Warp Vinyl, CD & Tape 167 Items

Release: 2012 / UK – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2012!

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In a beautiful place out in the country

MCD | 2000 | US | Original (Warp)

10,99 €*

Release: 2000 / US – Original

Genre: Electronic & Dance

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CD | 2016 | UK | Original (Warp)

Gonjasufi

Callus

11,89 €* 16,99 € -30%

Release: 2016 / UK – Original

Genre: Electronic & Dance

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CD | 2016 | UK | Original (Warp)

Cheetah EP

12,99 €*

Release: 2016 / UK – Original

Genre: Electronic & Dance

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12" | 2021 | UK | Reissue (Warp)

Vidiconia

15,99 €*

Release: 2021 / UK – Reissue

Genre: Electronic & Dance

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Brand new EP from Bibio featuring four beautiful haunting ambient pieces, reminiscent of his acclaimed Phantom Brickworks album.

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Vidiconia Record Store Day 2021 Edition

12" | 2021 (Warp)

15,99 €*

Beautiful People Feat. Thom Yorke

Release: 2021

Genre: Electronic & Dance

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Brandneue EP von Bibio mit vier wundervoll bewegenden Ambient-Tracks ähnlich seines "Phantom Brickworks" Albums. Limitierte Auflage.

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Mark Pritchard

12" | 2016 | UK | Original (Warp)

16,99 €*

Release: 2016 / UK – Original

Genre: Electronic & Dance

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‘Beautiful People’, the lead track from Mark Pritchard’s latest and critically acclaimed album ‘Under The Sun’ gets a 12" relase!

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Blackbox Life Recorder 21f / In A Room7 F760

CD | 2023 | UK | Original (Warp)

16,99 €*

Tape | 2022 | Original (Warp)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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With his first widely available new material in 5 years, Aphex Twin returns with an intricate and melodic addition to his discography.

The machines co-opted in production are as complex as the Weirdcore artwork, layering signature sombre ambient chords with intricate drum programming.

‘Blackbox Life Recorder 21f’ marks Aphex Twin’s official and celebrated return to augment our current reality.

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Wu-Lu

Loggerhead

Release: 2022 / Original

Genre: Rock & Indie

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Leader of the punk-rap awakening, Wu-Lu pulls inspiration from personal hardship and the underrepresented on his latest for Warp entitled 'loggerhead'. Miles Romans-Hopcraft based his artistic moniker on the Amharic word for water, “wu-ha”. True to his fluid sound and nature, he decided to change it to something that felt more liquid. He ended up with Wu-Lu, a name he has been using since 2015. His first record Ginga opened the floodgates to a career that would take him to various places, people, and genres. From breaking bones at skateparks as a teenager, to DJing as one of the original members of Touching Bass, and eventually getting signed to Warp in 2021.

As an artist, Wu-Lu seems concerned with feeling and communicating the full spectrum of human emotion. Throughout his varied discography, he touches on disparate themes and sounds, straddling a divide between blissed-out beats and grungy guitar dirges, and often mixing both into one amorphous, unclassifiable sound of his own.

On ‘'loggerhead'’, Wu-Lu hones his unique sound. On ‘Take Stage’, a despondent spoken word intro opens with sombre strings and underlying bows dragged delicately across them. Then the lights flicker to life on ‘Night Pill’, and the mosh pit with them - the bassline approaches like a hungry shark and the guitars snarl with a homemade 90s grunge energy. This grunge drawl and punk spirit is peppered with dry old-school drum sounds of classic hip-hop, with laid-back beat-oriented tracks are spread amongst those with intermittent growls, scratches, and shrieks. Sonic elements are constantly rearranged and juxtaposed throughout the album, like on ‘South’ where the fluctuating pitch of squealing guitars and screaming vocals is contrasted with the steady flow of Lex Amor.

Listening through the album you are constantly greeted with about-turns, and through the element of surprise and deft use of contrast 'loggerhead' sits at an exciting point in Wu-Lu’s genre-defying artistry.

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12" | 2022 | UK | Original (Warp)

Remixed! To Freedom

Release: 2022 / UK – Original

Genre: Electronic & Dance

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One of Warp’s tenured signees, Nightmares On Wax is back yet again, only this time it's some of his fellow travellers trying on the Nightmare blend of jazz, soul, dub, and electronic styles. Seeking some refuge after a decade out on the road, the pandemic lockdown proved a unique time for a passion project of George Evelyn’s: a remix record. Teaming up with talent both young and old(er), Remixed! To Freedom… sees some brilliant takes on two tracks from 2021’s Shout Out! To Freedom…

Osunlade takes Wonder's hypnotic chorus refrain and dips us deep beneath the surface of aquatic House depths with a duo of complementary Soul/Club retakes and Tucillo shakes up the same vocals and Shabaka Hutchings timeless sax leads into a Loft ready mover. Meanwhile Mala's call to arms remix molds 3D Warrior via the bass Don's unmistakable infrasound flex, doing deadly damage by reducing the track down to the sparsest of elements and flipping wigs with nothing more than a perfectly placed percussion element and twisting and distorting Hutchings reed work into a simmering, bristling loop. Paul Woolford (aka, rave assassin Special Request) moves us into 4x4 anthem territory, with the 7min Garage House mix that would make NYC legends Masters at Work proud. All of these sandwich an extended Nightmares On Wax cut of 3D Warrior in the middle, drawing the track out further into mesmerising full capacity.

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CD | 2019 | UK | Original (Warp)

Uknowhatimsayin¿

Release: 2019 / UK – Original

Genre: Hip Hop

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Danny Brown’s fifth studio LP uknowhatimsayin¿ drops at an intriguing point in the rapper’s career. After breaking out with his second album XXX, consolidating fame with the follow-up Old and then blowing the game wide open through 2016’s landmark Atrocity Exhibition, Brown’s status as king of the underground feels assured these days. The question as he surveys his domain, is; what next?

Brown’s answer is to make his most focused record yet. A svelte eleven tracks - short when compared to the sprawling opuses of his past - uknowhatimsayin¿ is a more thoughtful affair than anything Brown has previously released. Gone are the tales of all-night benders yammered with cartoonish intensity over beats that sound like an EDM rave in hell. Instead Brown comes off as considered and in control, his flows spun out with poise and eloquence.

