Reggae & Dancehall 609 Items

I Am The Upsetter / Fire Corner

Release: UK

Genre: Reggae & Dancehall

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A tumultuous selection of recordings from Black Ark, Perry's legendary studio and hotbed of creation. Rare 12" versions, unreleased mixes and featuring a stellar line-up, including:

Drums: Mikey ‘Boo’ Richards, Lowell ‘Sly’ Dunbar
Bass: Boris Gardiner, Radcliffe ‘Dougie’ Bryan
Guitar: Earl ‘Chinna’ Smith, Ernest Ranglin, Robert ‘Billy’ Johnson, Lynford ‘Hux’ Brown
Keyboards: Winston Wright, Robbie Lynn, Keith Sterling
Percussion: Noel ‘Scully’ Simms, Lee Perry

A quick internet search brings up some extraordinary footage of Lee ‘Scratch’ Perry producing a session at the Black Ark. Taken from the film ‘Roots, Rock, Reggae’, directed by Jeremy Marre, the sequence shows Junior Murvin collaborating with members of the Congos and the Heptones on a song improvised on the spot for the film crew. Before the vocals are recorded, the Upsetters lay down the backing track. The musical director of the session is the afro-haired bass player, Boris Gardiner; unusually, it is he who counts in the band to start each take. After a long conversation with Boris a few years back, I asked Lee about his contribution to the Black Ark sound.

Lee Perry: ‘Boris Gardiner was a good person, just a humble person, and he’s the best person I ever met in the music business so far. Boris is a very top musician, and with him you could put anything together, him do “Police And Thieves” and all that. You just tell him what you want and him can do it. A very great person.’

Boris is probably best remembered today for his huge international hit from 1986, the schmaltzy ‘I Want To Wake Up With You’. Yet in the 60s and 70s he was one of Jamaica’s top bass players and arrangers, having an international hit with ‘Elizabethan Reggae’, and creating a run of classic tunes at Studio One.

Boris Gardiner: ‘I did at least seventy or eighty songs at Studio One, all in this one short period between January and April 1968. And we used to work four days per week, and we did four rhythms per day for 30 pounds a week – it was good money. I played on songs like “Feel Like Jumping”, “Nanny Goat”, “Baby Why” by the Cables, the whole “Heptones On Top” album, and “Party Time”. Lee Perry used to be at Studio One same time as me, kind of working around, so he know me from there. So he came and roped me into the group when the Black Ark studio was in progress. He built it right there at the back of his home. So Scratch called me and asked me to come and do some sessions around his studio. I was always ahead of my time as I can see it, in the music in Jamaica. So the songs that I made you always hear chord progressions and changes. Sometimes I think it’s as if I was born in the wrong country, because I just couldn’t do a two chord tune – heheh! To me it need more than two chords to give it some excitement, like it need some changes or something.’

After years of moving between Jamaica’s competing facilities, Perry had decided to build his own studio at the back of his house in Washington Gardens.

Lee Perry: ‘The Black Ark make over a pile of shit – my pile and me put it under the Black Ark. I make the Black Ark over my shit piss, so the bass always go “Poo Poo Poo Poo”! Errol Thompson put the machines in there, and make the patch panel. So the studio was all waiting, but only me could operate it. I didn’t have the Soundcraft mixer then, I did buy a lickle thing you call a Alice mixer. We didn’t have anything professional, but the sound was in my head and I was going to get down what I hear in my head. And it’s like a toy, a toy affair, that’s the way music is. You see like when you buy a kid’s toy, well you bring a joy to them, so is that way I see music. I don’t see music like how other people see it, I see it just like a toy.’

Unusually, Lee decided to do everything himself, both producing and engineering. The film clip shows Lee fully relaxed as he simultaneously directs the musicians and adjusts his recording machines.

Boris Gardiner: ‘To me Scratch always knew what he wanted. Out of all of them Scratch was a true producer, because he would be in the studio and he would listen and say change this or I don’t like that, and he was his own engineer also, so he was always around there listening. So he knew what he wanted and how to try and get it from the start, unlike Coxsone Dodd or Duke Reid, who knew what they liked or didn’t like only after they heard it. Scratch was in there with everybody, so he is really doing a full production as a true producer.’

Lee Perry: ‘I used to do them all by myself. Anybody in my studio could sit down in the visitor’s chair and look, but me do everything – me have a chair that can move from here to there, a chair that have wheels. So I could be turning in any area or any direction, so I could have my hand over here and my hand over there. Heh heh.’

And at a time when 8 and 16 track recording had become the norm in most high end studios, Lee recorded everything to a semi-professional TEAC 4 track recorder, which he can be seen casually adjusting with a screwdriver in the film clip. He explained that since he would end up mixing down to a stereo (or two track) master, more tracks would just be a distraction.

