Electronic & Dance 5687 Items

Release: US – Original

Genre: Hip Hop, Electronic & Dance

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12" | US | Original (Egyptian Empire)

Egyptian Lover

The Lover

12" | US | Original (Egyptian Empire)

Release: US – Original

Genre: Hip Hop, Electronic & Dance

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/ I Want To Make Love

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Egyptian Lover

Bounce That Bootie

12,99 €*

LP | US | Original (Egyptian Empire)

Release: US – Original

Genre: Hip Hop, Electronic & Dance

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/ gotta have ya

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Egyptian Lover

One Track Mind

Release: US – Original

Genre: Hip Hop, Electronic & Dance

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Jeanette Thomas / Gwen Guthrie

Dub your body Rude Boy remix / it should have been you

12" | US (RL)

13,99 €*

LP | EU | Reissue (Bureau B)

Release: US

Genre: Electronic & Dance

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Chicago house classics!

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Hans-Joachim Roedelius

Durch Die Wüste

Release: EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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12" | FR | Original (Balance Recordings)

Brawther

Remixes

9,99 €*

DJ Slugo presents DJ Clent

Release: FR – Original

Genre: Electronic & Dance

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This new release includes Brawther takes his added interpretation of “Chez N Trent “ Don’t tryit/Happy” while keeping its original production. Creatively done in good classic dub taste. Included in this remix package a new remix of the underground techno cut “Le Voyage” which has now been given the house treatment. It keeps getting better as Brawther also add to this smash 12” inch his own interpretation of the current Balance release of “Saint Sebastion / Wipe the Needle “Life” and a added bonus and remix of “Asteroids and Stardust” by Chez Damier!

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Hail Mary

12" | EU | Reissue (Subterranean Playhouse Series)

11,99 €*

Release: EU – Reissue

Genre: Electronic & Dance

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Absolutely classic, banging ghetto Houz HEAT from the legendary Dance Mania camp outta Chicago.
DJ Slugo and DJ Clent supply us with a handful of chopped up R&B and Hip Hop sampling footwork/House bangers.
Already highly sought after due to a certain LA DJ dropping the 'Pac sampling "Hail Mary" on his Boiler Room set, this EP can change hands for up to £100 used!

Reissued and remastered here for the first time you can now get your hands on this heavyweight 6 tracker for the price of a normal 12" single - Sho nuff!
If you know about this style of music then you know what to expect! Raw, super charged House and Footwork stylings for the heads!

Reissued in conjunction with Dance Mania, Chicago IL. 100% legit!

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Genre: Electronic & Dance

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Faces Black Vinyl Edition

Clio

12" | EU | Reissue (Danse / Planet)

Release: EU – Reissue

Genre: Electronic & Dance, Pop

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Regular black version of this timeless masterpiece!

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Genre: Electronic & Dance

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Med School Graduation

4LP (Hospital)

Genre: Electronic & Dance

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Glass House

Inside The Glass House

LP (Demon)

Genre: Electronic & Dance

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Release: US

Genre: Electronic & Dance

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Franki Valli & The Four Seasons

Special Disco Versions

12" | US (RSO)

13,99 €*

Release: US

Genre: Electronic & Dance

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Genre: Electronic & Dance

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Our forthcoming release from Roma Khropko has a story behind it. After producing some tracks for his girlfriend, she liked them so much that they were included in a mix for the Club Vision POOORCast Series. We loved the tracks so much that we asked for the ID and now, here we are, releasing them on our label. CV08 is real connection. Music is connection.

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Release: US

Genre: Electronic & Dance

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The Drag Stop / Something Better

Beatconductor

7" | US | Original (Gatt)

12" | UK | Original (Reel People Music)

Release: US – Original

Genre: Electronic & Dance

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First in the new series of 7" singles from Beatconductor. Feel good summery Disco on the A side. "stop Draggin MY Heart Around" acapella on top of a moody, Rotary Connection style, mid-tempo disco chugger on the B. Stamped!

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Reel People

Vinyl Sampler Volume 3

Release: UK – Original

Genre: Electronic & Dance

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7" | UK | Original (Yoruba)

Oveous X Don Kamares

Legacy / Dubstamental

20,99 €*

Release: UK – Original

Genre: Electronic & Dance

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Come With Us Indie Exclusive Yellow Vinyl Edition

Chemical Brothers

LP | PL | Reissue (Virgin)

Release: PL – Reissue

Genre: Electronic & Dance

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The Jam’s debut album In The City was originally released in May 1977 and reached #20 in the UK album chart. It features the title track, the first of their 18 top 40 singles (UK #40 in April 1977) alongside 9 further originals which captured the mood of the times and in particular the energy and anger of the UK Punk movement. It also boasts two cover versions, ‘Slow Down’ and the theme to the 1960s TV show Batman which make no secret of the inspiration the band took from 60’s American R&B and UK groups like The Beatles and The Who, who also covered the Batman theme. The release comes in 140-gram limited edition white vinyl.

