Vinyl, CD & Tape 6566 Items

Tape | 2021 | EU (Radiation Reissues)

Release: 2013 / NL – Reissue

Genre: Electronic & Dance

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- 2022 repress -

Mord is from Rotterdam.
Mord is short for Morderstwo.
Mord is a label project by Bas Mooy.
Mord is here.
Mord!

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D.R.I.

Thrash Zone

Release: 2021 / EU

Genre: Rock & Indie

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Now available on cassette, Thrash Zone is the fifth album by the American thrash metal pioneers D.R.I.. Released in 1989, produced by the legendary Bill Metoyer (Slayer). Considered to be the D.R.I.'s most successful album to date selling upwards of 250,000 albums worldwide. Thrash Zone continues to resonate with each new generation of thrash metal fans.

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Elephant Stomp - 12 Instrumental Freaky Stomper Rock Gems From 70s

LP | 2021 | EU | Original (Naughty Rhythm)

12" | 2021 | EU | Original (2 Bit Crew)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Here the Cosmic Discotheque team temporarily gives up with the pure 70s Disco mark of the previous releases and, while remaining in the same decade, the spotlight will move on the Rock scene. Those who have followed the series, know that the Cosmic-compilations are based on great selections of European singles (often B-sides) and lots of bizarre productions, mostly unknown and sometimes rare; and so it will be for Elephant Stomp too! Killer Drum Breaks, Tribal Freak Rock, Stomper Junkshop Glam, Instrumental psych rock, proto-Disco... those are the explosive ingredients of this unique compilation. So no long and useless solos or empty virtuosity here, just lots of groove and rousing tracks, in other words the best food for you party animals and digging maniacs!

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2 Bit Crew

Honeywell

There's Always Blood At The End Of The Road

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2022 repress

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Wiegedood

2LP | 2022 | EU | Original (Century Media)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Brown Acid - The Thirteenth Trip

LP | 2021 | US | Original (Riding Easy)

30,99 €*

Quando I Baci Erano Fiocchi

Release: 2021 / US – Original

Genre: Rock & Indie

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Here are just some of the gems from this latest edition of the popular compilation series featuring long-lost vintage ’60s-’70s proto-metal and stoner rock singles, Brown Acid - The Thirteenth Trip: Max, from Montreal, QC—originally known as Dawn, before Tony Orlando & Dawn forced a name change—kick things off with “Run Run” from their lone 1970 single. It’s a hard-hitting rocker with scale climbing crunching guitars and powerful Bonham-esque drumming. “Feelin’ Dead” is extremely heavy blues from this also extremely rare 1974 single by Detroit, MI’s Master Danse, which was only released as a promo 45. Think Led Zeppelin’s “Since I’ve Been Loving You.” Gary Del Vecchio is “Buzzin’” hard, and from what sounds like an in-studio party of yelps and chatter at the start of the song, it seems that the whole band was in on the festivities. The funky blues riff, reminiscent of Led Zeppelin’s “Heartbreaker” and rollicking rhythmic changes certainly keep the buzz a rollin’. Finally, Good Humore’s swaggering 1976 rocker “Detroit” is a slick and smooth paen to the Motor City. It most likely doesn’t predate “Detroit Rock City” by Kiss, also released in 1976, and it has more rock’n’roll swing, but it could fit comfortably alongside the era’s arena anthems. “Mining the surprising rich reserves of heavy rock and proto-metal from the ’60s and ’70s, these collections have been crucial to understanding the history of a subgenre of rock that had far deeper roots than most fans realize.” – Paste Magazine

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Windopen

LP | 2021 | EU | Original (Spittle)

My Life With The Thrill Kill Kult

Release: 2021 / EU – Original

Genre: Rock & Indie

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Bologna. At the turn of the late 1970s and early 1980s. The events of March '77 and the murder of the student Francesco Lorusso. The massacre at the Radio Alice station closed by the police after a raid (which, however, was fully broadcasted live). But also 'Bologna Rock' and the Clash historical show in Piazza Maggiore. Cult label and association Harpo's Bazaar and Italian Records. Local clubs such as The Punkreas and the Small. The long running record shop Disco D'oro and the self-made fanzines ... Obscure but at the same time bright years, they inevitably generated an exuberant powerful musical movement that from Bologna then spread throughout Italy, and we were definitely part of it. ‘Quando I Baci Erano Fiocchi' is a collection of songs written and recorded in that period, in the cellar of Via s. Vitale 13 with a 4-track cassette deck. Never released before, they see the light today after being edited, remixed and digitally remastered. The missing link between post-punk and new wave, Windopen could seriously show the dark side of a ‘political’ nation.

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Confessions Of A Knife Black Vinyl Edition

LP | 1990 | US | Reissue (Wax Trax!)

26,99 €*

LP | 2022 | EU (Atlantic)

Release: 1990 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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We are happy to bring you the thirty year anniversary of a true Thrill Kill Kult Klassic. This cornerstone release from the original Wax Trax! catalog has been re-mastered from the original analog tapes.

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Adia Victoria

A Southern Gothic

Release: 2022 / EU

Genre: Rock & Indie

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OST Conviene Far Bene L'Amore Colored Vinyl Edition

Fred Bongusto

LP | 1975 | EU | Reissue (Cinedelic)

27,99 €*

sT8818r Humanoid Black Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Soundtracks

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Limited pressing on colored vinyl! USA title: Love And Energy / Sex Machine 2037 A.D.
In the future, the world's oil supply has finally been exhausted, causing a massive energy crisis. In a search for alternative sources of energy, a scientist invents a machine that can harness the energy expended during sexual intercourse and transfer it into electrical power. Conviene Far Bene L’Amore is a 1975 film written and directed by Pasquale Festa Campanile, a film adaptation of his novel of the same name. It is an erotic comedy with science-fiction elements that is debilitating the theories of Wilhelm Reich (the author of The Function of the Orgasm) in which satire and fantapolitic are mixed.
The original LP with the music of Fred Bongusto, arranged and directed masterfully by Josè Mascolo, is now a cult object for the lovers of Italian melodic soundtracks with bossa nova and jazz and for the samples used by many rappers. Bongusto often combines the synth for the melody with the orchestral ground; an unmistakable and very personal solution also used the year before for the Malizia soundtrack which was a great success.

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Humanoid

12" | 2021 | EU | Original (De:tuned)

2x12" | 2021 | EU | Original (Rave Alert)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Humanoid strikes back on De:tuned with a remastered version of the pioneering 1988 crossover UK number 1 Dance Single "Stakker Humanoid". This major influential UK acid house cut has been breaking down UK culture barriers since its original release. Humanoid's music was also used in Stakker "Eurotechno", now housed in The Museum of Modern Art located in New York. De:tuned have invited personal favourites Autechre, Luke Vibert and Mike Dred to rework the new and uncompromising update "sT8818r" (previously released on DE:10.08) to complement the classic original. Prepare to have your mind blown once more!

The impeccable Ian Anderson at The Designers Republic created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. Stay tuned!

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Jacidorex

Mindset

2LP | 2005 | US | Reissue (Important)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2022 repress

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Coil

The Ape Of Naples

39,99 €*

Eden's Island Extended Black Vinyl Edition

Release: 2005 / US – Reissue

Genre: Electronic & Dance

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2018 re-cut from original Peter Christopherson approved masters.

The Ape of Naples is Coil's highly celebrated final album completed by Peter Christopherson following the tragic death of Jhonn Balance in 2004. Often noted for being a fan favorite, The Ape of Naples uses Balance's final recordings and material recorded at Trent Reznor's studio in New Orleans to create a deep, heavy masterpiece.

This re-press is packaged in a heavy duty jacket with Ian Johnstone's original artwork coated in a custom spot gloss. Each LP is housed in a printed inner sleeve and side D contains all three original etchings. Ape's lyrics are spread across the gatefold.

