Rock & Indie Tape 816 Items

Tape | 2019 | US | Original (Pirates Press)

Release: 2020 / EU – Original

Genre: Rock & Indie

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Meet Jonah Yano, the Toronto based singer, songwriter, whose journey into
music began with recording music using his cellphone in 2016. Having played
piano and guitar as a child, it wasn’t until Yano moved from Vancouver to
Toronto in 2016 that he began putting his songs online, catching the eyes of
Toronto’s thriving local music scene. Spending the next couple of years obsessively songwriting and practicing vocals, and learning technical skills, he
collaborated with Toronto duo MONEYPHONE on the 2018 song “On Lock”
which became an underground success. Shortly after, Yano released his first
solo single “Rolex, the Ocean'' with producer Joseph L'etranger. Once he
began writing his full EP, he was introduced to frequent collaborators
BADBADNOTGOOD, who are featured on the EP’s title track, “nervous.” Yano’s
work has garnered praise in major music publications like The Fader,
Billboard, Complex, and Exclaim and the attention of Virgil Abloh and Gilles
Peterson along with millions of streams on Spotify and Apple Music. Most
recently, Yano released a highly praised cover of the Majestic’s “Key to Love
(Is Understanding)” also with BADBADNOTGOOD, finding himself in the
natural position of writing the feature length album, 2020’s souvenir.
Following a highly acclaimed 2019 which included the release of an EP
nervous, collaborations with BADBADNOTGOOD, MONEYPHONE, and Nono;
industry praise from The Fader, Billboard, High Snobiety, NME, KCRW and
Exclaim — it’s not a stretch to say Jonah Yano’s highly anticipated debut
feature album souvenir took a lifetime to make.
Yano’s souvenir, mixes his soulful, genre blurring vocals with searing, personal
lyrics. With collaborations from talents like producers Monsune ("strawberry!," "delicate"), Leland Whitty of BADBADNOTGOOD ("poor me," "monarch,"
"anywhere"), and Jacques Greene ("what i can do to help"), souvenir touches
on themes of family separation, healing, and reconciling with the past.
With each track delving into Yano’s personal history, the album tells the story
of his parents separation and absence of his father from his life through the
perspective of each of his family members. Following the separation of his
parents in 1998 in Hiroshima and subsequent move to Vancouver, Yano spent
years with very little connection to his father beyond occasional calls and
birthday presents.
Having not seen each other in 15 years, Yano visited his father in Nagato in the
fall of 2019 with the goal of making sense of their complicated relationship
through music. Both being avid musicians, Yano then incorporated some of
his father’s earlier recordings into his own, while making peace with their
past. The result — the album’s final track, “shoes,” featuring his father Tatsuya
Muraoka and written by him about a pair of shoes he purchased for Yano as a
child. Most of the track was recorded live at some point in the 1990’s in
Hiroshima, with Yano’s own vocals filling gaps between his father’s vocals.
Recording the album in Tokyo’s Red Bull studios, a log cabin in Nagato, Toronto’s Studio 69, and his own home — the intensely personal album incorporates
Yano’s unique sound with a deeply relatable concept, making it the natural
follow-up to an already impressive catalogue.

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Charger

Debut Gold Colored Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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CHARGER is very soon going to be a band that needs no introduction for music fans across the globe.

It didn't start off as a band, but more of a musical challenge between two accomplished heavyweights exploring their roots and mutual passions.

CHARGER is driven by a love for 70's hard rock as much as it is the ever-present 'East Bay sound' that has shaped these musicians lives for decades.

In the same way you can't throw MOTORHEAD in a box and label them metal, punk, thrash or hard rock, this incredible band and record will both prove themselves a force to be reckoned with on a global stage. Defying all genre expectations, and just plain bringing the ROCK - this powerful three piece will undoubtedly take these incredible songs far and wide.

Backing it right up, their live show is superb as well; something folks in the Bay Area have not taken for granted over the past half-year - and something that the rest of the world is about to get a taste of, in a big way!

If you are someone who enjoys the best of BLACK SABBATH, JUDAS PRIEST, MOTORHEAD, DIO, AC/DC, METALLICA, NEUROSIS, HIGH ON FIRE & of course, RANCID (or even one of those bands), listen up! This is for you!

FOR FANS OF:
MOTORHEAD, BLACK SABBATH, METALLICA, HIGH ON FIRE, RANCID

TARGET MARKETS:
Bay Area (Hometown) and wherever great PUNK & METAL albums are sold!

TRACK LIST:
Side A
1. Crackdown
2. Victim
3. Damage

Side AA
4. All Kings Must Die
5. Pray For Light
6. Fall Out
7. Dragdown

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Björk

Tape | 2019 | US | Original (One Little Independent)

22,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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Tape | 2018 | US | Original (Atlantic)

Death Cab For Cutie

Thank You For Today

Release: 2018 / US – Original

Genre: Rock & Indie

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Tape | 1984 | EU | Reissue (Rocka Tapes)

Declino / Negazione

Mucchio Selvaggio

Tape | 2022 | EU (Radiation Reissues)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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To celebrate 40 years of Mucchio Selvaggio, the split-tape of two of the most seminal bands of European hardcore punk returns for the first time on Italian vinyl, LP. Decline/negazione, a musical combo that has become legend and has defined the aesthetics and sound of a genre. Graphics of the new edition by DeeMo. Remastered audio. Inner slave with reproduction of the original tape materials and 1985 European tour flyer. 27 minutes of hardcore punk that made history.

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The Exploited

Punks Not Dead

Tape | 2024 | Original (Reigning Phoenix Music)

Release: 2022 / EU

Genre: Rock & Indie

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Born of working class roots in Edinburgh, Scotland, The Exploited emerged from the punk underground in 1981 with the release of their debut LP, Punk's Not Dead. A direct reaction to Crass' "Punk Is Dead", The Exploited brought to the early 80s all the fire, speed and attitude of 1977's first wave, with an street/Oi! swagger that was fresh. Peaking at #20 on the UK charts, Punk's Not Dead was the best selling independent record of 1981. Another essential piece of the UK Oi! scene of the early 1980s.

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Deicide

Banished By Sin

Release: 2024 / Original

Genre: Rock & Indie

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Live At The Moonlight Club London 1980

Joy Division

Tape | 2024 | EU (Tape It Dee Dee)

Individual Thought Patterns

Release: 2024 / EU

Genre: Rock & Indie

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On the night of April 3rd, 1980, the iconic post-punk band Joy Division descended upon the intimate stage of the Moonlight Club in West Hampstead, London. The venue, dimly lit and shrouded in an aura of mystery, provided the perfect backdrop for the band's melancholic and atmospheric sound. The raw power and emotional intensity of their performance served as a testament to their artistry, leaving a lasting legacy that continues to inspire generations of musicians and fans alike.

