Vampisoul Funk | Soul 24 Items

Release: 2024 / EU – Original

Genre: Organic Grooves

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Call My Name Splatter Vinyl Edition

Joe Bataan

7" | 2023 | EU | Original (Vampisoul)

LP | 1970 | EU | Reissue (Vampisoul)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Limited orange/black splatter vinyl!Back in 2004, Vampisoul was extremely honoured to play a role in the return to recording of the legendary Joe Bataan, which fully materialized in the acclaimed album "Call My Name", written and produced by Daniel Collás (The Phenomenal Handclap Band, Incarnations). Today, the song that marked the return of Joe Bataan finally makes it into a 7" single for the first time."This whole project grew out of a song called 'Cycles of You', which I had written around 2000-2001 with the guitarist and bassist of my band at the time, Easy. The chord progression and vocal melody really reminded me of Bataan, and it occurred to me that it wouldn't be impossible to get him into the studio to do a guest vocal if we ever recorded it. I had met Bataan a few years before at a small, family-reunion style show at the Nuyorican Poets Cafe in my neighbourhood, where he not only still sounded great, but was also gracious and easy to talk to.By the time we got around to recording with Easy, the band was about to break up but we still had the studio booked. We all agreed that we didn't want to continue as a band, but at the same time, it would be a shame to never record what we had been working on. Around this time Bataan was playing out again, so I went to the show to see him and find out if he'd be interested in doing some vocals with us. He was agreeable, so we decided to turn it into a Joe Bataan session and do 'Cycles of You'.When I got the opportunity from Vampisoul to do a full album, I was hoping Bataan and I could write some songs together, but our schedules proved tough to coordinate. I figured the best way to go about it was to do most of the work and just have him come sing on it. I thought this might be a little weird for him, since he is used to writing and producing most of his own records, but he was open to it.The rhythm section was a band called TransLove Airways that I formed in 2002. We got really tight and developed a great sound that was, to me, equal...

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Marie Queenie Lyons

Soul Fever

26,99 €*

LP | 2011 | EU | Original (Vampisoul)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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A real soul gem from 1970 on the James Brown affiliated Deluxe label, the first and only album by this mysterious singer: Marie Queenie Lyons. It is perhaps apropos that Queenie Marie Lyons's best known song is titled 'See And Don't See.' For all the acclaim that song has accrued, and all the times it has been compiled, reissued and, yes, bootlegged - for all the times it has been seen - Queenie herself has somehow remained unseen. Queenie was a natural performer and a gifted singer. At the age of fifteen, she was doing three shows a week at a local venue. In early 1962, Queenie moved to Queens and was soon playing gigs across the city - an early engagement was with Gene Krupa at the famous Metropole Café in Times Square - as well as touring with established acts like Fats Domino and Ray Charles. The following year, Queenie made her debut recording, for a subsidiary of RCA called Groove, credited to an entirely fictitious "Shelley Shoop and the Shakers." It remained Queenie's only presence on wax until early 1968, when a Nashville-based label called Sims gave her her first accurately attributed single, "A Minute Of His Goodtime / Good Soul Lovin'." Although the 45 is now a highly collectible part of the Northern Soul and Lowrider Oldies pantheons, it made no impact at the time, as Sims was focused on more typical Nashville sounds. A few months later Queenie was back in New York City, performing R&B and pop covers with her band when a man passed her his business card at a performance. The card read James Brown Enterprises. James Brown "was my idol," she says, and someone whose business acumen and stage presence she strove to emulate. Although Queenie ended up on tour with James Brown for only a month or so, when the group reached Cincinnati in mid-'68 she entered the King Records studio there to record what would become the album you hold in your hands. The songs were a combination of covers, some of which she'd been doing in her live shows, like 'Fever' and 'Try Me,' and originals...

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V.A.

¡Chicas!

