Jazz | Fusion Vinyl 7 Inch 270 Items

This is a limited edition of 500 copies!

Budabeats Records presents four jazz inspired cuts from the early ‘60s. This period is not renowned for quality Hungarian music, however it gave birth to a handful of gems that sound world class, even today. The single features two tracks by Mária Toldy, and one track each by Nadja Beimel and Márta Szirmay. The common denominator is jazz, but it is blended with other styles such as Afro-Cuban, exotica and bossa nova. This bold, adventurous sound transcends the luke-warm clichés of dance music of the time. That’s why we felt it worth it to dust off these tough-to-find recordings and give them a new spin.
The record comes in a custom designed picture sleeve, with two different sticker sets by Recordshack Distribution. You can create your very own and unique record by using the stickers accompanying the single.

Yaşar Akpençe was born in 1966 in Istanbul (Türquiye) and can be consider as one of the best world darbouka player. He began his career in music at the age of 9 by playing Congo and carried on with the darbuka at 13 and made his musical dream come true by working with famous musicians. Akpençe has performed as a guest musician on numerous albums as well as being the founder of the percussion collective known as « Harem Group ». Yasar has performed with almost every major artist in Turkey, spanning many genres including pop, traditional. gypsy, jazz, arabesque and contemporary. The track « Desert Wind » was released in 2004 on his cd album « Passion Percussion » and we ‘re very proud to reissue it for the first time on vinyl. This track is a dance floor classic ! A perfect tool for DJ’s all over the world.

Freestyle Records reissue a DIY 7" from 1980 by short-lived all-female group Spoilsports. Existing at the intersection of post-punk, jazz-rock and modern soul - these two political yet playful numbers were laid down by a band formed from a range of players active in London's feminist and improvised music scenes at the time, and represent the groups only recordings.

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Spoilsports began in 1979 with the aim of having an all-female band that could be actively feminist and playful at the same time, with an eye toward gaining an appeal beyond that of the wider women's lib movement of the time. The line-up originally consisted of Carole Nelson on keys, Angele Veltmeijer on saxophone, Sheelagh Way on drums, Lesley Shone on bass, Isabel on congas and with Laka Koq providing vocals. After a short while this would become just Carole, Angele & Sheila - with Ruth Bitelli being brought in on bass, and Barbara Stretch topping things off on vocals. The band played at Gay Pride '79 in Hyde Park, a Women's Music Festival in Neimegen, Holland; lots of benefits, and maintained a weekly residency at The Earl of Aberdeen in Mile End (now sadly demolished).

Unfortunately the group lasted only 18 months or so all in all, and this is their first and last record - in fact, they intentionally laid it down to tape in order to provide a memory of the group before they called it a day, and we are so glad they did! Recorded in Pimlico's Archipelago Studios in the same year that Elvis Costello would record his album Get Happy there, the original 7" gained a review in the NME, whom dubbed it "a cross between Steely Dan and The Joy of Cooking".

Australian Soul Jazz holy grail from 1968! Limited to 300 copies w/wide. Debut release on Pacific Theatre Encore, the reissue label started by Melbourne's contemporary funk / soul lynchpin Australian Lance Ferguson (The Bamboos, Menagerie, Lanu, ex Cookin' On 3 Burners). Two high energy Mod burners, both originals taken from the forthcoming album 'Whatever It's Worth'.
Lead by Australia's own rival to Jimmy Smith and Jimmy Witherspoon, the '68 line up of Col Nolan & The Soul Syndicate would prove to be an Australian jazz super-group, consisting of John Sangster on drums / percussion (whose own late '60s Festival albums are highly collectable), John Allan on bass, Col Loughnan on sax and Jimmy Doyle on guitar (the latter two were also in mid Oz '70s jazz-rock giants, Ayers Rock).
"Pacific Theatre Encore will be reissuing music from across the globe, but it was important to me for the first release to shine a light on the important legacy of our own scene" says Ferguson, who meticulously restored the audio himself, which was then remastered.

