Hip Hop 360 Items

"The Remedy," is I G Culture's latest album under Likwid Continutal Space Motion, Culture draws parallels between the complex world of fungi and London's Underground dance music scene. Both are intricate networks that thrive beneath the surface, connecting diverse elements and influencing one another. The London dance music scene, like fungi, encompasses a variety of styles and genres, from drum and bass to Garage Dance Subcultures may go unnoticed to the casual observer but are musical corner stones in our society. Dance floors and clubs serve as spaces for communal healing, allowing people to let go of daily stresses and connect through music and dance. I G Culture's "The Remedy" celebrates this vibrant underground culture and highlights the interconnectedness of all musical styles. Through his innovative production and thematic depth, he underscores the transformative power of dance music, emphasizing its role in promoting well-being and unity. The idea of Fungi also is expressed in the artwork by Amsterdams 'Machine' with IG's direction, who used fungi in an original collage revealing a secret world.

Worldwide reknown for his unique Industrial North West New Town Retro Futuristic Philosophical Ignorant Rap Music from outer space, Lee Scott has recorded a live version of his latest self-produced full-length offering "There Is A Reason For Everything" in his living room. We're happy to release this unique take take on vinyl, with a brand new artwork by Jack "getarealjobkid" Rogers, housed in a beautiful screen printed thick cardboard jacket for all you collectors out there.

“Tokyo Candy Box” is a musical echo to Koji Onaka’s book of photographs of the same name (on the transformations of the city’s architecture between 1999 and 2001). 6 new tracks from samples collected during Lex's travels to Japan over the past 10 years. Without falling into the exoticism of a fantasized Japan, the producer captured the sensations and scraps of memory of an always elusive city that he wanted to share through this instrumental project.

“Tokyo Candy Box” is a musical echo to Koji Onaka’s book of photographs of the same name (on the transformations of the city’s architecture between 1999 and 2001). 6 new tracks from samples collected during Lex's travels to Japan over the past 10 years. Without falling into the exoticism of a fantasized Japan, the producer captured the sensations and scraps of memory of an always elusive city that he wanted to share through this instrumental project.

Lexx' new offering is a very appealing and smooth collaboration featuring the multi-talented Stones Throw recording artist Stimulator Jones, who provides vocals on 'Right By Your Side.' On the flip side, Los Angeles native Jamma-Dee delivers a slightly more uptempo take in his trademark production style.

Two select songs from acclaimed producer Theory Hazit's remix EP of Libretto & Vitamin D's collaborative album, Rusty Bladez, are now represented on vinyl for the first time with this limited edition 45. The two standout cuts also feature incredible guest verses from Hip-Hop heavyweights Planet Asia, and Roc Marciano. Given Vitamin D's outstanding production on the original LP, constructing remixes was a tall order for any producer. But, Theory Hazit's unique swing and precise chops proved the perfect pairing with Libretto, Planet Asia, and Roc Marciano's raps & subject matter. Theory imbued each track with his signature flavor and was able to tap into the core elements of the songs to give them new sonic twists, all while maintaining their conceptual integrity and emotional weight. A free download to the full EP + Instrumentals is included with each record. Taken together, all six remixes on the project showcase not just Theory's ability to make a hot beat, but also his ability to fully reimagine a project and give it a fresh cohesive feel.

includes a seam split or a corner bump

Nearly a decade after their last album, Lilacs andChampagne picks up right where that record, MidnightFeatures Vol. 2: Made Flesh, left off. With bizarreexcursions into pillowy, sentimental made-for-TV music -and children's choirs incanting the blackest dread-filledmusic the band has conjured to date - Fantasy World isboth transcendent and traumatic.Despite sharing two founding members of Grails(multi-instrumentalists Emil Amos and Alex Hall)Fantasy World only peripherally resembles their coregroup. Lilacs & Champagne have exaggerated theirearly record's implications and accelerated their mercurialrearranging of music history by deftly incorporating liveinstrumentation and samples with equal amounts ofdeference and disregard.Previously existing primarily in a realm adjacent toinstrumental hip-hop (J Dilla, Clams Casino, Madlib),Fantasy World exposes Lilacs & Champagne's deeperlineage as playful tape-collage culture jammers in thevein of legendary sound satirists, Negativland andSevered Heads. It embraces the effect of a child enteringa dollar store: the immediate euphoria felt upondiscovering the seemingly endless aisles piled impossiblyhigh with novelty toys, utensils, party decorations, andtoiletries eventually gives way to the overwhelmingrealization that they're actually just a tourist in a perilousmountain of colorful garbage. From those mountains,Lilacs & Champagne mold monuments to curiosity andconfusion.

