Electronic & Dance Tape 525 Items

Tape | 2024 | UK | Original (Lo)

Release: 2021 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Star Creature drops another mixtape featuring a 90 minute mix of private press disco, soul and boogie records from the Windy City. Selected and mixed by Boogie MUNSTER's own DJ Kool Hersh. A party banger AND an audio history lesson--some of these cuts ain't even on Youtube!! Get it!

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Galecstasy

Stone Flute

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Tape | 2024 | UK | Original (Om Unit)

Om Unit & Marta Pang

Acid Dub: Redux

King Gizzard & The Lizard Wizard

Release: 2024 / UK – Original

Genre: Electronic & Dance

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In Late 2023, Om Unit and Marta Pang were invited to perform a special performance at the Caixaforum in Barcelona. The invitees being ‘Lapsus’ who brought the pair together for a performance of 'Acid Dub : Redux’ as part of their Dnit series of events.

This cassette is a complete recording of the 45 minute session which consists largely of ‘ambient takes’ on some of tracks currently released from Om Units ‘Acid Dub Studies’ series, as well as some new material specially prepared for the show which featured live visuals by Marta Pang. Some clips of the visuals can be found in the 6-Panel full-colour J-Card booklet which accompanies the cassette.

‘Acid Dub : Redux’ is an unexpected tangent of Om Unit’s ongoing exploration of the 303-in-dub and features a more minimalist approach to the concept, using more of a sense of space to accompany the visual elements.

We hope you enjoy the recording as much we enjoyed performing it!

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Polygondwanaland

Tape | 2017 | EU | Original (Smash)

8,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Chicago Boogie Volume 2: This Love Will Last

Tape | 2022 | US | Original (Star Creature)

26,99 €*

Release: 2022 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Asylum Promises & Somnia Vera

Aima

Tape | 2024 | EU | Original (Spomenik Tapes)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Tape | 2023 | Original (Lex)

Yungmorpheus

From Whence It Came

Release: 2023 / Original

Genre: Electronic & Dance

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Tape | 2021 | EU | Original (Instruments Of Discipline)

Operant

Traumkörper

Tape | 2024 | UK | Original (The Tapeworm)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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As an outfit that has existed on the fringes of the club scene, Operant continues their willingness to break genre taboos and expectations with their debut LP, Traumkörper, exhibiting a hybrid vision of electronic and organic elements that gives rise to a sound self-described as somewhere between extra-terrestrial black-metal, singularity-sludge, proto-psy-trance, anime noise-core techno and auto-tuned trap-folk. These disparate methodologies are bound together by the conceptual elements that operate at the core of Operant’s thematic universe: the transcendence and destruction of the body, consciousness melding with machines and the manufacturing of new realities. As a blueprint to new forms, Traumkörper sets a path both disorienting and euphoric. Over the course of 11 tracks the Berlin based duo and operators of record label, Instruments Of Discipline, Luna Vassarotti (it) and August Skipper (aus) birth their dream-body, an unsettling soundtrack for the strangeness of our times. credits All songs written and mixed by Operant All songs mastered by Alain Paul Artwork Photography by Michael Italia Artwork by Operant

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Microcorps

Macrocorpse - 2021-2024

A State Of Trance Year Mix 2022

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Microcorps, Alexander Tucker's mutant techno alter ego, presents "Macrocorpse – 2021-2024", an 8-track collection of tracks that stray into a mutated space where techno-based composition inhabits the same space as microsound time scales, drone and noise. Regular Tapeworm collaborator Savage Pencil lends his warped graphic visions to the cover artwork.

"I'd always admired The Tapeworm from afar and over the years The Tapeworm and I would often bump into one another at gigs and enthuse about Derek Jarman." explained Tucker, "I'd amassed all these tracks, some of which I'd forgotten even existed until they asked me to produce a tape. Each track is made with a specific system I had set up on the modular rig. I'd have all these processes feeding back into each other creating these dense fragmented bangers."

Across the album, machine technology sits next to Tucker's own voice, processed through electronics and granular sampling. Vocals are pitched beyond recognition and delivered in a wordless constructed language that attempts to create its own alien landscapes. Tucker's aim is for each track to set a balance between structure and disrupting processes that feed off one another, where core rhythmic elements rub up against fried textures that fold in and out of each track. Always keen to marry electronic systems and acoustic instruments Tucker also employs cello layers which are resampled into sonic drone debris.

He expands "I often want to have my cake and eat it with these tracks. My idea was is to place my love of experimental techno, drone, music concréte and composition into each piece, where all these elements can weave through each other and produce a hybrid area"
Tucker is joined on final track PYN by Luke J Murray (Nonexistent, Stonecirclesampler, Liquid DnB-like Ambient Grime 2) adding his gauzy drones and electronic drift.

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Armin van Buuren

Tape | 2023 | EU | Original (Cloud 9)

25,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Tape | 2023 | EU | Original (Caiola)

Jungle

Volcano

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Tape | 2024 | EU | Original (Swims)

Robert Merlak

Potapanje Brodova

Tape | 2000 | UK | Reissue (Tru Thoughts)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Potapanje Brodova, Hrvatski for “sinking ships”, is a follow-up to Robert’s intricate 2020 album Finomehanika “wherein piano, field recordings and synths are made indistinguishable from one another”, as described by The Wire. The A-side on Potapanje Brodova is compiled and reworked from a soundtrack for an installation of the same name in Rijeka in 2005, about the Croatian port city’s post-war industrial collapse. The original hour-long soundtrack played on a loop during the month-long exhibition, and today resides on a USB stick housed in a rusty steel case with silver ship engraving—a limited edition of 1 copy that is now the property of Rijeka's Museum of Contemporary Arts. The B-side offers a monumental 25-minute prepared piano improv piece recorded in 2004, followed by Hodnik, a track from Finomehanika sessions.

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Bonobo

Animal Magic

Release: 2000 / UK – Reissue

Genre: Electronic & Dance

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For Barney, Who Was A Bad Dog, But A Good Boy, And Very Much Loved.

Dekalb Works

Tape | 2024 | UK | Original (29 Speedway)

18,99 €*

Tape | 2023 | US | Original (Not Not Fun)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Their newest release “For Barney, Who Was A Bad Dog, But A Good Boy, And Very Much Loved” comes from Brooklyn-based Dekalb Works (debut ‘Duologue’ on Where To Now? Records), the collaborative project of Austin Peru (Vision Fortune) & Daniel Creahan (Sweat Equity / Alien D).

The release summarizes a series of experimentations between live performance contexts and sample-heavy collage work. Since starting their residency on Radio alHara, Dekalb Works found themselves drawn to the act of performing, whether as a live act or DJing, and the space between these two often overly rigid modes.

“For Barney…” draws heavily on the sonic palette of American country and western music, treated through the lens of heavy studio processing and the production techniques of dub, ambient, and trip-hop. Recording hours-long live improvisations with guitar, piano, or drum machines and samplers, they pillaged these sessions as source material. Whereas previous work focused on the voice and the interaction of text, voice and music, these recordings pulled from the sounds of musicians playing together in a room. The arrangement process remains the same, chopping and manipulating small samples and momentary gestures into dense, rhythmic collages.

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Drapizdat

Myth

Tape | 2024 | EU | Original (Kashual Plastik)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Drapizdat is the umbrella banner for Russian producer Vladislav Godzevich’s rogue gallery of musical identities. Its name derives from a fusion of samizdat (illegally reproduced publications of censored materials within repressive regimes) and drap (slang for marijuana; an early beat music alias was Papa Drap), which aptly evokes his ethos of covert altered state transmissions. МИФ presents a constellation of tracks spanning five projects, four years, and 73-minutes; taken together it fully delivers on the hidden acronym of its title: M = music, И = elected, Ф = fragments [combined = ‘Myth’].

Each entity spelunks its own vibrant catacomb: Сам Себе Па (“tropical industrial 5th world dada”), Ито Кумаре (“metaphysical ambient music”), Jeans Escape (rhythmic liberations from reality), Reather Weport (“free form music of the spheres, vibrations beyond the universal caves”), Drapula (“black moon feasts on the blood of soul and funk”), Клаксон Гансон (“psychedelic ethno-mutant punk”).

Godzevich describes his process as a metamorphosis, created at night, “with minimal light.” Percolating loops of percussion, texture, and melody, summoned into warped trances of alien grace. Elements align and obscure like celestial phenomena half-glimpsed, half-dreamed: “I plunge deeper and deeper to gather golden sand from the bottom of time and show it to the world, building islands in this dilapidated world.”

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Die Tödliche Doris

Im Bausatz

29,99 €*

Tape | 2023 | EU | Original (The Trilogy Tapes)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Hand-numbered edition, 250 copies signed by Wolfgang Müller, with download code.

Die Tödliche Doris were always an outlier, a performance art / music project that originally surfaced in early 80s Berlin, on the outer reaches of the post punk / new wave scene that included acts like Einstuzende Neubauten (Collapsing New Buildings) and Deutsch Amerikanische Freundschaft.

Inspired by post-structuralism and modern / post-modern philosophers, they deconstructed the accepted popular format of both the mainstream and the underground with their second release, "Chöre & Soli". To confound the vinyl obsessives of the day, what appeared to be an LP box-set, in fact contained eight tiny plastic toy-records, with their own player. Each disc contained 20 seconds of low grade sound. "We want to become the most independent band of all independent bands–even independent from a usual record player." Wolfgang Müller stated "But also independent from music reviews and critics, which want to put you in her sound- and identity-system."

Kashual Plastik take up Müller's dogma and re-present it for our times, where these issues seem only more compounded. Once again to flummox their audience, old and new, the tape comes as a kit of separate parts with assembly tool - a mini screwdriver. You can listen with the download code as you work. Now that's what I call outsourcing.

