Sub Pop Indierock | Alternative 204 Items

Genre: Rock & Indie

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Genre: Rock & Indie

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Genre: Rock & Indie

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Genre: Rock & Indie

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Genre: Rock & Indie

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Genre: Rock & Indie

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Genre: Rock & Indie

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Genre: Rock & Indie

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LP (Sub Pop)

Genre: Rock & Indie

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Genre: Rock & Indie

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Kyle Craft

Full Circle Nightmare

LP (Sub Pop)

Genre: Rock & Indie

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7" | 1988 | US | Reissue (Sub Pop)

Touch Me I'm Sick

14,99 €*

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Superfuzz Bigmuff 35th Anniversary Vinyl Edition

LP | 1988 | US | Reissue (Sub Pop)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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LP | 1989 | US | Reissue (Sub Pop)

Nirvana

Bleach

Release: 1989 / US – Reissue

Genre: Rock & Indie

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2LP | 1989 | US | Reissue (Sub Pop)

Nirvana

Bleach Deluxe Edition

Release: 1989 / US – Reissue

Genre: Rock & Indie, Reggae & Dancehall

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LP | 1990 | US | Reissue (Sub Pop)

Smoke 'Em If You Got 'Em

Release: 1990 / US – Reissue

Genre: Rock & Indie

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Limited pressing on clear vinyl.Sub Pop is excitedly, finally repressing vinyl versions of three scorching '90s psychobilly classics by Reverend Horton Heat. All three have been out of print on vinyl since the mid-'90s, with original pressings going for considerable amounts at the ol' junk shop. The band's 1990 debut, Smoke 'em If You Got 'em, made quite the first impression with frantic stand-up bass, fiery guitar playing, and the Rev's wild howls stirring up a volatile cocktail of '50s rockabilly, punk energy, and sly humor. AllMusic said of the album "it's all sleaze, it's all wrong, and it's all so very, very right," while, on encountering the hit single "Psychobilly Freakout" Beavis and Butthead raved "This dude is weird!" "Yeah, yeah, he's like... our kind of people."

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Smoke 'Em If You Got 'Em Black Vinyl Edition

LP | 1990 | US | Reissue (Sub Pop)

Release: 1990 / US – Reissue

Genre: Rock & Indie

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Sub Pop is excitedly, finally repressing vinyl versions of three scorching '90s psychobilly classics by Reverend Horton Heat. All three have been out of print on vinyl since the mid-'90s, with original pressings going for considerable amounts at the ol' junk shop. The band's 1990 debut, Smoke 'em If You Got 'em, made quite the first impression with frantic stand-up bass, fiery guitar playing, and the Rev's wild howls stirring up a volatile cocktail of '50s rockabilly, punk energy, and sly humor. AllMusic said of the album "it's all sleaze, it's all wrong, and it's all so very, very right," while, on encountering the hit single "Psychobilly Freakout" Beavis and Butthead raved "This dude is weird!" "Yeah, yeah, he's like... our kind of people."

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Every Good Boy Deserves Fudge

LP | 1991 | Reissue (Sub Pop)

Release: 1991 / Reissue

Genre: Rock & Indie

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Congregation Loser Edition

The Afghan Whigs

2LP | 1992 | US | Reissue (Sub Pop)

Release: 1992 / US – Reissue

Genre: Rock & Indie

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The Full Custom Gospel Sounds Of

LP | 1993 | US | Reissue (Sub Pop)

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Limited pressing on coke-bottle clear vinyl.Sub Pop is excitedly, finally repressing vinyl versions of three scorching '90s psychobilly classics by Reverend Horton Heat. All three have been out of print on vinyl since the mid-'90s, with original pressings going for considerable amounts at the ol' junk shop. 1993's The Full Custom Gospel Sounds of_ stepped things up a bit, with fuller production by fellow Texan Gibby Haynes of the Butthole Surfers. In addition to the hilarious "Bales of Cocaine," Full Custom_ features the furious "400 Bucks," the atmospheric creeper "The Devil's Chasing Me," and "Wiggle Stick." On seeing the video for the latter, Beavis declared, accurately, "Yes! This guy RULES!" while Butthead agreed, "Yeah_ this guy ROCKS! ROCKS!!"