Release: 2011 / EU – Original

Genre: Organic Grooves

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Cumbia De E.T. El Extraterrestre

Afrosound

7" | 2023 | EU | Original (Vampisoul)

LP | 2020 | EU | Original (Vampisoul)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Two massive cumbias recorded in 1983 by Afrosound, the studio band fronted by Fruko and put together by Discos Fuentes in order to emulate the guitar-heavy tropical sounds emanating from Perú and Ecuador at the time. Heavy on space sounds and unexpected sonic tricks, these two songs were released as a tribute to E.T. aiming to take advantage of the pull of the film that year. First time reissue. - Afrosound was born from the desire of Discos Fuentes vice-president José María Fuentes to come up with a domestic version of the emerging African and Latin rock sounds coming from outside the country, inspired by groups like Osibisa and Santana. The mission was to emulate the guitar-heavy tropical sounds emanating from Perú and Ecuador at the time. According to various sources, the 1972 tune 'La danza de los mirlos' (by Peru's Los Mirlos) emerged as a great success in Colombia and with it a new way of interpreting the country's most famous musical export, namely cumbia, through a Peruvian perspective. Fuentes executives convened an expert crew of musicians led by Julio E. Estrada aka Fruko the following year to create this type of music for the domestic market because they sensed a potential for similar success. Once again Fruko is at the helm in the studio for this recording, simultaneously holding it down and allowing the musicians to explore their most spaced-out fantasies. This time Jose A. Villerias is in control at the mixing console, pulling all sorts of tricks with space sounds, reverb and echo, and everyone sounds as if they are having a lot of fun. Both songs had been previously recorded and included on Afrosound's 1974 album "Carruseles" -recently reissued on Vampisoul- but these new versions from 1983 feature an updated sound with an extensive use of space effects and unexpected sonic tricks. Taking advantage of the pull the film was having at the time, the result was carefully packaged with an E.T. themed artwork, aiming commercial success.

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Jaime & Nair

2LP | 2019 | EU | Reissue (Vampisoul)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Loaded with an exquisite quality, marked by all good aspects the Brazilian Popular Music of the '70s, and obscure as hell, the self-titled debut by the duo Jaime & Nair is a revelation of all sorts. Recorded in 1974, when the artists had just turned 22, the album was released on CID a company that - at that same moment - had signed other important musicians like Nana Caymmi and Emílio Santiago. Outsiders par excellence, and influenced by the "Clube Da Esquina" sound (a sui generis musical architecture blended by Milton Nascimento and Lô Borges in 1973), forró (a propulsive North-Eastern rhythm), samba, bossa, classical arrangements, and country-pop touches, we have an expressive album full of charm through a gesture of swing. The outstanding and largely hailed song 'Sob O Mar' brings us back to a pure Brazilian soft-bossanova-beat adorned by luscious orchestral arrangements. It became a popular DJ tune for those in the know after being comped in the fantastic "High Jazz" series in the early 2000s, gaining this album grail status among collectors worldwide. But there is much more to it, the catchy 'Névoa Seca' stars a psych-guitar, subtlety, soloing all the way through a seductive pop atmosphere while 'Reino Das Pedras' has a melodic-rootsy vibe, close to a toada (a rhythmic variation of a lament), that recalls some shadows of Tom Jobim and Edu Lobo. And the delightful soft trip goes on and on, combining a dreamy lullaby vibe with subtle touches of Brazilian folk. The mind-blowing list of studio musicians present at the recording sessions includes a mix of cariocas (people from Rio de Janeiro), well know names like Wilson Das Neves, José Roberto Bertrami (from Azymuth!) and Copinha, with paulistas (natives of Sao Paulo) from the suburbs like future luminaries as Elder Bedaque and Jorge Carvalho, making this album an even more essential addition to any serious Brazilian music collection.