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Death

Tape | 1993 | Reissue (Relapse)

Release: 1993 / Reissue

Genre: Rock & Indie

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The Poss Tapes - 1981-1984

Reagan Youth

Tape | 2024 | Original (New Red Archives)

Release: 2024 / Original

Genre: Rock & Indie

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Tape | 2019 | EU | Original (Deathwish)

Harborlights

Isolation Ritual

Release: 2019 / EU – Original

Genre: Rock & Indie

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Reverend Beat-Man And The New Wave

Blues Trash

Tape | 2018 | EU | Reissue (Voodoo Rhythm)

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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Born in 1967 and former Wrestling Rock'n'Roll One Man Band Activist Lightning Beat-Man (1992-1999) turned into a Primitive Rock'n'Roll Blues Preacher in the Millenium Change and released countless recordings on several labels. 2017 he had a hand full of songs to record this album, the idea was to record it with several musicians and not showing them the songs, they went to the studio and Reverend Beat-Man played the songs on the guitar one time, then they had 2 takes for recording without rehearsal to keep it fresh. Anyway the idea was Free Style and so is that whole Album, the result was a mix of Blues Trash, New Wave Folk and Dark No Wave Garage Punk and Rock'n'Roll. He selected the NEW WAVE from musicians he loved the most at the momentNICOLE IZOBEL GARCIA is From Los Angeles with Mexian roots, a singer that has the gift to connect her voice direct with your heart, she plays an unorthodox organ and plays part of drums and percussion like the devil itself. With her, Reverend Beat-Man plays the most shows as a duet.MARIO BATKOVIC is a classical and kraut avantgarde accordionist. He creates film and game music and has a one man band himself he's a total genius (prodused by Geoff Barrow of Portishead).JULIAN SARTORIUS another Bern original, he's probably one of europs or even worlds most extraordinary drummers these days, he is one of the few drummers that can play his drums as an instrument not just as a machine, he plays a lot of free jazzand improvisation (sophie hunger, colin vallon trio, manuel troller, hans koch, bruno spoerri etc). RESLI BURRI is a legendary Bern musician who has a jam-band together with Mario and Beat-Man - he is a multi instrumentalist who plays in the Dead Brothers, Patent Ochsner , and is a film and circus music writer.

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The Fall

77-Early Years-79

Tape | 2022 | US | Original (Topshelf)

Release: 2023 / EU

Genre: Rock & Indie

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77-Early Years-79 is a compilation of the band's first four singles, all originally issued on Step Forward Records, and was first released as an LP in 1981. One album track ("Dice Man" from Dragnet) is also included, and a CD reissue in 2000 adds two tracks from the various artists compilation Short Circuit: Live at the Electric Ballroom, from the same time. 2002's Early Singles drops "Dice Man" and adds three singles recorded for Kamera Records in 1981 and 1982, with their B-sides. In 2003, tracks from the Step Forward singles and two albums recorded for the label were selected for It's the New Thing! - The Step Forward Years. The first of multiple Fall compilation albums and certainly one of the most valuable.

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Mid-Air Thief

Gongjoong Doduk

Tape | 2024 | US | Original (Drag City)

Release: 2022 / US – Original

Genre: Rock & Indie

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The pre-cursor to Mid-Air Thief's cult-acclaimed album Crumbling, Gongjoon Doduk exhibits a distinct universality, merging disparate sounds and styles into a cohesive, electronic-infused folk amalgam that tactfully blurs the lines between organic and synthetic. Listeners are led through enrapturing passages of swirling melodies underscored with eloquent plucks, strums, and bursts of bubbly glitches. Individual phrases drift into one another as if in a dream, cohered by entrancing hooks and vocal soundscapes. Gongjoon Doduk is a compelling accomplishment of both composition and production, bending as it does to its unique contours of consonance and dissonance, always resolving to a place of calm and beauty.

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Bill MacKay

Locust Land

Tape | 1983 | US | Reissue (Pirates Press)

Release: 2024 / US – Original

Genre: Rock & Indie

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Bill MacKay and Drag City are delirious with pride to announce the discovery of a new territory: Locust Land, a record which seeks to reflect the nerve-shredding consciousness run amok in our world today - and somehow allay it with sound. Bill"s music is a visceral crackling where it meets the air, and Locust Land can"t help but reflect its era more than any other in his discography.It"s been five years since the release of Fountain Fire - but in the interim, Bill has barely stopped moving, collaborating with artists across the spectrum, including cellist Katinka Kleijn, banjo player Nathan Bowles and keyboardist Cooper Crain. He"s also contributed to recordings by Steve Gunn, Ryley Walker, Bill Callahan & Bonnie Prince Billy (Blind Date Party), and Black Duck (on their self-titled record featuring Douglas McCombs and Charles Rumback). Forget five years - how"d he even get Locust Land squeezed out of his temporal lobes?Bill"s sense of music as art is constantly modulating - lifting off from where it is found and naturally migrating to some other place. Sometimes, that"s elsewhere - others, it"s simply to be found deeper inside the starting point. And so, the action of moving on informs the landscape of Locust Land. This manifests in several different ways.A restless energy and urgency is repeatedly felt - in the driving momentum of "Keeping in Time," "Glow Drift," and "When I Was Here" - while a dogged persistence radiates from the tone colors and percussion of "Oh, Pearl." Mating a dirge-like desolation with sparkling guitars, "Radiator" adds darkness and depth. The sense of searching, displacement and longing in vocal tracks "Keeping in Time," "Half of You," and "When I Was Here" speak literally to the tumult of current vibrations. Within the arrangements, there"s also departure from previous norms - in addition to the brilliant guitar work for which he is known, Bill plays a variety of keyboards, from piano to organ to synth, extending his music with the available voicings, while enri...

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Cock Sparrer

Shock Troops

Release: 1983 / US – Reissue

Genre: Rock & Indie

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Tape | 2016 | EU | Reissue (Dead Oceans)

Mitski

Puberty 2

Tape | 2022 | US | Original (Jackpot)

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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Ask Mitski Miyawaki about happiness and she'll warn you: "Happiness fucks you." It's a lesson that's been writ large into the New Yorker's gritty, outsider-indie for years, but never so powerfully as on her newest album, 'Puberty 2'. "Happiness is up, sadness is down, but one's almost more destructive than the other," she says. "When you realise you can't have one without the other, it's possible to spend periods of happiness just waiting for that other wave." On 'Puberty 2', that tension is palpable: a both beautiful and brutal romantic hinterland, in which one of America's new voices hits a brave new stride.

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Wipers

Is This Real

Release: 2022 / US – Original

Genre: Rock & Indie

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Tape | 2017 | US | Original (Sub Pop)

Iron & Wine

The Shepherd's Dog

Release: 2017 / US – Original

Genre: Rock & Indie

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The Shepherd's Dog is Iron & Wine's third full-length. It was originally released in 2007 to widespread acclaim.

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Release: US

Genre: Rock & Indie

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Release: US

Genre: Rock & Indie

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Tape | 2022 | US | Original (Dead Oceans)

Toro Y Moi

Mahal

Tape | 2024 | Original (Bajo Perfil)

