Jazz | Fusion Vinyl 7 Inch 267 Items

Alpha RAY by The Norio Maeda Trio was originally released in the Swinging Sixties and this hot latin number was rediscovered by the Tokyo Hipsters at the height of the Acid Jazz Boom and became part of Shibuya Jazz Dance Folklore.
Hakuchu NO Shugeki - Theme by Terumasa Hino Quintet is from a Japansploitation thriler made in 1970 with plenty of guns, gals, guys, sharpsuited action and gallons of studio blood! Mostly freeform blowing by the Legend that is Terumasa Hino for the soundtrack, one of the exceptions being this Blue Note Styled Soul Jazz number that sounds as if it came off the Van Gelder production line circa '66 to '71. Easily could be mistaken for Blue Mitchell, Donald Byrd or Freddie Hubbard's outputs post soul, pre-electric happenings. Another Jazz Room thing of beauty!
Now on 45 RPM release by Jazz Room Records, a 2 cut slab of wax that will have Jazzfloorista's waiting at the gate!

1977: In the middle of the era of punk groups, up-tempo music, high-energy rock and a mini rock-'n-roll revival, a record with the cheeky title Tranquility by the group Dutch Treat has come onto the market. A record - as the title suggests - that exudes tranquility. The record is a serious product by five of Holland's best-known and most-talented studio musicians: Jan Huydts, Wim Essed, Hans Hollestelle, Louis de Lussanet and Steve Boston. Jan Huydts: ‘We want to make music that brings people peace and tranquility. We are a recording group. We like each other. We are just close friends. The idea was to make non-aggressive music with aggressive instruments like synthesizers and electric guitars. You may even call it background music, maybe with a double meaning.’

Wim Essed in 2024: 'After decades it is still amazing that in all their diversity the pieces on this album fit together so well, taking the listener on an instrumental road trip through rainy as well as sunny landscapes.'

'When we had finished the original recording, the first and only issue was marketed by Polydor records, in quite a modest edition, instigating an equally modest success. Nowadays many more can get access through the web and Tranquility has since found a certain following and cult status, as the original record got harder to come by and more expensive on the second-hand market. So people started to ask for a reissue, which we can at last and proudly offer, bonus material included!'

‘tranquility’ by dutch treat was recorded, mixed and mastered between October 1976 and January 1977 at Procom Studio in Kirchhellen, West Germany

Remastered in August and September 2023 by Fritz Fey (original assistent engineer) at Double-D Mastering, Oberhausen, Germany For the remastering a direct transfer from the original master tape in 192 kHz and 24 bit was used. The master was cut in a lacquer and the actual reissue is a 180 gram hi quality pressing

Limited edition colored vinyl.

Everybody Loves THE Sunshine is more than a classic. It is “the” summer anthem, one of the most covered and sampled Soul tunes by Roy Ayers and the Ubiquity family. This vinyl re-release has been eagerly awaited by music lovers worldwide. This version was originally recorded as a cover version, produced by Soulciety Records for their label band project named The Soulsociety. The performance was recorded with the original songwriter and producer of the song, Mr. legendary vibes controller and Soul superstar Roy Ayers. This recording follows the original 70s feel and instrumentation of the 1976 version, but this time also features Roy Ayers prominently on lead vocals. Another big difference compared to all other versions by Roy and Ramp is the fact that this version is arranged and produced as a midtempo track. It will fit perfectly into any DJs set with a focus on Soul, Funk or Hip Hop. For the first time ever, this classic is now available on a Sedsoulciety Recordings 7” vinyl, including the previously unreleased instrumental version on the flip side with added extra vibes by the master himself.

Czechoslovakian big band legend Gustav Brom has graced dancefloors with his music for a long time, you've probably heard his work and not realised it. Panorama returns with "Calling Up The Rain", from his 1976 album "Gustav Brom plays for you Pop Jazz and Swing" Gustav infused big band jazz and a latin groove into this dancefloor weapon, Organ solos, Trumpet solos and a screeching guitar solo. What's not to love?