The production here befits the changes in Brown’s delivery. While Brown has always been a great rapper, uknowhatimsayin¿ will go down as his first hip-hop record. While the instrumentals here are laced with the psychedelic potency of Atrocity Exhibition, they also rumble and slap in a manner that recalls classic 90’s boom-bap. This change in sound is unsurprising when you consider uknowhatimsayin¿’s executive producer - none other than the legendary Q-Tip.

uknowhatimsayin¿’s features list also feels carefully curated. JPEGMAFIA, heir apparent to Brown’s throne, gets in amongst it on ‘Negro Spiritual’. Unsurprisingly this new energy turns ‘Negro Spiritual’ into one of the album’s wildest tracks, a head-spinner that would have slotted easily into Atrocity Exhibition. Besides Run The Jewels and Brown schooling younger MCs on ‘3 Tearz’ the other guest spots are reserved for singers - Obongjayar turns in vocals on two tracks while Blood Orange croons softly on penultimate cut ‘Shine’.

Danny Brown is older, wiser, and possibly better than ever on new LP uknowhatimsayin¿

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CD | 2019 | UK | Original (Warp)

Flamagra

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Almost five years have passed since the last album by Flying Lotus, You're Dead! and he has had many irons in the fire. Collaborating on Kendrick Lamar's To Pimp a Butterfly, playing a key role in the production of Thundercat's Drunk, writing and directing the hallucinatory horror film Kuso, all the while working on his next afro-futurist masterpiece, Flamagra.

Drawing the lines between the galaxies of hip-hop, funk, soul, jazz, global dance music, tribal poly-rhythms, IDM and the beat scene of his hometown L.A, Lotus creates a universe that is uniquely his own. Calling on an all-star cast from the cosmos, Anderson .Paak, George Clinton, Little Dragon, Tierra Whack, Denzel Curry, David Lynch, Shabazz Palaces, Thundercat, Toro y Moi and Solange; Lotus takes these artists on an astral plane to explore his world of fire.

“I’d been working on stuff for the past five years, but it was always all over the place. I’d always had this thematic idea in mind—a lingering concept about fire, an eternal flame sitting on a hill,” Lotus says. “Some people love it, some people hate it. Some people would go on dates there and some people would burn love letters in the fire.” - Flying Lotus.

Hold tight, Fire is Coming.

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Tomorrow's Harvest Limited Edition

CD | 2013 | UK | Original (Warp)

Release: 2013 / UK – Original

Genre: Electronic & Dance

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Who thought this would ever happen? All new album from Michael Sandison & Marcus Eoin Sandison! Limited digipack with artcards.

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CD | 2024 | UK | Original (Warp)

Quaranta

18,99 €* 19,99 € -5%

Release: 2024 / UK – Original

Genre: Hip Hop

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As one of hip hop’s premier auteurs, Danny Brown has been no stranger to conscious themes and current affairs; much of his discography features blisteringly honest verses set to explosive productions. But on his sixth album Quaranta, Danny Brown shows a new side: with his forlorn face half obscured by the shadows of his past, he delivers a raw, autobiographical clarity that we haven’t seen before.

Part of this comes with age. “Quaranta” means “forty” in Italian, marking pivotal moments and epiphanies in the years since his breakout record XXX. It’s also where the word “quarantine” originates, not only referring to the decade defining lockdowns the album was written in, but to a deep sense of isolation and self reflection that colours Danny’s storytelling. As the album’s very first line says, “This rap shit done saved my life and fucked it up at the same time”: there’s no begging for pity here, rather Danny is telling all, with ‘Maggot Brain’-esque shreds framing his bare, wisened voice.

Danny’s vanguard status as an artist allows him to school the youngins of the rap game while unpacking his own downfalls. In that way, Quaranta becomes a case study of the rapper, reckoning with the realities of his dream career. ‘Y.B.P.’ is as much an admonishment of destitute living situations as it is a celebration of Detroit’s ingenuity, leading into an abstract thesis on gentrification in ‘Jenn’s Terrific Vacation’, where musical structures are knocked down and rebuilt just as quickly as the architectural ones are, while freezing tones depict stagnation in the midst of immense change.

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The Asymptotical World EP

12" | 2021 | UK | Original (Warp)

19,99 €*

Release: 2021 / UK – Original

Genre: Rock & Indie

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Dumb Guitar / Boxing Feat. King Krule

7" | 2024 | UK | Original (Warp)

19,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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12" | 2021 | UK | Original (Warp)

Squid

Near The Westway

Release: 2021 / UK – Original

Genre: Rock & Indie

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Plaid

Peel Session 2

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Wxaxrxp Session

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Presents Infinity "Infinitum" - Maida Vale Session

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Back To Nature Ricardo Villalobos Remixes

Release: 2019 / UK – Original

Genre: Electronic & Dance

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2LP | 2018 | UK | Original (Warp)

Gaika

Basic Volume

20,99 €* 29,99 € -30%

Release: 2018 / UK – Original

Genre: Electronic & Dance

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12" | 1999 | UK | Reissue (Warp)

Windowlicker

Release: 1999 / UK – Reissue

Genre: Electronic & Dance

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Best coverartwork ever! And the track isn't too bad either.

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12" | 1997 | UK | Reissue (Warp)

Come To Daddy

Release: 1997 / UK – Reissue

Genre: Electronic & Dance

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Classic Aphex Twin 12" with four nice mixes!

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Orphaned Deejay Selek (2006-2008)

LP | 2015 | UK | Original (Warp)

Release: 2015 / UK – Original

Genre: Electronic & Dance

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12" | 2014 | UK | Original (Warp)

Hudson Mohawke

Chimes

TNGHT (Hudson Mohawke & Lunice)

Release: 2014 / UK – Original

Genre: Hip Hop

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Known from this year's MacBook Pro add!

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TNGHT

12" | 2012 | UK | Original (Warp)

Former Things >> Re-Formed Orange Vinyl Edition

Release: 2012 / UK – Original

Genre: Hip Hop, Electronic & Dance

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Warp & LuckyMe unite for a mixture of minimal, bass-bleeding hip-hop beats!

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LoneLady

12" | 2022 | UK | Original (Warp)

Release: 2022 / UK – Original

Genre: Rock & Indie

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12" | 2016 | UK | Original (Warp)

Cheetah EP

Release: 2016 / UK – Original

Genre: Electronic & Dance

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Computer Controlled Acoustic Instrumentals Pt2 EP

LP | 2015 | UK | Original (Warp)

Release: 2015 / UK – Original

Genre: Electronic & Dance

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13 tracks, that's a hell of an EP! Vinyl comes with download code!

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12" | 2006 | UK | Reissue (Warp)

Trans Canada Highway

Release: 2006 / UK – Reissue

Genre: Electronic & Dance

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Responding to popular demand, Warp Records is repressing its seminal Boards of Canada catalogue on vinyl for the first time in over five years. Each Warp reissue comes with a download code and an original BOC sticker design from the era.