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Eden Ahbez

2LP | 2021 | EU | Original (Everland Psych)

LP | 2021 | US | Original (Ooohh! Thats Heavy)

Release: 2021 / EU – Original

Genre: Rock & Indie

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The ultimate reissue of one of the world’s most important albums in the field of Exotica, Jazz and even Proto Psychedelic Music from 1960 - and the first official reissue ever!

Eden Ahbez was said to be "the first Hippie on earth", his enchanting life and his amazing music laid the foundation of the Hippie movement.

This reissue of Eden Ahbez' sole album includes 20 almost unreleased bonus songs from different sessions, carefully restored and remastered from original master tapes by prolific grammy nominated sound engineer Jessica Thompson.

Co Produced by movie maker Brian Chidester, who now, after 20 years of research, completed the full time documentary movie

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Neila

Better Late Than Never

39,99 €*

Another Side Black Vinyl Edition

Release: 2021 / US – Original

Genre: Hip Hop

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At the heart of hip hop is poetry. From the old school boom-bap to rap music at its most alternative, an emcee's allure relies heavily on how they construct a verse, ride a rhythm and blend words to convey a sense of individuality that reverberates with the identity of listeners. This fine line is what makes performers like Neila such poignant protagonists in the struggle for your consciousness, providing the necessary ballast to keep us hip hop hopefuls afloat in times of duress.

This sensibility is strongly evidenced by the lyrical content of "Better Late Than Never", an album where the angst comes slow and gripping and the pain feels sweet and familiar and the joy is tinged with the malaise of sudden heartbreak. Neila is no stranger to these waters, wading them before with the albums like "Vertical Trees with Eternal Leaves" and "For Whom The Bells Crow", but this time around there's a certain resignation that all we have will soon be lost, paired with an optimism that belies pragmatists while searching for common ground to reconcile the two

On "Better Late Than Never" Neila joins forces with Avatar - a venerable beat maker and defiant underground force - to merge her vision and creativity with soundscapes that run the gamut. Neila confronts every song with the same heartfelt poetic passion. She has truly come into her own, creating a densely beautiful album that maintains an edge while hurtling through time and space to remind us all that the core is very human.

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Leo Nocentelli

LP | 2021 | US | Original (Light In The Attic)

Levitation Sessions Volume II Transparent Red & Blue Splatter Colored Vinyl Edition

Release: 2021 / US – Original

Genre: Organic Grooves

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“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet alongside hand-written lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960’s and early 1970’s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard...Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

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Osees (Thee Oh Sees)

2x12" | 2021 | US | Original (The Reverberation Appreciation Society)

Release: 2021 / US – Original

Genre: Rock & Indie

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Crimson Poem Smokey Vinyl Edition

Yikii

LP | 2021 | EU | Original (Danse Noire)

LP | 2021 | EU | Reissue (Blue Note)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Inspired by ambient, gabber and post-club; contemporary composition, avant-pop and nursery rhymes. Influenced by horror games, nursery rhymes and gabber, Chinese producer Yikii’s first proper full-length is like Tim Burton on mushrooms - like a soundtrack to a Chinese reboot of “A Nightmare Before Christmas” rendered in luscious 4D. Bonkers and brilliant. Since 2017, Changchun-based Yikii has released over 20 albums and EPs, but “Crimson Poem” is her first fully developed statement. It’s an ambitious album that started life as an exploration of microtonality before evolving into a set of quirky, psychedelic songs that pull in ideas from across the spectrum of contemporary culture, from hard dance and avant-pop to traditional Chinese music and drone. But no influence looms larger on “Crimson Poem” than video games. The album sounds completely plugged into the fantasy realm, and uses disparate genre hallmarks with the fizzy abandon of Yuzo Koshiro’s “Streets of Rage” soundtrack or CoLD SToRAGE’s “Wipeout” score. Yikii has no intention of making functional dance music and instead channels pop ideas through a narcotic haze of abstract noise, gothic soundscaping, airlock club and chiming classical music. At any point in the album it’s like hearing multiple personalities communicating with each other, guided by Yikii’s sugar-sweet vocals. There’s trip-hop, trance and sadistic industrial noise on ‘Disillusionment’, Bernard Herrmann-style “Psycho” strings, ambient drone and traditional Chinese music on ‘Phantasmagoria!’, hardstyle and evil nursery rhymes on ‘Afterimage In Ruin’, gabber, punk, industrial and classical on ‘Scavenger’s Daughter’, and so much more. “Crimson Poem” is a unique record that perfectly encapsulates Yikii’s personal world and spectrum of interests. It’s surreal and cute, but never cloying and succeeds in being eclectic without ever losing coherence. Yikii’s world is often terrifying, but it’s never uninviting: imagine Björk, Danny Elfman, Pharmakon, Gabber Modus Operandi and Ziúr shaken into a viscous purple cocktail and you’ll have some idea where this one’s going.

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Bobbi Humphrey

Fancy Dancer

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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LP | 2021 | EU | Original (Won Ton)

Veslemes

Pigeon Post Knossos

If These Trees Could Talk

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Who runs the Pigeon Post of Knossos? What exactly these birds carry and to whom? How Prometheus rocks his rock of torture and who really wants to punish Klaus Kinski with the whip? Veslemes’ follow up album to Invisible Inc's Apoltihoma is a sonic excursion to the primordial routes of rhythm filtered by his speculations about the kinky habits of everyday life back in ancient Greek. Relics of the subculture of the 70s and the 80s are also evident here through his adoration for sci-fi l, obscure lost films and vaporish dance music.

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Above The Earth, Below The Sky

LP | EU | Reissue (Metal Blade)

Release: EU – Reissue

Genre: Rock & Indie

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The Riddle Opqaue Green Vinyl Edition

Gigi D'Agostino

12" | 1999 | EU | Reissue (ZYX)

16,99 €*

Release: 1999 / EU – Reissue

Genre: Pop

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LP | 2021 | EU | Original (P-Vine)

Jeff Redd

Down Low

31,99 €*

LP | 1974 | EU | Reissue (P-Vine)

Release: 2021 / EU – Original

Genre: Pop

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For every success of R&B and neo-soul albums in the 90s, there's another to tell of those whose qualities were unfairly sidelined or destined for obscurity after being dealt a hand of bad luck. Jeff Redd is today a grammy award-winning record executive known for his work at MCA Records and boosting the profile of Mary J Blige, but various events outside of his control halted the release of his second album. Down Low has the air of an R&B classic: Redd's vocal boundaries feel limitless, and the smooth production values he co-produced with Dinky Bingham bring the album to life with its crisp swing rhythms and genre-defining palettes. From its opener "Show You" to the closer "Take It Off" there's a distinct maturation of sound compared to the lively new jack-swing on debut album A Quiet Storm, and it's a shame we only have this document of his emerging neo-soul sound. P-vine is thrilled to be bringing this album to vinyl format for the first time, and we can only hope it sheds more light on a true godfather of R&B.

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100% Pure Poison

Coming Right At You

33,99 €*

Most Wanted Digital Dubplates

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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The sole album released in 1974 from this almighty group of nine musicians lead by Chicago native Danny Leake continues to turn up in the hands of the most determined collectors for good reason. Formed in the most unlikely of circumstances as a group of American military workers stationed in Germany, the band made one dazzling leap onto the frontline of soul before promptly disbanding and never looking back. As with all records that get marked with the coveted 'rare' status, what we don't know about the record outweighs what we do, but as the needle fits the groove on album opener "You Keep Coming Back," and the vocal and instrumental harmonies build into a frenzy, the addictive joy of the record takes hold for repeated listens. P-vine is delighted to be bringing this album back from the vaults for a limited pressing fitted with a unique Japanese obi strip.