Nearly a decade after their last album, Lilacs and Champagne picks up right where that record, Midnight Features Vol. 2: Made Flesh, left off. With bizarre excursions into pillowy, sentimental made-for-TV music - and children's choirs incanting the blackest dread-filled music the band has conjured to date - Fantasy World is both transcendent and traumatic. Despite sharing two founding members of Grails (multi-instrumentalists Emil Amos and Alex Hall) Fantasy World only peripherally resembles their core group. Lilacs & Champagne have exaggerated their early record's implications and accelerated their mercurial rearranging of music history by deftly incorporating live instrumentation and samples with equal amounts of deference and disregard. Previously existing primarily in a realm adjacent to instrumental hip-hop (J Dilla, Clams Casino, Madlib), Fantasy World exposes Lilacs & Champagne's deeper lineage as playful tape-collage culture jammers in the vein of legendary sound satirists, Negativland and Severed Heads. It embraces the effect of a child entering a dollar store: the immediate euphoria felt upon discovering the seemingly endless aisles piled impossibly high with novelty toys, utensils, party decorations, and toiletries eventually gives way to the overwhelming realization that they're actually just a tourist in a perilous mountain of colorful garbage. From those mountains, Lilacs & Champagne mold monuments to curiosity and confusion.

Nearly a decade after their last album, Lilacs and Champagne picks up right where that record, Midnight Features Vol. 2: Made Flesh, left off. With bizarre excursions into pillowy, sentimental made-for-TV music - and children's choirs incanting the blackest dread-filled music the band has conjured to date - Fantasy World is both transcendent and traumatic. Despite sharing two founding members of Grails (multi-instrumentalists Emil Amos and Alex Hall) Fantasy World only peripherally resembles their core group. Lilacs & Champagne have exaggerated their early record's implications and accelerated their mercurial rearranging of music history by deftly incorporating live instrumentation and samples with equal amounts of deference and disregard. Previously existing primarily in a realm adjacent to instrumental hip-hop (J Dilla, Clams Casino, Madlib), Fantasy World exposes Lilacs & Champagne's deeper lineage as playful tape-collage culture jammers in the vein of legendary sound satirists, Negativland and Severed Heads. It embraces the effect of a child entering a dollar store: the immediate euphoria felt upon discovering the seemingly endless aisles piled impossibly high with novelty toys, utensils, party decorations, and toiletries eventually gives way to the overwhelming realization that they're actually just a tourist in a perilous mountain of colorful garbage. From those mountains, Lilacs & Champagne mold monuments to curiosity and confusion.

Spanish label Hace Calor is back with two more classic cuts to rock the party: the banging DJ Premier-produced "N 2 Gether Now" from Linkin Park, featuring Method Man, and "Street Dreams" by Joe—a big R&B track using a sample made famous by Tupac. Edited specifically for DJs to include an intro and outro for mixing.

N.A.I.F. (No Atheists In Foxholes) is the new album from Richmond, CA indie heavyweight Locksmith. The album features Slaine, Ransom, P-Lo, DaBoii, Sa-Roc, Chris Webby, Jon Connor, Iamsu!, Ekoh, Snak The Ripper, and more. Locksmith is a West Coast artist/producer who first gained notoriety in the underground hip hop scene through MTV's MC Freestyle Championship. Lock, along with his group The Frontline, received commercial radio play and began building a regional buzz. But it wasn't until he began his solo career in 2011, that he started to cultivate a loyal fan base. Locksmith has toured with Joe Budden, Murs, & R.A. The Rugged Man, and collaborated with legendary producers 9th Wonder (Stand It) and Ski Beatz (Lock). Lock has been featured on MTV, BET, Sirius XM's Shade 45, Hot 97's "Who's Next?" concert series and all major hip hop blogs, and has dropped dope project after dope project for years.

