Vinyl, CD & Tape 113863 Items

2LP | 1982 | EU | Reissue (Croatia)

Release: 2022 / UK – Original

Genre: Organic Grooves

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David Versace is an Australian multi-genre keyboardist, composer and producer based in Meanjin, Queensland. Growing up in a very musical household it was always important to express and embrace all types of music and sonics. His sound ranges from Jazz and Samba to ambient works and the odd dance-floor heater. David also plays in Meanjin nu-jazz dance outfit First Beige.
Since late 2019, he has self released around 20 different tracks and with the most recent signing to La Sape Records David is excited to announce his debut solo album 'Okra' a conceptual body of work that flows through a culmination of raw organic concepts conceived by In The Moment, and his most elegant & articulated work yet.

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Bijelo Dugme

Singl Ploce 1974 - 1980

31,99 €*

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Croatia)

Bijelo Dugme

5. April '81

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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LP | 2019 | EU | Original (Grund)

P. Mobil

Es?

LP | 1974 | EU | Reissue (Warner Music Poland)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Once again, P. Mobil has a special treat for its fans and record lovers. In contrast to the CD version of their highly successful cover album released two years ago, the LP contains not 11 but a dozen of “Pemobilized” songs: two folk songs, nine Hungarian rock or pop classics, and the bonus song “Oly tavol, messze van hazam” (So Far, Far away Is My Homeland), which is a Hungarian version of a song of foreign origin and became popular after the events of 1956.

A song becomes a classic if and when it is covered. Thus, nine bands, led by P. Mobil, can now cross the gates of the Hungarian Hall of Immortals, if they have not already done so. “es?” (And?) is so up-to-date that it can be considered a hit list spanning almost six and a half decades from 1956 to the present day, in addition to being a special and important piece of the Mobil oeuvre even now.

The songs have been combed together by Peter Rozgonyi to create a coherent sound on 180 gram vinyl.

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Breakout

Kamienie

18,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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12" | 2022 | EU | Original (Spiral Tribe Sp23)

Spiral Tribe

Forward The Revolution

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | US | Original (Light In The Attic)

Lou Reed

Words & Music, May 1965

19,99 €*

Fela Anikulapo Kuti And Africa 70

Release: 2022 / US – Original

Genre: Rock & Indie

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*Available: August 26, 2022*

“To hear a tape containing their earliest demos, recorded on May 11, 1965, and locked away until now, is to hear traces of things rarely associated with The Velvet Underground: blues and folk, earthy and traditional, uncertain and hesitant... yet bristling with that rusty, caustic, Lou Reed spirit. It is a revelation.” - *Will Hodgkinson, Mojo*

Light in the Attic Records, in cooperation with Laurie Anderson, proudly announces the inaugural title in their ongoing Lou Reed Archive Series: Words & Music, May 1965. Released in tandem with the late artist’s 80th birthday celebrations, the album offers an extraordinary, unvarnished, and plainly poignant insight into one of America’s true poet-songwriters. Capturing Reed in his formative years, this previously unreleased collection of songs—penned by a young Lou Reed, recorded to tape with the help of future bandmate John Cale, and mailed to himself as a 'poor man’s copyright'—remained sealed in its original envelope and unopened for nearly 50 years. Its contents embody some of the most vital, groundbreaking contributions to American popular music committed to tape in the 20th century. Through examination of these songs rooted firmly in the folk tradition, we see clearly Lou’s lasting influence on the development of modern American music - from punk to art-rock and everything in between. A true time capsule, these recordings not only memorialize the nascent sparks of what would become the seeds of the incredibly influential Velvet Underground; they also cement Reed as a true observer with an innate talent for synthesizing and distilling the world around him into pure sonic poetry.

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Live At Berliner Jazztage 1978

LP | 2022 | EU (Radio Loop Loop)

Release: 2022 / EU

Genre: Organic Grooves

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Decline Of Western Civilization

LP | 1980 | EU (Survival Research)

16,99 €*

Rainmaker Black Vinyl Edition

Release: 1980 / EU

Genre: Rock & Indie, Soundtracks

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Penelope Spheeris’ ground-breaking documentary The Decline Of Western Civilization captured the agony and the ecstasy of the Los Angeles punk scene of the late 1970s and its excellent soundtrack is required listening for all west coast Punk fans. The raw, jagged live sets by icons such as Black Flag, the Circle Jerks, the Germs, and Fear must be heard to be believed and the numbers by X point to their later commercial breakthrough; Catholic Discipline, with Claude Bessy of Slash magazine, provide another nugget. Totally essential!

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Birds Ov Paradise

12" | 2022 | EU | Original (Hypnus)

Distant Star Dmx Krew Remix Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The full moon of May 2022 brings the 6th Hypnus record by Birds ov Paradise. Love and light.

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Lostlojic

12" | 2022 | EU | Original (Infinite Pleasure)

Herbalist EP Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Set to hit stores on July 1st, Infinite Pleasure is about to drop yet another banging record, coming from Lostlojic. The Ukrainian producer has delivered 3 deep and squelchy originals and the collection is backed up by a remix from analogue legend DMX Krew. The record includes 4 powerful cuts: from the Paranoid London-esque 'Distant Star', the deep galactic journey of 'Space Bus' passing through the Electro monster 'Your Song' and topped up by the hypnotic rolling remix of 'Space Bus' by DMX Krew!

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Rasta Vibez

10" | 2015 | EU | Reissue (Rasta Vibez)

13,99 €*

Release: 2015 / EU – Reissue

Genre: Electronic & Dance

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Booyaka! Wah gwan junglist? Rasta Vibez ah bak wid a couple of irie edits that will make ya pum-pum batty move and shake. Big tingz once again that will make di duppy man dweet. Better cop it quick! 10" Red Vinyl + Hand Stamped

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Earl's Closet The Lost Archive Of Earl Mcgrath 1970-1980 Black Vinyl Edition

2LP | 2022 | US | Original (Light In The Attic)

16,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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All tracks previously unreleased including unheard recordings from Daryl Hall and John Oates, David Johansen (New York Dolls), Terry Allen, Delbert McClinton, Andy Warhol’s Superstar Ultra Violet, Norma Jean Bell, and The Jim Carroll Band Restored and remastered audio by GRAMMY®-nominated engineer, John Baldwin Extensive booklet featuring unseen archive photos, ephemera and label history (LP: 20-pgs, CD: 40-pgs) Liner notes by journalist Joe Hagan with exclusive interviews Double LP pressed on 180-gram vinyl and housed in a gatefold jacket ‘Cocktail Party’ Vinyl Color Edition pressed on Clear Wax “Earl was a wonderful man with a great eye for new and innovative art. And such an amusing companion, too.” – Mick Jagger

Earl McGrath was the ultimate ’70s jet setter, an art collector and comic bon vivant who stumbled into the record business between legendary parties in New York and LA and discovered Daryl Hall and John Oates and then Jim Carroll. Atlantic founder Ahmet Ertegun gave Earl his own label, Clean Records, in 1970; Mick Jagger hired him to run Rolling Stones Records in 1977.

Friend to Joan Didion, Andy Warhol, and a galaxy of luminaries, Earl was an inveterate tastemaker. Actor Harrison Ford, who before Star Wars fame was Earl’s handyman and pot dealer, called him “the last of a breed, one of the last great gentlemen and bohemians.”

