Vinyl, CD & Tape 21130 Items

When Can (Deluxe Edition)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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10 year anniversary gatefold 2LP edition of Cult of Luna's take on Fritz Lang's Metropolis film, Vertikal.

"Somewhere Along The Highway" and "Eternal Kingdom" were inspired by the landscape of Västerbotten, the county we are from. We realised that there was only one way to go for us: to the city, into the future. Making a droney John Carpenter-esque album would be too easy and we’ve never been about taking the simple route. I was studying film at the time and had been floored by the aesthetic of German expressionism. This resonated perfectly with Erik Olofsson, who had just got into Italian futurism. This was a real challenge.

We put in a lot of effort to realize our vision of the stale, artificial city in all aspects of what an album is. The way we played guitar (only down strokes), the production, artwork and band photos, everything was done with the vision as a guide.

"Vertikal" is the album where we had the most precise vision of what we wanted to do and worked hardest to transform it from an idea into reality.

A lot of things happened during the years between "Eternal Kingdom" and "Vertikal" and I could continue writing for ages but this will do for now. Ten years have passed since its release and what felt like a rebirth of the band, the band that is still ongoing with new goals and missions.

It’s a full circle kind of thing. At the time we had no label and now we are releasing it on our very own. Life is strange.

Johannes Persson - Umeå December 2022

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Kettel & Secede

2LP+10" | 2012 | EU | Reissue (Sending Orbs)

Feature Magnetic Tri-Color Canary Cake Vinyl Edition

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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'When Can' is a journey through the realms of musical serendipity, an ode to the unexpected twists of collaborative intuition. Conceived in the spring of 2012, this masterpiece is the culmination of a decade-long friendship between Reimer Eising aka Kettel, and Lennard van der Last aka Secede, two of the most talented electronic music producers from The Netherlands. 'When Can' is not just a collection of songs; it's a seamless continuum where each track breathes life into the next. As the listener delves into the sonic story, the music leads to uncharted territories, incorporating ambient and cinematic sounds and blending them with reminiscences from Renaissance to Baroque music. Far from a preconceived plan, the album organically unfolded, capturing the essence of the musical exploration from these two brilliant minds. More than a decade after its birth, Lapsus is proud to release 'When Can' for the first time on vinyl. For this meticulously curated deluxe edition all the tracks have been remastered, and the artwork has been updated by Basora studio. And there's much more inside: two lithographic prints featuring original paintings by Jeroen Advocaat plus an extra 10'' including the unreleased tracks 'Zipvanes' -a 10 minutes alternative cut of 'Ringvanes'- and 'Spoonful'

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Kool Keith

LP | 2016 | US | Reissue (Mello Music Group)

39,99 €*

2CD | 1984 | US | Reissue (Modern Harmonic)

Release: 2016 / US – Reissue

Genre: Hip Hop

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In a world full of cheesecake rappers, one man has assembled a phenomenal team to bring you madness. The original originator, ultramanetic, high-wire rap legend Kool Keith brings a star studded album to the fore. "Feature Magnetic" highlights MF Doom, SLug of Atmpshere, Mac Mall, Necro, Craig G, Dirt Nasty, Ras Kass and more. This special edition 24 for '24 Artist Series Vinyl also features original oil painting art by KipDaFog for this oen time pressing on tri-color canary cake vinyl.

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John Fekner City Squad

Idioblast 1983-2004

The Flesh Prevails 10 Year Anniversary Edition

Release: 1984 / US – Reissue

Genre: Hip Hop

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With words as weapons and public infrastructure as his blank slate, John Fekner’s City Squad are always questing for the ineffable, even as they yearn for concrete change. Make no mistake, Idioblast is a serious party where everyone is welcome.

Released in 1984, Idioblast is a lost classic, a future shock narrative ahead of its time, and yet completely of its era, like few artifacts before or since. The cover tips you off from the jump—a crude but effective collage featuring classic Fekner slogans like Toxic Junkie, Growth Decay and Soft Brains Watch The Screen And Buy The Jeans. In an uncanny and tragic coincidence, the very first lyric on the album—“The place to be is on the space shuttle/if you’re brave enough to get on it”—seems to anticipate the Challenger disaster just two years later. But for the most part, the tracks on Idioblast directly reference the concepts that inspired Fekner’s visual art.

Musically, “Rapicasso” utilizes pneumatic pounding with an industrial edge as Fekner equates the great and controversial painter with risk-taking graffiti kids bombing trains and billboards across the city. Art is in a constant state of exploding—forms, paradigms, outdated ideas. Splitting the difference between hip-hop and new wave, the Santaniello-sung “The Beat” is like Thomas Dolby meets Run-DMC and should’ve been a radio staple for at least one sticky summer. It could soundtrack either a couples roller skate or a drug-fueled evening out.

Channeling Fekner’s slogan-stencil aesthetic, “Travelogue The 80’s” is a tour de force reminiscent of Negativland’s experiments in audio culture jamming. As Fekner details, “I grabbed all of the sounds via a shortwave radio picking up transmissions from LaGuardia airport and the TV. I recorded and edited on a Sony Pro Walkman and an Aiwa dual cassette deck.”

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Fallujah

LP | 2014 | US | Reissue (Unique Leader)

31,99 €*

Release: 2014 / US – Reissue

Genre: Rock & Indie

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A Weird Exits Emerald Green Vinyl Editoin

Thee Oh Sees

2LP | 2016 | US | Reissue (Castle Face)

34,99 €*

Face Stabber Blue Nebula Vinyl Edition

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Received a 7.5 rating from Pitchfork. Emerging from the distant light is the new double-LP from John Dwyer’s Thee Oh Sees—the first studio recordings to capture the muscular rhythm section of twin drummers Ryan Moutinho and Dan Rincon with ringer bassist Tim Hellman cracking spines. The groove and bludgeon one has come to expect from the band’s live shows is captured seamlessly here—they go from zero to head-splitter, and on the rare occasions they do let up on the gas a bit, you’re treated to some locked-in hypnotizers, too. The guitar sounds more colossal and ethereal at the same time, riding roughshod over the vacuum-sealed rhythm section, spiraling skywards, and diving into the emerald depths so quick your guts tingle. Synths, strings and smoke-soaked things crawl behind the scenes to make an extra far-out party platter, served on 45 RPM plates for most excellent listening quality. With amazing visuals (including a side-D etching by airbrush-van-art maestro Robert Beatty) and packed in vape-proof goatskin, it’s a beast and, come August 12th, it can be yours should you so choose.