Presented as a reissue by the newly launched London-based record label, Panorama Records, "Calling Up The Rain" reaffirms the label's discerning direction and "Don't Judge A Record By It's Cover" attitude. Championed by Gilles Peterson, Patrick Forge and a few other legends in the game, Panorama Records aims to reintroduce this big band hit to new audiences, establishing itself as a tastemaker in the business of reissuing global grooves. It comes with a sticker on the front with quotes from tastemakers Patrick Forge, Rainer Trueby and Zag Erlat (My Analog Journal).

With this release, record collectors can anticipate a discovery of Gustav's anthem, for the first time on a 45 and a first time official reissue, a full blown party starter, as Panorama Records presents "Calling Up The Rain" as a timeless reissue. The label shook mountains with it's first release of Gitte and Inger, with huge DJ support from Gilles Peterson, Ross Allen and other great tastemakers. Pan002 is here, Buy or cry!

The long-awaited 7inch release of fox capture plan's self-cover of "Fukashigi no Karte", the ending theme of the TV anime series "Rascal Does Not Dream (Seishun Buta Yaro)", in an English vocal version featuring Chihiro Sings and the original mix! The release coincides with the release of the latest film in the series, "Rascal Does Not Dream of a Girl with a Leather Backpack". The rich sound of the jazzy hip-hop rhythm, layered with strings and horns, expresses the original softness of the instruments in this new version, with English lyrics and singing by Chihiro Sings.

Two fabulous funky tracks originally released on the award winning album Goma-Laca – Afrobrasilidades in 78 rpm which updated Brazilian Music originally recorded on 78's in the 1920s to the 1950s. With musical direction and arrangements by Letieres Leite, the vocal pyrotechnics of Russo Passapusso and Juçara Marçal masterfully accompanied by double bassist Marcos Paiva, Hercules Gomes on piano, Sergio Machado on drums and percussion master Gabi Guedes. Under the direction of Letieres, the group created with the singers arrangements of jazzy tones over Afro-Bahian rhythms, and everything was recorded live at Estúdio Traquitana, in São Paulo.
The version of Cala Menino Boca best known from the version by Joao Donato that's been doing the Dancefloor round since the early Acid Jazz days here gets a funky and rhodes led percussive update and of course the traditional tune "Ogum" gets a soulful jazz run through, folky funk like you've never heard before. This is yet another welcome addition to the Jazz Room canon, watch those dancefloors light up when this wax spins!

Italy's tastiest jazz-funk band is back to what they do best, sharing dreamy summer vibes with this new 2-tracker. Cannelé is a smooth, sun-drenched tribute to this sweet product of the Bordeaux terroir, that doublebass player and former Saint-Émilion employee Fabio Bordignon knows so well. Beautiful string arrangements come to sublimate the track with a highly cinematic feel. On the other side is the final studio version of Qmqs (Quando mai, quando sempre), which is an old italian expression to qualify people that only appear rarely, and always at the same specific occasions. This uplifting disco tune first appeared in its demo and live versions on previous releases Gusto di Luce and Live at Bolle Nardini, and has finally been re-recorded in a clean and groovy dress to be pressed on this 7inch record.

From the same continental cosmic egg that hatched Marc Moulin, Marc Hollander and Belgian synth fusion combo Placebo comes your favourite new Franco-Flemmish pop discovery. COS, where have you been all my life? Compact in name but wide-eyed in nature, it’s understandable how the 70’s band known simply as COS has remained trapped in the tight cracks between pop stardom and prog indulgence where other like minded names like CAN, Zao, Neu! And Egg have managed to squeeze into gaps of your record collection. In presenting one of the band’s most infectious and potentially crossover legible tracks on this exclusive user-friendly 45, COS mastermind Daniel Schell not only breaks an unlikely new format for this lesser-known femme-fronted, electro/jazz fusion/prog pop opera/would-be disco cinematic six-piece but also sends a sonic telegram to a new generation of futurist pop aficionados ready to explore the deep realms of his band’s dense, expansive and consistently rewarding catalogue. Placing the microscope over the central motif of the band’s onomatopoeic 1978 triptych known as Mein Maschine Ist Schön (My Machine Is Beautiful) this very rare proposed single edit from the group’s third album combines the type of warm, brooding, discoid funk and nymphish Morse code vocals that unite fans of Stereolab, Curved Air, Jan Hammer, Emerald Web and Ursula Dudziak not to mention Schell’s own close friends, the aforementioned, Hollander, Moulin and Placebo. A prog rock 45 might sound like a contradiction in terms but with a band like COS you can only expect them to defy convention. Backed here with another deeply conceptual sliced of deep orchestral symphonic psych from Schell’s short-lived FF Boom project from the previous year this suitably compact introduction to your new favourite COSmonauts provide digestible versions of some of Schell’s finest moments and clears the decks for future explorations of a wider musical universe waiting to be explored. Turn on this beautiful machine and let yourself melt into the COSmix.