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In A Beautiful Place Out In The Country

12" | 2000 | UK | Reissue (Warp)

Release: 2000 / UK – Reissue

Genre: Electronic & Dance

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12" | 2010 | UK | Original (Warp)

Pattern + Grid World

Release: 2010 / UK – Original

Genre: Electronic & Dance

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While Cosmogramma is a monolithic convergence of 20th and 21st century musical forms, high in concept and wide in musical collaboration, Pattern+Grid World pulls the focus back to Steven Ellison and his machines. These machines are speaking (and possibly looking as well, judging by the EP's cover) from the go, as "Clay" introduces itself in a fog of synth and vocoder and gives way to one of the many surprises here, the schizophrenic ping-ponging electro of "Kill Your Co-Workers". Drenched in alternating melodies, it's a synthetic counterpart to the grand string and harp arrangements of Cosmogramma, making acclaimed illustrator Theo Ellsworth's subtly psychedelic cover image of vision-through-noise all the more intimate.

When Flying Lotus records hit their stride, all buttons labeled "pause" and "stop" disappear, and this one is no different. "Pie Face" is led by icy keys that could almost be mistaken for classic grime, before the stoned plastic marching band steps in. "Time Vampires" amazingly lands somewhere between vintage DJ Premier and Lee Hazelwood, while the stripped back bass and drum explorations of "Jurassic Notion/M Theory" are as shamanic and ceremonial as anything you're likely to hear come out of California. If "Camera Day" brings to mind a certain crew of dungeon-dwelling ATLiens, it won't come as much of a surprise that Killer Mike found its syrupy bounce recently inspiring.

Much of the messages surrounding Cosmogramma's release as well as reportage on the world's ever-emerging beat scenes has painted a picture of Flying Lotus as a patriarchal figure blazing the trail for scores of young artists with new conceptual notions of what can be done with a drum machine and a dream. While this notion is certainly not inaccurate, it sometimes overshadows the fact that FlyLo is also an incredibly singular entity. However, as "Physics For Everyone!" stutters to a close, if you listen closely you might just make out the sound of another kid in his room somewhere in the world, anxiously tapping out his first beat.

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12" | 2007 | EU | Reissue (Warp)

Reset EP

Release: 2007 / EU – Reissue

Genre: Hip Hop, Electronic & Dance

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FlyLo's debut for Warp and basically the blueprint for all the LA Beat Scene madness!

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Miss Red

Dagger/One Shot Killer

LP (Warp)

Genre: Electronic & Dance

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Genre: Electronic & Dance

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Love What Survives – Remixes Part 1

12" | 2018 | UK | Original (Warp)

24,99 €*

Release: 2018 / UK – Original

Genre: Electronic & Dance

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2LP | 2016 | UK | Original (Warp)

Gonjasufi

Callus

24,99 €*

Release: 2016 / UK – Original

Genre: Electronic & Dance

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LP | 1992 | UK | Reissue (Warp)

V.A.

Artificial Intelligence

Release: 1992 / UK – Reissue

Genre: Electronic & Dance

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Are you sitting comfortably? Artificial Intelligence is for long journeys, quiet nights and club drowsy dawns. Listen with an open mind.

Back in 1992 when Warp released the Artificial Intelligence compilation it almost instantly changed both the course of Warp as a label and arguably what many would consider club music as an entity to be. Artificial Intelligence came housed inside a prog rock styled gatefold sleeve depicting a cover image of a robot blowing smoke rings whilst reclining on an armchair. Its extra long rolling papers and tin of tobacco just out of reach, whilst a high-end stereo plays out the sounds of Kraftwerk's Autobahn and Pink Floyd's Dark Side Of The Moon, their LP sleeves lay strewn across the floor. This image along with the above text that as printed on the sleeve acted as a guide for the listener on how to best experience this new mode of techno music, one that was designed for those nights when your body stays in but your mind steps out.

Having been in operation for three years by the time they compiled and released the Artificial Intelligence compilation, Warp had already proved itself as a worthy force within the world of quickfire 12 singles of acid house and the emerging hardcore scene. Starting as a predominant pusher of the new bleep 'n' bass sounds of their hometown Sheffield, Warp had enjoyed success with early anthemic singles from artists such as Nightmares on Wax, LFO & Richard H. Kirk's Sweet Exorcist project. These building blocks laid the foundations for what many would go on to define as the Warp sound but it was 1992's Artificial Intelligence compilation that cemented their place in music history.

Artificial Intelligence was notable for early appearances by people who went on to become pioneers of the hypnotic groove for both Warp and electronic music in its entirety. Artists such as The Black Dog/Plaid whose melancholic contribution The Clan (produced under the alias I.A.O.) bears long drawn out strings combine perfectly with the tear-drenched techno of Carl Craig with the trend for looped breakbeats to create a track that still resonates deeply every time it is played. Looking further out than most, B12's Telefone 529 with its recording of an automated incorrect phone number message carries an air of nostalgic puzzlement, while Preminition transports a diva vocal and hardcore piano roll into a zero-gravity soundtrack of space. Autechre's Crystel and The Egg offers the first steps towards the path of abstract oblivion that they would go on to travel throughout the post-AI years. Both pieces focus an acidic gurgle around some cut up vocals, its timeframe existing perfectly within a distinct hip-hop cylinder that brilliantly displays their roots within b-boy culture.

Aphex Twin appears under his alias The Dice Man, opening up the operation with a track that would become an alias in itself, Polygon Window in many ways formed the core sound of the Artificial Intelligence compilation and subsequent album series that followed it. Rolling post-acid dynamics, a strong knowledge of breakbeat techno and some serious subs keep the track in a full forward motion, Polygon Window still stands out as one of the most unbeatable techno tracks within Warp's discography. Elsewhere, chief ambient technologist Dr Alex Paterson put forward a four-minute cosmic ambient piece akin to his work as the central figure of which The Orb revolves around. Whilst Richie Hawtin made an appearance with his euphoric almost gabba track Spiritual High, produced under the name Up! his fellow Plus 8 producer Speedy J stepped in with De-Orbit, a track that you could say on reflection, almost helped shape the early steps towards what would turn into the deeper recesses of liquid drum & bass.

Warp co-founder Steve Beckett was quoted around the time of the Artificial Intelligence compilations release in 1992 as saying you started to hear tracks by B12 and Plaid and Speedy J that just didn't fit into any category, B-sides and last tracks on EPs. We just realised that they weren't meant for 12-inches, it was just that this was the only outlet for that kind of music. We realised you could make a really good album out of it. You could sit down and listen to it like you would a Kraftwerk or Pink Floyd album. That's why we put those sleeves on the cover of Artificial Intelligence - to get it into people's heads that you weren't supposed to dance to it!. This train of thought led to Warp putting together one of the most forward-thinking compilations to appear within the early 90s post-acid explosion, and many others tried to copy the formula but arguably no imprint ever came close to topping or even releasing anything that stands tall alongside Artificial Intelligence for its undeniably experimental, yet sheer futuristic scope and vision.