Alpha RAY by The Norio Maeda Trio was originally released in the Swinging Sixties and this hot latin number was rediscovered by the Tokyo Hipsters at the height of the Acid Jazz Boom and became part of Shibuya Jazz Dance Folklore.
Hakuchu NO Shugeki - Theme by Terumasa Hino Quintet is from a Japansploitation thriler made in 1970 with plenty of guns, gals, guys, sharpsuited action and gallons of studio blood! Mostly freeform blowing by the Legend that is Terumasa Hino for the soundtrack, one of the exceptions being this Blue Note Styled Soul Jazz number that sounds as if it came off the Van Gelder production line circa '66 to '71. Easily could be mistaken for Blue Mitchell, Donald Byrd or Freddie Hubbard's outputs post soul, pre-electric happenings. Another Jazz Room thing of beauty!
Now on 45 RPM release by Jazz Room Records, a 2 cut slab of wax that will have Jazzfloorista's waiting at the gate!

“People Need People / The Higher Love” is an exclusive 7” containing the two singles promoting the most recent release by Nicola Conte and Gianluca Petrella, two eclectic artists that, sixteen years after “New Standards” (2001, Scep336), found themselves working together again: this encounter led to the release of three new 12” EP’s in only three years and the double LP “People Need People”, plus the release of “Let Your Light Shine On” by Nicola Conte & Spiritual Galaxy. “People Need People” manages to communicate the club culture enthusiasm to conquer a new market capable of soliciting new interests in the nu-soul and jazz scene. From Detroit future dance to afrobeat and spiritual jazz through a nu-disco sound, the unique vibe of these two songs drags us in search of deep music in a spiritual and mantric context. In a peculiar historical moment Nicola Conte and Gianluca Petrella send a message of hope, of aggregation and Universal Love. A feeling of elevation and solidarity is shared Through Raashan’s poetry, something that can predict winds of change for humanity, a feeling that flows from a higher love. “People Need People” and “The Higher Love” are part of a collective experience wisely directed by Nicola and Gianluca that sees the participation of numerous artists from different parts of the world. Looking at the past and fetching sounds, rhythms and instruments typical of tribal / African traditions, soul / spiritual jazz and cosmic music from it, Nicola and Gianluca have performed an operation of strong contamination with modern electronic sounds, disco and hip-hop, creating a completely original hybrid. Their goal is to accompany the listener through a collective spiritual elevation path, guided by the only true universal language: music. In a historical period marked by contrasts, lack of communication and forced social distancing, this release proves to be even more essential and necessary.

Currently at work on new compositions that will give shape to a new album scheduled for the fall of 2024, Gerardo Frisina delights our ears with a 45rpm containing two unreleased tracks representing a brief funk digression within his musical journey without, of course, affecting his unmistakable style. “Mystical Funk” and “Spaced Out” skilfully mix “modern funk” elements with electronic influences, creating a unique sonic experience. In both cases, one of the surprising features is the hypnotic, incessant groove, capable of drawing the listener into a sound universe full of cosmic percussion and atmospheres, enhanced by Dennis Coffey-style guitars and by a Deodato-like Fender piano. Once again Gerardo hits the mark: the production is masterful, with a clear attention to details and those typical arrangements that reflect the overall quality of the sound with delicate power.

In Loving Memory Patrick Huntrods (aka Pat Fish AKA The Jazz Butcher) (20 December 1957 - 5 October 2021) Featuring David J (Bauhaus), Victor DeLorenzo (Violent Femmes), Strings by Fiona Brice & Janet Schiff. Produced by David J. The first Jazz Butcher record, the LP 'In Bath of Bacon' was released almost 40 years ago on the original Glass Records label. Plans were made for a new album on Glass Modern to celebrate this, for release in 2023, but sadly Patrick passed away last October before any real work could be done for it. This recording is all we have. Never Give Up was re-recorded for Pat's final LP, The Highest In The Land - it's one of his greatest songs, maybe the greatest. His Hallelujah, if you will. The B side, Silver Street by Nikki Sudden & Dave Kusworth (Jacobites) was recorded for a forthcoming Glass Modern compilation, of various artists covering Glass artists material from the eighties. Tracklist Side A Never Give Up (Glass Version) Side B Silver Street. Random colour 7"-Vinyl

Producer/bassist Petter Eldh's celebrated Koma Saxo returns with a fresh single release on We Jazz Records, June 12. "Koma Mate" is a new look on "Koma Tema" from Koma Saxo's 2019 debut album. The track's anthemic quality remains, but with an extra 10% bangerism added for good measure. On the flip, Eldh invites Jameszoo to tear apart and reassemble Koma Saxo's elements, making for an extra tasty serving of spicy Koma Soup, filled with criss-crossing saxes and odd grooves. Lightning in a bottle, times two. "Koma Mate / Jagd (Feat. Jameszoo)" will be released by We Jazz Records on June 12 as a 7" single and digitally. True to We Jazz style, the 7" comes with an old school heat-pressed labels and a generic brown paper sleeve.