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The Full Custom Gospel Sounds Of Black Vinyl Edition

LP | 1993 | US | Reissue (Sub Pop)

Whiskey For The Holy Ghost

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Sub Pop is excitedly, finally repressing vinyl versions of three scorching '90s psychobilly classics by Reverend Horton Heat. All three have been out of print on vinyl since the mid-'90s, with original pressings going for considerable amounts at the ol' junk shop. 1993's The Full Custom Gospel Sounds of_ stepped things up a bit, with fuller production by fellow Texan Gibby Haynes of the Butthole Surfers. In addition to the hilarious "Bales of Cocaine," Full Custom_ features the furious "400 Bucks," the atmospheric creeper "The Devil's Chasing Me," and "Wiggle Stick." On seeing the video for the latter, Beavis declared, accurately, "Yes! This guy RULES!" while Butthead agreed, "Yeah_ this guy ROCKS! ROCKS!!"

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Mark Lanegan

2LP | 1994 | US | Reissue (Sub Pop)

Release: 1994 / US – Reissue

Genre: Rock & Indie

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LP | 1994 | US | Reissue (Sub Pop)

Liquor In The Front

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Limited pressing on crystal vellum vinyl.Sub Pop is excitedly, finally repressing vinyl versions of three scorching '90s psychobilly classics by Reverend Horton Heat. All three have been out of print on vinyl since the mid-'90s, with original pressings going for considerable amounts at the ol' junk shop. 1994's Liquor in the Front gets even more aggressive - heavy, even - sonically, with production by Ministry's Al Jourgensen and the high-velocity opening pairing of the high-velocity instrumental "Big Sky" and the blistering lament "Baddest of the Bad." The highest-selling of the Rev's first three albums, Liquor_ was originally co-released with Interscope Records, with the album hitting #18 on the Billboard Heatseekers chart and the single "One Time for Me" hitting #40 on the Modern Rock chart. In the words of AllMusic, "for sheer crank, nothing in his catalog can touch it."

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Liquor In The Front Black Vinyl Edition

LP | 1994 | US | Reissue (Sub Pop)

Release: 1994 / US – Reissue

Genre: Rock & Indie

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Sub Pop is excitedly, finally repressing vinyl versions of three scorching '90s psychobilly classics by Reverend Horton Heat. All three have been out of print on vinyl since the mid-'90s, with original pressings going for considerable amounts at the ol' junk shop. 1994's Liquor in the Front gets even more aggressive - heavy, even - sonically, with production by Ministry's Al Jourgensen and the high-velocity opening pairing of the high-velocity instrumental "Big Sky" and the blistering lament "Baddest of the Bad." The highest-selling of the Rev's first three albums, Liquor_ was originally co-released with Interscope Records, with the album hitting #18 on the Billboard Heatseekers chart and the single "One Time for Me" hitting #40 on the Modern Rock chart. In the words of AllMusic, "for sheer crank, nothing in his catalog can touch it."

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LP | 1995 | US | Reissue (Sub Pop)

Sleater Kinney

Release: 1995 / US – Reissue

Genre: Rock & Indie

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LP | 1997 | US | Reissue (Sub Pop)

Dig Me Out

LP | 1999 | US | Reissue (Sub Pop)

Release: 1997 / US – Reissue

Genre: Rock & Indie

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Sleater-Kinney was an acclaimed, American rock band that formed in Olympia, Washington in 1994. The band’s core lineup consisted of Corin Tucker (vocals and guitar), Carrie Brownstein (guitar and vocals), and Janet Weiss (drums). Sleater-Kinney were known for their feminist, left-leaning politics, and were an integral part of the riot grrrl and indie rock scenes in the Pacific Northwest.

Dig Me Out is the third studio album by Sleater-Kinney, originally released on April 8, 1997 by Kill Rock Stars. The album was produced by John Goodmanson and recorded from December 1996 to January 1997 at John and Stu’s Place in Seattle, Washington. Dig Me Out marked the debut of Janet Weiss, who became the band’s longest-serving and last drummer. Dig Me Out made several publications’ best album lists. The album appeared at #4 in The Village Voice’s “Pazz & Jop” critics’ poll for 1997. In 2001, Spin placed it at #19 on its list of “50 Most Essential Punk Records”. In 2003, the album was ranked #272 on Rolling Stone’s list of “The 500 Greatest Albums of All Time.” In 2005, the album was ranked #24 in Spin’s “100 Greatest Albums, 1985–2005”. In 2012, Spin also ranked it at #74 on their “125 Best Albums of the Past 25 Years”. In 2008, the song “Dig Me Out” was ranked #44 in Rolling Stone’s “100 Greatest Guitar Songs of All Time”.

“Now [delivers] the punch their words describe…If [Sleater-Kinney] wanna be our Simone de Beauvoir, Dig Me Out proves they’re up to it.” [9/10] - Ann Powers, SPIN

The album has been freshly remastered by Greg Calbi for this release.