Japanese radio edit single of „Harvest Time / Love Will Find Way“ is a complement to Pharoah Sanders‘ seminal album from 1977 Pharoah.

Everybody Loves THE Sunshine is more than a classic. It is “the” summer anthem, one of the most covered and sampled Soul tunes by Roy Ayers and the Ubiquity family. This vinyl re-release has been eagerly awaited by music lovers worldwide. This version was originally recorded as a cover version, produced by Soulciety Records for their label band project named The Soulsociety. The performance was recorded with the original songwriter and producer of the song, Mr. legendary vibes controller and Soul superstar Roy Ayers. This recording follows the original 70s feel and instrumentation of the 1976 version, but this time also features Roy Ayers prominently on lead vocals. Another big difference compared to all other versions by Roy and Ramp is the fact that this version is arranged and produced as a midtempo track. It will fit perfectly into any DJs set with a focus on Soul, Funk or Hip Hop. For the first time ever, this classic is now available on a Sedsoulciety Recordings 7” vinyl, including the previously unreleased instrumental version on the flip side with added extra vibes by the master himself.

Currently at work on new compositions that will give shape to a new album scheduled for the fall of 2024, Gerardo Frisina delights our ears with a 45rpm containing two unreleased tracks representing a brief funk digression within his musical journey without, of course, affecting his unmistakable style. “Mystical Funk” and “Spaced Out” skilfully mix “modern funk” elements with electronic influences, creating a unique sonic experience. In both cases, one of the surprising features is the hypnotic, incessant groove, capable of drawing the listener into a sound universe full of cosmic percussion and atmospheres, enhanced by Dennis Coffey-style guitars and by a Deodato-like Fender piano. Once again Gerardo hits the mark: the production is masterful, with a clear attention to details and those typical arrangements that reflect the overall quality of the sound with delicate power.

Kenichiro Nishihara's very popular song "my leaving feat. mabanua" is finally available on 7inch! The popular song "my leaving feat. mabanua" from the 4th album "Jazzy Folklore" is finally available on 7inch. The flip side features the Esno Remix, which had not previously been released. In contrast to the original, the electro-oriented remix of this track reveals the unfathomable potential of Kenichiro Nishihara and this song.

Now that's what we call a remix treatment! Soul Supreme enlists a dream line-up for the official remix of "Taking The Stand." The intro line is all there is to say that this 45 is a no-brainer to cop:"Thes Oneis on the beat,Soul Supremecomposed the suite,the Fudgemunkis about to speak."

As a long-time fan of People Under The Stairs and Damu The Fudgemunk, this is a full-circle moment for Soul Supreme. He deejayed alongside Damu in the past, and he has shown his appreciation to both P.U.T.S. and Damu with various tribute mixes. Matter of fact, this release is a full-circle moment for any hip-hop head: this 45 marks the very first time Thes One and Damu can be heard on one record together.

In typical crate-digging fashion, Thes One flips key elements from Soul Supreme's "Taking The Stand" into a neck-snapping beat. The instrumental album version of "Taking The Stand" can be found on the B-side of this 45. The original is a beautifully melodic jazz-funk head-nodder featuring drums by Tamuz Dolev and a spirited guitar solo by Radiohop's Johnny Biner.

"Taking The Stand" originally appeared on Soul Supreme's highly acclaimed instrumental albumPoetic Justice. Released last year, the album channeled his ongoing legal battle with a Norwegian label that stole his music. Fresh off his latest collaborations withRaw Poetic, Damu The Fudgemunk hopped back on the mic for this remix to voice his displeasure about shifty record labels. Damu also laid down cuts for the outro of the track, serving as a tribute to the lateDouble K.