2 Classic 6Ts Northern Soul/Mod Sides From The Legendary Philly Label Cameo-Parkway Reissued For The First Time

Record Store Day 2020 Release.

To celebrate Record Store Day 2020, ​Soul Has No Tempo​ release a single from local lame boy, ​Laneous​. ​Elsewhere​ /​ Flawless​ arrives in all it’s 7” vinyl glory, the double A side marking a temporary detour from the exotica / soul excellence of 2019’s ​Monstera Deliciosa​ (​ Album of The Year Nominee – 2020 Gilles Peterson’s World wide Awards). Elsewhere ​/​ Flawless​ are two on-the-fly ideas, born in the brain of ​Laneous​ and brought to life in the studio with Melbourne’s engineer-extraordinaire, ​Nick Herrera ​(Hiatus Kaiyote, 30/70, Nai Palm).

1977: In the middle of the era of punk groups, up-tempo music, high-energy rock and a mini rock-'n-roll revival, a record with the cheeky title Tranquility by the group Dutch Treat has come onto the market. A record - as the title suggests - that exudes tranquility. The record is a serious product by five of Holland's best-known and most-talented studio musicians: Jan Huydts, Wim Essed, Hans Hollestelle, Louis de Lussanet and Steve Boston. Jan Huydts: ‘We want to make music that brings people peace and tranquility. We are a recording group. We like each other. We are just close friends. The idea was to make non-aggressive music with aggressive instruments like synthesizers and electric guitars. You may even call it background music, maybe with a double meaning.’

Wim Essed in 2024: 'After decades it is still amazing that in all their diversity the pieces on this album fit together so well, taking the listener on an instrumental road trip through rainy as well as sunny landscapes.'

'When we had finished the original recording, the first and only issue was marketed by Polydor records, in quite a modest edition, instigating an equally modest success. Nowadays many more can get access through the web and Tranquility has since found a certain following and cult status, as the original record got harder to come by and more expensive on the second-hand market. So people started to ask for a reissue, which we can at last and proudly offer, bonus material included!'

‘tranquility’ by dutch treat was recorded, mixed and mastered between October 1976 and January 1977 at Procom Studio in Kirchhellen, West Germany

Remastered in August and September 2023 by Fritz Fey (original assistent engineer) at Double-D Mastering, Oberhausen, Germany For the remastering a direct transfer from the original master tape in 192 kHz and 24 bit was used. The master was cut in a lacquer and the actual reissue is a 180 gram hi quality pressing

The A Side of course is just one of the biggest tunes from the grunge era and is given a Jazzy Funky Groovy version by Blue Mode of Nirvana's Biggest Hit. It turns out that they were influenced by everything from the Gap Band to Louie Louie and a fair smattering of 80's indie and this producytion by by Chip Wickham mixes together a Swinging '60's Blue Note Vibe with the Acid Jazz sound and brings it bang up to date with the Nu-Jazz Experience. First time on 45 and is already a DJ favourite after being included in the Paul Murphy set "Jazz Room" on BBE Records.
Side 2 is a Boogaloo Latin Jazz version (produced by Paul Murphy Live in the studio in Budapest when he was living there) of the Lonnie Smith track "Hola Muneca" beloved of the Acid Jazz era DJ's and previously released on a now impossible to find 7 inch single that goes for crazy prices.

Four Flies keeps digging into the secret archives of Alessandro Alessandroni to bring hidden treasures back to light. After two successful releases - the EP Afro Discoteca and the compilation album Lost & Found -, it is now the turn of a new 7’’ single featuring two tracks with a strong soul-funk influence, sung by the Maestro’s beloved Cantori Moderni in a typically Italian harmonizing style, poised somewhere in between gospel and disco music. Both tracks are previously unreleased and were recorded in the same 1976 sessions that birthed Sangue di sbirro (Knell, Bloody Avenger), his most blaxploitation-inspired soundtrack.