After the opener rich with soul, "No More City, No More Country" changes pace with a psychedelic funk jam that blossoms into a piece of spiritual jazz and social commentary of 70s America. "Windy C" is an album highlight and kicks off the B-side with a lost funk classic where the individual talents of Steve Maxwell's organ playing, Leake's guitar and John Jackson's percussion all combine to make the deftest of touches count. The wealth of compositional talent behind the album contributes to its varied sound, and the might behind Marvin Daniels' vocals and trumpet playing joins Leake on the songwriting credits with producer Rick Hartung. Leake would later make his name as the trusted sound engineer of Stevie Wonder, but his roots as the mythical bandleader of 100% Pure Poison lives on in the books of rare record folklore.

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TAFKAMP

12" | 2021 | EU | Original (Revenge Techniques)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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12" | 2021 | EU | Original (Planet Rhythm)

Müzmin

Trenches EP

2LP | 2021 | EU | Original (Sme Master)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Muzmin's well-deserved vinyl debut on Planet Rhythm showcases 4 expertly crafted contemporary techno tracks.

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Lisa Ekdahl

Grand Songs

Release: 2021 / EU – Original

Genre: Organic Grooves

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12" | 2021 | US | Original (Zosimos)

Feph

Liquid EP

LP | 2021 | EU | Original (Reverberation Appreciation Soc)

Release: 2021 / US – Original

Genre: Electronic & Dance

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Our third release comes from Feph. 4 tracks- Drifting grooves meet otherworldly atmospheres. Catered to DJs and meant for the club. Made in USA.

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Night Beats

Levitation Sessions

31,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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OST " Vivaldi / Joe Hisaishi Arrangement "Pantai To Tamago Hime"

Joe Hisaishi

2LP | 2021 | JP | Original (Tokuma / Lawson Ent.)

36,99 €*

LP | 1975 | EU | Reissue (Ossi Müzi)

Release: 2021 / JP – Original

Genre: Soundtracks

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The soundtrack of "Pantai to Tamago Hime" at the Mitaka no Mori Ghibli Museum, Ghibli no Mori no Eiga. Joe Hisaishi reconstructed Vivaldi's "La Folia" with a modern approach. The music from the play is recorded so that it can be listened to as a suite.

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Erkut Tackin

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 2021 | US | Original (Sweet Time)

Gee Tee

Live N' Dangerous II

Paul Ortiz Y La Orquesta Son

Release: 2021 / US – Original

Genre: Rock & Indie

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Raucous Australian synth punk set recorded during their great livestream Gonerfest appearance in 2020. 300 copies on black vinyl. Hippo Campus “(Colored) Good Dog, Bad Dream EP” (Grand Jury - GJ 0068-3) LP $ 15.65 (upc: 855579006829 – lphippogoco) ***"Good Dog, Bad Dream is the new EP from Hippo Campus, and the St. Paul, Minnesota five-piece's first new music since their 2018 sophomore album Bambi. It finds the band at their most honest and vulnerable to date, with five new intensely cathartic tracks tinged with confessions and dark humor. It's a collection of songs that came together with ease, and without pressure—a wildly different experience than the typical Hippo Campus recording process. The band assembled Good Dog, Bad Dream with a genuine sense of freedom and enjoyment as part of their first sessions in their new Minneapolis studio space. It’s a celebration of brotherhood, and the 'all for one, one for all' mentality that has permeated Hippo Campus’ work since the very beginning." Pressed on red marbled vinyl.

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Los Que Son

LP | 2021 | US | Reissue (Nature Sounds)

28,99 €*

12" | 2021 | EU | Original (Arts)

Release: 2021 / US – Reissue

Genre: Organic Grooves

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Rare Salsa/Soul gem produced by Joe Bataan, which has been out of print for 50 years. Vocals by Papo Felix. Remastered off original analog tapes. Limited to 500 units - splatter vinyl. Released on Ghetto Records in 1971, long out of print.

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Regent

Nova

10,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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LP | 2021 | EU | Original (Citizen)

Vitalic

Dissidaence Episode 1

29,99 €*

Christopher Lennertz And Dara Taylor

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Vitalic returns with a fifth album, which will be released in two volumes. “DISSIDaeNCE", the title of which is a whole story in itself - is an album that the producer describes as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums. The first volume of “DISSIDaeNCE” is a sort of concentrated resume of his strengths from the past twenty years, whether it’s filthy, head-spinning tornado tracks or synth-laden love songs for a summer’s day. With “DISSIDaeNCE” Episode 1, whose powerful beats and galloping sequencers translate the social and political anger of the global pandemic, Vitalic looks into his past and channels his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats dripping with sex and sweat, but above all his obsessional passion for dance music. “DISSIDaeNCE” should be taken as a celebration of celebration, time-travel to an era that may not exist right now, but which will - and this album is the dazzling proof - be reborn from its ashes to burn bright once more, in all its raging glory.

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OST Barb And Star Go To Vista Del Mar Colored Vinyl Edition

LP | 2021 | US | Original (Mondo)

49,99 €*

Scaled & Icy Indie Exclusive Clear Vinyl Edition

Release: 2021 / US – Original

Genre: Soundtracks

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* Composed by Christopher Lennertz and Dara Taylor * Artwork by Johnny Dombrowski * Pressed on 180 Gram Pink and Yellow Split Vinyl * Manufactured in the Czech Republic

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Twenty One Pilots

LP | 2021 | EU | Original (Fueled By Ramen)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 1966 | US | Reissue (Light In The Attic)

Nancy Sinatra

Boots Blue Vinyl Edition

Boots Black Vinyl Edition

Release: 1966 / US – Reissue

Genre: Pop

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Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some”. Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin. Vinyl pressed at RTI Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea. Never–before–seen photos from Nancy’s personal archive Beautifully packaged and expanded gatefold LP featuring a 20–page booklet.

“Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

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Nancy Sinatra

LP | 1966 | US | Reissue (Light In The Attic)

Let's Talk About The Weather

Release: 1966 / US – Reissue

Genre: Pop

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Definitive reissue of Nancy’s debut album Includes the bonus tracks, “The City Never Sleeps At Night” and the previously unreleased “For Some” Newly remastered from the original analog tapes by GRAMMY®–nominated engineer John Baldwin Vinyl pressed at RTI Q&A with Nancy and GRAMMY®–nominated reissue co-producer Hunter Lea Never–before–seen photos from Nancy’s personal archive Beautifully packaged and expanded gatefold LP featuring a 20–page booklet CD housed in a digipak and featuring a 28-page booklet Release to be supported by worldwide press campaign in cooperation with Nancy Sinatra “Dumb stuff, as Lee used to call it. Dumb doesn’t mean stupid. It means human and understandable. It was the sound of three guitars, drums, and bass. It was simple, very, very simple. I can still see the room, the studio. With Carol Kaye, Glen Campbell, Donnie Owens… I can still see them all sitting there and chunking away. I guess simple was the best way to explain it, uncomplicated.” – Nancy Sinatra

Light in the Attic is proud to present the next installment of the Nancy Sinatra Archival Series with a deluxe reissue of Nancy’s first album, Boots.

The 1966 debut million-selling debut LP, introduced the sassy, blonde, go-go booted icon. Built around her Lee Hazlewood-penned hits, “These Boots Are Made for Walkin’” and “So Long, Babe,” the folk-rock era milestone album features songs by The Beatles, The Rolling Stones, Bob Dylan, Hazlewood and more. The catchy and jangly pop hooks performed by the famed Los Angeles session musicians, The Wrecking Crew and Billy Strange’s innovative arrangements provided the perfect sound to help Nancy capture the attention of the world. The new reissue includes two bonus tracks recorded during the album sessions, the non-album b-side “The City Never Sleeps At Night” and the previously unreleased “For Some.”

Remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin, the reissue is complemented by a new Q&A interview with Nancy and GRAMMY®-nominated reissue co-producer Hunter Lea.

The CD edition is housed in a digipak and features a 28-page booklet, while each vinyl set is presented in an expanded gatefold jacket (featuring a 20-page booklet), with special color editions available exclusively at NancySinatra.com, LightInTheAttic.net, and independent record stores.

