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Lars Huismann is back on Mutual Rytm with the much-anticipated third volume of his 'Sounds From The Past' trilogy.

A core part of Shdw & Obscure Shape's ever more crucial Mutual Rytm imprint thanks to his timeless techno offerings as part of his ongoing 'Sounds From The Past' series, Berlin-based DJ/producer Lars Huismann's stock continues to rise release by release as a talent merging influences from the past with forward-thinking nuances of the future. Drawing on the early 2000 techno sound, he embellishes it with his own perspective, as evidenced by his earlier releases on the label. This latest six-track offering is another accomplished outing from this unique talent as he concludes the three-part series on the label in style.

The title track 'Sound From The Past Iii' opens up with a finely filtered chord groove that provides a smooth and hypnotising foundation. A subtle bassline, buoyant kick drums, and embedded vocal patterns harmonise with the synths, unveiling a smooth linear groove that soon sweeps you up.

'Fusion' brings more intensity with its barreling drum kicks, a dirty driving bassline, and melodies flashing by like headlights on an intergalactic motorway, with the overhanging pent-up energy inescapable. Next, 'Shimmer' rides on vast, heavy layered drums that are warm, and comforting as the track travels through a journey of diverse dub techno elements.

Like in 'Loucura', taken from 'Sounds From The Past II', Lars again showcases his strong influences from Brazilian and Latin music. On 'Estar Farto', the drums and bass are tightly interwoven, racing beneath bright and funky synth lines that bring ever-evolving shades of colour. A jazz drummer himself, the music transports into the groove via intelligent brass chord progressions and fine-tuned vocal and percussion elements.

It's straight dance floor business on the closing vinyl production 'Bittersweet', with its muted synth smears darting over more macho drum programming, while digital bonus 'Dusty Lick' is an unrelenting, jazzy, percussion-driven banger that hits hard and heavy in all the right places.

Lars Huismann' Sounds From The Past Iii' EP drops via Mutual Rytm on 2nd June 2023

Juan Atkins and Moritz von Oswald – the two indispensable protagonists of the Electric Garden – plug back into the wilderness.
‘Transport’ – the full length effort brings together a set of studio-refined sequences aimed at colonizing some of the dark energy that
pulsates through those areas that are thoroughly electrified, even if not ‘on the grid’.
The Detroit-Berlin axis triangulated to a third point which, like the atomic particle that lives in two places at once, flickers between a
form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts.
Borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound
making.
The result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every
minute.

Long-time friend of the label Man/ipulate is back on Lumbago Records with a first solo EP under his new alias : Man/igance. New project means new touch! With a blend of new beat and techno influences over 4 tracks, this release highlights the artist’s versatility and capability to capture the essence of dance music while remaining very fresh. A must have!

1992 was a wild year. For planet earth. For humanity. People desired for escapism, and some producers just had the jive they yearned for. Endless kick drum excitement under a roof of strings. Up there in clap heaven, the chords fly candid, and all that hi-hat suspense fashions bliss. These dancers met an angel, circulating eternally towards the strobe. Oh, how they wished all that trance never ends in 1993, when CJ Bolland, one of the most influential and successful producers Belgium created in the nineties, dropped “Camargue”. An instant trance techno classic. Atemporal, abnormal, amoral. Raved together with British producer Cisco Ferreira for Belgium’s finest R&S records. Both worked on many sensual club music artworks together. Like “Tokyo”, the B-Site with an A-Note. Tripping fast, more hi-hat ecstasy, techno kicks, somewhere Goa is in there. Those where the 1990ees. Those days in fast pace. Blissed with trance of techno glam.

Satoshi Tomiie Unveils His Latest Ep, '12b Dub', Exclusively on Phonogramme Records Tokyo &Ndash; Renowned Dj and Producer Satoshi Tomiie Is Back With a Captivating New Ep, '12b Dub', Set to Make Waves in the Electronic Music Scene. This Four-Track Release Marks a Slight Shift Towards a More House-Oriented Sound, Showcasing Tomiie's Versatility and Innovative Approach to Music Production. Having Garnered Acclaim for His Previous Releases and Collaborations, Tomiie Continues to Push Boundaries With '12b-Dub', Solidifying His Reputation as a Trailblazer in the Electronic Music Industry. This Latest Offering on Phonogramme Records Is Sure to Be a Staple in Dj Sets and Playlists Worldwide....

