Rock & Indie Tape 813 Items

Release: 1989 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Gorilla Biscuits' "Start Today" is one of the most influential records in hardcore. Hailing from NYC, Gorilla Biscuits carved a niche within the NY hardcore scene. Blending the aggression and energy of bands like Agnostic Front with a sense of melody likened to Dag Nasty, Gorilla Biscuits still stands as a unique reference point for many hardcore bands that have come after them. Now available again on cassette.

Go to Item

Green Day

Wfmu Broadcast 1992

Tape | US (C30c60c90go!)

Tape | 2021 | US | Reissue (Tapehead City)

Release: US

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Professionally re-mastered original broadcast with background liners, interviews and rare archival photos.

Go to Item

Groupie

Ephemeral

Release: 2021 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2023 | US | Original (GBV Inc.)

Guided By Voices

La La Land

13,59 €* 16,99 € -20%

Tape | 2021 | US | Reissue (Tapehead City)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

La La Land doubles down on the intricate proggy-pop displayed on Guided By Voices’s last album Tremblers And Goggles By Rank. On a hot streak of critical acclaim, Robert Pollard continues expanding his songwriting towards extremes of prettiness, heaviness and poeticism. As always, unforgettable hooks are everywhere. But with thsi latest, it seems Pollard is playing with the extremes of his abilities as a songwriter, emboldened by the power of this lineup now on their fourteenth album together since 2017. The prettiest stuff is prettier than ever (“Queen Of Spaces”) and odder, more complex songs like “Slowly On The Wheel” combine minimalism, whimsy, and cinematic inclinations. There are the exquisite power pop bangers that fans come to expect like “Ballroom Etiquette” and “Pockets.” Tracks like “Instinct Dwelling” and “Caution Song” effortlessly display a cranked-up weight and complexity most bands could never muster. Celebrating forty years in 2023 with their thirty-eighth album, GBV has lately been garnering rave reviews from Rolling Stone, Stereogum, Brooklyn Vegan, Uncut, Mojo, Shindig, Paste, Popmatters, The Quietus and many more.

Go to Item

Gunk

Gutwar

Release: 2021 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2020 | EU | Original (My Ruin)

Gvlls

2020 EP

7,99 €* 9,99 € -20%

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2024 | EU | Original (Agonia)

Hail Spirit Noir

Fossil Garden

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-07-05

Pioneer Woks Swing (Live)

Hailu Mergia

Tape | 2023 | US | Original (Awesome Tapes From Africa)

Tape | 2020 | EU | Original (My Ruin)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

It's been a little over ten years since Hailu Mergia reemerged on the international music scene. Following the first in a series of his classic recordings reissued in collaboration with Awesome Tapes From Africa, Mergia assembled a band and began performing live again after many years driving a cab in Washington, DC. His first show back appeared on the front page of the New York Times along with a stellar review and he took off from there performing his flavor of Ethiopian jazz all over the world in the years since, including Radio City Music Hall and Montreal Jazz Festival. Finally, we have a recorded document of the keyboard player's powerful DC-based trio _ which practices each weekend in his basement _ featuring Kenneth Joseph on drums and Alemseged Kebede on bass. Beautifully captured at one of their fiery live shows at the venerable Brooklyn non-profit cultural center Pioneer Works on July 1, 2016, the concert was recorded by PW staff and mixed by Ted Young with mastering by ATFA's expert audio extraction collaborator Jessica Thompson. The performance clarifies what many people across the globe already know: in his fifth decade of music-making Hailu Mergia continues to push the boundaries of his remarkable abilities. Mergia and his veteran band energetically and playfully unpeel layer after layer of harmonic and rhythmic interest out of a spectrum of Ethiopian repertoire. Modern jazz demands constant reinvention and improvisation, night after night creating new works out of known modes and classic standards. This band is unstoppable when it comes to turning age-old melodies (like "Tizita" or "Anchihoye Lene") upside down and inside out until they emerge as molten new works, often spontaneously. Mergia's original compositions (like "Yegle Nesh") shine brighter than ever here as well. Moving from keyboard to organ to accordion to melodica, he deftly switches instruments _ often during the same song. Mergia at 77 years old seems to be working harder than musicians half his age. "Pioneer Works Swing (Live)" brings into focus the kind of onstage group improvisation and deadly solo passages that reach for places Mergia and the band have never gone, on festival and club stages across four continents. Now that Mergia has released two new recordings along with four classic reissues, he is eager to let everyone hear what he's been doing on the road since he re-took the global stage for his victory laps. So much more than an old act from yesteryear, Mergia balances his legendary Ethiopian recordings with good old fashioned sweat-soaked live concert triumphs such as the one we have here.

Go to Item

Halb Aus Plastik

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2021 | US | Original (K)

Halo Benders

God Don't Make No Junk

Tape | 2024 | UK | Original (So)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Initial collaboration between Calvin Johnson of Beat Happening and Doug Martsch of Built to Spill. These recording sessions at Olympia, WA Dub Narcotic Studio took place in 1993, just prior to the release of the debut Built to Spill album Ultimate Alternative Wavers. The combination of the two voices was a happy accident that proved to be the combos winning charm.

Go to Item

Hamish Hawk

A Firmer Hand

Release: 2024 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-08-16

Tape | 2019 | EU | Original (Deathwish)

Harborlights

Isolation Ritual

Release: 2019 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2022 | US | Original (Secretly Canadian)

Hatchie

Giving The World Away

Tape | 2008 | US | Reissue (The Flenser)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Giving the World Away, the sophomore album from Hatchie, is the truest introduction to the songwriter/bassist at the helm of the project, Harriette Pilbeam. Produced by Jorge Elbrecht, Giving the World Away is Hatchie's most thunderous, sprawling work yet. Featuring input from longtime Hatchie collaborator Joe Agius, it takes the celestial, shimmering shoegaze and pop sensibilities of her earlier releases, but with the volume knob cranked up tenfold. Built out with percussion from Beach House drummer James Barone, it's synthed-out, sonic opulence, a more structured and ornate musicality with traces of `90s trip-hop and acid house influences. Pilbeam initially intended for these songs to go in a higher-energy direction. She had the distinct vision of a Hatchie show turned dance party, inviting more movement and vibrancy into her live shows. But then, between Covid and the lockdowns in Australia, Pilbeam retreated more into herself, and that introspection and self-discovery served as the true inspiration for the record. Again and again across Giving the World Away, she returns to that same theme of dismantling internalized shame and finding gratitude and steadiness, and finally being able to trust herself. Giving the World Away is an album about self-confidence, about the strange time in young adulthood where you begin to finally be able to see yourself clearly. Incisive and probing, Giving the World Away is the clearest look at Pilbeam yet, and a relic of the power and bravery that spring forth from embracing vulnerability and putting your heart on the line.