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Gudrun Gut + Mabe Fratti

LP | 2021 | EU | Original (Umor-Rex)

20,99 €*

7" | 2021 | UK | Original (Tru Thoughts)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Gudrun Gut and Mabe Fratti have worked together on a powerful hybrid album, where taut rhythms fuse with haunted vocal melodies and spoken word, and field recordings meld with extended ambient pieces. As part of Umor Rex’s 15th anniversary, we here present an album that builds a dialogue between two lands and two unique artists. Mexico is the origin and conceptual residence of our label, while Germany is where we produce and manufacture our records (Berlin functions as the center of distribution and logistics, thanks to our friends at Morr Music). The intertwining imaginations belong to German producer Gudrun Gut (Malaria!) —a notable figure of the subculture and the German music scene since the early 80s, and also a founder of Monika Enterprise and recipient of the ‘Listen to Berlin’ Award in 2019— and singer, multi-instrumentalist and composer Mabe Fratti (originally from Guatemala, now based in Mexico City). We knew about "Let's Talk About The Weather" from the beginning, and since the moment Gudrun and Mabe made us part of their project, our excitement could not be greater. The process started with Gudrun and Mabe having long distance conversations, asking about their whereabouts and discussing the weather. This might seem rather commonplace, but it works as a key thematic component for the entire album. The weather as the new great unknown, perceived through the optics of everyday life. Sound files were methodically exchanged, with Mabe exploring words and vocals, and Gudrun working with field recordings taken from each city. In the end, this joint musical venture would provide a healing effect for both artists during life in quarantine. "Aufregend", the opening track of the album, reflects upon a general lack of excitement in modern life. It wonders what the future might hold. Is it cold? Is it warm? Will it be the same? "Air Condition" is an eerie, dazzling collision of climates: the hazy warmth of Mexico City, the deep cold of Uckermark. The last track, which gives the album its name, is a long ambient piece composed of four parts: sound sculptures, field recordings of city life, news and weather forecasts, and private conversations about the climate. It's kind of a collaborative diary, obsessed with a single, all-encompassing subject. Produced and recorded by Gudrun Gut and Mabe Fratti between Berlin, Uckermark, Veracruz and Mexico City. Mixed by GGut at Stern Studio Mastered by John Tejada in Sherman Oaks, USA. Artwork & photos by Daniel Castrejón in Mexico City.

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sUb_modU

Expensive Shit

17,99 €*

Spring Event Black Vinyl Edition

Release: 2021 / UK – Original

Genre: Electronic & Dance

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“Impressions / I Am Thousands” is the new release from Berlin-based electronic producer and multi-instrumentalist sUb_modU, aka the brainchild of Italian Romeo Sandri. Both songs form part of the jazz musician’s debut album ‘Descent To The Centre’, a record that is an autobiographical and existentialist account of oneself, blending the electric/psychedelic spectrum of jazz with house, avant-garde and ambient leanings.

Following on from “Pidgin Synths EP”, a releases that entangled a homage to afrobeat pioneer Fela Kuti with synth-heavy original material, sUb_modU has amassed an impressive list of tastemaker support through his unique reinterpations, from the likes of Gilles Peterson (bbc 6Music), Ross Allen (nts) and Virgil Abloh (Off White). Alongside the release of his debut album is a special edition, double A side single, 7” featuring an exclusive 45 Centre Edit of the iconic “Expensive Shit” paired with a sUb_modu original “ram Generation”.

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Tom Moulton

2LP | 2021 | Original (Jamies)

35,99 €*

Release: 2021 / Original

Genre: Organic Grooves

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Black Gold Of The Sun / Pastime Paradise

Mr. K

7" | 2021 | US | Original (Most Excellent)

12" | 2021 | EU | Original (We Are FTR)

Release: 2021 / US – Original

Genre: Electronic & Dance

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This latest limited 7" from Mr. K features two incomparable baroque soul masterworks, one from a Chicago-based band that defied categorization and the other a deep cut from a living legend songwriter and performer.

The psychedelic soul of Rotary Connection’s “I Am the Black Gold of the Sun” still sounds revolutionary and unlike anything else, a full fifty years after it was originally released in 1971. Swathed in ethereal ripples of strings (courtesy the Chicago Symphony Orchestra) innovatively arranged by unsung genius Charles Stepney, and rooted in a rock solid foundation provided by the cream of Chicago’s cutting edge session musicians (among them guitarist Phil Upchurch and drummer Morris Jennings, veterans of countless soul jazz cuts), “Black Gold” sits in uncharted territory somewhere between soul, rock, jazz and classical chamber music. It’s a gorgeous territory, a fantasy land where Minnie Riperton and Sidney Barnes’s vocals transmit mystical, uplifting vibes, the entire affair anchored throughout by an addictive piano riff—a mixture that proved irresistible to Masters at Work, who covered it for their Nuyorican Soul project in 1997. Mr. K’s edit doesn’t try to force anything fancy on this masterpiece, simply tightening it up and taking advantage of the lush remastering to present this progressive classic on 45 for the first time.

In keeping with the orchestral soul mood, Mr. K turns to Stevie Wonder’s “Pastime Paradise” for the flip. Whereas “Black Gold” paints a portrait of a magical land, Stevie’s lyrics on “Pastime Paradise,” originally issued in 1976, are a penetrating look at the very earthbound concerns of modern society and its follies, an urgent message to look ahead rather than languish in dreams of the past. The sensitive string accompaniment provides just the right amount of gravitas and emphasis to Stevie’s voice without overwhelming it, while the hare krishna-inspired tambourine keeps the rhythm effectively. Mr. K’s edit again keeps things true to the original, simply providing a subtle intro that uses the tambourine rhythm to lead into the body of the song.

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Haf

Foreign Dreams EP

Version 2.0 Remastered Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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We Are FTR welcomes Haf to the label as the collective returns with the talented artist's Foreign Dreams EP. There's much to enjoy here starting with the powerful driving opener "Paranoia", a dark and heady affair perfectly suited to keeping things moving into the small hours. "Shamooli" follows up with intricate shuffling hats, groovy bassline and plenty of atmospheres to get lost in. The immersive and meditative cut "Urgull" stretches out over the full B-side rounding off the EP in fine style with a more laid back feel.

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Garbage

2LP | 2021 | EU | Original (BMG Rights Management)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Garbage Remastered Edition

Garbage

2LP | 2021 | EU | Original (BMG Rights Management)

Release: 2021 / EU – Original

Genre: Rock & Indie

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12" | 2021 | EU | Original (BPitch)

DJ T-1000

The Dirrty Underground

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Galactus Blue Marbled Vinyl Edition

Rove Ranger

12" | 2021 | EU | Original (Eartoground)

Metal And Hell Red Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Well executed high rolling Techno from Stuttgart's Rove Ranger on blue and white marbled wax.