The Kashual Plastik tape, digitally enhanced, features contemporary producers including, among others: Aaron Dilloway, Brandstifter, T.V.S.T., Hugo Capablanca, ML, Beau Wanzer, Nika Son, Laura Not, or Saskia Lavaux. They followed a call from the modern-day social network spheres, where Die Tödliche Doris asked the world to reshuffle some old original tape recordings. Out of the millions of submissions, Doris selected works that together shape the Doris of today for a brief moment of time.

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Rs Tangent

When A Worm Wears A Wig

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Tape | 2013 | US | Reissue (Important)

Pitreleh

Good, You're Here, It's Time

Release: 2013 / US – Reissue

Genre: Electronic & Dance

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Originally released in 2013, this full length collaboration from Duane Pitre and Eleh is now available on cassette. Pitreleh use high resolution analog and digital tools to create music utilizing natural vibrations and harmonics as rhythm and melody. Inspiration is drawn directly from vibrational waves (sound, gravity, water). The electronics, of which both pieces are constructed, are tuned using pure intonation which utilizes the prime numbers: 1-3-5-7. The debut live performance of Pitreleh was recently presented at the Issue Project Room in Brooklyn as well as the Museum Of Contemporary Art in Cleveland.

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Malasso

Tape | 2022 | US | Original (100% Silk)

Biophilia Orange Colored Edition

Release: 2022 / US – Original

Genre: Electronic & Dance

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Rogue romantic Maltese producer Salvatore Munzone describes his debut in terms both scenic and star-crossed: “Love songs and heartaches conceived under the year-round Mediterranean sun, to be heard in a beach parking lot, sitting in the car watching the movement of the sea while the music pumps from JBL speakers.” Good, You’re Here, It’s Time collects 10 tracks of mood system house, proto-techno, and refracted poetics recorded and mixed in fits and starts across the past three years, accruing complexities and contradictions along the way. Lean rhythms trace sunset coasts of club bass, seagull synths, and twilit pads, laced with vocal samples of rapture, doubt, and the need to dance. Munzone cites UK revisionists from Actress to Swayzak to Burial as oblique touchstones but his own sound inhabits a woozy world all its own, attuned to asymmetries, subcurrents, and the sand in the hourglass slipping softly past: “All good things come to an end.”

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Björk

Tape | 2019 | US | Original (One Little Indian)

Release: 2019 / US – Original

Genre: Electronic & Dance

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Tape | 2024 | EU | Original (Stroom)

Temir Alcy

Tape | 2024 | US | Original (Important)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Temir Alcy (producer Enir Da - Dali Muru & The Polyphonic Swarm and multi-instrumentalist Charles Lmx) is at the junction of spherical textures of acoustic clouds and shapeshifting forms of immersive electronic percussive patterns. By intertwining etherionic atmospheres and organic moods to magnetic and hypnotic rhythms, Temir Alcy explores the mysteries of the future and the unknown through a journey of sensory trance, where whispers and melodies of voices strike a vivid contrast between emotions’ fragility and sound’s solidity enhanced by a downtempo, leftfield and erratic kraut’s feel.

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Alexandre Bazin

Therapy

Tape | 2023 | EU | Original (Cassauna)

Release: 2024 / US – Original

Genre: Electronic & Dance

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»Therapy« is a new experimental electronic music album by Alexandre Bazin that explores musical reasearch on the edge of ambient music, with a reminder of classical music. His instrumental music revolves around sonic textures, saturations, feedback, allowing new fragments to emerge to create melodies, timbres and tone colors. The saturated sounds recall the presence of the electric guitar, encompassing orchestral materials and acoustic instruments which are the basis of this album, with the exception of the first two tracks, which are solo synthesizer pieces, the first one that opens the album is a solo by Synthi A, and the second by Buchla Music easel.

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José Orozco Mora

Sucesiones

Lorena Alvarez & Alejandro Palacios

Release: 2023 / EU – Original

Genre: Electronic & Dance

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»Sucesiones« is a compilation of studies written for 53 equal divisions of the octave (53 Edo). This tuning temperament was selected after analyzing the work of Mexican researcher and visionary Augusto Novaro, one of the microtonal and just intonation pioneer theorists. Novaro claims that 53 EDO is one of rich musical qualities, which has good approximations to the harmonic series. The use of simple textures such as sine waves was a conscious decision, this in order to maintain the focus on the relationship between the frequencies and the possibilities this tuning allows, that fluctuate from aggressive beat frequencies to pure intervals

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Paisajes Para Torcer Al Reloj

Tape | 2023 | US | Original (Not Not Fun)

Zen Koans For Subway Commuters

Release: 2023 / US – Original

Genre: Electronic & Dance

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Paisajes Para Torcer al Reloj (“landscapes for bending the clock”) is a collection of six collaborative improvisations between keyboardist / DJ Lorena Álvarez and multi-instrumentalist Alejandro Palacios recorded at the Nieve & Smog arts residency in Santiago, Chile in the spring of 2022. Theirs is a wispy, whispered chemistry, softly thrumming Rhodes laced with trumpet, guitar, and golden dust. The pieces unspool with a daydream logic of “hazy clocks and floating doors,” inspired by the holy trinity of Hassell, Riley, and Cherry.

Both Álvarez and Palacios have carved eclectic bodies of work – the former as part of minimalist dance trios Cuerpo Docente and Los Bárbara Blade, the latter via psychedelic lounge-dub suites for Nonlocal Research. Yet Paisajes finds their common ground in more hushed, hidden terrain. Lulling, electro-acoustic landscapes of texture and resonance, shaded in wood, brass, and batteries, flowering at late hours in dimly lit rooms.

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Personas

Tape | 2022 | UK | Original (Personas)

Tape | 2021 | EU | Original (Past Inside The Present)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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It’s 2013 in Tokyo. The second worst heatwave in Japan’s history blazes across the land of the rising sun, the Democratic Party of Japan have lost control of the Tokyo Metropolitan Assembly to the Liberals and somewhere on the subway Nic (Pleasure Cruiser) and George (Smoke Thief) are meeting for the first time. Nic (Chinese-Irish producer with releases on High Hoops, Step Recordings and a participant of Red Bull Music Academy) and George (Tokyo based soundtrack producer and saxophonist with an MA in musical performance) brushed shoulders on the Tozai Subway line, got to talking and have been best friends ever since. The pair created the production duo of Personas – an ambient, soundtrack-leaning moniker – and have been quietly working on their debut album – Zen Koans for Subway Commuters, which features a special collaboration with Japanese electronic composer Soichi Terada under his Omodaka alias – an album that very much does what it says on the tin. Zen Koans for Subway Commuters plays out like the listener's own personal cinematic experience. It’s easy to draw comparisons with the lonerism scores of Tokyo based films such as the Scarlott Johanson and Bill Murray starring Lost in Translation (2003). There’s an isolated aesthetic to the album. It captures the melancholy and freedom that comes with a commute; catching the meditative relief of travel and channelling it into an inner-main character episode as we hurtle to and fro. Floating from the beatless, contemplative pads of ‘Elevation’ to the live-sax of ‘Northside Hibiya Sen’ and the heavily field-recorded experimentation of Ayako and Omodaka’s collaborative ‘Shuuten’, Zen Koans for Subway Commuters maintains it’s interest throughout thanks to it’s variety of ambient sonics and real-life manifestation. Footsteps from heeled shoes clip-clop across sterile white tiles, trains rattle as they pull into the station, voices call out in greeting to friends and loved ones. It’s a trip in every sense of the word, a form of meditative therapy designed to think about nothing or think about everything. Featuring live recordings from the pair's ventures throughout Tokyo, Personas have crafted a mesmerising debut album that pulls on the heartstrings whilst maintaining a complete sense of freedom. Getting on the train to go anywhere is exciting, not just because of the destination, but because of the liberation that comes with sitting down, reading a book or listening to music and knowing you can't do anything else apart from that for a few hours. Intimate, subtle and cinematic, it’s the perfect soundtrack to get lost to.

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Color Of Time

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Color of Time is a long distance, ambient and drone project featuring Kevin Sery (From Overseas) and Nick Turner (Tyresta). Created with guitar, synthesizers, Mellotron and effects, their music focuses on themes of impermanence, loss and the impact that humans have on each other and the planet.

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The Mixtapes: Volume 2 Mixed By DJ Ghost

Tape | 2022 | EU | Original (Bonzai Classics)

22,99 €*

Tape | 2022 | UK | Original (Amra)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Our next mixtape features a superb, tight blend of some of the very best tracks to fly out of the speakers at the Cherry Moon Club. At the helm we have DJ Ghost, spinning the grooves to take us on a journey through the ages, through the genres, from twisted acid concepts to hypnotic trance and gut busting hardcore. Ghost aka Bjorn Wendelen has been a stalwart for us at Bonzai since the very early days. He’s delivered several cuts for us over the years and has branched out with his own Ghoststyle brand with great success. The famous Cherry Moon was and remains one of the biggest names in Belgian club-life, with 30 years of embracing club culture. Since the start in 1991, they have brought the best techno, hard-trance and house to the scene. During the 90's and early 00's, Cherry Moon was the place to be for clubbers from all over Belgium, France, the Netherlands and even other European countries. Housed on classic K7 tape, this comp features a host of tracks from the likes of DJ Ghost, Insider, Body-Shock, DJ Looney Tune, Jones & Stephenson, Push, Blue Alphabet, Final Analysis, Joyrider, Dreamland and more. So, dust off your vintage cassette machine and prepare to be blown away by the sound of Cherry Moon.