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Oh Sees (Thee Oh Sees)

2LP | 2019 | US | Reissue (Castle Face)

34,99 €*

Giles Corey (Dan Barrett of Have A Nice Life)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Hey there, human kids, lift your face out of the feed trough and pluck that feculence from your ears. Hark! A sonar blip from beneath the pile of bodies—the latest Oh Sees, Face Stabber! Boop, blip, ughhh….people churning like a boiling swamp. Man, this din is nauseating. The screen flickers for the first time this year with a transmission from two months in the future: “the internet has deemed guitar music dead and you are free to do whatever the fuck you like ….long live the new flesh!” This album is Soundcloud hip-hop reversed, a far flung nemesis of contemporary country and flaccid algorithmic pop-barf. No songs about money or love are floating in the ether. Just memories, echoes, foggy blurs, blip-blop goes the scope, heavy funk, dystopia-punk canons, long jams, bloated solos dribbling down your caved-in chest. Human cattle like a beef avalanche, right on your burned out face hole. Spider-legs fuzz crawling in your brain. Lots of curse words for your mom. You’ve gotten the over-population blues, so let’s have some art for art’s sake. What else are you gonna do? Stare at the sky? Please…fifty carbon copies of you look back at you as you walk the streets. Take a breath, you’re going to need it. Take drugs, you’re going to need those just to stand in line at the air and water reclamation center soon enough. There’s no fruit, buddy. You’re at the bleak-peak. They will squeeze you till you’re all squeezed out. For fans of fried prog burn-out, squished old-school drool, double drums, lead weight bass, wizard keys (now with poison), old-ass guitar and horrible words with daft meanings. If you don’t like it then don’t listen, bub. Back to the comments section with you! Easy—over and out.

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Hinterkaifeck

LP | 2020 | US | Reissue (The Flenser)

Miles (Original Jazz Classics Series)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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“Wretched Humanity, the fault is yours.” Giles Corey is the gloomy, stripped-down solo project of Dan Barrett, one of the masterminds behind the cult act Have A Nice Life. Dealing with issues like suicide, depression, and the paranormal, Giles Corey is both incredibly bleak and intimate. Two years after the project’s self-titled debut, Barrett recorded three minimalist tracks before a series of live performances, releasing them as Hinterkaifeck. Hinterkaifeck was released in February 2013 by Enemies List Home Recordings, and has existed exclusively as a digital release until now. The title is a reference to a gruesome and mysterious mass murder that took place on a remote farm in 1922 near Munich, Germany. The Flenser presents Giles Corey’s Hinterkaifeck as a one-sided 12-inch record with a special etching on the b-side. “Giles Corey’s Hinterkaifeck is a testament to his ability to wield emotion with his ambience and subtlety.” —Sputnikmusic

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New Miles Davis Quintet

LP | 1956 | EU | Reissue (Craft)

46,99 €*

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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Kenny Burrell & John Coltrane

Kenny Burrell & John Coltrane (Original Jazz Classics Series)

LP | 1963 | EU | Reissue (Craft)

58,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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South Side Soul (Original Jazz Classics Series)

John Wright Trio

LP | 1980 | EU | Reissue (Craft)

65,99 €*

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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2LP | 1996 | EU | Reissue (Verglas)

Arena

Pride Red Vinyl Edition

64,99 €*

LP | 2016 | EU | Reissue (Round Hill)

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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Pride by Arena, released in 1996 was the bands second release. For the first time the original release has been remastered and released on Vinyl! The double gate fold has two red 180g vinyl discs Full colour cardboard inner sleeves with all the original artwork and lyrics.

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BadBadNotGood

IV White Vinyl Edition

Release: 2016 / EU – Reissue

Genre: Organic Grooves

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LP | 1978 | EU | Reissue (Tokuma/Lawson (Japan))

Akio Niitsu

I/O(I･O)

36,99 €*

Maureen Colored Vinyl Edition

Release: 1978 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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(Japanese pressing, Official reissue) Brilliant synth prog weirdness from the late 1970s Tokyo. Recorded by the guitarist Akio Niitsu who was compared, not without reason, to Manuel Göttsching. Niitsu has a fairly small discography of only three full-length albums, but his second one - “Pet Step” - was on Tomita’s label and supposedly with the involvement of Haruomi Hosono (this is according to Chee Shimizu who lists it in his “Obscure Music”).

Akio Niitsu's first album, "i/o(i･o)" released in 1978, was produced in a homemade studio that had been converted from a storeroom in his home, and he spent three years doing everything from composition to engineering by himself, using overdubbed guitar recordings. 's first analog re-release has been decided.As a guitar multi-recording album, the idea was realized six years earlier than the album "e2-e4" released in 1984 by Manuel Göttsching, the central figure of "Ash La Tempel", but it was too early. A hidden experimental/ambient gem!The paradoxical sound that makes you feel as if you are lost deep in a labyrinthine forest, combined with Tadanori Yokoo's artwork, is a piece that allows you to enjoy Akio Niitsu's worldview with your ears and eyes.

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Joy Denalane

LP | 2011 | EU | Reissue (Sony Music)

26,99 €*

Release: 2011 / EU – Reissue

Genre: Pop

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LP | 2013 | EU | Reissue (Proper)

Savoy Brown Blues Band

Shake Down

Release: 2013 / EU – Reissue

Genre: Organic Grooves

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Merriweather Post Pavilion 15th Anniversary Edition

Animal Collective

2LP | 2008 | UK | Reissue (Domino)

33,99 €*

Release: 2008 / UK – Reissue

Genre: Rock & Indie

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The Cool Voice Of Rita Reys

Rita Reys

LP | 1956 | US | Reissue (Spiral)

17,99 €*

Release: 1956 / US – Reissue

Genre: Organic Grooves

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2LP | 1989 | UK | Reissue (Rocket Girl)

A.R. Kane

12" | 1995 | UK | Reissue (Pariter)

Release: 1989 / UK – Reissue

Genre: Pop

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The final part of this ‘A.R. Kane reissue collection is 1989’s astonishing double-LP ‘i’ which

followed up on ‘sixty nine’s promise and saw the duo fully unleash their experimental

pop sensibilities over 26 tracks, plunging the A.R. Kane sound into a dazzlingly

kaleidoscopic vision of pop experiment and play. Suffused with new digital

technologies and combining searingly sweet and danceable pop with perhaps the

duo’s strangest and boundary-pushing compositions, the album did exactly what a

great double-set should do - indulge the artists sprawling pursuit of their own

imaginations but always with a concision and an ear for those moments where pop

both transcends and toys with the listeners expectations. Jason Ankeny has noted

that “In retrospect, ‘i’ now seems like a crystal ball prophesying virtually every major

musical development of the 1990s; from the shimmering techno of ‘A Love from

Outer Space’ to the liquid dub of ‘What’s All This Then?’, from the alien drone-pop of

‘Conundrum’ to the sinister shoegazer miasma of ‘Supervixens’ — it’s all here, an

underground road map for countless bands to follow.” Perhaps the most

overwhelmingly all-encompassing transmission from A.R. Kane, ‘i’ bookended a

three year period in which the duo had made some of the most prophetic and

revelatory music of the entire decade.