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Kat

LP | 1986 | EU | Reissue (Metal Mind Productions)

LP | 1979 | EU | Reissue (Everland Yu)

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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red 180 gram vinyl

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Misa Blam

Secanja

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Electronic Jugoton Volume 1 - Synthetic Music From Yugoslavia 1964-1989

2LP | 2021 | EU | Original (Everland Yu)

29,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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2LP | 2021 | EU | Original (Sony)

Clueso

ALBUM

26,99 €*

Release: 2021 / EU – Original

Genre: Pop

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LP | 2021 | US | Original (RCA)

Wolf Alice

Blue Weekend

28,99 €*

Les Mamans Du Congo / Rrobin

Release: 2021 / US – Original

Genre: Rock & Indie

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Blue Weekend is the highly anticipated third album from one of Britain's most revered bands, Wolf Alice. Blue Weekend is the follow-up to the band's 2017 Mercury Prize-winning album Visions of a Life. Personal storytelling is at the core of Blue Weekend, an album that sees Wolf Alice embrace a newfound boldness and vulnerability in equal measure. For Blue Weekend, the band decamped to an Airbnb in Somerset, and it was there that they reconfigured who they were together, and set to work on some fledgling demos in a converted church. These demos evolved into Blue Weekend, a record produced by Markus Dravs (Arcade Fire, Bjork, Brian Eno, Florence + The Machine) who has aided the band in refining their sound to an even sharper point. Wolf Alice are Ellie Rowsell (vocals, guitar), Joff Oddie (guitar, vocals), Theo Ellis (bass) and Joel Amey (drums, vocals). It has been a decade since the band began as a duo of Ellie Rowsell and Joff Oddie, then later expanded to a four-piece, with Joel Amey and Theo Ellis joining the group. Since then, the band saw their 2015 debut album My Love Is Cool soar to #2 on the UK charts, earned a Grammy nomination for Best Rock Performance and had their sophomore album Visions Of A Life win the 2018 Mercury Prize. Blue Weekend is the next chapter for Wolf Alice, and it's the work of a band who raise the bar with every release. Track Listing: 1. The Beach 2. Delicious Things 3. Lipstick On The Glass 4. Smile 5. Safe From Heartbreak (if you never fall in love) 6. How Can I Make It OK 7. Play The Greatest Hits 8. Feeling Myself 9. The Last Man On Earth 10. No Hard Feelings 11. The Beach II

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Les Mamans Du Congo & Rrobin Yellow Vinyl Edition

LP | 2021 | EU | Original (Jarring Effects)

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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LP | EU | Reissue (Century Media)

Blood Incantation

Starspawn

Release: EU – Reissue

Genre: Rock & Indie

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2LP | 2021 | EU | Original (Century Media)

Riverside

Out Of Myself

Release: 2021 / EU – Original

Genre: Rock & Indie

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Web Max Black Vinyl Edition

Web Web X Max Herre

LP | 2021 | Original (Compost)

Release: 2021 / Original

Genre: Organic Grooves

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12" | 1985 | EU | Reissue (La Casa Tropical)

Amajika

Got My Magic Working

16,99 €*

Ditterich Von Euler-Donnersperg

Release: 1985 / EU – Reissue

Genre: Organic Grooves

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Heavy South African cut, unearthed by Dene from LCT, All about the massive title track ''Got My Magic Working''... Phat bassline, machinegun claps dipped in acid! The origins of Amajika is a tale of two worlds colliding at the perfect moment and begin in KwaMushu Township outside Durban. Here would be where a young Tu Nokwe would set up a school to help teach other aspiring youngsters like herself in music, dance and acting. This would become known as the Amajika Youth and Children’s Art Project and would be run from the Nokwe home, a common hangout for artists at the time. Some boast 2000+ pupils going through this program while others claim it wasn’t more than a backyard dance group, but for the lucky group of kids that were members in the mid 80s it would be their chance at stardom. It was during these years that a young aspiring playwright and musician Mbongeni Ngema had come across Tu and her group of gifted youngsters at the Nokwe family home. Although he was touring extensively at the time with the plays Woza Albert and Asinamali, the latter which eventually ended up on broadway, he would spend any time off from the tour with Tu and her dance troop. After being inspired by the American group New Edition, Mbongeni envisioned Amajika as the South African answer and decided to bankroll a studio session. The session would take place in a private studio in Durban.The release of the first single would follow very shortly. The lead track, Tomati-So is a fun swinging groove over some basic programmed drums. The song is dedicated to Tu Nokwe sings of her unique style and kind heart. On his next tour Mbongeni would take the remaining masters with him to the US and had the track remixed. Although it never materialized in a release States side he did return with the remixed tape and release it in South Africa the following year. Much like Tomato So the song was an ode and would be dedicated to the man who was making all their dreams come true. Got My Magic Working sings of going overseas and being a star on Broadway and TV and the man who is making it all happen. All these true predictions are sung on top of a groovy acid bass by a clearly matured troop of artists. During these years of working with Amajika, Mbongeni became very impressed with the exceeding talent of one of the members and decided to cast her in his upcoming musical Sarafina. The other children also wanted to be a part of the Broadway show but not everyone would get a role. This would be the end of Amajika as the next years would be dedicated to creating success on the musical stage. The growing kids that formed Amajika became young adults and pursued their own careers after the fact. Tu Nokwe would leave the country to return years later as the wife of Shaka Zulu on the big screen. To this day she is still very active both on stage and screen while Mbongeni is still writing and adding to the South African Musical Theatre catalog. Fast forward 30 years from the original release to a smokey club where ESA hears Got My Magic Working played by Rush Hours Store’s own Bonnefooi. Instantly he inquires about the track from his homeland and feels it a perfect addition the repertoire of the Afro Synth band he is quietly cooking up. The band’s instrumental take ended up as the B side on a mysterious and limited white label released by Rush Hour in early 2020 but quickly sold out. Here you have compiled the two title tracks from original Amajika singles along with the instrumental version by ESA’s Afro Synth Band for The complete Amajika experience, past to present.

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Klein:Rot Red Vinyl Edition Damaged Cover

LP | 2021 | EU | Original (V I S)

27,99 €*

Vienna Steven Wilson Mix Record Store Day 2021 Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Thorny, brittle, but shatterproof electronic brilliance by a near-mythical Hamburg enigma, Ulrich Rehberg aka Ditterich von Euler-Donnersperg, playing closer to home for Nina’s V I S alongside a killer new one for A Colourful Storm Since the early ’80s Uli’s label Walter Ulbricht Schallfolien have hosted the curdled creme of industrial and post-industrial music such as Throbbing Gristle, S.P.K., Laibach, Asmus Tietchens, and The Hafler Trio, beside prized projects such as Werkbund and Mechthildt von Leusch - which may or may not be Rehberg’a aliases. For Nina and Good News’ reliably wayward V I S label, Rehberg slips into his occasional guise Ditterich von Euler-Donnerperg for a fractured mosaic of concrète shrapnel and electro-acoustic abstraction that speaks to the inimitable breadth and free-hand unpredictability of his aesthetic. Working crisply detailed and persistently amorphous, allusive sounds with a sort of GRM-adjacent quality factored by a more playful, punkish freedom that’s rooted in Hamburg’s renowned counterculture, the 21 tracks on ‘Klein : Rot’ are among the most distinctive on V I S, resonating their elusive style with hallucinatory appeal from every inch of its chimeric, shapeshifting mass. They mostly say their piece succinctly and uncompromisingly, with only a few parts lasting over 3 minutes, and only one, the immersive ‘An Gott vertex’ taking up to five minutes to work its mind-warping magick. It’s the sort of rarified electronic music that reaches places left untouched or unrealised by most of the contemporary field, utilising hardware and secretive tekkers in a way best compared with Gerald Donald at his most inventive, the maziest Bernard Parmegiani gear, or the proprioceptive concrète scapes of Marina Rosenfeld.

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Ultravox

2CD | 2021 | EU | Original (Chrysalis)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Record Store Day 2021 release. This release contains the 2020 Stereo Mix of the album by award-winning musician/producer Steven Wilson, which is taken from 6CD Deluxe Box Set of the album. This edition also includes a Previously Unreleased Instrumental version of Steven Wilson mix of the album, which is exclusive to this release.