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Origins Of Techno - Ministry Of Sound

2LP (Ministry Of Sound)

35,99 €*

Genre: Electronic & Dance

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Genre: Electronic & Dance

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Miss Red

Dagger/One Shot Killer

LP (Warp)

22,99 €*

Genre: Electronic & Dance

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Chromeo

Date Night Chromeo Live!

3LP (Mnrk)

Genre: Electronic & Dance

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David Guetta

Just A Little More Love

2LP (Plgflintl)

38,99 €*

Genre: Electronic & Dance

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LP | Original (Moochin' About)

Perry Blake

Songs Of Praise

Release: Original

Genre: Electronic & Dance

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Suicideyear

Color The Weather

LP | Original (LuckyMe)

29,99 €*

Release: Original

Genre: Electronic & Dance

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Technicolor Paradise: Rhum Rhapsodies & Other

2LP | Original (Numero)

96,99 €*

Release: Original

Genre: Electronic & Dance

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12" | EU | Original (Brain Distortion)

C.T.O.

T.S.O.

Release: EU – Original

Genre: Electronic & Dance

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Crate Classics Volume Iii

Omar Santana

12" | EU | Original (H2OH)

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Passionate Music Label)

Hardcore Classics 005

Release: EU – Original

Genre: Electronic & Dance

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Point 44 Records Presents Unfinished Business Gold Edition 1

12" | EU | Original (Point 44)

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Rave Instinct)

Painbringer

Everything Or Nothing

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Scantraxx)

The Prophet

The Vinyl Collection 01

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (United Speedcore Nation)

Open The Hellgate

14,99 €*

Release: EU – Original

Genre: Electronic & Dance

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Usn 25 : 25 Years Of Hardcore, Terror & Speedcore

12" | EU | Original (United Speedcore Nation)

33,99 €*

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Ground Control)

Code Rising

Don't Stop The Beat

Release: EU – Original

Genre: Electronic & Dance

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Sans George Nreleased Tracks From The Get Back Sessions

The Beatles

LP | EU (Avitom)

Release: EU

Genre: Rock & Indie, Electronic & Dance

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Release: UK

Genre: Electronic & Dance

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RFXN kicks off life with a new single from David Agrella that comes with a bunch of great remixes. First off he offers up his own Acid Mix of 'Perro Balearico' and it's a supple, deep and dubby track with liquid synths and prog chords that sound both retro and future all at once. The orange is a more dreamy and spaced-out sound for 5 am sessions. On the flip is a more punch but still silky and warmly melodic remix from Mario Liberti before last of all, Gabriel Rai gets darker. His drums hit harder and the synths are moodier as he takes dancers down a late-night path of mystery and intrigue.

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Release: US

Genre: Electronic & Dance

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Silver Apples Smoke Colored Vinyl Edition

Silver Apples

LP | 1968 | US | Reissue (Jackpot)

29,99 €*

LP | 1969 | UK | Reissue (Island)

Release: 1968 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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New 24 bit /96 kHz transfer taken from the original master tapes. Limited Smoke Colored Vinyl w/ Deluxe Silver Foil Jacket.

Formed in 1967 as a psychedelic electronic duo featuring Dan Taylor on drums and Simeon on a homemade synthesizer consisting of 12 oscillators (and an assortment of sound filters, telegraph keys, radio parts, lab gear and a variety of second hand electronic junk), SILVER APPLES quickly gained a reputation as New York’s leading underground musical expression. Their pulsating rhythmic beats with the use of electronics laid the groundwork for what would become“Krautrock” Silver Apples was released in 1968 and still remains an innovative and revolutionary album. Their highly influential sound has influenced countless bands from Stereolab, Beastie Boys, Blur and more. Edition of 500 copies.

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White Noise

An Electric Storm

Tape | 1969 | EU (Radiation Reissues)