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Amra

Hills/Demons

Tape | 1972 | EU | Reissue (Grönland)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Amra, the collaborative project between Paul Purgas (Emptyset) and artist and filmmaker Imran Perretta, continue their excavations into syncretic mythologies, diasporic echoes and ancient rhythmic talas. hills/demons ruminates on spectral landscapes whilst bringing together a wider group of collaborators, forming a collection of dense percussive polyrhythms alongside sitar improvisations from British-Pakistani multi-instrumentalist Nabihah Iqbal and guest vocals from Bangladeshi singer Sohini Alam. Developed for a performance with the London based commissioning platform Artnight, the release expands on Amra's exploration of archival traces and the struggles that marked South Asia's partition, summoning alternative histories and the echo of ancestral voices.

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Neu!

19,99 €*

Release: 1972 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Tape | 2024 | UK | Original (The Tapeworm)

Runar Magnusson

Inside Out Of Chaos

Tape | 2023 | US | Original (100% Silk)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Runar Magnusson is an Icelandic/Danish sound artist and musician, currently based in Austria. With a masters degree in Electronic Music Composition from The Royal Academy of Music, Aarhus, Denmark, he is inspired by the sounds of nature, noise, and meditation. Magnusson specialises in atmospheric disturbances through minimalist compositions. A sly humour cuts through the dark hues of his works.

Magnusson writes: "The two works which make up "Inside Out of Chaos" are somewhat related. They were made at the same time and share the same source materials somewhat – a pool of sounds I had been experimenting with for a couple of years. Two separate projects created the opportunities for me to realise them in these finished forms.

At the beginning of 2020 I was invited to participate in an acousmatic concert series at the Traktorfabrikken in Vienna. Curated by Austrian composer Christian Tschinkel and performed on his Akusmonautikum sound system this particular event, titled Kill & Kaoss, was the last in the series. I named my piece after the event and dedicated it to Tschinkel´s Akusmonautikum system. Without my knowing, I had witnessed this system in action half a year earlier at a concert at the Hermann Nitsch Museum in Mistelbach, with Hermann Nitch playing the organ and Tschinkel operating the sound system – a profoundly enjoyable performance. I was very happy when I connected the dots soon after the invitation to participate. I intended my work for Kill & Kaoss to be a way to greet the new lunar year of the rat – a year which held many surprises… The event took place on 22nd of February 2020 at Traktorfabrikken, Vienna.

"Inside Out (for Trattner)" was composed for Austrian artist Josef Trattner. It was the soundtrack for a film that was a part of his exhibition "Inside Out" at the Kiesler Foundation in Vienna, 2020. I assisted with the installation of the exhibition, itself a filmed action that evolved into the movie of which this is the score. The installation was a very hard physical process that left me bloody and blistered. It was also a fascinating, trance-inducing experience. Mining with ones bare hands, digging out this huge structure and creating a womblike cave, a tunnel system, a playground, a hideaway while experiencing ever-increasing pain in the fingers and hands. The exhibition ran from 27 February 2020 until 23 December 2020.

I consider this release as the final part of a trilogy I refer to as "the three sisters of sorrow". These three releases are an insight into my state of mind at the time – a mental collapse, somewhat triggered by a move to a new country, the death of my friend Jóhann Jóhannsson and the loss of my father a year later. Between 2018 and 2021 I had the trilogy almost ready but had not been able to finish them. I sought professional help to lift me up from the deep and was diagnosed with Adhd, which explained many things in my life. Only after the darkness had lifted could I see that these three releases were connected. They depicted both the mental state I had been in – an incapacitating downward spiral, a crushing chaos – and also my search for the light, a way out of the maze and my path up to the surface."

Runar Magnusson, Vienna, 13 November 2023

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Cport Cistema

Say It

Tape | 1969 | EU (Radiation Reissues)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Lithuanian producer Simonas Činga debuts as Cport Cistema with a 7-track slate of low-slung steppers, melancholic jack, and baggy breaks, born of the struggle “to say whatever comes, to speak up – to say it.” Recorded across the past two years largely in Kaunas, the songs swell and swirl with kinetic dreams from city streets in uncertain times.

Crisp rhythms cut through cold air, laced in bass, breath, and samples both vocal and cinematic. It’s music of atmosphere and anticipation, attuned to heady heights just beyond the horizon. The spirit of Činga’s heroes (Vynehall, BoC, Djrum) echoes through these mixes but ultimately their motion and emotion maps a world unto itself – elevated, liberated, forever freshly coming into focus.

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Tangerine Dream

Electronic Meditation

Tape | 2019 | EU | Original (PRSPCT)

Release: 1969 / EU

Genre: Electronic & Dance

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First major release and first studio album by German electronic music group Tangerine Dream. Recorded in a rented factory in Berlin in October 1969, using just a two-track recorder. As described back then by Sound magazine "free electronic rock", it features conventional instruments such as guitar, organ, drums, custom-made and found sound such as such broken glass, burning parchment, and dried peas being shaken in a sieve. An all-time milestone in music history.

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Apzolut

Lost EP Feat. Goatzak

Armand Van Helden's Sampleslaya

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A download code is included. Apzolut & MC Goatzak are two brothers with a pretty damn unique background. These viking brothers measure over 2 meters in height each and most women out there wish they had long hair as good as them. Meeting them for the first time we expected them to come from somewhere near the fjords of Norway, but this turned out to be seriously mistaken.

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Enter The Meatmarket

Tape | 1998 | US | Original (Ruff House)

8,99 €*

Tape | 2024 | JP | Original (Zouen Keikaku)

Release: 1998 / US – Original

Genre: Electronic & Dance

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Original pressing with small coutout.

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After Dark Tour

18,99 €*

Scenery From Double Glazing

Release: 2024 / JP – Original

Genre: Electronic & Dance, Reggae & Dancehall

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The new release from Zouen Keikaku, an independent label that has released works by Ooyamada Daisanmyaku and Yaryu, among others, that made a splash at last year's RSD and Record Day Japan. This is the second collection by Tokyo electronic musician, Yo. The sharply polished post-industrial sound tangles the feet that line the dance floor and interrupts their dance steps. The dub-derived heavy bass swings aimlessly, crawling around like a snake with bizarre sound textures that cannot be enclosed in any musical genre. A DL code for "B," a special collection of remixed and unreleased sound sources, is included along with a mini booklet that resembles a sightseeing pamphlet.

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G Version III

Tape | 2024 | UK | Original (Digital Sting)

Tape | 2023 | US | Original (100% Silk)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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G Version III from Kyoto Japan arrives on Digital Sting via a correspondence going back a few years that grew out of mutual musical connections and a deep appreciation for the Jamaican soundsystem diaspora. G Version grew up with a love of Hip Hop, R&B, and Reggae and had a musical revelation at a Lake Biwako sound clash event as a teenager that was formative in spurring a deeper dive into Dancehall and soundsystem culture. After some time spent studying in the UK and returning to Japan, working at Jet Set records along with meeting heavy weight producer Element the beginnings of her future musical output began to take shape. Downtime during the pandemic provided the time to concentrate on production. G Version's sound has a retro futuristic feel, equal parts Dancehall history and esoteric dub leanings, particularly in tune with the more experimental branches of 80's-90's UK Dub and Steppers. Influences being stated G Versions sound is thoroughly distinct and imaginative, not content to conform to any obvious genre tropes. Also included in this release are two dubs of G Version tracks by Digital Sting mainstays Feel Free Hi Fi.
G Version III- Scenery From Double Glazing DS008 Digital Sting Records

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Pleasure Model

Multiplicative Gain

Recordings 1987-1991 Volume 2

Release: 2023 / US – Original

Genre: Electronic & Dance

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Bristol cyber-brutalist Pleasure Model presents their 4th Silk set of blueprints for business techno technocracy: Multiplicative Gain. Recorded in the wake of a recent relocation to the eastern seaboard, the album leans deeper into the project’s cracked corporate ethos of stock synths, mechanized rhythm, and boardroom acid, buying low and selling high.

BPMs trace the pulse of the markets, named for generative AI slogans not yet unveiled. Driving, delirious, devoid, decadent – it’s music as offshore shell account, housing subtexts and sleights of hand just out of reach, like fluctuating futures scrolling across a skyscraper in a city of dreams.

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Valentina Goncharova

Tape | 2022 | EU | Original (Shukai)

Tape | 2023 | EU | Original (Dauw)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Cass (45) Ukrainian/Estonian archival label Shukai return with an unmissable second haul of Valentina Goncharova's un-real synthesis of 4th World, electro-acoustic, noise and new age tropes -highly recommended to disciples of Pauline Oliveros, Deathprod, Daphne Oram, Michael Ranta, Keiji Haino, CC Hennix.

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Arovane

Seismograf

Tape | 2024 | US | Original (100% Electronica)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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In line with his recent body of work, Uwe Zahn bundled minimal compositions telling narratives situating in the melodic realm of ambient music. On first sight, it seems common that one can enter or construct such stories through the melodies these compositions offer. However, melodies never stand on their own – maybe only theoretically – but in fact truly reveal their magic through the sonical context they’re embedded in. To Zahn, a crucial part of his practice is all about this latter notion. Finding the sweet – and sometimes hidden – spots in sound-design that allow him to express the narratives he wants to share. »Seismograf« could be seen as an ode to this exploration and devoted to the practice of listening - to hear sounds that are otherwise inaudible.

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FM Skyline

Images

Release: 2024 / US – Original

Genre: Electronic & Dance

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Tape | 2024 | UK | Original (Diskotopia)

Fujimoto Tetsuro & Rgl

Bring Me / Destiny

Tape | 2024 | UK | Original (Never Sleep)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Fujimoto Tetsuro returns to Diskotopia eleven years after his popular Sketches of the Other Tokyo EP. This time he teams up with fellow Cosmopolyphonic-associated Tokyo-based producer RGL for an exciting split EP.