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Los Destellos

Sicodelicos

LP | 2019 | EU | Original (Vampisoul)

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Led by Enrique Delgado, Los Destellos truly defined the sound of Peruvian cumbia with the incorporation of diverse influences and the use of electric guitars. This compilation selects the Los Destellos tracks closest to the genres of psychedelia, beat and boogaloo, taken from albums released between 1968 and 1978. These 20 irresistible songs are essential elements of Peruvian cumbia, the rhythm that changed the face of Lima, shook the Andes and spread like a forest fire across the Amazon basin. For fans of Los Mirlos, Link Wray, Davie Allan and surf instrumentals. A 2019 Record Store Day release. Total worldwide pressing: 1000

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Os Seis Em Ponto

22,99 €*

Paco Zambrano Y Su Combo / Traffic Sound

Release: 2019 / EU – Original

Genre: Organic Grooves

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Francis Hime has been a fundamental artist of Brazilian music since the mid-1960s as a pianist, singer, composer, arranger and orchestra director. "Os Seis Em Ponto", released in 1964 on the prestigious RGE label, was his first album, recorded as part of the band of the same name. Hime's rhythmic piano swings between bossa and jazz along the entire record with the typical groove of the then emerging Brazilian sound. The instrumental depth of the album, featuring the brilliant backing of the flute and the trombone and the effective guitar of Nelson Motta, does not diminish the infectiousness of its songs, a wonderful repertoire by such solid composers as Carlos Lyra, Roberto Menescal or Castro Neves, as well as absolute legends like Vinicius de Moraes, Antonio Carlos Jobim or Edu Lobo. Presented in facsimile artwork and pressed on 180g vinyl.

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Meshkalina/Meshkalina Splatter Vinyl Edition

7" | 2021 | EU | Reissue (Vampisoul)

2LP | 2007 | EU | Original (Vampisoul)

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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Traffic Sound's 'Meshkalina' is a song with references to Incan culture which was heard all over Peru when released in 1969. It combined psychedelia, a hint of progressive hard rock and a Latin tinge. It became an anthem of its time and was covered by Paco Zambrano y Su Combo shortly after, resulting an explosive Latin dancefloor hit! Currently in high demand in the psych/garage collectors' scene and played out in all major events by top psych DJs, this 7" comprises both versions for the first time.A perfect DJ tool! It's hard to choose between the two recordings of the huge psych-Latin anthem 'Meshkalina' that were released in Peru in 1969. The Traffic Sound original was a big hit all over the country. The fierce guitars of the Peruvian band and Latin percussion sounds would be spiced with references to Incan culture. Then Paco Zambrano y Su Combo would record it again adding some extra Latin flavor resulting an explosive Latin dancefloor hit!

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Gozalo!

Volume 1

LP | 2022 | EU | Original (Vampisoul)

Release: 2007 / EU – Original

Genre: Organic Grooves

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26 tracks of fine Latin sounds

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Los Kintos

El Trio (Lapouble, Lew, Cevasco)

Release: 2022 / EU – Original

Genre: Organic Grooves

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1970 album that marked a milestone in the history of Peruvian tropical music comprising an outstanding repertoire of Cuban rhythms as a response to the trends of the moment: boogaloo and Colombian cumbia.Guitarist Pancho Acosta lead the band and Kiko Fuentes delivered the vocals across some juicy descargas and guarachas.In the late sixties, a generation of young Peruvian musicians, who were fans of tropical sounds, chose Cuban rhythms over the onslaught of boogaloo and Colombian cumbia. This musical movement attracted a legion of young followers, mostly from popular districts of Lima.In 1969, percussionist Domingo Guzmán Villanueva was commissioned by the MAG record label to get together a group to revive Cuban musical tradition. To lead the project he recruited, Francisco "Pancho" Acosta, founder and guitarist of the Company Quinto. The new group was baptized Los Kintos, in a nod to their desire to carry on playing in the Compay Quinto style. The link between the two groups appears on this first album, as the group's name is written in two different ways: Los Kintos, on the front cover; and Los Quintos, on the back.Recordings began in 1969 and included the stunning 'Descarga Kinto', Richie Ray and Bobby Cruz's original 'Pancho Cristal' -renamed here 'Pancho Guzmán- and Cuban classics from the repertoire of the historic Trio Matamoros like 'Lágrimas Negras' or 'Mentiras', all with lead vocals by Kiko Fuentes.The success of their concerts would take them on tours across the country, always recognized as outstanding figures of Cuban music in Peru.This reissue brings back an album that marked a milestone in the history of Peruvian tropical music and revives the fame of the group's legendary live performances. First time vinyl reissue.

