other than Jae Matthews. He allows a distinct sound for both vocalists and really leans into the possibility of divergent genres. “Machina”, is a Hi-nrg homage, performed by Mariana Saldaña of Boan, and “Autonomy” a new wave tribute, performed by Cooper B. Handy of Lucy. Augustus Muller fully embraces the soundtrack ethos, by creating fictional ‘bands’ to generate additional content.

‘The Runner (Original Soundtrack)’ is exactly what’s in the name: a soundtrack. At first the shape of the release was nebulous - yet once realized the album is dynamic. It serves as the story of the running figure and her musical accompaniment. Those expecting a traditional release will be surprised, but not disappointed.

We can safely say that some of the past Italian library music masterpieces will hardly reach the export levels of mainstream Italian pop music. However, there is no doubt that the recent rediscovery operation led by some record labels such as Schema, Sonor, Four Flies, Intervallo and many others, has helped to create a lively and passionate record collectors’ market where names such as Umiliani, Brugnolini, Torossi, Tommasi, Braen, Iacoucci, Alessandroni are the watchwords for entering a wonderful and relatively unknown musical territory. It is probably better to avoid comparing library music to the world of movie soundtracks, even if most of the aforementioned names were working across both fields. A prestigious name like that of Ennio Morricone is the perfect example of someone involved both in library music and soundtracks - but his imprint is too established to give the idea of the purpose of Italian library music, which was mainly to add sonorization to television programs that were lacking visual substance. For a great number of years these compositions were placed in artistic oblivion and only in recent times a group of enthusiasts around the world started sharing their passion for Italian library music. Among these enthusiasts the main character of this (our) story is Lorenzo Morresi, Italian producer, musician and DJ working between Milan and London where he collaborated with several artists from around the world. Driven by a strong passion for jazz, funk and disco, Lorenzo met Italian record producer and musician Luciano Cantone (aka ‘Le Isole’) many years ago. Luciano played Lorenzo some rare Italian library music gems that he was repressing; laying the first bricks of their mutual passion for this genre. Soon after Lorenzo started producing music in that genre; combining jazz and funk grooves, Italian synth melodies and vintage electronic sounds. Last year, to much critical acclaim, he released the album ‘Cosmica Italiana’, made in collaboration with British multi-instrumentalist, producer and DJ Ed ‘Tenderlonious’ Cawthorne, and released via his record label 22a, one of the most respected contemporary jazz labels. In March 2022 Lorenzo and Luciano started pre-producing ‘Pop Flop’ at Schema Records headquarters in Milan. Part of the album has also been produced at ‘Museo Del Synth Marchigiano & Italiano’, an incredible collection of rare Italian vintage synthesizers located in Le Marche region where Lorenzo was born. These Italian synthesizers (manufacturers such as Farfisa, Crumar and Elka) were very popular in the 1970s for library music and soundtracks, and they were also used outside of Italy by the likes of John Paul Jones from Led Zeppelin, Keith Emerson, Jean-Michel Jarre and Ray Manzarek from the Doors. As Morresi himself explains, “I tried as a form of respect and love to avoid an album that simply imitates those fifty year old masterpieces, so my idea has been to add contemporary musical elements and genres together with modern production techniques to create something original”. Pop Flop has a warm, cinematic and philological feel; well balanced between tradition and innovation, fusing elements of funk, classical, acid jazz, afrobeat, trip hop - to name a few - and all whilst paying homage to those fantastic years. The song titles sound like we’ve been transported back to 1972 in a time machine: “Odeon," "Slalom," "Savana Urbana", "Beta Erotica”, “Allegro Funerario," "Rio De Janeiro Filter," and so on. We are sure that masters like Umiliani, Tommasi and Brugnolini will be pleased with the end result and will undoubtedly be smiling down from the sky.