M.O.S. are celebrating the 4th anniversary of their Melody Of the Soul imprint with an exclusive vinyl-only Ep entitled 'Ask The Universe'. This very special release showcases 4 outstanding tracks, carefully crafted to ignite the dancefloor with its hypnotic rhythms and soul-stirring melodies.

LTD Repress ! Melody Of the Soul proudly presents the third exclusive vinyl record, featuring four stunning tracks from electronic music trio Krasa Rosa and their fellow collaborators M.O.S., Ranta, Miroshin.

Baby Ford is back being reissued again and we couldn't be happier about it. Few have ever matched the matter levels he achieved when it comes to deep minimal and tech house fusions. This latest on his own Trelik takes the form of three classic cuts from two much sought-after EPs - Built In and All That Nothing. The title cut is a shimmering and sublime fusion of rubbing low ends and icy hi-hats. 'All That Nothing' then picks up the pace with more dub influences and swaying drums and 'Plaza' has a tech house edge that makes for more driving grooves.

The Eyewitness is the forthcoming album of Jeff Mills and it is composed from the perspective of an unknowingly complicit bystander and it is at the very least, psychologically pathological in nature. What this release is essentially proposing is anadmission to the diagnosis that no one is immune to shock and trauma. Not the accuser or the accused. And this abnormality s culturally and generally transmittable - handed down and passed over to one another disguised as righteous theatre.

“Illegal Rave Tapes” is the first ever wax treatment for Acrelid, courtesy of Dance Data Records. Originally comprised of 134 tracks, this distilled selection by label head Dreams is a snapshot of John Lee Richardson’s archive of music from between 1999-2012. Since the ripe age of 12, he’s been drawing inspiration from the UK rave scene in the 90’s that he found himself in. That spark was the beginning of a lifelong obsession. He set out to capture the essence of what he felt and saw surrounding him during that time; whether it was via recording loops out of a playstation 1 to cassette / CD or borrowing any other gear he could get his hands on / that people would lend him. What’s less important than all the gear he used are the sounds he captured with them. “Sinister beats” that all share a driving quality of rhythm, spanning across smudged influences from jungle to acid and the BBC Radiophonic Workshop transmissions. It’s clear from the tunes that this is someone who’s clocked 1000’s of hours tinkering and refining his sound, and who has squeezed every function out of his machines, just for the fun of it all. Having seldom released music since the 90’s, John’s been waiting for the right moment to share it with the world, and this collection has very much been worth the wait." Words by Jesse Sappell ***Includes a 16-page colour zine designed by Acrelid, transforming thatcheraian-era anti-rave news propaganda and 90’s UK culture into incredibly thoughtful lore, providing a never before seen look into the world of the artist behind the Illegal Rave Tapes.**

Next up on our new Toolroom Trax vinyl series, we kick things off with a fresh new banger from Italian talent Nausica who with another deep club cut 'Se Pone Loca'. Featuring rolling percussion, a hooky lead vocal with expertly placed chops, 'Se Pone Loca' is looking to lay carnage on the dancefloor. Nausica's mastered her infectious minimal, percussive sound that has seen the likes of AAA talent support her music from John Summit, to Jamie Jones, MK to Solardo proving Nausica's a name many acts are reaching for in their sets! D.Ramirez returns to Toolroom Trax with his highly anticipated remake of Bodyrox's anthemic 'Yeah Yeah'. Firmly rooted within Toolroom's foundations, releasing genre defining dance music for nearly two decades with hits such as 'Downpipe' in collaboration with label boss Mark Knight and UK pioneers Underworld, 'Colombian Soul' and many more. D.Ramirez doubles up as not only a genius in the studio, but as one of the talented Toolroom Academy tutors, teaching a new generation of producer's fundamental skills in dance music production. Remaking the Bodyrox Electro House classic 'Yeah Yeah'; an era defining masterpiece with an unforgettable synth line, D.Ramirez gives us an essential update for today's dancefloors. Label favourites, Sllash & Doppe return to Trax next with their unique style of uplifting, feel good house music. Their music is regularly found in the sets of artists like Fatboy Slim, Solomun, Bedouin, Blond:ish, Martin Solveig, Roger Sanchez and more, and the playful cousins are now conquering the world, from deck to deck, with an energetic and exuberant style that has won them favour on the dancefloors.