After ‘i’ the duo’s output became more sporadic with Tambala and Ayuli moving in

different directions both geographically and musically, with only 1994’s ‘New Clear

Child’ a crystalline re-fraction of future and past echoes of jazz, folk and soul, before

the duo went their separate ways. Since then, A.R. Kane’s music has endured, not

thanks to the usual sepia’d false memories that seem to maintain interest in so much

of the musical past, but because those who hear A.R. Kane music and are changed

irrevocably, have to share that universe which A.R. Kane opened up, with anyone

else who will listen. Far more than other lauded documents of the late 80s it still

sounds astonishingly fresh, astonishingly livid and vivid and necessary and NOW.

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Smooth & Simmonds

Vertigo

12" | 1990 | UK | Reissue (Pariter)

Release: 1995 / UK – Reissue

Genre: Electronic & Dance

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Vertigo is the third part of a reissue series on Parter that focuses on the work of Chris Simmonds and Ron Wells. These two made just nine Eps back between 1990 and 1997 but very much hit a perfect sweet spot between house, garage and techno when they did. Now newly remastered for this series, they have never sounded better. This 12" was originally from 1995 on Bomba Records and features the title cut spread across two sides and two parts. Side A is a bumping house cut with thumping bass and nice frayed edges as the serene synths are smeared all about the mix. Part 2 is a continuation of this most fine and full-bodied but deep house sound.

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Smooth & Simmonds

The Four Seasons

12" | 1995 | UK | Reissue (Pariter)

Release: 1990 / UK – Reissue

Genre: Electronic & Dance

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Smooth & Simmonds was Chris Simmonds and Ron Wells, a pair pf producers who were active from the early to mid-90s and made just a handful of EPs that have all stood the test of time. Three of the best of them have been newly remeasured by a long-time fan at the Pariter label and are now getting served up on fresh wax. This 12" features 90s EP, The Four Seasons, with two mixes of the title cut. The first is a steamy Warehouse Mix with dusty drums, subtle rave whistles and seductive vocals stitched in, while the second is a Factory Mix that rides a little more smoothly on uplifting chord work and brighter synth energy.

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Smooth & Simmonds

Climax

LP | 1977 | JP | Reissue (Universal Music)

Release: 1995 / UK – Reissue

Genre: Electronic & Dance

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Pariter has lined up a trio of classic house reissues for your enjoyment this Spring. They come from Smooth & Simmonds who are famous for managing to smooth out the differences between house, garage and techno and are firm favourites of deep-digging heads for that reason. All of these cuts - which like the other two EPs have been freshly remastered for the occasion - are some 30-odd years old and are textbook examples of timeless grooves. 'Climax' has tight, kinetic drums that punch out an irresistible pattern as swirling pads fishing them off up top in some style.

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Masayoshi Takanaka

An Insatiable High

54,99 €*

Takanaka Clear Red Vinyl Edition

Release: 1977 / JP – Reissue

Genre: Pop

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" Pressed on clear yellow vinyl
Originally released in 1977
Takanaka's third studio album Released in 1977 on Kitty Records, An Insatiable High is the third studio album by jazz fusion guitarist Masayoshi Takanaka. This unforgettable features many big LA musicians of the time, including Harvey Mason, Chuck Rainey, and Ritenour."

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Masayoshi Takanaka

LP | 1971 | JP | Reissue (Universal Music)

54,99 €*

Seychelles Clear Sky Blue Vinyl Edition

Release: 1971 / JP – Reissue

Genre: Pop

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Pressed on clear red vinyl
180g weight
Remastered by Alex Wharton at Abbey Road 53 years after his debut! The remastered popular works of Masayoshi Takanaka, one of Japan's leading super-guitarists, are now available on limited edition colored vinyl! Alex Wharton of Abbey Road Studios, London, has remastered and cut this can't miss album from the original master tapes of ""SEYCHELLES,"" ""TAKANAKA,"" ""AN INSATIABLE HIGH,"" and ""SUPER TAKANAKA LIVE!"

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Masayoshi Takanaka

LP | 1976 | JP | Reissue (Universal Music)

54,99 €*

Release: 1976 / JP – Reissue

Genre: Pop

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Junko Ohashi / Yoshinori Monta

Isn't It Magic

7" | 1984 | JP | Reissue (Universal Music)

Release: 1984 / JP – Reissue

Genre: Pop

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" Pressed on 7"" black vinyl
Two incredible hits from 1980s Japan!
NOTE: artwork to be announced Two major duets by Yoshinori Monta and Junko Ohashi are released simultaneously on analog 7inch single vinyl! In April 1983, ""Natsu Onna Sonia"" became a big hit under the name ""Yoshinori Monta with Junko Ohashi,"" and the following June 1984, ""Koi wa Magic"" was released simultaneously, this time under the name ""Junko Ohashi with Yoshinori Monta! The couplings include Yoshinori Monta's solo song ""Harbor Light"" and Junko Ohashi's solo song ""A LOVE AFFAIR,"" respectively."