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Joseph Kabasele And The Creation Of Surboum African Jazz 1960-1963

2LP | 2021 | EU | Original (Planet Ilunga)

World A Jungle Music Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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After the two previous O.K. Jazz compilation releases, Planet Ilunga continues its mission to uncover and highlight the overlooked yet epic achievements in the world of Congolese rumba. This time to tell the most spectacular story of all. This is the story of the creation of Surboum African Jazz, the first Congolese music label founded by a Congolese. Despite a few releases of Sonodisc on LP and CD, published many moons ago, which included some important parts of the back catalogue of the label, there is still a large part of the repertoire of Surboum African Jazz that remains completely hidden from the fans. That’s why Planet Ilunga associated with the children of Joseph Kabasele Tshamala (Grand Kallé) and Catherine Ingombo (Kale Kato) to compile 29 songs that were originally released on the label in the early sixties. Surboum African Jazz is the first Congolese music label founded by a Congolese; it was owned and managed by the best singer of all time, Joseph Kabasele, alias Grand Kallé. The recordings mainly happened in Brussels, Belgium. The label's catalog during the period 1960–63 is largely dominated by Grand Kallé’s band African Jazz in its various formations. The band, which could rely in 1961 and 1962 on a real dream team of musicians (Docteur Nico, Dechaud, Rochereau, Manu Dibango, Roger Izeidi and Mujos among others), released in this period at least 212 songs. The second largest source of music for the label is Franco’s band O.K. Jazz with at least 136 released songs. Next, with at least 34 released songs comes Manu Dibango with his different formations. These were the first ever published songs of the late Manu Dibango. For this compilation we chose an original selection of songs recorded by African Jazz in 1961 and 1962. We also included a few songs of Dibango’s bands in the final selection, in order to showcase the diversity and universal philosophy of Grand Kallé’s label. This adventurous music which was recorded in Brussels in the months and years after Congo’s independence is nothing less than post-colonial glory wrapped around popular music. It’s a collection of proud name-dropping songs, political and patriotic lyrics, euphoric declarations of love and explorations towards new and universal impulses and styles. The releases on Surboum African Jazz are for many Congolese the icing on the cake in the iconic history of Congolese rumba. They are a time capsule of the longing of Congolese society to be absorbed in the momentum of the nations. At the same time they are a testimonial of the musical excellence of the African Jazz musicians. This first ever double LP anthology of Surboum African Jazz comes with a large, thoroughly researched and well-illustrated 32-page booklet telling the whole story of this label. Included in the book, among other content, is a text by Alan Brain (director of The Rumba Kings) with never before published information and photos about the epic Table Ronde tour of African Jazz in Belgium, France and The Netherlands in the winter and spring of 1960. This text is the fruit of a research Alan initiated, and then further developed in collaboration with the Congolese author and scholar Manda Tchebwa. Furthermore, you can find in the book a detailed documentation of the recording tours in Brussels in 1961 and 1962, besides a discography of the Surboum African Jazz label and many testimonials of the Congolese community about the first Congolese music label founded by a Congolese.

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Rasta Vibes

10" | 2014 | EU | Reissue (Rasta Vibez)

12" | 2021 | EU | Original (Hanagasumi)

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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2021 repress All junglist let loose! Second Rasta Vibez installment with two wicked reggae flavoured rollers to keep all bredren and sista's on the righteous path. Get with it, large tings a gwan!

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Shine Grooves

Hanagasumi 03

Alien Connection Feat. Nitromi

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Hanagasumi - hazy curtain of flowers, cherry blossoms appearing from afar like a white mist - this phenomenon can be seen during the sakura blossom in Japan. The third release on the label from the musician Shine Grooves. This vinyl is a mini LP of five tracks with different moods. The release is opening with a melodic track with exciting keyboard chords, performed in the best traditions of electro rhythm. On the second track, the mood changes towards a glitch house with a 4x4 beat and a naive melody that penetrates deeply into the mind. The first side of the vinyl is closing with a techno track - a loop recorded on a Roland Tr-606 drum machine with an atmospheric melody that flutters in the air throughout the entire composition. The second side of the vinyl starts with a 10-minute ambient ode, with cosmic synthesizer sequences and fragments of phrases from telephone conversations - a slow entrance to another reality. The last track on the record has an experimental IDM flavor with melodic guitar tones. This LP is made on 12" vinyl, hand stamped, limited to 300 copies. High quality analogue mastering by Sergey Luginin at Luginin Studio.

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Albert Salvatierra

12" | 2021 | EU | Original (Planet Rhythm)

2LP | 2021 | EU | Original (Rumpelmusig)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Albert Salvatierra debuts on Planet Rhythm with a trippy and versatile 4-tracker.

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Kalabrese

Let Love Rumpel Part 1

White Picket Fence / Joy Squad

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Kalabrese lets it rumpel. The third album by the Swiss all-round musician is - as always - relaxed, comes straight from the heart, and is showing his typically own approach to melt disco, blues and club music into a wunderbar overall performance.

to the friends it may concern of the rollin' rumpelmusig revue i’m finally laying down the carpet again, but this time as a double-pack. part one will be released in the fall of 2021 and part two in spring 2022.

finally rumpelmusig is back! kalabrese enrolls himself out off a red carpet made of corona soup onto your quilted carpet at your home. eleven fave songs outta the kitchen of haute cuisine rumpelchef. and on top of that: for the upcoming spring, a second album in the «let love rumpel» circle will be released (part 2). two times double vinyl. two times favorite songs. two times bustling life. four vinyls as a contemporary witness about what kind of creativity such a pandemic can awaken in an artist. in one song it says «you take the l train». it's obvious that the meaning of this l is love. kala is a rolling stone. wherever he lays his beat, is his home.

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Koreless

12" | 2021 | EU | Original (Young Turks)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Fresh gear from the UK's Koreless - limited copies.

Played by Caribou, Jamie xx and Tnght in their BBC Radio 1 Essential Mixes, and with further support from Oli XL and HAAi, ‘Joy Squad’ sparked a mass trawling from fans online for the track Koreless describes as his attempt to “build a club rollercoaster that swallows you up and spits you out”. Now finally released on 12” vinyl.

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May The Circle Be Broken: A Tribute To Roky Erickson

LP | US (Tidal Waves Music)

Shibata Satoko / Jintana&Emeralds

Release: US

Genre: Rock & Indie

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Includes bonus limited edition flexi of an ultra rare recording performed by Roky Erickson* // Roky Erickson was one of the true mind-blowing pioneers of psychedelic music.

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Gt / Japanese Night

7" | 2021 | JP | Original (P-Vine)

Release: 2021 / JP – Original

Genre: Hip Hop

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LP | 2003 | JP | Reissue (P-Vine)

Hound Dog Taylor

Release The Hound

36,99 €*

Release: 2003 / JP – Reissue

Genre: Organic Grooves

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Autonome Zone Cokebottle Green Vinyl Edition

Mono & Nikitaman

LP | 2021 | EU | Original (M & N)

Release: 2021 / EU – Original

Genre: Pop

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2x12" | 2014 | EU | Reissue (Mord)

UVB

Second Life EP

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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2021 repress / comes in newly designed full colour sleeve -

Including the big hit "Mixtion"! Originally released in 2014.

*** I walked away from the mirror. It was morning, it was afternoon, it was night.

Nothing changed, it was locked in place.

I was born for this. Shot like a flower in the dance.

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Liam Doc

K-Toi Trax EP

LP | 2021 | US | Original (Riding Easy)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Liam Doc, a staple in the Scottish scene and resident at the Glaswegian institution Sub Club, brings a record of throbbing techno minimalism to Shall Not Fade. Having rubbed shoulders with some of the biggest names in Scottish dance music from Denis Sulta to Big Miz, Doc's sound is cool, collected and distinctively UK.

Energetic A1 "Jamie Said It Was Wicked" combines earworm distorted bass triplets with atmospheric steel drums, its strong rhythm dragging you into "Icarus" which puts on the breaks in a silky laidback house roller. Doc turns up the nostalgia for A-side closer "2008"; the wide bassline giving a classic noughties feel but with touches of chillout room memories in the smooth piano stabs. On the other side, percussion dominates.

"Looks Like a Mad Place" is proper eyes down business, a drum-heavy uk techno number with dubwise bite. More playful percussion on the hard drum hybrid power of "Thyme Bridge (Part Ii)", but the crowning jewel of the record is the closing track, "A.S.M.R (I'm Trying)". Delving further into pivotal forward club sounds, Doc creates a darker spin on uk funky elements with an ominous, vibrating bassline and ear tickling percs. The EP builds from a ravey sound palette into dark and raw British techno at its finest, proving Liam Doc is a master of his craft.