“Sounding like the sophisticated Scandinavian elder brother of 3 Days Of The Condor or Roy Budd’s Diamonds, this previously-unreleased soundtrack is a fantastic slab of atmospheric funky jazz served Norwegian style!” Ed Griffiths (Blaxploitation.com)
Moving Music are proud to present next instalment in vintage Norwegian Soundtrack music. The youth movie “Operasjon Cobra” from
1978 is about a group of local terrorists trying to assassinate the US foreign minister on his visit Norway. The plans go wrong however as the plot is sabotaged by a group of youngsters living in Snarøya on the outskirts of Oslo.
The variety of Pete Knutsen’s music is funky jazz with the occasional dramatic mood and hint of disco, to coincide with the popular music of the times. Soundtrack feature and all-star cast of top Norwegian session players from the late seventies: Knut Riisnæs, Henry Lysiak, Thor Andreassen and Terje Methi. Played with strong array of musicianship and impressive use of instrumentation: moog, percussion, strings, breakbeats makes it a joyful listen throughout.
Soundtrack has never been released before and has undergone a new multitrack remaster by Timmion Records Finland.

Waxwork Records is honored to present THE Sword OF Doom Original Motion Picture Soundtrack by Masaru Satô! Directed by Kihachi Okamoto, The Sword of Doom is a 1966 Japanese samurai movie that tells the bloody and brutal tale of revenge and redemption. This deluxe LP features new artwork from Yuko Shimizu and marks the first time that the soundtrack is available on vinyl!

Starring Tatsuya Nakadai and featuring Toshirô Mifune, The Sword of Doom tells the story of Ryunosuke Tsukue, a masterful but heartless swordsman in feudal Japan. After deliberately killing an opponent in a training exercise, Tsukue then murders his mistress and flees town. After spending time in a haunted geisha house, Tsukue sees the ghosts of all his victims and spirals into madness, leaving a trail of destruction and bloodshed in his wake. As time passes, the years of brutal killings and evil deeds begin to weigh on his mind, ending in a climactic battle between Tsukue, a group of assassins, and the ghost of his past.

The Sword of Doom soundtrack, composed by Masaru Satô (Yojimbo, Godzilla vs. Mechagodzilla), is full of dark and yet melodic cues, and takes many influences from traditional Japanese instruments and music. A minimalist yet powerful score that brings to life the struggles of Tsukue’s inner demons. The tone ranges from brash fight scene orchestrations into quiet and lilting flute themes, but underscoring it all, Satô's music feels the evils of Tsukue.

Available for the very first time on vinyl, Waxwork Records is honored to work with Toho to present The Sword Of Doom re-mastered on 180 gram Snow, Blood, Flames, and Katana swirled color vinyl, deluxe packaging, new artwork by Yuko Shimizu, heavyweight gatefold jackets with matte satin coating, a 12"x12" art print, and more!

THE Sword OF Doom Original Motion Picture Soundtrack Features:

The Complete Soundrack by Masaru Satô Available For The First Time On Vinyl 180 Gram "Snow, Blood, Flames, and Katana" Swirled Color Vinyl New Artwork By Yuko Shimizu Heavyweight Gatefold Jackets with Matte Satin Coating 12"x12" Art Print

!!! Classic 1971 Peter Fonda film soundtrack from Dylan side-man & folk scene impresario. Beautifully melancholy score performed with guitars, tonal effects, fiddle, banjo, sitar, and more that evokes high plains drifting, lonesome cowpokes. “It’s The West seen as Purgatory, its characters endlessly moving on, but Langhorne conjures beauty from the pain.”—The Wire. New edition of 500 copies.

