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All Items / HHV Records / Vinyl, CD & Tape / Rock & Indie / Punk | Hardcore

Superior Viaduct Punk | Hardcore 8 Items

Organic Grooves 9 Rock & Indie 24 Indierock | Alternative 16 Classic Rock 1 Punk | Hardcore 8 Folk 2 Electronic & Dance 12 Reggae & Dancehall 2 Pop 1 Classical Music 3
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Dicks - Kill From The Heart Red Vinyl Edtion
Dicks
Kill From The Heart Red Vinyl Edtion
LP | 1983 | US | Reissue (Superior Viaduct)
28,99 €*
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Release: 1983 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2024-07-05
Dicks’ debut LP has been acknowledged as a foundational statement in Punk ever since its initial 1983 release. Following their first single, 1980’s “Dicks Hate The Police,” and a live split with fellow Austinites the Big Boys, Kill From The Heart does not disappoint. Originally released on SST, the album stands apart from the mass of generic thrash-hardcore contemporaries— fueled by the manic, but controlled power of singer Gary Floyd along with the original lineup of guitarist Glen Taylor, bassist Buxf Parrot and drummer Pat Deason. Dicks were operating at an absolute peak at this point, alternating damaged workouts that suggest Flipper or No Trend on one end and highly charged tracks in the vein of Minutemen or Tales of Terror on the other. Straight out of the gate on “Anti Klan,” the band trades blues-grounded guitar with squealing feedback and intensely political lyrics. The raw emotional sincerity of Floyd, who was openly gay in Reagan-era Texas, provides unmistakeable urgency to songs such as “No Nazi’s Friend,” “Rich Daddy” and the title track, which remains one of the stone-cold classic punk anthems. Forty years on, Kill From The Heart continues to smolder—an arresting testament to the possibilities embodied in creative rage. It is no surprise that Dicks have been covered by Mudhoney, Jesus Lizard and more. Superior Viaduct is honored to present this truly essential reissue. Comes with original tracklist, insert and download card.
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The Ex - Blueprints For A Blackout
The Ex
Blueprints For A Blackout
2LP | 1984 | US | Reissue (Superior Viaduct)
26,09 €* 28,99 € -10%
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Release: 1984 / US – Reissue
Genre: Rock & Indie
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Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex – a name chosen for the ease and speed with which it could be spray-painted onto a wall – have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration.

Blueprints For A Blackout, The Ex's fifth album and first double LP, combines caustic studio experimentations and loose songs from their gripping live-set at the time. The band consisted of singer G.W. Sok, guitarist Terrie Ex, two new recruits on bass, Luc and Yoke, and drummer Sabien Witteman, along with a plethora of guests including Mekons' Jon Langford and long-serving sound engineer Dolf Planteijdt, among others.

Originally released in 1984 on the band's own Pig Brother Productions, Blueprints veers from jagged punk explosions to sharply focused improvisations featuring field recordings that would become a hallmark of their subsequent forays into free jazz and experimental music. The overall effect is not unlike the menace of a slowly building winter storm.