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Deathchant

Waste

26,99 €*

King Gizzard & The Lizard Wizard

Release: 2021 / US – Original

Genre: Rock & Indie

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Heavy music’s evolution has always been a murky swamp of sub-genres. So, combining Thin Lizzy’s glistening twin guitar harmonies with Melvins-grade sludge and a hearty dose of proto-metal psych probably shouldn’t sound so revolutionary as it does in the hands of L.A. quartet Deathchant. But theirs is a special, transcendent sound. Waste, the band’s sophomore album and first for Riding Easy Records, is anything but. The thirty three-minute, seven-song blast flows seamlessly from song to song, aided by droning segues, while simultaneously slithering between genres and moods. Rumbling noise, chiming guitar melodies, bluesy boogie, Nwobhm thrash, COC grunge and punk fury all rear their head at times, sometimes all at once. Though one wouldn’t be able to tell by the concise structures and well-crafted songs, a lot of Deathchant’s music is improvised, both in the studio and live. That’s not to suggest their songs are jammy— they’re very tightly organized compositions. But the four musicians have that special musical telepathy that allows them to keep the song structures open-ended. “Improv is a huge things for us and always has been,” singer / guitarist T.J. Lemieux says. “The musical freedom to look at the other dudes in the band and be able to take things wherever we want to go is magical. I like the feel of flying off the hinges.” Likewise, the band itself is similarly amorphous in its membership. “We run the band with an open door. No lineup is definitive,” Lemieux explains. On Waste, the lineup is: Lemieux, George Camacho on bass, Colin Fahrner on drums, and John Belino on second guitar. Waste was recorded live in a rented cabin in the mountains of Big Bear, CA. “We packed a big-ass van and set up in the living room and kitchen,” Lemieux says. “Tracked it live, with overdubs after.” The whole album was recorded over two separate weekends, engineered by Steve Schroeder, who also recorded the band’s 2019 self-titled debut album. “I’d say it has sort of a DIY LA punk aesthetic,” he adds. “Very ironically going hand in hand with a classic metal vibe: Thin Lizzy, Judas Priest, classic Deep Purple, Uriah Heep and other melodic heavy rock bands.”

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Polygondwanaland

Tape | 2017 | EU (Radiation Reissues)

LP | 1976 | EU | Reissue (We Release Jazz)

Release: 2017 / EU

Genre: Rock & Indie

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Twelfth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard, fourth of five albums released by the band in 2017. Amongst the 20 best rock albums of the same year. Polygondwanaland, is another stellar entry in King Gizzard near-flawless discography.

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Hiroshi Suzuki

Cat

33,99 €*

Asmus Tietchens / Miki Yui

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki’s glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono. Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown. The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka’s heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums). Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui’s Scenery, has fascinated old and young generations alike.

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Neues Boot

LP | 2021 | EU | Original (Tal)

Release: 2021 / EU – Original

Genre: Organic Grooves

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12" | 2021 | EU | Original (Monocline)

Re:Axis

Cosmic Realms

Give U My Body / Feel So Phree

Release: 2021 / EU – Original

Genre: Electronic & Dance

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"Cosmic Realms" is the new solo vinyl EP by the label ahead Re:Axis. After a few months in quarantine, polishing the diamond, Jose is ready to unleash what is easily their most mystical piece of work to date. Recognizing how small and lovely we are, the intergravity which lives in us is the main state behind his cosmic release. Leading us to connect the dots of the unknown by just feeling, being here now, real, enjoying the realms.

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The Unknown Artist

12" | 2021 | EU | Original (Paling Trax)

Everything Else Is Secondary Clear Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Revenge of the Paling Trax imprint - two peak-time bangers from labelhead Tafkamp on this double A-side Paling Trax Limited release!

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Viggo Dyst

Untitlebret / Rok Da Place Clear Red Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Stockholm native Viggo Dyst joins Shall Not Fade's roster for their new Classic Cuts series, serving up ear candy and sparkling sounds on Everything Else Is Secondary EP. Fresh from a successful release with Swedish label Vivrant, he is also joined by stalwarts of the scene Baltra and 1800-girls for two gorgeous reworks.

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Stranger

10" | 2021 | EU | Original (Perspektiv)

LP | 2021 | EU | Original (Knekelhuis)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Stranger is back on the grind presenting his first solo release in 4 years, traditionally delivering a double a-side release on the Perspektiv label! 90s influenced rave cuts from Rotterdam's finest. Highly essential!

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Electric Party

Play

2LP | 1996 | UK | Reissue (Warp)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

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"Amsterdam, 1982. Smoke fills the streets, squatters clash violently with the police, uprising is in the air. In this disorderly mess, the worlds of activism, art, fashion, and nightlife converged into an explosion of creativity. Amidst all of this Electric Party, the brainchild of René van Rijn, released the ‘Work’ tape on Amsterdam label Fetisj, now a cult cassette for the few who remember.

Forty years ago they created this unique blend of no wave, mutant disco, funk, and experimental music. It was around the time of the rise of the members-only club Mazzo, with all its prominent figures, the anarchy of the squatting movement, and the art academy connection. Everything took place in this inebriated twilight zone of blissful joy.

This record consists of 3 of the best tracks from the ‘Work’ tape and 6 unreleased tracks from forgotten cassette tapes, all remastered and restored where necessary. Among them the unreleased anthem ‘Caribe’, which was recorded in Spain as the opening track for a Spanish discotheque in 1987.

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Seefeel

(Ch-Vox) Redux

31,99 €*

3LP | 1995 | UK | Reissue (Warp)

Release: 1996 / UK – Reissue

Genre: Electronic & Dance

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If Succour was Seefeel’s departure from the cul de sac of shoegaze music to wander through the desert of abstract electronics, 1996’s (Ch-Vox) which has been out of print since its original release is the sound of a group building a civilisation in the remotest spot, revelling in their sound far away from the rest of the world, their tones arriving to us like strange signals through the air. Singular as each of Seefeel’s LPs are, (Ch-Vox) could well be their definitive statement, a compelling album fuelled by deepest mystery.

Chief among its mystique is that it’s often hard to tell what we’re hearing most of the time. The humid drones of ‘E-hix²’ could have been created using samples, guitar feedback or a string quartet. The clipped ambience of ‘Utreat (Complete)’ ambiguously suggests either a piano or a bass guitar, a grainy twang-thump which revisits the closing motif of Succour, signposting the maturation of the Seefeel project. Although, ‘maturation’ isn’t quite the right word; (Ch-Vox) is amniotic in nature, each of its tracks boiled down to elemental values, co-mingling with plentiful breathing space. ‘Hive’ gives us the first hint of a clangorous beat, rendered alien by its ambient backdrop of what sounds like the howling of wolves.

This expanded edition of (Ch-Vox) comes loaded with unreleased material on the second LP that’s just as thought-provoking, delivering an even more rounded experience for this immersive album.

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Seefeel

Succour (Redux)

Take The Step Dark Grey Marbled Vinyl Edition

Release: 1995 / UK – Reissue

Genre: Electronic & Dance

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Just as paradigm-shifting ideas are met with some cautious scepticism when they first occur, the history of Seefeel’s second LP Succour is a little chequered. Coming in hot from the success of their 1993 debut Quique — regarded as a prophetic example of shoegaze’s eventual transformation into post-rock — a newly minted contract with Warp would prove symbolic of where the group would steer his project next. The few “rock” elements of its full-length predecessor had evaporated, and vast spaces of dub and ambient would come to inform 1995’s Succour. Skeletal rhythmic elements amalgamating into their brooding, elemental and completely singular sound.