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Joker

Live At Sonar 2009

19,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Never Sleep charity tape series continues with a legendary recording from the world famous Mary Anne Hobbs stage at Sonar Festival. UK phenomenon Joker encapsulates the era perfectly with his signature "Purple" sound and Dubstep sonics. A rowdy late night work out of his own productions, a rare dub from Skream, Bristolian funk from Gemmy and classic Mala. Hosted by an enthralled Gaslamp Killer and beautifully captures the feeling of the infamous stage. Timeless, cutting edge and a slight hint of nostalgia for any Sonar Festival aficionados. All proceeds go to Bristol based charity “The Cause" who help young locals in the creative arts.

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4CD | 2024 | EU | Original (541.0)

La Bush 30 Years

23,99 €*

Post Pink Colored Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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La Bush (Temple of House), the Mother of all Clubs, is celebrating its 30th anniversary (1994 - 2024). We are delighted and honored to announce the simultaneousrelease of a 4CD Digipack (36 Tracks) - compiled by Mr Sam.

All tracks on the album feature their original full-length versions, exclusively remastered for this release. This unique compilation is not only a selection of the best tracks that defined La Bush as a legendary club with a distinctive sound but also serves as an ode and tribute to the golden era of Trance and progressive music in the late '90s and early 2000s - the renowned Golden Age!

On this album, you'll find contributions from iconic artists who left an indelible mark on history, including Sasha, Laurent Garnier, Luke Slater, Yello, Nalin & Kane, Delerium, Solarstone, BT, Oliver Lieb, WestBam, Jens Lissat, and Mr Sam, among others. Listening to the CD album is like watching a film: CD 1 (after-hours Heaven) showcases the best vocal and melodic tracks that made La Bush's After Hours legendary. CD 2 (progressive Golden Age) focuses on the timeless gems of the golden age of progressive music. CD 3 (rhythm Climax) transports you into the heart of a typical night at La Bush, where intensity is at its peak. CD 4 (timeless Anthems) concludes the journey by bringing together the greatest anthems that originated at La Bush, defining its incomparable atmosphere.

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Björk

Tape | 2019 | US | Original (One Little Indian)

Release: 2019 / US – Original

Genre: Electronic & Dance

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Tape | 2022 | EU | Original (Bigamo)

JakoJako

Metamorphose

Tape | 2017 | US | Original (Sound Signature)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Regardless if you immediately associate the term metamorphosis with any kind of evolutionary adjustment, with shapeshifting, the complex transformation of music or if you simply think about the distinctive mark the last two years have left on basically each and everyone of us, it’s easy to agree that “Metamorphose“ is just the perfect title for JakoJako’s debut album for Bigamo.

While others fell into a state of shock, JakoJako has made perfect use of the compulsory extra studio time regulated by the pandemic, developing and specifying a sound she instantly attracted attention with, as soon as she entered the scene in 2019 with her release on Leisure System.

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Dego & Kaidi

A So We Gwarn

Tape | 2024 | US | Original (Not Not Fun)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Sound Signature celebrates 20 years with an LP from Dego & Kaidi.

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Yayoba

A Maze Of Glass

Tape | 2024 | US | Original (Sound Signature)

Release: 2024 / US – Original

Genre: Electronic & Dance

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4th-world fusion trio Yayoba triangulate warped constellations of electronics, woodwinds, hand percussion, and field recordings via their respective bases in Brighton (uk), Turku (fin), and Wiesbaden (de), coaxing a sound they describe as “like a beam of light passing through translucent glass walls in a labyrinth.” Comprised of legacy experimentalists Paul Wilson (F. Ampism), Jani Hirvonen (Uton), and Johannes Schebler (Baldruin) – the latter two of whom also moonlight in “crypto-botanical” electro-acoustic unit Grykë Pyje – the group operate spontaneously and post-geographically, file-sharing sketches, textures, and FX until an alien synergy takes hold.

A Maze Of Glass collects 16 of the project’s headiest and most hyper-sensory improvisations into a 47-minute microcosmic odyssey of fractal, radiophonic exotica. Circuit-bent devotionals dovetail into pixelated mists; diaphanous lifeforms lurch through psychoactive caverns; cybernetic miasmas dance and dissipate. It’s music both placeless and perplexing, undulating and uncanny, hieroglyphic transmissions echoing from the depths.

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Specter

Brutus

Bardo Todol & Robert Millis

Release: 2024 / US – Original

Genre: Electronic & Dance

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All music by Andres Specter Ordonez Illustration by Sean Linn Graphics by Thomas Xu 2023 Whobody Publishing BMI

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A Magnetic Road To Hell

Tape | 2022 | EU | Original (Sucata Tapes)

One Weird Tip / Funkytown

Release: 2022 / EU – Original

Genre: Electronic & Dance

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“A Magnetic Road to Hell” is Robert Millis and Bardo Todol’s first release as a duo. Recorded transcontinentally throughout 2021 and 2022 they traded sounds and ideas between Cordoba, Argentina and Seattle, USA with a stop in Mexico along the way: screamings, rivers, kids, radios, mellotron, records, 78rpm shellac, wax cylinders, field recordings, birds, electronics, guitars, percussion, haze, static, a destroyed Indian piano, talkative violins, talkative people from the 1920s, talkative black and white dreams, tin cans from the streets, Argentinian children's tales about cows being teachers, and more. You’re riding on an unspooling reel of tape, through sounds real and imagined, the tape flapping dangerously, shredding; we are all of us magnetized, attracting together, pushing apart, unwinding onto the floor, stumbling along the road to hell. Robert Millis and Bardo Todol have each released music on many different labels: Sublime Frequencies, Dinzu Artefacts, The Helen Scardale Agency, Discrepant, Abduction Records, Dust-to-Digital, Fire Breathing Turtle, Sub Pop, and Ikuisuus.

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Lemon Demon

Tape | 2023 | US | Original (Needlejuice)

Tape | 2024 | UK | Original (Peak Oil)

Release: 2023 / US – Original

Genre: Electronic & Dance

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•7" vinyl •Lyric insert •Blue and pink swirled 7" •Download card

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Low End Activist

Airdrop

24,99 €*

Tape | 2024 | UK | Original (Acroplane)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The latest by UK rave reanimator Low End Activist is a nine-track suite of skeletal hardcore, pointillist drum n bass, and deprivation chamber dub, chopped and brewed in homage to the countryside sites of golden age dance gatherings: Airdrop. From Waterstock to Yarnton Road to White Horse Hill, England’s early 90’s dance summits loomed large in LEA's familial and artistic landscape as a youth, trading tapes and pumping tunes across long weekend afternoons: “Fast music to soundtrack slow days.”

An atomized stew of stabby samples, bubbling bass, airhorns, echo, and blitzed BPMs, the cuts take cues from key heroes of the “where were you in ‘92” set – Tango & DJ Ratty, Top Buzz, DJ SS, DJ Seduction, Dr. S Gachet – then fling them to the four corners. Skittery, stripped, and elevated, this is mad scientist music of voltage, vision, and rewired brains, scraped to its raw genetic essence and deployed for peak kinetic liberation.

Collage by Clayton Burke. Mastered by Joshua Eustis.

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Brain Rays

Slime

Osculating Elements... / My God Is Every Bird

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Benjamin Hudson returns to Acroplane, following his last projects with us as Ebola (Wrong Music) and one half of Baconhead, with 'Slime'… and he's brought a load of his talented mates to collaborate with him.
Artwork by Everything Alllways
Mastering by James Forde Stewart @ Sorting Room Studios.
Brain Rays is part of queer collective, Doomscroll, and Devon art & party crew, Bizarre Rituals. He is also a co-founder of Wrong Music alongside DJ Scotch Egg and Matt Lambert (Roger Species).
Known for his hectic, high pressure output with Quiet, and film soundtrack work (as part of Unknown Horrors) collaborating with director Dean Puckett (The Severed Sun, The Sermon, Satan's Bite) and Rhys Chapman (Wonderkid). As a DJ he has performed all over the world, including Transmediale Festival (Berlin), Today's Art (Den Haag) and Boomtown Fair, as well as two live sessions at Radio 1's legendary Maida Vale Studios. As a producer he has garnered support from the likes of Mary Anne Hobbs, Etch, Huw Stephens, Drumskull, Annie Mac, and Nikki Nair.

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Wanda Group

Tape | 2024 | UK | Original (U G Organic Throat Blower)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Tape | 2024 | UK | Original (Felt)

Mother

Live 23

Tape | 2022 | EU | Original (Al Dente)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Side A was recorded live at The Old Hairdressers in Glasgow on 22nd April 2023. Side B was recorded live by Murray Collier at La Chunky in Glasgow on 2nd June 2023. Mastered by MHM at RAD.

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Alex Puddu

Private

22,99 €*

Tape | 2024 | EU | Original (Beyond The Bridge)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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The journey gives your senses a taste of a future groove, erotica and nu-disco exploitation. With Private Alex is stepping forward musically into a new club direction, bringing a fresh sound to the production with retro drum machines, synthesizers, house piano, and killer funky basslines. Open the door and walk through the secrets of the night with ”Submission”, ”Blue City Club”, ”Dark Room”, ”The Visitor” and the singles ”I Feel You”, ”Attraction” and ”Odyssey 9000”.