Go to Item

Have A Nice Life

Deathconsciousness

Tape | 2023 | US | Original (The Flenser)

Release: 2008 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Have A Nice Life released their debut double-album Deathconsciousness in 2008 to a whimper and critical non-interest; six years later, the band followed it up with 2014’s stunner The Unnatural World. In the meantime, Deathconsciousness has become a cult classic whose seamless blend of shoegaze, post-punk, new wave, industrial and noise influences inspires fanatic obsession. Rhythmic, primal and expansive, Deathconsciousness offers a meditation on death, loss and unrequited love, with repeated listens revealing new layers of depth and meaning.

Go to Item

Have A Nice Life

The Unnatural World

Tape | 2024 | US | Original (The Flenser)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Have A Nice LIFE’s second gloom-fueled, autobiographical meditation. With eight songs clocking in at 47 minutes, The Unnatural World is Have a Nice Life’s most monumental release yet—a colossal, perfectly orchestrated work that leaves listeners comatose on the ground beside their record players. This second full-length delivers doom and gloom at a new level, more focused and soul-tearing than ever.

Go to Item

Have A Nice Life

Voids

15,99 €*

Tragic Tiger's Sad Meltdown

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

With the broader adoption of the internet around the turn of the century, how people would engage with and discover underground music would change forever. As a result of the new digital era, DIY was now worldwide, and no band embraced this new frontier better than Have A Nice Life. Formed in 2000 by duo Dan Barrett and Tim Macuga, the Middletown, CT-based pair would, throughout the 00s, self-release and share a number of demos and home recordings via early social media channels as well as establish its in-house label Enemies List Home Recordings. These first steps set in motion Have A Nice Life’s rise to renown as an icon of underground music in the internet age, culminating with the release of its pivotal 2008 debut album, Deathconsciousness. Through word of mouth and online discussion, Deathconsciousness became subject to viral praise thanks to its synthesis of bleak post-punk, lo-fi shoegaze, and carpets of hypnotic drone music. Eventually, this humble self-released project would attain the status of a post-internet cult classic, amassing Have A Nice Life a fervent online following that the band would interact with in kind.

In an effort to thank and continue to engage with Have A Nice Life’s internet cult following, Barrett and Macuga would regularly share links to old demos, works in progress, and outtakes from the recording of Deathconsciousness. Over time, a group of fans would compile these demos into an unofficial release. Dubbed Voids, this fan-made compilation several alternate takes of tracks from Deathconsciousness, as well as a handful of early versions of songs that would appear on Have A Nice Life’s two following albums, The Unnatural World and Sea Of Worry. Fans swarmed around this compilation, accompanied by loud calls for it to receive a physical release. A tape pressing of Voids would be released via Music Ruins Lives, a DIY label run by Have A Nice Life superfan Thom Wasluck, also known for his band Planning for Burial. Between both instances of the tape swiftly selling out and the compilation’s long absence from streaming services, Voids has historically been an elusive release to track down, only available in the obscurest corners of the internet or physically on the secondary market at eye-wateringly high prices.

Over a decade since its initial, unofficial release in 2011, The Flenser is proud to reissue Have A Nice Life’s Voids for the first time ever in an official capacity in physical form.

Go to Item

Heavenly

Tape | 2022 | UK | Original (Death Is Not The End)

Tape | 2023 | EU | Original (Feel It)

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tragic Tiger's Sad Meltdown is Heavenly aka Tiger Hutchence-Geldof's debut album of sorts, cut from cassette tapes of rehearsals mixed with snippets of field recordings. Recorded with contributions from Nicholas Allbrook (Pond), Scarlett Stevens (San Cisco), India Rose & Jacob Diamond.
"I made this cassette in the living room of our house in Fremantle, a seaside town in Western Australia. I had always been shy to sing with others but moving across the world and my ex-boyfriend Nick had given me some bravery. Something about living closer to nature meant I felt creative and open hearted. It was as if the wide open landscape of Australia had finally given my heart enough space to open properly. The recordings are actually just recordings of our rehearsals, I never feel set in how song is meant to be so they usually just come out of me in the moment. My friends playing along with me are luckily all very empathic players and we found a way to play with one another without any structure or plan. It was really moving to create with so much freedom and understanding. Most of the songs are about my sister Peaches who I lost as a teenager so singing them aloud felt very potent but my band always made me feel held"

Go to Item

Heavy Mother

Comical Uncertainty

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

10" | 2019 | EU | Original (Deathwish)

Hesitation Wounds

Chicanery

Release: 2019 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2023 | US | Original (Run For Cover)

Hey Mercedes

Everynight Fire Works

Tape | 2023 | EU | Original (Unterschall)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Clear w/ Black Liner Cassette.Hey Mercedes' stunning debut Everynight Fire Works cassette reissue on Run For Cover Records. Formed after the break up of Braid by Bob Nanna, Mark Dawursk and Damon Atkinson, Hey Mercedes' brand of emo-influenced alternative rock has stood the test of time as a more melodic but equally-as-important companion to the members' first band. In fact, in the many subsequent revivals of the emo-leaning alt-rock sound of the late-90's & early 2000s, Hey Mercedes is as much an influence on these bands as Jimmy Eat World, The Get-Up Kids, and The Ataris. Everynight Fire Works was originally released by Vagrant Records in October 2001. Remastered in 2016 by JJ Golden (Sunny Day Real Estate, Soundgarden).

Go to Item

Hidden Lines

Uusi Aalto

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2022 | US | Reissue (Dais)

High Vis

Blending

Tape | 2022 | EU | Original (Iron Lung)

Release: 2022 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

High Vis were formed in 2016 from the ashes of some of the UK's besthardcore bands. Gild-toothed frontman Graham Sayle's anguished lyrics aboutlife in working class Britain were familiar to fans of Tremors' full-throttle thrash,but alongside his former bandmate Edward `Ski' Harper and veterans of DirtyMoney, DiE and The Smear, High Vis sought to transform that energy andintensity into something entirely new.Like scene-mates Chubby and the Gang did by pulling in unlikely sourcematerial from classic doo-wop or Micromoon have by combining everythingfrom psychedelia and metal into their high potency mix, High Vis' 2019 debutalbum, No Sense No Feeling showed the band were never going to beconstrained by any sense of genre rules or regulations. Its claustrophobicrattle bore traces of Joy Division, Bauhaus, Crisis, The Cure and Gang Of Fourlurking in the shadows. 2020's synth-driven EP, Society Exists, was furtherevidence of the band's restless creative MO.High Vis' second album Blending sees them open their viewfinder wider thanever before. Alongside longstanding favourites such as Fugazi and Echo andThe Bunnymen; Ride and even Flock Of Seagulls were shared reference pointsas the band worked on the album together.From the anthemic sweep of opener "Talk For Hours", through the title track'spsychedelic swirl and "Fever Dream"'s baggy groove, it sees High Vis' soundblossoming into something with an unlimited richness. The hazy drift of"Shame" or the melodic jangle of "Trauma Bonds" may take them untiluncharted waters, but they still have all the power and bite that made NoSense No Feeling so remarkable.Lyrically, the album represents another leap forward too. Talking frankly aboutpoverty, class politics, and the challenges of everyday life, Sayle's lyrics havealways addressed the downtrodden and discarded communities across Britainslipping below the waterline. This time around, Sayle's lost not of that socialconsciousness, but he's looked at himself and his own em...