Lee Perry: ‘It was not a professional tape recorder, I was using those TEAC 4 track set that they was trying like experiment to see what would happen. Well, I have it all set up. The first thing I’d think about, all right, is you have to mix everything back down to the 2 track stereo or 1 track mono. Then you can press it and release it. So I knew what I wanted at the end, and I balance it just like that in the studio with the instruments. Sometime when you put only four or five instrument in the studio, you have a better, cleaner record, you can hear what everybody play. And if you have maybe eight musician in the studio, it’s more like a confusion, because everybody wants to play a different thing, yunno. If you is the producer and you can tell them what you want to hear it will be better. So I can put the bass and drum together on one track because me know exactly what me need. If you don’t know, then you need more tracks so you can balance it later. So for the backing, I would just do the two tracks: the bass and drum and percussion track, that is one; and the guitar, organ and piano on another track, that is two. So you still have two more tracks if you want to do vocal, that would be three. And if you want to do horns or a harmony vocal, you can do that on the fourth track. To me it’s a waste of time, a waste of energy with a 24 track machine, waste of current and waste of money. Because it all have to come down to one or two tracks in the end.’

The early Black Ark sound was stripped down and minimal, often with only one or two musicians playing keyboard or guitar. Lee would also use extreme EQ to emphasize the bass and tops, and his hi-hat sound is instantly recognisable from the earliest days of the Ark.

Lee Perry: ‘Well, I used to have an equaliser for the bass drum, and it’s like for heaviness on the beat, and then I had another equaliser for the cymbal, to give it that “Ssshhh ssshhh”. So we have different machine to send different instrument through that they can sound different. I managed to change the vibration of the music, because the music was just local music produced by rum drinkers and cannibals. So me turn on the music to a higher range.’

Boris Gardiner: ‘I think I always use a DI box to record bass at the Black Ark. Because bass want to fade into the other instruments’ microphone, so we often plug it straight into the board and then Perry sets the EQ on the board and take it straight. Then we built a drum booth so the drums really sound separate too – it give him more control.’

As the Black Ark evolved, Lee developed a richer collage of sound, built around three primary effects: the Mu-tron Bi-Phase phaser, a spring reverb and a Roland Space Echo.

Boris Gardiner: ‘One thing about Scratch was that he always used his effects – that was his sound. He always phase the ska guitar, but you don’t always know he’s recording it like that until he play it back. So until he play it back you have no idea what it will sound like.’

Lee Perry: ‘I did have a phaser that I buy, and then when I’m in the studio, in the machine room, and phasing them, the musicians don’t hear it, what I am doing, until them come in the studio, and them hear the phasing. So we did it all live. And the musicians they won’t even know what goes on! While the musicians are playing, I am doing the phasing. I take the musician from the earth into space, and bring them back before they could realize, and put them back on the planet earth. The phaser was making things different, like giving you a vision of space and creating a different brain, a phasing brain. So that’s where I take the music out of the local system and take it into space. The Space Echo also have something to do with the brain. You send out telepathic message and it return to you, so that’s how the Roland Space Echo chamber come in – what you send comes back to you. And while you know you send the telegrams out, you are waiting for what is the reply of the telegrams coming back. So that’s why the Space Echo go and come, rewinding the brain and forward winding the brain. I was also using a spring echo chamber, but just for drum, for the clash of the drum. And everything just fit in, like the thing I want to do it just come to me and come from nowhere, and then it appear and it happen.’

Boris Gardiner: ‘He loved to do things that nobody had done before, him always try a new thing. And he was a good writer too you know. Perry bring in a drum machine sometimes and we use that on some songs for the Congos and everyone. Well I actually like playing with a drum machine cos a drum machine is always steady. Most drummers they either push forward or pull back – they call it the human touch, but I call it out of time! Hahaha. “Row Fisherman Row” was really the great hit with the Congos, but that is all real drums and percussion, it’s just that Perry makes it sound almost like a machine with his echoes on the percussion. I played on “Police and Thieves” and that was a big hit too, maybe it was Sly Dunbar on that. One day Bob Marley came to him with a song on a tape and said “boy Perry, I don’t really like the bass and drum on this song here, if you can do anything to it then just change it and see if we can get something better”. Well Perry had only 4 track tape at his studio, but this was a 24 track tape that Bob bring. So Perry called me and Mikey Boo and took us down to Joe Gibbs studio and started playing the rhythm and all that on the 24 track. So I was on bass and Mikey Boo was on drums and we listen and we listen, and then we dub it back over to make new drum and bass. Well that song became “Punky Reggae Party”, so that shows you how Bob trusted Perry.’

Lee’s other great innovation was adding layers of sound effects, sometimes live through an open mic, but often pre-recorded onto a cassette tape which he would add to the collage on mixdown. Because these effects – bells, cymbals, animal noises, dialogue from the TV – were not synched to the music, they would add a layer of randomness to the sound.

Lee Perry: ‘You know cassette? I make cassette with sound track, and all those things with cymbal licking, flashing. In my Black Ark studio if you listen the cymbal was high, like “Ssshhh ssshhh”. But I did have them all recording on cassette, and while I was running the track and it was taking the musician from the studio, I was playing the cassette to balance with the drum cymbals and things like that, so them didn’t have to play that because it was already on cassette playing. You could call that sampling. And I have this “Mooooow”, like the cow, running on the cassette, and it go onto the track that I wanted to sound like that. Somebody discover it in a toilet. You know when the toilet paper is finished, and you have the roll, and the hole that come in the middle. Well you put it to your mouth and say “Hoooooo”, and it sound like a cow. You put it to your mouth and you imitating a cow and say “Moooooo”. Heh heh heh. Yeah, sound sampling. Well somebody had to start it, and we was loving to do those things.’