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Live At Worm Turns

Tape | 2023 | US | Original (Deathbomb Arc)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Beyond the Bridge is excited to welcome a novel sonic experience to the roster with the debut of Australian artist gi. Capturing the essence of live experimentation, this release was recorded at the Worm Turns festival in 2023. It charts an immersive course through the uncharted territories of drone, IDM, and techno. Each track is thoughtfully selected, guiding the listener on a profound journey marked by peaks of intense emotional release and valleys of serene recuperation. Dive into a meticulously crafted soundscape that promises to enrich and challenge the auditory senses.?

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Bbbbbbb

Shin God / Oh Sawagi

Tape | 2023 | US | Original (New Retro Wave)

Release: 2023 / US – Original

Genre: Electronic & Dance

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As close to the sound of being electrocuted as possible, Bbbbbbb from Okazaki, Japan recklessly shred all genres into pure energy turning them into some of the noisiest hyper-hardcore to scorch the planet. This trio will be releasing their 2nd album, 'Positive Violence', on Deathbomb Arc in August and to celebrate we're launching things with the release of a double single including two tracks from the album (including 'shin God' with a music video directed by Botsu of Dos Monos), three non-album tracks and one cassette exclusive!

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Deadlife

Mortal Sojourn

Tape | 2024 | UK | Original (Bruk)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Pulled straight down, deep beneath the twisted megastructures of the Lost, in search of an unreachable answer. To turn his back on everything, and pay the ultimate price.

Disappearing into a dimension of unknowable size where time ceased to exist, his mind fractured into pieces.

Embraced by reflections, old voices, memories and nightmares disguised as dreams, he vanished.

The Void takes many forms.

Who knows what you’ll witness, where souls come to bear their all.

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Hoyah

Set + Setting

Volta Red Colored Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Utilising a mammoth bank of saxophone samples, Shmuel Hatchwellpresents his new alias hoyah with an engrossing album captured in tape and digital form on Bruk. The process leading to Set + Setting started out with a need for limitations to provide some focus for long-serving sound engineer and producer Hatchwell. He set out the following guidelines to accompany the overarching idea of 'set + setting': No 'beats' Saxophones are the voice Stay away from the computer for as long as possible Hatchwell took a deep dive in search of every saxophone sample he could find, threw them all into his MPC and then proceeded to weave together a variety of pieces. The focus on a particular instrument brings cohesion to the album, but equally the limited sound inspired freedom to experiment with other techniques and tools. At times one or two sax voices sound naked and undisturbed, while elsewhere you might only hear jagged shards or distant ghosts as they pass through aggravated processing. Beyond the sound itself, the name hoyah was born with the flippancy of the 21st Century and ratified by ancient tradition. After the music had been made, After the music had been made, Hatchwell plucked the name out of thin air as a play on the TikTok meme 'can I get a hoya,' and subsequently discovered on a dive into his Jewish heritage that in old Hebrew hoyah means, 'to be, become, come to pass, exist, happen, fall out.' This distinction between Jewish concepts and modern political conflations is important to Hatchwell, who finds himself consistently having to separate Judaism from the situation in the Middle East and its ongoing genocide. Subtly calling to mind the understated cosiness of real-life sax players like Sam Gendel as well as the fragmented sample manipulation of Matmos and Tim Hecker's approach to processed noise, hoyah's debut album absolutely manifests an idea and musical practice as something new and intentional

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Björk

Tape | 2019 | US | Original (One Little Indian)

Release: 2019 / US – Original

Genre: Electronic & Dance

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Tape | 2022 | EU | Original (Osàre! Editions)

L/F/D/M

Gold Like Glass

Tape | 1986 | US | Reissue (Light In The Attic)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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L/f/d/m, aka Richard Smith, makes his debut on Osàre, exploring the more delicate side of his intoxicatingly abrasive sound. Gold Like Glass is razor-sharp and elemental, with each track cast from long passages of synth dissected into heavy edits. According to Smith, this composition process is akin to printmaking, where the ink on a series of images deviates from the original stencil, becoming looser, softer and increasingly ghostly. ‘After Whitney’ is haunted by peak time rave energy; the drums are disembowelled, leaving a rolling climatic melody, utterly euphoric and disorientating. The track is followed by ‘Blood Byze Leech,’ a thunderously jagged affair, and ‘Delicate Push’ that fizzles like an electrified spinning-top, its frozen melodies accompanied by a lolloping beat. Turning over to the B-side, ‘Plute’ winds its way into dark psychedelia while ‘m-two nine’ descends into the realm of mutant de-accelerated bleep techno. Combing the ciphers of hardcore, its cruxes and suspense, with the serrated edge of minimal synth EBM, Gold Like Glass presents an
alchemical fusion of deeply danceable and cerebral noise.

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Hiroshi Yoshimura

GREEN

Temporary Requiem - A Mass For Dance

Release: 1986 / US – Reissue

Genre: Electronic & Dance

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First ever reissue of this groundbreaking ambient work
Produced in full cooperation with Yoshimura’s estate
Remastered for vinyl and pressed at RTI
Unseen original handwritten track notes by Yoshimura.

Barely known outside of his home country during his lifetime, the late Japanese ambient music pioneer Hiroshi Yoshimura has seen his global stature rise steadily in the past few years. The 2017 reissue of his lauded debut, Music For Nine Post Cards, along with a slow building cult internet following has helped ignite a renaissance in his acclaimed body of work, much of which has never been released outside of Japan. Known for his sound design and environmental music, Yoshimura worked on a number of commissions following the 1982 release of Music For Nine Post Cards, including works for museums, galleries, public spaces, TV shows, video art, fashion shows, and even a cosmetics company.

Originally released in 1986, GREEN is one of Hiroshi Yoshimura’s most well-loved recordings and a favorite of the artist himself. Recorded over the winter of 1985-86 at Yoshimura’s home studio, the compositions unfold at an unhurried pace, a stark contrast to the busy city life of Tokyo. As Yoshimura explained in the original liner notes, the album title in the context of this body of work is not meant to be seen as a color, but is rather used to convey “the comfortable scenery of the natural cycle known as GREEN”—which perfectly encapsulates the soothing and warm sounds contained on the album, although it was created utilizing Yamaha FM synthesizers, known for their crisp digital tones.

This edition marks the first reissue of the highly sought-after and impossible to find album. It features the original mix preferred by Yoshimura himself, previously available only on the initial Japanese vinyl release (a limited edition remixed version of the album, with added sound effects, was released on CD in the US). Additionally, this release is the first in our ongoing series, WATER COPY, focusing on the works of Hiroshi Yoshimura.

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MJ Guider

Tape | 2023 | UK | Original (Modemain)

Tape | 2023 | US | Original (Not Not Fun)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Stunning liturgical shoegaze from Kranky’s Melissa Guion aka MJ Guider, originally released a couple of years back on a limited tape and now available once again in a new edition for 2023. Fuelled by pulsing drum machines, bells and an exceptionally expressive voice, it hits so many buttons for us all at once so as to feel like we’ve known it a lifetime, reminding us of sections of Cocteau Twins, Seefeel, Tropic of Cancer, Preisner’s ‘No End’ score, Cranes - but still in possession of its own unquantifiable spirit. Recorded as a music score to ‘Known Mass. No. 3: St. Maurice’, a collaboration with friend and choreographer Ann Glaviano, ‘Temporary Requiem’ makes use of the traditional Latin requiem mass across 6 movements designed to help transport “the congregation” to the dreamworld. The 10 minute opener ‘Kyrie: The Stained Glass Windows in Their Original Order’ opens from choral drones into a sort of rumbling dreampop reminding us of AFX’s reworking of Seefeel’s ‘Time To Find Me’, the melodic lead supplied by a padded bassline wrapped around countless layers of texture and sweeping, filtered hi hats. ‘Gloria: Small Dance of Gratitude’ re-purposes the thudding kickdrum opening Cocteau Twins’ ‘When mama was moth’, but swerves through a vocal keychange into something else entirely, all detached vocal yearning somewhere between love song and lament. Guion’s vocals have always been impressive but feel especially devastating here, leaving enough space for each sound to respire; ducking around slow-motion beatbox cycles and queasy electronics. She binds her biographical litany of inspirations into a coherent blast of pseudo- plainsong and ethereal post-punk, her voice tripping from morose low-registers into layered choral cascades that genuinely made this listener bottle up in a gulp. When we reach ‘Sanctus’ - the album’s shortest piece, a tape-rotted chant dissolves into an angelic aria. It’s an apt preface for ‘Benedictus’, the moment we’re shifted into gnarly droning landscapes of distended drone and saturated distortion. Somehow the tenor adjustment works, deepening Guion’s narrative and drawing parallels between vastly different forms of post-Catholic musical expression - there’s truly no light without darkness. On the finale ‘Agnus-Dei’, she bolts together both strains of expression, singing over walls of harmonic guitar fuzz and a drum machine that sounds like machinery pushing through sandstone blocks. The noise abates before the track dims to a flicker, as Guion’s operatic wails spiral deep into the pious abyss...

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Wave Temples

Portals

Tape | 2021 | EU | Original (Futura Resistenza)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Expansion pack of Wave Temples transmissions accompanying the Panama Shift vinyl suite. Its creator contextualizes Portals as the first volume in a tarot-style card game of the same name, to be used for divining prophetic strategies. Each of the 13 pieces here unfolds like a glimpse to an inner realm – or a past life. Hazed vignettes of primitivist anthropological fantasia, warbly and windswept, suffused with déjà vu. Insects and macaws sing from the periphery, while beach fires glow along an abandoned coast, the tide like a language lost in the tunnels of time.