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Todo En Su Medida Y Armoniosamente

LP | 2021 | EU | Original (Vampisoul)

LP | 2021 | EU | Original (Vampisoul)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Mega Rare 1974 Jazz Funk Rock Album Recorded By Argentina's Top Jazzmen Pocho Lapouble, Ricardo Lew And Adalberto Cevasco (Also Members Of Quinteplus, Jorge Lopez Ruiz's Band And Gato Barbieri's Group Among Many Others).Includes The Irresistible Fast-Paced Funk Rock Track 'Se Acabó El Recreo' And The Ethereal 'Todo En Su Medida Y Armoniosamente' And 'Haceme Shaft', Featuring Patricia Clark On Vocals And Unexpected Moog Arrangements.First Time Reissue, With Remastered Sound And Original Artwork. -Info: Those Into World Jazz Will Be Aware Of The Amazing Modal, Big Band And Post-Bop Jazz Recordings Released In Argentina In The '60s. The Body Of Work Produced By The Likes Of Chivo Borraro, Jorge López Ruiz Or Enrique Villegas Would Be Able To Rival The Recordings Of Their American Counterparts.The Following Decade Would See A Great Openness To The Exploration, With A Jazz Language, Of Other Musical Genres, With A Certain Preponderance Of Rhythm. The Members Of El Trio Are Part Of A Jazz Generation With A Greater Propensity To Experiment With Electricity And With What Could Be Considered An Avant La Page Exercise Of What Soon Afterwards Would Be Called Jazz Rock -It Is Music Composed And Played, In The Faraway Buenos Aires, At The Same Time Miles Davis Adventured Into New Fields, With Such Records As "In A Silent Way" Or "Bitches' Brew"."Todo En Su Medida Y Armoniosamente" Reflects That Same Spirit Of Experimentation And Fusion Of Diverse Influences With An Eye On Both Rock And Local Folklore. It's Not Surprising That The Protagonists Of This Recording -Pocho Lapouble (Drums), Ricardo Lew (Guitar) And Adalberto Cevasco (Bass) - Had Accompanied Gato Barbieri Himself In His Project "Latinoamérica" Shortly Before The Release Of This Album Where The Presence Of Rhythms From The Southern Hemisphere Infused The Avant-Garde Jazz Of The Argentine Saxophonist. Drummer Pocho Lapouble Had Also Created Quinteplus, Which In 1972 Released A Single Studio Lp Inspired By Those Same Premises Of Fusi...