After Earl died in 2016, journalist Joe Hagan, author of the critically-acclaimed Sticky Fingers, the biography of Rolling Stone founder Jann Wenner, discovered a trove of rare and unheard tapes in Earl’s apartment in New York—literally inside his closet. “I asked for a step ladder and the first box I pulled off the shelf was a master tape of Some Girls, the Stones album,” says Hagan.

Now Light in the Attic Records proudly presents Earl’s Closet, a double album of the treasures discovered inside, including unheard music by Daryl Hall and John Oates, David Johansen, Terry Allen, Delbert McClinton, Warhol “Superstar” Ultra Violet, Detroit sax legend Norma Jean Bell, Jim Carroll and an eclectic cast of undiscovered artists who once vied for fame and glory—folk, rock, country, funk and R&B gems that virtually no one has heard in decades. Whether it’s the almost-famous power pop of Shadow from Detroit, or the Delfonics-style soul of the Blood Brothers Six, Earl’s Closet retraces the dreams of artists who once sent demos to Earl McGrath. Longtime Light in the Attic-affiliated reissue producer Pat Thomas assisted Hagan in tracking down the artists and finalizing the paperwork.

At once an archival mixtape, a secret history and a journey into the heart of an era, Earl’s Closet features a deep booklet of documents, images and ephemera from Earl’s archive, expansive liner notes by Joe Hagan, who tracked down and interviewed the artists, and astonishing photographs by Earl’s late wife, the Italian countess Camilla Pecci-Blunt McGrath.

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Earl's Closet The Lost Archive Of Earl Mcgrath 1970-1980 Clear Vinyl Edition

2LP | 2022 | US | Original (Light In The Attic)

16,99 €*

Need To Feel Love / I Need Your Loving Pink Marbled Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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The Unknown Artist

10" | 2020 | EU | Original (Fokuz)

15,99 €*

No Morrow Shall Dawn Gold Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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2022 repress

Two absolute bangers you need and you'll love. Pressed on a 10" clear + solid red mixed vinyl.

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Thy Light

LP | 2013 | EU | Reissue (Art Of Propaganda)

38,99 €*

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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12" | 2022 | EU | Original (Blue Hour)

Kineta

Proto I/III

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Acclaimed Trance producers Alpha Tracks and Oprofessionell team up as Kineta once again to present their first EP in a new trilogy of releases titled ‘Proto’. Written during relentless production sessions spanning a week in a secluded Mediterranean coastal town, the pair gathered an expansive constellation of music that is now ready to surface. ‘Proto’ effortlessly captures the creative symbiosis shared between the two producers while undertaking a journey through the realms of modern psychedelic dance music. A1 Aquila A2 Serpens B1 Hydra B2 Ursa Minor Written & produced by Felix Benedikt & Filip Storsveen Mastered by Helmut Erler | Cut @ Dubplates & Mastering Berlin Mixed by Ctrls Solutions Artwork by Johann Freitas Published by Blue Hour Music 2022 Made in the EU | Distribution by Ready Made

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12" | 2022 | EU | Original (Supervision)

Supervision 01

13,99 €*

LP | 2022 | US | Original (Aloha Got Soul)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Supervision records is very happy to present its first various that gathers big talents for a wide range of breaky beats and groovy sounds. Garage vibe at its finest.

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Kainani Kahaunaele

He Lei Aloha No Mi Nei

Spunk The Demos 1976-1977 Pink Vinyl Edtion

Release: 2022 / US – Original

Genre: Organic Grooves

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A Sade-inspired take on Hawaiian music, Kainani Kahaunaele’s “He Lei Aloha No Mī Nei” melds the beauty of the Hawaiian language with a heavenly R&B groove.

Reminiscent of Nohelani Cypriano’s “Lihue” — the 1979 cult classic that expanded the sound of Hawai‘i with its unexpectedly funky, tropical flavor — “He Lei Aloha No Mī Nei” charges forward into the 21st century with the same spirit. Kainani’s gentle voice and lyrics float across shimmering vocal arrangements and soft touches of piano, accompanied by tasteful drum programming, acoustic guitars swaying like palms against the calming warmth of the bass line.

Known throughout Hawai‘i as one of the archipelago’s greatest advocates of the native Hawaiian language, 'Ōlelo Hawai’i, the singer, songwriter and educator finds music is one of her best methods for perpetuating the language. “I have to be the example that Hawaiian is a living language that you can apply in all facets of your life,” she told the University of Hawai‘i at Hilo in a 2021 interview.

As the closing track on her award-winning album, Waipunalei, “He Lei Aloha No Mī Nei” stands out from the rest of the album with its modern R&B style. Instead of composing in a familiar “cha-lang-a-lang” style, Kainani and her collaborators deliberately placed the song, or mele, outside the box of what might typically considered “Hawaiian music”. For Kainani, mele is rooted in the lyrics, which come from a Hawaiian worldview. “To me, that’s the most important part. And when that part is set, there really is no limit to what kind of music you can put around it to support the mele.”With “He Lei Aloha No Mī Nei”, she achieves that with a shining example for generations past and present to carry the Hawaiian language into the future.

Pressed to 7-inch vinyl and housed in a full color jacket with full color labels. The B-side of this release offers the instrumental version as a mahalo, or thank you, to the talents and strengths of Kainani’s collaborators, Shawn Kekoa Pimental, Michael Grande, and Kale Chang.

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Sex Pistols

LP | 2022 | EU (Radiation Reissues)

18,99 €*

The Best Of MPS The Years

Release: 2022 / EU

Genre: Rock & Indie

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In the history of punk, the Sex Pistols reign supreme; the anarchic quartet changed the history of popular culture forever with their caustic rupture of rock, a mixture of shock and awe that gave two fingers to the establishment, kick-starting a musical revolution. Released a few months before their Never Mind The Bollocks debut, Spunk is a revelation, raw demos cut in late 76 and early 77 by producer Dave Goodman, with Glen Matlock’s bass far more melodic than what Sid Vicious cut on Bollocks; this edition has bonus demos of ‘Anarchy’ and ‘Pretty Vacant’ cut at Denmark Street, as well as an unedited ‘No Fun.’ Absolutely crucial!

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George Duke

2LP | 2022 | EU | Original (Musik Produktion Schwarzwald)

28,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Earmusic)

Laura Cox

Burning Bright

LP | 1981 | EU | Reissue (Sub Rosa)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Laura Cox returns with her second album “Burning Bright”. Recorded at the legendary ICP studios (Johnny Hallyday, Francoise Hardy, Vanessa Paradis, Talk Talk,...), backed up by an impeccable band, mastered by the great Howie Weinberg (Aerosmith, Oasis, The White Stripes), Burning Bright offers 10 rock bombs, tinted, depending on the songs, Blues, Classic Rock or even Hard Rock. Laura Cox´s first album “Hard Blues Shot” (2017) sold solely in France over 10 000 copies in a few months in 2017 and there are valid expectations that “Burning Bright” will top that and put her on the map all over the world! On Top of that, she wrote and composed all of the songs on the album!

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Univers Zero

Ceux Du Dehors

18,99 €*

2LP | 1971 | UK | Reissue (Acid Jazz)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Third album (1981) by the Belgian band Univers Zero. The title alludes to the short story of the same name by H.P. Lovecraft; the players read the story in studio, then proceeded to record the piece. A key release for the band. »Ceux du Dehors« sometimes suggests a darker and more complex version of the motorik minimalism of classical music contemporaries Philip Glass and Steve Reich.