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Mark Lanegan

I'll Take Care Of You

Release: 1999 / US – Reissue

Genre: Rock & Indie

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LP | 2001 | US | Reissue (Sub Pop)

Oh, Inverted World

Release: 2001 / US – Reissue

Genre: Rock & Indie

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Oh Inverted The World 20th Anniversary Remastered Edition

LP | 2001 | US | Reissue (Sub Pop)

Release: 2001 / US – Reissue

Genre: Rock & Indie

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Oh, Inverted World, the earth-shattering, indie-rock-redefining 2001 debut album by The Shins, is presented here in its finest form, dressed up all nice for its 20th birthday. The classic tunes get new life by way of a full remastering job under band leader James Mercer's watchful eye, the art is given a little extra zest via a die-cut jacket and a classy inner sleeve, and the package is rounded off with a big ol' booklet with vintage photos, handwritten lyrics, and more. The music, of course, is obviously essential. Aside from a friendly reminder that this is the album with the smash hit "New Slang," as heard in the hit movie Garden State, we just need to note that the remastering job truly makes this the album James Mercer always wanted it to be. Never quite satisfied with the sonics of the original, Mercer took the 20th anniversary of the album as his opportunity to finally set the (literal!) record straight. And the results sound stellar: great for new fans, and well worth the attention of those already on board! For old times' sake, here's what we had to say about this record back when it came out: Hailing from Albuquerque, NM, The Shins sprung from the ashes of Flake/Flake Music in 1997 (though those previous incarnations date back nearly a decade) - same members, different instruments, different approach. Counterpoint guitars have given way to a single guitar pitted against calculated keyboard passages; swarming indie rock machinations led to pop-based melodic endeavors (who knew?).

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LP | 2002 | US | Reissue (Sub Pop)

One Beat

Make Up The Breakdown Deluxe Remastered Yellow Vinyl Edition

Release: 2002 / US – Reissue

Genre: Rock & Indie

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Hot Hot Heat

LP | 2002 | US | Reissue (Sub Pop)

Release: 2002 / US – Reissue

Genre: Rock & Indie

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20th anniversary re-release with two bonus tracks. Initial pressing on opaque yellow vinyl! Hot Hot Heat's classic debut album, filled with smart, energetic, dance-punk hits, returns to vinyl with this fully remastered LP edition. AllMusic called the album "an addictive, densely packed pop gem that ranks among 2002's best albums," and Pitchfork agreed, including it on their list of the best albums of 2002. Following closely on the heels of their critically-acclaimed Knock Knock Knock EP, Make Up the Breakdown is Hot Hot Heat's first full-length, recorded with Jack Endino at Vancouver, BC's Mushroom Studios (with engineering help from Chris Walla of Death Cab for Cutie). Spin Magazine had this to say about Knock Knock Knock: "Some retro new wavers hang themselves on their own skinny ties. While their peers lip-sych to Cure 45s, these Canucks take subtler cues from early-'80s synth disco. It's not new-wave worship, it's the sound of punk teaching itself to dance." Make Up the Breakdown delivered on the promise hinted at on the EP. Hot Hot Heat (along with peers like Radio 4 and The Rapture) blended angular post-punk twitch with danceable pop, effectively (and finally) persuading white dopes on punk to get on the good foot in the early 2000s

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Chutes Too Narrow 20th Anniversary Remastered Black Vinyl Edition

LP | 2003 | EU | Reissue (Sub Pop)

30,99 €*

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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2LP | 2005 | US | Reissue (Sub Pop)

The Woods

29,99 €*

LP | 2005 | US | Reissue (Sub Pop)

Release: 2005 / US – Reissue

Genre: Rock & Indie

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Sleater-Kinney was an acclaimed, American rock band that formed in Olympia, Washington in 1994. The band’s core lineup consisted of Corin Tucker (vocals and guitar), Carrie Brownstein (guitar and vocals), and Janet Weiss (drums). Sleater-Kinney were known for their feminist, left-leaning politics, and were an integral part of the riot grrrl and indie rock scenes in the Pacific Northwest.

The Woods is the seventh and final studio album from Sleater-Kinney, released on May 24, 2005 by Sub Pop. It was produced by Dave Fridmann and recorded from November 2004 to December 2004 at Tarbox Road Studios in Cassadaga, New York. The Woods reached #80 on the US Billboard Top 200 chart and #2 on the Independent Albums chart. The album appeared at #4 in The Village Voice’s “Pazz & Jop” critics’ poll for 2005.