Release: 1969 / UK – Reissue

Genre: Electronic & Dance, Pop

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An Electric Storm is justly renowned among techno boffins as one of the first albums to fuse pop and electronic music before the advent of the Moog synthesizer. But you don't have to be versed in the language of sine waves and oscillators to enjoy this mostly delightful and hugely inventive album. For although the White Noise were almost exclusively composed of virtuoso knob twiddlers and tape splicers moonlighting from the BBC Radiophonic Workshop, luckily they were no slouches when it came to penning a decent tune. There's also anarchic humor at play on the manic "Here Come the Fleas," which contains more edits in its two minutes than the whole of Sgt. Pepper's.Yet it's the retro-futurist textures that still grab the ear most. These are sounds that will be familiar to anyone who knows the soundtrack of Forbidden Planet or the early series of Doctor Who, but they had never before been deployed in the service of pop music, nor have they since. And whereas the Moog would supplant all of these primitive, time-consuming techniques of sound generation and manipulation within the year, it also destroyed much of electronic music's spirit of adventure in the process. How could you boldly go where no man had gone before when your sound universe was suddenly overlaid by tram lines and route maps? So although most of the songs that make up the first half of An Electric Storm are pretty much your standard-issue polite British psychedelia (the somewhat embarrassing United States of America-style orgy of "My Game of Loving" aside), the way they're dressed up still sounds innovative decades later. Sometimes songs dissolve into bleeps, whooshes, and gurgles that hurtle between your speakers, but compared to the extended guitar and organ solos that were common currency at the time, they are the very essence of restraint. That said, restraint was put to the sword on the final two tracks, the 12-minute "The Visitations" and the seven-minute "The Black Mass: An Electric Storm in Hell." The former is a decidedly spooky "Leader of the Pack"-style drama with a supernatural twist. The biker, having departed this life, attempts to make one last attempt to cross over and console his grieving beloved, only to fall agonizingly short. If you can suspend your disbelief -- and persuade yourself that the biker's departing spirit doesn't sound like a cappuccino machine -- it's spine-tingling stuff that you won't dare listen to with the lights off. Which is more than can be said for the concluding track, a would-be satanic jam session botched together in a hurry to meet Island's suddenly imposed deadline.

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Tangerine Dream

Electronic Meditation

12,99 €*

LP | 1970 | EU | Reissue (Spoon)

Release: 1969 / EU

Genre: Electronic & Dance

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First major release and first studio album by German electronic music group Tangerine Dream. Recorded in a rented factory in Berlin in October 1969, using just a two-track recorder. As described back then by Sound magazine "free electronic rock", it features conventional instruments such as guitar, organ, drums, custom-made and found sound such as such broken glass, burning parchment, and dried peas being shaken in a sieve. An all-time milestone in music history.

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Can

Soundtracks

LP | 1970 | EU | Reissue (Wah Wah)

Release: 1970 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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107-34-8933

Numbers

20,99 €*

Andromeda Strain - Original Electronic Soundtrack

Release: 1970 / EU – Reissue

Genre: Electronic & Dance

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If you check the credits of The Rolling Stones' Goats Head Soup LP from 1973 you'll find a certain "Pascal" listed on the percussion section. That is none other than Los Angeles based artist Nicolas Pascal Raicevik (1933-1994), aka 107-34-8933, aka Head, aka Nik Pascal, aka Nik Raicevic. Besides his hitting the bongoes on the Stones album, Nik was a great artist on his own, both as a painter and as a musician. As a musician, he was a pioneer in the use of synthesizers, preceeding the Berlin school by some years when his Head LP was released on on Buddah in 1970. Buddah probably saw in Head the opportunity to cash in some money from the remains of the psychedelic scene - the three tracks on the LP are named after drugs used in the late sixties. The sounds, however, are accomplished works that show Raicevic as one of the most interesting pioneers in the use of synths. The album probably didn't do too well, since Buddah didn't renew the contract with Raicevic, who instead took his own way releasing his works on his very own Narco Records and Tapes label. Between 1968 and 1975 Narco would issue 4 LPs credited either to Nik Raicevic (Beyond The End... Eternity) or Nik Pascal (The Sixth Ear, Magnetic Web and Zero Gravity) plus one credited to 107-34-8933 (Numbers, which is in fact the same LP as Buddah's Head, albeit with different cover art). Copies of these LPs came with an ironic sticker over the shrinkwrap that read "Do not listen to this LP if you are stoned".

Numbers was the first reference in the Narco catalogue (NR101), each of the three tracks it contains is named after a drug: Cannabis Sativa, Methedrine and Lysergic Acid Diethylamide. The album was credited to 107-34-8933, there is no date of release on the disc, some sources take it as back as 1968 - in any case, this is the same record that was issued on Buddah in 1970 credited to Head and eponymously-titled. The Wah Wah reissue features the original cover artwork from the Narco edition.

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Gil Mele

LP | 1971 | US | Reissue (Kapp)

Release: 1971 / US – Reissue

Genre: Electronic & Dance

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Ash Ra Tempel Black Vinyl Edition

LP | 1971 | Reissue (MG.Art)

33,99 €*

Release: 1971 / Reissue

Genre: Electronic & Dance

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Black Vinyl, Sticker, 50th Anniversary RE-Edition, first-ever official reissue on vinyl since 1975,
Re-Cut carefully overseen by Manuel Göttsching.

