House | Deep House 366 Items

Following the success of the digital release of Sleazy McQueen's You Know How EP, upstart label, CVMR were compelled to press the remixes to vinyl. The proceedings open in superb style thanks to The Revenge's Live Dub. A bass heavy tool with equal parts classic house and disco, with a touch of Arthur Baker-style drums. On A2, Sleazy McQueen's Space Coast take things to the basement with the help of Romano Arcaini (Latenight Society), warm rhodes, live bass and an absolute drum-break-freakout add a decidedly different dub flavor to the package. B/W Compost Black’s main man Kasper Bjorke offers his acid tinged interpretation, driven by a gritty saw-wave bass hook, rolling snare hits, wanderings arps and crunchy drums, a simply stunning piece of music as expected from the undeniably talented Copenhagen born producer. Closing out the remix EP, CVMR in-house producer, Century strips back the vibe to a dropped tempo, emotive workout fuelled be heavily reverberated piano chords, echoing vocal lines and a general chuggy, low-slung vibe throughout.

Jimpster has recently remixed Galcher Lustwerk for Tsuba, thatmanmonkz for Delusions Of Grandeur and Till Von Sein for SUOL.
His Eel Pie Island track for Systematic has just come out with remixes from Adam Port and Hyenah. The Adam Port remix went straight into the Beatport Deep House top 10 and is getting plays from many of the top DJ's. His remix of Mr V - Something With Jazz drops on Razor N Tape in October.
Brian Ring's debut release dropped in 2015 on Gerd Jansen's Running Back. This exclusive is only his second ever release but he already looks set for big things.
Clavis return with a fresh track following hot on the heels of their incredible Banza release which won many fans and received countless plays from the likes of Dixon, Ame, Tim Sweeny and Damian Lazarus.
Their brilliant follow up entitled Alscine (out in June) has already received glowing praise from Deetron, H.O.S.H, Anja Schneider and Laurent Garnier.

In the cool of the heat’ is supposed to be a snapshot of the corner where bad pupils such as electronic beats annoy good pupil like funk and groove. What is arising from this ? A mix between warm human feelings and rhythm given by the machines. This compilation gathers the work of different artists from various music background who helped to keep Mr Godot Rising"

400, 12" 180g, hand stamped, individually numbered records, single press only.

Ilija Rudman struts out once again on his own turf with this latest slab of sizzling discoid delectability, shaping out all manner of warm and fuzzy grooves across varying tempos and intensities. "Metronomia" is a laid back workout, but it's the bombastic funk of "So Much" that steals the show on the A-side with its crafty construction and killer bass hooks. "Hibiscus Theatre" meanwhile ploughs deeper into the soil with its swirling pads and shimmering percussion lines, and then "If You Change Your Mind" rounds the EP off with some exemplary deep house for the more reflective souls to get down to.

“(Got To) Move On / Rosa Da Ribeira” continues the series of edits and remi¬xes from Stefano Tirone aka S-Tone Inc.’s latest studio album, “Body & Soul” (2020, Sccd/lp493); this 7” is also a preview of the forthcoming release of a project named “Body & Soul - The Disco Experience” where Stefano, with the help of some of his faithful collaborators, reinvents and transforms into a new boogie disco groove dress the entire “Body & Soul” LP. Both songs here combine nu-disco with late ’70s funk / soul / dance, Stefa¬no’s first real ‘musical love’: a way therefore to underline his unconditional passion for the music that represented his youth and, at the same time, the awareness of the inevitability of the modern times we live in. “Got To (Move On)” is an up-tempo song with a leading pulsating bass that sees the participation of Afra Kane, a Nigerian singer who has lived in Italy, England and Switzerland, and who gives ‘black’ shades to the songs with her splendid voice. “Rosa Da Ribeira”, sung by Toco with the additional backing vocals of Prisci¬la Ribas, Luzia Dvorek and Gui Hargreaves, shows off an exotic touch given by the Brazilian melodies and the Portuguese lyrics, and is further enriched by Gilberto Tarocco’s baritone sax and Randy Freeman’s trombone.

Palms Trax signals the arrival of his new label Cwpt with ‘Petu’, a new single featuring South African vocalist, Nonku Phiri. Originally debuting in dub form during the Berlin-based DJ and producer’s set at The Music Locker as part of Grand Theft Auto Online, ‘Petu’ re-emerges here as a soulful collaboration, neatly complimented by a wide-eyed take from Masalo.

Initially written as a slow-heating instrumental to connect the various musical dots across a DJ set, Palms Trax nonetheless had a vocalist in mind throughout, a fresh voice to lend ‘Petu’ universality and energy. Introduced through mutual friend Esa, Johannesburg’s Nonku Phiri draws on her signature style influenced by vintage Afropop styles and folk traditions, delivering a smooth and vulnerable tale of desire. Triumphant brass recorded by instrumental collective Jungle By Night adds to the depth of instrumentation and feeling throughout, each element driven by Palms Trax’s ebullient percussion and an altogether celebratory energy felt across both the original and dub cuts.

Closely associated with Dutch dance music staple Rush Hour Records, Masalo subtly raises the tempo on his high-energy rework of Petu, spinning off the interconnected elements of the original into a memorable and gloriously Italo-tinged house trip.

Established in 2021, Cwpt will play home to Palms Trax original productions alongside collaborations, mixtapes, new-generation artists and vital reissues. An online blog will feature interviews, reportage and charts exploring the stories past and present at the fringe of Palms Trax’s wide-reaching record collection.

Coming in hot with the first of three EP’s from WhoMadeWho’s Watergate 26 is two of the standout tracks from the mix. Both tracks come from WhoMadeWho and Artbat, yet with a unique twist each one sees the collaborators exchange creative roles. Kicking things off Artbat’s edit of WhoMadeWho’s ‘Monsterrat’ is as deep and hypnotic as it is soulful and energetic as traces of Rock harmonize with low slung House and shimmers of Disco resulting in an eternal dance floor weapon.