“They bash Eighties nostalgia, tell a feminist fairy tale and even quiet down for a couple sensitive love songs – needed breaks from music so intense you wonder how they can contain its explosiveness.” [100 Best Albums of the 2000’s] - Rolling Stone

“To survive these days, you have to be either suicidal or superficial. Sleater-Kinney, meanwhile, get by simply sounding fucking supersonic.” [9.0/10] - Stephen Deusner, Pitchfork

The album has been freshly remastered by Greg Calbi for this release.

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The Postal Service

Give Up

21,99 €*

Release: 2005 / US – Reissue

Genre: Rock & Indie

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LP | 2005 | EU | Reissue (Sub Pop)

Rogue Wave

Descended Like Vultures

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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LP | 2007 | US | Original (Sub Pop)

Wincing the night away

LP | 2007 | US | Original (Sub Pop)

Release: 2007 / US – Original

Genre: Rock & Indie

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... incl. coupon for free download of the entire album

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Band Of Horses

Cease to begin

2LP | 2008 | US | Original (Sub Pop)

Release: 2007 / US – Original

Genre: Rock & Indie

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incl. coupon for free download!

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Fleet Foxes

38,99 €*

Release: 2008 / US – Original

Genre: Rock & Indie

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incl. code for free download!

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LP | 2009 | US | Original (Sub Pop)

I Told You I Was Freaky

Release: 2009 / US – Original

Genre: Rock & Indie

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12" | 2009 | US | Reissue (Sub Pop)

Superfuzz Bigmuff

19,99 €*

Release: 2009 / US – Reissue

Genre: Rock & Indie

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I Told You I Was Freaky Light Green Vinyl Edition

LP | 2009 | EU | Reissue (Sub Pop)

LP | 2009 | US | Reissue (Sub Pop)

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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Limited European repress.

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Iron And Wine

Around The Well

30,99 €*

LP | 2011 | US | Original (Sub Pop)

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Collecting songs ranging from out-of-print to never-before-released, "Around the Well" spans IRON AND WINE's earliest sessions which yielded the band's debut (2002's "The Creek Drank the Cradle") through material recorded for 2007's "The Shepherd's Dog". The double-disc "Around the Well" collection is broken up into two sections. The first half is an assortment of hushed home recordings, unedited and raw, and the second highlights moments captured in the confines of proper studios with the help of other musicians, friends and engineers. The album's title comes from a line in the song "The Trapeze Swinger," a fan favorite which was written for and included...

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J Mascis

Several Shades Of Why

Release: 2011 / US – Original

Genre: Rock & Indie

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LP | 2012 | US | Original (Sub Pop)

Release: 2012 / US – Original

Genre: Rock & Indie

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2LP | 2012 | US | Original (Sub Pop)

Beach House

Bloom

44,99 €*

Release: 2012 / US – Original

Genre: Rock & Indie

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Bloom is the fourth full-length album by Baltimore-based Beach House. Like their previous releases (Beach House in 2006, Devotion in 2008, Teen Dream in 2010), it further develops their distinctive sound yet stands apart as a new piece of work. Bloom is meant to be experienced as an Album, a singular, unified vision of the world. Though not stripped down, the many layers of Bloom are uncomplicated and meticulously constructed to ensure there is no waste. Bloom was recorded in 2011 at Sonic Ranch Studios in Tornillo, TX and mixed at Electric Lady in NYC. The band co-produced the record with Chris Coady.

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LP | 2015 | US | Original (Sub Pop)

No Cities To Love

Release: 2015 / US – Original

Genre: Rock & Indie

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“We sound possessed on these songs,” says guitarist/vocalist Carrie Brownstein about Sleater-Kinney’s eighth studio album, No Cities to Love. “Willing it all–the entire weight of the band and what it means to us–back into existence.”

The new record is the first in 10 years from the acclaimed trio–Brownstein, vocalist/guitarist Corin Tucker, and drummer Janet Weiss–who came crashing out of the ’90s Pacific Northwest riot grrrl scene, setting a new bar for punk’s political insight and emotional impact. Formed in Olympia, WA in 1994, Sleater-Kinney were hailed as “America’s best rock band” by Greil Marcus in Time Magazine, and put out seven searing albums in 10 years before going on indefinite hiatus in 2006.

But the new album isn’t about reminiscing, it’s about reinvention–the ignition of an unparalleled chemistry to create new sounds and tell new stories. “I always considered Corin and Carrie to be musical soulmates in the tradition of the greats,” says Weiss, whose drums fuel the fire of Tucker and Brownstein’s vocal and guitar interplay. “Something about taking a break brought them closer, desperate to reach together again for their true expression.” The result is a record that grapples with love, power and redemption without restraint. “The three of us want the same thing,” says Weiss. “We want the songs to be daunting.”