Listening back now, 30 years since its original release, it's striking how contemporary and fresh the music of Artificial Intelligence still sounds. While many tracks from those days still and will forever sound brilliant, many AI contemporary compilations have taken on the sheen of a more retro and throwback feel. When digested with a knowledge of what has been made within the last quarter of a century, the tracks that form Artificial Intelligence still carry a strong, almost outside of time feeling that's influence shines as strongly today as it did 30 years ago. A timeless record that will continue to point the way forward for electronic music for many years yet to come.

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Shout Out! To Freedom... Live At Pikes Ibiza

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Let It Be Blue Blue Vinyl Editoin

!!!

Let It Be Blue Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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After two-plus decades of being dance punk’s most reliable provocateurs, !!! remain unpredictable.

The group’s ninth full-length kicks off with ‘Normal People,’ a starkly acoustic introduction where frontman Nic Offer presents an unfamiliarly restrained vocal. From here, Let It Be Blue aligns with the kind of joyously energetic dance music we’ve come to expect from !!!, ‘Normal People’ sets the necessary scene for which !!!'s multiple ideas to unfurl.

Let It Be Blue heralds itself as a “computer record” shaped by file sharing, virtual collaborating, and visions of how crowds would react in lieu of road-testing songs. Considering their reputation for soundtracking sweat-soaked dance floors, !!! didn’t seem to have a problem visualising a party over the past two years, but Let It Be Blue offers the group’s most sparse, streamlined effort to date. According to Offer, the restrictions during recording forced the band to deviate from their standard practice of “crowding everything in and trying to fit as many parts as possible” but Let It Be Blue is far from a minimalist affair. ‘A Little Bit (More)’ opens with a glitchy cavalcade of kick drums, steamrolling into a psychedelic strut on ‘Storm Around The World’ and testing out reggaeton-adjacent gestures with ‘Un Puente.’

Including a number of collaborations guest vocalists Angelica Garcia and Meah Pace as well as production from Patrick Ford, !!! set out their hopeful vision of the dancefloor, creating another infectious record in the striking world of !!!.

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!!!

Release: 2022 / UK – Original

Genre: Rock & Indie

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Mother Is The Milky Way Remastered Edition

LP | 2010 | UK | Reissue (Warp)

Release: 2010 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Microtronics Volumes 1 & 2 Remastered Edition

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Daniel Rossen of Grizzly Bear

You Belong There Gold Vinyl Edition

Daniel Rossen of Grizzly Bear

Release: 2022 / UK – Original

Genre: Rock & Indie

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Debut solo album from songwriter and Grizzly Bear multi-instrumentalist / vocalist Daniel Rossen - even if you’re not familiar with the name you’ll likely know his voice. Trading lead vocals with bandmate Ed Droste, Rossen’s band Grizzly Bear became leaders for a late-aughts wave of Brooklyn transplants bringing their introspective bedroom pop to the masses. With a trembling delivery, Rossen and co. similarly dealt out heady, ornate songs that eventually featured in nationwide commercials and movie trailers.

That being said, Daniel Rossen hasn’t lived in Brooklyn for a number of years now. Since 2017’s Painted Ruins, Grizzly Bear have appeared to be in hibernation aside from Droste’s departure in 2020 to become a therapist. As life charged onward, Rossen decamped to Sante Fe and began reflecting a lot more on individuality. Namely, after years of being a part of a successful collective, he saw the need to define himself after the restless enthusiasm and public fanfare of his 20s and early 30s.” The result is You Belong There, Rossen’s debut solo album that sounds as reflective and searching as its title suggests.

Heralded by lead single ‘Shadow In The Frame’, the thorny twists and turns that defined Rossen’s work with Grizzly Bear return on his first solo outing, but with a new sense of urgency at the wheel. Taking up cello and woodwinds along with relearning the upright bass, Rossen assembles a jittery, yet stunning orchestra as he contends with his mortality on ‘Shadow in the Frame.’ Existential uncertainty weighs heavily on the sparser moments as found in 'You Belong There'.

The talented Daniel Rossen allows his songwriting to take centre stage, crafting an ornate album following a period of reflective self-discovery.

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You Belong There Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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OST Yasuke (A Netflix Original Series) Black Vinyl Edition

LP | 2021 | UK | Original (Warp)

Release: 2021 / UK – Original

Genre: Soundtracks

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LP | 2021 | EU | Reissue (Warp)

Nala Sinephro

Space 1.8

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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Yellow House 15th Anniversary Clear Vinyl Edition

Grizzly Bear

Yellow House 15th Anniversary Black Vinyl Edition

Release: 2021 / UK – Original

Genre: Rock & Indie

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Poised between the purposeful lo-fi mustiness of Horn of Plenty and the flawless indie rock mega-hit Veckatimest, Grizzly Bear came into their Warp debut Yellow House sounding like no other group in 2006. Yes, this was indie rock to challenge the genre’s zeitgeist acts — Animal Collective, The Microphones, Arcade Fire et al — as the Brooklyn group demonstrated an auto-didactic and idiosyncratic way of generating psychedelic music with laser-sharp focus and serious songwriting chops quite distinct from their peers.

Quietly experimental in its organic production and winding structure, LP opener ‘Easier’ lays out Grizzly Bear’s vast yet humble array of instruments — banjos, guitars, pianos, woodwinds, timpani-like percussion, a touch of brass — and breathes life into their little corner of the world, as spontaneous and playful as an attic jam session. Just when the group are setting themselves up as a rootsy take on The Beach Boys, a burst of Velvet Underground chugging propels the likes of ‘Knife’ to another corner of the loft, along with a surreptitiously anthemic lyrical volley of “it’s alright”. While the music of Yellow House is often dark and dusky with ghostly vocal harmonisations and discordant death rattles, we never lose sight of just how life-affirming a record this is — as it’s put in ‘Lullabye’, “chin up, cheer up”.

Yellow House is a ground zero album that went on to shape all alternative rock music in its wake — 15 years on and its deep mystery is still singularly resounding.

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Grizzly Bear

Former Things Red & Gold Vinyl Edition

Release: 2021 / UK – Original

Genre: Rock & Indie

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LoneLady

LP | 2021 | Original (Warp)

Former Things Black Vinyl Edition

Release: 2021 / Original

Genre: Rock & Indie

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Normally, an artistic shift for a creator is signalled by a withdrawal from the rat race, a monkish retreat to a simpler environment where a mind can ponder the elusive creative progress. But for artist and producer Julie Campbell aka LoneLady, the jump from Manchester’s crumbling outskirts to set up a new studio in an 18th century shooting range in central London had the inverse effect. Despite the metropolitan bustle outside, her third album Former Things comes off as an LP of isolation; without backing band and without intrusion. Remarkably, it’s also LoneLady’s most unapologetically pop-minded release to date.

