US Hip Hop 58 Items

New single from Dillon & Paten Locke
- Rap Safari J-Zone Remix (feat. Phill Most Chill & J-Live) b/w J-Zone Remix Instrumental

The original version of Rap Safari featured on Dillon & Paten Locke’s superb Food Chain album released on Full Plate Records back in July 2016 and was a modern fast rap classic featuring the always incredible Phill Most Chill and the legendary J-Live.

This dope remix by J-Zone with a new narrative for the chorus parts with Paten Locke on turntable duty gave the song a brand-new flavour, totally different to Paten’s original beat.

Originally intended to be a digital only venture but AE Productions and Full Plate got talking about a vinyl release as a joint project and here we are, a new fast rap classic on 45 supplied by 2 truly independent Hip Hop labels.

Mr Krum has recreated the Jungle Brothers - Straight Out The Jungle sleeve with absolutely stunning results even getting the characters in exactly the same pose and we’re sure you’ll agree the hours were well spent!!

The album featuring A$AP Rocky, Frank Ocean, Lil Wayne, Estelle, Kevin Abstract & Rex Orange County.

First part of an ongoing series of singles featuring some of the globes finest. x 2 tracks produced by Morriarchi Side A will be available to stream but Side B is vinyl only.

The latest mash up masterpiece from AMERIGO GAZAWAY unites the NOTORIOUS B.I.G. and the Godfather of Soul JAMES BROWN for 10 crucial cuts cleverly titled "B.I.G. POPPA'S GOT A BRAND NEW BAG", "THE B.I.G. PAYBACK", "SEX MACHINE GUN FUNK", "TEN CRACK COMMANDMENTS" and more. Full picture sleeve.

Marv Won is a Detroit musical alchemist – a street poet laureate entrenched in the battle rap scene, as well as a cinematic world class producer as capable of channeling Dr. Dre as Donald Goines. Marv breaks new ground with his first Mello Music Group album “I’m Fine, Thanks For Asking” - a soul-baring endeavor, that weaves tales of struggle and triumph, drawing inspiration from his storied life in the Motor City.

As one of the most esteemed battle rappers, Marv Won brings a lyrical ferocity to his unapologetically raw and heartfelt rhymes. This album collaboration with Mello Music Group marks a pivotal moment in his career, showcasing a seamless fusion of his word play and production. The album, featuring collaborations with Quelle Chris, Elzhi, Freeway, Rapper Big Pooh of Little Brother and more, cements Marv Won's status in the rap game. Marv Won's storytelling transcends mere verses, painting vivid portraits of life in the D. Over ten self-produced tracks Marv showcases his ability behind the boards with tracks that blend epic orchestration and Joe Louis drums that hit like Tommy Hearns.

R.I.P. Trugoy the Dove

Finally back on vinyl. Now also back on tape, officially reissued. Must have! 3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989 It marked the first of three full- length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number", "Buddy", and "Eye Know". The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held its annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a 'hippie' group, based on their declaration of the 'D.A.I.S.Y. Age' (Da. Inner. Soul. Yall). Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).

After the collaboration in 2014 the two parties team up again for this full length, produced by Frank Dukes (Danny Brown, 50 Cent). Guestlist includes MF Doom!

180g vinyl.

It's at the very beginning of MF Doom's career that Moar interested himself in the sound of the late artist. He quickly became a big fan of Doom's instrumental projects Special Herbs. This new beat tape is a tribute to his use of samples. Take note that even the name of the tracks have been changed, will you find out what are the originals?

Un-released J. Dilla productions from 1994!

Reissue on 150g vinyl.

On Donald Glover’s latest project as Childish Gambino, he ditches rap for lovingly produced funk worship, resulting in his most enjoyable project yet.

Every rapper is a struggle rapper. The degree of adversity changes from one tax bracket to the next, but no contract comes with immunity. The pursuit of happiness lasts as long as you do. Stik Figa has been trying to tell you for years.
“Central Standard Time”, the Topeka, KS native’s second official Mello Music Group release, is a meditation on struggles new, old, and eternal. Stik Figa’s rhymes remain intricate yet accessible, the words interlocking to create fresh meanings. Every verse displays his hard-won honesty. Though the pains are personal, the moments are strikingly familiar. These are the songs you play when you’re tired of being told to turn up, when you avoid your bank statement like the plague, when you still can’t shake the first time someone called you “nigger,” when another relationship has wrecked your life.
With production from venerated heavyweights like Nottz, Exile, Black Milk, and Apollo Brown, there is never a stale loop or drum pattern. Beats crafted to fry subwoofers are offset by those warm and poignant. L’Orange produced lead single “Cold,” deftly straddles that divide. Over cavernous drums and a soul-stirring sample, Stik Figa indicts posturing trap rappers with searing wit.
When he’s not dismantling the unoriginal alone, Stik Figa enlists indie luminaries Elzhi, Homeboy Sandman, and Quelle Chris. And on album closer “The Git Down,” he macks alongside Bay Area legend Rappin' 4-Tay. With each feature, the results are even more arresting.
Ultimately, “Central Standard Time” is a reminder that sharing our burdens helps others do the same. It’s rap as therapy, the words written to move forward. Listen and do likewise. Struggle waits for no man.