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Hugo Jasa

Estados De Animo

26,99 €*

Dean Parrish / Porgy And The Monarchs

Release: 2021 / EU – Original

Genre: Organic Grooves

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Highlightsa New Title In The Series Of Full-Album Reissues That Vampisoul (Co-Produced In Collaboration With Little Butterfly Records) Is Releasing As A Valuable Addition To Our Largely Acclaimed Compilation "América Invertida", Focusing On The Obscure Leftfield Pop And Experimental Folk Scene From '80s Uruguay, Making Some Of These Elusive And Essential Albums Available Again.Hugo Jasa Aimed To Merge The Glamour Of The 80s (Drum Machines And Yamaha Dx7 And Roland D50 Synthesizers Command The Timbre Of The Album) With Uruguayan Afro-Candombe Sound In His Songs. A Deep Bench Of National Talent, As Eduardo Mateo, Hugo Fattoruso, Jorge Galemire Or Mariana Ingold, Took Part In These Sessions.The Album Was Originally Released In 1990 With A Single Pressing Of 300 Copies, And Then Recently Rediscovered By New Generation Of DJs, Musicians And Hardcore Record Collectors Around The World Thanks To The Internet, Reaching A Cult Status And Becoming A Top Want.Hugo Jasa's "Estados De Ánimo" Is Reissued Here For The First Time, In Its Original Artwork With An Extra Obi And Including An Insert With Liner Notes By Uruguayan Music Writer Andrés Torrón.Description After Over A Decade Of Dictatorship, A Process Of Democratic Openness Began In Uruguay In The Early 80s. It Was A Time Of Social And Cultural Effervescence, Uruguayan Music Lived A Particularly Brilliant Moment, Marked By The Emergence Of A Generation Of Artists Who Open-Mindedly Mixed The New Global Sounds That Started To Resonateacross The Country With Their Local And Regional Musical Roots. Hugo Jasa Was At The Centre Of This New Music Scene.Born Into A Family Associated With Music And Dance, Jasa Studied Composition, Musicology And Orchestra And Choral Conducting, As Well As Being A Drummer. He Also Followed In His Father's Footsteps As A Sound Engineer. Some Of The Most Interesting Uruguayan Records Released In The 80s Were Recorded In La Batuta Studio, Co-Owned By Henry Jasa, Hugo's Father. The Studio Became A Meeting Place...

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Bricks, Broken Bottles And Sticks / My Heart Cries For

7" | 2021 | EU | Original (Vampisoul)

12,99 €*

That's No Way To Treat A Girl / Say It Again

Release: 2021 / EU – Original

Genre: Organic Grooves

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'Bricks, Broken Bottles And Sticks' Is Dean Parrish's First Soul Recording From 1965 Which Became A Local Radio Hit And, Years Later, A Classic Spin On The Uk Soul Scene. On The Flip, Porgy And The Monarchs' "My Heart Cries For You" Is Another Dance Floor Anthem That Reached Cult Status. Some Will Still Remember Italian American Singer Dean Parrish After His Brief Appearance In An Episode Of The Soprano But For Most Soul Music True Aficionados, Parrish Gained A Legend Status When His 'I'm On My Way' Was The Last Record Played At The Last Northern Soul All-Nighter At The Wigan Casino. His 'Bricks, Broken Bottles And Sticks' Was His First Soul Side Though And It Was Released On Musicor In 1965 Achieving Some Success And Also Becoming A Classic Spin On The Uk Soul Scene Years Later. Eternally In Demand, This Party Record Now Exchanges Hands For A Few Hundred Usd, So We Thought It Would Be A Good Idea To Make It Widely Available Again. 'My Heart Cries For You' By Porgy And The Monarchs Became A Much Cherished Dance Floor Anthem In The Uk And Has All The Defining Ingredients Of Most Northern Soul Favorites: Motown Sound-Alike Arrangements, Epic Vocals That Are Almost Inviting To Sing Along And Lyrics Spiced With A Bit Of Drama. In Short, This Record Is A Must-Have Northern Soul Double Sider And There's Nothing Like It To Get The Party Started!

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Marie Knight

7" | 2021 | EU | Original (Vampisoul)