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Yoshinori Monta / Junko Ohashi

Natsuonna Sonia

7" | 1984 | JP | Reissue (Universal Music)

Blau 50th Anniversary Edition

Release: 1984 / JP – Reissue

Genre: Pop

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Conrad Schnitzler

LP | 1974 | EU | Reissue (Bureau B)

Release: 1974 / EU – Reissue

Genre: Pop

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The Age Of Immunology Pink Vinyl Edition

Vanishing Twin

LP | 2019 | EU | Reissue (Fire)

26,99 €*

2LP | 2009 | EU | Reissue (Etage Noir)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Vanishing Twin’s seminal LP, The Age Of Immunology, receives a LTD edition pressing on None ‘Pink’ and Sine ‘Teal’ vinyl, limited to 500 units each and paired with matching sleeve art. As essential take on psych-pop futurism and a must for fans of Broadcast, Sun Ra and Ennio Morricone. Establishing the band as innovators in their field, the record was declared “a masterpiece” by The Line Of Best Fit, while The Quietus asserted Vanishing Twin as “one of the most original and exciting acts of the moment”. This was the group’s first LP for Fire Records, at the time of recording the band’s evolving lineup consisted of songwriter, singer and multi-instrumentalist Cathy Lucas, drummer Valentina Magaletti, bassist Susumu Mukai, synth/guitar player Phil MFU and visual artist/film maker Elliott Arndt on flute and percussion. The album was produced by Lucas in a number of non-standard, non-studio settings. ‘krk (At Home In Strange Places)’ summons up the spirit of Sun Ra’s Lanquidity and Broadcast And The Focus Group Investigate Witch Cults Of The Radio and was simply recorded on an iPhone during a live set which crackled with psychic connectivity on the Croatian island of Krk. The magical Morricone-esque lounge of ‘You Are Not an Island’, the blissed-out Jean-Claude Vannier style arrangement of ‘Invisible World’ and burbling sci fi funk ode to a 1972 cult French animation, ‘Planète Sauvage’, were all recorded in nighttime sessions in an abandoned mill in Sudbury.

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Parov Stelar

Coco

21,99 €*

Release: 2009 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2012 | EU | Reissue (Etage Noir)

Parov Stelar

The Princess

20,99 €*

Release: 2012 / EU – Reissue

Genre: Electronic & Dance

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Apology For Pathology Custom Splatter Vinyl Edition

Haemorrhage

LP | 2006 | Reissue (Relapse)

Release: 2006 / Reissue

Genre: Rock & Indie

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Set The Dial Black Ice With Mustard Bone White And Brown Splatters Vinyl Edition

Black Tusk

LP | 2011 | Reissue (Relapse)

Release: 2011 / Reissue

Genre: Rock & Indie

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Beyond The Circular Demise Black With Mustard Orange Splatters Vinyl Edition

Coffins

LP | 2019 | Reissue (Relapse)

Release: 2019 / Reissue

Genre: Rock & Indie

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Convicted Black Ice With Red White And Cyan Blue Vinyl Edition

Cryptic Slaughter

LP | 1986 | Reissue (Relapse)

Release: 1986 / Reissue

Genre: Rock & Indie

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We Are The Gore Kelly Green With Black Bone White Vinyl Edition

Haemorrhage

LP | 2017 | Reissue (Relapse)

Release: 2017 / Reissue

Genre: Rock & Indie

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Hospital Carnage Kelly Green With Black Bone White Vinyl Edition

Haemorrhage

LP | 2011 | Reissue (Relapse)

Release: 2011 / Reissue

Genre: Rock & Indie

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Circumambulation Sea Blue And White Galaxy Merge Vinyl Edition

True Widow

LP | 2013 | Reissue (Relapse)

Release: 2013 / Reissue

Genre: Rock & Indie

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Gateway Orange Green Spinners Vinyl Edition

Bongzilla

LP | 2024 | Reissue (Relapse)

Release: 2024 / Reissue

Genre: Rock & Indie

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Sumerlands Orange Black And Blue Merge With 3 Colors Vinyl Edition

Sumerlands

LP | 2016 | Reissue (Relapse)

Release: 2016 / Reissue

Genre: Rock & Indie

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Beastland Blue Inside Electric Blue Vinyl Edition

Author & Punisher

LP | 2018 | Reissue (Relapse)

Release: 2018 / Reissue

Genre: Rock & Indie

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LP | 2014 | EU | Reissue (Dying Victims Productions)

Hextar

Doomsayer

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Lonnie Liston Smith & The Cosmic Echoes

Cosmic Funk

LP | 1974 | Reissue (Real Gone Music)

Release: 1974 / Reissue

Genre: Organic Grooves

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Lonnie Liston Smith & The Cosmic Echoes

Astral Traveling

LP | 1973 | Reissue (Real Gone Music)

Release: 1973 / Reissue

Genre: Organic Grooves

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LP | 2020 | Reissue (Feel It)

Sweeping Promises

Hunger For A Way Out

24,99 €*

Release: 2020 / Reissue

Genre: Rock & Indie

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Hardwired To Self-Destruct Flame Orange Vinyl Edition

Metallica

LP | 2016 | EU | Reissue (Universal)

47,99 €*

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Death Magnetic Magnetic Silver Edition

Metallica

LP | 2008 | EU | Reissue (Universal)

47,99 €*

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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12" | 1986 | EU | Reissue (Rush Hour)

Zenana

Witches

17,99 €*

12" | 2004 | EU | Reissue (The Don)

Release: 1986 / EU – Reissue

Genre: Rock & Indie, Pop

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Rush Hour’s RSS series excels in unearthing buried treasure, offering a second chance for artists and releases that have long been overlooked. That’s certainly the case with ‘Witches’, the superb sole single by British 1980s wave trio Zenana.

Originally released on seven-inch by the tiny PRM label in 1986, ‘Witches’ was the product of a sister-brother songwriting team whose music was mostly recorded in the front room of a terraced house in Nanpean, a small industrial village in Cornwall, England’s most south-westerly county. While the single was infectious, impeccably produced and dancefloor-ready, it sold in limited quantities at the time.

Zenana’s story can be traced back to the early 1980s, when singer-songwriter Anita Tedder founded the all-female trio as a vehicle for her musical ambitions. To bring her songs to life, she joined voices with her brother Mike, an early adopter of electronic music who had built a studio – nicknamed MFR, short for ‘Mike’s Front Room’ – in his Cornish home.

Countless Zenana tracks were recorded at ‘mfr’ between 1984 and ’86, with the resultant demo cassette securing the band a management contract, a slew of live bookings, a video shoot and even a television appearance. Buoyed by this underground success, they headed to the remote Sawmills Studio in Cornwall – famously only accessible by boat – to re-record ‘Witches’, a song inspired by local folk tales of witches gathering near Mike’s home.

While this version of ‘Witches’ failed to make an impact at the time, it has become something of a cult classic following its’ rediscovery by crate digger Kiernan Abbott – and subsequent championing by other dusty-fingered DJs including Antal, Skyrager, Trevor Jackson and Luke Una – in early 2023. The buzz inspired Zenana to perform live again for the first time in decades, with the story of their surprise comeback being covered by British media outlets including the BBC and (more surprisingly) the Daily Mail.

Now presented in re-mastered form, ‘Witches’ is a genuinely slept-on gem. Propelled forwards by punchy drum machine beats, a killer synth bassline and fizzing keyboard sounds, the song benefits greatly from strong vocals and an extra-percussive middle eight layered with vocalisations, cosmic spoken word sections and swirling noises.

