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Western Vinyl

Western Vinyl Folk 5 Items

Name: Carter Tanton - Carter Tanton
Brand: Western Vinyl
SKU: 815589v1
Price: 16.24 EUR
Availability: InStock

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Carter Tanton

LP | 2021 | US | Original (Western Vinyl)

16,24 €* 24,99 € -35%

Incl. VAT plus Shipping Costs

Release: 2021 / US – Original

Genre: Rock & Indie

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Carter Tanton Has Been Performing And Recording Music Since The Age Of 15. Over The Years, Tanton Has Toured And Recorded With Numerous Artists Including Marissa Nadler, Strand Of Oaks, Lower Dens, And The War On Drugs. In 2012, He Assembled Freeclouds, His First Collection Of Songs For Western Vinyl. A Couple Of Years Later, Tanton Moved To England Where He Wrote All Of The Songs On His Sophomore Solo Album Jettison The Valley, Which Featured Vocal Contributions By Nadler And Sharon Van Etten.Carter Tanton On His New Self-Titled Album: "I Recorded These Songs From May To September 2017 In My Childhood Home Which Had Been Sitting Empty On The Market For Nearly A Year When I First Brought Over A Microphone And Laptop, Guitar And Piano. I Set Up In My Parents Old Room Because It Had The Best Sunlight And Quietest Electrical Grounding But From The Start An Allegorical Quality Ran Underneath Any Surface Level Pragmatism I Told Myself Was Guiding Things. (...) The Records Which Haunt Me Are The Ones Which Have A Definitive Feeling Of Time. "Plastic Ono Band", Cat Power's "Covers Record", "Seventeen Seconds", The Blue Nile's "Hats" And Lewis' "L'amour" All Seem...

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Chorusing

Half Mirror

LP | 2021 | US | Original (Western Vinyl)

26,99 €*

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Release: 2021 / US – Original

Genre: Rock & Indie

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On his debut album Half Mirror, Matthew O'Connell superimposes warm analog synths onto self-described "confessional folk" with a simultaneously cosmic and earthly outcome. Tracked at home in the mountains of North Carolina using a vintage tape delay, electric guitar, and a self-designed synthesizer named `Balsam,' Half Mirror is at once a lonesome push-pull of electronics humanized by folk elements, and folk music made alien by electronic adornments. O'Connell's own story is just as captivatingly segmented. While growing up on a farm in Palmyra, Indiana, he became obsessed with metal drumming and spent most of his free time practicing in the garage, occasionally recording on four-track tape machines with his brother Joe (Elephant Micah). Reflecting on those formative years, O'Connell says, "I think that period instilled two things in me: a long attention span, and the ability to work obsessively on something in solitude." It's these monastic inclinations that helped form the spirit of Half Mirror. While in college, his interest in math led him to participate in a six-month intensive study program in Budapest, Hungary. There, he continued writing song fragments on a borrowed guitar and fiddling with musical electronics at the Kitchen Budapest_a collective of artists, theorists, and coders. In 2011, his interest in electronics and engineering led him to Asheville, North Carolina, where he worked for Moog Music calibrating and building synthesizers, and testing vintage analog delay chips by day. At night he would spend his time building homemade synths and writing songs. It was here in Asheville that he began the bulk of the work on Half Mirror, imbuing his music with the qualities of his environment almost by necessity. O'Connell made a deliberate effort to keep the album's production sparse. His interest in restraint stems in part from his love of albums like Nearly God by Tricky and Ghost Tropic by Songs: Ohia, both of which feature uncomfortably bare vocals and uncanny production that commands the listener's attention. Additional inspiration came from Mark Hollis' striking minimalism, and the freeform songwriting of Arthur Russell and John Martyn. Filtering the poetry of fractured, imperfect memories through a lush, yet sparse palette of sounds, Half Mirror evokes a profoundly moody sense of place: the fog heavy in the mountain peaks, the dew present on early morning walks, and the musky smell of rhododendrons in the air.

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Elephant Micah

Vague Tidings

LP | 2021 | US | Original (Western Vinyl)

24,99 €*

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Release: 2021 / US – Original