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Ferry DJimmy

Rhythm Revolution

42,99 €*

Tremblers And Goggles By Rank

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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Acid Jazz presents one of Afrobeat’s most mysterious and rare records by a former schoolteacher, boxer, Jacques Chirac's bodyguard, and Beninese musical visionary: Ferry Djimmy - Rhythm Revolution.

The album was originally recorded in the mid-1970s in support of Benin’s revolutionary leader Mathieu Kérékou. Rumour has it that less than two hundred copies survived a late-‘70s fire.

Ferry Djimmy’s life story is one of the most extraordinary you’re ever likely to hear. Born in 1939, Jean Maurille Ogoudjobi (the nickname Ferry comes from ‘ferry djimmy’ being short for ‘please forgive me’ in Yoruba as he was a very smart but unruly kid), Ferry had 43 siblings. By the late 1950s, he started a career as a schoolteacher. As a tall and imposing young man, Ferry also started a parallel career as a boxer. When he wasn’t teaching or fighting, he also caught up with the emerging night scene in the city of Cotonou, where local folklore, Congolese rumba, highlife and Cuban adaptations were favoured by local audiences as well as some blues, jazz and rhythm’n’blues.

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Guided By Voices

LP | 2022 | US | Original (GBV Inc.)

Contact Note Record Store Day 2022 Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Tremblers And Goggles By Rank marks a new phase in Robert Pollard’s songwriting evolution. His songs have always included non-traditional approaches to form and song structure, but with this album, he has pushed it further than ever. While the familiar Guided By Voices pop-craft and melodic virtuosity always occupies center stage, the first-time listener will never be able to predict what’s coming next in a song. “Alex Bell” and “Focus On The Flock” are the two anchors, each one expansive and filled with rock grandeur, and both exemplifying the complex wordplay, melodies, and structures that are hallmarks of the album. GBV’s latest batch of brilliant songs ride on colorful psychedelic flourishes and brash post-punk textures that make this ten-song album a one-of-a-kind head trip. While there are hooks and earworms aplenty within, this album is a complex and kaleidoscopic journey, representing a new echelon in the Guided By Voices universe. It represents another level of songwriting and performance from the group. It plays out like an intricate and powerful collage, in a very multicolored and multi-faceted fashion; a work grand in scale and undertaking. There are triumphant and glorious choruses, deep and dark wormholes, sinewy twists and turns, bold and theatrical bravados, massive cliffs, plateaus, peaks, and valleys—these emotional landscapes reach new and unexpected heights along the way.

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Jon Hopkins

LP | 2004 | US | Reissue (Just Music)

38,99 €*

LP | 1979 | TR | Reissue (Emre Grafson)

Release: 2004 / US – Reissue

Genre: Electronic & Dance

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Record Store Day 2022 Drop 1 Release.

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Baris Manco

Yeni Bir Gun

Sakla Samani Gelir Zamani

Release: 1979 / TR – Reissue

Genre: Organic Grooves

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2019 Re-mastered – 180g black vinyl in gatefold Cover + 2 pages liner notes. It was originally released in 1979 which is (may be) the peak of Baris Manco and his band Kurtalan Ekspres’ musical career. True masterpiece ! It deserves to be a part of your collection. Every track in this LP, open any surprise. While one track is jazz-funk, the next one space rock and a pschedelic song will follow.

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Baris Manco

LP | 1976 | TR | Reissue (Emre Grafson)

Baris Manco & Kurtalan Ekspres

Release: 1976 / TR – Reissue

Genre: Rock & Indie

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2018 Re-mastered, 180g black viny. The single compilation of Barıs Manco from 1972-1975. Originally released in 1976. Psychedelic Sound flavoured by Turkish traditional instruments and anonymous lyrics, Can’t take your ears off the sound that you hear.

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Sözüm Meclisten Disari

LP | 1981 | TR | Reissue (Emre Grafson)

1971-1973 Single Compilation

Release: 1981 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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2019 Re-mastered, 180g black vinyl in gatefold cover. It was originally released in 1981. May be the last impressive album of Baris Manco and his band Kurtalan Ekspres which is giving a respect to 1970’s Golden Era of Turkish Rock. The album consists of funk and progressive rock elements from track to track just like their previous release. Hypnotic, cool and clear sound, will make this LP as a reference album.

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Gülden Karaböcek

LP | 2022 | TR | Original (Sah Plak)

LP | 2021 | TR | Original (Pasaj)

Release: 2022 / TR – Original

Genre: Rock & Indie

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2018 Remastered, 180g black vinyl in gatefold with new cover art. This is a great collection of rare, early singles of another female Turkish singer Gulden Karabocek which focuses on traditional folk instrumentation and 70s pop elements. Her pure voice, vibes and catches you at the first second when she sings. Album is a singles compilation of 1971-1973 which represents the golden era of Turkish pop music.

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Müslüm Gürses

Sandik

21,99 €*

LP | 1991 | TR | Reissue (SN Music Publishing)

Release: 2021 / TR – Original

Genre: Rock & Indie

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2021 remaster, 180g black vinyl. Muslum Gurses was a phenomenon singer and then actor for 40 years in his career. Semi Kurdish / Turkish man who was born in south east region of Turkiye. His music was inspired by Arabic, Kurdish and Turkish influence. This album is a nice blend of middle east folk music. Melancholic sound of his voice will be haunting you. It is worth to take a listen.

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Sezen Aksu

Gülümse

LP | 1974 | TR | Reissue (Emre Grafson)

Release: 1991 / TR – Reissue

Genre: Pop

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2021 Remastered, reissue 180g black vinyl + 2 pages liner notes. Sezen Aksu in other words “Little Sparrow” of Turkey continues her musical career since 1975, considered as one of the greatest pop-disco female singer, and songwriter. “Gulumse” is the 10th studio album which was released in 1991 in CD and MC format. This is the first time on vinyl. The 1st track called “Hadi Bakalim” is her first single took place on European pop charts. This is considered as –comeback album- with huge success. It offers high quality sound.

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Zeki Müren

Klasikler 5 (Anilarim)

Tape | 2022 | EU (Radiation Reissues)

Release: 1974 / TR – Reissue

Genre: Pop

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A Greatest Hits album which was originally released in 1974. It offers nice selection of classical and contemporary Turkish music in 60s and 70s. Zeki Muren was adorable and always welcomed by the Turkish people, nevermind whatever his sexual attitude. His distinctive voice and stylish apparel was always on the front. Great singer and sound.

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The Exploited

Troops Of Tomorrow

T-Groove & George Kano Experience

Release: 2022 / EU

Genre: Rock & Indie

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In the early '80s, British punk took a turn toward hardcore and the Exploited (along with G.B.H, Disorder, etc.) led the charge. The beat was fast and furious, the politics ferocious, and the magenta mohawk became state of the art. This album is blessed with great production, something many hardcore albums lack, meaning the froth and fury don't come across as a total muddle. Moreover, the machine gun beat comes with hooks that leave you humming along with the tunes. It's raw, loud, and a downright classic. This is a crucial album in the evolution of The Exploited.