TRACKLIST:

A. "Amboss" 19:40
B. "Traummaschine" 25:24

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Ash Ra Tempel Remastered By Manuel Göttsching

CD | 1971 | EU | Reissue (MG.Art)

Phil Ranelin & Wendell Harrison

Release: 1971 / EU – Reissue

Genre: Electronic & Dance

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Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)

Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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Message From The Tribe

LP | 1972 | US | Reissue (Now-Again)

Tape | 1972 | EU | Reissue (Grönland)

Release: 1972 / US – Reissue

Genre: Electronic & Dance

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The Tribe founders’ collaborative debut, remixed from the original mutli-track master tapes under the direction of its creators and lacquered by Bernie Grundman. Phil Ranelin’s side has been pitch-corrected and restored to a suite, as was originally intended. Wendell Harrison’s side contains extended, full versions of two songs. The definitive reissue of this Spiritual Jazz masterpiece. The Tribe label, one of the brightest lights of America’s 1970s jazz underground, receives the Now-Again reissue treatment. This is your chance to indulge in the music and story of one of the most meaningful, local movements of the 20th Century Black American experience, one that expanded outwards towards the cosmos. In the words of the collective themselves, “Music is the healing force of the universe.” Included in an extensive, oversized booklet, Larry Gabriel and Jeff “Chairman” Mao take us through the history of the Tribe, in a compelling story that delves not just into the history of the label and its principals, but into the story of Black American empowerment in the latter half of the 20th Century. The booklet features never-before-seen archival photos and rare ephemera from Tribe’s mid-1970s heyday.

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Neu!

Release: 1972 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Schwingungen (Remastered By Manuel Göttsching)

CD | 1972 | EU | Reissue (MG.Art)

LP | 1973 | UK | Reissue (Spoon)

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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We proudly announce the CD REmaster Editionof the 1972 Original release , one of the most important German
Krautrock albums - Remastered by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“

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Can

Future Days

Release: 1973 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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Remastered from the original tapes, 180g vinyl!

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Seven Up 50th Anniversary Edition

LP | 1973 | EU | Reissue (MG.Art)

12" | 1974 | EU | Reissue (CBS)

Release: 1973 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series. “Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed September 1972 at Dierks Studios in Stommeln, Germany.

First release in spring 1973 by OHR Musik - the first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001. We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th 2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos from the recording session.

As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995): “When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards. 7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic group, but even weirder that he chose to sing a wild yelping freaked out blues ! Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality. The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it.

Hartmut Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would have sounded psychedelic. 7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous sounds have been allowed to stay, to drift and to dance around the performers. The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the grandest of traditions. In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though, Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W. Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away. In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL - drums
DIETER DIERKS - synthesizer & Radio Downtown

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Elkin & Nelson

Jibaro Red Vinyl Edition

17,99 €*

Be Thankful For What You Got

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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A true Balearic classic. One of a handful of records that can comfortably boast this title, Elkin & Nelson's 1979 classic 'Jibaro' sits in the canon of selections that enlightened the ears of the jet-set and globe trotting music fanatics in the heady and much storied years of the White isle in the 1980's. The Colombian brothers Javier and Leon Marin Velez brought their own rustic brand of folksy-Rock-Psychedelia to the listening public in 1974 with their debut LP 'Angeles Y Demonios' on Columbia records. The brothers had relocated to Spain, snared a major label deal and ran with it. The first of 3 LP's it proved a big hit in later years with adventurous DJ's and selectors. A cult record you might say. Of course, this LP featured 'Jibaro' in all it's forms, but it is this 1986 reissue 12" promo pressing with it's iconic, distinctive jacket that was the coveted slab sonic adventurers were seeking. Fully sanctioned and legitimately remastered from the original sources and packaged in it's original Columbia promo sleeve 'Jibaro' is back on the shelves, still an incredible record that gets pulled by the most discerning selectors across the globe. A true classic, featured here in it's long and short versions as per the '86 release. Absolute top-shelf stuff here, essential, must own and classic.

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William DeVaughn

12" | 1974 | UK | Reissue (Demon)

28,99 €*

Release: 1974 / UK – Reissue

Genre: Electronic & Dance

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LP | 1974 | US | Reissue (Fat Possum)

Ann Peebles

I Can't Stand The Rain

Release: 1974 / US – Reissue

Genre: Electronic & Dance

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LP | 1975 | UK | Reissue (Panegyric)

Fripp & Eno

Evening Star

Release: 1975 / UK – Reissue

Genre: Electronic & Dance

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Inventions For Electric Guitar (Remastered)

Manuel Göttsching

LP | 1975 | EU | Reissue (MG.Art)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Remastered by Manuel Göttsching and released on his own label MG ART. Inventions for Electric Guitar is Manuel Göttsching´s first solo album, recorded: July-August 1974.
The album was written and performed entirely by Göttsching on electric guitar, hence the title. Manuel played his guitar and used a 4 track TEAC A3340, Revox A77 for echoes, WahWah pedal, volume pedal, Schaller Rotosound and Hawaiian steel bar.