Release: 2022 / US – Original

Genre: Rock & Indie

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Toro y Moi's seventh studio album, Mahal, is the boldest and most fascinating journey yet from musical mastermind Chaz Bear. The record spans genre and sound_encompassing the shaggy psychedelic rock of the 1960s and `70s, and the airy sounds of 1990s mod-post-rock_taking listeners on an auditory expedition, as if they're riding in the back of Bear's Filipino jeepney that adorns the album's cover. But Mahal is also an unmistakably Toro y Moi experience, calling back to previous works while charting a new path forward in a way that only Bear can do. Mahal is the latest in an accomplished career for Bear, who's undoubtedly one of the decade's most influential musicians. Since the release of the electronic pop landmark Causers of This in 2009, subsequent records as Toro y Moi have repeatedly shifted the idea of what his sound can be. But there's little in Bear's catalog that will prepare you for the deep-groove excursions on Mahal, his most eclectic record to date. The second the album begins we're immediately transported into the passenger seat, jeep sounds and all, ready for the ride Chaz and company have concocted for us. Seeds of some of Mahal's 13 songs date back to the more explicitly rock-oriented What For? from 2015. Mahal was mostly completed last year in Bear's Oakland studio with the involvement of a host of collaborators, Sofie Royer and Unknown Mortal Orchestra's Ruban Neilson to Neon Indian's Alan Palomo and the Mattson 2. "I wanted to make a record that featured more musicians on it than any other record of mine," he explains. "To have them live on that record feels grounded, bringing a communal perspective to the table." As a result, Mahal is lush and surprising at every turn, from the cool-handed "The Loop," which recalls Sly and the Family Stones, to the elastic psych rock of "Foreplay" and the dizzying Mulatu Astatke-recalling of "Last Year." Lyrically, the album zooms in on generational concerns, picking up where the Outer Peace standout "Freelance" effectively left off. Bear seems to be surveying the ways in which we connect with technology, media, each other, and what disappears as a result. Cuts like the squishy "Postman" and the "Magazine" take a deep dive into our relationship with media in a changing digital world. "It's interesting to see how we adapt to this new age. We're so connected, but we're still missing out on things," Bear ruminates while discussing the album's themes. It's not all introspection. Bear cools things down near the album's end with the Mattson 2-featuring "Millennium," a laid-back jam with tricky guitar licks about ringing in new times even when everything else seems upside down. "It's about enjoying the new year, even when it's been shitty," Bear explains. "There's nothing else to do." Finding a sense of joy in the face of adversity is embedded in Mahal's DNA, right down to the jeepney that literally and figuratively brings the music out into the community. "We know that touring is messed up for now, and large gatherings are a fluke," he explains. "It's about the notion of us going out to the people and bringing the record to them." And with the wide-open atmosphere of Mahal, Toro y Moi stands to connect with more listeners than ever before.

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Karosh!

Demo 2022

Release: 2024 / Original

Genre: Rock & Indie

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Tape | 2024 | EU | Original (Soundinside)

Fanali

Pale Blue Eyes

Release: 2024 / EU – Original

Genre: Rock & Indie

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2Tape | 2024 | CA | Original (Men I Trust)

Men I Trust

Mit + Headroom

Release: 2024 / CA – Original

Genre: Rock & Indie

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2Tape | 2024 | EU | Original (Napalm)

Powerwolf

Interludium 2 Mediabook

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | US | Reissue (Dais)

High Vis

Blending

King Gizzard & The Lizard Wizard

Release: 2022 / US – Reissue

Genre: Rock & Indie

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High Vis were formed in 2016 from the ashes of some of the UK's besthardcore bands. Gild-toothed frontman Graham Sayle's anguished lyrics aboutlife in working class Britain were familiar to fans of Tremors' full-throttle thrash,but alongside his former bandmate Edward `Ski' Harper and veterans of DirtyMoney, DiE and The Smear, High Vis sought to transform that energy andintensity into something entirely new.Like scene-mates Chubby and the Gang did by pulling in unlikely sourcematerial from classic doo-wop or Micromoon have by combining everythingfrom psychedelia and metal into their high potency mix, High Vis' 2019 debutalbum, No Sense No Feeling showed the band were never going to beconstrained by any sense of genre rules or regulations. Its claustrophobicrattle bore traces of Joy Division, Bauhaus, Crisis, The Cure and Gang Of Fourlurking in the shadows. 2020's synth-driven EP, Society Exists, was furtherevidence of the band's restless creative MO.High Vis' second album Blending sees them open their viewfinder wider thanever before. Alongside longstanding favourites such as Fugazi and Echo andThe Bunnymen; Ride and even Flock Of Seagulls were shared reference pointsas the band worked on the album together.From the anthemic sweep of opener "Talk For Hours", through the title track'spsychedelic swirl and "Fever Dream"'s baggy groove, it sees High Vis' soundblossoming into something with an unlimited richness. The hazy drift of"Shame" or the melodic jangle of "Trauma Bonds" may take them untiluncharted waters, but they still have all the power and bite that made NoSense No Feeling so remarkable.Lyrically, the album represents another leap forward too. Talking frankly aboutpoverty, class politics, and the challenges of everyday life, Sayle's lyrics havealways addressed the downtrodden and discarded communities across Britainslipping below the waterline. This time around, Sayle's lost not of that socialconsciousness, but he's looked at himself and his own em...

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Demos Volume 2 - Music To Eat Bananas To

Tape | 2022 | EU (Radiation Reissues)

Release: 2023 / EU

Genre: Rock & Indie

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King Gizzard and the Lizard Wizard's Demos Vol.2 have been surfed out in an attempt to reconcile exquisite demo recording and vaporised lo-fi electronica. Music To Eat Bananas 2 is a venture in Oceanic Rock or Space Rock. We encourage you to peruse and support this online styling between a kilometres-underground ambient-glitch producer, and Melbourne's cultural icons of kaleidoscopic creation and willpower.

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The Exploited

Troops Of Tomorrow

Nancy Sinatra & Lee Hazlewood

Release: 2022 / EU

Genre: Rock & Indie

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In the early '80s, British punk took a turn toward hardcore and the Exploited (along with G.B.H, Disorder, etc.) led the charge. The beat was fast and furious, the politics ferocious, and the magenta mohawk became state of the art. This album is blessed with great production, something many hardcore albums lack, meaning the froth and fury don't come across as a total muddle. Moreover, the machine gun beat comes with hooks that leave you humming along with the tunes. It's raw, loud, and a downright classic. This is a crucial album in the evolution of The Exploited.

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Nancy & Lee 8Track Edition

8Track | 1968 | US | Reissue (Light In The Attic)

Nancy Sinatra & Lee Hazlewood

Release: 1968 / US – Reissue

Genre: Rock & Indie

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This is an 8track-cartridge, not a music cassette

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Nancy & Lee

Tape | 1968 | US | Reissue (Light In The Attic)

Tape | 1988 | US | Reissue (Goofin)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Sonic Youth

Daydream Nation

King Gizzard & The Lizard Wizard

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Daydream Nation was Sonic YOUTH’s sixth full-length, their first double-LP, and their last for an indie label before signing with Geffen. Widely considered to be their watershed moment, the album catapulted them into the mainstream and proved that indie bands could enjoy wider commercial success without compromising their artistic vision.

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Polygondwanaland

Tape | 2017 | EU (Radiation Reissues)

Tape | 2019 | US | Original (Sub Pop)

Release: 2017 / EU

Genre: Rock & Indie

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Twelfth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard, fourth of five albums released by the band in 2017. Amongst the 20 best rock albums of the same year. Polygondwanaland, is another stellar entry in King Gizzard near-flawless discography.