Go to Item

Hologram

No Longer Human

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2023 | EU | Original (Season Of Mist)

Horrendous

Ontological Mysterium

18,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Horse Jumper Of Love Clear Cassette Edition

Horse Jumper Of Love

Tape | 2023 | US | Original (Joy Void)

So Divine Gold Cassette Edition

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Horse Jumper of Love is an American rock band from Boston, Massachusetts. Horse Jumper of Love released their self-titled first studio album in 2016. The single "Ugly Brunette" from the album was featured on NPR Music's series Songs We Missed.

Go to Item

Horse Jumper Of Love

Tape | 2019 | US | Reissue (Run For Cover)

Release: 2019 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2024 | EU | Original (Darkness Shall Rise Productions)

Høstsol

Länge Leve Döden

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-21

Tape | 2018 | US | Original (Lauren)

Hot Tang

Mostly Mallards

Release: 2018 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2023 | US | Original (Trouble In Mind)

Hot Tubs Time Machine

Double Tubble

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Dharma Wheel Black Vinyl Edition

Howlin Rain

2LP | 2021 | US | Original (Silver Current)

32,99 €*

Tape | 2023 | UK | Original (Kit)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Presenting Howlin Rain’s grand-scale new studio album: The Dharma Wheel, a six-track, 52-minute dive into a joyous fantasy realm. A sonic travelogue of prog funk, psychedelia, bygone West Coast jam music and watermelon rock. The triumph of a working band!

Go to Item

Ichigo Evil

Nee Naw Mixtape

Live 7th St. Entry Minneapolis 1984

Release: 2023 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"What happens when you take stop-start, prog-jazz weirdos Evil Usses and mix them with someone even stranger? Well, Ichi's DIY dada-pop genius isn't going to make things more normal is it?
Witness new combo Ichigo Evil knock at the doors of perception with dayglo skronk and one stringed fiddles. For fans of: Black Midi & Damo Suzuki, Melt Yourself Down, Cornelius." Headfirst Bristol Staff Picks

Go to Item

Impaler

Tape | 2022 | EU (Les Cassettes)

Release: 2022 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2024 | EU | Original (Darkness Shall Rise Production)

In Battle

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-21

Tape | 2024 | EU | Original (Darkness Shall Rise Productions)

In Battle

The Rage Of The Northmen

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-21

Tape | 2020 | EU | Original (Smash)

Inca Babies

Live At The Hacienda

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2024 | US | Original (Numero Group)

Indian Summer

Giving Birth To Thunder

Tape | 2022 | US | Original (Dirt Cult)

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The fourth leg on the early emo table ofRites of Spring, Moss Icon, and Cap'n Jazz,Indian Summer's Giving Birth To Thundercompiles their complete discography. Emo'ssecond wave crashed into the Bay Area in thesummer of 1994 in a rage-filled capsule ofquiet and loud, octave chords, angry sons,Spock haircuts, and screaming. At the eye ofthis pissed-for-the-hell-of-it storm wereIndian Summer. In the quartet's 12-monthexistence they wrote ten songs, appeared ona dozen singles and comps, and played over100 gigs across the U.S. and Canada beforeburning out, passing out, and moving outof their Blue House in Oakland. Theirhand-screened aesthetic is replicated inalarming detail in the accompanying by 24-page book with detailed liner notes, flyers,and miscellaneous propaganda.

Go to Item

Inject The Light

The Apocalypse Is Boring

Plays Ewe-Neuro Wastelands

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In the early days of Covid, Chris (Dirt Cult Records, Low Culture, Macho Boys) would mask up every night and take a long walk to keep his sanity. One evening, the week before the murder of George Floyd, he popped in his headphones and put on a Killed by Death comp while he grappled with how the virus had changed his life and the lives of those around him, while so many people refused to accept the slightest inconvenience to keep their neighbors safe. When he returned home, he went down to the basement and stayed up until four in the morning writing and recording the songs on this cassette. Consider this a time capsule of the early days of the pandemic, showcasing the mundane weirdness of those early days of the pandemic, filled with grocery deliveries and clips of right-wingers claiming victimhood because they can’t get their haircut or order dine-in – all to a snotty punk soundtrack for fans of Circle Jerks, Crucifucks, Dead Kennedys, et al.

Go to Item

Innercity

Tape | 2020 | EU | Original (Ikuisuus)

8,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2023 | EU | Original (Iron Lung)

Innumerable Forms

The Fall Down

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bloodshed Across The Empyrean Altar Beyond The Celestial Zenith

Tape | 2024 | EU | Original (Darkness Shall Rise Productions)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-21

Into The Infernal Regions Of The Ancient Cult

Tape | 2024 | EU | Original (Darkness Shall Rise Production)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-21

Invoking The Majestic Throne Of Satan

Tape | 2024 | EU | Original (Darkness Shall Rise Production)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-21

Magnificent Glorification Of Lucifer

Tape | 2024 | EU | Original (Darkness Shall Rise Production)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-21

Nefarious Dismal Orations

Tape | 2024 | EU | Original (Darkness Shall Rise Production)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-21

Obscure Verses For The Multiverse

Tape | 2024 | EU | Original (Darkness Shall Rise Production)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-21

Ominous Doctrines Of The Perpetual Mystical Macrocosm

Tape | 2024 | EU | Original (Darkness Shall Rise Production)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-21

Tape | 2023 | EU | Original (TAX FREE)

Iris

The Green Domain

11,69 €* 12,99 € -10%

Archive Series Volume 5: Tallahassee Recordings

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Psyched out guitar experiments from Iris. Dedicated to the fight against double standards, ignorance and corruption of our Western world.

All songs written and recorded in 2021, revisited in 2023.

Tax Free Records™ 2023.

Go to Item

Iron & Wine

Tape | 2021 | US | Original (Sub Pop)