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Radio-Activity English Version Translucent Yellow Vinyl Edition

LP | 1975 | EU | Reissue (Parlophone)

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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Sammy Burdson, Klaus Weiss & Larry Robb

Dramatic Tempi / Larry Robbins Background

LP | 1975 | EU | Reissue (Be With)

LP | 1975 | EU | Reissue (Vinyl Magic)

Release: 1975 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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C-l-a-s-s-i-c library breaks and beats set of heavy drums and louche funk. One of two Be With forays into the archives of revered British library institution Conroy, we present one of our favourites on the label - the super in-demand Dramatic Tempi / Larry Robbins Background Rhythms, originally released in 1975. Rare and sought-after for many years now, this is one of those cult library LPs that rarely turns up on even the deepest dig. As a single LP, Dramatic Tempi / Larry Robbins Background Rhythms is two distinctly different collections of music. The first side, Dramatic Tempi, is made up of four tracks each from Sammy Burdson and Klaus Weiss. Sammy Burdson was one of the many, many aliases of the mighty Austrian composer, arranger and conductor, Gerhard Narholz. Founder of adored library label Sonoton in 1965, and a classically trained composer, his work runs from easy listening through pop, jazz and electronic, to avant-garde. About as cult as it gets when it comes to library music legends (German or otherwise), he produced essential records on German library labels Coloursound, Selected Sound and Sonoton.

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Daniela Casa

America Giovane N. 2

28,99 €*

Epsilon In Malaysian Pale Record Store Day 2022 Green/Milky Clear Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Electronic & Dance

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At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale. Daniela Casa (1944 - 1986) was a singer and composer, wife of another library music artist, Remigio Ducros, who wrote "America Giovane" (Young America), an LP that ideally precedes this second chapter. Originally released in 1975, "America Giovane N. 2" is today - like almost the entire Edizioni Leonardi catalog - extremely rare and among the most sought-after by collectors. Musically, it shares with the aforementioned "America Giovane" a remarkable stylistic variety: from folk to psychedelia, from funk to rhythm 'n blues but, unlike the first volume, on this record there's a more or less evident jazz aura ("Fix" and "Soft Bird" are practically two short free-jazz excursions!) that makes it even more interesting and unique. "America Giovane N. 2" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers. First official reissue ever on black vinyl.

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Edgar Froese

LP | 1975 | US | Reissue (Culture Factory)

LP | 1976 | EU | Reissue (Music On Vinyl)

Release: 1975 / US – Reissue

Genre: Electronic & Dance

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Limited to 3500 copies.

Epsilon in Malaysian Pale... which could be described as part of the "Phaedra Rubycon Epsilon" trilogy, shows Froese's impressions after the Australian Tangerine Dream concert tour, in relation to the flora and fauna there. Froese creates here a lush sonic atmosphere, the music matches the cover artwork perfectly. The music is harmonic and melodic. A sun-drenched musical landscape that is in no way inferior to the most famous Tangerine Dream albums.

It was not without reason that both David Bowie and Björk named Epsilon in Malaysian Pale as one of their inspirations.

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Coke Escovedo

Comin' At Ya!

LP | 1977 | WW | Reissue (SN Music Publishing)

Release: 1976 / EU – Reissue

Genre: Electronic & Dance

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180 gram audiophile black vinyl. Joseph Thomas Escovedo, better known as Coke Escovedo, was an American percussionist who played in several genres, including jazz fusion, R&B, and soul. In 1976 he released his second solo studio album Comin' At Ya!, which counts 11 Latin rooted tracks and was produced by the synthesizer pioneer Patrick Gleeson.

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Sezen Aksu

Allahaismarladik

Release: 1977 / WW – Reissue

Genre: Electronic & Dance

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The Man-Machine English Version Translucent Red Vinyl Edition

LP | 1978 | EU | Reissue (Parlophone)

32,99 €*

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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Patrice Definitive Reissue

Patrice Ruhseen

2LP | 1978 | EU | Reissue (Strut)

2LP | 1978 | WW | Reissue (SN Music Publishing)

Release: 1978 / EU – Reissue

Genre: Electronic & Dance

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Definitive reissue of Patrice Rushen’s debut album for Elektra in 1978 Includes the 12” versions of ‘Hang It Up!’ and ‘Play’ and a previously unreleased extended take of ‘Didn’t You Know’Official release featuring full interview with Patrice Rushen about the making of the album & rare photos from photographer Bobby Holland / Fully remastered from the original ¼” tapes

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Sezen Aksu

Serce

Release: 1978 / WW – Reissue

Genre: Electronic & Dance

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12" | 1979 | US (Hithouse)

Hudson People

Trip To Your Mind

14,99 €*

Release: 1979 / US

Genre: Organic Grooves, Electronic & Dance

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LP | 1979 | EU | Reissue (Everland Yu)

Misa Blam

Secanja

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Pizzazz Definitive Reissue

Patrice Rushen

2LP | 1979 | EU | Reissue (Strut)

Instant Funk Clear Red Vinyl Edition

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Expanded reissue of Patrice Rushen’s seminal album for Elektra in 1979 Includes the 12” versions of ‘Haven’t You Heard’ and ‘Let The Music Take Me’ and a previously unreleased instrumental take of ‘Givin’ It Up Is Givin’ Up’ Official release featuring full interview with Patrice Rushen about the making of the album & rare photos from photographer Bobby Holland Fully remastered from the original ¼” tapes

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Instant Funk

LP | 1979 | EU | Reissue (BMG Rights Management)