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Orville Peck

Pony

Tape | 2017 | US | Original (Sub Pop)

Release: 2019 / US – Original

Genre: Rock & Indie

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Combining the lulling ambience of shoegaze with the iconic melodies and vocal prowess of classic American country music, enigmatic outlaw cowboy Orville Peck, croons love and loss from the badlands of North America. The resulting sound is one completely his own, taking the listener down dusty rose-colored desert highways, through a world where worn out gamblers, aloof road-dogs and lovesick hustlers drift in and out of his masked gaze. Orville's upcoming debut album, Pony, delivers a diverse collection of stories that sing of heartbreak, revenge and the unrelenting tug of the cowboy ethos. Warm lap steel guitars and echoing drums move through dreamy ballads, campfire lullabies and sometimes frantic buzzsaw tunes, all the while paying homage to his country music roots. Orville's music has been featured by Nylon magazine, ID mag, Vice, The Needle Drop, as well as numerous Apple Music and Spotify playlists. He has also had magazine features in New York's Hello Mr. and the UK's Notion. ''The masked man our 'Yee-Haw' moment deserves.'' - The New Yorker ''Utterly seductive.'' - MOJO ''4/5 - One of the best and most fascinating debuts from an alt-country-adjacent artist in a very long time.'' - AllMusic

TRACKS

Tape Casette 1

01 Dead of Night 01 Old River
02 Winds Change 02 Big Sky
03 Turn to Hate 03 Roses Are Falling
04 Buffalo Run 04 Take You Back (The Iron Hoof Cattle Call)
05 Queen of the Rodeo 05 Hope to Die
06 Kansas (Remembers Me Now) 06 Nothing Fades Like the Light

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The Afghan Whigs

Congregation

Tape | 2008 | US | Original (Arista)

Release: 2017 / US – Original

Genre: Rock & Indie

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The Afghan Whigs' third album, Congregation, was released in 1992, and has sold over 46,000 copies. This cassette version is the first time Congregation has been available on cassette since its original release in the 1990s.

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Patti Smith

Dream Of Life

Release: 2008 / US – Original

Genre: Rock & Indie

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Tape | 2024 | EU | Original (Stroom)

Temir Alcy

Au Zenith: Live In Paris 1991

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Temir Alcy (producer Enir Da - Dali Muru & The Polyphonic Swarm and multi-instrumentalist Charles Lmx) is at the junction of spherical textures of acoustic clouds and shapeshifting forms of immersive electronic percussive patterns. By intertwining etherionic atmospheres and organic moods to magnetic and hypnotic rhythms, Temir Alcy explores the mysteries of the future and the unknown through a journey of sensory trance, where whispers and melodies of voices strike a vivid contrast between emotions’ fragility and sound’s solidity enhanced by a downtempo, leftfield and erratic kraut’s feel.

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Siouxsie & The Banshees

Tape | 2024 | EU (Tape It Dee Dee)

Tape | 2024 | EU (Radiation Reissues)

Release: 2024 / EU

Genre: Rock & Indie

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On October 28, 1991, the legendary post-punk band Siouxsie and the Banshees delivered a electrifying performance at the Zenith in Paris, France. This live captures the band in full flight, showcasing their unparalleled musicianship and Siouxsie Sioux's captivating stage presence.

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Nikki & The Corvettes

Silence And Black: Live At The Melkweg Amsterdam 1979

Release: 2024 / EU

Genre: Rock & Indie

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First time ever cassette edition for Nikki & the Corvettes’ self-titled debut album originally released on Bomp Records in 1980. Led by Nikki Corvette, the group brought a fresh burst of energy to the punk and power pop scene of the late '70s and early '80s. Fueled by catchy melodies, infectious hooks, and Nikki's charismatic vocals, the album delivers a rollicking ride through a blend of punk, rock, and retro pop influences. Tracks like "Back Seat Love" and "Let's Go" capture the carefree spirit of youth and rebellion, making this LP a cult favorite among fans of vintage punk and power pop. With its raw energy and unabashed fun, "Nikki & the Corvettes" remains a timeless gem in the annals of underground rock’n’roll.

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The Cure

Tape | 2024 | EU (Tape It Dee Dee)

20,99 €*

Tape | 2024 | US | Original (The Flenser)

Release: 2024 / EU

Genre: Rock & Indie

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December 12th, 1979: Amsterdam's Melkweg throbs with early Cure magic captured on this live. Robert Smith's brooding vocals pierce the air, weaving through post-punk anthems like "Fire in Cairo" and "A Forest." Raw energy and nascent darkness ignite a legendary band's journey. Dive into the origins of The Cure's haunting beauty.

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Have A Nice Life

Voids

Teenage Jesus & The Jerks

Release: 2024 / US – Original

Genre: Rock & Indie

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With the broader adoption of the internet around the turn of the century, how people would engage with and discover underground music would change forever. As a result of the new digital era, DIY was now worldwide, and no band embraced this new frontier better than Have A Nice Life. Formed in 2000 by duo Dan Barrett and Tim Macuga, the Middletown, CT-based pair would, throughout the 00s, self-release and share a number of demos and home recordings via early social media channels as well as establish its in-house label Enemies List Home Recordings. These first steps set in motion Have A Nice Life’s rise to renown as an icon of underground music in the internet age, culminating with the release of its pivotal 2008 debut album, Deathconsciousness. Through word of mouth and online discussion, Deathconsciousness became subject to viral praise thanks to its synthesis of bleak post-punk, lo-fi shoegaze, and carpets of hypnotic drone music. Eventually, this humble self-released project would attain the status of a post-internet cult classic, amassing Have A Nice Life a fervent online following that the band would interact with in kind.

In an effort to thank and continue to engage with Have A Nice Life’s internet cult following, Barrett and Macuga would regularly share links to old demos, works in progress, and outtakes from the recording of Deathconsciousness. Over time, a group of fans would compile these demos into an unofficial release. Dubbed Voids, this fan-made compilation several alternate takes of tracks from Deathconsciousness, as well as a handful of early versions of songs that would appear on Have A Nice Life’s two following albums, The Unnatural World and Sea Of Worry. Fans swarmed around this compilation, accompanied by loud calls for it to receive a physical release. A tape pressing of Voids would be released via Music Ruins Lives, a DIY label run by Have A Nice Life superfan Thom Wasluck, also known for his band Planning for Burial. Between both instances of the tape swiftly selling out and the compilation’s long absence from streaming services, Voids has historically been an elusive release to track down, only available in the obscurest corners of the internet or physically on the secondary market at eye-wateringly high prices.

Over a decade since its initial, unofficial release in 2011, The Flenser is proud to reissue Have A Nice Life’s Voids for the first time ever in an official capacity in physical form.

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Release: 2023 / EU

Genre: Rock & Indie

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During the late 1970s, after No Wave pioneer Lydia Lunch met saxophonist James Chance, she began setting her angry and disjointed poetry to anti-music, founding her ground-breaking band Teenage Jesus and The Jerks with Lunch’s shouted lyrics matched by her non-conventional use of electric guitar. The group’s self-titled debut EP is a fast and furious affair, produced by Robert Quine of the Voidoids/Lou Reed, with future Nick Cave drummer Jim Sclavunos on bass and Bradley Field on minimalist percussion; steeped in aggression and audacity, it’s an awesome disc that rebuffs punk’s easy cliches and refuses to be categorized. This reissue also includes the ‘Pre’ EP and the tracks from the legendary No New York compilation. Essential!

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Lydia Lunch

Queen Of Siam

Live At The Ontario Theater Washington Dc 1984

Release: 2023 / EU

Genre: Rock & Indie

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After the demise of Teenage Jesus and the Jerks, Lydia Lunch launched her solo career with Queen Of Siam, arguably her greatest LP. In true No Wave style, the album is a mishmash of irritants, but her palette is far broader here, lurching from slow dirges, excessive feminist exhortations, and raucous personal purges to a touch of disco and lounge music exoticism, as conjured by Voidoids/Lou Reed guitarist Robert Quine, Contortions bassist Jack Ruby, and John Cale’s drummer, Douglas Browne. Spirited, surprisingly broad and defiantly dissonant, Queen Of Siam’s dense layers were designed to provoke and inflame; listen closely to fully decode.