Tape | 2017 | US | Original (Sub Pop)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Archive Series Volume No. 5: Tallahassee is the lost-in-time debut album from Iron & Wine. A collection of songs recorded three years prior to his official Sub Pop debut, The Creek Drank the Cradle (2002). A period before the concept of Iron & Wine existed and principal songwriter Sam Beam was studying at Florida State University with the intent of pursuing a career in film. Tallahassee documents the very first steps on a journey that would lead to a career as one of America's most original and distinctive singer-songwriters. Creek arrived like a thief in the night with its lo-fi, hushed vocals and intimate nature, while almost inversely Tallahassee comes with a strange sense of confidence. Perhaps an almost youthful discretion that likely comes from being too young to know better and too naïve to give a shit. The recordings themselves are more polished than Creek and give a peak into what a studio version of that record might have offered up. Tallahassee was recorded over the course of 1998-1999 when Beam and future bandmate EJ Holowicki moved into a house together. Beam had not been performing publicly, however he was known for playing an original song or two in the early morning glow of a long night. Holowicki also in the film program and who would go onto a career as a sound designer at Skywalker Sound, had a mobile recording device and after some prodding convinced his friend to record these late-night meditations. Together they would record close to twenty-four songs, ideas and sketches, with EJ on bass and Sam on vocals, guitar, harmonica and drums. The recordings - all captured in the house where they lived - have a "live in the room" feel akin to say Neil Young's Harvest or Nick Drake's Five Leaves Left, rather than the homespun lo-fi 4-track home recording experiment taking place at the time. These recordings, minus one track, have never been made available and were instead left preserved on a hard drive for the last twenty years. The one track that floated out there, called "In Your Own Time" was shared without a title to childhood friend Ben Bridwell (Band of Horses) at some point. The song became known as the "Fuck Like A Dog" song and Ben shared it with more than a few folks during the golden era of mix cd's. Two of those folks were Jonathan Poneman from Sub Pop and journalist Mike McGonigal, who included it on his best songs of 2001 mix cd, passed out to friends and acquaintances. And for many that is where the Iron & Wine story begins, until now_ Tallahassee is the foreword to your favorite book that you've somehow skipped over time and time again. It's an alternative history mixed with some revisionist history told over the course of eleven songs. It's also the debut record by Iron & Wine some twenty years after the fact.

Go to Item

Iron & Wine

The Shepherd's Dog

Tape | 2024 | US | Original (Sub Pop)

Release: 2017 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Shepherd's Dog is Iron & Wine's third full-length. It was originally released in 2007 to widespread acclaim.

Go to Item

J Mascis

What Do We Do Now

LP | 2021 | EU | Original (Glassnote)

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

What Do We Do Now is the fifth solo studio LP recorded by J Mascis since 1996. This is obviously not a very aggressive release schedule, but when you figure in the live albums, guest spots, and records done with his various other bands (Dinosaur Jr., The Fog, Heavy Blanket, Witch, Sweet Apple, and so on), well, to paraphrase Lou Reed, "J's week beats your year." What Do We Do Now began to come together during the waning days of the Pandemic. Utilizing his own Bisquiteen Studio, J started working on writing a series of tunes on acoustic with a different dynamic than the stuff he creates for Dino. "When I'm writing for the band," he says, "I'm always trying to think of doing things Lou and Murph would fit into. For myself, I'm thinking more about what I can do with just an acoustic guitar, even for the leads. Of course, this time, I added full drums and electric leads, although the rhythm parts are still all acoustic. Usually, I try to do the solo stuff more simply so I can play it by myself, but I really wanted to add the drums. Once that started, everything else just fell into place. So it ended up sounding a lot more like a band record. I dunno why I did that exactly, but it's just what happened." Two guest musicians are playing this time out; Western Mass local Ken Mauri (of the B52s) plays piano on several tracks. Since J himself has some experience with keys, when asked why he needed a hired gun, he says, "Ken is great, and he plays all the keys. I tried playing some keyboards on the first Fog album, but I'm really only comfortable playing the white notes, so it's kind of limiting. [laughs] Nowadays, I could just turn the pitch on a mini Mellotron to play different sounds, but black keys just seem hard. For whatever reason, I just like banging on the white ones. Seems like it's harder to figure out how to stretch your fingers around the other ones." Mauri has no such qualms and plays all the keys very damn well. He sounds especially great on "I Can't Find You," where he is Jack Nitzsche to J's Neil Young, creating one of the album's loveliest tunes. The other guest musician, Matthew "Doc" Dunn, is also prominent on this track. Dunn's steel guitar manages to both widen and soften the musical edges of the music, giving it a full classicist profile. Dunn is an Ontario-based polymath who J met through Matt Valentine. After J played on Doc's great 2022 Sub Pop single, "Your Feel," he figured it was time for payback. Both Dunn and Mauri add beautifully to the songs here, helping to transform them from acoustic sketches into full-blown post-core power ballads. What Do We Do Now is the finest set of solo tunes J has yet penned, and the way they're presented is just about perfect. Asked if he would be touring to support the album, J says he'll be doing some weekend dates, but he probably won't be putting a band together. And I'm sure these songs will sound great solo and acoustic, but the arrangements on this album are truly great and put a cool, different spin on Mascis' instantly Recognizable approach to making music. So, what do we do now? Not sure. But apparently, what J does is to make one of his most killer records ever. Hats off to him. - Byron Coley

Go to Item

Jade Bird

Different Kinds Of Light

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (Glassnote)

Jade Bird

Different Kinds Of Light

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2019 | EU | Original (Glassnote)

Jade Bird

Release: 2019 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2023 | EU | Original (Iron Grip)

Jaguar

Power Games

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | EU | Original (Iron Grip)

Jaguar

Power Games

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

I Tried To Freeze Light, But Only Remember A Girl (Mc)

Jahnah Camille

Tape | 2024 | EU | Original (Winspear)

Tape | 2022 | EU | Original (Believe Digital)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Introducing Jahnah Camille (pronounced Hannah), a young artistemerging from the DIY scene of Birmingham, Alabama. Camille'ssongs capture the rollercoaster of teenage angst, heartbreak andintrospection over a well-made bed of driving guitars and catchy,compact melodies. A five-track EP infused with anxiety and grit, i triedto freeze light, but only remember a girl, is a shining introductoryproject smoothed over by Camille's sugar-sweet voice and cuttinglyricism.Much of the EP's songs were written and recorded while Camille wasstill in high school, taking trips back and forth from Atlanta to record.In the time following, Camille dug into the local DIY scene, steadilygaining an impressive resume of opening slots as she cut her teethsupporting acts like Clairo, Soccer Mommy, Cryogeyser andWednesday as they came through town. Now 19 years old, Camilledelivers an excellent snapshot of those uncertain and wildly hopefullate teen years. i tried to freeze light captures Camille approachingheartbreak and self-perception from a variety of angles-each trackplaying slightly with genre and cadence and infused with influencefrom her musical heroes, like Liz Phair and Fiona Apple.The EP pulls at a range of alternative rock and pop threads, there'sthe 90s alternative rock opener "flesh" and the country-gaze-tinged"roadkill." Camille then softens on the swooning synth-layered ode tolove lost, "elliot," before relaxing into a folksy, acoustic "paper doll."Iwanna talk and not spill out carnival sounds" Camille confides oncloser "carnival sounds"--a track that illuminates the singer's art-popinfluences and knack for revealing tender and at times searing admissionsthrough her lyricism. While misunderstandings color theemotional sentiment of the EP, Camille's artistry and expressioncome through clear as day on i tried to freeze light, presenting her asa promising young voice with real talent and a hunger for musicalexperimentation.