Closing out the sampler is Saison with their signature house sound. The London based duo have been solidly in the game for the best part of a decade perfecting their unparalleled sound of raw, feel-good house music at it's very best. With numerous releases on revered labels including Defected, Nervous, Big Love and of course their own imprint, No Fuss.

Knowone! Fully recycled vinyl, recycled cover. 190g. Analog mastering, vinyl only. Manufactured by Matter Of Fact Vinyl - Andre Kronerts own pressing plant.

DFR will start the new year with its second release, this time by Venezuelan artist Log_In.

An 80’s revival - connecting old and new school sounds with a vintage touch. From high energy hooks to deep evolving breaks, all four tracks focusing on emotional dance floor effect. TIP!

To Celebrate the Release of the Acclaimed Album From Kool Keith « Keith’s Salon » Released in 2021 And produced by Bruno Pronsato. We Put Together a Strong Team to Remix Some of the Tracks! Ben Nevile, Losoul and Flabbergast (Vincent Lemieux Et Guillaume Coutu Dumont). This Is a House Minimal Revisit of the Hip-Hop Hits from Kool Keith. Enjoy...

Italian DJ and producer Elisa Bee makes her full I Love Acid debut. Having previously remixed Wtchcrft on the series and released a couple of 12”s on Balkan Vinyl, here she drops into full acid mode. Four tracks spanning jacking acid techno, classic house and electro, all with a hefty dose of 303 action. Elisa is in high demand right now - holding down a residency in Milan’s famous Tempio club, playing Berghain for their 303 Day lineup, and releases on Uttu, Ben Sims’ Hardgroove, and Truncate. As always, just 303 copies of hand-stamped and numbered heavyweight 180 gram wax, in a stamped card sleeve. No digital. No represses.

Smooth & Simmonds was Chris Simmonds and Ron Wells, a pair pf producers who were active from the early to mid-90s and made just a handful of EPs that have all stood the test of time. Three of the best of them have been newly remeasured by a long-time fan at the Pariter label and are now getting served up on fresh wax. This 12" features 90s EP, The Four Seasons, with two mixes of the title cut. The first is a steamy Warehouse Mix with dusty drums, subtle rave whistles and seductive vocals stitched in, while the second is a Factory Mix that rides a little more smoothly on uplifting chord work and brighter synth energy.

BOY Records re-issues Time Modem - Der Mantel Der Nacht from 1991! This special vinyl edition will include for the first time also the track called "Alien Elements" which was only available on the maxi-cd. re-mastered and highy recommended!

New tape from Levon Vincent

Legendary and genre-defining Detroit label Metroplex Records is keeping on with its run of carefully selected releases from its classic-studded catalogue. The remastering and recut was done with uttermost care, using the newest mastering and audio-restoration technologies. These Techno and Electro benchmarks, taken from original sources, have never sounded better. Originally released in 1994 'Sonic Sunset' runs at over 50 minutes over five tracks that explore ambient electronica, techno and even trance. It includes the long versions of 'Neptune' and 'I Wanna Be There' two bonafide Model 500 classics. Recorded in Berlin and engineered by Maurice Von Oswald.

The trio we are hearing right now have emerged from Ecuador, Ter Bandits are here for an audio story which is filled with the unprecedented frequencies that has come together for this mission to take shape in the matter that it did. Therefore, without further ado let’s begin. Going to be using some letters typed up which in reality will not describe what is needed as deep to the point it deserves, everything already has been portrayed and created with the music you can hear.

Reflex Blue debuts on Spectral Bounce with The Bleeps, a five-track EP that weaves a somber yet captivating late-night ambiance. Over a string of releases in recent years, Reflex Blue has been sculpting a distinct and evolving sound, blending the core minimal aesthetic of UK Tech House with influences from his homeland.