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The Cure

Tape | 2023 | EU (Tape It Dee Dee)

Tape | 2023 | EU (Tape It Dee Dee)

Release: 2023 / EU

Genre: Rock & Indie

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The Cure had been gradually building their U.S. fan base when they embarked on their third American tour to promote their 1984 studio release, The Top. This recording was made on that tour, and features the band during their most defining musical period. Coming off the success of hits like “Let’s Go To Bed” and “Boys Don’t Cry,” Robert Smith and the band had finally come to the point where they could take The Cure’s eccentric, characteristically dark sound and combine it with a more radio-friendly approach.

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David Bowie

Live In Montreal 1983

Release: 2023 / EU

Genre: Rock & Indie, Pop

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King Gizzard & The Lizard Wizard

Live At Red Rocks '22

6Tape | 2022 | US | Original (Needlejuice)

42,99 €*

Tape | 2022 | US | Original (ORG Music)

Release: 2022 / US – Original

Genre: Rock & Indie

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King Gizzard’s epic 3-night run is now available as a deluxe box set! 86 songs, with no repeats across all 3 nights. This epic 12-LP set features the complete concerts uncut, new artwork by Echo Barrett, and a photo booklet. Live at Red Rocks Amphitheatre, Morrison, CO, USA, – Oct 10, Oct 11 and Nov 2 2022.

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The Moldy Peaches

Origin Story: 1994-1999

Tape | 2022 | US | Original (Mom & Pop)

Release: 2022 / US – Original

Genre: Rock & Indie

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Adam Green and Kimya Dawson originally crossed paths at an open mic night in Mount Kisco, New York in the early 90s. From there they went on to record a surplus of home recordings with various friends under the moniker The Moldy Peaches, and eventually became staples in the NYC anti-folk scene of the late 90's/ early 2000's. After releasing several albums that gained traction in the U.S. and UK, the group broke into the mainstream when their song "Anyone Else But You" appeared in the hit indie film "Juno" (2007).

Origin Story: 1994-1999 is a collection of songs, unreleased demos, live tracks, and poems from the early years of The Moldy Peaches, and outline the tale of how the band came to be. Liner notes written by Adam and Kimya detail the stories behind each track and rare photos included in the packaging help to illustrate the life and times of the duo when they were young.

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Caamp

Lavender Days

Tape | 2022 | EU | Original (Transgressive)

Release: 2022 / US – Original

Genre: Rock & Indie

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Caamp formed when Taylor Meier and Evan Westfall met and bonded over a shared love of music and a shared love of home, specifically the inspiration they culled from the Midwest lives they grew up in. The two began writing and performing and quickly grew a rabid fan base. A self-titled 2016 debut album took flight, Evan and Taylor brought a third member and longtime friend, Matt Vinson, to join on bass just before recording By and By. In week one of the release of their full-length, By and By on Mom + Pop, Caamp made multiple chart debuts. By and By entered the Billboard Top 200, was the #1 Heatseeker, #1 on the New Artist Alternative Albums, top 5 vinyl album sales for the week and entered the Alternative and Emerging Artist charts. Caamp then scored their first #1 at radio with their single 'Peach Fuzz,' made their late-night television debut on Jimmy Kimmel Live!, and followed that up with a killer performance on CBS This Morning Saturday. After a victorious 2019 festival season playing Firefly, Shaky Knees, Forecastle, Outside Lands, Austin City Limits, Great Escape and many more, Caamp kicked off a major US headlining tour in September of 2019 and sold out show after show. In early 2020, Caamp performed on the Late Show with Stephen Colbert. The performance was filmed in Caamp's hometown of Columbus, OH during quarantine. The trio later released their first live EP Live From Newport Music Hall. The five-track recording was taken from one of their seminal hometown shows in Columbus, OH. The recording contains live versions of songs off their most recent album, By and By. Not long after the release of Live From Newport Music Hall, Caamp kept themselves busy by releasing the singles and companion videos for 'Officer Of Love' and 'Fall Fall Fall' via their label home, Mom + Pop. The band then celebrated another victory in 2020 with their single 'By and By' resting snugly in the Top 5 Most Spun on Sirius XM's Alt Nation. They kicked off 2021 with 'Officer of Love' hitting #1 at AAA radio for 2 consecutive weeks. In 2022, the band will release their highly-anticipated album 'Lavender Days' featuring 'Believe'

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Alvvays

Blue Rev

Release: 2022 / EU – Original

Genre: Rock & Indie

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Tape | 1972 | EU | Reissue (Grönland)

Neu!

Release: 1972 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Papercuts Singles Collection 2000-2023

Linkin Park

Tape | 2024 | EU | Original (Warner Bros.)

34,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tape | 2024 | EU | Original (Winspear)

Amy O

Mirror, Reflect

Tape | 2024 | US | Original (Numero Group)

Release: 2024 / EU – Original

Genre: Rock & Indie

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On 'Mirror, Reflect,' Amy O returns to form as she documents her transition into motherhood in the early days of the pandemic. Initially conceived as a lo-fi endeavor to record songs made with friends in those days of uncertainty, 'Mirror, Reflect' is an intimate and exploratory work that weaves collected home and field recordings with shimmering synths and Oelsner's playful lyricism.A stalwart presence in the indie-pop underground since 2012, Oelsner shifted her approach to record making on 'Mirror, Reflect' to emphasize process over product, with the resulting songs born out of a myriad of home sessions, song-a-day projects, songwriting workshops and online collaborations. This kind of patchwork, home-spun approach was familiar to Oelsner, who made her name with her sparkling, homemade pop songs before releasing three studio albums, including her most recent album, 2019's Shell.'Mirror, Reflect' gently shrugs off the sheen of those studio albums, as an early prenatal recording of Oelsner's daughter's heartbeat opens the record in the near-ambient instrumental prelude of "Honey" -- a wonderfully nuanced dispatch from the dog days of summer that's under-bellied by both the precarity and beauty of the early months of infancy and new motherhood. Oelsner's knack for finding magic in the mundane is also deeply apparent on "Dribble Dribble," where the stick-with-you nature of the playful rhyme schemes of the children's books that became a regular part of her literary intake are worked into a lilting reflection on resilience, destruction and loss.Oelsner's initiation into motherhood is inseparable from the poetic heart of 'Mirror, Reflect', but the album is also largely informed by the shifts in Oelsner's relationship to herself. Through playful and emotionally acute observations, Amy O turns the potentially contractive experiences of motherhood, isolation, family and aging into a freewheeling work where ephemerality and humor collide over her deft lyrical phrasing, musicality and her keen observations t...

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Indian Summer

Giving Birth To Thunder

We Already Lost The World

Release: 2024 / US – Original

Genre: Rock & Indie

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The fourth leg on the early emo table ofRites of Spring, Moss Icon, and Cap'n Jazz,Indian Summer's Giving Birth To Thundercompiles their complete discography. Emo'ssecond wave crashed into the Bay Area in thesummer of 1994 in a rage-filled capsule ofquiet and loud, octave chords, angry sons,Spock haircuts, and screaming. At the eye ofthis pissed-for-the-hell-of-it storm wereIndian Summer. In the quartet's 12-monthexistence they wrote ten songs, appeared ona dozen singles and comps, and played over100 gigs across the U.S. and Canada beforeburning out, passing out, and moving outof their Blue House in Oakland. Theirhand-screened aesthetic is replicated inalarming detail in the accompanying by 24-page book with detailed liner notes, flyers,and miscellaneous propaganda.