The taut, acerbic skronk of Campbell’s Telecaster still scrapes Former Things with embellishments of no-wave sensibilities, but a new-found fascination with hardware, drum machines and synthesisers opens a whole new realm of possibility for the musician. ‘(There Is) No Logic’ leads the LP with a sequencer-laced, alt-disco flare, akin to an art-pop era Scritti Politti track, propelled with endless forward motion by a wiry funk spirit. The detail of each pin-sharp sample, crisp-dried digitised snare hit and squelching bass drop invokes an industrial electro edge to the likes of ‘Threats’ and ‘Terminal Ground’, as Campbell’s soul-via-punk vocal delivery brings to mind nothing less than the natural charisma of Prince and David Bowie.

Former Things boldly updates the forgotten sonics of 1980s art-pop, and LoneLady shows exactly how to make them sound brand new again.

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LoneLady

LP | 2021 | Original (Warp)

Release: 2021 / Original

Genre: Rock & Indie

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OST Yasuke (A Netflix Original Series ) Red Vinyl Edition

LP | 2021 | UK | Original (Warp)

LP | 2020 | UK | Original (Warp)

Release: 2021 / UK – Original

Genre: Hip Hop, Electronic & Dance

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Given his noted love of anime, scoring a fantastical retelling of a 16th-century samurai warrior of African descent serving under a Japanese daimyo, must be a dream project for Flying Lotus. But, as we’ve come to expect from the man who brought us the mind-bending 2019 LP Flamagra and his own written, directed and scored full-length surrealist fever dream Kuso back in 2017, Steve Ellison is anything but predictable.

Where his recent work has ventured deep into the hitherto unexplored avant-garde reaches of contemporary electronic music, jazz and hip-hop, FlyLo’s score to renowned anime creators Studio MAPPA’s Netflix original series Yasuke — on which he also acts as story consultant and executive producer — sees FlyLo eschew his digital maximalism with rumblings of traditional instrumentation, sweeping romanticism and widescreen cinematic scope.

Broadening the canvas of show creators LeSean Thomas and Takeshi Satou’s alternative-historical Sengoku period of magic and swordplay, with a soundtrack of Morricone-style epic tones, traditional Japanese percussion instruments and West African percussion, the feudal yet futuristic world of Yasuke is summoned.

The drum-driven drama of ‘Your Armour’ and ‘Your Lord’ simmer with synth flutes, strings and koto, as the bubbling arps of ‘War Lords’ recall the cyberpunk noir of Vangelis’ Blade Runner score, while frequent collaborators Thundercat and Niki Randa, also make an appearance in this parallel universe.

Another spellbinding FlyLo release even without the stylish animations of the show, Yasuke is set to be one of Ellison’s most prized releases.

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Darkstar

Civic Jams

LP | 2020 | UK | Original (Warp)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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When Darkstar broke cover earlier in 2020 with the single ‘Wolf’ fans of the group wondered if the wait for a follow-up to 2015’s Foam Island LP might soon be over. Now, those suspicions have been confirmed - Civic Jams, Darkstar’s first studio album for half a decade, is upon us.

‘Wolf’ set the tone well for the rest of Civic Jams. The track’s combination of stop-start electronic grooves, frail and beautiful synths and cooing vocals are reminiscent of Cold Spring Fault Less Youth-era Mount Kimbie, and the placing of ‘Wolf’ at the centre of this record allows its influence to radiate out across the eight other tunes here.

Civic Jams is a brooding affair full of low-lit textures and quietly forceful songs. Vocals are hung at the edge of the mixes, a choice which makes them feel at once intimate and cryptic in a manner that is not dissimilar to the singing on Caribou albums. This feeling is only heightened by the nocturnal production Darkstar apply to the drums and synthesisers across Civic Jams - in the hands of other artists a cut like ‘Jam’ could be transformed into a peak-time banger, but the tender treatment Darkstar afford it imbue it with the poignancy of Jai Paul.

Darkstar’s long-awaited return is upon us - and in Civic Jams they have created a record of gorgeous aquatic nightsongs.

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Lorenzo Senni

Scacco Matto

Take Me Apart Black Vinyl Edition

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Lorenzo Senni has been turning heads for over a decade now. However, his star has risen greatly since the release of the exceptional 2017 single ‘XAllegroX’/‘The Shape Of Trance To Come’, a record which solidified both Senni’s ‘Pointillistic Trance’ style and his status as one of modern electronic music's most vital artists. As such, it is hugely exciting that the Italian has announced the new LP ‘Scacco Matto’, his first full-length album since 2014’s Superimpositions.

Across the eight tracks of Scacco Matto, Senni demonstrates once more that his maximalist style can be deployed to summon both club heft and depth of feeling. Rather than utilising a wide array of instrumentation, Senni selects his sounds carefully in a manner not dissimilar to early Sophie singles like ‘Bipp’. Despite not using drum machines Senni is still able to whip up rhythmic frenzies on cuts like ‘The Power Of Failing’ and ‘XBreakingEdgeX’. The latter is one of several track-titles here which shows off Senni’s humorous side (see also ‘Wasting Time Writing Lorenzo Senni Songs). This playfulness also translates into the music at times, with ‘Move in Silence (Only Speak When It’s Time to Say Checkmate)’ full of the zippy synth runs one finds in Murlo tracks.

The grandiose builds that underpinned ‘XAllegroX’ and ‘The Shape Of Trance To Come’ resurface here too. ‘Dance Tonight Revolution Tomorrow’ Appears particularly indebted to those tracks, its powerful chords swelling across seven-and-a-half minutes to summon up huge emotion in the listener. There is also great punch to Scacco Matto opener ‘Discipline Of Enthusiasm’.

Lorenzo Senni, trance’s premier deconstructionist, debuts on Warp with Scacco Matto, his first LP in six years.

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Kelela

LP | 2017 | UK | Original (Warp)

Broadcast & The Focus Group

Release: 2017 / UK – Original

Genre: Pop

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Warp presents Take Me Apart, the debut album from contemporary R&B’s icon-in-the-making, Kelela. The long-awaited opus arrives at the tail end of an extended tour with The xx and scene-stealing guest spots on recent albums from longtime ally Solange, Warp’s gonzo rap star Danny Brown and most recently on Humanz from Gorillaz.