Boris Gardiner: ‘Well the Black Ark did have a strong vibe, but, once everybody all there, most of those guys who smoke really like it, but those who didn’t smoke didn’t really like it, like myself. Scratch is a man who never joke fi draw him herbs, you know? Heheh. But I am not a smoker cos it’s not good for my heart. I have a heart problem called tachycardia, an irregular beat of the heart. So it could be upsetting at times when there’s so much smoking going on.’

By the late 70s the relaxed atmosphere at the Black Ark had soured, as Lee attempted to extricate himself from various outside pressures, and his behaviour became more erratic.

Lee Perry: ‘What happened I did for myself not to be working with jinx and duppy called dread. And those duppies they think that me owe them favour. I open the door, and the duppies them find that me is the door opener, and then the duppies them take shape inna me yard and inna me house, and they were a jinx. Jinx mean bad luck. So to get rid of them, me had to burn down the Black Ark studio fi get rid of jinx.’

Boris Gardiner: ‘Was Scratch crazy? Well some say now that he was just putting on an act. But I think, why did he put it on? After all the problems he was having and that sort of thing, and they were saying that he was getting off his head, and he start to act strange, well I just stopped going. I stopped working there. It wasn’t a good atmosphere – nobody could really enjoy that again. So I called it a day. It is sad after all the good work we did. But when you try to be smart and try to outsmart others, well it don’t work out for long with you. He came and did a show here in Jamaica the other day, but I didn’t really know Lee Perry as a singer. He won the Grammy not long ago, but I find it surprising that he got a Grammy as a performer not a producer. He’s been very lucky: now he is successful in a sense and some people love him cos he’s a character, and they don’t see nobody dressed like that. Hahahah!’

Speaking to Lee in February 2021, via WhatsApp to Jamaica, he sounded relaxed and positive, with more praise for Boris and optimism for the future.

Lee Perry: ‘Boris Gardiner was very good, very great in the brain. He really intelligent in music, and me and him work miracle together! And remember that there was no end to the Black Ark, the Black Ark will be coming back. The Black Ark keep on living and cannot die.’

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Lee Perry , King Stitt

7" | 2022 | EU | Original (Skank & Groove)

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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LP | 1996 | UK | Reissue (Pressure Sounds)

Lee Perry

Voodooism

Release: 1996 / UK – Reissue

Genre: Reggae & Dancehall

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Leisure Dub Featuring Armanious

Body Talk / Body Talk (System Mix)

7" | 2024 | UK | Original (Test Pressing Catalogue)

12" | 2022 | UK | Original (Archive)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Leisure DubandArmaniousreturn to follow up their debut release ‘Weekend Waiting’ (one of Gilles Peterson’s records of the year in 2021). It’s electronic late night soul on the A side with a heavy baseline mix made for sound systems on the B side. Pressed on a dinked 7 inch.

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Leroy Smart

Be Conscious / Jah Light

16,99 €*

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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Channel One production, Discostyle double header as originally released on the J & J label in 1980.

Both sides come complete with extended mixes running into the version.

On limited red vinyl and housed in Channel One's Super Charge inner sleeve in a quality art board spined sleev

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Leroy Smart

Mother Liza / Version

7" (Fe-Me-Time)

Genre: Reggae & Dancehall

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Les Mamans Du Congo / Rrobin

Les Mamans Du Congo & Rrobin Yellow Vinyl Edition

LP | 2021 | EU | Original (Jarring Effects)

22,99 €*

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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Lexxus & Kiprich / Young Price

Nuh Nice / Two Things

7" | 2000 | JM (Fat Eyes)

Release: 2000 / JM

Genre: Reggae & Dancehall

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Champion (Remix) / Ugly Truth (Remix)

Liam Bailey

7" | 2021 | US | Original (Big Crown)

Release: 2021 / US – Original

Genre: Reggae & Dancehall

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Liam Bailey Follows Up His 'Ekundayo' Album With This Heavy Hitting Remix 7" Featuring Two Absolute Legends.The A Side Is A Remix Of Champion Featuring Black Thought Of The Roots. Black Thought Kills The First Verse Finding The Pocket Over The Leon Michels Produced Reggae Banger Designed To Bust Up Woofers And Blow Out Dance Floors. Liam And Thought Combine To Sing Praises To A Woman Worthy Of All The Admiration They Can Muster, And In Doing So, They Take What Was Already A Classic To Another Level.The B Side Is Straight From The Far Flung Corners Of Outer Space. Producer Leon Michels Strips Down And Revamps The Album Cut Ugly Truth, Making Room For The Most Special Of Guests, The One And Only, Mr. Lee "Scratch" Perry. The Upsetter Switches Between Singing And Talking, One Minute Proclaiming His Powers And The Next Playing With The Title Of The Original Tune. Some Proper Lee Perry Business Alongside The Already Unstoppable Chemistry Of Liam Bailey And Leon Michels...An Absolute Big Crown Surehot.

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Lij Amlak / Glen Dacosta

You Want All

7" | 2024 | UK | Reissue

Release: 2024 / UK – Reissue

Genre: Reggae & Dancehall

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The Stuggle Continues ...

Link 80

LP | 2024 | US | Original (Asian Man)

Linval Thompson / Ras Nyto

Release: 2024 / US – Original

Genre: Reggae & Dancehall

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The Sophomore LP from Oakland, CA Ska Punk band Link 80. Vinyl has been out of print for over 15 years.