Go to Item

James Morrison

Greatest Hits

11,89 €* 13,99 € -15%

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2021 | US | Original (Dead Oceans)

Japanese Breakfast

Jubilee

Tape | 2022 | EU | Original (Hospital Productions)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

From the moment she began writing her new album, Japanese Breakfast's Michelle Zauner knew that she wanted to call it Julibee, After all, a jubilee is a celebration of the passage of time-a festival to usher in the hope of a new era in brilliant technicolor. Zauner's first two albums garnered acclaim for the way they grappled with anguish; Psychopomp was written as her mother underwent cancer treatment, while Soft Sounds From Another Planet took the grief she held from her mother's death and used it as a conduit to explore the cosmos. Now, at the start of a new decade, Japanese Breakfast is ready to fight for happiness, an all-too-scarce resource in our seemingly crumbling world. How does she do it? With a joyful noise. Jubilee bursts with the most wide-ranging arrangements of Zauner's career. Each song unfurls a new aspect of her artistry. In the years leading up to Jubilee, Zauner also took theory lessons and studied piano in earnest for the first time, in an effort to improve her range as a songwriter: "I've never wanted to rest on any laurels. I wanted to push it as far as it could go, inviting more people in and pushing myself as a composer, a producer, an arranger." Jubilee is an album about processing life and love in the quest for happiness, and how that process sometimes requires us to step outside of ourselves. Throughout Jubilee, Zauner is hardly fictionalizing her lyrics, instead pouring her own life into the universe of each song to tell real stories, and allowing those universes, in turn, to fill in the details. Joy, change, evolution-these things take real time, and real effort. And Japanese Breakfast is here for it.

Go to Item

Jesu

Terminus

Tape | 2024 | US | Original (Drag City)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Terminus' is a varied yet still cohesive album that leaves the crushing heaviness of jesu’s early material behind for the most part while also containing their most introverted emotive cold spaces. following the EP “never” which was released earlier last year, this is jesu’s first full-length release since 2013’s “every day I get closer to the light from which I came”. The space between these two albums is significant as in the interim jesu main man Justin Broadrick resurrected the beyond cult and inimitable Godflesh. Fold out cover with deluxe multi-panel spot gloss art variation. Includes digital download code.

Go to Item

Jim White

All Hits: Memories

Tape | 2024 | US | Original (Sacred Bones)

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This is long overdue. A solo album by Jim. The trap kit - so straightforward, so mysterious. What"s inside those things? Air and light - from which century? Which continent? Which planet? Depending on how and when you hit them it can be a vibration sent through a prehistoric breath, particles of Saturn"s atmosphere, the dead, wet leaves you walked through on the way to the first day of school. These are the memories of the drums on this record. Infinite and personal. Editing each other as they muscle to the front or soft shoe to the shadow. Cymbals can override/cancel everything out - wipe your memory clear or make the memory clearer. Drums are the instrument where you can feel the presence of the player the most - the full body - and sense the thoughts of the player the most. The instrument with the most choices to be made sends out the most brainwaves. A bouquet of brainwaves is on this LP. Jim oversees it all, surveys from the lost place we"re in, the void - the drumless song. We trust. We trust, Jim. His big green eyes search for the right tool (mallet, brush, etc), eyes that search you like you"re a song he wants to join, wants to see if he can add to or understand. Before humans, drums were playing - these drums. Genesis was a solo drum piece. After humans, these drums, this album. Someone - the last man - is out in a spaceship at the edge of space. He plays a single chord on a synth to set time free from its bind and then lets go. This album sets time free, lets it frolic, lets it graze, lets it remember. This is a record of thoughts, memories, surgery. A deft surgical operation you may not even realize is happening as it"s happening but you"re back on your feet when it"s over. Memories refreshed. Did you really even listen to it? -Bill Callahan, November 2023

Go to Item

John Carpenter

Lost Themes IV: Noir

Tape | 2020 | EU | Original (Innovative Leisure)

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

It's been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood's great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green's trilogy of Halloween reboots. With Lost Themes IV: Noir, they've struck gold again, this time mining the rich history of the film noir genre for inspiration.Since the first Lost Themes, John has referred to these compositions as "soundtracks for the movies in your mind." On the fourth installment in theseries, those movies are noirs. Like the film genre they were influenced by, what makes these songs "noirish" is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it, as in connected in an emotional way.The trio's free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine_the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John's own Christine. It's a chemistry that's helped power one of the most productive stretches of John's creative life, and Noir proves that it's nowhere near done yielding brilliant results.

Go to Item

Jonah Yano

souvenir

A New Directive From The Bureau Of Compulsory Entertainment

Release: 2020 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Meet Jonah Yano, the Toronto based singer, songwriter, whose journey into
music began with recording music using his cellphone in 2016. Having played
piano and guitar as a child, it wasn’t until Yano moved from Vancouver to
Toronto in 2016 that he began putting his songs online, catching the eyes of
Toronto’s thriving local music scene. Spending the next couple of years obsessively songwriting and practicing vocals, and learning technical skills, he
collaborated with Toronto duo MONEYPHONE on the 2018 song “On Lock”
which became an underground success. Shortly after, Yano released his first
solo single “Rolex, the Ocean'' with producer Joseph L'etranger. Once he
began writing his full EP, he was introduced to frequent collaborators
BADBADNOTGOOD, who are featured on the EP’s title track, “nervous.” Yano’s
work has garnered praise in major music publications like The Fader,
Billboard, Complex, and Exclaim and the attention of Virgil Abloh and Gilles
Peterson along with millions of streams on Spotify and Apple Music. Most
recently, Yano released a highly praised cover of the Majestic’s “Key to Love
(Is Understanding)” also with BADBADNOTGOOD, finding himself in the
natural position of writing the feature length album, 2020’s souvenir.
Following a highly acclaimed 2019 which included the release of an EP
nervous, collaborations with BADBADNOTGOOD, MONEYPHONE, and Nono;
industry praise from The Fader, Billboard, High Snobiety, NME, KCRW and
Exclaim — it’s not a stretch to say Jonah Yano’s highly anticipated debut
feature album souvenir took a lifetime to make.
Yano’s souvenir, mixes his soulful, genre blurring vocals with searing, personal
lyrics. With collaborations from talents like producers Monsune ("strawberry!," "delicate"), Leland Whitty of BADBADNOTGOOD ("poor me," "monarch,"
"anywhere"), and Jacques Greene ("what i can do to help"), souvenir touches
on themes of family separation, healing, and reconciling with the past.
With each track delving into Yano’s personal history, the album tells the story
of his parents separation and absence of his father from his life through the
perspective of each of his family members. Following the separation of his
parents in 1998 in Hiroshima and subsequent move to Vancouver, Yano spent
years with very little connection to his father beyond occasional calls and
birthday presents.
Having not seen each other in 15 years, Yano visited his father in Nagato in the
fall of 2019 with the goal of making sense of their complicated relationship
through music. Both being avid musicians, Yano then incorporated some of
his father’s earlier recordings into his own, while making peace with their
past. The result — the album’s final track, “shoes,” featuring his father Tatsuya
Muraoka and written by him about a pair of shoes he purchased for Yano as a
child. Most of the track was recorded live at some point in the 1990’s in
Hiroshima, with Yano’s own vocals filling gaps between his father’s vocals.
Recording the album in Tokyo’s Red Bull studios, a log cabin in Nagato, Toronto’s Studio 69, and his own home — the intensely personal album incorporates
Yano’s unique sound with a deeply relatable concept, making it the natural
follow-up to an already impressive catalogue.