Having debuted in 2013 on Fade To Mind with the Cut 4 Me mixtape which saw a raft of the Fade & Night Slugs crews pushing forward a wealth of sublime instrumentals for Kelela to bring to life, catching the ear of everyone from Björk and Hudson Mohawke to Grimes and Arca. Quickly following this with a fire 12 Melba's Call with Bok Bok, her cutting-edge credentials were firmly set in stone. This set her up for her new partnership with Warp, debuting with the jaw dropping collision of soaring songcraft and experimental electronics of the Hallucinogen EP.

Kelela has enlisted a wealth of her contemporaries to craft out an album that shows both the classic appeal and futuristic possibilities of R&B music. Each track exudes a sense of excited exploration that makes Kelela's music stand head and shoulders above the glut of online static. The innovative sonics flow effortlessly around her voice, giving the strong impression that countless hours and many feelings have gone into the crafting of each piece, the whole set being absolutely sculpted to perfection for when it flows from speakers and into your mind.

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Investigate Witch Cults Of The Radio Age

LP | 2009 | UK | Reissue (Warp)

Release: 2009 / UK – Reissue

Genre: Rock & Indie

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Comes with a download card.

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LP | 1995 | UK | Reissue (Warp)

Twoism

Our Earthly Pleasures Clear Vinyl Edition

Release: 1995 / UK – Reissue

Genre: Electronic & Dance

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Maximo Park

Release: 2022 / UK – Original

Genre: Rock & Indie

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Bib10 Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Bibio is an artist who never likes to stay in one sound for too long. His humble beginnings producing lo-fi folk-tronica transformed dramatically into the hip hop inspired kaleidoscopes of his Warp debut Ambivalence Avenue, launching a series of constant shifts from intricate house beats to dazzling funk through to haunting ambient soundscapes, often all within the space of one album. While the quintessential Bibio sound may be hard to define, the guitar has stuck with him throughout all of his sonic experiments, and it’s what he pays homage to on his milestone tenth album.

“I like contrast between my albums,” says Stephen Wilkinson aka Bibio “When I finish an album, I crave doing something different for the next one.” Bib10 is perhaps the most outwardly pop Bibio has ever leaned into, delving deeper into the funk and disco direction previously hinted at with releases like 2016’s The Serious EP while his natural pastoral folk inflections still shine through. Though the slick riffs of tracks like ‘Off Goes The Light’ are dressed in fuzzy CRT television colours, they never fall into the trap of sounding nostalgic, featuring refreshing songwriting that can only be placed in modern day.

A metropolitan energy flows through many tracks, such as ‘S.O.L.’ with Olivier St. Louis’s silky, infectious vocals, or the sweet rotations of saxophone and guitar on ‘Cinnamon Cinematic’, trading jubilantly extended solos with each other. Elsewhere, Bibio’s hearty folk origins appear on the intimately drifting ‘A Sanctimonious Song’ and the acoustic ode to analogue on ‘Phonograph’. Both of these worlds are glued together in ‘Rain And Shane’, where lilting violin lends simultaneously wistful and soaring melodic refrains to twirling electric guitars.

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Bib10 Gold Vinyl Edition

Loggerhead Light Green Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Wu-Lu

LP | 2022 | Original (Warp)

Loggerhead Black Vinyl Edition

Release: 2022 / Original

Genre: Rock & Indie

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Wu-Lu

LP | 2022 | Original (Warp)

Release: 2022 / Original

Genre: Rock & Indie

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Heaven To A Tortured Mind Black Vinyl Edition

LP | 2020 | UK | Original (Warp)

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Just over eighteen months on from the visionary success of 2018's Safe In The Hands Of Love, Yves Tumor pushes visceral sonic boundaries with his new full-length studio album Heaven To A Tortured Mind.
In a sense, Heaven To A Tortured Mind occupies the anthemic soundworld of the androgynous underworld that was explored in Safe In The Hands Of Love. Offering up a dozen pieces of vivid avant-pop (the days when he would fill an album with painterly, semi-concrete ambiences, as he did on 2017’s Experiencing The Deposit Of Faith, appear to have passed).

Co-produced by Justin Raisen (Sky Ferreira, Ariel Pink, Charli XCX) this selection also comes off as slicker than its predecessor, less prone to rupture and seemingly more comfortable with its poppier impulses. There are even moments here which present as a kind of variation on the neo-soul sound that has been turned murky and swampy at Tumor’s mephistophelian hand. As such, along with Tumor’s disruptive contemporaries like Dean Blunt.

Heaven To A Tortured Mind finds Yves Tumor growing into his position as an outsider popstar. The result is a beautiful, forthright LP from a supremely unique talent.

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LP | 2019 | UK | Original (Warp)

Uknowhatimsayin¿

Release: 2019 / UK – Original

Genre: Hip Hop

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12" | 2023 | UK | Original (Warp)

Club E.A.S.E.

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Sunbursting EP

Release: 2023 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Blackbox Life Recorder 21f / In A Room7 F760

12" | 2023 | UK | Original (Warp)

Animals Clear Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Kassa Overall

Release: 2023 / UK – Original

Genre: Organic Grooves

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12" | 2020 | UK | Original (Warp)

Darkstar

Civic Jams Remixes

28,04 €* 32,99 € -15%

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Shout Out! To Freedom Black Vinyl Edition

2LP | 2021 | Original (Warp)

28,49 €* 29,99 € -5%

Release: 2021 / Original

Genre: Electronic & Dance

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You know the story by now: a global pandemic hits, and your whole perspective shifts, particularly if your livelihood hangs in the balance. After a decade of non-stop gigging, Warp’s longest serving veteran George Evelyn, mastermind DJ and producer of the chameleonic Nightmares On Wax project, suddenly found himself at a standstill. Without the promise of packed venues, turntables on raised platforms and the atmosphere of magical evenings, what exactly was Nightmares On Wax?

As it happens, Shout Out! To Freedom… is the finest example of the N.O.W. experience Evelyn has produced to date, created in isolation and yet bolstered by a deep sense of collaboration. Duly informed by their own creative upheavals, the extraordinary talents of the likes of saxophonist Shabaka Hutchings, vocalist Haile Supreme and poet Sabrina Mahfouz amplify the jazz feel of Evelyn’s sound. ‘Creator Sos’ is a prime example of perfect synchronicity, a striking amalgam of languid soul and psychedelic pop, played out over a hip-hop beat. Sensual sax licks fray at the turntablist textures of ‘3D Warrior’, while the likes of ‘Breathe In’ harken back to N.O.W.’s essential tenure as part of the early trip-hop movement.

Shout Out! To Freedom… encapsulates the endless potential that can come about from stasis. It's a record that as is celebratory of N.O.W.’s past as it is determined to break from it.