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Phuong-Dan

Sememes

Release: 2021 / EU – Original

Genre: Electronic & Dance

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We are excited to present you with the beginnings of a new mix series. Each mix will be 60 minutes long and strictly limited to a run of just 50 mixtapes. Each release will be designed by Cengiz Menguc and mastered by Felix-Florian Todtloff, and will come with a personal digital download code. First in line is Hamburg-based DJ, screenwriter, photographer and music curator Phuong-Dan. Departing from the standard chronology of a fixed A- and B-side, the release is comprised of just one title outlining the red thread throughout the whole tape, entitled "Sememes". Derived from the notion of the sememe--the smallest unit of intended meaning found within a word--and itself a palindrome, another notion that goes with the general idea behind this mixtape, the title and accompanying track leave all possible linear narratives behind. In Phuong-Dan's own words: 'All music and sound pieces in this mix could be regarded as individual sememes themselves, or even the whole mix as one in itself... or...'

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Tape | 2018 | EU | Original (Martin Hossbach)

Martin Hossbach Kassete

8,99 €*

El Borneo De Dios (Sinfonias Resgatadas En La Isla De Borneo)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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One per customer only!

These are the last remaining 60 or so copies of the Martin Hossbach label cassette compilation »Martin Hossbach Kassete« which was distributed for free to everyone attending the label’s sixth anniversary party at Kantine am Berghain on 21 June 2018. Featured are tracks from each of the releases, from 2012 until 2018, with a few edits only available on this release.

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Hannibal Chew III

Tape | 2022 | EU | Original (Sucata Tapes)

Organic Music Tapes Volume 1

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Odd and fluid tape manipulations by Gonçalo F. Cardoso’s most bizarre moniker, Hannibal Chew III. Grabbing the deteriorated recordings left over from his 2017 trip to the title island and letting his imagination and machines run free, the journey here is hectic: mud, rain, radio jingles, crickets, confusing conversations and random mall music resulting in an eternal looping impression from whatever was ingrained. A dream/nightmare logic that manages to never make total sense, we should be thankful for that as nothing, ever is really like we remember so why should this be? ‘’In conditions of digital recall, loss is itself lost’’ Mark Fisher in Ghost of my Life Based on half remembered memories from the island of Borneo, 2017. All tracks were later re-composed under semi-lockdown in Lisbon, 2020. Pressed on a limited edition of 100 copies Artwork by Pablo Picco

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Tiago Sousa

Tape | 2022 | EU | Original (Sucata Tapes)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Tape | 2022 | UK | Original (Vanishing Tapes)

Andrea Benedetti

Intervallo

Tape | 2020 | EU | Original (Sucata Tapes)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Andrea Benedetti mixes the 90's Italian electronic continuum. LYL's radio Vanishing Points show goes physical with two exclusive tapes.

The first tape, Intervallo, selected and mixed by Andrea Benedetti (New Acid Generation) pays homage to the 90's Italian electronic spectrum. Covering from 1993 till the turn of the millennium, the mix covers IDM and electro, exploring obscurities and rarely heard tracks from a sprawling, unique scene.

A key player as a producer, DJ and label owner, Andrea Benedetti was at the helm of Final Frontier, actively involved in the creation of a mass of classic material.

Limited to 50 copies

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Only Now & Orogen

Avuls

Tape | 2020 | US | Reissue (Leaving)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Longstanding collaborators & Bay Area based experimental duo Kush Arora & Lucas Patzek aka Only Now & Orogen return with ‘avuls’, the project’s sophomore release. Building on the unearthly, black hole transmissions and creaking, exospheric ambience of their self-titled debut, Only Now & Orogen present an abyssal, elemental broadcast from another unchartered extra-terrestrial zone. Remote and astronomical yet tied to a newfound sense of rhythmic structure, ‘avuls’ navigates a course through inverted beat-led frameworks, surging detonations of sub-bass, and severely turbulent, monumentally scaled soundscapes

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Nailah Hunter

Spells

Release: 2020 / US – Reissue

Genre: Electronic & Dance

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Spells is the debut release by Los Angeles based multi-instrumentalist and composer Nailah Hunter on Leaving Records. Each of the EP’s six tracks represent a spell, a unique sonic place forged by imagination and incantation. Ambient in nature, each spell highlights Hunter’s skills as a composer. “It really started off with me just wanting to kind of reclaim the way that I thought about creating music and then also performing it,” Hunter says. “I was like, okay. I need to get back to the basics of why I like to create and what it does for me … so I set out to make spells, in the sense that each layer is one of the steps in incantation... It became about purpose... the procedure and the ritual, so that when it came to performing it, I wasn’t able to get into my head about it because I was just carrying out these steps. Each track is its own incantation, its own spell, its own world.” Colorful atmospheres permeate Spells, each track offering tranquil, reflective setting. Hunter explains, “Another thing that I always wanted to focus on and through making this project have sort of been able to name is that, I like to create places, songs as locations ...whether there are field recordings [involved] or not.”

Opening track “Soil” is accompanied by a poem: “a seed is sown, a song from silence.” Its beautiful harp and angelic voices establish the album’s mode of beautiful stillness. This is followed by “Ruins,” a tranquil soundscape abetted by insect field recordings and a slightly warped, heaven-bound trajectory, described by Hunter as a love spell. “Another thing that’s really important to me about my relationship with music is synesthesia. It’s all very palette based... For the song “Ruins,” it comes on like magenta and clementine.” On the colors present in the single “White Flower, Dark Hill,” Hunter describes “the idea of the purples and navies of the night sky and the way that shadows appear under full moonlight, the different shades of moonlight, and how it always brings out the color white.” Each track’s nuanced production and big, emotional sounds do carry a charged energy, colorful and magnetic. The shifting phases and sustained drones of “Enter” mimic the feeling of approaching and walking through a rift into a fantastical world. The listener is advanced into album highlight “Quiet Light,” which Hunter states captures, “that feeling of being like golden light in a cold still pool of water, this very specific image and feeling that I just love so much.”

Spells is a powerful opening statement that uses this musician's innate artistic gifts to promote healing and self awareness. Of the album’s inspirations, she adds, “definitely rune magick and just the idea of creating places of rest … sonic places of rest, places to ponder and consider your feelings. Me making music, it’s always been about healing for me and making myself feel better. If other people listen to it and also feel better, then that is delightful.”

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Discrete Records Mixtape C92

Tape | 2023 | UK | Original (Discrete)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Limited edition cassette mixtape C92 of the Discrete Records backcatolgue mixed by Steve Hellier
to celerbrate the re launch of the label and the re launch party at the Fox and Firkin on the 30th of September with head liners Make A Dance (M.A.D) Leo Zero and Sean OD
Some of the tracks featured have never been released before in any format and some are hard to find now ahead of the label reissues.

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Tape | 2023 | EU | Original (Syntetyk)

Shadow Terminal Tape

Baze.DJunkiii & The D3vi7 Present

Release: 2023 / EU – Original

Genre: Electronic & Dance

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After some time of laying in the dark, the Warsaw-based Syntetyk label and club night series emits waves yet again with their very first cassette release by various friends from the local and global underground. Tape starts with a pathos ambient track by Mchy i Porosty, followed by a desert night drive dub by Rapha. The A side continues with a wavy melodic thumper by Olivia, accompanied by a nostalgic club diver by Czech maestro Exhausted Modern and a punkish fast paced hymn done by the Colombian prodigy – Filmmaker. The B side opens with Dogpatrol’s broken jungle track and carries on with Astma’s industrial dub-driven tune. Album slowly comes to a close with a nasty distorted wave by Dyktando, dystopian radiation emitter by Chino and ends with Mala Herba’s folk inspired epic ambient drone.

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Diurnal Tides: First Wave

Tape | 2022 | EU | Original (Carsharing Tapes)

Brooklyn Pirates: Neighbourhoods In The Sky, 2014-2021

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Welcome to Carsharing Tapes. Welcome to the future.

With "diurnal Tides: First Wave" we're proud to present not only the first release of our new imprint for classic electronic music mixtape culture but also the first ever official gathering of two long standing figures which both have been relentlessly and continuously contributing to the German underground scene for more than two decades now.

And these two are: baze.djunkiii and THE D3vi7.

baze.djunkiii, Hamburg-born and based, officially entered the electronic music scene as a DJ back in 1997 from an angle of being an enthusiastic raver, launched his very own label Intrauterin Recordings in 1999 and - apart from becoming an 24/7 networker, knowledge hub, music blogger etc. - evolved into one of the most versatile underground DJs and purveyor of original DJ culture around whose journey on the decks has taken him all over Germany as well as to Greece and the United States and to countless hours of air time on a plethora of underground radio stations as well.

THE D3vi7, on the other hand, remains an elusive figure. Deeply rooted in electronic music production and the hell'ish jungle of circuit board wiring as well as DAW madness THE D3vi7 is a moniker created by one of the most active, yet probably most underrated figures on the release circuit, a nom de guerre which serves the sole purpose of being able to operate anonymously without any confirmation bias being attached to other musical guises which might, or might have not, been used previously and in earlier stages of a long lasting involvement in music. And btw - this is the first time ever THE D3vi7 agreed to provide an official DJ mix for a mixtape release.

With baze.djunkiii's mix opening the roughly hour long journey of "diurnal Tides: First Wave" on the A-side we're getting a prime example of what original DJ culture is all about as he's taking us on a fascinating journey from deepest underground Electro to screaming, spiralling Acid madness and beyond, digging up most underground vinyl cuts and making proper use of his extensive collection of rare 7" releases - a format that has been criminally overlooked by many DJs but provides a treasure trove of goodness as this mix easily proves.

Turning the tape THE D3vi7 does what THE D3vi7 does best on the flip: Being a force. A dark one. Forging a pounding, most relentless stream of hammering Techno tunes to take out unsuspecting punters on heaving dancefloors one by one THE D3vi7 provides a high octane selection of peak time excess that either thrills or kills - an ode to the power of raw and unpolished Techno madness in its purest form. A power that cannot be contested. Ever.