Let’s say after a long day at work, a strenuous workout, a half marathon, or maybe three months into a CrossFit membership, after ending a bad tinder date, you look at yourself in the bathroom sweating , frustrated, exhilarated, or something else to say mean things in a pensive pace. Mav flows over Damien’s slow grimy drums with melancholy loops on some colorfully designed vinyl. He’s either reflecting on some $hit or threatening the man in the mirror like Robert De Niro in Taxi Driver after losing his $hit.

Let’s say after a long day at work, a strenuous workout, a half marathon, or maybe three months into a CrossFit membership, after ending a bad tinder date, you look at yourself in the bathroom sweating , frustrated, exhilarated, or something else to say mean things in a pensive pace. Mav flows over Damien’s slow grimy drums with melancholy loops on some colorfully designed vinyl. He’s either reflecting on some $hit or threatening the man in the mirror like Robert De Niro in Taxi Driver after losing his $hit.

Legendary Boston MC/Producer M-Dot, returns yet again with another monumental ALBUM…. “Daze Of Greed.” In the current microwave times, with weekly project drops and 3 song EP releases, the Boston stalwart maintains a classic blueprint of delivering a genuine tour de force ALBUM! ‘Daze Of Greed’ (14 tracks), the 4th official solo album from M-Dot (3rd in as many years) enters a morbid world consumed by monetary gain.

The project has an undertone of affliction but what emboldens the content though is the MC’s vulnerability layered throughout the work. Along for the ride is a murderer's row of company with production by M-Phazes (Eminem, Demi Lovato), Vinny Idol (D-BLOCK), 88 Keys (Kanye West), Apollo Brown, MIGHTY V.I.C. (Big Pun, Mobb Deep) etc. and also features appearances by friends Big Shug (Gang Starr Foundation), Estee Nack (Griselda), Grand Puba (Brand Nubian), Ty Farris & M-Dot’s EMS crew. Buckle up…and enjoy the ride!

Legendary Boston MC/Producer M-Dot, returns yet again with another monumental ALBUM…. “Daze Of Greed.” In the current microwave times, with weekly project drops and 3 song EP releases, the Boston stalwart maintains a classic blueprint of delivering a genuine tour de force ALBUM! ‘Daze Of Greed’ (14 tracks), the 4th official solo album from M-Dot (3rd in as many years) enters a morbid world consumed by monetary gain.

The project has an undertone of affliction but what emboldens the content though is the MC’s vulnerability layered throughout the work. Along for the ride is a murderer's row of company with production by M-Phazes (Eminem, Demi Lovato), Vinny Idol (D-BLOCK), 88 Keys (Kanye West), Apollo Brown, MIGHTY V.I.C. (Big Pun, Mobb Deep) etc. and also features appearances by friends Big Shug (Gang Starr Foundation), Estee Nack (Griselda), Grand Puba (Brand Nubian), Ty Farris & M-Dot’s EMS crew. Buckle up…and enjoy the ride!

The third volume in the series of releases chronicling the early career of Mac Dre. Includes previously unreleased tracks.

Marv Won is a Detroit musical alchemist – a street poet laureate entrenched in the battle rap scene, as well as a cinematic world class producer as capable of channeling Dr. Dre as Donald Goines. Marv breaks new ground with his first Mello Music Group album “I’m Fine, Thanks For Asking” - a soul-baring endeavor, that weaves tales of struggle and triumph, drawing inspiration from his storied life in the Motor City.

As one of the most esteemed battle rappers, Marv Won brings a lyrical ferocity to his unapologetically raw and heartfelt rhymes. This album collaboration with Mello Music Group marks a pivotal moment in his career, showcasing a seamless fusion of his word play and production. The album, featuring collaborations with Quelle Chris, Elzhi, Freeway, Rapper Big Pooh of Little Brother and more, cements Marv Won's status in the rap game. Marv Won's storytelling transcends mere verses, painting vivid portraits of life in the D. Over ten self-produced tracks Marv showcases his ability behind the boards with tracks that blend epic orchestration and Joe Louis drums that hit like Tommy Hearns.