It comes backed by a brand-new extended ‘spell of love’ courtesy of Bristol duo Bedmo Disco, AKA music journalist Matt Anniss (author of Join The Future: Bleep Techno and the Birth of British Bass Music) and DJ/production partner Gareth Morgan. Anniss is a long-time friend of Mike and Anita Tedder who has fond memories of visiting Mike’s home studio with his family around the time that ‘Witches’ was recorded.

Working from Zenana’s original MFR eight-track recording (tapes of the single version were lost years ago), Anniss and Morgan have turned in the extended ‘dance mix’ the track never had first time around. More atmospheric, clandestine and dancefloor-focused, it offers authentic nods to New York proto-house, mid-80s Shep Pettibone dubs, and the pioneering synth-pop productions and dub mixes of Factory Records regular Martin Rushent.

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The Don

Remember

13,99 €*

Sunday At The Village Vanguard

Release: 2004 / EU – Reissue

Genre: Electronic & Dance

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The Don is back to round off the series with maybe his most sought after release, his Remember EP.

Reaching crazy prices online, the two tracks have been lost for some time. Now being remastered, ready for any dark club or after party.

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Bill Evans Trio

LP+7" | 1961 | EU | Reissue (Glamourama)

22,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Hung At Heart Mint Vinyl Edition

Growlers

LP | 2012 | Reissue (Fat Cat)

28,99 €*

Release: 2012 / Reissue

Genre: Rock & Indie

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12" | 2023 | EU | Reissue (Party Tricks)

V.A.

TRIX002 2024 Repress

14,99 €*

Paul Street Heat 2024 Repress

Release: 2023 / EU – Reissue

Genre: Electronic & Dance

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Party Tricks is back with the 2nd chapter of their reissue series. Four tracks carefully selected from different sought after releases from the 90's and early 2000's. ‘Tricks that never fail to amuse at parties’. Vinyl Only.

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Aerofunk

12" | 2022 | EU | Reissue (Party Tricks)

13,99 €*

LP | 1979 | JP | Reissue (Rca/Air)

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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Tricks that never fail to amuse at parties

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Tatsuro Yamashita

Moonglow

62,99 €*

LP | 1980 | JP | Reissue (Rca/Air)

Release: 1979 / JP – Reissue

Genre: Pop

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Originally released in 1979 Limited edition Pressed on 180g black vinyl Bursting with energy on the eve of his big break, Yamashita’s 4th record was a major milestone. The highly acclaimed Moonglow is Yamashita’s record that stayed the longest in the Oricon charts. Most of the songs included in this album were written by Minako Yoshida and composed by Tatsuro Yamashita.

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Tatsuro Yamashita

Ride On Time

62,99 €*

2LP | 2020 | US | Reissue (Iam8bit)

Release: 1980 / JP – Reissue

Genre: Pop

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Originally released in 1980 Limited edition 180g vinyl Pressed on black vinyl Ride on Time is the fifth studio album by Japanese singer-songwriter Tatsuro Yamashita, released by Air/rvc in 1980. This record includes everything from up-tempo songs to ballads, making it an absolute masterpiece beloved by many.

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Andrew Prahlow

OST Outer Wilds

72,99 €*

OST Runescape: Original Soundtrack Classics Red Gold Vinyl Edition

Release: 2020 / US – Reissue

Genre: Soundtracks

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2xLP Black Hole Vinyl ClothWrapped, TipOn Gatefold Jacket Music by Andrew Prahlow Album Art by Ian Jacobson Mastered for Vinyl by Townsend Mastering While the acoustic comforts of a home stereo are typically recommended when listening to vinyl, Outer Wilds requires a different setting. You’ll want to lug your audio rig into the wilderness and plant it amongst nature, where you can truly soak yourself in darkness drenched star-gazing. Composer Andrew Prahlow’s prolific score is the kind of hopeful, transcendent soundtrack that instantly readjusts your demeanor to a state of awe, reminding you just how vast the universe is. There’s no better way to explore your inner self — proverbially roasting marshmallows alongside banjo strumming — than with this beautiful, poignant masterpiece of an album. Even more secrets await within its grooves, but we’d be remiss in revealing those here and spoiling a delightful surprise.

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Ian Taylor & Adam Bond

2LP | 2018 | US | Reissue (Laced)

53,99 €*

12" | 1992 | EU | Reissue (Vibraphone)

Release: 2018 / US – Reissue

Genre: Soundtracks

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24 tracks selected by the RuneScape team and community Two heavyweight red gold LPs Deluxe gatefold sleeve 43track digital download included (mp3) Fancy a spin of “Sea Shanty 2” for old times’ sake? RuneScape: Original Soundtrack Classics takes a nostalgic journey through some of the most beloved tracks from Old School RuneScape and the early days of RuneScape. The vinyl album is arranged to follow the first journey a player might have taken through Gielinor. The digital download includes 19 bonus tracks, bursting with player favourites.

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49th Floor

Night Passage

13,99 €*

12" | 1982 | UK | Reissue (Emotional Rescue)

Release: 1992 / EU – Reissue

Genre: Electronic & Dance

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Vibraphone Records re-issues 49th Floor "Night Passage" from 1992!!! First time re-press on original label with original and re-mastered tracks!

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The Impossible Dreamers

Spin Feat. Nad Versions

18,99 €*

2LP | 2016 | EU | Reissue (Munich Warehouse)

Release: 1982 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Back in 2019, Emotional Rescue began a series where it licensed some all-time favourites, remastered them and pressed them up with new remixes by modern producers. It now draws to a close after many fine instalments with early 80s band The Impossible Dreamers. Their cult 'Spin' arrives here with an epic nine-minute extended reversion that is heavy on the dub and percussion and also an even more dubcentric reprise from regular label artist Dan Tyler of Idjut Boys and Noid fame, her under his NAD guise. There is plenty of raw and raucous rhythm to this 12" that will enliven any dancefloor and round out this series in style.

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Blackout Problems

Holy

20,99 €*

Release: 2016 / EU – Reissue

Genre: Pop

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Around The World Clear Vinyl Edition

Saib.