These days everything you consume has to be checked - a vibrant outside can hide a genetically modified Frankenstein interior. Finding that 100% organically grown with no artificial rhymes can be difficult. This album is for those looking for something less calculated.

Powerful production runs the range from soulful, funk filled, and hard knocking to cool, laid back easy nodders. The rhymes are politically aware without taking themselves too serious - so from the occasional judo chop to the need for sexy, dirty slutty money - Denmark explores life from the perspective of a man who grew up on minimum wage and butter sandwiches but has grown into a self-aware scholar.

Lyrics don't sugar coat anything -no matter how rough that truth might appear: "The fleek shall inherit the Earth and the meek shall be buried in dirt - ain't nothing sweet." Denmark delivers existential truths while still throwing in a "where the hoes at?" A street savvy album that explores Black love, brutality, capitalism's grip on our daily thoughts, and the connection it all has to our ancestors. Gensu Dean has produced for David Banner, Large Professor, Roc Marciano, and more, while Denmark Vessey has had his praises sung by the likes of Earl Sweatshirt. This is that sh*t to get you through sh*t.

For the first time on 7inch, 45 RPM vinyl, FlipNJay Records presents, “Superstar Pt. Zero” by the superstar himself, K-os. A record tailor made for DJs from a recommendation from another Canadian legend, Starting From Scratch , “Superstar” features kHeaven from Heaven rapping and singing over the Pal Joey house classic “Hot Music.” Together with the video, an homage to Herb Alpert’s “North On South Street”, featuring some of Canada’s best b-boys and b-girls and house dancers, this track transcended dance circles world wide and has aged like a fine wine.

In collaborating with FlipNJay records releasing his classics onto 7 inch, K-os decided to celebrate by combining the first release with his newest music to date - “supernovas” produced by long time hometown homies Mstrkft!

ONe of those classic 90s hip hop albums that everybody should own. Classic productions & verses galore with a little help from Showbiz, Large Professor, Big L, Fat Joe, Q-Tip & others!

An undesputed classic album comes back with the 25th anniversary treatment! Remastered from the original tapes by Bob Power (D'Angelo, De La Soul) plus three remixes by Ceelo Green, Pharrell Williams & J. Cole!

At a blink and you’ll miss it runtime of 15 minutes, the 5 tracks, all easily distinguishable, focus on vibe and feel over technicality which producer Morriarchi has previously displayed in ‘Friend Come To Me To Be Saved’. Our emcee on this joint is one who you may recognise from past collaborations with kindred spirits MachHommy, Fly Anakin and Liv.e. This, coupled with projects produced by one of the underground scene’s top beatmakers ohbliv, has made Koncept somewhat of a household name in the US rap discussion. Here Koncept Jack$on’s naturally jazzy, off beat style of spitting plays right into the very capable hands of Morriarchi, who uses features from Kayana, Capriisun and Pertrelli as more than just a hook or a verse, but as another form of instrumentation. Such as Koncept Jack$on’s form of rap commands, these are tracks which will uncover more with every listen, so require, as much as they demand, multiple replays. Kayana’s vocals act as strings to Koncept’s keys in ‘A Toa$t’, just as CAPRIISUN’s high pitched darts play as a moog synth to accompany Koncept’s mid-range rhythmic rumblings in ‘Window Fit’; geographical separation apart, this is a thoroughly cohesive album.

On his new album, Samurai, Lupe retreats inward to give fans one of his most personal albums in his deep catalog. “I sometimes get tagged by my fans as not doing personal records,” Lupe says, “but I always tell people there's me in there if you listen closely enough. This album is one of my more personal records to date. It's not a full biography, but my personal experiences are tied up in all of my music. A lot of the records are me. Some are from the POV of a character. and some are me. The album weaves things from my life as an artist, touching on things other artists go through.” The narrative follows a battle rapper through various moments in his career, starting with how they honed their battle rap skills, following their career through different moments. Musically, the new album finds Lupe delighting in the simple pleasures of assembling assonant syllables into playful and poignant narratives. The 8-track album is smooth, yet cerebral, brimming with ideas, but always radiating Lupe’s pure love for the art of emceeing and committing himself as a servant of the rap game. The album was produced in full by longtime collaborator and friend, Soundtrakk (“Superstar,” “Kick, Push,” “HipHop Saved My Life”), their second time linking up on a full album after 2022’s DRILL MUSIC IN ZION, and is also the first time Lupe, Trakk, and longtime manager Charles “Chill” Patton were in the studio together since Patton’s release from prison in 2023. “It felt great to be back in the studio again as a family,” Lupe says. It’s the first time they’d worked together in the studio since Lupe’s seminal album, The Cool in 2005. “The word ‘samurai’ means to serve,” Lupe says on the album’s title. “My relationship to that word has always meant that you need to be at the service of other people, either in the overall community, or in this instance, the rap community at large that I’ve been a part of for years. You have some duty, some purpose to serve. The title alone is very important to me. Before rap even, martial arts was my whole life, and it still plays a huge role in my life. The album is me, but also inspired by a quote I heard from one of my favorite artists. The overall themes of the album speak to the constant fight and the battle one goes through being in the entertainment industry. Some of the things we need to defend.”