Go to Item

Jonny Dillon

Tape | 2023 | EU | Original (All City Dublin)

LP | 2022 | EU | Original (Grand Jury)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ace Cassette version (with 2 Extra Songs) of the recent LP from contemporary Irish guitarist Jonny Dillon. Beautifully recorded blues / folk guitar pieces. TIP!

Jonny Dillon’s debut acoustic album ‘Songs For A One-String Guitar’ took the listening public by surprise and the critics by storm when it dropped out of the blue on All-City in 2019. It represented a departure for an artist who was renowned for having the Midas touch when it came to coaxing dance floor fire from all manner of hardware. But fortune favours the brave and temporarily setting the machinery aside and following an acoustic path to the waterfall has already reaped rich rewards for Jonny Dillon. He’ll never say it in so many words but here’s a man on a mission: “Fail as I may, I have to go back and try again every time, to wait in hope for a glimpse of the spirit that hovers over the face of the deep, and to keep watch for the Light that shines in the darkness.”

The generosity of spirit which is the linchpin of all great music is something that can neither be cheaply conjured nor ever easily faked, god forbid. It’s the elusive emotional conductor in the spinal cord of sound - a foundational component of that mysterious feeling of connection we as listeners are seeking every time we put the needle on the record or press play on a song. The very essence of the thing we seek, in short. The holy grail. When sweet music hits, it’s the spirit that moves us and it’s both the source of the power within it as well as ultimately the place where it resides inside of us too, once heard. This is how music works. Journeying. Spirit to spirit. From the makers and dreamers of the dream to dreamers in general. The indomitable spirit inherent in the instrumental guitar compositions and distinctive finger picking style of Jonny Dillon is a case in point. This is spiritful music of a rarer kind made by an artist as inherently attuned to the troubling times we are living through as he is to the value of carving out new paths to the waterfall through the medium of sound on our behalf. Boom and there it is. Much needed guidance. A priceless new navigational tool of the imagination to help us all through the maze.

Just like the debut offering, this a path inherently worth following too, every step of the way. This time Jonny’s singular playing style finds true expression in a sound world expertly shaped by a master of the production craft, John ’Spud’ Murphy in Hellfire Studio. Masters at work, times two. Like all dream productions, it quickly assumes three dimensional proportions and becomes a place to go in and of itself, worth returning and retreating to, time and again. On A New Directive From The Bureau of Compulsory Entertaintment, his mode of expression is as clear and impactful as the immediate impression the sound makes on us. His is a strong game. He rises to the occasion and fulfils a great need on our part in so doing. We have to give thanks where it’s due. Balms for the soul are hardly two-a-penny in these challenging times but this is a timely one and of a lasting kind too. In stripping everything back and breaking his sound down into the bare component parts of reverberating steel strings on resonant wood, he has tapped into a kind of universal music of the spheres. It’s in tune with the times and more. Big picture sound with heart and soul to match. The iridescent sound he conjures from that same deep is a joyous thing to behold imbued as it is with a kind of light that never goes out. A dozen jewels adorn this timeless creation, each one a glimpse of eternity. They will shimmer forever. Man gets tired. Spirit don’t.

Dónal Dineen, January 2023.

Go to Item

Jordana

Face The Wall

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2023 | CA | Original (Return To Analog)

Jordann

Safe Space

Release: 2023 / CA – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ajanta Theatre Derby 1980

Joy Division

Tape | 2023 | EU (Tape It Dee Dee)

Live At The Moonlight Club London 1980

Release: 2023 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Massive as Joy Division were becoming, they still played Shit-Holes like this former, partially demolished, cinema in Derby. The old seats were still in place, except for a few that were torn off of their perches to allow dancing, if required. Again, another cavernous sounding audience recording,and again we are treated to a joint band version of "Girls Don't Count" for the rarity value. Due to cancellations, probably due to Ian's failing health, this would turn out to be the penultimate Joy Division performance, before.....well, you know what happened next.

Go to Item

Joy Division

Tape | 2024 | EU (Tape It Dee Dee)

10,99 €*

Invincible Shield Tape Edition

Release: 2024 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

On the night of April 3rd, 1980, the iconic post-punk band Joy Division descended upon the intimate stage of the Moonlight Club in West Hampstead, London. The venue, dimly lit and shrouded in an aura of mystery, provided the perfect backdrop for the band's melancholic and atmospheric sound. The raw power and emotional intensity of their performance served as a testament to their artistry, leaving a lasting legacy that continues to inspire generations of musicians and fans alike.

Go to Item

Judas Priest

Tape | 2024 | EU | Original (Sony)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 1989 | US | Reissue (Revelation)

Judge

Bringin' It Down

An Abundance Of Strawberries

Release: 1989 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

To most fans of hardcore, Judge is a band that needs no introduction. The band took the ideals and positive goals of Youth Of Today and infused them with beefy guitar licks, introspective lyrics, and a hefty influx of New York style. Now available again on cassette.

Go to Item

Julia Brown

Tape | 2022 | EU | Original (Joy Void)

Tape | 2022 | US | Original (Drag City)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In every way, Julia Brown's only full-length record An Abundance of Strawberries defies expectations. Their final release, Strawberries was recorded largely after the band had broken up. Rather than scrap a large amount of material, songwriter Sam Ray and violist and singer Caroline White decided to finish the record with a rotating cast of musicians, including the original band members Alec Simke and John Toohey, as well as Sean Mercer, Warren Hildebrand, Alex Giannascoli, Abby Trunfio, and others. Largely eschewing traditional band arrangements, they worked heavily with samples - drum machines, breaks, and bird calls in lieu of traditional percussion, 808s in place of basslines - before layering arrangements of strings, pianos, horns, and omnichord on top alongside lush harmonies and oft-affected vocals. The result is a meticulous record that sounds like nothing and everything at once. Both celebratory and melancholy, it nods toward a lineage of pop and indie-pop artists from Ellie Greenwich to Heavenly and more experimental acts like Fog, Cotton Candy Collective, Spiritualized and Duster.