2LP | 2016 | US | Reissue (Cold Busted)

44,99 €*

Tape | 2016 | US | Reissue (Cold Busted)

Release: 2016 / US – Reissue

Genre: Hip Hop

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Historically Casablanca has been known as a global melting pot; a place where cultures mingle and fuse. This quality is evident in the dazzling music of Casablanca-based beat-maker and guitarist saib., who has revealed his debut long-player, the appropriately titled Around The World album for Cold Busted. These tunes showcase saib.’s worldly vibe, tied together with his intricate guitar playing which deftly keeps up with all the styles represented on the album. Hip hop beats form the backbone as saib.’s musical palette skips from jazz flavors to lounge experiments to Asian textures … and sometimes within a single track. Around The World is indeed a non-stop flight, touching down on all of saib.’s influences and predilections, creating a memorable album along the way.

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Saib.

Around The World

20,99 €*

Curses From The Past Times

Release: 2016 / US – Reissue

Genre: Hip Hop

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Proleter

LP | 2011 | EU | Reissue (Banzai La)

22,99 €*

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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His first album, critically acclaimed and certified with a platinum single, places the French producer as a key player on the independent beatmaking scene.

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LP | 2013 | EU | Reissue (Banzai La)

Proleter

Feeding The Lions

22,99 €*

12" | 1996 | EU | Reissue (Chiwax)

Release: 2013 / EU – Reissue

Genre: Electronic & Dance

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An extension of his signature innovative sample usage. The result is an irresistible patchwork: broken beats and lush sounds of vintage swing, jazz, charleston, all filtered through hip-hop's rhythmic bounce.

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Steve Bug

12,99 €*

Tape | 2022 | US | Reissue (Needlejuice)

Release: 1996 / EU – Reissue

Genre: Electronic & Dance

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OUT Soon VIA Chiwax Classic Edition: Cce042 - Steve BUG - HO (12") Re-issue From 1996!

Rawax proudly presents the upcoming Chiwax Classic Edition by Steve Bug! This beauty came out originally on Stickman Records in 1996. We are very happy to bring this fantastic record back to (remastered) life!

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Tally Hall

Good & Evil

15,99 €*

2LP | 2008 | UK | Reissue (Jet Set)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Good & Evil finds Tally Hall entering a stripped-back, grittier sonic universe. Transcendental melodies guide them through a mind-bending journey of duality. Available for the first time since 2011, this cult classic is now on vinyl containing an all-new poster, CD & tape, along with a companion 7'' single.

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Urichipangoon

Giant Club

59,99 €*

LP | 2013 | EU | Reissue (M-Theory Audio)

Release: 2008 / UK – Reissue

Genre: Rock & Indie

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The Japanese alternative band lead by Oorutaichi Urichipangoon's 2nd Album on vinyl first time.
Original CD was released in 2008.
270 Gatefold and incert.
They crossover Jazz, Brazilian, Afrobeat and folklore, and on unique Japanese poetry.

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Warbringer

Iv: Empires Collapse

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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The Shark Ep Clear Blue Vinyl Edtion

Kyle Hall

12" | 2020 | UK | Reissue (Forget The Clock)

19,99 €*

Release: 2020 / UK – Reissue

Genre: Electronic & Dance

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Brain Worms Red Vinyl Edition

RVG

LP | 2024 | US | Reissue (Fire)

24,99 €*

Mandylion Trans Greenblack Vinyl Edition

Release: 2024 / US – Reissue

Genre: Rock & Indie

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A pivotal record for contemporary times; bright, free, adamant, optimistic. Brain Worms is RVG’s fullest, most pristine album yet.

All throughout Brain Worms, it’s apparent that this is a band in very fine form. Album opener ‘Common Ground’ sets the tone for what’s to come; a shiny, thrilling, punch of an album, with all the beloved RVG hallmarks. Vager’s voice is unfiltered and commanding as ever when delivering her clever, not-quite-ironic lyrics. Here, though, those lyrics feel so much less resigned to yearning, and so much more defiant and joyous.

‘Tambourine’ is the only Covid song Vager wrote when “trying not to write Covid songs”, and it’s a painfully honest portrait of grieving mid-isolation. ‘Brain Worms’ tells the all-too-familiar story of a person falling down the internet rabbit hole and finding comfort in conspiracies. ‘Nothing Really Changes’ is a keys-heavy new wave-ish thing, while closer ‘Tropic of Cancer’ sparkles with Vager’s self-assured new manifesto: I know what I’m like, and I know how I get. If you think I’m strange, you ain’t seen nothin’ yet.

Bloxham, Nolte, and Wallace are flawlessly adept in bringing Vager’s songwriting to life. Recorded in London at Snap Studios with James Trevascus (Nick Cave & Warren Ellis, PJ Harvey), all ten tracks surge with lush sounds and clear intentions and the magic of an acoustic guitar once owned by Kate Bush, given to her by Tears for Fears (who, legend has it, wrote ‘Everybody Wants to Rule the World’ on it).

Between the four bandmates lead singer and guitarist Vager, guitarist Reuben Bloxham, drummer Marc Nolte and bassist Isabele Wallace this is the most confident they’ve ever felt in RVG. They’ve moved past their influences, pushed themselves, and tried new things. And they have made a record they can, by all accounts, call their best.

“Brain Worms feels like the antithesis to what a post-pandemic record could easily be. For a band who were already writing music about being reclusive “we were depressed and not going outside on our first two albums” the enforced isolation and time to think gave Vager space to write about anything she wanted. And, it turned out, she was ready to write about acceptance.

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The Gathering

LP | 1995 | Reissue (Psychonaut)

31,99 €*

Release: 1995 / Reissue

Genre: Rock & Indie

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Fifteen Years Yellow Vinyl Edition

The Early November

2LP | 2017 | US | Reissue (Near Mint)

Devil Clear W/ Splatter & Smoke Vinyl Edition

Release: 2017 / US – Reissue

Genre: Rock & Indie

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The Early November's "Fifteen Year" career capsule release available on vinyl for the first time since 2017.

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Lydia

LP | 2014 | US | Reissue (Near Mint)

LP | 2017 | EU | Reissue (Music On Vinyl)

Release: 2014 / US – Reissue

Genre: Rock & Indie

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Lydia's "Devil" available on vinyl again for it's 10-year anniversary. Deluxe edition bonus tracks and all new artwork to celebrate.