"While you hadMadlib,DOOM, andQuas doing all kinds of esoteric stuff in this beautiful wave of underground hip-hop in the late '90s and early 2000s, these were legends but not people you actually knew.People Under the Stairs were like your friends, kind of, even though you don't know them,"Soul Supreme toldWax Poetics in 2022."They are more like everyday people who make amazing music. (...) Thes OneandDouble K were really honest about who they are. That's something, for me, that I consider one of the most important things in music."The 45 release of "Taking The Stand (Thes One Remix)" shows just that: three like-minded music heads at their most honest and passionate.

By now, heads surely know that a new record by Soul Supremeis a guaranteed sure shot. Following his acclaimed tributes to A Tribe Called Quest, J Dilla, Mos Def, and more, the new "Dues and Don'ts" b/w "Fraud Fades" 45 features two all-original jazz-funk groovers by the Amsterdam-based keyboardist and producer.

"Adding Soul Supreme releases to the essential crates list has become mandatory and will surely be heavy spins for years to come,"Skeme Richards recently wrote on his Nostalgia King blog. It indeed looks like Soul Supreme's 45s rarely leave record bags, with the likes of DJ Koco,Jazzy Jeff,House Shoes,Skratch Bastid,Rich Medina, and DJ Green Lantern, among others, regularly playing his music in DJ sets around the globe.

This new release takes two highlights from last year's album 'Poetic Justice,' with "Dues and Don'ts" and "Fraud Fades" for the first time available on 45.Jay 'J-Zone' Mumfordgraces both songs with drums, heavily on point as always. The A-side features slow burner "Dues and Don'ts" with its syrupy funk rhythms. The hard-hitting, body-moving "Fraud Fades" on the B-side is the real anthem here—drum breaks galore. Clearly inspired by 60s Blue Note, the brass-heavy 'money-grubbing bad guy theme' concludes with a killer solo byDotan 'Tane' Bergmanon guitar, responded to with a solo by Soul Supreme himself.

With these two heavy hitters, this 45 is bound to never leave your record bag either.

In the spirit of Mulatu Astatke and Hailu Mergia, the Joel Ricci helmed L.B.'S, close out our Funkways Series of 45's with an homage to Ethio-Jazz with "Of August Countenance" (featuring members of our newly signed VuVuVu) on Side A, and a smoldering laid back smoker of a B-Side, "Gazing Lovingly" dubbed up by none other than Rezin Tooth.

** First Time ON 45 **
We comped "Natural Life" on one of our "Peace Chant" compilations some time ago. We always felt the need to do a 45 of it so here it is. Some of you may think, well that's an average jazz-funk cut so why on earth are they doing a 45 of it? Well, drop the needle on Part 2 and you will understand.

Hailing from the city of Miami, Fat Produce is the newest name in the game, building on classic soul jazz with a modern twist. Led by two Studio City, CA natives, Addison Rifkind on guitar and Michael Duffy on drums, this duo, alongside upright bass, is a guaranteed head-nodder that breathes new life into the guitar trio format. Fat Produce is proud to release their debut, funk-filled 45, “Sticky Beets b/w SON!” Following the lineage of classic soul jazz songwriting, “Sticky Beets” kicks off side A with a familiar feel, but one that’s uniquely Fat Produce. Taking the language of Idris Muhammad and Clyde Stubblefield, drummer Michael Duffy molded these two icons into his own vocabulary that blends seamlessly with Addison Rifkind's Grant Green, Boogaloo Joe Jones, and George Benson-inspired melodic form. The feel encompasses The JB’s original lineup but with a signature Fat Produce funk. Written during Rifkind’s and Duffy’s weekly rehearsal and writing sessions, “Sticky Beets” is a collaborative effort highlighting their many influences in the classic soul jazz realm. On the flip, side B’s “SON!” takes things up a notch with a swamp funk etude transformed into a bonafide funk banger. This tune emerged from a riff Rifkind was shedding during one writing session. When Duffy heard this line, inspiration struck. He quickly jumped on the kit and asked Rifkind to keep looping it. Duffy then experimented with several Bay-Area-inspired funk grooves, and boom just like that, the A and B sections were born. With the gritty and almost country-funk hook, intricate drum feel, and bouncing upright bass break, “SON!” is a fresh take on what the classic guitar trio can do.