28,99 €*

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Uncle Jam Wants You Black Vinyl Edition

Funkadelic

LP | 1979 | EU | Reissue (Charly)

38,99 €*

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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LP | 1979 | UK | Reissue (Finders Keepers)

Alain Pierre

Des Morts (Of The Dead)

Chance Meeting On A Dissecting Table Of A Sewing Machine And An Umbrella

Release: 1979 / UK – Reissue

Genre: Electronic & Dance

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Expanded reissue of mega rare 1979 unknown vanity pressing LP that blends ethnological field recordings, musique concrète principles, and introspective synthesizer music from this cult European studio maverick and historic collaborator of COS, Philippe Druilet, Marc Moulin, and John Surman. Alain Pierre's Mondo movie soundtrack to the controversial Des Morts shares very few stylistic rivals, but fans of Jodorowsky's The Holy Mountain soundtrack and some of the more eldritch early sampling experiments of Jean-Pierre Massiera will certainly draw fragmented comparisons herein. Other listeners might file this album at the weirder end of your Smithsonian Folkways shelf, just before the Video Nasty soundtracks. Presented in remastered form comprising extra vintage studio outtakes (in accordance with the films morbid narrative), Des Morts serves as a would-be sequel to Finders Keepers' previous Ô Sidarta release witnessing Pierre balance his allegiance to the Belgian bandes dessinée scene and Thierry Zéno's shock cinema oeuvre from the heart of his uber-legendary Brussels based experimental recording studio through the 1970s. Presented in remastered form comprising extra previously unreleased vintage studio outtakes. Edition of 750.

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Nurse With Wound

LP | 1979 | EU | Reissue (Rotorelief)

37,99 €*

LP | 1980 | EU | Reissue (Bureau B)

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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Official reissue. New remastering vinyl of the 1979 LP by Colin Potter + "silver edition" Gatefold cover + complete NWW list on Gatefold inner.

Chance Meeting on a Dissecting Table of a Sewing Machine and an Umbrella is the debut album by British industrial music group Nurse With Wound, released on their own United Dairies label in 1979. An unusual record which blends noise and jamming.

The album's equally unusual title is a quote from the surreal, poetic novel Les Chants de Maldoror by Uruguayan-born French author Isidore-Lucien Ducasse, written under the pseudonym Comte de Lautréamont.It has been included in the "100 Records That Set the World on Fire (While No One Was Listening)" by TheWire in 1998, and is one of the records that have had a lasting impact on avant-garde, experimental and psychedelic music.It was on this record that the famous "nww list" appeared for the first time, featuring dozens of names of musicians and groups who had influenced Nurse With Wound - a list that now serves as a treasure map for many collectors of the genre and fans of outsider music. It's been replicated here in the innersleeve of the gatefold.

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Harald Grosskopf

Synthesist

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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The Lund - St. Petri Symphony

Lubomyr Melnyk

2LP | 1980 | EU | Reissue (Sounds Of Subterrania)

52,99 €*

Need It Tom Noble & Fredfades Remix

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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Silk-Screen cover. In 1978 I arrived for my first time to Sweden, to the town of Lund .. and there I met a remarkable man named Jean Sellem who ran a tiny gallery in the middle of the town, "The Galleri St.Petri: Dedicated To Modern Art and Thought "... and he was one of the few and first people who saw the greatness and beauty of Continuous Music .. and since I was a complete "unknown" at that time, I really needed his moral support ! --- and he created with me, the idea of a huge work for multiple pianos ... three pianos .. in stages ... and it became as he had envisioned ! and was first performed on a small upright piano in 1978 in his gallery, and the piece was called THE LUND.St.PETRI SYPMPHONY .. because it was so symphonic in grandeur (once the three pianos came together ...) The Lund - St. Petri Symphony, from 1979, is the second album from Lubomyr Melnyk and the first composition for double piano which he released. In this work, the early minimalist tendencies which played such a major part in the emergence of Continuous music, are very significant and clearly evident. This Double LP set sold out within 1 year of production, Only 1000 copies were made. Original Release: 1980 Limited All Analog Remastering Recording

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Cosmo With Chuy

12" | 1980 | EU | Reissue (Fantasy Love)

14,99 €*

7" | 1980 | EU | Reissue (Edition Hawara)

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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This obscure 80s left field disco joint was brought to the table by David Haffner, the tapes were transferred by John Morales & forwarded to friends of the label, Tom Noble & Fredfades, to re-envision the works of 'Cosmo with Chuy', as showcased on this limited 12" release

A few words from Tommy aka 'Cosmo'..