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Lady Champagne

LP | 2022 | JP | Original (P-Vine)

36,99 €*

LP | 2022 | JP | Original (P-Vine)

Release: 2022 / JP – Original

Genre: Organic Grooves

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Renowned around the world for his iconic sound, disco legend “t-groove” teams up with one of the greatest street drummers of all time, George Kano, to form the foundation of an 18 man jazz-funk-disco experience! Moody but sweet. Soulful and groovy. Recorded live, these ten songs are perfect whether you’re in the club or sitting in your favorite armchair. The only certainty? You won’t be able to stop yourself from dancing like nobody’s watching.

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Hovlakin

Best

36,99 €*

Sun Rising On Concrete Landscapes White Vinyl Edition

Release: 2022 / JP – Original

Genre: Rock & Indie

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Compiling three studio EPs and a live recording, this LP is the culmination of Hovlakin’s short but eventful career. Originally formed in 1979 by Taro Morishita (vo.) and Hosho Aoki (Dr.) in Saga prefecture, what started out as a fun project between Mahjong buddies quickly grew to become one of the most respected bands in the Japanese no-wave scene. With a quirky sense of humor and unique imagery Hovlakin manages to still sound fresh, nearly 40 years after their last release.

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Lake Haze

12" | 2021 | EU | Reissue (Shall Not Fade)

The Rise And Fall Of Ziggy Stardust And The Spiders From Mars

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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2022 white vinyl repress

Portuguese artist Lake Haze (Goncalo Salgado) makes his return to Shall Not Fade with an album of spacious club music. Salgado is a key player in Portuguese musical exports, delivering masterful blends of techno grooves and retro melodies, and released his debut LP on E-Beamz in 2019. This second LP is titled Sun Rising On Concrete Landscapes. This record explores further the atmospheric, slightly melancholic timbre to Salgado's music. The use of reverb across the LP elucidates a sense of looking back to the past; "The Rave That Saved My Life" sounds like echoes from a distant memory. It turns the sounds of the rave into something sombre, expansive and scattered with space age breaks.

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David Bowie

LP | 1972 | EU | Reissue (Parlophone Label Group (Plg))

38,99 €*

Release: 1972 / EU – Reissue

Genre: Pop

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Everything Perfect Is Already Here

Claire Rousay

LP | 2022 | EU | Original (Shelter Press)

25,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 2022 / EU – Original

Genre: Electronic & Dance

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When words trail off at the beginning of claire rousay’s “everything perfect is already here,” ornate instrumentation is waiting to fill a void left by the breakdown of language. Yet it becomes clear as we trace rousay’s collaged sonic pathway that breakdown, of meaning and also of melody, is also a place to rest. everything perfect... is made up of two extended compositions that cycle between familiarity and unknowing. There are seemingly infinite ways to feel in response to these pieces of music, which shift tone across their languid duration, earnest like a familiar song but unbound from the emotional didacticisms of lyrical voice and pop form.

Rousay builds a fluid landscape around the acoustic contributions of Alex Cunningham (violin), Mari Maurice (electronics and violin), Marilu Donovan (harp), and Theodore Cale Schafer (piano),
whose respective melodies weave gently in and out, sometimes steady, sometimes aching, sometimes receding altogether in deference to less overtly musical sounds. That is, percussive texture in the form of unvarnished samples and field recordings: the rattle and rustle and the stops and starts of life unfurling, voices sharing memories nearly out of reach, doors closing, wind against a microphone. Everything comes from somewhere in particular, possessing the veneer of the diaristic, but sound’s provenance is secondary here and so these details become tangled and fused. On this release I hear such details not as individual ornaments or stories but the collective architecture of the greater composition. It’s an architecture that is not quite formed and thus full of openings out to the world unfolding.

“The world unfolding,” that’s a kind way of saying change, movement, loss, transformation. Things rousay here indexes, not without shards of desire or pain, still somehow what I hear is coarse peace in the in-between. These two pieces sweep you away and then bring you to earth, but which is which, anyway? Where am I now? What is different outside of me? What is different inside of me? Um. I think. everything is perfect is already here, like the answers to these questions, is loose and beautiful in surprising ways.

The music guides a certain experience of the world around. In claire’s music there is this marriage—not just a pairing or juxtaposition but an interrelationship, an eventual confusion - of song/texture, narrative/abstraction, figure/ground. Everything comes from somewhere in particular but not just the voices, the field recordings, the what is being said or meant, what matters is “the where you are now.” There are so many ways of anchoring oneself in the present, some have to do with fantasy or storytelling and some with accepting what is.

These two compositions find peace between these modes. They sweep you away and then bring you to earth, but which is which, anyway? Their mode of feeling is inquisitive. Where am I now? What has changed outside of me? What has changed inside of me? The music, like the answers to these questions, is loose and beautiful in surprising ways.

Go to Item

Nancy & Lee 8Track Edition

8Track | 1968 | US | Reissue (Light In The Attic)

19,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 1968 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This is an 8track-cartridge, not a music cassette

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

Go to Item

Nancy & Lee

Tape | 1968 | US | Reissue (Light In The Attic)

9,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 1968 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

Go to Item

Nancy & Lee Black Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

2LP+CD | 2022 | EU | Original (Insideoutmusic)

Release: 1968 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

Go to Item

Charlie Griffiths

Tiktaalika

Release: 2022 / EU – Original

Genre: Rock & Indie

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CD | 2002 | US | Reissue (Important)

Merzbow

Merzbeat

LP | 2022 | EU | Original (ZYX)

Release: 2002 / US – Reissue

Genre: Electronic & Dance

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Merzbow's Merzbeat is one the most unique and legendary titles in the artist's vast archive. This 20th anniversary repress is being issued at the same time as CD reissue of his 1983 album Material Action 2 and a brand new collaboration with Arcane Device, all on Important Records.

Originally released in 2002, Merzbeat contains over 50 minutes of aggressive, psychedelic, organic, analog beat oriented Merzbow compositions. Drummed rhythms, massive looping samples, a punk spirit and a return to analog Merzbow.

KID 606 called it 'one of the greatest thing Merzbow has ever done.'

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Billy Holiday

Golden Hits

Release: 2022 / EU – Original

Genre: Pop

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A Day On The Town White Vinyl Edition

Burial

LP | 1989 | EU (Radiation Reissues)

LP | 2022 | US | Original (Impatience)

Release: 1989 / EU

Genre: Rock & Indie

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Hailing from Britain’s formerly industrial heartland of North Yorkshire, The Burial was a forward-facing ska-punk/Oi band with a strong Left orientation, channelling 2Tone, Northern Soul, punk, and folk influences. Rhythm guitarist Eric ‘Barney’ Barnes made sure the world knew these skinheads were antifascist and the use of a full horn section made their sole LP, A Day On The Town, stand out. Unlike the Redskins, who soon moved to the student circuit, The Burial remained embedded in the working class communities from whence they came; this fine, often overlooked LP will be devoured by all fans of ska-punk and Oi!.

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Tarotplane

Light Self All Others

At Onkel Pö's Carnegie Hall Hamburg 1976 Record Store Day 2022 Vinyl Edition

Release: 2022 / US – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Tarotplane offers up a new portal of possibility, entitled Light Self All Others, on the Impatience label. An unshackled mind melt of amorphous Berlin School electronics, glistening guitar tones, snatches of disembodied voices and rumblings of percussive melody, Light Self All Others is an invitation to introspection, turning Tarotplane’s sky seeking kosmiche towards a resonant, contemplative core. Drifting between dreams, the record is infused with an emotional ambiguity that veers from foreboding to catharsis via pointed sonics of often unplaceable origin.