12,99 €*

LP | 2020 | EU | Original (Vampisoul)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Marie Knight's Legendary 45 From 1964 That Made Her A Name In The Northern Soul Scene. Massive Spin In Wigan Casino Allnighters, Officially Reissued Here For The First Time With 'Say It Again' On The Flip, As Originally Released. Info:Singer And Pianist, Marie Knight Made Her Name As A Gospel Superstar Recording For Decca In Duet With The Legendary Sister Rosetta Tharpe. Her First Solo Record For Decca Arrived In The Mid '50s, Just A Couple Of Years Before Her Signing To Mercury. She Later Toured With Rhythm And Blues Acts Like The Drifters, Clyde Mcphatter And Brook Benton. Three Singles Followed On Diamond In 1963/64 Before She Was Signed To Musicor Records Later In 64. Her Definitive Non-Religious Song 'That's No Way To Treat A Girl', Crafted In This Period, Failed To Become A Hit At The Time But Was The Recording That Would Make Her Name With The Northern Soul Fans In The Uk Many Years Later, Standing As One Of The Most Celebrated Spins At The Wigan Casino Allnighters. The Slow-Paced Ballad On The Flip-Side, 'Say It Again', Is A Beautiful Deep Soul Song That Echoes The Gospel Singing Knight Had Mastered Over The Years. After Her Deal With Musicor Ended, She Was Unable To Land Another Secular Recording Contract. "That's No Way To Treat A Girl' Is Officially Reissued Here With 'Say It Again' On The Flip For The First Time, As Originally Released.

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Alfredo Linares

Lo Que Tengo

LP | 2020 | EU | Original (Vampisoul)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Alfredo "El Inca" Linares Is One Of The Best And Most Beloved Musicians In The History Of Salsa. Fans Love His Piano Playing Because Of His Authentic Cuban Feel And 'Swing' Combined With Progressive Arrangements And Uncompromising Phrasing. "Lo Que Tengo" Is Full Of Rock Solid Dance Floor Killers And No Filler, Recorded In 1980 With Some Of The Cream Of The Crop Of Contemporary Venezuelan Salsa Musicians (Members Of Mango, Madera, El Trabuco Venezolano, Los Dementes, Los Melódicos, Dimensión Latina, Guaco, And La Salsa Mayor) And Launched There On The Indie Label A.L.G. Records As ¡Con Todo!, And Then A Year Later On The Much Larger Velvet Records With A Different Cover. This A Classic Alfredo Linares Album, But With The Updated Studio Sound Of 1980s Caracas. With Fiveperfectly Paced Salsas, One Funky Cha Cha Chá, A Steamy Bolero And A Dance-Friendly Latin Jazz Number To Top It Off, There Is Something For Everybody On This Record. Thankfully Today's Generation Can Now Enjoy This Rarity At A Fraction Of The Cost Of An Original Copy. Presented In Its Original Artwork And Pressed On 180g Vinyl. Good To Know:Alfredo "El Inca" Linares Is One Of The Best And Most Beloved Musicians In The History Of Salsa. Fans Love His Piano Playing Because Of His Authentic Cuban Feel And 'Swing' Combined With Progressive Arrangements And Uncompromising Phrasing That Puts One In Mind Of Eddie Palmieri. As A Composer, Arranger And Band-Leader Linares Is Highly Respected As Well. Ever Since The 1960s In Lima Peru When His Career Began, His Records Have Always Been On Point, Being Super Tight, Sharp, And Hard As Hell, What Salseros Call Salsa Brava Con Afinque. It's No Surprise That Lo Que Tengo Is Exactly That: Full Of Rock Solid Dance Floor Killers And No Filler, Played With Verve And Flair. Unlike Some Of His Other Records That Were Patched Together From Various Sessions Made In Different Studios (Sometimes Even In Several Countries!), This Album Has The Advantage Of Being Produced, Recorded And Mi...