Genre: Rock & Indie

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Limited Editon Lp Format With Extra Heavy Textured Jackets And Metallic Silver Ink. Lp Includes 12" Square Insert With Lyrics And Images Of The Artist, And Download. The Raw Inspiration For Vague Tidings Came From A 2006 Diy Tour Of The 49th State. It Was A Trip That Went Off The Beaten Path-Sometimes A Bit Too Far For Comfort. Now, Over A Decade Later, Listeners Find Joe O'connell Aka Elephant Micah Stationed At A Creaky Spinet Piano, Singing About The Alaskansky. Throughout, His Lyrics Take A New Angle On A Pet Theme: Human Encounters With The Natural World. Vague Tidings Places These Encounters In The American West And, At Times, In Its Sci-Fi Corollary, Outer Space. Its Imagery Draws From The Allure Of Alaska, The Idea Of Western Prosperity, And The Human Relationship To Wilderness More Broadly. Often, O'connell Sings About The Goal Of Capturing And Commodifying Nature. In Poeticsketches Of Resource Extraction Industries And Dark Sky Tourism, Frontier Lust Runs Amok. Pipelines Catch Fire And Stars Disappear, All To The Tune Of A Stark, Uncanny Americana.Vague Tidings Is A Sustained, Hallucinatory Rendering Of This Theme. In Style, Its Eight Songs Follow A Switchback Path Between Foggy Incantations And Mountain Anthems. Made With A Small Cohort Of Acoustic Instrumentalists, The Record Is Rough Hewn, But Easy On The Ears. To Put Vague Tidings Down On Tape, O'connell Assembled Some Of His Favorite Musicians In Raleigh-Durham, North Carolina Area, Where He's Lived Since2015: Libby Rodenbough (Mipso) Bows And Plucks A Detuned Fiddle, Matt Douglas (Mountain Goats) Breathes Life Into Various Woodwinds, And Matt O'connell (Lean Year) Sets The Pace On A Two-Piece Drum Set. Their Loose, Imaginative Playing Pushes Vague Tidings Beyond The Singer-Songwritergenre Into Something Richer In Texture. Ultimately, This Is Foreboding But Spacious Music, With Plenty Of Room For Reconsidering Life On Earth. R.I.Y.L. Jason Molina, Bonnie Prince Billy, Bill Callahan, Damien Jurado.

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Logan Farmer

A Mold For The Bell

LP | 2022 | US | Original (Western Vinyl)

26,99 €*

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Release: 2022 / US – Original

Genre: Rock & Indie

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"It's going to be hard to talk about this when it's done." So begins A Mold ForThe Bell, the new album from Colorado singer-songwriter and producer LoganFarmer. What follows that enigmatic lyric is a collection of stark and ambientfolk songs, tethered solely by Farmer's unadorned vocals, acoustic guitar, andmoving embellishments from contributors, including saxophonist JosephShabason (who also mixed the album) and renowned harpist Mary Lattimore.With the help of Grammy-nominated producer Andrew Berlin (Gregory AlanIsakov), Farmer tracked all of the vocal and guitar parts over two days in theearly months of 2021. The tracks were recorded quickly, live in the studio tocapture the raw intimacy and immediacy of Farmer's live performances. Therest of the album's creation occurred remotely, over texts, phone calls, andemails with Shabason and a handful of other musicians, as wildfires, insurrec-tions and the pandemic raged around them."I was working at a bookstore that winter," Farmer explains, "and I'd walk to myshift every day, obsessing over lyrics and early mixes in a cheap pair ofearbuds." These daily walks would take him past a church, where he'd oftenstop on the sidewalk and listen to the bells at the top of the hour. "I've alwaysloved the sound of church bells, but as the situation worsened, what began asa comfort began to feel ominous, almost threatening." This experience, along-side influences as disparate as Tarkovsky's film Andrei Rublev and the novels ofOlga Tokarczuk, led to a collection of songs that are similarly foreboding,expanding upon the stark and spacious universe of Farmer's last album(2020's Still No Mother) to reveal an atmosphere that's even more oppressivelystill, like an abandoned Victorian home.

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My Brightest Diamond

Fight The Real Terror

LP | 2024 | UK | Original (Western Vinyl)

24,99 €*

Incl. VAT plus Shipping Costs

Release: 2024 / UK – Original

Genre: Rock & Indie

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A classically trained vocalist with a self-taught instrumentalist's spirit, Shara Nova has been releasing spellbinding music as My Brightest Diamond since 2006. Over the years, the band has released five groundbreaking albums, each showcasing a different musical landscape while always centering on Nova's distinctive voice.

Her journey took an unexpected turn in July 2023, when within hours of learning about Sinéad O'Connor's passing, a fierce storm plunged her Detroit home into darkness. As the city held its breath, Nova sat with her guitar, reflecting on O'Connor's iconic SNL performance where she repurposed Bob Marley’s "War" to address child abuse, urging viewers to “fight the real enemy.” Inspired by this act of artistic courage, Nova poured her emotions into a raw demo – the title track "Fight the Real Terror" – which opens the album in its original form.

Traveling from her home in Detroit to Chicago, Shara worked with Tom Schick at Wilco’s studio, The Loft, for five days. Initially expecting to re-record everything, she was surprised when Tom insisted on keeping the raw demo material. The week was spent overdubbing, with Shara playing bass for the first time, alongside pianos, guitars with gizmotrons, and re-amping some original guitar parts recorded in her studio. More than just a collection of songs; Fight the Real Terror is a call to action, and a testament to the transformative power of music. Nova's powerful vocals and genre-bending compositions are simultaneously intimate and expansive, urging listeners to confront their fears, embrace their vulnerabilities, and fight for a better world.

“Her wholly enveloping, finely tuned alto sounds by turns forceful, vulnerable, cooing, playful, and endlessly emotive.” NPR Music

“…percussive, jagged art-pop that explores themes of self- acceptance, sensuality, and community.” Pitchfork.

“...has a feeling for both the grandeur and the grain, building every sweeping gesture in her music out of a swarm of small details.” The New York Times

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