This homage to early 2000's Tech House captures its essence while infusing it with a fresh, pulsating perspective. The opening track, 'Dracula’s MPC', sets the tone with its club-ready elements: crisp drums, deep bass lines, and captivating vocal samples that command attention throughout. On the B-side, "Interlude" offers a glimpse into Reflex Blue’s large palette with its boppy and quirky breaks. It's a spectral record in every sense, making it the perfect sophomore release for the label.

Written and produced by Cooper Fraser
Artwork by Susanne Janssen
Words by Hervé Kacou

Amazingblaze returns to home label KNTXT with an exhilarating new release that shows another subtle evolution in his style. His Touch The Sky EP features four standout new tracks that are sure to make a global impact.

Amazingblaze emerged as a pivotal tastemaker in the new school scene, marking his debut on KNTXT in 2022 with his Venture EP. Last year, he further solidified his presence on the label, with the release of two EPs and a remix of Charlotte de Witte’s single ‘High Street’. He has been obsessed with music since a young age and that shows in his productions which blend the inspirations of his youth with plenty of fresh contemporary style. His releases consistently aim to leave a significant mark on the club scene, and this latest EP is no exception. With powerful grooves and emotive synths, it sets the stage for another impactful experience.

Amazingblaze on his new EP: "Touch The Sky is a blend of emotions of early trance with the shape of a modern look. From start to finish it's catching you with pleasant pressure and doesn't let you go. Really proud of this one!"

Charlotte de Witte adds: “Amazingblaze is back and I'm just obsessed with these four tracks. They're all masterpieces, representing his very unique and distinctive sound. I'm very proud to be able to welcome him again on the label and continue to be a place he can call home.”

Opener Touch The Sky is a high speed and fresh techno sound that is laced with euphoric trance synths and a heartfelt vocal. It is sure to get hands in the air and dance floors locked into its spell. Kaleidoscope ups the ante further with more scintillating hard techno drums and flashes of synth that will chime perfectly with strobe-lit clubs. A spine-tinging breakdown features angelic vocals before the drums kick in and power things to the next level. Thank You, God Always is more straight up with hard edge drums and synths that spray about the mix with bright rave energy and futuristic soul and last of all is Habits, an urgent and high speed wave of lush trance techno with a classic vocal stab and more celestial voices drifting up to hypnotic effect.

This is another big release from Amazingblaze that shows he has plenty of new tricks up his sleeve.

Any discerning deep house heads will be familiar with Yossi Amoyal's work as the head of the cultured Sushitech label, and now he steps out with a new imprint, Endell Street, alongside co-founder Nils Hess. This one is named after a busy thoroughfare in the heart of London that was home to the Eukatech record store and will be focussed on reissues of work from the Eukahouse archives. First up we some prime tech house from genre pioneer Nathan Coles who serves up a kicking and unreleased mix of the Housey Doingz classic 'Kitchen Spasm'. Then comes a garage-tinged bumper in the form of Soggy Plop's 'Hairy Scary' (Get Fucked remix) and last of all, Flunky's 'Love Song' brings low-slung sleaze.

Vertigo is the third part of a reissue series on Parter that focuses on the work of Chris Simmonds and Ron Wells. These two made just nine Eps back between 1990 and 1997 but very much hit a perfect sweet spot between house, garage and techno when they did. Now newly remastered for this series, they have never sounded better. This 12" was originally from 1995 on Bomba Records and features the title cut spread across two sides and two parts. Side A is a bumping house cut with thumping bass and nice frayed edges as the serene synths are smeared all about the mix. Part 2 is a continuation of this most fine and full-bodied but deep house sound.

Pariter has lined up a trio of classic house reissues for your enjoyment this Spring. They come from Smooth & Simmonds who are famous for managing to smooth out the differences between house, garage and techno and are firm favourites of deep-digging heads for that reason. All of these cuts - which like the other two EPs have been freshly remastered for the occasion - are some 30-odd years old and are textbook examples of timeless grooves. 'Climax' has tight, kinetic drums that punch out an irresistible pattern as swirling pads fishing them off up top in some style.

Rawax Motor City Edition presents Gari Romalis. One of the most productive humans on this Planet presents us with "Another World EP" again a high level release with his remarkeble and unique deep Detroit feeling. Welcome back, Gari!