Produced by long-time Sleater-Kinney collaborator John Goodmanson, who helmed many of the band’s earlier albums including 1997 breakout set Dig Me Out, No Cities to Love is indeed formidable from the first beat.

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LP | 2015 | US | Original (Sub Pop)

Release: 2015 / US – Original

Genre: Rock & Indie

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Written and recorded in 2014, after two years of constant touring behind their rightly-adored, self-titled debut, II is METZ at their most true to form-as pure an expression of what they do as can currently be committed to tape.

The guitars are titanic, the drums ill-tempered, the vocals chilling, and the volume worrisome.

II is the sound of an already monstrous band improving in both subtle and terrifying ways.

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Since We've Become Translucent

LP | 2015 | US | Reissue (Sub Pop)

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Tape | 2015 | US | Original (Sub Pop)

Nirvana

Bleach

Release: 2015 / US – Original

Genre: Rock & Indie

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7" | 2015 | US | Original (Sub Pop)

Goat

It's Time For Fun

9,99 €*

Release: 2015 / US – Original

Genre: Rock & Indie

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LP | 2015 | US | Reissue (Sub Pop)

Beach House

Depression Cherry

35,99 €*

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Three Men And A Baby Loser Edition

Mike And The Melvins

Release: 2016 / US – Original

Genre: Rock & Indie

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This is the new album by Mike And The Melvins. It was supposed to come out sixteen years ago. Whatever the reasons, these recordings, unfinished since 1999, languished on a shelf until 2015, when much to everyone's surprise, the involved parties reconvened, finished the damn thing, & delivered it post-haste to Sub Pop HQ. MIKE's (Godheadsilo) signature bass crunch & vocals are all over it & The Melvins are in fine form

Limited white vinyl edition.

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Tape | 2016 | US | Original (Sub Pop)

Wincing The Night Away

Release: 2016 / US – Original

Genre: Rock & Indie

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Morgan Delt

Phase Zero

8-Way Santa - Deluxe Edition

Release: 2016 / US – Original

Genre: Rock & Indie

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This 10 song collection is a home-fi construction with a more subtle, brain-tickling character than its predecessor & somewhat reflects a realist take on the flower power fantasy of 1967

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Tad

Release: 2016 / US – Original

Genre: Rock & Indie

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God's Balls - Deluxe Edition

Tad

Release: 2016 / US – Original

Genre: Rock & Indie

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2LP | 2016 | US | Original (Sub Pop)

Goat

Requiem

38,99 €*

Memories Are Now Loser Edition

Release: 2016 / US – Original

Genre: Rock & Indie

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The band's self-declared folk album, focused more on their subdued bucolic ritualism than psilocybin freakouts, while still conjuring the sultry heathen pulsations that ensared us on their previous albums. Includes download and double-wide die-cut jacket with printed inner sleeves.

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Jesca Hoop

Release: 2017 / US – Original

Genre: Rock & Indie

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The French Press

19,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

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Mark Lanegan

Field Songs

Release: 2017 / US – Original

Genre: Rock & Indie

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Field Songs is the fifth solo album by Mark Lanegan, released in 2001. Aside from its
inclusion in the now out of print box set one Way Street' this is the albums first time on
vinyl.

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Talk Tight

19,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

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Beast Epic Deluxe Edition

Iron And Wine

2LP | 2017 | US | Original (Sub Pop)

Release: 2017 / US – Original

Genre: Rock & Indie

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Light Information Loser Edition

Chad Vangaalen

Release: 2017 / US – Original

Genre: Rock & Indie

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Nobody cared about their old heads, because the new ones work just fine now, don't they?.... they have the same size mouth and eyes. The song "Old Heads" is a sci-fi space anthem to technology that constantly replaces itself, proving both necessary and unnecessary at the same time. It's also a jangly pop gem, a trip through the fantastical that is ultimately warm and relatable. This remarkable coexistence is one of many achievements of Chad VanGaalen's Light Information, his sixth record on Sub Pop, due September 8th. For an album that's about "not feeling comfortable with really anything," as VanGaalen says, Light Information is nonetheless a vivid, welcoming journey through future worlds and relentless memories. The rich soundscapes and sometimes jarring imagery could only come from the mind of a creative polymath--an accomplished visual artist, animator, director, and producer, VanGaalen has scored television shows, designed puppet characters for Adult Swim, directed videos for Shabazz Palaces, Strand of Oaks, Metz, Dan Deacon, and The Head and the Heart, and produced records for Women, Alvvays, and others. While alienation has always been a theme of VanGaalen's music, Light Information draws on a new kind of wisdom--and anxiety--gained as he watches his kids growing up. "Being a parent has given me a sort of alternate perspective, worrying about exposure to a new type of consciousness that's happening through the internet," he says. Throughout the dark-wave reverb of Light Information are stories of paranoia, disembodiment, and isolation--but there's also playfulness, empathy, and intimacy. The product of six years' work, going back even before 2014's Shrink Dust, Light Information emerged from the experimental instruments that fill VanGaalen's Calgary garage studio. As always, VanGaalen wrote, played, and produced all of the music on Light Information (save Ryan Bourne's bass part on "Mystery Elementals" and vocals on "Static Shape" from his young daughters Ezzy and Pip), and designed the cover art.