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Sadus

A Vision Of Misery

28,99 €*

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Black Ticket Day Prurple Vinyl Edition

Ed Kuepper

2LP | 1992 | US | Reissue (Remote Control)

55,99 €*

Release: 1992 / US – Reissue

Genre: Rock & Indie

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Law Of Nature Blue Vinyl Edition

Laughing Clowns

LP | 1984 | AU | Reissue (Remote Control)

55,99 €*

Release: 1984 / AU – Reissue

Genre: Rock & Indie

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Law Of Nature Black Vinyl Edition

Laughing Clowns

LP | 1984 | AU | Reissue (Remote Control)

55,99 €*

Release: 1984 / AU – Reissue

Genre: Rock & Indie

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LP | 1985 | AU | Reissue (Remote Control)

Ed Kuepper

Electrical Storm

51,99 €*

Release: 1985 / AU – Reissue

Genre: Rock & Indie

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LP | 1972 | US | Reissue (Mobile Fidelity Sound Lab)

Miles Davis

On The Corner

74,99 €*

LP | 1973 | US | Reissue (Friday Music)

Release: 1972 / US – Reissue

Genre: Organic Grooves

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SOURCED FROM THE ORIGINAL MASTER TAPES: MOBILE FIDELITY 180G 33RPM SUPERVINYL LP
REVEALS MULTIPLE LAYERS OF RHYTHM, VISCERAL BASS, AND PIONEERING PRODUCTION TECHNIQUES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches — the likes of which fill Davis' boldest and most controversial — undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g 33RPM SuperVinyl LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid fashion. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can discern the multiple layers of rhythm Davis employed on complex tracks such as "Black Satin," as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would’ve loved MoFi’s groundbreaking SuperVinyl profile that features the lowest-possible analogue noise floor as well as pristine transparency, dead-quiet surfaces, and superb groove definition.

New degrees of spaciousness and airiness — equally important to the musique concrete arrangements — give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. Mobile Fidelity's SuperVinyl LP captures Teo Macero's innovative production — and the trumpeter's cutting-edge aural collages — in definitive fashion.

Heavily inspired by Sly and the Family Stone, On the Corner portrays street vibes and remains Davis' Blackest-sounding record. The conscious attempt to connect with youthful audiences tapped into rock and funk is evident not only on the colorful cartoon cover art depicting hot-pants and zoot-suit revelers, but in the music's emphasis of recurring drum and bass grooves. Distinct from Davis' earlier fusion experiments, the record's long-misunderstood set dials back improvisation in favor of beats, loops, and atmospherics that generate trance-like effects. While Davis utilizes his band for core duties — Chick Corea and Herbie Hancock prominently figure — he also relies on an all-star cast of side-men for concentrated soloing and additional support.

With rhythm providing the basic foundation, other notes fall into place, with their positioning steered by Macero and Davis' editing-room techniques. Looking to the manipulation-based work of Karlheinze Stockhausen and teaming with Stockhausen disciple Paul Buckmaster, Davis re-imagines what grooves constituted and could accomplish throughout On the Corner. The shapes of the songs become completely transformed as they progress. Faint melodies, spacey chords, chunky riffs, wah-wah fills, and repeated motifs bounce in and out of a sonic funhouse that wouldn't be out of place at a Harlem block party.

Exotic, intrepid, and filled with Davis' "jungle sound," On the Corner remains daringly hip more than four decades later.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are virtually indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Montrose

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Seals & Crofts' Greatest Hits Blue Binyl Edition

Seals & Crofts

LP | 1975 | US | Reissue (Friday Music)

Release: 1975 / US – Reissue

Genre: Rock & Indie

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Winger Silver Vinyl Edition

Winger

LP | 1988 | US | Reissue (Friday Music)

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Big Game Silver Vinyl Edition

White Lion

LP | 1989 | US | Reissue (Friday Music)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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Who Stole My Key 2024 Repress Edition

John Manhard

12" | 2021 | EU | Reissue (Sous:Sol)

12,99 €*

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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2024 repress -

With this fifth release of Sous:sol Records John Manhard, Huerta and Tom Ellis deliver a four-tracker of club music to smoothly connect us right to the dance-floor. A subtle fusion of Minimal and House with a touch of Jazz. Definitely a must have for groove seekers.

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The Wild, The Innocent & The E Street Shuffle Sacd

Bruce Springsteen

CD | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

44,99 €*

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Sacd: Mastered ON Mobile Fidelity's Renowned Mastering System: Numbered-edition Hybrid Sacd Plays With Expressive Clarity / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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The Wild, The Innocent & The E Street Shuffle Limited Edition Ultradisc One-Step 33rpm Supervinyl Edition

Bruce Springsteen

LP | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

139,99 €*

2LP | 1998 | US | Reissue (Ipecac)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Strictly Limited TO 7,500 Numbered Copies: Ultradisc One-step 180g 33pm LP SET Presents 1973 Album IN Audiophile Sound 1/4" / 15 IPS / DBX analogue copy to DSD 256 to analogue console to lathe / Released only eight months after his exhilarating debut, Bruce Springsteen's The Wild, the Innocent & the E Street Shuffle contains rousing dispatches from the boardwalk, the street, the beach, and the bedroom. It explodes with energy, dares to dream, teases with humour, crackles with tragedy, clings to hope, and overflows with discovery, youthfulness, and personality. It features an unforgettable cast of characters — corner boys, teenage hustlers, doomed lovers, jazz men, junk men, factory girls, fortune tellers, alley cats, pimps, escorts, and more — illuminated by vivid colour, breathtaking detail, and poetic action.

Musically, the heartfelt 1973 record is inhabited by sympathetic vignettes and cinematic arrangements steeped in rock 'n' roll, soul, jazz, and R&B. It finds the New Jersey native looking beyond the parameters of his preceding record and seeking to move on from environments he knows well (and chronicles here) by rushing headlong toward unknown territories, adventures, and people. Underpinned by the singer-guitarist's ambitious poetic enterprise and will to succeed, The Wild, the Innocent & the E Street Shuffle is the album on which Springsteen becomes the Boss.

Mastered on Mobile Fidelity's renowned mastering system, pressed at RTI on MoFi SuperVinyl, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set is the definitive-sounding version of Springsteen's sophomore record. Benefitting from SuperVinyl’s nearly non-existent noise floor, superb groove definition, and dead-quiet surfaces, The Wild, the Innocent & the E Street Shuffle plays with a clarity, energy, presence, and openness that complement the expressiveness, dynamics, and scope of the seven restless songs that comprise a work Rolling Stone ranked the 345th Greatest Album of All Time.