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Stop It Yute Man / Nyto Stylee

7" (Ht Recordings)

Genre: Reggae & Dancehall

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Chant In A Dance / Decelia

Lion Youth

12" (Virgo Stomach)

Genre: Reggae & Dancehall

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CD | 2023 | UK | Original (Virgo Stomach)

Lion Youth

Love Comes & Goes

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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2013 UK release

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Lisa Dainjah / Kai Dub

African Daughter / Dub

7" (Kayapowa)

Genre: Reggae & Dancehall

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Little Harry / Little John

Jessat Promotion / United We Stand

7" | 1982 | US | Reissue (Jah Guidance)

Release: 1982 / US – Reissue

Genre: Reggae & Dancehall

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Genre: Reggae & Dancehall

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Say You Love Me / Reach The Star

Little Kana & Hemo

12" | 2023 | UK | Original (Jet Set)

26,99 €*

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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LP | 2024 | UK | Original (Evidence Music)

Little Lion Sound

Kingston Journey

30,99 €*

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Genre: Reggae & Dancehall

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God Is Good Feat. Lizzard

Little Roy

LP | 2024 | UK (Love Injection)

29,99 €*

Release: 2024 / UK

Genre: Reggae & Dancehall

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7" | 1977 | US | Reissue (Earth)

Little Roy

Prophecy / Version

Release: 1977 / US – Reissue

Genre: Reggae & Dancehall

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Loic Paulin & Hornin' All Stars

False Preacher

12" | 2022 | EU | Original (Hornin Sounds)

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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Lone Ark Riddim Force

Balance Dub

LP (A-Lone Productions)

Genre: Reggae & Dancehall

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LP | 2021 | EU | Original (Patate)

Lone Ranger

Barnabas In Collins Wood

19,99 €*

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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7" | 2024 | JP | Reissue (Drum & Bass X Rock A Shacka)

Lord Bryner

Lock And Key

12" | 2019 | EU | Original (Roots Vibration)

Release: 2024 / JP – Reissue

Genre: Reggae & Dancehall

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"Lock And Key" was written by popular Trinidadian singer Lord Bryner. The chorus will stay in your head all day, and it is rare to find an original calypso that is so pop. The coupling is by Orville Alphonso. The melody has the smell of the Caribbean, and the ska vocals are sure to be a hit with calypso lovers. Two songs full of Caribbean moods are coupled.

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Lord Creator

Such Is Life

Release: 2019 / EU – Original

Genre: Reggae & Dancehall

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7" | 2024 | JP | Reissue (Drum & Bass X Rock A Shacka)

Lord Tanamo

You'll Never Know

Los Hamptons & Los Aggrotones

Release: 2024 / JP – Reissue

Genre: Reggae & Dancehall

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"You'll Never Know" was released as a coupling to "In The Mood For Love" on Ska Beat in the UK. Everything from the intro to the lyric and rhyme scheme is beautiful. Tanamo is good at calypso style singing, but the sad tune also suits him well. The coupling song, "I Love You Truly", is a wonderful song with a fast and furious performance of the Skatalites in their heyday and Lloyd Knibb's powerful drumming. Lord Tanamo's Lovers Ska, Double Sider!

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Born To Lose / Stop In The Name Of Love

7" (Jewels Records)

Genre: Reggae & Dancehall

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Louisa Miller / Wing An' A Prayer Band

Share The Love Around 2024 Repress

12" | 1989 | EU | Reissue (Miss You)

Cyanz Cyan Blue Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Electronic & Dance, Reggae & Dancehall

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Reissue from 1989, amazing leftfield Lovers Rock featuring extended dub version - emotional love bomb. Re-mastered and restored.

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LXC

7" | 2020 | EU | Original (45Seven)

No Bad Vibes / Words Of The Wise

Release: 2020 / EU – Original

Genre: Reggae & Dancehall

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Bleepy delay experiments 'longside the glorious mr. echo upon melodica!

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Macka B / Patrick Andy

7" (Heartical)

Genre: Reggae & Dancehall

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Tape | 2023 | EU | Original (Ring Of Fire)

Macsat

Turn It Up

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Ariwa Sounds: The Early Sessions Remastered

Mad Professor

LP | 1984 | UK | Reissue (Melodies International)

34,99 €*

Release: 1984 / UK – Reissue

Genre: Reggae & Dancehall

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Mad Professor, also known as Neil Fraser to his friends is renowned worldwide for his groundbreaking dub recordings, captivating live sets showcasing the creativity of dub sound engineers, and his collaborations with both reggae and non-reggae artists alike such as Lee Scratch Perry, Jah Shaka, Sade, The Orb, Massive Attack, Grace Jones and many more. Above all, he is celebrated for his prolific output in the genres of Dub, Lovers Rock, Reggae and more through his own Ariwa label and south London recording studio boasting an impressive catalog of over 300 releases, among other notable achievements. 

A few years back, we stumbled upon this outstanding Lovers Rock and Dub album which had a very unique raw sound and felt like a whole experience when listened to from start to finish. Alternate versions of the same tracks with different performers in varying styles, tape rewinds, it had us all wonder why it hadn’t gained wider recognition amongst Mad Professor's other releases. 