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Birds In Row

Tape | 2018 | EU | Original (Deathwish)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Tape | 2023 | US | Original (Dead Oceans)

Wednesday

Rat Saw God

Ode To Dawn Wiener: Embarrassing Love Songs

Release: 2023 / US – Original

Genre: Rock & Indie

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A Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter/ vocalist/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet's new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album's ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman's voice slicing through the din. Rat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic water bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It's not really bright enough to see in front of you, but in that stretch of inky void - somehow - you see everything. The songs on Rat Saw God don't recount epics, just the everyday. They're true, they're real life, blurry and chaotic and strange - which is in-line with Hartzman's own ethos: "Everyone's story is worthy," she says, plainly. "Literally every life story is worth writing down, because people are so fascinating." But the thing about Rat Saw God - and about any Wednesday song, really - is you don't necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. Yeah, it's all in the details - how fucked up you got or get, how you break a heart, how you fall in love, how you make yourself and others feel seen - but it's mostly the way those tiny moments add up into a song or album or a person.

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Nicole Dollanganger

Tape | 2013 | US | Original (Run For Cover)

13,99 €*

Tape | 2021 | EU (Radiation Reissues)

Release: 2013 / US – Original

Genre: Rock & Indie

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Nicole Dollanganger has been quietly crafting her own world since 2012. Over a number of self-released albums recorded mostly in her own bedroom and bathroom, her signature style of gothic folk is inspired by countless influences, none more than the archetype of the love song. Dollanganger's signature lyricism is front-and-center - usually accompanied by barely more than a few lonesome chords, narratives are idyllic, yet haunting - dream-like, yet startlingly real.The thesis of "Ode to Dawn Wiener" is as straightforward as its subtitle, but over ten songs it becomes clear that there is much more to these songs than what they offer at the surface.

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The Outsiders

Calling On Youth

Tape | 2015 | US | Original (Sub Pop)

Release: 2021 / EU

Genre: Rock & Indie

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First time on cassette for the debut studio album by English punk rock band led by vocalist/guitarist Adrian Borland, who would go on to form the Sound. In 1976, they home-recorded Calling On Youth, a searching full-length that straddles nihilo-punk argot (“Terminal Case” and “I’m Screwed Up”) as well as smudged glam balladry (“Start Over” and “Weird”). For any fan of The Sound, an essential purchase.

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Nirvana

Bleach

Release: 2015 / US – Original

Genre: Rock & Indie

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Tape | 2024 | US | Original (Captured Tracks)

The Lemon Twigs

A Dream Is All We Know

In My Own Time 50th Anniversary Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Since the release of their debut studio album Do Hollywood (on 4AD) in 2016, The Lemon Twigs_the New York City rock band fronted by brothers Brian (27) and Michael D'Addario (25)_have waved the same revivalist torch as Alex Chilton and his Big Star crew, working to prove that archaic music from the `60s and `70s can still be relevant in digital world. Alongside peers like Foxygen and Drugdealer, The Lemon Twigs have explicitly documented a synchronistic blend of contemporary narrative motifs, old-school recording techniques, and flawless, consistent attitudes collaged from various crucial stages of rock 'n' roll. After a whirlwind 2023, the D'Addarios are continuing the momentum of their own evolving vision and voice, distilling a history lesson of baroque and power pop into A Dream Is All We Know (out May 3 on Captured Tracks).Garnering the top-to-bottom critical acclaim the brothers have long deserved, their 2023 LP Everything Harmony was spearheaded by an impressive string of singles, including "Corner Of My Eye" and "Any Time of Day." It was the kind of record that put all of Brian and Michael's talents on display, be it the former's multi-instrumentalist gifts or the latter's boyish, explosive pop-rock charisma and eye for engineering and vocal layering. But A Dream Is All We Know is not the acoustic, nylon string-based project that Everything Harmony was. Instead, it's a return to the form the Lemon Twigs first introduced on Do Hollywood_an electric guitar-centric, anthemic assemblage of, really, everything the band does great. These two companion records are an immediate example of a band capitalizing on their fire-in-the-belly appetite to make tunes that boast ubiquitous chemistry.A Dream Is All We Know is grandiose yet grounded; meticulous, yet wild and glowing. Made with analog precision, the album was finished in the immediate months after the band completed Everything Harmony during a vibrant, prolific period split between three studios on separate coasts. A Dream Is All We Know is a profoundly...

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Karen Dalton

Tape | 1972 | US | Reissue (Light In The Attic)

Tape | 2019 | US | Original (Sub Pop)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

Both the CD and cassette editions feature 9 bonus tracks, including 3 alternate takes from the In My Own Time album sessions, along with 6 previously unreleased tracks captured during Karen’s 1971 European tour, including live at The Montreux Golden Rose Pop Festival and Germany’s Beat Club.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

1–10: Originally released as Just Sunshine – PAS 6008, 1971 11–13: Alternate Takes from album sessions, 1970/71 14–15: Recorded live at Beat Club, Germany, April 21, 1971 16–19: Recorded live at The Montreux Golden Rose Pop Festival, May 1, 1972

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Shannon Lay

August

5,59 €* 15,99 € -65%

Tape | 2024 | US | Original (Flowing Downward)

Release: 2019 / US – Original

Genre: Rock & Indie

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There is an entire sub-genre of poetry devoted to rivers and their persistent, meditative flow. Emily Dickinson's ''My River Runs to Thee'' compares them to the cycle of life, while Alfred Tennyson's ''The Brook'' deems them eternal and Kathleen Raine's ''The River'' muses on the dream-state they evoke. For transcendent folk-pop artist Shannon Lay, the river is all of the above: It's the metaphor driving her latest album, the exquisitely uplifting August, which doubles as an aural baptism renewing her purpose for making music. ''I always picture music as this river. Everyone's throwing things into this river, it's a place you can go to and feed off of that energy,'' she says, ''and feel nourished by the fact that so many people are feeling what you're feeling. It's this beautiful exchange.'' The album's name, August, refers to the month in 2017 when Lay quit her day job and fully gave herself over to music. This was her liberation as an artist, and the album is devoted to paying that forward to her listeners. Lay may be the most chilled-out artist you'll ever meet. Despite fronting her tranquil solo act and being a guitarist/singer in the indie-rock band Feels, she never pressures herself to overachieve. Nonetheless, she regularly does: in a glowing review, Pitchfork anointed her last album, Living Water, ''captivating.'' With her life devoted to music, Lay often spends hours a day simply playing the guitar, challenging herself to become better. ''It just feels so good, doing something that is so much bigger than myself. I think so much of music is that, realizing that it's coming from something beyond and you are just the messenger'' says Lay, who took guitar lessons at age 13, which introduced her to Neil Young and The Beatles. After high school, she moved from Redondo Beach, Calif., to Hollywood and joined an indie-rock band. ''It was an energy I needed to release,'' she says. The exact type of energy may have changed, but her drive hasn't. August was mostly written in three months, during Lay's first solo tour for Living Water. ''For the most part, all of the songs were just guitar and voice,'' she says. In keeping with the humbled, contemplative nature of August, most tracks clock-in at three minutes or less. She saved indulgence for the production. ''Some songs as they were had this room to grow,'' says Lay, who recorded the album with her longtime friend, musician Ty Segall at his home studio on the East Side. ''I believe whoever you record with tends to affect the mood of music and Ty really brought this jovial sense that I hadn't really explored yet,'' she says. Also in the mix is Mikal Cronin, who played saxophone on the album's opener, ''Death Up Close.'' ''A lot of my friends who are really tough have admitted that they shed a tear when they hear my songs, and I think that really speaks to the visceral aspect of folk music,'' Lay says. ''It's this ancient form of expressing yourself.'' Think of August as a warm hug for your psyche. ''I want to create as much music as I can,'' she says, ''and leave this spot by the river where people can go sit and enjoy.''

