Sundazed Classic Rock 15 Items

Release: 1967 / US – Reissue

Genre: Rock & Indie

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The lost tapes have surfaced, bringing with them a walloping new stereo mix! A sonic cocktail of acid garage, blues & psych rock from one of Detroit’s finest – featuring Ted Nugent! Dominated by gritty head-swirlers and heavy, fuzz guitar licks, their debut is considered to be an early innovator of heavy metal. Their five and a half minute version of “Baby Please Don’t Go” is an absolute acid garage classic with some fantastic feedback and great guitar sustain. Nugent creates some serious guitar noise on this number and shows off his brilliant chops. The album closes with another garage classic, “Gimme Love.” This song has some laser fuzz guitar riffs and angry Mike Drake vocals. In between these two garage monsters are many other great compositions. There are a few covers, two work really well (the splendidly bluesy “Let’s Go Get Stoned” and the gritty Who cover “It’s Not True”). They also hit real hard with “Colors,” a furious acid rock song with some sinister soloing. “Phillip’s Escalator” is very Syd Barrett era Pink Floyd with brit vocals, clanging chords and first class guitar scrape. It’s a true classic on this exceptional outing. The guitar freakouts, Who-like energy and great songs make this debut a prime slice of early Detroit rock. – The Rising Storm

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Sunshine & Shadows Pink Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Touted as the “new Doors,” Ars Nova’s second release shows the band genre-bending jazz and heavy psychedelia in a style that’s their own. Shifting from a largely classical centric sound, this was the group’s last album before going their separate ways. Pressed on pink vinyl!

Sunshine & Shadows takes the baroque-meets-psych sound of the debut and turns a bit more to the psych side. The stately brass interludes are gone, but horns still figure prominently in the mix. There’s some jazzy New Orleans flavor to a couple of the tunes, albeit twisted into a 7/4 vamp on “You Had Better Listen.”

The instrumentalists in the band, featuring trumpet and trombone, really give the music a unique flavor, setting them apart from the multitudes of other American psych bands. Ars Nova might be likened to Ultimate Spinach (but without the overly serious, pretentious lyrics) or later Zombies (though with less emphasis on the keyboards).

It’s all very well written and nicely played, and when they do a tender ballad like “Temporary Serenade,” the acoustic guitar is very lute-like, much more along the lines of classical than folk (like the later work of Jan Akkerman with Focus), and the trumpet descant adds a lovely spice.

“Well, Well, Well” is the heaviest rock tune in their repertoire, with a great electric guitar riff and hot organ playing, again set apart by trombone and trumpet. This one is definitely worth seeking out for baroque pop fans.

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Ten Years After

28,99 €*

White lighting - lost cadence session 58

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Link Wray

LP | 2008 | US | Original (Sundazed)

29,99 €*

Release: 2008 / US – Original

Genre: Rock & Indie

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banned as "moral threat" in 1958, here it is with 50 years of delay! ... handnumbered limited pressing of 1000 copies!

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Ars Nova Black Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Classical infused psych from NY groovers Ars Nova! Through their creative use of medieval modes, hook-driven pop, & trombone, Ars Nova delivers psychedelia within a classical & prog rock lens, a style that’s their own, yet recalls bands like Left Banke, Honeybus, and Aphrodite’s Child - all who were experimenting with the short-lived baroque pop craze. Pressed on green vinyl! Ars Nova was something totally different for the musical ears of 1968, and still sounds fresh and exciting today, when you think of the great albums of ‘68, like Abbey Road, White Light/White Heat, The Hangman’s Beautiful Daughter, The Move, Electric Ladyland, This Was or Wonderwall Music shows how influential the year was and yet, Ars Nova with its wide sphere of influences has nothing in common with the trends of the year. The only albums that it can be vaguely compared to is either the Velvet Underground or United States of America, both bands that, like Ars Nova, bucked against existing trends and the end of psychedelia, instead preferring to go their own unique way. This is American progressive music, and takes the art of music making into a different genre, an alternative alleyway. The intelligence and musical nous that spans [this album] is really worth diving into and enjoying. It’s always great to get to hear albums like this, as it provides a counterpoint to the contemporary of the time and gives a real insight into the underground and alternative scene of that era. The beauty of being underground and away from the mainstream is that something that is not of its time ends up being timeless.

