Garage | 2Step | UK Funky | Bassline Preorder 15 Items

Rhythm N Vibe treats us to four different and equally brilliant garage cuts here from four different and equally brilliant artists. Marc Cotterell opens up with the slinky and dusty drums of '96 Is Back' powered by a rasping bassline. Jason Ward then brings some fresh 90s sounds with a neon baseline and diva vocals on 'The Meaning' while J Erazo keeps it deep and paired back on the sublime 'The Pulse' which is a real late night warmer. Paul French then layers up nice fresh and bumping drum funk on his lovely number 'Jump' (unreleased dub). There is lots to love here on a very useful EP.

Colombian artist Dfra links with some of Argentina's finest musicians for a high-class mix of 90s and 00s deep house and a wide array of proper jazz stylings to this new EP on Deeppa, a well-formed young label that will soon hit release number 10. 'Sal Marina' kicks off with shuffling beats and nu-jazz chords that make you want to move, while both 'Green Line' and 'Manits' showcase some superb melodies over more percussive, busy beats that have a great sense of movement. 'Brown Sugar' then gets a little deeper with its withering cosmic lines and heartfelt vocals and the main man Atjazz works ii onto something even more potent before 'Sal Marina Lay-Far remix)' closes down with a timeless soulful house vibe.

5-track EP featuring remixes of Fear Fear tracks from some of Sheffield’s most innovative producers - Toddla T, Charla Green, Ross Orton, Diessa and Warp originals, Forgemasters.

The EP was previously only available on CD which came exclusively with purchases of the album via the Bear Tree record shop in Sheffield. This will be the first time the remix tracks have been widely available and today the band have also shared the ‘Money Is Mine’ remix which sees Toddla T set the track to a full on klonking two step rhythm.

Toddla T said of the remix: As the original version stank of Sheffield, I wanted to do something that I would be itching to play in a set back home, particularly at Kabal or if I wasn't in attendance something that I know Winnie or Pipes would draw for which was made for the dance-floors of Sheffield.

X Club. is the production duo of Ben Clarke and Jesse Morath. Founded in Brisbane/Meanjin Australia’s warehouse scene and exported to London and beyond, their music is inspired by early 90s techno all the way through to future-facing drum’n’bass, with X Club. carving out a space entirely of their own thanks to their authentic and eclectic take on dance music with serious consideration for underlying groove. With releases on labels such as Steel City Dance Discs, Spandau20/crowds, 99cts Records and Stay On Sight, X Club. have seen their records reach global audiences with frequent touring across the UK, Europe, North America, Asia and Australia. New World Expression by X Club. is the third release on their own label Hide THE Junk, and finds the pair leaning more into house music than ever before, but still with the same distinctive X Club. edge. These tracks have been key moments to their sets over the start of 2024, going from demos in the studio to on the road club test in a matter of days, to being pressed onto fresh 12” wax for their most loyal fans within a matter of weeks. This EP is tried and tested house & techno that fans and DJ's alike have come to know and expect in X Club.

Spil Records makes its debut in the world of vinyl with a new 12" featuring fresh sounds from label head Jack Swift and one from Scott Diaz while remixes are taken care of by a pair of UK legends in Zed Bias and Jeremy Sylvester. Swift's 'Perception' opens up with some well swung and dusty garage-house beats and a nice warped bassline. It's then over to Bias for his 25 Years Deep Remix which brings some prickly 2-step vibes. On the B-side, Swift's 'That's It Mate' gets a Vintage Rerun from Jeremy Sylvester that is pure vibes and last of all, Diaz's 'Spil The Beanz' is a fourth and final floor-filling garage house classic.

Deep within the freeway buzz of dystopian Los Angeles, there exists an unstoppable sonic gathering of minds, who call themselves “Fast At Work” and abide by a belief in the deeper potential of higher tempos. However, lately, there has been some debate about the true existence of the Fast At Work mantra. Just as the debate was reaching its climax, seemingly out of nowhere, a helicopter emerged containing a musical capsule from the future (or possibly aliens). The group accepted this music as scripture, and coined it “Soft Fascination,” – naming group member Carré as their chosen matriarch. Through the title hymn “Soft Fascination,” Carré preached a proto vision of a classic dubstep bassline and tender pads. With “Cute Mad,” Carré magically induced a sense of positivity and bubbly bass. And with the third offering, “Glowing,” she pushed her audience closer to understanding simplicity and space. Finally, in an effort to expand their gospel to the furthest realms of their musical world, she recruited Priori and James Bangura to create their own missions, rooted in the original offerings of the alien helicopter’s capsule disc. While Priori expertly rearranged “Soft Fascination” into a shiny mind-melter, James Bangura expanded on the lightness of “Glowing,” creating his own lucid dreamscape of deep melancholia.

Deeper States Volume 2 is another installment of fresh sounds from producers who have come through a competition that set them to making proper deep hose with a specified sample library. Across four sides of wax, there are some mighty fine cuts here such as the deep garage inflections of Enrico Dragoni, some Motor City vibes from Scott Andrews, the deepest of dub techno workouts from Montreal courtesy of Dealin', soul-drenched late-night cruisers from Khalid Ali on 'Elevate' and some nice bubbly vocal vibes from Dublin don Oscide with his 'Free Your Mind.' This is another hugely effective and stylish EP from the Interweaved community.

Lurka is back on his own label Damage which is a place for harder-edged sounds and here includes remixes from Ossia. The one original, 'Red', is a thrilling rhythmic workout with a skeletal kick drum pattern that is broken and loopy, and deft percussion layered in over the top next to wet synths and undulating bass. Ossia's first rework spins it out into a more distorted and manic cut fizzing with static electricity while the second is slightly more paired back but no less menacing. This one has been mastered at Scape in Berlin and is mad limited to just 100 copies so do not wait around.

Celebrating our tenth release, we proudly present "Feeling Everything, All At Once" - a compelling VA compilation featuring music from our current label family and introducing some talented debutants from Scotland.

Red010 marks a powerful statement of intent as we look to the next five years and beyond whilst reflecting on our achievements so far, what we aspire to accomplish and how we can continue to push the sounds that resonate with us. Although it has taken time to reach this milestone, our commitment to quality over quantity remains unwavering.

This compilation serves not only as a collection of club-ready tracks but also as a longform piece suitable to more passive listening. With a total of 14 tracks, it stands as our most extensive release yet, expanding our label family to well over 20 artists. The digital release will be complemented by a physical cassette, perfect for playing in the dusty tape deck of your mate's Vauxhall Corsa as you head to that mad rave in the countryside everyone is talking about.

We are thrilled to announce our collaboration with the Scottish Action for Mental Health (samh) on this project with all the profits being donated to this cause. Both Lewis & Ethan have their own personal experiences with mental health difficulties and strongly believe that Samh is absolutely vital in facilitating the provision and promotion of mental health care, support & information.

A massive thank you to all those involved in making this happen and their generosity in donating their time and talent to the project.