We Jazz Records kicks off their new series of archival 7" releases with Esa Pethman "In Belgium 1967" released 23 September 2022. The two-tracker is licensed from the Belgian VRT radio archives and both of the pieces are previously unreleased. Finnish jazz legend Pethman, heard here on alto flute and tenor sax, joins forces with European jazz greats such as Heinz Bigler, Uffe Karskov and Jean Fanis. This is a small but valuable piece of unheard European jazz history from the early heyday of modern jazz. The physical release is a quality "inside-out"-styled EP with 3mm spine and small center hole on the 45rpm vinyl.
An excerpt from the liner notes by Mikko Mattlar:
"Esa Pethman (b. 1938) was one of the key figures of modern Finnish jazz in the 1960s. His album The Modern Sound Of Finland was the first Finnish modern jazz album and his composition "The Flame" a true modern Fenno-jazz evergreen.
Pethman was born in Kuusankoski, 135 kilometres from Helsinki in the Kymenlaakso area. The jazz scene was active even though it was an area of rural landscapes and paper mills. Pethman discovered jazz when he heard a Charlie Parker record being played at a local music shop in the late 1940s. Following Parker, bebop became his favourite style of jazz.
Young Pethman played flute and saxophone in local bands who accompanied schlager singers. They played tangos and waltzes for dancers, but usually started a typical dance event with an hour of jazz. In 1959 Pethman moved to Helsinki to study music at the Sibelius Academy. Back then it was a strictly classical music academy, but Pethman later described the studies as crucial for his development and career. He quickly made his way to studio sessions and into the best orchestras in Helsinki.
As a student of composition, Pethman also began writing his own music. "The Flame" was a melody he just got on his mind one night, and he decided to write it down. The catchy composition was released as a 7" single in 1964, a year before Pethman's debut album. Both records stand as benchmarks for modern Finnish jazz. The album consisted entirely of Pethman's compositions, not versions of jazz standards like a lot of the Finnish jazz released until then.
In the mid 1960s, Finnish jazz was also taking its first international steps. Pethman's quintet took part in the first Montreux Jazz Festival in Switzerland in June 1967. At the Montreux jazz band competition, the quintet came in fourth of the twelve contestants. Despite not winning the competition, the band got an honourable mention, and Pethman was now recognized outside Finland.
In December 1967 Pethman travelled to Brussels. His visit was organised by the national Finnish broadcasting company Yleisradio and their jazz program producer Matti Konttinen. Konttinen was supposed to go to Brussels with Pethman, but the musician ended up traveling alone.
In the Decca recording studios Pethman played two songs. He recorded a version of his most famous composition "The Flame", where he played the alto flute and was accompanied by Belgian musicians. On Swiss saxophonist Heinz Bigler's composition "Like Steel", Pethman played the tenor saxophone. The band was now more international, consisting of Bigler, the Italian Francesco Santucci, the Dane Uffe Karskov, a Belgian rhythm section and Pethman. After 55 years, Pethman still remembers Bigler's remarkable skills as a saxophonist.
The two-day visit included the recording session, a dinner and a concert. Pethman and the other non-Belgian musicians came to Brussels mainly to play at a jazz concert organised by the European Broadcasting Union EBU. They played at the studio first, and the concert was held the following day. Pethman and all the other soloists played as members of an international big band. The studio and live session were produced by the Belgian Radio and Television jazz section leader Elias Gistelinck."

Limited edition colored vinyl.

Everybody Loves THE Sunshine is more than a classic. It is “the” summer anthem, one of the most covered and sampled Soul tunes by Roy Ayers and the Ubiquity family. This vinyl re-release has been eagerly awaited by music lovers worldwide. This version was originally recorded as a cover version, produced by Soulciety Records for their label band project named The Soulsociety. The performance was recorded with the original songwriter and producer of the song, Mr. legendary vibes controller and Soul superstar Roy Ayers. This recording follows the original 70s feel and instrumentation of the 1976 version, but this time also features Roy Ayers prominently on lead vocals. Another big difference compared to all other versions by Roy and Ramp is the fact that this version is arranged and produced as a midtempo track. It will fit perfectly into any DJs set with a focus on Soul, Funk or Hip Hop. For the first time ever, this classic is now available on a Sedsoulciety Recordings 7” vinyl, including the previously unreleased instrumental version on the flip side with added extra vibes by the master himself.