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LP | 2017 | EU | Original (Sub Pop)

Strange Peace

Release: 2017 / EU – Original

Genre: Rock & Indie

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Cry Cry Cry Loser Edition

Wolf Parade

2LP | 2017 | US | Original (Sub Pop)

Losing Tear Vinyl Loser Edition

Release: 2017 / US – Original

Genre: Rock & Indie

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White Vinyl Edition

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Bully

Release: 2017 / US – Original

Genre: Rock & Indie

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The Afghan Whigs

Uptown Avondale

Release: 2017 / US – Original

Genre: Rock & Indie

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Tape | 2017 | US | Original (Sub Pop)

The Afghan Whigs

Congregation

15,99 €*

Tape | 2017 | US | Original (Sub Pop)

Release: 2017 / US – Original

Genre: Rock & Indie

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The Afghan Whigs' third album, Congregation, was released in 1992, and has sold over 46,000 copies. This cassette version is the first time Congregation has been available on cassette since its original release in the 1990s.

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Iron & Wine

The Shepherd's Dog

Release: 2017 / US – Original

Genre: Rock & Indie

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The Shepherd's Dog is Iron & Wine's third full-length. It was originally released in 2007 to widespread acclaim.

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Moaning

Moaning Loser Edition

LP | 2018 | EU | Original (Sub Pop)

Release: 2018 / US – Original

Genre: Rock & Indie

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This Sub Pop Loser Edition is light blue Colored Vinyl! Moaning is a band defined by its duality. The abrasive post-punk trio comprised of LA DIY veterans, Sean Solomon, Pascal Stevenson, and Andrew MacKelvie, began nearly a decade after the three started playing music together. Their impassioned debut album comes born out of the member's experiences with love and distress, creating a sound uniquely dark and sincere. Although the band is just breaking out of their infancy, Moaning's sleek and cavernous tone emphasizes the turmoil of the era they were born into. One where the endless possibility for art and creation is met with the fear and doubt of an uncertain future. Solomon, Stevenson, and MacKelvie initially met as teenagers while growing up in the San Fernando Valley, and immediately developed a kinship through Los Angeles's local music scene. The three began regularly frequenting DIY institutions like The Smell and Pehrspace, eventually selling out dozens of their own shows at both venues with their first few bands. Moaning's conception came when Solomon sent Stevenson and MacKelvie the first demo for "Don't Go," setting the tone for the impulsive songwriting that would follow. The three fleshed out Solomon's primitive recordings, adding in MacKelvie's heavy syncopated drumming, and Stevenson's melodic driving bass and synth parts, capturing each member's personality in their sparse and fuzzed out tracks. Like many of their previous collaborative projects, Moaning forces pain up against pleasure, using the complexity of personal heart break to inform the band's conflicted sound. The band chose the moniker Moaning, admiring the ambiguity the name held, and hoping to reference both an intimate wail and an anguished scream. The band's homemade video for an early, home-recorded version of "The Same" caught the attention of Alex Newport, a seasoned engineer and producer who had previously worked with At The Drive-In, Bloc Party, and the Melvins. With Newport, Moaning began working on the tracks that would make up their self-titled release, employing a lush, open ended production quality that had never been at the band's disposal. Tracks like "Artificial" stand out among the recordings, where Moaning used the studio's recourses to take their frantic live arrangement and give it the intensity merited by Solomon's lyrics. As a whole, Moaning drifts from sentimental to catastrophic, hiding meek and introspective lyrics within powerful droning dance songs, giving sonic nods to some of the band's musical heroes like, New Order, Broadcast, and Slowdive. The band's youthful attitude is met with the weight of topics like loss, routine, and mental health, reflecting the anxiety towards the status quo that much of their generation faces today. Where many young bands take years to find their footing as writers and performers, Moaning has built up a confidence in sound and vision from the ten years of playing basements, bars, and ballrooms together in their previous projects. Yet, even with their polished exterior, Moaning continues to make the sacrifice of deeply personal anecdotes and emotions to their audience for the benefit of their craft.