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Peru Negro

Son De Los Diablos

24,99 €*

LP | 2019 | Original (Vampisoul)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Peru has a rich folklore that reflects the cultural variety of its population as well as its history. Peruvian identity has been created from a mixture of traditions that includes those from the indigenous peoples of the Amazon and also those from the ancestral cultures of the Andes, the Spanish heritage and the rhythms and chants coming from its African communities.Afro-Peruvian music, also known as "música criolla", finds its roots in West African music, Spanish and European genres and native musical traditions from Peru. Flamenco-influenced sounds sit next to African tribal elements and a simple yet effective percussion instrument called cajón.Perú Negro, a dance company that also incorporated percussion combined with música criolla, celebrated and recreated black culture in Peru and they quickly became regulars at Lima's theatres in the late 60s. The lyrics and music would reflect the country's multicultural diversity, blending elements from the African tradition and echoes of Spanish-influenced melodies around stories of slavery days, rural labour and folklore.Their international success (in 1969 they won the main award at the Festival Hispanoamericano de la Danza y la Canción in Argentina) led them to record two albums in the early 70s conducted by Ronaldo Campos, Perú Negro's founder and artistic director. "Son De Los Diablos" is their second LP and was released in 1974 on Virrey Records, home to the likes of Sonora Lucho Macedo, Jaime Delgado Aparicio or Los Belking's, and a follow up to their self-titled debut album (recently also reissued on Vampisoul -VAMPI 194-).Although lesser known than music from other nearby countries, Peru Negro's recordings are reminiscent of Afro-Colombian or Afro-Cuban rhythms. If you have an interest in Cuban son or Colombian bambuco, this record will be an essential addition to your collection and the perfect introduction to the fascinating música criolla.[END]

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I Marc 4

Thrilling Mortale

Release: 2019 / Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Vampisoul)

Los Afroins

A Gozar Salsomanos

LP | 2019 | EU | Original (Vampisoul)

Release: 2019 / EU – Original

Genre: Organic Grooves

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By 1974, salsa was taking Colombia by storm and so the directors of the INS label decided to create a band that would appeal to salsa fanatics and be able to compete with labels such as Discos Fuentes and Codiscos. Thus was born Los Afroins, an obscure, short-lived combo that would release two LPs and six 45s.Their first album, "A gozar salsomanos", is a sought-after collector's item and contains ten brassy, heavy-duty salsa gems: covers of salsa hits by Ismael Rivera, Los Ahijados, Roberto De La Barrera, Cheo Marquetti and even the smash pop hit by the French modern classical and electronic music composer Saint-Preux (a great instrumental descarga version of `Concierto para una sola voz'). In addition, there are two originals that are equally hot. INS artistic director Alfredo Linares, the famed Peruvian keyboardist and composer, oversaw the project and guested on piano for several tracks, doing some arranging as well.Presented in facsimile artwork and pressed on 180g vinyl, part of a new Vampisoul reissue series of classic LPs from Colombia's INS label.By 1974, salsa was taking Colombia by storm and so the directors of the INS label (Industria Nacional Del Sonido Ltda), based in Medellín, Colombia, decided to create a band that would appeal to "salsómanos" (salsa fanatics) and be able to compete with the area's two larger labels, Discos Fuentes and Codiscos. Thus was born the oddly named Los Afroins (a contraction of Afro, indicating the roots of the music, and "-ins", for the label name), an obscure, short-lived combo that would release two albums and six 45s. The repertoire focused on cover versions of hit Afro-Antillean tunes both classic and contemporary. Pianist Agustín Martínez "El Conde", who would later work with Joe Arroyo and Juan Piña, led the group and did some arranging. INS artistic director Alfredo Linares "El Inca", the famed Peruvian keyboardist and composer, oversaw the project and guested on piano for several tracks, doing some arranging as well. The vocals were handled...