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Dismalimerence / Sadness

Resplendence

21,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Tape | 2024 | US | Original (Domino Sound)

Fred McDowell

Alan Lomax Recordings

13,99 €*

Tape | 2023 | Original (Blackened)

Release: 2024 / US – Original

Genre: Rock & Indie

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The first ever recordings of Fred Mcdowell. Recorded by Alan Lomax in 1959. The first vinyl release dedicated entirely to this phenomenal recording session. Twelve songs that highlight the depth of his repetoire - from droning & hypnotic versions of songs that later became blues standards such as "Shake Em On Down" and "Good Morning Little Schoolgirl" to his deeply felt renditions of spirituals like "Keep Your Lamp Trimmed & Burning." Accompanied at times by some amazing hair comb playing & beautiful backup vocals. The stuff of dreams. Received an 8.5 rating from Pitchfork.

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Metallica

72 Seasons

22,99 €*

Release: 2023 / Original

Genre: Rock & Indie

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Tape | 2022 | UK | Original (Too Records)

The Driver Era

Summer Mixtape

Tape | 2017 | UK | Reissue (Partisan)

Release: 2022 / UK – Original

Genre: Rock & Indie

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For The Driver Era, music can't and shouldn't be forced. The band, formed by brothers Ross and Rocky Lynch in 2018 while on tour with their former group R5, aims to embrace the present moment, creating songs that reflect each experience and feeling as it comes.

It's a philosophy that pervades all of the duo's releases, from their debut Summer Mixtape (expected to release later this summer) features the band's two new tracks - the Rolling Stone- backed 'Keep Moving Forward' and lead single 'Malibu', inspired by summertime escapism.

In between polishing off the new songs and hitting the road, Ross is also a critically acclaimed actor (he drew rave reviews for his title role in the serial killer biopic My Friend Dahmer and recently starred in Netflix's The Chilling Adventures of Sabrina).

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Cigarettes After Sex

Release: 2017 / UK – Reissue

Genre: Rock & Indie

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She Said 'Burn' (Purple Shell)

Deep Purple

Tape | 2023 | EU | Original (CODA)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tape | 1997 | US | Reissue (Pirates Press)

Cock Sparrer

Two Monkeys

Release: 1997 / US – Reissue

Genre: Rock & Indie

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Never Let Me Go Red & Green & Blue Cassette Edition

Placebo

3Tape | 2022 | Original (So Recordings)

22,99 €*

Release: 2022 / Original

Genre: Rock & Indie

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Tape | 2024 | US | Original (Sacred Bones)

John Carpenter

Lost Themes IV: Noir

Tape | 2017 | Original (Zeitstrafe)

Release: 2024 / US – Original

Genre: Rock & Indie

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It's been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood's great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green's trilogy of Halloween reboots. With Lost Themes IV: Noir, they've struck gold again, this time mining the rich history of the film noir genre for inspiration.Since the first Lost Themes, John has referred to these compositions as "soundtracks for the movies in your mind." On the fourth installment in theseries, those movies are noirs. Like the film genre they were influenced by, what makes these songs "noirish" is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it, as in connected in an emotional way.The trio's free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine_the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John's own Christine. It's a chemistry that's helped power one of the most productive stretches of John's creative life, and Noir proves that it's nowhere near done yielding brilliant results.

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Belgrad

Release: 2017 / Original

Genre: Rock & Indie

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Tape | 2018 | EU | Original (Deathwish)

Cult Leader

Patient Man

Release: 2018 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Light In The Attic)

Lou Reed

Words & Music, May 1965

Hear Nothing See Nothing Say Nothing

Release: 2022 / US – Original

Genre: Rock & Indie

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*Available: August 26, 2022*

“To hear a tape containing their earliest demos, recorded on May 11, 1965, and locked away until now, is to hear traces of things rarely associated with The Velvet Underground: blues and folk, earthy and traditional, uncertain and hesitant... yet bristling with that rusty, caustic, Lou Reed spirit. It is a revelation.” - *Will Hodgkinson, Mojo*

Light in the Attic Records, in cooperation with Laurie Anderson, proudly announces the inaugural title in their ongoing Lou Reed Archive Series: Words & Music, May 1965. Released in tandem with the late artist’s 80th birthday celebrations, the album offers an extraordinary, unvarnished, and plainly poignant insight into one of America’s true poet-songwriters. Capturing Reed in his formative years, this previously unreleased collection of songs—penned by a young Lou Reed, recorded to tape with the help of future bandmate John Cale, and mailed to himself as a 'poor man’s copyright'—remained sealed in its original envelope and unopened for nearly 50 years. Its contents embody some of the most vital, groundbreaking contributions to American popular music committed to tape in the 20th century. Through examination of these songs rooted firmly in the folk tradition, we see clearly Lou’s lasting influence on the development of modern American music - from punk to art-rock and everything in between. A true time capsule, these recordings not only memorialize the nascent sparks of what would become the seeds of the incredibly influential Velvet Underground; they also cement Reed as a true observer with an innate talent for synthesizing and distilling the world around him into pure sonic poetry.

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Discharge

Tape | 2021 | EU (Radiation Reissues)

Tape | 1982 | Reissue (Universal)

Release: 2021 / EU

Genre: Rock & Indie

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Fully Licensed, Limited Cassette Version FOR This Absolute Punk Classic!

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R.E.M.

Chronic Town

Release: 1982 / Reissue

Genre: Rock & Indie

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The Sick The Dying And The Dead!

Megadeth

Tape | 2022 | Original (Universal)

Release: 2022 / Original

Genre: Rock & Indie

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Mainstream Sellout Limited Cassette

Machine Gun Kelly

Tape | 2022 | Original (Interscope)

Release: 2022 / Original

Genre: Rock & Indie

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Wish 30th Anniversay Edition Limited Lost Wishes Cassette

The Cure

Tape | 1992 | Reissue (Polydor)

Release: 1992 / Reissue

Genre: Rock & Indie

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Night Visions 10th Anniversary

Imagine Dragons

Tape | 2012 | Reissue (Interscope)

Release: 2012 / Reissue

Genre: Rock & Indie

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Diamond Star Halos Limited Red Cassette

Def Leppard

Tape | 2022 | Original (Universal)

13,99 €*

Release: 2022 / Original

Genre: Rock & Indie

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Tape | 2024 | US | Original (Secretly Canadian)

Faye Webster

I Know I'm Funny Haha

Tattoo You 40th Anniversary Red Tape Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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I Know I'm Funny haha is Webster's most realized manifestationyet of this emotional and musical alchemy. Continuing to bloomfrom her 2019 breakthrough and Secretly Canadian debut AtlantaMillionaires Club, Webster's sound draws as much from the lap-steelsinger-songwriter pop of the 1970s and teardrop country tunes asit does from the audacious personalities of her city's rap and R&Bcommunity.The album began for Webster with the stirring ballad "In a GoodWay," as in "You make me want to cry in a good way"_an instantclassicFaye Webster one-liner. It's beguilingly simple, the kindof melody and arrangement that seem to have existed forever. Asense of relief charges the neo-psychedelic pop of "Cheers,"where Webster experiments with an overdriven guitar tone. She alsocollaborated, on "Overslept," with the Japanese artist Mei Ehara,who she calls the biggest influence on her new music.Webster's music is full of personality. Many of her songs containbits of girl-group-esque talk-singing, which color her atypical storysongs.Webster says she's in a growth mindset, pushing herself to learnmore, to be more vulnerable. "Growth is really important to me," shesays. "I hope people will relate to my songs, and not just be like `thisis a good record' but `this makes me feel something. This is makingme think differently, this is making me question things.' I told myselfa few years ago that I was going to be more honest in my songwriting,that honesty is the best route to take with music. If I have a voice andpeople are listening to me, I'm not going to waste it."