Mannequin Records boss Alessandro Adriani returns on his own label with four tracks that were previously available exclusively as digital releases.

Known for his unique blend of electro and synth wave sounds, Adriani has made a significant impact on the underground music landscape. With this new vinyl release, Adriani brings his distinctive musical vision to a vinyl audience, offering a tangible experience that digital formats cannot replicate. Each track is a testament to his ability to merge pulsating electronic beats with atmospheric synth melodies, creating a soundscape that is both nostalgic and innovative.

New label by Innershades, presenting banging house tracks with a raw edge!

Eccentric soundscapes, cryptic atmospheres, unexpected rhythms – with the second episode of the Intelliance series, the concept label Augmented Research once again holds up a mirror to the progressive present and provides various perspectives on the innovative electronic club sound of a new generation.

[a1] Raär's music manages to draw the masses beneath the surface of common perception. The blend of deep, organic atmospheres, liquid sound design and supersonic drums awakens a deeply rooted but rarely accessible state of mind. "Riparian Zone" is a tool for transcendental experiences. [a2] There are only a handful of artists like Nebuchadnezzar who have made a name for themselves and demonstrate that rules in electronic music are meant to be broken. "Fidget" is a good example of the obsolescence of obsessive genre categorization. Unpredictable rhythms and glitchy, whipping drums feel like a race against time (extended to almost nine minutes). [b1] With "Sea And Bunkers", Sukkube proves her virtuoso and versatile handling of modular sound synthesis. The rapid, loopy beat, accompanied by a serious and simultaneously playful melody and hissing atmospheres, generates a mysterious, fresh mood. Influences from different eras form an interesting symbiosis of futuristic, uplifting techno and nuances of classic styles. [b2] If an artist were given the task of dealing with vintage drums in the most innovative way possible, while at the same time retaining a sense of nostalgia, "Pragma" would be the clear result. Edict has broken the rules of classic techno styles, pushing polyrhythm and distortion to their limits.

Dub Techno at its best! Merv makes a comeback to Kontakt with two exceptional dubtechno masterpieces. >Inwards< highlights an unmistakably Merv-esque style, characterized by rich chords and a solid sub-bass, while >Suspended< delves into deep, resonating chords that persist for nearly ten minutes.

A newly unveiled secret label by one of the most esteemed artists in the scene offers a unique blend of New Wave and Post-Punk flavors on its inaugural record. This exciting release promises to be a standout addition to any collection.

Only Vinyl.

Tip! Excellent remixes of one of the biggest summer anthems and Bar 25 releases. Classic! Timeless!

Tip! Excellent remixes of one of the biggest summer anthems and Bar 25 releases. Classic! Timeless!

he mercurial talent that is SW. back in the building with a new album, and if it weren’t already apparent, Oyster45 goes some way to assert his place in the pantheon of pioneering producers. In fact, nobody can question his position right at the vanguard of forward-facing dancefloor dynamics.

myDEFINITION part II catches the Sued co-founder as vital as ever. Keeping it on that dusty, low-key flex that has long been his trademark, it harnesses ingenuity to conjure some of the most intriguing gear you’re likely to hear from a limited studio setup. Gone are the hi-tek jazz and ambient flourishes of the near-mythical ‘Untiled’ album, opting, instead, for pure dancefloor headiness. Precision-tooled breakbeats, opulent IDM cybernetics, tuff bleep n’ bass and late nite electro across 10 distinct trax.

Side quests into more abstract realms are fleeting. Dappled melodies evoke warmth in hues of pink and orange but any ambient-dub ephemera quickly dissipates into the peripheries in favour of club-ready pressure. The spectre of mid-‘90s dance music looms large but the SW. blueprint, with its captivating free-form approach, spins those vintage tropes into a distinct sound unto itself. Masterful, cinematic and hallucinatory.

Often drawing comparisons with B12’s seminal brand of ambient techno, SW. will surely be a stylistic reference point in his own right for years to come. Such is the indelible influence he has cast on contemporary electronic music.

Be fast on this one as always on Hoove! The next Hoove record comes in diverse. For this one the label invited four of their close friends to contribute fresh tunes perfectly matching the cologne house sound. ? Limited Copies

Essential 90's Techno reissue alert from Wildplanet, originally released on 430 West. Big!