When we finally had the pleasure of meeting Neil at his recording studio, he revealed that this album was one of his earliest works. It was born out of a birthday gift from his wife—a four-track recorder that inspired him to venture into music-making after years of repairing and building electronics and audio equipment. When we asked him if he would be making music if not for that gift, he confessed that it was highly unlikely (!) 

Mad Professor further explained that this album, originally released in 1984, is a compilation of tracks recorded between 1979 and 1981, representing the nascent stages of his recording and production career, when the idea of establishing a studio and the Ariwa label were just beginning to take shape. He set up all his gear, including his first homemade four-track mixing desk, in the front room of his house in South London. With no prior studio experience, he positioned microphones where he thought they should fit and invited local musicians to collaborate. Errol Sly, Ranking Ann, Sergeant Pepper, Deborah Glasgow, Victor Cross, Sister Audrey, his backing band the Sane Inmates and a host of other talented local artists, some of whom would go on to become stalwarts in their respective genres, all contributed to this album, capturing the raw essence of Mad Professor and Ariwa's early sound. 

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Mafia & Fluxy Ft. Megumi Mesaku / Mafia & Fluxy & Jah Shaka

Genre: Reggae & Dancehall

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Limited to 500 copies.

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Zulu / Dub

7" (Jah Shaka)

Genre: Reggae & Dancehall

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Restoreth My Soul / Still Waters Dub

Picture
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Maija

7" (Kibir La Amlak)

4,89 €* 6,99 € -30%

Genre: Reggae & Dancehall

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7" | 2023 | EU | Original (Before Zero)

Majical / Kibir La Amlak

Do You Know?

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Mango Wood / The Moskito Bite

Never Can Tell / Down In Mexico

7" | 2024 | EU | Original (Liquidator Music)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Marcus I Meets aDUBta

Cut A Wire Showcase

LP | EU (Hornin' Sounds)

30,99 €*

Release: EU

Genre: Reggae & Dancehall

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7" | 2021 | UK | Original (Original Gravity)

Maroon Town

Around The Fire

LP | 1969 | EU | Reissue (Radiation Roots)

Release: 2021 / UK – Original

Genre: Reggae & Dancehall

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Limited edition original 7" single - only 250 copies!

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Max Romeo

A Dream

16,99 €*

7" | 1977 | Reissue (Black Art)

Release: 1969 / EU – Reissue

Genre: Reggae & Dancehall

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Maxie Livingston Smith became Max Romeo through his concerted courtship of a local beauty. After a difficult childhood that saw him run away from home following the breakdown of his parents’ relationship, Max became lead singer of The Emotions harmony group, with Lloyd Shakespeare, brother of future bass wizard Robbie, during the rock steady era. Following the demise of the group, in 1968, at the request of Bunny Lee, Max wrote the suggestive “Wet Dream”, inspired by the rude ditties of the lewd American r&b singer, Blowfly, but then found himself forced to sing it in the studio after rejections from better-established peers such as Slim Smith, Derrick Morgan, Roy Shirley and John Holt. Despite a BBC ban, the song topped the British charts, spawning the debut album, A Dream. Tracks like “Wood Under Cellar,” “Wine Her Goosie” and “The Horn” continued the rude theme, though songs such as “Far Far Away” and “Love” were more traditional ballads, the latter made more outstanding through vibrant Rastafari-influenced percussion; “Club Raid” speaks of Max’s survival of a punitive police bust.

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Max Romeo

Sexy Natty / Stealin'

Release: 1977 / Reissue

Genre: Reggae & Dancehall

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The ? Question / Rat Poison

Max Romeo

7" | 2017 | EU | Original (Horus)

Release: 2017 / EU – Original

Genre: Reggae & Dancehall

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A reissue of a Max Romeo tune recorded at Lee Perry’s Black Ark around 1974/75 with a trombone instrumental / Dub on the B side.

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Mellotones / Upsetters

None Such / Handy Cap

7" | EU (Upsetter)

Release: EU

Genre: Reggae & Dancehall

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None Such (Busted Me Bet) / Popeye On Shore

Melotones / Val Bennett

7" (Doctor Bird)

7" | 2024 | EU | Original (Messengers)

Genre: Reggae & Dancehall

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master bag

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Message

Hotter The Battle

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Gorilla In Manilla / Bag-O-Wire

Mexicano / Bag-O-Wire

7" | UK (Pioneer)

Release: UK

Genre: Reggae & Dancehall

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Jamaica Jamaica / Version

Micah Shemiah

7" (Evidence)

Genre: Reggae & Dancehall

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7" | 2020 | EU | Original (Onlyroots)

Michael Blackford

Bush Doctor / Version

Michael Exodus Ft.Ras Divarius

Release: 2020 / EU – Original

Genre: Reggae & Dancehall

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Rare Jamaican Digital tune. Tribute to Peter Tosh, recorded the year of his death in 1987. "The greatest man 'have ever known was raised in Kingston ghetto... They call him the Bush Doctor...Dread ! They call him the Bush Doctor ... Man ! They call him the Bush Doctor but Winston McIntosh was his name "

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Violin Dub / Dub

7" (Dubomatic)

Genre: Reggae & Dancehall

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Michael Exodus Meets Shanti Lion