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Hot Snakes

Jericho Sirens

Release: 2018 / EU – Original

Genre: Rock & Indie

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King Tuff

The Other Loser Edition

Release: 2018 / US – Original

Genre: Rock & Indie

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Forth Wanderers Loser Edition

Forth Wanderers

Release: 2018 / US – Original

Genre: Rock & Indie

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Hope Down

Release: 2018 / US – Original

Genre: Rock & Indie

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Yuno

Moodie Loser Edition

Release: 2018 / US – Original

Genre: Rock & Indie

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Low

Double Negative

Release: 2018 / US – Original

Genre: Rock & Indie

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In 2018, Low will turn twenty-five. Since 1993, Alan Sparhawk and Mimi Parker_the married couple whose heaven-and-earth harmonies have always held the band's center_have pioneered a subgenre, shrugged off its strictures, recorded a Christmas classic, become a magnetic onstage force, and emerged as one of music's most steadfast and vital vehicles for pulling light from our darkest emotional recesses. But Low will not commemorate its first quarter-century with mawkish nostalgia or safe runs through songbook favorites. Instead, in faithfully defiant fashion, Low will release its most brazen, abrasive (and, paradoxically, most empowering) album ever: Double Negative, an unflinching eleven-song quest through snarling static and shattering beats that somehow culminates in the brightest pop song of Low's career. To make Double Negative, Low reenlisted B.J. Burton, the quietly energetic and adventurous producer who has made records with James Blake, Sylvan Esso, and The Tallest Man on Earth in recent years while working as one of the go-to figures at Bon Iver's home studio, April Base. Burton recorded Low's last album, 2015's Ones and Sixes, at April Base, adding might to many of its beats and squelch and frisson beneath many of its melodies. This time, though, Sparhawk, Parker, and bassist Steve Garrington knew they wanted to go further with Burton and his palette of sounds, to see what someone who is, as Sparhawk puts it, "a hip-hop guy" could truly do to their music. Rather than obsessively write and rehearse at home in Duluth, Minnesota, they would often head southeast to Eau Claire, Wisconsin, arriving with sketches and ideas that they would work on for days with Burton. Band and producer became collaborative cowriters, building the pieces up and breaking them down and building them again until their purpose and force felt clear. As the world outside seemed to slide deeper into instability, Low repeated this process for the better part of two years, pondering the results during tours and breaks at home. They considered not only how the fragments fit together but also how, in the United States of 2018, they functioned as statements and salves. Double Negative is, indeed, a record perfectly and painfully suited for our time. Loud and contentious and commanding, Low fights for the world by fighting against it. It begins in pure bedlam, with a beat built from a loop of ruptured noise waging war against the paired voices of Sparhawk and Parker the moment they begin to sing during the massive "Quorum." For forty minutes, they indulge the battle, trying to be heard amid the noisy grain, sometimes winning and sometimes being tossed toward oblivion. In spite of the mounting noise, Sparhawk and Parker still sing. Or maybe they sing because of the noise. For Low, has there ever really been a difference?

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J Mascis

Elastic Days

Release: 2018 / US – Original

Genre: Rock & Indie

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Live In London Loser Edition

3LP | 2019 | US | Original (Sub Pop)

Release: 2019 / US – Original

Genre: Rock & Indie

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Our Endless Numbered Days Deluxe Edition

Iron And Wine

2LP | 2019 | US | Original (Sub Pop)

Release: 2019 / US – Original

Genre: Rock & Indie

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Orville Peck

Pony

Release: 2019 / US – Original

Genre: Rock & Indie

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Weyes Blood

Titanic Rising

Release: 2019 / US – Original

Genre: Rock & Indie

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Weyes Blood

Titanic Rising

Release: 2019 / US – Original

Genre: Rock & Indie

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Live In London

Release: 2019 / US – Original

Genre: Rock & Indie

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In The Capital / Read My Mind

7" | 2019 | US | Original (Sub Pop)

15,99 €* 19,99 € -20%

Release: 2019 / US – Original

Genre: Rock & Indie

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This Mess Is A Place Loser Edition

Tacocat

Release: 2019 / US – Original

Genre: Rock & Indie

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2LP+7" | 2019 | US | Original (Sub Pop)

Automat

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Sub Pop)

Shannon Lay

August

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Sub Pop)

Frankie Cosmos

Close It Quietly

Release: 2019 / EU – Original

Genre: Rock & Indie

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Morning In America Loser Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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Junior Black Vinyl Edition

Corridor

Release: 2019 / US – Original

Genre: Rock & Indie

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Corridor

Junior Loser Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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Omni

Networker Loser Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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Shannon Lay