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Ars Nova Green Vinyl Edition

December's Children Pink Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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December's Children

LP | 1970 | US | Reissue (Sundazed)

LP | 1970 | US | Reissue (Sundazed)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Bluesy rust-belt psych from Ohio's December's Children! Bouncing between male and female vocalists, tight harmonies, country flavor and rock 'n' roll style, their sound fit the transition between pop and heavy rock in the late '60s. Pressed on pink vinyl!

This country-blues psych album was originally released near the end of 1970, and though it was their sole album, December's Children are a good example of how music was changing between the end of the '60s and beginning of the '70s. Accented by psychedelic keys & organ (especially in "Trilogy"), it's been described as Texas garage rock, with funky, hook driven guitar - particularly in "Sweet Talkin' Woman" and "Last Monday Night."

Opting for a more straight forward rock 'n' roll sound, the band never considered themselves psychedelic (though that was being pushed at the time), and though they weren't as heavy as Blue Cheer, their country-blues sound is nearly a precursor to later albums by Savoy Brown and Blodwyn Pig.

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Truth

Release: 1970 / US – Reissue

Genre: Rock & Indie

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Back on LP for the first time since its 1970 release! Their sole album boasts members of the Wrecking Crew along with three Motown producers, all experimenting with a commercial psychedelic sound that defined the end of an era. Sitar head-swirlers, sunny, melodic harmonies and a country folk influence all blend together to bring listeners Truth!

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Sunshine & Shadows Black Vinyl Edition

Blue Marble Colored Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Sagittarius

LP | 1969 | EU | Reissue (Sundazed)

28,99 €*

7" | 2007 | US | Original (Sundazed)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Byrds

Lazy days

13,99 €*

Nucleus White Vinyl Edition

Release: 2007 / US – Original

Genre: Rock & Indie, Pop

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/ reputation ... recorded in 1968, for the first time ever in their unique mono mixes!

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Nucleus

The Orient Express Seaglass Bue Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie, Pop

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The Orient Express

The Tangerine Zoo Chlorophyll Clear Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Sitar-laden raga rock-xotica! Light the incense, turn on and tune out to this acid folk blend of electric oud, minitar and melodica - its genuine organic blend of both Eastern and Western sounds make this band truly sound like no other. Pressed on seaglass blue vinyl!

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The Tangerine Zoo

The Superfine Dandelion Blue Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Let’s take a trip to the zoo, in mono! Labeled as a part of the Bosstown Sound, these Boston psych rockers take listeners along for the ride - their freak-out arrangement of “Gloria” and a slew of outtasite originals showcase their intricate psych pop sound. Got your lava lamp bubbling yet? Originally from Swansea, MA, the Tangerine Zoo formed just six months before writing and recording their first album. Once they turned down RCA and Atlantic for Mainstream, the group agreed to do one single and an album, one that’d take just 13 hours to complete. Inspired by Vanilla Fudge and the hippie scene in Greenwich Village, the band’s acid rock captured the same psychedelic sound bands like Orpheus, Ultimate Spinach, and Beacon Street Union were creating in Boston. After a promotional tour, the band went on to make just one other album before dissolving at the end of the ‘60s, leaving a true Bosstown artyfact behind. “Tangerine Zoo may be an orange happening, and have to be seen to be believed. They make the claim that ‘your eyes and ears will throw a party for your mind.’” – Fall River, Mass. Herald News Feb. 13, 1968

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The Superfine Dandelion

LP | 1967 | US | Reissue (Sundazed)