"Cosmo was my nickname. I used to play John Coltrane style on slow ballads etc. Chuy was the singers nickname. Jesus Gomez was his real name I think. I was playing Las Vegas at the time, early 80's, with an Elvis impersonator, Morris Bates, for nearly 4 years. Since Elvis passed in the late 70's the impersonation show was a big success. I played Sax, Flute and sang back up harmonies. We played the Silver Slipper casino, then the Landmark Hotel and casino, 14 shows a week. We toured South Africa and played Morris' home town in Vancouver Canada a lot. The late nite band of Chuy's played at a smaller venue on the strip in Vegas from 12pm to 5am. I sat in and jammed one night, and said I'd like to record a couple tunes with his band. So I coughed up some money and we recorded a few songs"

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Magic Sound

I Like That / Time

My Life In The Bush Of Ghosts

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Edition Hawara’s fifth release is a raw funk gem by a little-known Austrian pop band called Magic Sound. Edition Hawara’s second 7“release features one of the more obscure Austrian bands from the 1980s. Little is known about Magic Sound. The cover suggests that their label wanted them to be Austria’s Village People, though their sound is much rawer and funkier. One thing we know for sure is that the group included Andy Töfferl, who was also a member of the famous Austrian pop ensemble EAV (Erste Allgemeine Verunsicherung). And we know that they went to the studio to record a whole album after touring Sweden in 1980. Only these two songs survived, and they are worth listening to over and over again. Enjoy in fancy dress, or dressed down. With or without a moustache.

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Brian Eno & David Byrne

2LP | 1981 | US | Reissue (Nonesuch)

45,99 €*

LP | 1981 | US | Reissue (Celluloid)

Release: 1981 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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fully remastered 180 gram vinyl reissue incl. 7 orginally unreleased tracks of this groundbreaking collaboration!

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Irmin Schmidt of Can

Toy Planet

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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LP | 1981 | EU | Reissue (Epic)

Electric Light Orchestra

Time

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Computer World English Version Translucent Yellow Vinyl Edition

LP | 1981 | EU | Reissue (Parlophone)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Suicide Commando Purple Vinyl Edition

No More

7" | 1981 | EU | Reissue (El Caballo Semental)

13,99 €*

Flux Colored Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO More releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world. What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right. Now the year is 2021. Four decades have passed and NO More's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format. Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981. And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO More's „123456789 *baze.djunkiii & Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019. Initial pressing will be limited to 400 copies.

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Robert Turman

2LP | 1981 | EU | Reissue (Specrum Spools)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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"Flux" is the 1981 debut solo outing of Robert Turman, an American multi-instrumentalist and avantgarde composer. Until recently, Turman was perhaps best known for his contributions to the ballistic NON project with Boyd Rice, as well as other obscured U.S. industrial acts such as Z.O. Voider.

In the summer of 1981 Turman decided he would take a drastic turn from the noisy/electronic/industrial work of his compatriots, and began work on what is now the classic "Flux" cassette. "Flux" was originally self-released in extremely limited numbers. Weary of the noisescapes of old, he set out to create long-form minimalism utilizing kalimba, piano, "Mini-Pops Jr." drum machine, and tape loops to create a complex bed of interweaving micro-stasis'. The results of these new experiments were as beautiful as they were perplexing.

A curious dusty fidelity carries these classic tracks across four sides of vinyl, including all of the original "Flux" content. These compositions glow with a sprawling, slow motion haze that's light years ahead of its time. "Flux" reveals wide spectrums of sound from melancholic kalimba and percussion patterns to slowed down, syrupy Exotica. Turman had complex ideas in his mind yet only the simple technologies of the day were at hand. Hear the click of the stopping and starting Tascam 3340 open-reel tape machine as one hand presses the "record" and "play" buttons and the other plays piano phrases. While there are similarities in style to Classical Minimalism, Turman's sound and vision is his own and is exclusive to his limited discography.

Released in a limited edition 2xLP set, Lovingly remastered and cut by Rashad Becker at Dubplates and Mastering from the original c-60 cassette master. Original cassette artwork and scans provided by Aaron Dilloway.

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Computer World Japan Import Edition

CD | 1981 | JP | Reissue (Warner)

Release: 1981 / JP – Reissue

Genre: Electronic & Dance

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LP | 1981 | WW | Reissue (SN Music Publishing)

Sezen Aksu

Aglamak Guzeldir

Release: 1981 / WW – Reissue

Genre: Electronic & Dance

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LP | 1982 | EU | Reissue (Mondo Groove)

Marcello Giombini

Computer Disco

Music For Nine Postcards Black Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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One of the greatest synthi-album finally reprint by Mondo Groove Records. Original released in 1982, Computer Disco is the most Kraftwerk-ian italian production. Marcello Giombini was a pioneer of early sequencers and in this cult LP produced cheesey cosmic synth pop a little bit italo disco oriented. Every fan of 70/80’s synthesizer music and electronic DJs should put in his collection if they not already possess the extremely rare original edition. Original artwork restored. Limited Edition.