The Sound Of Summer on Acid Jazz - the Humble Souls sampledelic classic ‘Beads Things & Flowers’ gets its first outing on a 7-inch single as part of our new Acid Jazz classics series. A magnificent dance floor classic, ‘Beads Things & Flowers’ is the result of the creative coming together of Simon Anniky - previously of Beats International and Hugh Brooker of the Night Trains and The Hip Joints, an Acid Jazz fixture since its earliest days. Its seamless blend of Mod Jazz samples and tight beats is inspirational. The A-side 7-inch was the hit of our ‘Acid Jazz (Not Jazz)’ compilation last year, whilst the vocal version makes its first ever appearance since its 1991 single release!

Dynamite Cuts are proud to be able to release this classic afro jazz vibe groove. Sampled back in the day by The Jungle Brothers. This track is Originally 10 minutes long; we have now edited it down to a brilliant 4 minutes, for this exclusive vinyl release. The entrancing, hypnotic saxophone and vocals fill your ears with an uplifting energy of Jazz.

“Sensational”

The inspirational intake and respectful tribute of and to Hindi Cinema Soundtrack artists Kalyanji-Anandji and R. D. Burman and the Simla Beat guitar organ psych records of the early/mid 70’s, coupled with the Italian silver-stringed heavy-funked composers Piero Umiliani and Stefano Torossi kaleidoscopically conjure the sounds brought to you by Pleasurewood in this 7” single. Firework is ushered in by a Hofner Beatle bass’s nasal clacking joyfully assisted by clapping hands through murky spring reverb. A breakbeat incantation to the sun scored with Farfisa, Guitar Wah and Arp Odyssey. Move! is a more pensive post-apocalyptic funk hymn with the instrumentation of piano, cimbalom and mellotron, plus the layered and flanged vocals of the composers Paul Elliott and Anthony Donje, with the instruction to ‘Move!’ by studio kingpin Buddy Elliott.

Milwaukee's artist Chuck Brimley's cover of Michael Frank's classic "St. Elmore Fire. An extremely hard to find record that even Andy Noble who runs a second hand record store in Milwaukee Wisconsin where the record is from had not heard, despite knowing Chuck who was a customer. Andy kindly put me in touch last summer and Chuck was happy for us to reissue this rare version.

„“Christmas With You” is what Norah Jones and shooting star Laufey have named their joint Christmas single. Both combine their distinctive vocals on two duets, a charming version of the evergreen “Have Yourself A Merry Little Christmas” and a playful new original from both pens, “Better Than Snow”. The songs were recorded in an intimate setting with Norah on piano and Laufey on guitar and cello. No one needs to be introduced to Norah Jones anymore. Laufey grew up between Reykjavík and Washington, D.C. and visited Beijing regularly. After releasing her EP “Typical of Me” (2021), she was named Best New Jazz and Blues Artist at the Icelandic Music Awards. Her latest album, „Bewitched“, broke the record as the highest-grossing Spotify jazz album debut of all time, debuting at No. 2 on Spotify's Global and U.S. Albums charts, as well as No. 23 on the Billboard 200 and No. 1 on the Traditional Jazz Albums chart. To date, Laufey has achieved over 1 billion streams across all platforms.

Paul Murphy: Jazz Room Records. "The first time I heard this I said "I gotta sign it!" as not only was it featured in one of the maddest and most memorable scenes on one of my favorite TV Shows "Severance" from Apple TV, but it's also on one of my favourite albums anyway, "Nation Time" by Joe McPhee."
Takumi Moriya's version Is as funky as it gets and is truly way up there and meeting the high as a kitemark standards of "Defiant Jazz" (What a Niche Genre to be in!) This is going to cause some serious Defiant Jazz Shake on a dancefloor near you! Break out the Maraccas!"
A limited vinyl 45 release and it's release number 30 on Jazz Room Records so ultra special.

Manfredo Fest who is a blind genius pianist, and pop bossa evangelist alongside Sergio Mendes. Brazilian Fusion Classic "Who Needs It" and "Jungle Kitten" from "Manifestations" in 1979 is released 7inch for the first time!

This 1957 release, the third in a series of albums expanding on Bird’s 10” Clef releases from the early 1950’s, Now’s The Time boasts some of Parker’s purest recordings and strongest playing, featuring two different quartets. His lyrical and fluid improvisations on cuts like “The Song Is You” and “Laird Baird” are on full display, prime examples of his unmatched genius.



Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

New Resense stuff for the advanced dancefloors. "Lalo Shuffle" is a rework of the main theme from the original movie "Planet Of The Apes", written by the great Lalo Schifrin while "Magic Hancock" pays a funky tribute to the great Jazz composer Herbie Hancock.

Atomic Soul' was written in July 2018 with a pairing of the multi talented Tom Funk and singer Ed Holley. At the time it received plays from Gilles Peterson on his BBC 6 Radio show. We've released the single under the original project name of Chordially. This is extremely limited to 150 copies.

Mr Bongo presents a new and exciting collaborative project with Swedish label Piano Piano Records. Hearing the Swedish outfit Sven Wunder for the first time is as refreshing as an ice-cold Limoncello after an Italian meal. One of those bands that feel instantly familiar like an old friend, yet simultaneously fresh and new. Straight away we fell in love with their sound and knew we had to work with them. The Sven Wunder 'Wabi Sabi' 7" is the second collaborative release between Mr Bongo and Piano Piano Records. 'Wabi Sabi' is Sven Wunder’s follow up to the already contemporary cult-classic album 'Doğu Çiçekleri (Eastern Flowers) from 2019. Not one to be complacent and recreate a carbon copy of their previous works, Sven Wunder switched from the psychedelic-Turkish-funk sounds of 'Doğu Çiçekleri' to the Japanese inspired ethereal funk of 'Wabi Sabi'. We have selected the tracks ‘Hanami’ and ‘Shinrinyoko’ for this collector’s edition 7’. Japanese artists such as Hozan Yamamoto, Tadao Sawai, Kazue Sawai, spring to mind, but also David Axelrod and Dorothy Ashby on the beautiful string-led 'Hanami' with it's laid-back funk breaks. 'Shinrinyoku' has a slightly more raw cinematic-funk sound, yet is cushioned with warm strings and tripped-out keys - pure, rare-library music vibes. We are delighted to be able to release these amazing tracks, cut at the Timmion Records Cutting Lab in Finland.

„Blue Note Re:imagined II“ is the sequel to the successful 2020 album. Once again hip, young Brits use modern means and creative ideas to update famous Blue Note tracks.



The fourth and last pre-release 7" single features London based Oscar Jerome (also known as a guitar player with Afrobeat-Sextet Kokoroko), who mixes hiphop, punk, soul and West-African influences with jazz music. He chose to rework "Green With Envy", originally recorded by Grant Green.



Franc Moody is a disco-electronic-funk-collective, directed by the masterminds Ned Franc and Jon Moody from West-London. "Cristo Redentor" (originally recorded by Donald Byrd) is the track they put their hands on.

A rather obscure and fantastical 45 byAmerican jazz clarinetistand tenor saxophonistWendell Harrison. A moody dusty fingers style downtempo cover of Stevie Wonder's sleeper Rocket Love from the LP 'Hotter Than July'. This one seems to have passed by many collectors, including myself, I was only turned onto it recently despite loving Wendell's catalog. credits releases January 27, 2023

Two fabulous funky tracks originally released on the award winning album Goma-Laca – Afrobrasilidades in 78 rpm which updated Brazilian Music originally recorded on 78's in the 1920s to the 1950s. With musical direction and arrangements by Letieres Leite, the vocal pyrotechnics of Russo Passapusso and Juçara Marçal masterfully accompanied by double bassist Marcos Paiva, Hercules Gomes on piano, Sergio Machado on drums and percussion master Gabi Guedes. Under the direction of Letieres, the group created with the singers arrangements of jazzy tones over Afro-Bahian rhythms, and everything was recorded live at Estúdio Traquitana, in São Paulo.
The version of Cala Menino Boca best known from the version by Joao Donato that's been doing the Dancefloor round since the early Acid Jazz days here gets a funky and rhodes led percussive update and of course the traditional tune "Ogum" gets a soulful jazz run through, folky funk like you've never heard before. This is yet another welcome addition to the Jazz Room canon, watch those dancefloors light up when this wax spins!