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Quaranta Black Vinyl Edition

LP | 2024 | UK | Original (Warp)

28,49 €* 29,99 € -5%

Release: 2024 / UK – Original

Genre: Hip Hop

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Quaranta Red Vinyl Edition

LP | 2024 | UK | Original (Warp)

28,49 €* 29,99 € -5%

2LP | 2012 | UK | Reissue (Warp)

Release: 2024 / UK – Original

Genre: Hip Hop

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Brian Eno

Lux

28,99 €*

Release: 2012 / UK – Reissue

Genre: Electronic & Dance

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Squid

O Monolith

Release: 2023 / UK – Original

Genre: Rock & Indie

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While still rounding up Squid’s modern anxieties into electrifying songs, O Monolith is a more refined experience, deep in thought yet buzzing in a freshly post-isolation world.

Circular synth arpeggios and pendulum-swinging guitar licks open with laser focus on ‘Swing (In A Dream)’, subtle yet frantic as a driving beat kicks in and Ollie Judge sings “I worry in my sleep” to right-angled riffs tossing and turning. Themes of displacement and friction run throughout the record, with domesticity and the environment rubbing against each other, and our relationships with violence and being witness to endless streams of it.

Guitar plucks on ‘Devil’s Den’ stalk suspiciously against a baroque backdrop of brass and horns, lilting until theatrical thrashes drop in. ‘Siphon Song’ lurches into a smooth jazz-adjacent vocoder ballad, with spellbinding vocal tapestries intensifying and collapsing under gravitational weight. ‘Undergrowth’ enters a post-punk-funk groove, tense with guitars scribbling viscerally down the frets, exploring reincarnation and animism in the mundane set to music that is anything but. Heavy footsteps lumber on ‘After The Flash’, Judge muses “How hard can it be to live a normal life?” before crashing into the track’s unending ascension.

The world hasn’t gotten any less turbulent since Bright Green Field was released in 2021. Squid’s debut was a definitive outcry in a hyperpolitical era: punk in all senses with its witty defiance of the present shouted over upfront, rocking thrill ride, yielding fierce experimentalism powered by varied instrumental palettes and non-sequitur structures. It didn’t take long for the band to start formulating their follow-up; just two weeks after their debut’s release, their second album O Monolith began to manifest and swerve even further leftfield.

Ever restless, Squid have knocked it out of the park once again on O Monolith, grounded in post-punk but taking off into something entirely new.

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Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds) Yellow Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds) takes us beneath all the bedazzled glam stardom as Yves journeys through the limbo of life and love, escaping toxicity to get higher and holier. From the raw, unapologetic drawl of 'God Is a Circle' comes a mercurially shifting tracklist where Yves picks apart their psyche, discerning lovers and enemies both spiritually devoted to. 'Lovely Sewer' captures the incendiary spark of love, heart racing to the red flags under sunset coloured new wave guitars; a total flipside to the later sultry sighs and strong shuffles of 'Echolalia', where heat rises from the spiralling synths and funky dance grooves.

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Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds) Black Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Plaid

Feorm Falorx

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Maida Vale Sessions Remastered Edition

2LP | 2022 | UK | Original (Warp)

Release: 2022 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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2LP | 1996 | UK | Reissue (Warp)

Chiastic Slide

Release: 1996 / UK – Reissue

Genre: Electronic & Dance

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2LP | 1998 | UK | Reissue (Warp)

LP5

Release: 1998 / UK – Reissue

Genre: Electronic & Dance

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The Autechre sound reached even deeper levels of intricate programming and layered, subtle detail on this their fifth record for Warp.

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Mira Calix

Absent Origin

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Bright Green Field Black Vinyl Edition

Squid

Release: 2021 / UK – Original

Genre: Rock & Indie

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LP | 2006 | Reissue (Warp)

Hand Cranked

Release: 2006 / Reissue

Genre: Rock & Indie

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Magic Oneohtrix Point Never Black Vinyl Edition

Oneohtrix Point Never

2LP | 2020 | UK | Original (Warp)

Wallop Green & Pink Vinyl Edition

Release: 2020 / UK – Original

Genre: Electronic & Dance

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After scoring one of the most critically acclaimed film scores of recent history Uncut Gems in 2019, artist and producer Daniel Lopatin is back with his new album Magic Oneohtrix Point Never.

Named as a reference to a misheard play on words of Boston’s Magic 106, it is a nostalgic reference to radio landscapes. Loosely structured on radio's journey from day into night, it is interspersed with digital hallucinations that appear as ghosts between the dials. Collaging together "archival recordings of various American FM station’s “format flips”, in which detourned DJ sign-offs collide with advertisements and self-help mantras to form darkly humorous reflections on American music culture."

The album’s opening ‘DRIVE TIME SUITE’ is Magic Oneohtrix Point Never’s appeal in microcosm. Curtain-raising vignette ‘Cross Talk I’ crams hypnagogic infomercial sounds and uncanny, Holly Herndon-esque vocal manipulations into a mere twenty-two seconds, its sharp aural left-turns prefiguring the FM radio-style shifts which periodically break up Magic Oneohtrix Point Never. ‘Auto & Allo’ subsequently expands this aesthetic, its halcyon electronics and twisted echoes of baroque-pop landing somewhere between Sophie and Actress. The balladic elements which lurk in ‘Auto & Allo’ are brought out further still on the following number ‘Long Road Home’, a track where Lopatin’s robotified vocals are accompanied by Caroline Polachek and set against a hyperreal chamber-pop instrumental.

Magic Oneohtrix Point Never is another thrilling, boundary-pushing record of electronic compositions from this multi-faceted artist. It amalgamates his rich history of production work, his chamber-pop songwriting of his previous albums and his earlier explorations of plunderphonics, into a record that is as much of a reference to the artist's past, as Lopatin dialling inwards into his sonic world of 0PN, creating a parallel universe for the listener to exist in, during these tumultuous times.

Artwork by Robert Beatty

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!!!

2LP | 2019 | UK | Original (Warp)

Release: 2019 / UK – Original

Genre: Rock & Indie

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Flamagra Black Vinyl Edition

2LP | 2019 | UK | Original (Warp)

Release: 2019 / UK – Original

Genre: Electronic & Dance

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Black Vinyl in gatefold sleeve with mp3 code included!

Almost five years have passed since the last album by Flying Lotus, You're Dead! and he has had many irons in the fire. Collaborating on Kendrick Lamar's To Pimp a Butterfly, playing a key role in the production of Thundercat's Drunk, writing and directing the hallucinatory horror film Kuso, all the while working on his next afro-futurist masterpiece, Flamagra.