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David Goren

Tape | 2022 | EU | Original (Death Is Not The End)

Tape | 2023 | Original (Lex)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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David Goren is a radio producer and audio archivist based in Brooklyn, NY. For several years he's researched New York City's pirate radio community, producing "New York City's Pirates of the Air" for the BBC World Service & "Outlaws of the Airwaves: The Rise of Pirate Radio Station Wbad" for KCRW's Lost Notes podcast. More recently, Goren has been cataloguing his meandering across his local pirate radio frequencies via the Brooklyn Pirate Radio Sound Map (bprsm) - tracing the lingering connections between unlicensed radio broadcasting and Brooklyn's local neighbourhood culture in the digital age.

Brooklyn Pirates: Neighbourhoods in the Sky, 2014-2021 pulls together a clutch of cut-up recordings captured by David on the Bprsm, traversing the dial across raucous soca jams & kompas, through to Grenadian election news, Haitian funeral announcements and ads for Jamaican patty shops & spiritual healers - plus broadcasts from Turkish, and Orthodox & Sephardic Jewish pirate stations to boot.

Covering a period between the mid-2010s right up to earlier this year, the B side in particular captures the uniquely idiosyncratic and hyper-local reactions of the Brooklyn pirates to the global disintegration of the early 2020s - the coronavirus pandemic, George Floyd, the US election and more - acting as a vital document of social history demonstrating the value of DIY community broadcasts during a period of worldwide lockdowns and the wholesale breakdown of politics.

www.pirateradiomap.com www.bbc.co.uk/programmes/p076bp3y www.kcrw.com/culture/shows/lost-notes/outlaws-of-the-airwaves-the-rise-of-pirate-radio-station-wbad

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Eyedress

Full Time Lover

Release: 2023 / Original

Genre: Electronic & Dance

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Tape | 2021 | EU | Original (Evar)

Sha Sha Kimbo

Total Chaos

Tape | 2024 | UK | Original (The Tapeworm)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Los Angeles native Sha Sha Kimbo undeniably lives for the rave. As exemplified through her every intentional move as a producer, DJ, promoter, radio host and label owner, Sha Sha radiates an unwavering love for amplifying, nurturing and supporting the culture of underground electronic music and the community that surrounds it, with her forthcoming release absolutely no exception to this.

Set for release as a digital download and limited edition cassette tape on August 13, the LA rave staple is happy to announce her debut EP on Evar Records, Total Chaos. A brilliant testament to the cathartic importance of staying up late and getting lost in a buzzing crowd of kindred spirits, Total Chaos harnesses the universal experience of having pent-up energy into massive, angst-ridden breakbeat anthems. Over six tracks, Sha Sha channels the hair-raising spirit of '90s rave along with her formative experiences with DMZ-via-Low End Theory dubstep and punk rock. Finding her place within LA's bass music, house, techno and rave scenes while defying easy categorization, Sha Sha personifies the no-rules electronic music ethos behind John Frusciante and Aura T-09's Evar Records. To supplement Total Chaos' three originals, Lyzza, Machine Girl and LCY provide three raw remixes highlighting various aspects of Sha Sha Kimbo's renegade rave spirit.

Drawing from the Los Angeles punk rock and '90s rave music that soundtracked her youth, Total Chaos personifies how she grew up on the dance floor, showcasing Sha Sha's tried and true ability to express rich, nuanced emotions through tracks that, first and foremost, can level a warehouse party. Kicking off the vibe on July 30, the EP's lead single "Save The World" is a perfect representation of this, with the jump-up rave cut employing a megaton breakbeat and sickly-sweet vocal samples over simmering base of dark, UK-influenced atmospherics. From the late night energy of the title track to the euphoric, dawn-breaking feel of "Limited Perfect," Total Chaos offers the refuge of a robust dance floor with the warm reassurance to be one with the universe.

Rounding out Total Chaos EP are three remixes that amicably and serendipitously support Sha Sha Kimbo's visionary aim to both explore the unknown and bring people together along the way. Brazilian-born, Amsterdam-based powerhouse Lyzza adds a full verse and a nest of serrated rhythms to her version of "Total Chaos," while New York's Machine Girl applies their trademark punk electronics approach to "Save The World." Meanwhile, Bristol's own LCY hollows out "Limited Perfect" into a haunting amalgam of post-punk minimalism and low-frequency pressure. A study of the opposing light and dark energies of underground dance music, Total Chaos presents a breakbeat-heavy vortex, sure to awaken everyone's inner raver.

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DJ Salinger

Voyage Voyage Voyage

Tape | 2023 | UK | Original (Evar)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"L'idée nous est venu lors d'une conversation un peu arrosée dans un pub du sud de Londres avec Philippe du label Tapeworm" dixit François Kirmann Gamaury alias Franz Kirmann alias Dj Salinger – producteur français établi à Londres depuis plus d'une vingtaine d'années.

"Voyage voyage voyage" est une mixtape. Mais pas dans le sens traditionnelle du terme. Kirmann l'appelle une mixtape subjective, où les morceaux ne sont pas joués tels quels mais présentés tels qu'ils sont ressentis par l'artiste.

Un peu comme le DJ Vladimir Ivkovic qui ralentit certain morceaux sur ses platines pour en révéler un autre aspect, Kirmann zoom dans l'étoffe même des enregistrements, étire les notes et les sons à l'infini, pour en mettre à jour un sens caché, altérer notre perception de ces chansons qui peuvent parfois sembler un peu désuètes. Ici elles sont transformées en nappes fantomatiques et envoutantes qui évoquent un souvenir d'une période de sa vie, une trace sonore d'une époque un peu naive, qui revient aujourd'hui sous forme d'echo, une musique nostalgique trempée dans la reverb et la distortion.

Kirmann a grandit au Sénégal pendant les années 80 et il se souvient des étés de son enfance passé chez ses grand parents, les chansons à la radio, dans le bus du centre aéré, dans un Prisunic en Dordogne, où une fête de camping en Alsace: Catherine Lara, Elsa, Veronique Jeannot et bien sûr Desireless et son fameux tube "Voyage voyage".
Les chansons sélectionnées pour la cassette ont toutes en commun une incitation au départ, une recherche de l'ailleurs, un amour perdu, un souvenir, les thèmes de predilection d'une certaine pop française que l'on nommait variété.

Ces idées d'évasion sont accentuées ici par le traitement sonore qui leur est appliqué. Les chansons sont paralysés dans le temps, figées dans le son, comme si l'on avait souligné certain passages dans un roman pour les détacher du texte intégral.

Distortion, écho, réverbération et autres effets sont appliqués et donnent à la musique et au son une qualité rêveuse et distante. Certains passages reconnaissables se dévoilent et sortent de la brume sonore, ils se révèlent plus net, d'autres sont noyés dans un brouillard imprécis, une musique proche de l'ambient qui enveloppe l'auditeur.

Kirmann: "Chaque track est basé sur une chanson de variété française des années 80, je voulais re-créer une impression de distance, quelque chose de lointain. Les morceaux deviennent des sortes de tapisseries sonores mais dont l'essence de la chanson originelle est toujours présente. Il y'a un roman de Patrick Modiano où les personnages lancent des avis de recherche pour la France à partir d'une station de radio d'un pays lointain. Le son est brouillé, les voix étouffées. J'avais un peu cette idée en tête de faire quelque chose de similaire, comme si les chansons étaient entendus sur un vieux poste de radio mais émises d'une station lointaine et d'un autre temps."

Le résultat est un voyage nostalgique, une musique ambient et nébuleuse façonnée à partir de tubes synthétiques 80's. Imaginez Fennesz ou My Bloody Valentine jouant des reprises de Laurent Voulzy et vous y êtes presque…

Loveless non, Desireless oui!

DJ Salinger. Voyage Voyage Voyage – Disponible en cassette uniquement. 100 exemplaires sur le label Tapeworm.

—

Franz Kirmann is a French music producer living in London. He has made albums for various labels including Denovali, Bytes, Mercury KX. He also writes music for film and TV and is a lecturer in music production at Point Blank Music school.

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Text Chunk

New Reality

Live Performance 2019 - 2020

Release: 2023 / UK – Original

Genre: Electronic & Dance

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On his stunning debut for Trickfinger and Aura T-09's Evar Records, Edmonton producer Text Chunk explores a next-level synthesis of jungle, techno, footwork and IDM ambience. __
Text Chunk - New Reality EP (evar Records) Fresh off collaborations with Skee Mask and Sangam and cult releases on his own label, Kudatah, and Infinite Drift, Text Chunk storms into the heady, high-tempo Evar fold. After connecting with Evar co-founder Aura T-09, Text Cunk delivered a folder of 50+ club constructions made in the midst of a deep study of regional dance variants spanning from Teklife to dembow. The New Reality EP comprises three solo tracks and two collaborations with longtime collaborator Sven K. The five cuts comprise essential modern jungle, melding intricate breakbeat work with inventive sample manipulation and high-tech ambience—the are next-level tracks from the unlikely locale of Edmonton. From the start, there's no messing about. The title cut, "New Reality," comes out swinging with multiple percussive motifs, vaporwave melodies and chopped-up samples all adding up to an atmospheric jungle masterclass. "Flow," meanwhile, mixes Hoover-style bass and breakbeats with lush piano-infused ambience. The 88 keys are still in effect on the blistering "Nani," on which rowdy amen breaks make room for a wistful piano refrain. Text Chunk, real name Brandon Smith, first linked up with Sven K nearly a decade ago. At the time, Smith was a teenager with a voracious, internet-aided musical appetite who had recently started making his own tracks. He dug Sven's tracks and hit him up on SoundCloud. They quickly realized they were neighbors, rare appreciators of avant-garde club music in Alberta. They'd launch a label, Kudatah, with another friend, Carter Booth, that would serve as an outlet for their homegrown creativity while establishing important inroads with a global network of genre-agnostic producers. This deep connection is palpable on a pair of collaborative cuts with Sven K that appear here. "Clang" begins with a noirish arpeggios before dropping into a 160-bpm drum workout, sounding like John Carpenter if he was obsessed w/ '90s pirate radio. "i-9 Hittaz," meanwhile, ups the ante even further, pushing to a blistering 190 BPM. Even still, the track maintains a floating ambience, maintaining the dart and glide style that is the sonic signature of the Kudatah braintrust. The end credits roll with "D5," a solo Text Chunk track that leans further into second-wave Detroit/B12-style melodic techno than the previous cuts. With stately synth and piano, Smith reveals his considerable talents with classic melody. Across New Reality, Text Chunk works through hypermodern and classic influences that serve as tributaries towards a new sound, a next-level synthesis of jungle, techno, footwork and IDM ambience. "I think the main goal is to tap into a little bit of everything," Text Chunk says. "All sorts of genres and influences, from gabbber to ambient to IDM. I want to craft these influences into a cohesive package and expand on what I know."