Tracks like "Rabble With A Cause," "U.S. Hole" and "Scrub That Scum" stand out as exemplars of this phase of The Ex. Comparisons can be made to contemporaries Einstürzende Neubauten, NoMeansNo and Svätsox as well as later Crass label bands.
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Crime - San Francisco's Doomed
Crime
San Francisco's Doomed
LP | 1970 | US | Reissue (Superior Viaduct)
25,99 €*
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Release: 1970 / US – Reissue
Genre: Rock & Indie
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The legend of Crime looms large among punk aficionados the world over. Formed in the mid-1970s, the band's dual-guitar sound, confrontational image and sleazed methodology still serve as inspiration decades later. With only a handful of singles released during their active lifespan, Crime's legacy grew significantly as archival recordings began to trickle out in the early 1990s. Of all these excavations, San Francisco's Doomed was one of the first and certainly one of the most powerful. Culled from 1978-79 studio demos and rehearsal tapes, San Francisco's Doomed captures the frenzy of Crime's sound in a fittingly loose, devil-may-care framework. Side one is a gloriously unpolished assault of classic, gutter-level punk with vicious live set staples like "Feel The Beat" and "Piss On Your Dog" taking marquee placement over the more well-known singles tracks. Side two finds Crime taking aim at the so-called New Wave, augmenting their attack with ripped odes that bear the direct influence of science fiction and rockabilly on the group. Few recordings from US punk's first wave match the raw intensity heard on San Francisco's Doomed. As Michael Stewart Foley writes in the liner notes, "Unimpressed with the once idealistic counter-culture and all the bands associated with it, Crime declared itself San Francisco's First And Only Rock 'N' Roll Band. Dressed in police uniforms and driving sonic ice picks through listeners' eardrums with the volume cranked past 10, they looked more like a street gang that might take your wallet and slash your face with a switchblade just to watch you bleed. But despite the band's best efforts to stand apart, Crime could have come from nowhere else, at no other time."
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The Mekons - The Quality Of Mercy Is Not Strnen
The Mekons
The Quality Of Mercy Is Not Strnen
LP | 1979 | US | Reissue (Superior Viaduct)
27,99 €*
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Release: 1979 / US – Reissue
Genre: Rock & Indie
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Debut album by UK post-punk legends The Mekons
• Originally released in 1979 on Virgin Records
• First-time vinyl reissue
• Liner notes by Simon Reynolds
• No export outside US/Canada
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This Kind Of Punishment - In The Same Room
This Kind Of Punishment
In The Same Room
LP | 1987 | US | Reissue (Superior Viaduct)
31,99 €*
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Release: 1987 / US – Reissue
Genre: Rock & Indie
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First-time reissue!
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The Mekons - Where Were You?
The Mekons
Where Were You?
7" | 1978 | US | Reissue (Superior Viaduct)
11,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / US – Reissue
Genre: Rock & Indie
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Limited edition for Record Store Day 2018!
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The Mekons - Never Been In A Riot
The Mekons
Never Been In A Riot
7" | 1978 | US | Reissue (Superior Viaduct)
11,99 €*
Incl. VAT plus Shipping Costs
Release: 1978 / US – Reissue
Genre: Rock & Indie
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Limited edition for Record Store Day 2018!
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The Ex - Pokkeherrie
The Ex
Pokkeherrie
LP | 1985 | US | Reissue (Superior Viaduct)
19,79 €* 21,99 € -10%
Incl. VAT plus Shipping Costs
Release: 1985 / US – Reissue
Genre: Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Emerging out of Amsterdam's vibrant squat scene in 1979, The Ex – a name chosen for the ease and speed with which it could be spray-painted onto a wall – have for four decades been an entirely self-sustaining musical entity, charting a course through the global underground with a spirit of freedom and radical exploration.

On 1985's Pokkeherrie (Dutch for "terrible noise"), The Ex return to the more stripped-down instrumentation on their early LPs. A key lineup change would also see the arrival of drummer Kat Bornefeld (whose supple rhythms propel the group to this day).

Recorded at the new location of Koeienverhuur Studio in the basement of storied squat/venue Emma, Pokkeherrie is a testament to the angular momentum of a group in full creative flux. Right from the opening track, bassist Luc Klaasen generates a relentless pulse. Terrie Ex's sparse/acidic guitar and G.W. Sok's impassioned vocals combine in a vein similar to The Minutemen, Flipper or Rudimentary Peni, except The Ex have the patience and wherewithal to sustain their approach beyond just brief explosions.

Perhaps only The Fall from this period can match The Ex's ability to hold a melody together while utilizing otherwise harsh sonic elements over an extended piece, most effectively on "Soviet Threat," "1,000,000 Ashtrays" and "White Liberals."
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