Light Self All Others emerged from a wealth of material collected over the period from 2019-2021. In a self-described “haphazard” process, Tarotplane throws down hundreds of loops, riffs and samples, intuitively collaging disparate nuggets into form which the self-taught guitarist can riff over. Following some heavy-handed post processing, the emergent sound is too busy to be strictly ambient, too zonked to be considered rock, instead resting on a modern psychedelic perch of it’s own somewhere in between.

Light Self All Others seamlessly cycles through ten tracks over the course, each piece constituting a beguiling, valuable piece of a vibrant whole/hole. From opener Pedestrian To Freeze Frame’s gently pulsing pads and soaring lead lines a feeling resembling optimism emerges, while Supermarket Tropicals could be a call to prayer from a utopian future, or equally hold music at the local ketamine clinic. A Fraught Parallel’s hazy urgency seems to foreshadow an imminent demise, cryptic effected samples attempting to get a warning through but thwarted by an engulfing hum and swooping guitar, and Portals Of Possibility’s ritualistic drone is anchored to a gently beating morse code rhythm while the thunder cracks and threatens to capsize the ship. Album closer Paradise Adjacent scrambles the signal one last time, a slo-mo showdown from a sci-fi saloon. With acoustic guitar, an idealist monologue and some fx pedals it closes the curtain with the kind of lonely, disorienting cosmic koan it’ll take a lifetime to answer.

Light Self All Others offers Tarotplane’s most complete work, a thrilling, expanding head trip from a parallel future.

Tarotplane is PJ Dorsey, from Baltimore, Maryland. He’s previously released records on 12th Isle, Lullabies For Insomniacs, Noir Age and VG+.

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Johnny Guitar Watson

LP | 2022 | EU | Original (Jazzline)

46,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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Failure White Vinyl Edition

Shelter Boy

LP | 2022 | EU | Original (Filter Music Group)

32,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Hanagasumi)

Lazzich

Autumn Day

15,99 €*

LP | 2022 | JP | Original (P-Vine)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Shine Grooves: "This story began in 2008, at that time I dreamed of launching my own music label and was searching for something unique. I was looking for music in different sources and came across the Frunk29's tracks, this is how I met Marat Shainsky, his release was the first on the Biotronic Records (the label I owned in the mid-00s). Later Marat introduced me to his friend - Sergey Lazarev, aka Lazzich and we immediately put together the next release for the label. It was wonderful and hypnotizing music I had never heard before. After some time we prepared the material for the first Biotronic Vinyl, which was authored by Lazzich, but the release did not happen, due to certain circumstances. And now, 15 years later, the idea comes true, we release the Lazzich mini-album on the Hanagasumi 04. Although Sergey is no longer with us, but his music will live forever. Thanks to everyone who took a part in the search for materials, archives, projects, sketches. Special thanks to Shipulina Yana for providing information and cooperation, Marat Shainsky for the advice and tracks searching, Matvey Andreenko for giving me the large media archive of Lazzich's works, Denis Rooter for designing the cover, Semen Pupyshev for mixing the found Sergey's Reason-projects".

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Positive Force

Tba Feat. Leslie Page

36,99 €*

Preston 28 February 1980 Translucent Blue Vinyl Edition

Release: 2022 / JP – Original

Genre: Organic Grooves

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Positive Force has steadily earnt its credentials amongst rare groove collectors through their 1983 self-titled album featuring Denise Vallin. Bearing no relation to the eight-piece funk band that signed to Sugar-Hill Records, the band put out a record of buttery smooth AOR, with lush arrangements and exemplary singing from Denise Vallin. Almost forty years after its release, the band has returned with a surprise Japanese release of new material. With direction from Japanese music journalist Toshi Kanazawa under his Light Mellow Arches imprint, P-vine is delighted to present the original line-up once again featuring Leslie Page on vocals. This limited edition Japanese release ships with an iconic obi strip attached.

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Joy Division

LP | 2022 | EU | Original (Outsider)

27,99 €*

Khan Younis Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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This gig, taped at the Warehouse in Preston, took place during the final round of UK dates Joy Division was to play before jetting off to the US. The live captures the band raw sound with Ian Curtis’ haunting vocals. It’s raw and powerful a glimpse into that gig in February 1980 which became a live album.

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Muslimgauze

LP | 2020 | EU | Reissue (Kontakt Audio)

LP | 1989 | EU | Reissue (Everland Psych)

Release: 2020 / EU – Reissue

Genre: Electronic & Dance

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Brilliantly remastered picture LP / LP / CD with new stunning artwork!

A1 taken from VA – 110 Below – No Sleeve Notes Required (110 Below, 1995) A2 taken from VA – Assemblage Volume Two (Extreme, 1996) A3 taken from Nonplace Urban Field – Golden Star (Incoming!, 1996) B1 taken from VA – Le Sacre Du Printemps (Gonzo Circus, 1994) B2 taken from VA – X-X Section (Extreme, 1991) B3 taken from VA – Directions 2 (Direction Music, 1989)

An Other Voices Records / Kontakt Audio Co-operation Release

Compiled by Terry Bennett and Oleg Galay Re-mastered by Višeslav Laboš Artwork by Oleg Galay

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Kola Beldy

White Island

The New Backwards Black Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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I have never heard before of the Jurchen culture from the Chinese and later East Russian Northlands and as well not of the Nanai People who have risen from the scattered remains of the Jurchen culture wiped out by furiously attacking Mongolian steppe armies some 850 years back. The Great Khans did not leave much variety after sweeping through the taiga towards Western Europe in the 12th and 13th centuries. So the Nanai people came to exist and had their songs and instruments. Some of them were used by composer Alexander Lavrov and singer Kola Beldy who is of Nanian descent in their music on this, Kola Beldy’s fourth album. Just as all his records from the 1980s, this is extremely rare and originals in good shape can cost a small fortune. Just in case they ever turn up somewhere outside the vast Russian country. Now for the very outstanding music that as mentiond above is based on centuries old folk tunes of the Nanai and Jurchen cultures which get slightly updated in the sense of 1989 state oft he art pop and rock and that even in a slightly progressive way. Kola Beldy, already 60 years of age by then, was a long time active folk and pop singer in the Soviet Union who unfortunately passed away only 64 years old in 1993. He owns a full, warm mid ranged voice and chants the ancient melodies in a mystifying way. The instrumentation behind him shows a good variety of old and modern instruments. While the opening track is based mostly on percussion and drum patterns with an eerie grinding sound and later on a jew’s harp added upon which Beldy lays down a melody with a typical far eastern approach in what seems to be Russian language, further tracks contain synthesizer lines and even an electric guitar. Still the overall atmosphere is mostly mystical, solemn and spiritual. I definitely have not heard anything alike before. The more rock oriented tunes could bring back memories of Italian movie soundtracks by Goblin, based on progressive rock and jazz to the mind of the listener, just with these awesome vocals. Italian 90s progressive rockers Presence also had a similar approach. The keyboards, organ, very modern singing bass guitar head towards a very progressive direction here. Art pop, if you want to call it that. Based on ancient Nanian tunes but made timeless and even in 2021 fresh sounding by a very talented band. So, Kola Beldy’s fourth album may not be a mainstream favorite, fans of progressive pop like that of early 80s Goblin, Presence from the early 90s and good ol‘ Peter Gabriel, not for the voice itself but for the songs, will find pleasure in this nifty obscurity which gets reissued now for the first time on vinyl in 32 years.