Bookending tracks ‘Meol’ and ‘Tempean’ open up like two gaping mouths on a mottled, heavy beast of droning synthesis, laying the groundwork for the world-enveloping tones Stars of the Lid would later produce. The delicate balance of weights teeters throughout the LP, crushing up sheet metal percussion on the techno-minded ‘Fracture’ and ‘Rupt’, which both simultaneously recall Aphex Twin’s rhythmic experiments and large-scale dub textures. The latter style is heavily hinted in the third LP of mostly unreleased tracks in this expanded (Redux) edition, all delay-drenched and booming with bass.

Seefeel proselytised the limitless potential of the post-rock genre with Succour — and produced one of the 1990s’ greatest albums in the process.

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Lars Huismann

12" | 2021 | EU | Original (Voxnox)

Space Swingerz EP Red Marbled Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Focus mode to the fullest. Berlin-based Lars Huismann strikes back on Voxnox Records, with his four-track EP "Take The Step". Self-titled "Take The Step" kicks in first by delivering filthy hat shuffles on even nastier drums and a growing arpeggiator line. With small, yet effective vocal pieces emerging over the place, mysterious pad shapes build a tremendous climax ready to roll further into the future on this one. It's a Voxnox Fam thing with this perfect introduction!

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Jad & The

Meditator 002 Blue Marbled Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Jad & The is an Australian producer based in Berlin, where he's been putting out consistently cool and sleek dusty house on the likes of Toy Tonics and Banoffee Pies. Jad is now joining Shall Not Fade for his debut on their Seasons Series imprint, showcasing a selection of tracks that ooze space age sounds and cybernostalgia. Space Swingerz EP feels like the soundtrack to a classic science fiction film; opening with "Dance (Can't Dance Mix)", the most house-oriented track on the record, a grooving and smooth party piece that has just a hint of the electro inflections to come. The title track itself is a swirling electro track filled with popping futuristic synths and spaced out pads, leading into "Industrial I-Beam" that swaps out the ambience for a deep funky bassline - headsy and ready for a darkened Berlin club. "Circum Navigator" is a clean-cut but hypnotic piece of nineties revival, while "OK, Computer" taps into the sci-fi edge of the EP, the sounds of early internet imaginations of the future.

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Puffin' Billy

12" | 2021 | UK | Original (Meditator Music)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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12" | 2021 | UK | Original (Un Lion À Paris)

Quasar & Somah

Skali / Shelter

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Tom Frankel

Milestones EP

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Next up for Shall Not Fade's new Killer Cuts series is London-based DJ and label boss Tom Frankel. The up-and-coming producer has gained attention and respect for his slick techy house cuts that take from a range of classic house and UKG sound palettes. He makes his debut on Shall Not Fade with Milestones EP, six tracks of skippy house that reminisces early 90s raves. The record meshes modern sounds with nostalgia; "Better Perspective" is a pulsing laid back house track but with a swerving bassline that gives it edge. Frankel experiments with the sounds of a warehouse rave in a nod to dancefloor romance, "Mandy Cuddles" - melding the classic M1 house piano with searing jungle vocals that cut through the melody like a laser. Showing the cheekier side of his production, "Slippery Nipple" pays homage to filter house, a skippy garage bassline bringing it up to date. The funkiness of this one is unavoidable, making even the most static hips move; onto "Peak District", a throbbing 90s style roller to keep the pace going. The two final tracks dabble in the darker end of Frankel's sound palette; "Tapas" adds heavy bass and percussive organ stabs to a clean house sound while "Cuckoo Land" is a deep, sweeping club track that formed a spaced out end to an otherwise high-intensity EP.

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Kilig

What My Mind Needs EP

For Dancing And Listening

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Elusive UK producer Kilig brings a six-track EP spanning the British sound palette - forward, complex, with inflections of jungle and garage - to the new Shall Not Fade Classic Cuts imprint. Off the back of releases for Scuffed and Origins in 2020, kilig pairs their intimate knowledge of London's rave scene with more minimalist tinges for What My Mind Needs EP, a simmering club record soaked deep in ambience.

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Guns N'wankers

10" | 2021 | US | Original (Fat Wreck Chords)

20,99 €*

NxWorries (Knxwledge & Anderson .Paak)

Release: 2021 / US – Original

Genre: Rock & Indie

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Reissued on 10-inch vinyl, previously available as a long-out-of-print 12-inch in 1994. Features members of English bands Snugg and THE Wildhearts.

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Link Up & Suede EP

12" | 2016 | US | Reissue (Stones Throw)

12" | 2021 | EU | Original (Fokuz)

Release: 2016 / US – Reissue

Genre: Hip Hop

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This was the first release from Anderson .Paak & Knxwledge as Nxworries: "Suede" and "Link Up" were their first two tracks. "Droogs" is a Knx remake of an Anderson .Paak single. Instrumentals and bonus beats around out the EP.

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Minos

Tribe EP

Palette Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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After a series of successful digital releases, Minos now drops his solo debut EP on Fokuz. The "Tribe EP" contains four well-crafted tracks in his signature liquid style.

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Nicadrio Lee

LP | 2021 | US | Original (Aloha Got Soul)

16,99 €*

12" | 2021 | EU | Original (Time Is Now)

Release: 2021 / US – Original

Genre: Rock & Indie

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A bedroom city pop, math rock album of original songs recorded and performed entirely by the 19-year-old guitarist * New territory for Aloha Got Soul, expanding its catalog to represent new music from Gen Z.

Now in its sixth year as a fully-fledged record label, Aloha Got Soul enters new territory with teenage guitarist Nicadrio Lee and his self-produced Palette, a bedroom city pop, math-rock album of original songs recorded and performed entirely by the 19-year-old guitarist. Palette is inspired by Nicadrio Lee's musical journey, which began in Honolulu, Hawaii, and has brought him to study in New York City.

Nicadrio's own encounters in music and interactions with people prompted a question: 'What makes a song sound and feel good?' He discovered that a song is not labeled 'good' simply because of who is playing the music or because of how well an instrument is being played, but because an artist is able to inspire emotion through vibration, mood through sound, and life through music.

Palette tells a complete story of Nicadrio Lee's experiences to date. It marks the beginnings of the journey in music that awaits this young musician.

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Y U QT

5 A Day

Release: 2021 / EU – Original

Genre: Electronic & Dance

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- 2022 repress -

It was surely a matter of time before Leicester natives, darlings of the UKG revival Y U QT graced Time Is Now with a release. Cooper and Darryl Reid have been repping the Midlands' oft-forgotten 2-step and bassline scene since being picked up by Riz La Teef's South London Press in 2019; since dropping two EPs on Warehouse Rave and getting picked up for a remix by Conducta's award-winning Kiwi Rekords. For Time Is Now, the duo have put together five tracks of dynamic, cheeky garage that takes influence from the full breadth of the genre.

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Black Loops

Circulation EP

12" | 2021 | UK | Original (Central Processing Unit)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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After a wafting deep house collab with fellow Italian Berlin resident Ruff Stuff, Black Loops (Ricardo Paffetti) brings Shall Not Fade a third EP of rolling, danceable house of the highest calibre. Paffetti has built a reputation as a creative, high-class producer and does not disappoint on "Circulation EP" - the Shall Not Fade regular makes tribute to classic Italian house while adding a futuristic, unique spin. The 5-tracker opens with "Mike The Dog". It's a crazy electro-garage hybrid that foregrounds frenetic drum loops, while soft lofi chords give way to a disco-like bassline, starting the record off lightheartedly. Title track "Circulation" hits with a syncopated kick and dubbed out vocals that swirl in your head, contrasting a smooth, darker sound design made for sunset dancing. Paffetti perfects a meticulous sound palette across the B-side. From "Banana 20", a pacey track lead by its squelching bassline, to "Dream2gether" - gliding lead synth, trading spotlights with the echoed vocal - these are love songs for the dancefloor. The EP closes out to "Danse sur L'Hardcore", a pumping beast of a house track studded with sparkling chord stabs and g-funk synth trills.

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Blackploid

Cosmic Traveler