On his new album, Samurai, Lupe retreats inward to give fans one of his most personal albums in his deep catalog. “I sometimes get tagged by my fans as not doing personal records,” Lupe says, “but I always tell people there's me in there if you listen closely enough. This album is one of my more personal records to date. It's not a full biography, but my personal experiences are tied up in all of my music. A lot of the records are me. Some are from the POV of a character. and some are me. The album weaves things from my life as an artist, touching on things other artists go through.” The narrative follows a battle rapper through various moments in his career, starting with how they honed their battle rap skills, following their career through different moments. Musically, the new album finds Lupe delighting in the simple pleasures of assembling assonant syllables into playful and poignant narratives. The 8-track album is smooth, yet cerebral, brimming with ideas, but always radiating Lupe’s pure love for the art of emceeing and committing himself as a servant of the rap game. The album was produced in full by longtime collaborator and friend, Soundtrakk (“Superstar,” “Kick, Push,” “HipHop Saved My Life”), their second time linking up on a full album after 2022’s DRILL MUSIC IN ZION, and is also the first time Lupe, Trakk, and longtime manager Charles “Chill” Patton were in the studio together since Patton’s release from prison in 2023. “It felt great to be back in the studio again as a family,” Lupe says. It’s the first time they’d worked together in the studio since Lupe’s seminal album, The Cool in 2005. “The word ‘samurai’ means to serve,” Lupe says on the album’s title. “My relationship to that word has always meant that you need to be at the service of other people, either in the overall community, or in this instance, the rap community at large that I’ve been a part of for years. You have some duty, some purpose to serve. The title alone is very important to me. Before rap even, martial arts was my whole life, and it still plays a huge role in my life. The album is me, but also inspired by a quote I heard from one of my favorite artists. The overall themes of the album speak to the constant fight and the battle one goes through being in the entertainment industry. Some of the things we need to defend.”

Hailing from Eugene, Oregon, Capriisun has been carving his own pocket of rap for a while now. He may go under the radar of the average Griselda fan but C’s name is a familiar one in international rap circles.

Capriisun has a unique global audience that spans far beyond his Oregon hometown. Hard to pin down in terms of East Coast or West Coast, C’s inability to be boxed in has helped him become one of the most recognisable voices in the fanatical scene of underground hip-hop across Europe.

'A Fleeting Now' is the sound of an MC truly in their comfort zone. Capriisun owns every guitar lick and piano key, allowing mellow pastel backdrops from the likes of Omar Bmar and Nine Two to illuminate his dextrous and ruminative wordplay.

Limited Edition of 500 copies on blood splattered vinyl.

Quelle Chris has recorded with plenty of producers but his bond with Chris Keys extends beyond music. After linking through mutual collaborator Roc Marciano, the two Chris’ became fast friends. About four years worth of hang-out sessions, bong hits, video games and take-out food culminated in 2Dirt4TV3: Innocent Country, a deceptively subtle character study of self disguised as an excellent piece of stoner headnod hip-hop.

Throughout the 33 minutes that comprise Innocent Country, our two protagonists are in synch like a pair of Jaeger pilots. Though the LP certainly has instances of energy and aggression, “Madness In The Oasis” and “Where The Wild Things Roam” are two, more often than not it lives within introspective mid-tempo moments like the languid “Nothing Moves.” Quelle is the wayward MC waxing bittersweet on the reflective “Well Running Deep,” filling Chris Keys’ sweeping string samples with palpable nostalgia. Our peregrine rapper is the lowkey consummate artist, powerful enough to give a rousing performance on the moving “I Asked God,” then turn on a dime and nail the hilarious and self-effacing “Drugfest TooThousandToo.”

Upon repeated listens, one might see that Innocent Country speaks to the blissful naivete of youth. It’s the soundtrack to self-medication as an escape from reality, but it doesn’t jump ship before the inevitable moment of clarity. Innocent Country is a party, but it’s also the morning after and the day before. A sweet experience on the surface, this is therapy billed as reefer night at your man’s spot.