Japanese Jazz'n'Groove-trio Nautilus strikes back again with their first brand new release in 2024 which is a really special one, a label collaboration between Oonops Drops and their Japanese label Urban Discos (Diskunion). If you didn't know, now you know.

About the songs: on the A-side you'll get an incredible cover-version of Yacht Rock classic »Georgy Porgy« by Toto including features by UK-based vocalist and songwriter John Turrell - one half of the founders of Smoove & Turrell as well as German legend Toni-L, one of the founders of rap-formation Advanced Chemistry! On the flipside is found another classic, a sweet cover version of Al Green's »Let's Stay Together«, best known from Quentin Tarantino's movie Pulp Fiction and now new interpretated in Nautilus incomparable way featuring Japanese singer Keyco.

The profits of this release will help us refinancing the tour which is taking place from the 26th July to the 11th August 2024. A new studio album is already in the pressing plant and will be released in a few months, so stay tuned.

Pressed loud and crispy on recycled vinyl. Be quick before they're gone, no re-press!

Paprika Soul, a unit formed by Alan Barnes and Andrew Spiller, who have made their mark on the UK soul and jazz scene, cover the mellow classic "Summer Madness" with female singer Jacqui Hicks on Side A. The album features a moody, urban vocal jazz mix on Side B, and a mellow, jazzy vocal jazz mix on Side C. The album is available on vinyl for the first time in 2019. Side A is a moody and urban Vocal Jazz Mix, and Side B is a Scirocco Mix with a lyrical guitar solo that evokes a Mediterranean breeze. The smooth and Balearic sound of this superb cover work is intoxicating.

The fact that the treasured recordings left behind by Chicago saxophonist Prince Billy Marge Wright have been unearthed is not overstating the case for spiritual jazz fans. The lost material features mainly keyboard instruments rather than his trademark saxophone, and sounds even more spiritual and free jazz than the classic You Got Dat Wright.

In addition to this, P-vine is releasing his most popular song 'Summer Love' as a single for the first time. The B-side of this single features a rare remix, making this single perfect for DJ use.

This is the 3rd appearance of Odesa-based Hennadii Boichenko (ex-Indirect) on Muscut, after his contribution as a part of the Indirect band (Ab Pharmacy / Waltz - 2014, Ode To The Sea 7” single, “Sea Songs,” - is a record mixed and tape mastered by Dmytro Nikolaienko. This is also the first episode of a newly started series of analog production chain releases with master reel tape transfer to lathe cut (the label has only been sending digital master files to the record plant before that). This year, Muscut twists from electronic music to instrumental and eclectic ones with more similar releases in the queue - Cukor Bila Smert's recordings from 1990-1993, Nikolaienko's "Meta" (exploration of metallophone on tape loopings), Fleischesmarkt's - disbanded Odesan punk/kraut band from the late 2000s.

Phenomenal soul/funk 2-sider which has deserved a repress so badly.
"bi-centennial - 1976" has been comped on the fourth volume in the "can YOU Feel IT" compilation series. The flip side, "love ONE Another", was featured on "countdown TO... Soul 2". Now available on a good old 45 RPM single re-issue.

** Rare German Soul / AOR -- First Time ON 7inch **
"steps ON A Cloud" was featured on the fourth volume in the "can YOU Feel IT" compilation series. "WHISPERING"has not been re-issued so far and is exclusively available on this sweet 45 RPM single.