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Coil

LP | 2008 | EU | Reissue (Kontakt Audio)

Release: 2008 / EU – Reissue

Genre: Electronic & Dance

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“The New Backwards” was conceived by Peter “Sleazy” Christopherson in 2007, revisiting stray tracks which hadn’t seemed to gel with the material he had chosen for the more somber “Ape of Naples” from 2005, Coil’s initial posthumous release, a sort of requiem and a kiss-goodbye to his then recently deceased partner John Balance.

Significantly different to its sister release, this album collects the brilliantly chaotic and outrageously rhythmic material from the original sessions for the album that was begun as early as 1993 and had originally been conceptualised as the follow-up to “Love’s Secret Domain”. These songs are as diverse and wild as the places they originated from, partly infamously spawned in Sharon Tate’s former home in the Hollywood Hills, the Nine Inch Nails home base in New Orleans and London’s Swanyard, remixed and restructured with the help of long-term friend Danny Hyde in Thailand, this collection has its own unique flow and an atmosphere not found on any other Coil release.

Both “ayor” and “Backwards” had by the time the album was first released already become favourites in Coil’s manic live performances. Some of the other tracks had only leaked in demo versions and are here presented updated and polished as Christopherson and Hyde intended them to be heard. It is interesting to consider Balance’s vocal contributions, too. Whilst on the albums Coil did release at the time this material was first put aside (“Black Light District” and “ElpH”) his voice is all but absent, his vocal performances and his lyric writing here are arguably more closely indebted to the previous “Love’s Secret Domain” era, especially the epic “Copacaballa” is noteworthy in that respect. The New Backwards” effectively became the final official Coil studio release of all new material whilst Peter was still alive and is here presented for the first time fully supervised by Danny Hyde, its co-creator. The stunning cover uses a detail from artist Ian Johnstone’s “Cubic Raven” painting, licensed from the estate of IJ..

It is high time to rediscover this timeless album now!

Recorded at Swanyard, London and at Nothing Studios, New Orleans, 1996. Thanks to everyone there, especially Trent Reznor who made it all possible. Written & Produced by Coil & Danny Hyde. Remixed by Peter Christopherson & Danny Hyde, Bangkok 2007. For that session Coil were: Peter Christopherson, Jhonn Balance & Drew McDowall. Mastered by Jessica Thompson. Front artwork by Ian Johnstone. Artwork licensed from The Estate of Ian Johnstone. Layout Cold Graves and Oleg Galay.

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Die Legenden Des Ostrock Volume 1

2LP | 2022 | EU | Original (Sony Music)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Year Of The Iron Sheep Clear Vinyl Edtion

Ken McIntyre

LP | 1962 | EU | Reissue (Sowing)

20,99 €*

Hungry, So Angry Record Store Day 2022 Vinyl Edition

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Recorded intermittently between June and September 1962, "Year of the Iron Sheep" was Ken McIntyre's third album, the fruit of various studio sessions featuring three different personnels. Here the great multi-instrumentalist, mostly known for his collaborations with the likes of Eric Dolphy, Archie Shepp, Cecil Taylor and Charlie Haden is heard on alto sax and flute while the rhythm section variously features pianist Jacki Byard, bassists Ron Carter and Ahmed Abdul-Malik, drummers Ben Riley, Louis Hayes and Warren Smith. An amazing cast of players for a great and yet forgotten post-bop gem.

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Medium Medium

2LP | 1981 | EU | Reissue (Lantern)

28,99 €*

Division / Taris Black Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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You probably heard it before, several times. The opening number ‘Hungry, So Angry’ is to be considered one of the most infectious white funk anthem of the era. The Glitterhouse was released in 1981 on british imprint Cherry Red and soon was hailed as an instant classic for the post-punk generation close to dancefloor. In the same league of A Certain Ratio and newyorkers Bush Tetras the band originally from Nottingham moved behind obscure numbers and twisted grooves showing a revolutionary take on the up and coming new wave scenario. Here’s an unmissable collection with tracks from their three singles, sole studio album, live recordings but also unreleased tracks from an October 1982 demo tape. Fully remastered and licensed, ltd to 500 copies on 180 gr.

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Polygonia & MTRL

12" | 2022 | EU | Original (Fur:Ther Sessions)

Asia In Asia-Live At The Budokan, Tokyo, 1983

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Polygonia & Mtrl - Division / Taris EP incl. Remixes by Claudio PRC and Mary Yuzovskaya

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Asia

2LP | 2022 | EU | Original (BMG Rights Management)

25,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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I'll Give You The Sunshie / Deep In My Eyes

Essence

7" | 1983 | US | Reissue (Tac Town Sounds)

30,99 €*

Leonard Lothlen Project / Gospel Clouds

Release: 1983 / US – Reissue

Genre: Organic Grooves

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Limited to 300 copies. Ultra-rare private press boogie originally released in 1983 known to change hands for big $ on all top collectors wants lists! High quality 2nd pressing!

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In The Presence / Let Us Pray

7" | 1971 | UK | Reissue (Izipho Soul)

15,99 €*

LP | 2022 | EU | Original (Left Ear)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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It was a blessing to make contact with California gospel music icon Leonard Lothlen.

The concept behind this release was to place two gospel compositions recorded fifty years apart on one record! Musically diverse, both inspirational. IN THE Presence features Derick Hughes’ powerhouse vocals with a nod of respect to the late great Bishop Rance Allen

Leonard’s first record in the group G.C.’s from 1971, LET US Pray is a proven rarity with only a handful of copies documented as sold online. Uniquely trippy in sound with the sweetest of harmonies. Limited edition of 300 copies.

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Influenza Prods.

Memoire

28,99 €*

Everything You Need To Whip The Lamas Ass Clear Yellow Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Left Ear re-surface with a compilation of music from Italy’s original “homewave” band the ‘Influenza Prods.’. TIP!!!! Bruno De Angelis and Giovanna Gulinello unwittingly met in London in the late 70’s, after being introduced by a mutual friend. Both Bruno and Giovanna arrived with varying ambitions. Giovanna wanted to learn English or be a painter, while Bruno found work at the Royal Post Office, which he found testing. It wasn’t until Bruno rescued Giovanna from an awkward date that the pair became a couple. At the time, music was just something they did for fun. Bruno already had an acoustic guitar and G bought a bass. Those were the days when you could start a new band, whether you could play or not, and new independent labels were springing up. Rough Trade Records was literally around the corner. In 1981 the pair moved back to Italy and found an apartment in Rome. It’s here that they began to focus on their music and where they started ‘recording’ their tracks. First, they would record the rhythm, maybe add the Gigster (the name of their “cheap drum machine”), the bass, and then, as they made a copy of the first cassette onto a second cassette they would add guitar, more synth, or both at the same time. After that, it was not unusual to copy from the second cassette back into the first cassette adding even more “stuff”. As with many artists during the early 80’s, the Influenza Prods’ sound was the direct result of the accessibility of emerging electronic instruments and the recording equipment available to them. The duo was resourceful and inventive, acquiring new equipment as resources allowed. They recorded dialogue from British Soap Operas on their TV set, which were later added to their tracks, while further making use of their family’s cutlery sets, which were used to fill in certain percussion sections The duo’s homespun recordings found a web of admirers in the unofficial distribution of tape trading and mail-art scenes. Despite the DIY ethos and the fact that most tapes were handmade, the Influenza Prods managed to ‘release’ three tapes which comprised of the Greatest Tits (1983), Cheek-A-Bomba (1984) and Quasi Solo (1985). Bruno and Giovanna were sadly subjected to serious family problems, including the loss of loved ones in their lives and eventually parted ways, concluding the Influenza Prods. However, to this day they remain close friends who keep in touch regularly.