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Freedom Horns / Dub

7" (Dubomatic)

Genre: Reggae & Dancehall

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Michael Exodus Meets Weeding Dub

Nebulodica / Dublodica

7" (Dubomatic)

Genre: Reggae & Dancehall

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12" | 2019 | EU | Original (4weed)

Mighty Prophet

Cradle Of Civilization

Release: 2019 / EU – Original

Genre: Reggae & Dancehall

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7" | 1986 | EU | Reissue (Top Ranking Sound)

Miguel Campbell

Accepted Time

Release: 1986 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1981 | EU | Reissue (Music On Vinyl)

Mikey Dread

World War Iii

26,99 €*

Release: 1981 / EU – Reissue

Genre: Reggae & Dancehall

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7" | 2023 | UK | Original (Dubquake)

Mikey General

Hold Strong

When You See I / Fist Of Fire

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

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Dubquake Records presents “Hold Strong”, a new collaboration between O.B.F Sound System and Jamaican singer Mikey General! Following the release of the emblematic title "My Sound A Danger" published in 2014 at the end of the album "Wild", the collaborations Mikey General / O.B.F had remained until this day of the order of the dubplate despite a few studio sessions very productive. With the release of this new single, recorded Yard Style in 2018 at the "Dog Ah Bark Studio" at Nazamba, O.B.F is catching up with time. Rub-a-dub atmosphere on riddim O.B.F, brassy roots influences and text of struggle: "Hold Strong" follows the good recipes that made the success of the JA / Geneva collab. The tune available on 7 inch with its dub version comes in an original cover that highlights the work of the Ivorian up-cycler artist recognized under the name of Saliou Gnambode. Hold Strong!

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Militant Barry

7" | 1978 | US (Joint International)

Release: 1978 / US

Genre: Reggae & Dancehall

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LP | 2016 | EU | Original (Undisputed)

Million Stylez

Revelation Time

19,99 €*

Release: 2016 / EU – Original

Genre: Reggae & Dancehall

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Milton Blake / Diggory Kenrick

Trumpet Sound / Jungle Cry

7" | 2018 | EU | Original (Pickout)

Release: 2018 / EU – Original

Genre: Reggae & Dancehall

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7" | 1975 | EU | Reissue (Horus)

Mister Magic

Merging Traffic

Release: 1975 / EU – Reissue

Genre: Reggae & Dancehall

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Can't Get No Peace / Mad House

Monty Morris / Lee Perry

7" (Upsetter)

Genre: Reggae & Dancehall

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12" | 1977 | EU | Reissue (Hornin' Sounds)

Monyaka

Rocking Time (Extended)

16,99 €*

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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Jahoveah's Kingdom / Solve Them

More Relation

12" | 2022 | EU | Original (Roots Vibration)

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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2LP | 2009 | UK | Original (Honest Jon's)

Moritz Von Oswald Trio

Vertical Ascent

27,99 €*

Moskito Bite / Mango Wood

Release: 2009 / UK – Original

Genre: Electronic & Dance, Reggae & Dancehall

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At the heart of Vertical Ascent is a dream crossing of Basic Channel, Larry Heard and Can, as at home with calypso as it is Stravinsky. Dig?

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Down In Mexico / Never Can Tell

7" | 2023 | EU | Original (Liquidator)

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Mowty Mahlyka / Double Spliff Sound System

Long Time Coming / Version

7" (Doublespliff)

Genre: Reggae & Dancehall

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LP | 1997 | US | Reissue (Asian Man)

MU330

Chumps On Parade

LP | 2014 | US | Reissue (Asian Man)

Release: 1997 / US – Reissue

Genre: Reggae & Dancehall

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This record has been out of print for over 25 years. This new pressing is 1,000 copies in random colors. Brand new cover art. Enjoy!!

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MU330

Ultra Panic

Murray Man, Danny Red, Imperial Sound Army, Dan I

Release: 2014 / US – Reissue

Genre: Reggae & Dancehall

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MU330’s Ultra Panic has been out of print for years. This pressing is 1,000 on half/half random color and includes a 2 sided insert and new label art.

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Nah Run / Hurry

12" | 2023 | EU | Original (Imperial Sound Army)

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Genre: Reggae & Dancehall

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Koi Ni Ochitara / Sakurazaka

Mynx / Adele Harley

7" | 2024 | JP | Original (Smart Move)

34,99 €*

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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Preorder shipping from 2024-07-26

English Reggae covers of Crystal Kay's "Koi ni Ochitara" and Masaharu Fukuyama's "Sakurazaka"!

7" cut from the compilation "J-Pop Covers in Reggae Lovers" produced by Smart Move Records/Lee Francis!

This is a 7" cut from the compilation "J-Pop Covers in Reggae Lovers" produced by UK reggae label Smart Move Records/Lee Francis, featuring Mynx singing Crystal Kay's "Koi ni ochiraraita" and Adele Harley singing Masaharu Fukuyama's "Sakurazaka". This is a coupling of English cover of "Sakurazaka" by Masaharu Fukuyama sung by Adele Harley.