Black Friday Record Store Day 2022 Reissue. Color: Black. Limitation: 3000. Debut vinyl edition / black / 180g / Gatefold

The long awaited Jorun PMC album is finally here!

Red Pill of Ugly Heroes fame is about to release another dope EP for 2015!

The Psycho Realm (1997) is the first album of the hip hop group The Psycho Realm. The group consisted of Sick Jacken, Duke, and B Real, MC and one of the masterminds behind Cypress Hill. The Psycho Realm is an impressive collection of hardcore West Coast gangsta rap. There's genuine menace in their rhymes and music, which is why it hits so hard. The Psycho Realm's surrealistic imagery and impressionistic music creates genuine tension.

180g vinyl.

Gravediggaz: "Digging graves of the mentally dead and resurrecting their state of unawareness
and ignorance." Frukwan describes the meaning of the group's name. Helping give
birth to hip-hop’s subgenre of Horrorcore and one of hip-hop's first supergroups,
Gravediggaz were born at a time when all four members were at low points in their careers.
Already one of hip-hop’s most legendary producers, Prince Paul was at a crossroads in his
career resulting in experimenting with darker sounding beats. He recruited a young soon to
be legendary producer RZA, who was at a different type of crossroads in his career, not
having the best experiences with various labels and before going on to start the global phenomenon
that is The Wu-Tang Clan. Also added were Frukwan, a former member of
Stetsasonic with Paul, and Too Poetic, a young MC navigating his way in the game after
creating underground buzz with his 2 brothers and their short lived group the Brothers Grym
and before his unfortunate death from colon cancer. The four transformed themselves into
The Undertaker (Paul), The RZArector (RZA), The Gatekeeper (Frukwan) and The Grym
Reaper (Too Poetic) to form Gravediggaz. On 6 Feet Deep the group utilize horror-themed
imagery and lyrics combined with black comedy and satire to vent their frustrations with the
hip-hop record industry. Singles "Diary of a Madman," "Nowhere to Run, Nowhere to Hide"
and "1-800 Suicide" lead an onslaught of tracks which The Quietus writer David Bennun
described as "a then novel means of addressing black life at street level [and] finding a new
way of getting that message across". Production is mostly handled by Paul with RZA handling
a few tracks. Highly regarded and still sought after, this pressing comes in a premium
gatefold jacket with only 2000 of this classic available.

Never sacrifice the art for anything and never leave home without your respect. Southwest representer Cash Lansky hails from the deserts of Tucson, Arizona about 45 minutes from the Southern border. His story is one of family, trials, growth, and being forced into a role all too many young boys face - being the Man of the House at a young age. Wise beyond his years, Cash grew up quick. This record is the heartfelt result of being able to reflect on that life and bring forth the lessons and stories that make great art. A seasoned performer and respected member of the Arizona Hiphop scene and Southwest culture, Cash Lansky makes his indie label debut with Mello Music Group on this T-Wade and Mario Luciano produced album (Mario's credits include notable releases like Drake’s “8am in Charlotte”, Kendrick Lamar & Baby Keem’s “Savior” , J. Cole’s “Punchin’.the.clock”, Jack Harlow’s “Is That Ight?”, and H.E.R. & YG’s “Slide”). The new record is mixed by the legendary Willie Green. This is Rec-Center Rap straight from the heart of one the West's best.

100% produced by Swab feat. Josiah The Gift, General Backpain, Maze Overlay, Mickey Diamond, Ty Farris, Dango Forlaine, Ronnie Alpha, Che Uno & 9th Uno, Nowaah The Flood, ethemadassassin, Guy Grams, Mental Da God, Empuls, John Jigg$, Copywrite, Substance810, Supreme Cerebral, Rim, M.A.V.

Finally, this Beastie Boys classic gets a reissue!

Let’s say after a long day at work, a strenuous workout, a half marathon, or maybe three months into a CrossFit membership, after ending a bad tinder date, you look at yourself in the bathroom sweating , frustrated, exhilarated, or something else to say mean things in a pensive pace. Mav flows over Damien’s slow grimy drums with melancholy loops on some colorfully designed vinyl. He’s either reflecting on some $hit or threatening the man in the mirror like Robert De Niro in Taxi Driver after losing his $hit.

Let’s say after a long day at work, a strenuous workout, a half marathon, or maybe three months into a CrossFit membership, after ending a bad tinder date, you look at yourself in the bathroom sweating , frustrated, exhilarated, or something else to say mean things in a pensive pace. Mav flows over Damien’s slow grimy drums with melancholy loops on some colorfully designed vinyl. He’s either reflecting on some $hit or threatening the man in the mirror like Robert De Niro in Taxi Driver after losing his $hit.