Drawing the lines between the galaxies of hip-hop, funk, soul, jazz, global dance music, tribal poly-rhythms, IDM and the beat scene of his hometown L.A, Lotus creates a universe that is uniquely his own. Calling on an all-star cast from the cosmos, Anderson .Paak, George Clinton, Little Dragon, Tierra Whack, Denzel Curry, David Lynch, Shabazz Palaces, Thundercat, Toro y Moi and Solange; Lotus takes these artists on an astral plane to explore his world of fire.

“I’d been working on stuff for the past five years, but it was always all over the place. I’d always had this thematic idea in mind—a lingering concept about fire, an eternal flame sitting on a hill,” Lotus says. “Some people love it, some people hate it. Some people would go on dates there and some people would burn love letters in the fire.” - Flying Lotus.

Hold tight, Fire is Coming.

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Safe In The Hands Of Love

2LP | 2018 | UK | Original (Warp)

LP | 2018 | UK | Original (Warp)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Yves Tumor shows the world that it's Safe In The Hands Of Love with his debut album for Warp.

Released into the wild with no fanfare or prior warning, Yves Tumor makes good on the audience following astonishing singles 'Noid', 'Licking An Orchid (feat. James K)' and 'Lifetime'. Whereas each of these showed a different side to his sound, one that arguably wasn't afraid to immerse itself in the close running interests of skinny-jeans 'n' all indie, heartfelt romantic ballads and soulful RNB bangers, Yves Tumor's seeming refusal to be creatively pigeonholed is the most vital and compelling cog within his musical identity. Walking a tightrope between being on the one hand, one of the most seductive, soulful musicians of modern times, while also being a serious aficionado of harsh n0!se, as made evident with his recent years' live sets which have become something of a legendary experience/assault for each audience that has entered into the high-intensity sound-field that his on-stage presence creates.

Safe In The Hands Of Love captures each and every side of Yves Tumor's musicianship with an elegant mix of pop numbers and more "experimental" de-constructions. With the spirit of Danish noise/synth/punk/tekno institution Posh Isolation running through the lifeblood of the music, so much so that in a perfect bonding two of the Posh Isolation crew's finest Loke Rahbek and Frederikke Hoffmeier both appear on the album in solidarity with Yves' vision. The recordings are uncharacterizable as anything other than Yves Tumor music. From the gothic cloak 'n' dagger cyberpunk punishment of 'Hope In Suffering (Escaping Oblivion & Overcoming Powerlessness)' featuring Oxhy & Puce Mary, through to the 'Economy of Freedom' produced with Croation Amor and moving along with all the sludgy heaviness of a thousand broken hearts, the feelings explored upon offer a kaleidoscopic union of classic songwriting and lobotomized sound experiments. Chapters like 'Recognizing The Enemy' and 'Licking An Orchid' capture a sense of near blissful introspective blues, sounding like Yves is rushing into the deepest moments of winter while his words that are seemingly spun out of tears, begin to freeze in the cold night air. Before 'Let The Lioness In You Flow Freely' could be the Whitehouse and Steve Albini post-rock record that never materialized back in the 1990's, while 'Recognizing The Enemy' further explores the gothic soundscape rock 'n' roll (original and authentic shades, slick back and leather jacket) of 'Noid', ensuring that his stadium-sized approach to crafting earworms is well and truly represented.

Repeatedly carving out a new path within the diamond cut musical trajectory of Klein, Dean Blunt, Radiohead, Coil and Kevin Shields, Yves Tumor's Safe In The Hands Of Love builds upon his recordings for PAN while setting the stage and informing anyone still unsure that Yves Tumor is truly one of the most visionary and singular artists of his generation.

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Oneohtrix Point Never

Age Of

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Oneohtrix Point Never presents ‘Age Of,’ an album of new music out June 1st on Warp.

Described as Daniel Lopatin’s most cohesive and richly composed work to date, weaving a tapestry of disparate musical histories — early music, country and folk balladry, melodic pop, computer music and much, much more — that demonstrate both the complexity and range of the artist's repertoire.

With sounds that are unsettlingly familiar and uniquely his own, Age Of guides us through an unclassifiable new world.

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Love What Survives Black Vinyl Edition

2LP | 2017 | UK | Original (Warp)

2LP | 2017 | UK | Original (Warp)

Release: 2017 / UK – Original

Genre: Electronic & Dance

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Mount Kimbie's new album Love What Survives arrives four years since their Warp debut Cold Spring Faultless Youth. Produced mostly on just two vintage synths, a Korg MS-20 and a Korg Delta, and featuring a vast wave of friends and collaborators: Micachu, James Blake, Andrea Balency and King Krule, Love What Survives is a bold statement that takes you on a journey through a motorik post-punk landscape, a vivid dream within this singular band's newly formed sound.

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Oneohtrix Point Never

OST Good Time

Release: 2017 / UK – Original

Genre: Soundtracks

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Oneohtrix Point Never follows up his recent productions for ANOHNI and FKA Twigs, with possibly his most ambitious project yet, the award-winning Good Time Original Motion Picture Soundtrack. Recently scooping the best soundtrack award 2017 at Cannes, it features thirteen tracks of electronic wonderment with an incredible and utterly flooring collaboration with none other than Iggy Pop.

Having continuously strived to refine his production skill and style, for us Oneohtrix Point Never truly hit a peak with his 2015 album Garden Of Delete, by crossing left of centre pop notions with a level of electronic futurism that vastly outweighed all his peers, he crafted a record that sounded fresher than anything that had come before, one that also offered up a refreshed new sound pallette. Yet for our money, on the Good Time Original Motion Picture Soundtrack OPN has truly outdone himself once again, and in doing so has created a record so stunning and visually rich that it is sure to see him taking his much deserved place within the highest ranking levels of modern soundtrack composers. By working outside the parameters of the mainstream, OPN's Good Time Original Motion Picture Soundtrack is a world-renowned classic in the making and one that is sure to take pride of place alongside Mica Levi's Under The Skin, Vangelis' Blade Runner, Angelo Badalamenti's Twin Peaks and everything Ennio Morricone has ever done as an all-time classic, and one of the very best moments in the history of cinema soundtracking.

We won't give the game away just yet, but trust us when we say this is one of the year's most special records.

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2LP | 1995 | UK | Reissue (Warp)

Tri Repetae

Release: 1995 / UK – Reissue

Genre: Electronic & Dance

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2LP | 1994 | UK | Reissue (Warp)

Amber

Release: 1994 / UK – Reissue

Genre: Electronic & Dance

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Atrocity Exhibition Black Vinyl Edition

2LP | 2016 | UK | Original (Warp)

Release: 2016 / UK – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2007 | UK | Reissue (Warp)

Battles

Mirrored

Release: 2007 / UK – Reissue

Genre: Rock & Indie

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2LP with download code and poster!

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LP | 2005 | UK | Reissue (Warp)

Tender Buttons