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Mystic M / Upsetters

Feeling Happy / Version

7" | EU (Black Art)

Release: EU

Genre: Reggae & Dancehall

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Mystical Powa Ft. Idren Natural / Benjammin / Piyazawa

Hold A Gathering Riddim

12" | 2024 | EU | Original (Lion's Den)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Preorder shipping from 2024-05-31

Nadia Mcanuff / Thompson Sound

Words Of I Mouth / Dub

7" (Thompson Sound)

Genre: Reggae & Dancehall

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Going Back Where I Belong / Version

Nichola Richards

7" | 2017 | EU | Original (Horus)

Release: 2017 / EU – Original

Genre: Reggae & Dancehall

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You Don't Know Me / If You Let Me

Night Owls

7" | 2024 | US | Original (F-Spot)

Release: 2024 / US – Original

Genre: Reggae & Dancehall

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Next on deck, straight from Producer Dan Ubick’s Lions Den Studio, comes two more re-imagined soul classics from Los Angeles’ own Night Owls. First up, we have soul phenom Eli “Paperboy” Reed taking on Ray Charles’ classic “You Don’t Know Me” and Rocksteady champions Jr. Thomas & The Volcanos, laying their beautiful soul harmonies to Eddie Kendricks’ timeless “If You Let Me.” For Side A’s “You Don’t Know Me,” Ubick had a tough assignment - find someone who could bring his own innate soulfulness to a song sung by “The Genius” in his prime. The answer came from Massachusetts-bred Eli “Paperboy” Reed, who moved to Clarksdale, Mississippi at 18 to cut his teeth singing in juke joints all over the Delta. Then, moving on to spend a year as minister of music at Chicago’s Southside church of Soul legend Mitty Collier (Chess Records) and relocating back to the East Coast to record for Capitol Records, Warner Brothers, Colemine Records, and now Yep Roc, Dan had found his man. On “You Don’t Know Me,” Reed’s voice ranges from belted lows to soulful highs that perfectly sets the stage for this more upbeat and Roots Reggae-infused rendition. With a tip of the hat to Jamaican legend and producer Bunny “Striker” Lee, Night Owls take Charles’ classic soul and R&B standard to new territory. On Side B is Eddie Kendricks’ “If You Let Me” feat. Jr Thomas & The Volcanos (Colemine Records), re-done here with a nod to another legendary Jamaican singer, songwriter, and music producer, The Techniques’ own Winston Riley (Johnny Osbourne, Dave & Ansel Collins, etc.). Originally debuted on Eddie Kendricks’ post-Temptations 1972 masterpiece People…Hold On (Tamla/Motown), Night Owls create a decidedly more moody and dubbed-out tone here, laying into a bass-heavy one-drop feel that perfectly sets the stage for Jr Thomas’ soulful lead and Volcanos members Alex Desért (Hepcat, The Lions) & John Butcher’s (The Expanders) spot on backing harmonies. While keeping much of the original harmonic language, Night Owls bring this much-loved classic to new heights, primed for the dance floor.

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Genre: Reggae & Dancehall

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General Penitentiary / Dub

Nitty Gritty

7" (Victory)

7" | 2024 | EU | Original (Shella)

Genre: Reggae & Dancehall

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Limited to 300 copies.

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Nkrumah

Congo

12" | 2024 | EU | Original (Shella)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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"Congo" by Nkrumah is a hypnotic slice of deep roots by Nkrumah aka Toronto's Kwame Salmon. The city that was home to Johnny Osbourne, Leroy Sibbles, Jackie Mittoo and countless other Reggae legends has produced another artist following this great lineage, a singer with a voice unlike anyone else. Originally released in miniscule quantities as a self produced dubplate/lathe cut, the 45 caused a sensation among Djs and sound system operators world wide. This official release features a different mix with an extended version and a spare, mesmerizing Dub version by Toronto's Heavy Manners crew reminiscent of late 90s/early 2000s Rhythm and Sound releases.

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Nkrumah

Rough & Rugged

7" | 2015 | UK | Reissue (Taxi)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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"Rough and Rugged sees Toronto Reggae Don Nkrumah pairing up with the analogue production wizards behind the enigmatic Local Dish label for a wild, synthy Dub excursion. Sounding something between 80's Dancehall and a late 70's Cabe Verde grail, Nkrumah's cool baritone rides this deeply funky, synth soaked analogue riddim. Originally released as a lathe cut 7" in miniscule quantities this is an edition of just 500 copies. Just wait until you hear the Dub!"

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No Maddz / Sly & Robbie

Shotta

Release: 2015 / UK – Reissue

Genre: Reggae & Dancehall

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LP | 2022 | EU | Original (Echo Beach)

Noiseshaper

Nora Dean / Ranny Williams

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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The sound company operating under the project name "Noiseshaper" is poised to release a very special vinyl album into record shops worldwide.The band received great acclaim for their first albums, which were released on the legendary and famous Rockers Hifi label Different Drummer. They later became celebrated for their musical contribution to the US television series CSI - Miami ! The Viennese coffeetable boys Axel Hirn und Florian Fleischmann achieved cult status with their 12-inch single "The Only Redeemer", which was later released in the US by Quango (Island Records /Palm Pictures) and fast became a permanent fixture on the playlists of the best and most popular DJs in Berlin, Vienna, Tokyo, Paris, London and New York. The next dancefloor filler followed with "All A Dem A Do", sung by Juggla, which was the band"s first release to get heavy rotation on many European and US radio stations. Next up were remixes by and for heavyweights such as Sly & Robbie, Outkast, Seven Dub and Carl Douglas.Noiseshaper"s defining sound has been distilled and condensed an utterly distinctive blend of "housey downbeats with a fat reggae flavour" has brought the Noiseshapers international acclaim and popularity.The very special VINYL release is the essential of what NOISESHAPER has ever done all over the years with a special focus on HEAVY bass remixes by Adrian Sherwood & Paolo Baldini. It is another very impressive display of how a musical style has progressed. Dub as a style with all its reference points between commerce and innovation ! 8 pounding dub flavour tunes all are best for bringing the dancefloors of the dub universe to boiling point. Heavy bass for heavy dancing!