Building on the buzz around his dynamic techno releases of the past few years, Sam Goku makes a welcome debut on Dekmantel with four striking set pieces which subvert the rules of the average floor fodder.

Through his steady stream of output on the likes of Atomnation Berlin-based Robin Wang has established himself as a must-check artist with an instinct for the unconventional. That comes through in jaw-dropping fashion on Radiants’ opening cut ‘Tides (Under The Moonlight)’, a swirling, mystical thumper which rises with graceful restraint to a thunderous peak. By way of contrast ‘Tanggu FM’ brings things up close and claustrophobic, using slippery sound design and stuttering vocals to create a different kind of maverick energy on top of the rugged low end. Even when he does reach for anthemic hooks on the EP’s title track, there’s a fundamental otherness to the sparkling chords and a toughness to the beat which edges out the competition.

This is just a snapshot of the versatility at work across Radiants, a record which will cement Goku’s position as a standout producer taking a less obvious path to truly distinctive, devastatingly original showstoppers.

Petit Koala. The truly magnificent creatures that roam our planet and who knows, maybe some others too. Could be a koala bunch of aliens which come to the earth to study our species if that’s so, there is hardly a better way to communicate with them than with interstellar music. This release is crafted in a spaceship located in sunny city called Barcelona by a Spanish producer Ildec. Ildec has presented 3 original tracks specially for Exarde exploring his darker side which he flawlessly executes. The A2 of the vinyl record is gracing with the remix. On the remix duties we have two Italian stallions, an outstanding liveact and friendship formed between Otis and Paul Lution who have contributed a pronounced sound manipulation resulting in an outstanding audio piece.

Celebrating 1 year of Lirica with a special reissue of this heavily sought after album from UK duo Relative Progress, remastered with a fresh design, still paying homage to the original asthetics

Zonate's latest drop, 'The Bodhi EP,' spotlights four cutting-edge global artists with standout electro tracks ready to command the dance floor. Deiv kicks off the A1 side with a seriously wonky head-turner, boasting an infectious bassline and twisted vocals. Sharing the stage, Ole Mic Odd's tough, stripped electro tune cuts through like a precision blade. As you flip the disc to the B side, brace yourself for Micro.Tron's energy-packed journey, a speaker-testing techy electro experience. The EP closes out with Two Phase U, delivering a raveesque, '90s-sounding party tune that's set to make the whole place jump.

Steve O'Sullivan Returns to Phonogramme Records with New EP 'Tribal Dubs’ Following the success of his debut EP on the label, Steve is back with a mesmerizing three-track offering that showcases his signature blend of deep grooves and atmospheric textures.This marks Steve O'Sullivan's second EP on Phonogramme Records, further solidifying his relationship with the label and cementing his reputation as a leading figure in the techno scene. 'Tribal Dubs' is a testament to Steve's continued creativity and innovation, showcasing his ability to push boundaries while staying true to his roots.'Tribal Dubs' is set to release on Phonogramme Records and will be available on all major streaming platforms and vinyl. Don't miss out on this exceptional release from one of techno's most respected artists.

X Club. is the production duo of Ben Clarke and Jesse Morath. Founded in Brisbane/Meanjin Australia’s warehouse scene and exported to London and beyond, their music is inspired by early 90s techno all the way through to future-facing drum’n’bass, with X Club. carving out a space entirely of their own thanks to their authentic and eclectic take on dance music with serious consideration for underlying groove. With releases on labels such as Steel City Dance Discs, Spandau20/crowds, 99cts Records and Stay On Sight, X Club. have seen their records reach global audiences with frequent touring across the UK, Europe, North America, Asia and Australia. New World Expression by X Club. is the third release on their own label Hide THE Junk, and finds the pair leaning more into house music than ever before, but still with the same distinctive X Club. edge. These tracks have been key moments to their sets over the start of 2024, going from demos in the studio to on the road club test in a matter of days, to being pressed onto fresh 12” wax for their most loyal fans within a matter of weeks. This EP is tried and tested house & techno that fans and DJ's alike have come to know and expect in X Club.