The A Side of course is just one of the biggest tunes from the grunge era and is given a Jazzy Funky Groovy version by Blue Mode of Nirvana's Biggest Hit. It turns out that they were influenced by everything from the Gap Band to Louie Louie and a fair smattering of 80's indie and this producytion by by Chip Wickham mixes together a Swinging '60's Blue Note Vibe with the Acid Jazz sound and brings it bang up to date with the Nu-Jazz Experience. First time on 45 and is already a DJ favourite after being included in the Paul Murphy set "Jazz Room" on BBE Records.
Side 2 is a Boogaloo Latin Jazz version (produced by Paul Murphy Live in the studio in Budapest when he was living there) of the Lonnie Smith track "Hola Muneca" beloved of the Acid Jazz era DJ's and previously released on a now impossible to find 7 inch single that goes for crazy prices.

Paul Murphy: Jazz Room Records. "The first time I heard this I said "I gotta sign it!" as not only was it featured in one of the maddest and most memorable scenes on one of my favorite TV Shows "Severance" from Apple TV, but it's also on one of my favourite albums anyway, "Nation Time" by Joe McPhee."
Takumi Moriya's version Is as funky as it gets and is truly way up there and meeting the high as a kitemark standards of "Defiant Jazz" (What a Niche Genre to be in!) This is going to cause some serious Defiant Jazz Shake on a dancefloor near you! Break out the Maraccas!"
A limited vinyl 45 release and it's release number 30 on Jazz Room Records so ultra special.

Tawoyame Orquesta celebrates their 15th Anniversary with new 7inch release from their new project! The guest remixer features Takeshi Nakatsuka. The band's signature song "Suteki na Ongaku", which was included on their first album, is newly sung by the leader Tomoko Okamura on the original track from 10 years ago!! The flip side features a remix track for the first time. "odo Latin" from the latest full-length album, "Shukuen Fifteen" (urdc82) is remixed by Takeshi Nakatsuka, a wizard of live sound. The remix is a swingin' and breakin' floor-ready tune!!

Flowers’ is an homage to the journey of my first love, the patience it requires, and the pivotal moment I met my wife. It reflects on our memories and tells the story of the comfort I feel in that relationship.” This new single from Jordan Rakei showcases his affecting vocal and ability to reveal his truest feelings, wrapped in his captivating production.

„“Christmas With You” is what Norah Jones and shooting star Laufey have named their joint Christmas single. Both combine their distinctive vocals on two duets, a charming version of the evergreen “Have Yourself A Merry Little Christmas” and a playful new original from both pens, “Better Than Snow”. The songs were recorded in an intimate setting with Norah on piano and Laufey on guitar and cello. No one needs to be introduced to Norah Jones anymore. Laufey grew up between Reykjavík and Washington, D.C. and visited Beijing regularly. After releasing her EP “Typical of Me” (2021), she was named Best New Jazz and Blues Artist at the Icelandic Music Awards. Her latest album, „Bewitched“, broke the record as the highest-grossing Spotify jazz album debut of all time, debuting at No. 2 on Spotify's Global and U.S. Albums charts, as well as No. 23 on the Billboard 200 and No. 1 on the Traditional Jazz Albums chart. To date, Laufey has achieved over 1 billion streams across all platforms.

This 1957 release, the third in a series of albums expanding on Bird’s 10” Clef releases from the early 1950’s, Now’s The Time boasts some of Parker’s purest recordings and strongest playing, featuring two different quartets. His lyrical and fluid improvisations on cuts like “The Song Is You” and “Laird Baird” are on full display, prime examples of his unmatched genius.



Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

Pianist Junior Mance, a veteran of albums and dates with Dinah Washington and Cannonball Adderley, was offered his own recording date by Norman Granz during a session with Dizzy Gillespie. The result is this 1959 debut album, a bluesy and swinging date with Gillespie’s drummer Lex Humphries and bassist Ray Brown. Highlights include the original “Jubilation” and Cole Porter’s “Love For Sale”.



Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

On his sole album as a leader, bassist Melvin Jackson - a veteran of the Eddie Harris band (this album includes two Harris originals) - plays with a bow, plucks and plugs his upright bass into a Maestro G-2 filter box, a Boomerang, an Echoplex, and an Ampeg amp. The result is soulful, psychedelic, and of course, funky – at once one of the grooviest and most avant-garde albums you’ll ever hear.



Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

After the success of the first Alessandroni Proibito box set, which sold out in pre-sale before it even hit the stores, Four Flies is proudly back with Volume 2 of the compilation. This new release too features five exclusive 7-inches, housing a total of 10 seriously rare tunes. All previously unreleased in physical format, the tracks have been carefully selected from the soundtracks of five obscure Italian films from the late ‘70s – sexy flicks that flirted with the line between erotic and explicit, and which are now largely forgotten, having been out of circulation for decades.

As was the case with the previous volume of the compilation, Alessandroni's music rises above the films' flimsy plots, improvised actors, and amateurish production, exuding his distinctive touch thanks to the (typically Italian) artisanal approach he took to his musical craft. The composer let his creativity run free, playing with his instruments at home as if he were in his own little amusement park; trying to have fun and produce something entertaining and captivating with just the few means at his disposal.

This creative freedom turned even budget limitations into musical strength. Armed with just a 4-track Teac, Alessandroni recorded the rhythmic elements first and then added layers of melodic variations on top, at times relying on wordless vocals provided by skilled family members (Alessandroni himself in “Racing”, or his wife Giulia De Mutiis in “Ticket”), and at others on affordable or readily available instruments from the Italian folk tradition, such as the mandolin, the accordion, the melodica, or the diatonic harmonica. And of course, let’s not forget his unmistakable guitar! Whether classical or electric, it's the heartbeat of every track in this compilation, from the seductive suspense of “Luci Rosa” (i.e., ‘pink lights’) to the groovy disco-funk of “Snake Disco (Reprise)”, all the way to the brilliant proto-wave of “Climax.” To top it off, a splash of DIY electronica – think minimalist drum machines and quirky synths – injects a modern feel into what we now call Italian erotic sound.

This time as well, the box set comes with artwork by Eric Adrian Lee, along with a matching 30x70cm folded poster inspired by the insert-size posters that used to deck out movie theaters.

Alessandroni Proibito Vol. 2 (Music from Red Light Films 1976-1980) is being released in a limited edition of just 400 copies and will never be reissued. So, be quick – it's first come, first served!

Oswald Moris is a musician, DJ and radio-host from Brussels, Belgium. “Back in 2020 when the pandemic evaporated my touring schedule as a DJ, a couple of friends invited me to spend some time at their home studio. My focus at that time was on 70’s and 80’s Library Music (making edits and remixes at home), so we took that catalogue as a starting point to jam and record some of our own interpretations.” During these sessions two songs took center stage, providing arrangements that suited the instruments at hand. Deconstructing the originals and rearranging them gave space for further experimentation and improvisation. “As a Belgian fan of ‘rare grooves’ it’s hard to miss Janko Nilovic. He worked on numerous records that were recorded in our country. His Soul Impressions-LP is probably one of the first Library records I’ve ever listened to, and it still holds a special place in my collection today. If you combine all of this with my love for flute-solos, the choice for Drug Song was almost inevitable.” It’s not the first time Janko and Oswald’s paths cross: the maestro once provided a guest selection for a Brokers-show. “The second tune had to come from the mighty KPM catalogue. I think I’m not exaggerating if I say their ‘greensleeves’ are the most iconic series of Library records out there. Top notch productions by the best in the game: Hawkshaw, Bennett, Mansfield, … I even married to a Mansfield-track, just to give you an idea.” Where Drug Song leans heavy on funky guitar and flute, the flipside of this release brings a more atmospheric take on the genre. “Since we had a lot of keys in the studio, we picked this John Cameron composition to explore more of that realm. The smooth arrangement of Heat Haze had us vibing for days and brought a perfect counterbalance to the raw qualities of Drug Song. Pure bliss!”

Considered ultra rare, even amongst TSG’s mythical catalog, Ricardo Marrero and The Group’s A Taste is getting a special edition 7-inch single! Featuring “Babalondia” and “And We’ll Make Love” this is a one of a kind doublesider!

Active in the Latin music scene of New York City during the 1970’s, pianist and composer Ricardo Marrero’s debut album “A Taste” has been considered by some collectors as the crown jewel of releases from famed tax scam label TSG. This special edition 7-inch single features floor killer latin funk number “Babalonia” on the A-side, and the mellow grooves and lively female vocals of “And We’ll Make Love” on the B-side.