Beyond the audiophile sonics that practically place you behind the console at 914 Sound Studios — listen to the separation between the instruments, natural decay of the notes, interplay within the widescreen soundstaging, and nothing-to-lose youthfulness of Springsteen’s voice — this reissue takes seriously this record’s influential merit by presenting it in packaging that underlines its status. Tucked in a beautiful slipcase, the LP is housed in a special foil-stamped jacket with faithful-to-the-original graphics. This reissue is made for listeners who prize sound quality and who want to engage themselves in everything involved with the invigorating set that busted Springsteen loose from the club circuit and landed him on the radio

Determined to liberate anyone within earshot and unafraid to come on strong, The Wild, the Innocent & the E Street Shuffle serves as the debut of the E Street Band — not only heard but seen for the first time by most of the public courtesy of the back-cover photograph. This is where saxophonist Clarence Clemons, organist-accordionist Danny Federici, and pianist David Sancious step out of the shadows — and drummer Vini Lopez and bassist Garry Tallent again stoke a fiery rhythmic engine that helps drive the untamed, reimagined big-band swing of “Kitty’s Back,” breathless R&B thrust of “Rosalita (Come Out Tonight),” and carefree dance steps of the funky “The E Street Shuffle.”

Of course, the main attraction remains a then-24-year-old visionary on the precipice of becoming a sensation and turning a then-bloated rock scene on its head. Recorded over three months while Springsteen and company were busy touring his debut LP, The Wild, the Innocent & the E Street Shuffle reflects the high-octane approach the vocalist embraced onstage and drifts away from the label-dictated acoustic-based frameworks of his debut. The set also witnesses Springsteen deepening his observational skills, with narratives such as the romantically tinged “4th of July, Asbury Park (Sandy)” and redemptive epic “Incident on 57th Street” mirroring changes taking place in the singer’s own life, small towns, and America at large.

A thrilling collision of memories, reflections, and composites — Sandy, Rosalita, and the latter’s parents are all based on actual people Springsteen knew, as is the community depicted in the opening track — the aptly titled The Wild, the Innocent & the E Street Shuffle resonates decades on due to its truths, authenticity, and spirit. Those characteristics — as well as the fact that many of its lengthy songs come on as the equivalent of sweaty, feverish soul revue that won’t stop until you’ve been exhausted — also explain how this now-iconic album triumphed over the reservations of industry “experts” that both demanded Springsteen re-record it and instructed deejays not to play it. Yet there’d be no stopping a record that saw the past, present, and future, a band whose will would not be denied, and a phenomenon who was born to run. A never-ending invitation to act real cool and stay up all night, The Wild, the Innocent & the E Street Shuffle always feels alright.

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Dälek

Negro Necro Nekros

44,99 €*

Release: 1998 / US – Reissue

Genre: Hip Hop

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Reissue of the 1998 album that started it all. Features six bonus tracks and new artwork from Mikel Elam and Paul Romano. Vinyl features a 12pg booklet with liner notes by John Morrison.

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2LP | 1986 | UK | Reissue (Crass)

Best Before 1984

49,99 €*

Release: 1986 / UK – Reissue

Genre: Rock & Indie

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Best Before 1984 is a compilation of Crass' singles and other tracks, released in 1986, including lyrics and a booklet ('...In Which Crass Voluntarily 'Blow Their Own'") which details the history of the band in their own words. The album was named in reference to the notion that 1984 was the band's 'sell by date', the year that they had often publicly stated that they would split up. Indeed, the band ceased gigging and recording in that year. For many years, there were plans to release an expanded edition of Best Before 1984, which will include currently unavailable material (such as the 'Merry Crassmas' and 'Whodunnit?' singles) and rarities, in the same vein as the 'Crassical Collection' re-releases of the band's albums. These plans finally came to fruition in 2019, with the announcement of an expanded two-disc version of the album."

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LP | 1983 | UK | Reissue (Crass)

Yes Sir, I Will

39,99 €*

Release: 1983 / UK – Reissue

Genre: Rock & Indie

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Crass' fifth album comes in the original fold-out poster sleeve. Originally released in April of 1983, Yes Sir, I Will was a howl full of vicious rage and fury, a scream of sorrow, a bitter requiem of betrayal and disenfranchisement. It was a letter-bomb of accusations directed at the British establishment, with it's title taken from a conversation between the then Prince Charles and gruesomely wounded veteran Simon Weston. Musically the work is as diverse and challenging as Crass had yet delivered—a raging and almost free-form improvised backdrop over which Steve Ignorant, EVE Libertine & JOY DE Vivre trade off vocally throughout—veering from ferocious roars and rants to piano ballad interludes sung by Penny Rimbaud.

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LP | 1981 | UK | Reissue (Crass)

Penis Envy

39,99 €*

Release: 1981 / UK – Reissue

Genre: Rock & Indie

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Remastered and reissued vinyl version of what should've been one of the first 10 records you ever bought. Named as a reference to some of Freud's ideas concerning sexuality, this release marked something of a departure from the somewhat macho, hardcore punk image that The Feeding of the 5000 & Stations of the Crass had given the group. Featuring more obviously complex musical arrangements, this release showcases exclusively female vocals provided by EVE Libertine and JOY DE Vivre. The album addressed feminist issues and once again attacked the institutions of "the system" such as marriage and sexual repression.

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2LP | 1979 | UK | Reissue (Crass)

Stations Of The Crass

49,99 €*

Those Days Are Gone Black Cherry Eco Mix Vinyl Edition

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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"Stations of the Crass is the second album by Crass, released in 1979. The record, originally released as a double 12", includes live tracks from a gig recorded at the Pied Bull pub in Islington, London, on August 7, 1979. The first three sides contain the studio tracks and play at 45 rpm, while the final side comprises the live material and plays at 33 rpm. The album's title is not only a pun on the Catholic rite of the Stations of the Cross (such jibes against the religious establishment were typical of Crass), but is also a reference to the graffiti campaign that the band had been conducting around London's underground railway system, the cover artwork depicting a wall at Bond Street tube station that had allegedly been 'decorated' by them. Although the album met mixed critical reception at first, it managed to sell at least 20,000 copies within two weeks.”

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Free Throw

LP | 2014 | US | Reissue (Wax Bodega)

31,99 €*

Release: 2014 / US – Reissue

Genre: Rock & Indie

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2LP | 2000 | US | Reissue (Get On Down)

Jurassic 5

Quality Control

Release: 2000 / US – Reissue

Genre: Hip Hop

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Maiden Voyage Record Store Day 2024 Vinyl Edition

Global Communication

12" | 1994 | EU | Reissue (Music On Vinyl)

34,99 €*

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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LP | 2017 | Reissue (Glassnote Entertainment Group)

Phoenix

Ti Amo

Release: 2017 / Reissue

Genre: Pop

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Through The Darkest Hour White Vinyl Edition

Solitude Aeternus

2LP | 1994 | UK | Reissue (Back On Black)