In 1968, the future composer of The Things of Life (Les Choses de la Vie) seriously considered becoming a director. He wrote and shot Florence, a short film influenced by the New Wave and composed its soundtrack, under the benevolent eye of Vladimir Cosma. The first spectators of the film are unanimous: failing to have seen a visionary cinematographic opus, they have discovered a real movie musician. From this first attempt, Philippe Sarde imposes his melodic talent on the picture and initiates his sense of counterpoint. This founding soundtrack, however, remained in the boxes for more than 50 years, before finding a place of choice on the B side of our album. To open the ball, we offer you another forgotten score: the almost unused score of Loulou, Maurice Pialatís cult classic. In 1980, the naturalist director planned to use original music to accompany the wanderings of his sublime love duo, played by Gerard Depardieu and Isabelle Huppert. He commissioned a bare, impressionistic score from Philippe Sarde, then changed his mind and kept only a timid end credits. The meeting between the two giants of French cinema did however take place, as evidenced by the first side of this beautiful lp. This album was produced from a high definition transfer of analog tapes, without compression or alteration, and respecting the dynamics of the original recordings.

Celebrating the 50th anniversary of the 1973 cult classic Theatre OF Blood, Quartet Records, in collaboration with MGM, presents the first-ever LP edition of the Iconic Michael J. Lewis’ score! Directed by Douglas Hickox and starring Vincent Price and Diana Rigg, with guest victims Ian Hendry, Harry Andrews, Robert Morley, Michael Hordern and Jack Hawkins, among others, the film is a macabre British black comedy about a Shakespearean actor who is systematically humiliated by critics who consider him hammy and old-fashioned. The actor becomes a serial killer and murders every critic by emulating the sadistic crimes in Shakespeare’s plays. Michael J. Lewis (sphinx, THE Madwoman OF Chaillot, THE Naked Face, THE Medusa Touch) composed a delightful score, with a catchy, charming main theme that is opposed to the brutality of the story. Contrasting strains of old-fashioned lyricism and modern soundscapes frame a score of great stylistic diversity. Even though Theatre OF Blood was a success—and has become even more widely admired over the last halfcentury—no commercial album of the full soundtrack existed until 2010, when the score made its debut on CD by La-La Land Records. The program has now been freshly mastered specially for vinyl and re-sequenced for a better listening experience, as it would have been had it been released in 1973. This limited edition of 500 units, pressed on audiophile 180 GM blood-red-and-black splatter, has been produced, restored and mastered by Chris Malone from the original stereo master tapes.

Steven Wilson is a 4 times Grammy nominated multi-instrumentalist, a soughtafter mixer and producer and has become known for the high sonic and musical standards of his work. His latest album The Future Bites featured guest contributions from Elton John and Nile Rodgers, and reached the top 5 in the UK, The Netherlands, Germany, and elsewhere across Europe. More recently Steven has become known for his immersive audio mixing, starting with his own projects, but increasingly also for several classic artists as diverse as Black Sabbath, Roxy Music, Tears For Fears, Kiss and King Crimson. Last Day of June is an adventure puzzle video game in third-person perspective. Eurogamer ranked Last Day of June 33rd on their list of the “Top 50 Games of 2017”, while Polygon ranked it 38th on their list of the 50 best games of 2017. In Adventure Gamers’ Aggie Awards 2017, it won the award for “Best Story”, while it was a runner-up each for “Best Concept”, “Best Graphic Design”, and “Best NonTraditional Adventure”. It was nominated for “Game Beyond Entertainment” at the 14th British Academy Games Awards. The soundtrack to Last Day Of June is based on existing music originally recorded and issued either on Steven Wilson’s albums under his own name or as his project Bass Communion between 2004-2016. However, with one exception, all of the music was remixed or edited especially for this soundtrack and has been carefully sequenced to make a satisfying stand-alone listening experience. Last Day Of June is available on vinyl for the first time. The LP is housed in a deluxe gatefold sleeve and contains an insert with credits and details of each song.

Transversales Disques presents for the first time on LP, François de Roubaix’s full score for the French TV series Les Secrets de la Mer Rouge, an adaptation of the epic travel, through the Middle East, of the famous writer and explorer Henri de Monfreid. This album is a collection of the original (1967) themes and those recorded later in 1975 when the TV series was continued. In the 1967 soundtrack, de Roubaix uses various flutes, marine conches, and for underwater views, unexpected instruments such as a celesta or a crystal xylophone. By 1975, electronic technology had dramatically developed and this evolution is clearly apparent when one listens to the recordings of the two seasons. For the later 1975 series, de Roubaix composed a new music score, mixing old and new sounds, a great combination of EMS Vcs3 synthesizer subtly mixed with acoustic instruments. For François de Roubaix, there was never a border between fiction, life and music, and writing music for Les secrets de la Mer Rouge was an extension of his love of the open sea.