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Kiss Me Honey / Running Wild

7" (Spade)

Genre: Reggae & Dancehall

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Nora Dean / Winston Wright

Barb Wire / Mesh Wire

7" (Duke)

Genre: Reggae & Dancehall

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Norrisman, G-Vibes & Keru Jahman Dan

Live And Let Live, Vocal Dub / Flute & Trumpet, Raw Dub

12" (Eastern Vibration)

10,49 €* 13,99 € -25%

Genre: Reggae & Dancehall

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7" | 2013 | EU | Original (High Note / Only Roots)

Novelette Barnett

Fire De A Town

Release: 2013 / EU – Original

Genre: Reggae & Dancehall

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LP | 2023 | US | Original (Bad Time)

Omnigone

Against The Rest

25,99 €*

LP | 2019 | EU | Original (Nice Up!)

Release: 2023 / US – Original

Genre: Reggae & Dancehall

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Former Link 80 Members Make THE Fully Realized SKA / Punk / Hardcore Follow UP That Fans Have Been Waiting FOR Featuring Members OF RX Bandits AND THE Suicide Machines When Link 80 played their final show / reunion show in San Francisco in 2017, members Adam Davis and Barry Kripene realized they weren’t done with ska punk. The incredible response emboldened and inspired them to create a new ska punk project to carry on Link 80’s legacy.... in spirit, style, and sound, while blending new ideas to fit the burdgeoning and newly revived ska scene. Thus, Omnigone was born. In 2019 the band released their debut LP “No Faith” on the then fledgling Bad Time Records, both parties unsure of what the general response from those who bore a connection to previous projects would have... but soon those fears were proven to be unfounded, as new and old fans alike rallied around the record and helped launch both the band and the label into moderate underground success. After 4 years of honing the band’s sound and style, “Against The Rest” fully realizes Omnigone’s potential in a way that their debut only flirted with, with the help of producer / engineer Jack Shirly (Jeff Rosenstock, Joyce Manor). The songs are agressive mixes of ska and hardcore, with as many catchy singalong gang vocal sections as brutal skull splitting screaming sections. The lyrics find singer Adam davis grappling with the insanity of the modern world and modern politics, tackling hypocrisy, injustices, and the need to band together to take on evils new and old. He makes it clear that you’re either with us or against us, and only together are we Against the Rest.

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Origin One

Deeply Rooted

From Mexico Yellow Vinyl Edition

Release: 2019 / EU – Original

Genre: Reggae & Dancehall

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Having already released a handful of singles on NICE UP! it seemed like high time for Nottingham's Origin One (aka Kevin Thomson) to step up with his debut album. Written and produced over the space of around 2 years in the artists own Deeper Than Roots studio, the album represents a wider spectrum of roots and reggae influenced music, taking the foundations of this music and applying a modern style and sound to it, traversing dancehall, bashment, grime, jungle and dubstep along the way.

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Out Of Control Army

LP | 2022 | US | Original (Jump Up)

24,99 €*

One People (Alternate Mix)

Release: 2022 / US – Original

Genre: Reggae & Dancehall

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Thirteen track "best of" collection from Mexico's top 2-tone / traditional act, featuring guest spots from Neville Staple of THE Specials, Mimi Maura, Kingston Rudieska, Oreskaband and King Hammond. Full of big band uptempo scorchers reminiscent of Tokyo SKA Paradise Orchesta. Hot!

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Pablo Mose

7" | 1977 | EU | Reissue (JA-Man)

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 2020 | UK | Reissue (ATO)

Pachyman

At 333 House

25,99 €*

Release: 2020 / UK – Reissue

Genre: Reggae & Dancehall

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Pad Anthony

Let Me Go / Leggo Dub

7" (Jammys)

Genre: Reggae & Dancehall

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12" | 1968 | EU | Reissue (High Note)

Paragons

Riding High

Release: 1968 / EU – Reissue

Genre: Reggae & Dancehall

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7" | 1965 | JP | Reissue (Drum & Bass X Rock A Shacka)

Pat & Roxie

Way Of Fortune

LP | 2022 | UK | Original (Pressure Sounds)

Release: 1965 / JP – Reissue

Genre: Reggae & Dancehall

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Pat & Roxie's "Way Of Fortune" begins flowing from the impactful theme of the Skatalites. The duo vocals are not as slick as those of the Blues Busters, but the mood is stylish. The original release was on Jamaica's Down Beat label, and the UK version was never released. Rare ska vocal that fetched over 150,000 yen at the Drum & Bass Recoreds auction.

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Patrick Andy / Yabby You

Living In Mount Zion

25,99 €*