Go to Item

Kamikaze Palm Tree

Mint Chip

Tape | 2000 | US | Reissue (Numero Group)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

For their Drag City debut, the enigmatic duo expand into eight-armed wonder; all the better to reach ever-deeper into their bag o' tricks. Slinky and sliding elegantly, the kids forge tunes with a harmony of ambiguity and nostalgia, effortless yet precise, and rounded with thick bottom - a dancing clash of cognition and dissonance!Since 2015, Kamikaze Palm Tree have been a relative mystery. Now, in times no less mysterious, Drag City welcomes them, celebrating the energy of their second LP, where KPT play their offbeat strain of 21st century rock.Making MINT CHIP, Dylan Hadley and Cole Berliner reach deeper into their bag of tricks than ever before, dialoguing with an absurd shared intent they haven't yet paused to question. The off-center pieces gathered together for Good Boy have given way to pulsing aquatic compositions on MINT CHIP. Cole's guitar tones, wire thin, bell-like, bluesily downtuned, slinky and sliding elegantly, arc purposeful around their peripherals. Dylan's kit work, effortless yet precise, grounded with heavy bottom, drives and interacts organically with all the emerging structure, nailing down finely detailed frames and canvases to backdrop her singing and the unremitting landing of melodies and songs. With the addition of Josh Puklavetz, things that didn't make sense before - like bass - are now on the beach, fully lotioned, essence to essence. Violin and clarinet (Laena Myers Ionita and Brad Caulkins, respectively) round out the tonal spectrum. All strung together in the foothills of Altadena's Wiggle World Studios with Hartling back in the engineer's seat and Tim Presley producing the proceedings!

Go to Item

Karate

Unsolved

In My Own Time 50th Anniversary Edition

Release: 2000 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

As Warped Tour pop-punk and American Apparel indie rock dominated the strange post-Y2K guitar-band milieu, Boston's Karate delivered an engrossing shot of rock that constantly shifted between several shades of subterranean sounds. The quiet moments on Karate's millennium busting fourth album carry much of that old, unbridled intensity, braided into subdued jazz melodies and slowcore restraint. Karate's transition into rock maturity bore supple fruit with Unsolved, presented here with three previously unreleased songs.

Go to Item

Karen Dalton

Tape | 1972 | US | Reissue (Light In The Attic)

In My Own Time 50th Anniversary Edition 8-Track Cartridge Edition / 8-Spur-Kassette

Release: 1972 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

Both the CD and cassette editions feature 9 bonus tracks, including 3 alternate takes from the In My Own Time album sessions, along with 6 previously unreleased tracks captured during Karen’s 1971 European tour, including live at The Montreux Golden Rose Pop Festival and Germany’s Beat Club.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

1–10: Originally released as Just Sunshine – PAS 6008, 1971 11–13: Alternate Takes from album sessions, 1970/71 14–15: Recorded live at Beat Club, Germany, April 21, 1971 16–19: Recorded live at The Montreux Golden Rose Pop Festival, May 1, 1972

Go to Item

Karen Dalton

8Track | 1972 | US | Reissue (Light In The Attic)

48,99 €*

Tape | 2022 | US | Original (Orindal)

Release: 1972 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

Go to Item

Karima Walker

Demos

Tape | 2021 | US | Original (Keeled Scales)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tucson, AZ singer, songwriter & sound designer shares early, home-recorded versions of songs, alongside illuminating sketches and ambient pieces. The demo versions feature alternate lyrics and intimate acoustic arrangements that highlight the power of Walker’s voice and musicianship, while ambient pieces plumb deeper depths of tension.

Go to Item

Karima Walker

Waking The Dreaming Body

11,19 €* 13,99 € -20%

Tape | 2024 | Original (Bajo Perfil)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Waking the Dreaming Body is the follow-up to Tucson artist Karima Walker's 2017 standout album Hands In Our Names, which garnered praise from Pitchfork, Mojo, and Bandcamp. The album includes dense harmonic arrangements of synthesizer, guitar, piano, percussion, field recordings, tape loops and Karima's dulcet singing voice. The final result is a 40-minute dream-narrative of her conscious and subconscious minds that oscillates between the rich textures of her ambient work and the melody and poetry of her melancholic, Americana-tinged songwriting, their ebb and flow recalling liminal states of half-sleep where images and emotions are recalled and forecasted from the previous night's dreams. Night falls in regular intervals throughout the album, forming a natural dialogue between waking and dreaming.

Go to Item

Karosh!

Demo 2022

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2017 | US | Original (Lauren)

Katie Ellen

Cowgirl Blues

Release: 2017 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2021 | US | Original (Keeled Scales)

Katy Kirby

Cool Dry Places

Tape | 2023 | UK | Original (Back On Black)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Katy Kirby is a Texas-based songwriter and indie rock practitioner with an affinity for unspoken rules, misunderstanding and boredom. She was born, raised and homeschooled by two ex-cheerleaders in small-town Texas and started singing in church, amidst the pasteurised-pop choruses of evangelical worship. Like many bible belt late-millennials, Katy grew up on a strict diet of this dependably uncool genre and accordingly, Cool Dry Place finds her dismantling it. "I can hear myself fighting that deeply internalized impulse to make things that are super pleasant or approachable," she says. Though Katy hasn't fully overcome the itch to please, it's to a listener's benefit. Instead of eradicating the pop sensibilities of her past, she warps them, lacing sugary hooks with sneaky rage, twisting affectionate tones into matter-of-fact reproach, and planting seemingly serene melodies with sonic jabs. The fun is in the clash. The nine tracks that make up Cool Dry Place are miscellaneous in subject (motherhood, late capitalism, disintegrating relationships) but unified by the angle from which they're told: from a person re-learning to process life with intense attention. Each song is a catalogue of fragments, the number of segments in an orange or the cut of an obsessively-worn shirt, distilled into meditations on the bizarre and microscopic exchanges that make up modern life - a relationship splintering, an uncomfortable pause, an understanding finally found. These emotional dioramas are moderated by the angular storytelling that unites Gillian Welch and Phoebe Bridgers, a favour for the conventions of short fiction over confession.

Go to Item

Keep Of Kalessin

Katharsis

28,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Main Offender / Winos Live In London '92 Black Friday Record Store Day 2022 Edition

Keith Richards

2Tape | 2022 | US (BMG)

23,99 €*

Talk Is Cheap Live At The Hollywood Palladium

Release: 2022 / US

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Exclusive Limited Edition cassette release of Keith Richards’ 2nd album, Main Offender. Main Offender is newly remastered under the supervision of original producer and X-Pensive Wino Steve Jordan. Also included is the Winos Live in London ’92 album that puts you in the Front row at the show with live versions of “Eileen,” “Hate It When You Leave,” “Happy” and more. This live show was only previously available in the Main Offender Deluxe LP Box Set.