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Supply Module

7" | 2022 | EU | Original (Zero71)

10,99 €*

Paint The Sky Red Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Moving Rhythms crew doing Glitchy Breakcore. Clear Yellow 7 inch.

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Paint The Sky Red

LP | 2022 | EU | Original (Moment of Collapse)

27,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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OST Interstellar Expanded Version

Hans Zimmer

4LP | 2020 | EU | Reissue (Sony Classical)

43,99 €*

Release: 2020 / EU – Reissue

Genre: Classical Music, Soundtracks

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2LP | 2021 | EU | Reissue (Sony)

Elvis Presley

Back In Nashville

Release: 2021 / EU – Reissue

Genre: Pop

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2LP | 2009 | EU | Reissue (Sony)

AC/DC

Live Collector's Edition

Release: 2009 / EU – Reissue

Genre: Rock & Indie

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Hans Zimmer / Rso Wien / Lisa Gerrard

The World Of Hans Zimmer-A Symphonic Celebration

3LP | 2019 | EU | Original (Sony Classical)

35,99 €*

Release: 2019 / EU – Original

Genre: Classical Music

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2x7" | 2021 | US | Original (1+2)

Jackie & The Cedrics

Great 9 Stomps Set

Release: 2021 / US – Original

Genre: Rock & Indie

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12" | 2022 | UK | Original (10 Pills Mate)

Narciss

Dreamcast EP

12" | 2022 | EU | Original (Orson)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Hot on the heels of last year's Dear Diary EP on Lobster Theremin, explosive performances on HÖR and an intimate interview with celebrated German publication Groove Magazine, frequent Berlin & Leipzig DJ Narciss comes through with four deep and groovy cuts of bass-driven techno.

‘Feather Boa Constrictor’ features one of Copenhagen’s most exciting emerging producers in recent years - Vixen - fresh off her own acclaimed release, Hard Magik For Soft Souls, on Lobster Theremin in December. Now the pair link up on the DJ Mag Breakthrough Label of the Year imprint that blends all the best elements of the Berlin and Copenhagen scenes in a high-speed trip through psy-trance, synth-wave and techno.

Narciss is on his ones as we enter the A2; ‘Lovechild (Outrun Mix)’ is aptly named with its reference to the 1986 arcade game Outrun, which featured some of the best video-game music to ever be created. Deep basslines, swirling synth-stabs and a soothing deepness and contemplativeness that can only come with driving a virtual car down a never-ending highway.

‘Tokyo’ makes use of polyrhythms and textures blended with what sounds like an old Sampha record. It’s a wonderful combination of dark, deep and forward-thinking sound, before Copenhagen producer Repro comes through with a typically EBM-focused remix combining elements of every track.

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Daniel Savio & Mesak

Härdsmälta EP

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Orson Bramley calls for the return of old friend Mesak to his label for his 3rd release. This time Mesak teams up with Daniel Savio and the results are quite simply amazing! This 4 track Ep delivers tough yet melodic Drexciyan sounding electro cuts that are set to cuase devistation on dancefloors around the globe.

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70024 Beats Roots Volume 1

12" | 2022 | EU | Original (Ruff Stuff Music Ltd.)

Farewell To The Welfare Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Ruff Stuff Music returns with its first release in four years this March, the project sees label head Ruff Stuff releasing material from himself and three other artists, all of which come from the same town, have been friends from many years and share the same love for a particular style of house.

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Wendell Harrison

LP | 2022 | US | Original (Now-Again)

31,99 €*

12" | 2022 | EU | Original (Shall Not Fade)

Release: 2022 / US – Original

Genre: Organic Grooves

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The Tribe Records co-founder’s lost album, rumored to exist no more. Mastered from the original tapes and lacquered by Bernie Grundman. “As I thought about reecting on an aggregate of music for this album, I projected my attitude and spirit while living and working here, in Detroit, Michigan. We are earning and learning a new way of life, which explicitly tells us to become self-reliant in taking care of our families and each other. Government hand-outs are not an option for us.” -Wendell Harrison The first ever issue of this Spiritual Jazz album. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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Kaysoul

What Is Blackness?

Rearviewmirror (Greatest Hits 1991-2003) Volume 2

Release: 2022 / EU – Original

Genre: Electronic & Dance

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South African producer, KaySoul, shares a dreamy cut of deep house goodness which features the input of instrumentalists from all across the globe.

What is Blackness? EP is all about melody and groove - two things to which Johannesburg resident, KaySoul, is well accustomed. The stripped-back opener "That Blackness" gets things off to a soulful start with a melody swaying gently over minimal percussion and funk-adjacent lower ends. Next up, Colombia-born, Brazil-based musician, Gustavo Martinez, steps up to offer his expertise on "Africanus": a more meditative take on deep house with melancholic cries of a saxophone and maracas which lend the track a full-bodied swing.

A pulsing kick drum provides the driving propulsion to "10 Ways": a joyous track which drafts in French pianist, Steve Faets for melody duties. Bringing the EP to a close is the final artist to feature, fellow Johannesburg resident Kurtx, who steps in for the super cool, synth-driven "East Meets South" before the hollow-sounding percussion and and looped vocals "Yak" leave things on a blissful, enchanted note.

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Pearl Jam

2LP | 2022 | EU | Original (Sony Music)

33,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Rearviewmirror (Greatest Hits 1991-2003) Volume 1

Pearl Jam

2LP | 2004 | EU | Reissue (Sony Music)

33,99 €*

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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Sounds Of The City Experience

LP | 1976 | JP | Reissue (P-Vine)

31,99 €*

Hear & Now Yellow Vinyl Edition

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Released on the famed tax scam label Tiger Lily in 1976, Sounds Of The City Experience’s self-titled debut album is a rare groove treat with original pressings often reaching astronomical figures on the second-hand market. Its quality carries over into the sound with its richness of character pushing beyond what must have been a very limited recording budget. The members, whose anonymity today stands in stark contrast to the instant fame they generate on the record, go from strength to strength across these ten tracks, and craft some of the most catchy and enticing soul and funk of the 70s. P-vine is excited to be reissuing the album for a limited edition LP package with an iconic Japanese obi strip attached.

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Don Cherry

LP | 1977 | EU | Reissue (Klimt)

20,99 €*

2LP | 2017 | EU | Reissue (Cinedelic)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Recorded in December 1976, Hear And Now was produced by drummer/keyboardist Narada Michael Walden (ex-member and session man for Journey, Mahavishnu Orchestra, Weather Report). The album – licensed by major label Atlantic – has been often dismissed by jazz purist and early days Cherry fans as a commercial effort. To be true it is a record that epitomize the ‘club’ tendencies discovered in the second half of the decade by many jazz and fusion artists. Led by the incredible ‘world’ rare groove of Universal Mother, the album is to be rediscovered in a different light.