August

3,99 €* 15,99 € -75%

Release: 2019 / US – Original

Genre: Rock & Indie

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There is an entire sub-genre of poetry devoted to rivers and their persistent, meditative flow. Emily Dickinson's ''My River Runs to Thee'' compares them to the cycle of life, while Alfred Tennyson's ''The Brook'' deems them eternal and Kathleen Raine's ''The River'' muses on the dream-state they evoke. For transcendent folk-pop artist Shannon Lay, the river is all of the above: It's the metaphor driving her latest album, the exquisitely uplifting August, which doubles as an aural baptism renewing her purpose for making music. ''I always picture music as this river. Everyone's throwing things into this river, it's a place you can go to and feed off of that energy,'' she says, ''and feel nourished by the fact that so many people are feeling what you're feeling. It's this beautiful exchange.'' The album's name, August, refers to the month in 2017 when Lay quit her day job and fully gave herself over to music. This was her liberation as an artist, and the album is devoted to paying that forward to her listeners. Lay may be the most chilled-out artist you'll ever meet. Despite fronting her tranquil solo act and being a guitarist/singer in the indie-rock band Feels, she never pressures herself to overachieve. Nonetheless, she regularly does: in a glowing review, Pitchfork anointed her last album, Living Water, ''captivating.'' With her life devoted to music, Lay often spends hours a day simply playing the guitar, challenging herself to become better. ''It just feels so good, doing something that is so much bigger than myself. I think so much of music is that, realizing that it's coming from something beyond and you are just the messenger'' says Lay, who took guitar lessons at age 13, which introduced her to Neil Young and The Beatles. After high school, she moved from Redondo Beach, Calif., to Hollywood and joined an indie-rock band. ''It was an energy I needed to release,'' she says. The exact type of energy may have changed, but her drive hasn't. August was mostly written in three months, during Lay's first solo tour for Living Water. ''For the most part, all of the songs were just guitar and voice,'' she says. In keeping with the humbled, contemplative nature of August, most tracks clock-in at three minutes or less. She saved indulgence for the production. ''Some songs as they were had this room to grow,'' says Lay, who recorded the album with her longtime friend, musician Ty Segall at his home studio on the East Side. ''I believe whoever you record with tends to affect the mood of music and Ty really brought this jovial sense that I hadn't really explored yet,'' she says. Also in the mix is Mikal Cronin, who played saxophone on the album's opener, ''Death Up Close.'' ''A lot of my friends who are really tough have admitted that they shed a tear when they hear my songs, and I think that really speaks to the visceral aspect of folk music,'' Lay says. ''It's this ancient form of expressing yourself.'' Think of August as a warm hug for your psyche. ''I want to create as much music as I can,'' she says, ''and leave this spot by the river where people can go sit and enjoy.''

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Orville Peck

Pony

15,99 €*

2LP | 2019 | US | Original (Sub Pop)

Release: 2019 / US – Original

Genre: Rock & Indie

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Combining the lulling ambience of shoegaze with the iconic melodies and vocal prowess of classic American country music, enigmatic outlaw cowboy Orville Peck, croons love and loss from the badlands of North America. The resulting sound is one completely his own, taking the listener down dusty rose-colored desert highways, through a world where worn out gamblers, aloof road-dogs and lovesick hustlers drift in and out of his masked gaze. Orville's upcoming debut album, Pony, delivers a diverse collection of stories that sing of heartbreak, revenge and the unrelenting tug of the cowboy ethos. Warm lap steel guitars and echoing drums move through dreamy ballads, campfire lullabies and sometimes frantic buzzsaw tunes, all the while paying homage to his country music roots. Orville's music has been featured by Nylon magazine, ID mag, Vice, The Needle Drop, as well as numerous Apple Music and Spotify playlists. He has also had magazine features in New York's Hello Mr. and the UK's Notion. ''The masked man our 'Yee-Haw' moment deserves.'' - The New Yorker ''Utterly seductive.'' - MOJO ''4/5 - One of the best and most fascinating debuts from an alt-country-adjacent artist in a very long time.'' - AllMusic

TRACKS

Tape Casette 1

01 Dead of Night 01 Old River
02 Winds Change 02 Big Sky
03 Turn to Hate 03 Roses Are Falling
04 Buffalo Run 04 Take You Back (The Iron Hoof Cattle Call)
05 Queen of the Rodeo 05 Hope to Die
06 Kansas (Remembers Me Now) 06 Nothing Fades Like the Light

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Omni

Networker

Release: 2019 / US – Original

Genre: Rock & Indie

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LP+7" | 2019 | EU | Reissue (Sub Pop)

Automat Loser Edition