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Hiroshi Yoshimura

LP | 1982 | US | Reissue (Empire Of Signs)

12" | 1982 | EU | Reissue (Isle Of Jura)

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Only one copy per customer!
The late Hiroshi Yoshimura, a pioneer of Japanese ambient music. Yoshimura was involved in a wide range of fields, such as sound design for public installations, graphic design, visual poetry, free improvised performance (using his own body) and inventing his own instruments, right up until he passed away in 2003.
The seven songson this album were created for a fashion exibition held at a warehouse in the Tokyo bay area. He released it on cassete tape on Japanese label ‘Fukusei Gijutsu Kohboh” ran by Yoshio Ojima who produced the album.
Referring to the Loft: "As the time goes by, the Loft that was swept away ( forgotten) from the City but it somewhat has a look of a " City of Ruins" that reminds you of something you have forgotten. Something nostalgic. Sounds from the City and the vast landscape gave me a great opportunity to take a fresh look at Tokyo." says Yoshimura.
Referring To the Pier: His look towards Tokyo bay takes on the shape of sonic particles....tickling down gently while tinged with change. A landscape of Seven Sounds.
This is the first-ever vinyl release, 34 years after it's recording. The sleeve image is the same as on the original cassette release.

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Bella Vista

Mister Wong

LP | 1982 | US | Reissue (Dark Entries)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Bella Vista was a one off project from Michel Esteban, founder of seminal New York Disco/Electro/New Wave imprint ZE Records. Originally released in 1982 ‘Mister Wong’ is a Pop oddity that sits between French Synth Pop and Leftfield Disco. The 12” includes the sought after Disco Dub version that lets the bassline work its magic alongside some heavy dub delays, on the flip Jura Soundsystem provide an extended version with added live percussion.

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Zru Vogue

LP | 1982 | EU | Reissue (Orbeatize)

Release: 1982 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Zru Vogue is a two man post punk avant-pop group from Palo Alto, California, combining the talents of Andrew Finkle and Rick Cuevas. The band began in 1980 as a four member group: Rick, Andy, Tom Sanders and Nancy Miller. Tom and Nancy left the group shortly after the first single, "Nakweda Dream", was released by independent San Francisco label Adolescent Records in February 1981. Inspired by rave reviews and heavy airplay on alternative radio stations, Andy and Rick went back into the studio, now as a duo, to record some new ZRU tracks. The self-tilted LP was released on the band's Zero Risk Records in 1982. It contains eight compositions blending African tribal and Middle Eastern rhythms, avant-garde rock, minimal electronics, and funk-rock guitars. The duo's sound is inspired by the art and anti-art movements of Dada and Surrealism. All songs have been remastered by George Horn at Fantasy Studios. Each copy is housed in a replica of the original jacket, which features artwork by the group members, and includes the original 2-sided lyric sheet.

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Enrico Serotti

Homemade Music

17,99 €*

LP | 1982 | EU | Reissue (Knekelhuis)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Originally distributed by Demo City (a division of Oderso Rubini's Italian Records) in 1981 only on tape cassette format; the Confusional Quartet's guitarist here cooking a weird cover of Kraftwerk's "The Model", the cosmic "Lo Sport" and 26 more homemade delicacies.

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Jimmy Smack

Death Is Certain

Disco Jazz Rainbow Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Across two 7”s, Death Or Glory (1982) and Death Rocks (1983) and one 12”, Anguish (1982) Jimmy Smack carved his own bleak chasm amidst the LA Death Rock scene that he inhabited. After decades dormant in the crypt, Knekelhuis compiles Smack’s full recorded output, providing it a lavish place to rest on the Death Is Certain LP.

While his local punk contemporaries pursued aggressive hardcore and political punk, Jimmy Smack donned corpse paint (before it would later become synonymous with the European black metal movement) and found a home performing in venues like the Anti-Club, amongst other subterranean dwellers Christian Death, Dead Hippie and 45 Grave.

Even within this lurid milieu, Jimmy Smack stood alone. Hating Life (from Death Rocks) easily locates Jimmy within the negative-punk and KBD lexicon. However his recordings, consisting of voice, rhythm box and electrified bagpipe drones, otherwise veer closer to other-worldly avant-garde rituals. Jimmy’s background in theatre and performance art helping inform not only his menacing stage presence, but also spawning the singularity of his sound.

Death Is Certain comes housed in a printed inner sleeve featuring rarely seen archival photos, liner notes by Cooper Bowman and excerpts from an interview with Jimmy Smack conducted by Juan Mendez (Silent Servant)

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Rupa

LP | 1982 | US | Reissue (Numero Group)

Love Has Found You / Nightime Lady

Release: 1982 / US – Reissue

Genre: Electronic & Dance

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Rainbow VinylBarely disco and hardly jazz, Rupa Biswas'1982 LP is the halfway point betweenBollywood and Balearic. Tracked in Calgary'sLiving Room Studios with a crack team ofIndian and Canadian studio rats alike, DiscoJazz is a perfect fusion of East and West. Sarodand synthesizer intricately weave aroundone another for 37 transcendent minutes,culminating in the viral hit "Aaj Shanibar."Remastered from original analogue sourcematerial and issued with permission andblessing of the producers and performers.

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Mike Francis

12" | 1982 | EU | Reissue (Best Record Italy)