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Trees Speak

21,99 €*

Live At Coachella 2004 Record Store Day 2022 Orange & Yellow Splattered Vinyl Edition

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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1st Repress in Limited Edition of Trees Speak’s debut album. Trees Speak's debut record, Trees Speak, is the band's first of five albums they've produced in half a decade, and it is finally getting its worldwide reissue to their fans' long-awaited anticipation. Released on Cinedelic Records. Before their first album, they planned to create music with an unrehearsed approach performing simple beats, riffs, sequences, and going by instinct. They endeavored to create an auditory environment that let the listener's mind to be set free of tone, melody, and structure. They began to experiment with sounds, blending vintage aesthetics and equipment, which led them on an unexpected journey into creating and producing records. Always with their roots in 1960s-70s jazz, rock and roll, and experimental music they began to experiment with live sound performances and performance art. The band's live performances dramatically captured their idea of merging early experimental music such as the Dadaist, John Cage, and early electronic experimental music. While their music might seem organic and unrehearsed, the band has developed an creative way of communicating ideas into sound using visual art. For example, they use diagrams when communicating a musical idea. The band often refers to musical diagrams to express dynamics, chords, key signatures, and emotional expressions. These graphic notations are a template to communicate esoteric concepts, which they ingeniously transform into their music. They also use this form of illustrated art expression during live performances and in-studio recordings. It is a simple way to explain an overarching idea through music and art. Trees Speak are Daniel Martin Diaz and Damian Diaz both appear also on the album by Others (Cinedelic Records).

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Pixies

2LP | 2022 | Original (Demon)

40,99 €*

LP | 2022 | EU | Original (Moonshine)

Release: 2022 / Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2022.

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Another Channel

Behind The Glow

2LP | 2022 | EU | Original (Sony Music Catalog)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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- Repress -

The 2nd full lengths album from Another Channel's analogue universe is about to drop on Moonshine Recordings.

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Wolfgang Ambros

Für Immer Jung

Release: 2022 / EU – Original

Genre: Pop

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Your Hands My Pockts / Basket Sky Blue Vinyl Edition

Team Dresch

7" | 2022 | US | Original (Jealous Butcher)

12" | 2022 | EU | Original (Gamine)

Release: 2022 / US – Original

Genre: Rock & Indie

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OMGay, Team Dresch is releasing an actual NEW Song! It's been 19 years since the band has released new material - 25 years since the making of Personal Best, when this particular configuration of players (Jody Bleyle, Donna Dresch, Kaia Wilson and Marcéo Martinez) recorded together. Your Hands My Pockets: Donna Dresch, in her typical Team Captain spirit, busts out riffs that are rife with her awesome signature grunge/punk/melodic catchiness, Jody and Kaia trade off on vocal duties like they're in some frantic singing relay race, and Marcéo slams the toms around like he learned to drum from both Mel Brown and bam-bam (please note, Marcéo actually took drum lessons from Mel Brown in the 80"s). While 'Your Hands' is an undeniable pop/punk song, it is also brimming with bristle and depth, conjuring feelings of longing, angst, desire. When Jody sings 'Oh I wanna want to be wrapped around, to wrap around' there is NO ONE who can't relate to this feeling of reaching out to one another for connection, touch, and love. Team Dresch Keeps IT Real (gay) with their harmonious musical chemistry, queercore spirit, and attention to detail in their musicianship - the alchemy of these humans is clearly still alive and dancing, you know it baby. Produced and Recorded by Larry Crane at Jackpot! Recording Studio, March 2019 Mixed by John Goodmanson

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Signal Corps

Echelon EP

Live On The Internet Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Gamine strikes back with the fourth release, this time by Signal Corps, a duo consisting of Tom Butcher and Mike Perkowitz. Stepping between the nicer side of electro and punchy new beat, this solid five-tracker is a serious tool for dancefloors and afterhours.

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All Them Witches

3LP | 2021 | EU | Original (New West)

42,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 1992 | US | Reissue (Boner)

Melvins

Lice-All

LP | 1989 | EU | Reissue (Other Voices)

Release: 1992 / US – Reissue

Genre: Rock & Indie

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Lice-All, from 1992, previously known as self-titled, and also previously known as something else we’re all not gonna talk about, thank you very much. This was the Melvins last release before signing their Atlantic deal, and features the introduction of new bass player Joe Preston (previously of Earth, currently of Thrones). It’s one long, slow, loud blob of drones, moans and fuzztones. The opening endless power chord shimmer influenced Sleep, Sunn O))), and countless other sludge metal drone freaks for years to come.

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Muslimgauze

Uzi Black Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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12" | 2022 | EU | Original (SK_Eleven)

Ignez

Anahata EP

Most Famous Unknown: Expansion Pack 2

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Berlin-based producer Ignez makes his first full length appearance away from his own respected Somov Records stable, bringing his well-crafted blend of organic minimal techno to SK_eleven with the "Anahata EP". The EP builds on the strong momentum gained over the five self-releases since 2020, leading first with the urgent, trance-inducing "Sahasrara" that builds steadily over a rolling groove littered with natural sound fragments, whilst "Motion" drives forward and explores the spaces in between. The tense "Anahata" is more menacing in its intent, letting off vicious synth swipes amidst tight, shuffling percussion whereas "Kaag X" runs into the red with its muscular groove, cavernous sub-bass and raw, overdriven handclaps.

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Marc Acardipane

12" | 2022 | EU | Original (Planet Phuture)

13,99 €*

Most Famous Unknown: Expansion Pack 1

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The Godfather of Hardcore, Marc Acardipane, needs no introduction. His outstanding releases over the past 30 years speak for themselves. He has been instrumental in helping to electronic music history, with countless well-known productions which have been unsurpassed by any other artist of this calibre. His timeless masterpieces have been and always will be heard at hardcore raves spanning the circumference of the Planet. With 9 Is A Classic, Slaves To The Rave, Pitch-Hiker, Stereo Murder and We Have Arrived, just to name a few, he clearly proves who's the boss. "The Most Famous Unknown" is a well compiled collection of Marc's music, which showcases a mere portion of what he has composed and produced since the early nineties! All original tracks have been re-mastered to the highest possible standard of quality.

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Marc Acardipane

12" | 2022 | EU | Original (Planet Phuture)

LP | 1974 | US | Reissue (Mobile Fidelity)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Ravi Shankar

Shankar Family & Friends

49,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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LP | 1976 | US | Reissue (Mobile Fidelity)

Eagles

Hotel California

161,99 €*

Release: 1976 / US – Reissue

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Musik Produktion Schwarzwald)

Alphonse Mouzon

By All Means

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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3x3 Eyes: Legend Of The Divine Demon Swirl Vinyl Edition

Kaoru Wada

LP | 2021 | JP | Original (Tiger Lab)

Spiral Shadow Black Vinyl Edition

Release: 2021 / JP – Original

Genre: Soundtracks

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Kaoru Wada’s early heartwarming masterpiece to 3x3 Eyes: Legend of the Divine Demon is finally on vinyl for the first time ever! 3x3 Eyes: Legend of the Divine Demon is available in the TLV web shop exclusive of blue with inner brown, and brown marbled vinyl. Cut at 45rpm. Licensed from Kodansha and King Records.

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Kylesa

LP | 2010 | EU | Reissue (Heavy Psych Sounds)