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The Rolling Stones

Tape | 2023 | EU | Original (Polydor)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Dead Oceans)

Mitski

Laurel Hell

Tape | 2021 | US | Original (Sacred Bones)

Release: 2022 / US – Original

Genre: Rock & Indie

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We don't typically look to pop albums to answer our cultural moment, let alone to meet the soul hunger left in the wake of global catastrophe. But occasionally, an artist proves the form more malleable and capacious than we knew. With Laurel Hell, Mitski cements her reputation as an artist in possession of such power - capable of using her talent to perform the alchemy that turns our most savage and alienated experiences into the very elixir that cures them. Her critically beloved last album, Be the Cowboy, built on the breakout acclaim of 2016's Puberty 2 and launched her from cult favorite to indie star. She ascended amid a fever of national division, and the grind of touring and pitfalls of increased visibility influenced her music as much as her spirit. Like the mountain laurels for this new album is named, public perception, like the intoxicating prism of the internet, can offer an alluring façade that obscures a deadly trap _ one that tightens the more you struggle. Exhausted by this warped mirror, and our addiction to false binaries, she began writing songs that stripped away the masks and revealed the complex and often contradictory realities behind them. She wrote many of these songs during or before 2018, while the album finished mixing in May 2021. It is the longest span of time Mitski has ever spent on a record, and a process that concluded amid a radically changed world. She recorded Laurel Hell with her longtime producer Patrick Hyland throughout the isolation of a global pandemic, during which some of the songs "slowly took on new forms and meanings, like seed to flower." Sometimes it's hard to see the change when you're the agent of it, but for the lucky rest of us, Mitski has written a soundtrack for transformation, a map to the place where vulnerability and resilience, sorrow and delight, error and transcendence can all sit within our humanity, can all be seen as worthy of acknowledgment, and ultimately, love.

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Molchat Doma

S Krysh Nashikh Domov

Tape | 2023 | US | Original (Innovative Leisure / Calico Discos)

Release: 2021 / US – Original

Genre: Rock & Indie

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When S Krysh Nashikh Domov The Debut Album By Molchat Doma, Was Released In 2017, It Announced A Bold New Voice In Underground Music. The Album Found A Passionate Audience On Bandcamp And Other Streaming Services And Was Released On Cd And Cassette. Sacred Bones Records Is Proud To Present The Album On Vinyl For The First Time. Molchat Doma (Translated As "Houses Are Silent"), Founded In 2017 In Minsk, Belarus, Stands At The Intersection Of Post-Punk, New-Wave And Synth-Pop. Dark Yet Danceable, And With A Heavy Dose Of Goth Ethos, Their Music Is Reminiscent Of The Masters That Predate Them, But Make No Mistake: Molchat Doma Creates A Sound And Meaning That Is Immediately Recognizable As All Their Own. The Band Is Comprised Of Egor Shkutko, Who Sings The Russian Lyrics In His Deep Monotone, Roman Komogortsev On Guitar, Synths, And Drum Machine, And Pavel Kozlov On Bass And Synths.Riyl: Depeche Mode, New Order, Drab Majesty, Black Marble

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Allah-Las

Zuma 85

Tape | 2022 | US | Original (Jackpot)

Release: 2023 / US – Original

Genre: Rock & Indie

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For the last 15 years, Allah-Las have alchemically melded surf rock washes with folk rock jangle and rock, building up their lauded music podcast, Reverberation Radio, and record label, Calico Discos, in the process. But a lot has changed since Matthew Correia (drums/vocals), Spencer Dunham (bass, guitar, vocals), Miles Michaud (guitar, organ, vocals), and Pedrum Siadatian (guitar, synth, vocals) first bonded over psych rock vinyl in the back room at Amoeba Records in the late aughts. Zuma 85 signals the start of a new era for Allah-Las, and finds the band reinventing itself in defiance of the algorithmic categorization and robotic sterility. Recorded in the midst of the shift from the Old World to whatever branch of reality we’re on now, it’s a return, too: The album will be released October 13th on their own label, Calico Discos, in partnership with Innovative Leisure, which released early defining statements like Allah-Las (2012) and Worship The Sun (2014).

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Wipers

Over The Edge

Release: 2022 / US – Original

Genre: Rock & Indie

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Tape | 2022 | US | Original (Jackpot)

Wipers

Youth Of America

Release: 2022 / US – Original

Genre: Rock & Indie

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Tape | 2024 | Original (Bajo Perfil)

Sucubo

Demo Xx

Release: 2024 / Original

Genre: Rock & Indie

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Tape | 2024 | Original (Iron Lung)

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Coming Soon

Kevlar Upper

Demo

Release: 2024 / Original

Genre: Rock & Indie

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Tape | 2024 | Original (Descomunal)

Fromhell

Release: 2024 / Original

Genre: Rock & Indie

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Tape | 2024 | EU | Original (Sucata Tapes)

O Morto

Lila

Entomological Siege 2004/2009

Release: 2024 / EU – Original

Genre: Rock & Indie

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O Morto, aka Mestre André now presents the full length version of his Lila composition, a collaboration with Moroccan musicians Ayoub ElAyady and Khalid Boulhamam.

Lila is the Arabic word for night and is also the name of the liturgic ceremony manifested in a trance, as a process of healing and therapy, through a ritual of sensory immersion conducted by music (gnawa), incense, colour and dance. From sunset to dawn, seven colours are revealed, associated with different rhythms and stages of ecstasy.

In Lila, Ayoub ElAyady, Khalid Boulhamam and O Morto summarily travel through the seven colours of the nocturnal ritual in all its scope – using both the form of tradition and electronic manipulation.

Limited to 100 units with artwork by Desisto.

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Insect Warfare

2Tape | 2023 | EU | Original (F.O.A.D.)

25,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Tape | 2018 | US | Original (Needlejuice)

Lemon Demon

I Am Become Christmas EP

Tape | 2008 | US | Reissue (The Flenser)

Release: 2018 / US – Original

Genre: Rock & Indie

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Hot off the metaphorical heels of our rousing Spirit Phone success, Needlejuice is delighted to bring you another Lemon Demon release. This time around we’re offering Neil’s 2012 Christmas EP I Am Become Christmas. Lightheartedly exploring such dark topics as a government-funded Santa Claus and seasonal affective disorder, this set of 5 spooky holiday songs hinted at the direction Neil was headed toward on Spirit Phone.

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Have A Nice Life

Deathconsciousness

Tape | 1989 | US | Reissue (ORG Music)

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Have A Nice Life released their debut double-album Deathconsciousness in 2008 to a whimper and critical non-interest; six years later, the band followed it up with 2014’s stunner The Unnatural World. In the meantime, Deathconsciousness has become a cult classic whose seamless blend of shoegaze, post-punk, new wave, industrial and noise influences inspires fanatic obsession. Rhythmic, primal and expansive, Deathconsciousness offers a meditation on death, loss and unrequited love, with repeated listens revealing new layers of depth and meaning.

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Bad Brains

Quickness