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Julian Y Su Combo

Noche De Fiesta

R & B Hipshakers Volume 3 - Just A Liitle Bit Of

Release: 2019 / EU – Original

Genre: Organic Grooves

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"Noche de fiesta" (1975) was the first album that Julián Angulo and his combo recorded for Colombia's INS label. With arrangements and piano by Alfredo Linares, it's a thrilling LP sought after by collectors and DJs not only for its hard salsa and instrumental "descarga" tracks but also because of the funky dancefloor cuts `Enyere Kumbara' (covered by Quantic), `INS-Rock' and `Estoy soda' as well as the excellent original version of `Las caleñas son como las flores' (made famous later the same year by The Latin Brothers).Angulo described his sound as "Afroantillano", combining Cuban, New York Latin and Puerto Rican elements with Colombia's own tropical traditions. The combo featured the bandleader's funky, jazzy electric guitar, a hot rhythm section and the potent brass line-up of two saxophones and a trumpet.Presented in facsimile artwork and pressed on 180g vinyl.Part of a new Vampisoul reissue series of classic LPs from Colombia's INS label.Julián y su Combo was founded in 1962 by left-handed guitarist Julián Angulo Ponce, who was originally from Guapi, Cauca, Colombia and made his name in Cali and Buenaventura, signing initially with Bogotá's Sello Vergara in 1966. During a 20-year period Julián y su Combo released eight records (with several band name variations). Angulo was part of the first generation of artists from the Colombian Pacific who migrated to Bogotá in the 1970s, and his combo enjoyed popularity in his adopted city as well as in Medellín and Mexico. The band also travelled to Venezuela and the US. Angulo described his sound as "Afroantillano", combining Cuban, New York Latin and Puerto Rican elements with Colombia's own tropical traditions. The combo's arrangements were distinguished by the bandleader's funky, jazzy electric guitar work (Angulo played without changing the order of the strings), a hot rhythm section and the potent brass line-up of two saxophones and a trumpet (much like Cortijo y su Combo)."Noche de fiesta" (1975) was the first of two albums Angulo cu...

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V.A.

2LP | 2015 | EU | Original (Vampisoul)

19,99 €*

2LP | 2010 | EU | Original (Vampisoul)

Release: 2015 / EU – Original

Genre: Organic Grooves

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Limited edition for Record Store Day 2015!

The third volume in Vampisoul's 'R&B Hipshakers' series is available on LP for the first time, featuring rockin' R&B and early soul from the King/Federal/DeLuxe catalogues. You get 20 terrific dance cuts from 1955 through 1964 selected by genre expert Mr. Fine Wine of WFMU's Downtown Soulville.

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V.A.

Cumbia Beat Volume 1

Release: 2010 / EU – Original

Genre: Organic Grooves

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Desde Espana ... La Columna De Fuego

La Columna De Fuego

LP | 2023 | EU | Original (Vampisoul)

26,99 €*

Beto Villena / We All Together / Black Sugar

Release: 2023 / EU – Original

Genre: Organic Grooves

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Considered one of the most innovative groups on the Colombian musical circuit in 1973, Columna de Fuego forged its sound by creatively and organically mixing elements of hard rock with rhythms rooted in the music of the Pacific and Caribbean coasts. The band featured members of Los Young Beats, Los Speakers and Siglo Cero. Their only LP, recorded in Spain and released in Colombia only in 1974, was a turning point in the history of Colombian rock, an album full of funk, soul, cumbia and currulao that maintains a fast pace from start to finish. Unavailable for five decades, we are proud to now present the first-time reissue of this obscure gem with its original artwork, including an insert with notes and rare photos. Deatails: Columna de Fuego, the first Colombian rock band to tour outside South America, was the supporting act for Leonor González -La Negra Grande de Colombia- for months and featured members of Los Young Beats, Los Speakers and Siglo Cero. Their only LP, recorded in Spain and released in Colombia only in 1974, was a turning point in the history of Colombian rock, an album full of funk, soul, cumbia and currulao that maintains a fast pace from start to finish. After unsuccessful attempts to establish themselves in Europe, the group parted ways; some members returned to Colombia and others stayed in Europe as part of La Banda Salsa, a vibrant and little mentioned chapter in the history of Latin rock. Roberto Fiorilli, the stand-out drummer of Colombian rock, returned to his native Italy. Over the following five decades, the myth of Columna de Fuego, that wonderful Bogota rock band that dared to experiment with the music of the Colombian coastline, grew. The curiosity of musicians interested in the traditional music and folklore of the coasts since the late 80's, the consequent mixture of different musical genres (modern and roots) at the end of the 20th century and the almost impossible desire of collectors to find a copy of the album or one of the band's single...

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7" | 2023 | EU | Original (Vampisoul)