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Svetlana Maras

Tape | 2023 | UK | Original (-ous)

Bloodz Boi, Claire Rousay, More Eaze

Release: 2023 / UK – Original

Genre: Electronic & Dance

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"The nearly infinite improvisational potential in my performances is a result of tweaking the technology, using it in unpredictable ways, musically exploiting it, and maybe even misusing it." - Svetlana Maraš
Composer, sound artist and musician Svetlana Maraš has spent years developing her unique setup for live performances. She builds her live sets as frameworks for exploration by emphasising the sculptural and improvisational potential, rather than reproducibility. The core of Maraš' performative practice lies in the accessibility of all layers of what a 'musical image' at any given point consists of, and gestural manipulation of these layers.

Using micro samples as a basis of her musical vocabulary, Maraš treats her live setup equivalent to an acoustic instrument. Using tablet controllers running a self-built 'Touch Osc' interface, pedals and different pressure- based interfaces, she manipulates and morphs the material with the mindset of a sculptor, while exposing herself to the audience and the room. Her focus lies on the musical form and structure, while the shape of the sounds projected into the performance space define which turn she might take next. Maraš explains: "I am interested how sounds fill up the room, how they spread, how near or far they are, how 'big' or 'small' they seem, how they morph and move." With the set she played from 2019 to 2020, Maraš had reached an extreme regarding the handling and manipulation of micro samples and micro-collaging. -ous is releasing a live recording of this set as deep dive into the vast possibilities of live sound manipulation.

Svetlana Maraš is composer and sound artist active in the field of experimental music. Her work, which she presents internationally, encompasses variety of formats such as live performance, electro-acoustic composition, sound installations and works for the radio. She is the winner of the most prestigious Serbian composition prize "Mokranjac", awarded by the Serbian Composers' Association. From 2016-2021, she was composer in residence and artistic director at Radio Belgrade's Electronic studio, where she established numerous programs such as artistic residencies, educational courses and most notably, restoration of EMS Synthi 100. Currently, Maraš is Professor of Creative Music Technology and Co-head of Electronic Studio at Hochschule für Musik Fhnw, Basel.

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A Crying Poem

Tape | UK | Original (Orange Milk)

Release: UK – Original

Genre: Electronic & Dance

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Tape | UK | Original (Orange Milk)

Proxy.Exe

Proxy World

Release: UK – Original

Genre: Electronic & Dance

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Tape | 2022 | EU | Original (Orange Milk)

Ervin Omsk

Peilen

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Tape | 2022 | EU | Original (Orange Milk)

Dok-S Project

Daily Sound Collection

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Tape | 2022 | EU | Original (Orange Milk)

Jimmy V X Slum

Audi Coma

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The Mixtapes: Volume 1 Mixed By Bountyhunter

Tape | 2020 | EU | Original (Bonzai Classics)

11,39 €* 11,99 € -5%

Maxwell Sterling & Dali De Saint Paul

Release: 2020 / EU – Original

Genre: Electronic & Dance

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1 x K7 (Audio Tape) The Mixtapes Volume 1 – The Sound Of TGV is truly authentic, packaged in a vintage slipcase, it will be just as if you purchased the tape at your favourite club back in the day.

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Penumba

Tape | 2024 | UK | Original (Accidental Meetings)

Tape | 2024 | UK | Original (Accidental Meetings)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Cassete comes with 3 extra panels of artwork from Ciaran Birch Outerwordly collaboration between two great artists at the forefront of their scene, a release that was sparked by a commission from the BBC! Dali de Saint Paul is known for her vast amount of collaborations, most notably with Moor Mother & Valentina Magaletti. Maxwell Sterling's previous work includes sublime & diverse albums on The Death Of Rave & Ad93. When they met to create an improvised session for the famous experimental music radio show Late Junction on BBC Radio 3. Their encounter was so prolific that day that a lot of their music was not played on the show, so they have decided to give their audience the chance to listen to the fragile, brilliant and dark composition they have produced together.

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Saskia

13,29 €* 13,99 € -5%

Tape | 2023 | US | Original (New Retro Wave)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Japanese sound artist Saskia hits it out of the park with her debut LP, showcasing stunning textures & provoking moods. Saki Yamada aka Saskia hails from Tokyo but has resided in Bristol for the last two years, this is where she has been crafting her debut album, which is mixed & mastered by Miles Whittaker of Demdike Stare. It's a deep listen, an ever changing and challenging mood, with sub aquatic ambience and dub-techno textures glistening throughout. The combination of Saskia's sound palette and Whittaker's touch contrasts perfectly, finishing in a beautiful and sometimes haunting listen.

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Kick Puncher

Beyond

10,44 €* 10,99 € -5%

Recordings 1987-1991 Volume 1

Release: 2023 / US – Original

Genre: Electronic & Dance

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Unrelenting rugged synths with dark robust beats, deep within the core. Kick Puncher is back and with more RAW synths!! not for the faint-hearted. A must for all Cyberpunk and Darksynth audiophiles.

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Valentina Goncharova

Tape | 2022 | EU | Original (Shukai)

26,99 €*

Tape | 2022 | EU | Original (Umor-Rex)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Cass (90) Ukrainian/Estonian archival label Shukai extend unmissable introductions to Valentina Goncharova's incredibly free synthesis of electro-acoustic, noise and new age tropes in a frankly jaw-dropping first compendium of her work -highly recommended to disciples of Pauline Oliveros, Deathprod, Daphne Oram, Michael Ranta, Keiji Haino

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Alejandro Morse

Stonewalling

Live At Positive Education Festival 2023

Release: 2022 / EU – Original

Genre: Electronic & Dance

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»Stonewalling« offers a collection of electroacoustic pieces taking as input the Mexican vernacular music from the golden age of Mexican cinema of the first part of the 20th century. In those films, music was used as communication due their poor verbal communication-skills. This is an album about communication, about the impossibility to do so to resolve conflicts. In the technical side, some of the sources used as layering in the tracks come from radio frequencies taken from explorations into the software-defined radio universe, mixed with microphone feedbacks, oscillators, and random textures with field-recordings. In the melodic/harmonic structures of the tracks, the main instrument used is a classical guitar with hyper-processed chords using DSP tools.

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Iueke

Tape | 2024 | UK | Original (DDS)

20,99 €*

Tape | 2024 | EU | Original (Perspektif)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Pioneering Parisian weirdo and member of acclaimed, enigmatic collective Ssabæ, Iueke throws down his first “album” for Demdike Stare’s DDS label, following a trio of mixtapes with an hour of warped goo that defies easy categorisation.

Photogenic dandy Gwen Jamois, aka Iueke, returns with his queasiest, most lysergic release yet, featuring close to an hour of rubbery, rippling electronics, laconic cinematics and free-falling rhythms frozen somewhere between Autechre, Cluster and Rashad Becker.

Gwen has been immersed in all sorts of fringe business for decades at this point, heading up the Antinote label, releasing on Ron Morelli's L.I.E.S, and contributing to those shadowy Ssabæ records we can't stop banging on about. His trio of mixtapes fully took us to the core of his psyche, all off-kilter blends that puzzled out the covalent bonds between tongue dissolving acid, folk music and discarded sonic debris. He follows that same frayed thread on this boundless, off-the-cuff performance, recorded last year at Saint-Étienne's Positive Education festival using a sparse setup of synths and drum machines, fine-tuned to gatecrash the pineal dimension. Plenty of pros have tried making this kind of trippy racket before, but trust that few have ever managed to get anywhere near the level of puckered lunacy you’ll find inside.

Brain-combing Asmr oscillations and anxious strings draw us in, clouded by hissing white noise that obscures an unnatural rhythm lurking somewhere down there in the grot. There are palpable links to Cluster's earliest experiments and the muckiest basement club workouts, but Iueke focuses on pure texture, using seesawing rhythms to scrape out new neural pathways rather than lock into the grid. It all feels a bit mechanical too, bolting together elements that are as corporeal as a lead pipe - thick, rusty-edged and aggy in a way that sounds a bit like Einsturzende Neubauten on mushies.

On the flip, unbalanced rhythms chase their own tail into a fizzing swamp of viscous bass and shepard tones like some imploding firework, eventually plonging off along impulse vectors only to collapse at half speed into the sort of acrid high-register business Whitehouse would be proud of.

Prize yr third eye open for this, it’s a real one.

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Tibia

Dream Pulse

8,54 €* 8,99 € -5%