Four Flies are proud and honoured to release the first vinyl reissue of Bruno Nicolai’s outstanding original score for GEMINUS, a 1969 Italian TV mini-series directed by Luciano Emmer and starring Walter Chiari, Alida Chelli, and Ira von Fürstenberg.
Originally released under Italian label Gemelli, Nicolai’s soundtrack has been remastered from the original master tapes and comes in a glossy, tip-on style jacket featuring the restored original cover artwork, as well as extended liner notes by film critics Francesco Cesari and Roberto Curti.
Bruno Nicolai composed and directed an eclectic score that brings together different music genres and influences, from 60s beat, psych, and prog rock to baroque and experimental music. He did not hesitate to mix classical forms and structures with new instruments
and remarkable, eccentric arrangements.

In ‘Giano’ (Janus), the interplay between a distorted electric guitar and a hypnotic harpsichord creates a strange, somewhat troubling ambience.

The delicate, celestial voice of Edda Dell'Orso leaves its unique emotional imprint on the most lyrical piece in the soundtrack, ‘Tema Barocco’ (Baroque Theme).
The main theme ‘Il cielo cade’ (The Sky Is Falling) features a luxurious arrangement and stunning orchestration enhanced by enchanting vocal harmonies sung by ‘I Cantori Moderni di Alessandroni’.

In other pieces, such as ‘Larve’ (Larvas), ‘Il sognatore’ (The Dreamer), ‘Eclisse di luna’ (Moon Eclipse), ‘Visioni’ (Visions), ‘Catacombe’ (Catacombs), and ‘Notti romane’ (Roman Nights), expressive and experimental solo passages played by instruments such as the vibraphone, sitar, harmonica, or percussions, contribute to the sombre, mysterious atmosphere of the score as a whole.
Limited edition, 500 copies worldwide.

The original double gatefold PLUS 16-page booklet containing the full script, lyrics, original paintings, and credits.

To mark its 50th anniversary, Farfalla Records is proud to announce the reissue of the highly sought after German library gem "Wonderland of Sound". Originally released in 1974, the album was produced by Brillant-Musik's founder Werner Tautz and recorded in Zurich. Wonderland of Sound is the epitome of the classic 70s library sound. A jazzy bliss orchestrated by the hottest European session players making up the Big Band "Rainbow-Orchestra". A Splendidly funky and stunning set of compositions and arrangements with ultra-stylish horn section.

The horror master John Carpenter is back with his Halloween franchise collaborators Daniel Davies and Cody Carpenter for their infectious new soundtrack to the 2022 adaptation of Stephen King's Firestarter. This marks the first official soundtrack that the team has composed together outside of the Halloween franchise and their inspiration and evolution as a creative team is on full display. The film is a new take on the thriller examining a girl with extraordinary pyrokinetic powers and her fight to protect her family and herself from sinister forces that seek to capture and control her. The film releases theatrically on May 13th, 2022 and stars Zac Efron, Sydney Lemmon, Ryan Kiera, is directed by Keith Thomas (The Vigil) and created by the producers of The Invisible Man. The story has become a classic and the intense nature of the film creates a canvas for a dynamic soundtrack. The Firestarter soundtrack utilizes some of the best elements of Carpenter's famous musical repertoire and charts exciting new territory. The tracks range from fist pumping sci-fi anthems to slow reverb drenched piano ballads and each utilizes a variety of sonic applications. Skulking beats, skittering synths, crushing guitars and an ever-lurking echo come together to create an album that is atmospheric and also deeply melodic, cohesive and eclectic. These three musicians are all working in the peak of their individual and collaborative creativity and this soundtrack further solidifies them as masters of the craft.