Both originating from Basel Switzerland, experimental dance outlets Amenthia Recordings and A Walking Contradiction combine forces and present their first collaborative release. Both known for their dare-to-do-different approach and proudly presenting sounds that come from their inner circle of friends they compiled the Flash Crash / Hack Crash EP with exactly this mindset. From Agonis' heavy stepper to Konduku's whirlpool of low frequencies on the Amenthia side with Lemont continuing on this same low-end tripped-out tip to the slo-mo swamp sounds from Varuna representing A Walking Contradiction in typical fashion.

Season by season, we raise a toast to our artists and guests by creating a new collection of sounds. Cafe Soda Selects Volume One captures all the memories of the past year. The A-side starts with Crymes . The track captures the essence of summer with its vibrant dub rhythms and sultry 90s vibes, featuring irresistibly sexy vocals that embody pure feel-good energy. A2 sets the stage for Ben Balances , a vibrant track that seizes the eclectic energies of people, weaving together dynamic rhythms and the deep essence of souls. It is a musical journey that celebrates the unique spirit and rhythmic soulfulness inherent in us all. On the flip, check out the two originals from FMN, the latest project by Frag Maddin and Najeh. is a catchy groove that easily grabs every dancer with its rolling bassline. The song has no breaks, allowing ravers to stay in trance. With , B2 celebrates a raw house anthem with a memorable theme, thick kick, banging clap, and a wild hi-hat swing. An homage to the 90s powerhouse era.

Wrapped in Latex, in Berlin, Alone is the latest EP coming from Pletnev. Its four tracks trigger a dooming introspective look in an increasingly isolated, digital world, while simultaneously providing an extraterrestrial escape route.

Dub Techno at its best! Merv makes a comeback to Kontakt with two exceptional dubtechno masterpieces. >Inwards< highlights an unmistakably Merv-esque style, characterized by rich chords and a solid sub-bass, while >Suspended< delves into deep, resonating chords that persist for nearly ten minutes. Limited coloured vinyl.

Black Version! Dub mastersclass by Stojche, accompanied by a rework from label head Andrey Pushkarev - this is Luck Of Access 7th installment.

New 3N0 record release by OTIS includes four cuts blending techno, acid, trance, electro cuts made in his berlin studio from 2020 and 2023, showcasing some of the most dark and rough sides of the producer.

A.O.A. encompasses an aquatic theme experimenting with a variation of ambient, aquatic sounds and electronic based production. This album was produced to feel like a soundtrack or score to a movie. His childhood love of fish and aquariums, the aquatic theme and sound of the album inspired Drummer B to use the Belle Isle Aquarium as a visual backdrop. “I loved fish and aquariums as a kid. I’m also an Aquarius born February 6. Aquarius is an air sign and astrological symbol is the water barrier. This inspired the album and stream title “A.O.A” Age of Aquarius,” Drummer B pays homage to legendary Detroit techno group Drexciya by accompanying artwork from Abu Qadim Haqq illustrator of The Book Of Drexciya Vol 1.

Old School Classic House inspired by Chicago and Detroit early scene, supported by Buzz Goore, Gari Romalis, Zip, Thomas Melchior, Fumiya Tanaka, Woody, Brawther.

Serge Geyzel marks the 3rd release on the Barcelona-based label Adepta Editions with ''It's Cancelled'', a strong and comprehensive collection of six tracks with mind-blowing tectonic tempos, low-flying bass-beats, and magnetized electro-nics. Comes with printed sleeve and is a strictly limited pressing of 200 copies!

London-based Lewi Boome brings his class to this new release on Well Street, strictly limited to just 100 copies so you better act fast! 'Dust Devil' opens with a deft touch - the pinging synth lines and airy drum loops suspending you in a tripped-out world of futurism. That cerebral style continues through the lithe and elegant, dubbed-out rhythms of 'Etched Alive' and the more unsettling moods of jungle-techno cut 'Tumble', complete with distant bird calls and humid pads. 'Deep Sheer' rounds out with a little more low-end grit as the fourth and final cut on a superb EP.

It has been over 2 years since Kellon (Spillway) ceased trading. He makes his return as Viewfinder, with a new label and a new approach. ‘The Second Phase’ is the first release on Rescan Records – it features 4 club-ready tunes, littered with analogue synths.