Nubiyan Twist and Swindle reimagine two Blue Note classics for Blue Note Re:imagined II; a new 16-track compilation featuring fresh takes on music from the illustrious Blue Note vaults recorded by a heavyweight line-up of the UK jazz, soul and R&B scene’s most hotly-tipped rising stars. Arriving off the back of the widespread international success of the first volume, which topped jazz charts around the globe, Blue Note Re:imagined II once again infuses the spirit of the new UK jazz generation into the legendary label’s iconic catalogue, balancing the genre’s tradition with its future and reflecting the melting pot of talent and diversity within the current scene.

Now specially edited for the first time for discerning Northern, Modern and Jazz dancefloors on THE only format that matters for DJs and collectors alike, grab your copy now with an exclusive edit of Gregory’s signature song “1960 What?”

Pianist Junior Mance, a veteran of albums and dates with Dinah Washington and Cannonball Adderley, was offered his own recording date by Norman Granz during a session with Dizzy Gillespie. The result is this 1959 debut album, a bluesy and swinging date with Gillespie’s drummer Lex Humphries and bassist Ray Brown. Highlights include the original “Jubilation” and Cole Porter’s “Love For Sale”.



Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

A Sade-inspired take on Hawaiian music, Kainani Kahaunaele’s “He Lei Aloha No Mī Nei” melds the beauty of the Hawaiian language with a heavenly R&B groove.

Reminiscent of Nohelani Cypriano’s “Lihue” — the 1979 cult classic that expanded the sound of Hawai‘i with its unexpectedly funky, tropical flavor — “He Lei Aloha No Mī Nei” charges forward into the 21st century with the same spirit. Kainani’s gentle voice and lyrics float across shimmering vocal arrangements and soft touches of piano, accompanied by tasteful drum programming, acoustic guitars swaying like palms against the calming warmth of the bass line.

Known throughout Hawai‘i as one of the archipelago’s greatest advocates of the native Hawaiian language, 'Ōlelo Hawai’i, the singer, songwriter and educator finds music is one of her best methods for perpetuating the language. “I have to be the example that Hawaiian is a living language that you can apply in all facets of your life,” she told the University of Hawai‘i at Hilo in a 2021 interview.

As the closing track on her award-winning album, Waipunalei, “He Lei Aloha No Mī Nei” stands out from the rest of the album with its modern R&B style. Instead of composing in a familiar “cha-lang-a-lang” style, Kainani and her collaborators deliberately placed the song, or mele, outside the box of what might typically considered “Hawaiian music”. For Kainani, mele is rooted in the lyrics, which come from a Hawaiian worldview. “To me, that’s the most important part. And when that part is set, there really is no limit to what kind of music you can put around it to support the mele.”With “He Lei Aloha No Mī Nei”, she achieves that with a shining example for generations past and present to carry the Hawaiian language into the future.

Pressed to 7-inch vinyl and housed in a full color jacket with full color labels. The B-side of this release offers the instrumental version as a mahalo, or thank you, to the talents and strengths of Kainani’s collaborators, Shawn Kekoa Pimental, Michael Grande, and Kale Chang.

Bird Moves is the jazz offspring of the German band Noetics. Originally founded as a classical formation devoted to jazz, the members quickly explored its related styles. Without genre restrictions Bird Moves are mixing Jazz with anything from Funk to Dub and had their debut release on Agogo Records.

For this single they recorded two amazing new songs. »Easebound« is a groovy-breezy laid-back tune while late night cruising, slowing down or just daydreaming. On the flip you'll get an afro-tingled mid-tempo track named »Kakra Kakra«.

Trad Vibe Records proudly presents a first-time reissue of Caribou, a side-project of Cortex, originally released in 1977. A great and rare double-sider jazz-funk 7inch, now available as a reissue.

French avantgarde Jazz-Funk pioneers Cortex released three milestone albums during the seventies including the iconic Troupeau Bleu. Their music has been sampled by Hip Hop artists such as MF Doom, Wiz Khalifa, Lupe Fiasco and Rick Ross and as a consequence is still very much alive today.

The long-awaited repress of the first Radio Maritko 45 “Oriental Shake”, featuring Habibi twist and Alba’s Shake. Exotica and twist mania from the Greek and Italian sixties that shakes all dancefloors! With a brand new layout!

Recorded during the Spring 2020 lockdown, these two songs are a response to the Pandemic and the challenges faced by our families and communities. Second Thoughts Records and Nightnote Records teamed up to create a limited run 45 of the tracks "Still Dancing" and "The Searcher" with hand stamped sleeves. This will be a vinyl / Bandcamp digital only release.