Go to Item

Keith Richards

Tape | 2022 | Original (Bmg Righty Management)

18,99 €*

Release: 2022 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2022 | US | Original (Sacred Bones)

Kekht Aräkh

Night & Love

Tape | 2022 | US | Original (Sacred Bones)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Këkht Aräkh is the Ukrainian project founded in 2018 by Dmitry Marchenko. The debut album Night & Love was initially released on the Finnish label Livor Mortis in 2019 and it's now seeing a worldwide reissue via Brooklyn label Sacred Bones.Dmitry's intent to experiment with standard black metal canons previously seen at play in Through the Branches to Eternity EP (2018) solidify further on Night & Love, he mentions "back then I had an idea of combining Darkthrone's Transilvanian Hunger type of black metal with early Internazionale or Croatian Amor vibe."Described as ambient or atmospheric black metal, this debut presents Këkht Aräkh's signature dichotomy of harsh traditional early Norwegian black metal and the more ethereal and delicate melodies. On the other hand the lyrics are romantic and melancholic, clearly influenced by a stark Gothic imagery, and serve as an extra layer of mystery to the already suggestive body of work. The album beings with a soft acoustic intro in "As the Night Falls_" before descending into the raw and raucous "Elegy for the Memory of Me" and "Den Venstre Hånd På Den Hoyre", both songs that are drenched in the more traditional black metal style of raspy, high-pitched vocals, dense, tremolo- picked riffs and fast paced drums. It is however songs like "Night" and "Love" that really set this album apart. "Night" is a softly spoken word ambient track that with a beautiful piano synth work that permeates throughout it aids in the romantic delivery and conjuring of imagery of the night. "Love" is a spellbinding and melancholic song, equal in its romanticism but one that displays a deeper sorrow and tenderness supported by calming field recordings of trickling water.The intertwining of black metal, dark folk and ambient repeats itself, culminating in a quietly hummed outro "...And Never

Go to Item

Kekht Aräkh

Pale Swordsman

Tape | 2024 | Original (Reigning Phoenix Music)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Këkht Aräkh is the Ukrainian project founded in 2018 by Dmitry Marchenko. Originally released on the Finnish label Livor Mortis in 2021, Pale Swordsman goes to even greater extents in building a bold and atmospheric sonic palette, and it's now seeing a worldwide reissue via Brooklyn label Sacred Bones.For the sound design of the album, Dmitry was inspired by The Stooges' Raw Power to deliver a more soft sounding album, decisively less "metal". Traditional black metal song structures still persist in songs like "Night Descends" and "In The Garden". However, their rawness and fast tempos is quickly cut through by dark ambient passages in "Amor" and "Intro" and softly played desolate ballads like "Nocturne" and "Lily".The crown jewel is the album closer "Swordsman", a track that displays a superb gothic sensibility, a poem recited over a deeply melancholic piano melody. "The Christian concept of a person ridding themselves of evil to find inner peace or to be able to leave this world safely has become the core inspiration for the song." Dmitry explains "However, this is not the only reading possible. I purposely avoid specifics in my lyrics so that the listener can always give the song their own meaning."The inspiration for the concept of the album also came from David Bowie's The Rise and Fall of Ziggy Stardust and the Spiders from Mars. "I really enjoy it when an album tells a story about some character so I came up with one." says Dmitry when explaining the origin of the Pale Swordsman. The character is portrayed on the striking album cover art - a figure sitting aloof with a sword and a rose in each hand - and clearly symbolises the romantic juxtaposition of belligerence and fragile beauty that permeates the album's sound and atmosphere.Pale Swordsman delivers a foreboding yet bittersweet melancholy through poetic lyrics, soft interludes, raw and distorted guitars, eerie drums and harsh vocals - a fragile yet potent mix that successfully amplifies the ambience.

Go to Item

Kerry King

From Hell I Rise

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2024 | Original (Reigning Phoenix Music)

Kerry King

From Hell I Rise

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2019 | US | Original (Dead Oceans)

Kevin Morby

Oh My God

Tape | 2024 | US | Original (Flatspot)

Release: 2019 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This is Kevin's opus, a concept album on spirituality and religion. Throughout his four solo albums and myriad records of various collaboration, Kevin Morby has recognized in his work the ubiquity of an apparent religious theme. Though not identifying as "religious" in the slightest, Morby - the globetrotting son of Kansas City who has made music while living on both coasts before recently returning to his Midwestern stomping grounds - recognizes in himself a somewhat spiritual being with a secular attitude towards the soulful. And so, in an effort to tackle that notion head-on and once-and-for-all, he sat down in his form of church - on planes and in beds - and wrote what would become his first true concept-album: the lavish, resplendent, career-best double LP Oh My God. This one feels full circle, my most realized record yet," he says.

Go to Item

Kharma

A World Of Our Own

20,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-06-28

Tape | 2022 | US | Original (Slumberland)

Kids On A Crime Spree

Fall In Love Not In Line

Tape | 2021 | US | Original (Slumberland)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Oakland, CA's Kids On A Crime Spree have spent the last decade crafting a compact but potent discography that shows a deep love of 60s Brill Building songwriting, 70s power-pop, bubblegum glam/pop, the Ramones and of course the seminal sonic overload and pop pathos of Phil Spector's legendary productions. With each release head Kid Mario Hernandez -- along with drummer Becky Barron, and guitarist Bill Evans -- have put a more and more unique stamp on the music they love and gathered a rather devoted fanbase doing so. Now back with a new record, Kids give us something their fans have always wanted ... more! "Fall In Love Not In Line" is a 10-song full-length record, a first for them. Cut at 45rpm, the album clocks in at a brisk 25 minutes, and it's a solid assemblage of noise-pop exuberance in all respects. Hernandez sought to move even farther from their influences, and the thick, rich sound that the band has put to tape (analog, of course) shows more warmth and some darker textures than in previous efforts; more shifting of tempos and melodies; a unity of purpose that can only come from years of playing together and listening to each other. The result is thoroughly modern power-pop that wears it's love of the classics lightly, finding new paths through familiar territory.

Go to Item

Kids On A Crime Spree

We Love You So Bad

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Amazing Spector-ian power pop from this great Oakland group helmed by Mario out of From Bubblegum To Sky/Ciao Bella. Bandmates Bill and Becky add plenty of punky punch, and the tunes are pure hand-clapping, foot-stomping pop perfection. Excellent!

Go to Item

2Tape | 2022 | US | Original (Needlejuice)

Demos Vol. 3 + Vol. 4

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Green and red cassette shells Dolby B noise reduction Download card Will have some cool on-body printed design when we come up with it… you know, we always do.

Go to Item

2Tape | 2024 | US | Original (Needlejuice)

Demos Vol. 5 + Vol. 6

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

•Green and red cassette shells
•Dolby B noise reduction
•On-body print

Go to Item

Demos Volume 2 - Music To Eat Bananas To

Tape | 2023 | EU (Radiation Reissues)

Release: 2023 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

King Gizzard and the Lizard Wizard's Demos Vol.2 have been surfed out in an attempt to reconcile exquisite demo recording and vaporised lo-fi electronica. Music To Eat Bananas 2 is a venture in Oceanic Rock or Space Rock. We encourage you to peruse and support this online styling between a kilometres-underground ambient-glitch producer, and Melbourne's cultural icons of kaleidoscopic creation and willpower.

Go to Item

Tape | 2022 | US | Original (Needlejuice)

Live At Bonnaroo '22

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

•Slime green cassette shell •Dolby B noise reduction •Download card •Will have some cool on-body printed design when we come up with it… you know, we always do.

Go to Item

Live At Levitation '14 And '16

2Tape | 2022 | US | Original (Needlejuice)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dolby noise reduction 3 panel Jcards Download card Entirely new cover artwork by Gonzalo Sepulveda

Go to Item

6Tape | 2022 | US | Original (Needlejuice)

Live At Red Rocks '22

42,99 €*