US Hip Hop Preorder 171 Items

Yung Bleu, also known as, Bleu Vandross, is a Hip-Hop/R&B artist from Mobile, Alabama. After scoring several major hits and racking up over 1 Billion streams and YouTube views early in his career with a series of smash love anthems, the multi-talented artist scored his first Billboard Hot 100 hit with “You’re Mines Still,” a joint single featuring Drake, which debuted at #52. It’s parent EP, Love Scars: The Five Stages of Emotions, likewise hit the Billboard 200 Chart. Following the success, Yung Bleu delivers his debut studio album, Moon Boy. Featuring hit songs such as “Baddest (feat. Chris Brown & 2 Chainz),” “You’re Mines Still (feat. Drake),” Beautiful Lies (feat. Kehlani),” & “Way More Close (Stuck In A Box) (feat. Big Sean),” the album also sees appearances from heavyweight artists such as H.E.R, John Legend, Kehlani, Kodak Black, Davido, Moneybagg Yo, Jeezy, Gunna & A Boogie Wit Da Hoodie. Pressed on Black vinyl with White Splatter.

Yung Bleu, also known as, Bleu Vandross, is a rising Hip-Hop/R&B artist from Mobile, Alabama. After scoring several major hits and racking up over 1 Billion streams and YouTube views over the past few years with a series of smash love anthems, the multi-talented artist scored his first Billboard Hot 100 hit with “You’re Mines Still,” a joint single featuring Drake, which debuted at #52 and still stands on the charts. It’s parent EP, Love Scars: The Five Stages of Emotions, likewise hit the Billboard 200 Chart. Following the success, Yung Bleu delivers his debut album, Moon Boy. Featuring the hit song “Baddest (feat. Chris Brown & 2 Chainz),” which continues to rack up streams, views and climb the radio charts, the album sees appearances from H.E.R, Big Sean, John Legend, Kehlani, Kodak Black, Davido, Moneybagg Yo, Jeezy, Gunna & A Boogie Wit Da Hoodie. Prepare for takeoff.

Young Roddy & Trademark Da Skydiver's "Day Ones" from their latest series of projects. Available on vinyl with all new artwork exclusively from Near Mint.

This Japan edition was produced as a limited project for Willie The Kid's Japan tour in 2011 and it's compiled based on "The Fly 2.0" which featured The Alchemist, V DON, Styles P, Cory Gunz and Lee Bannon etc. Although it was originally released just in digital format, it is now available in a long-awaited vinyl format with obi-strip.

YELLOW COVER: 2xLP, Widespine Jacket, Black & White Cookie SplitVinyl, Alternate Yellow FrontCover, Marketing Sticker. Ltd to 50 copies.

With help from Jerry Seinfeld himself, one of the classics from the mixtape era, Wale’s More About Nothing sees its first official release on CD & Vinyl. Originally released in 2008, the album is nothing short of a masterpiece in his celebrated catalog, and features appearances from then-budding artists Wiz Khalifa & Fat Trel, among others. True fans of the musician will undoubtedly know how crucial this project is to the culture; a Jerry Seinfeld collaboration with Wale finally available for all.

Renowned Berlin-based music discovery platform ColorsxSTUDIOS will release their new vinyl compilation album, ‘MOVE:FEEL1’, just in time for the holidays.

The limited-edition double disc gatefold vinyl will feature 16 beloved A Colors Show tracks, both recent and from the archive, including London-based rapper Kwengface’s ‘Freedom’ that was released earlier this year, critically-acclaimed Malian artist Fatoumata Diawara’s ‘Nterini’ from 2019, and Dominican-Italian star YEИDRY’s breakout 2020 hit ‘Nena’.

The album is truly international—it will feature songs sung in six different languages (including English, Swedish, German, Bambara, French, Vietnamese, and Spanish) and represent artists from 15 different countries across the world.

‘MOVE:FEEL1’ reflects and celebrates the launch of Colors’ new ‘move’ and ‘feel’ playlists that are now available across all DSPs. Updated monthly, these playlists will curate Colors’ genre fluid output into cohesive listening experiences that cater for varying emotional states.

The songs on the ‘move’ playlist—and hence on the ‘move’ sides of the vinyl—are uptempo, bold, sexy and energetic, and aim to set the tone for daring and unapologetic enjoyment. In contrast, the tracks on the ‘feel’ playlist and discs are downtempo and emotive. They are for relaxation, and to help listeners contemplate their internal and external environments

Designed by Colors’ in-house creative team, the vinyl cover is mirrored, meaning its appearance adapts depending on the light and colors it reflects. This was an important decision to ensure the cover represents all of the featured artists, who all performed their A Colors ShowS against different colored backdrops. The mirrored material also enables the audience to literally (and hopefully metaphorically) see themselves in the album.

Each side of the mirrored cover is adorned differently: while the “move” side features embossed lines, stripes and slashes indicative of motion, the more introverted “feel” side is debossed with goosebump-like grooves. Even with their eyes closed, people will be able to feel which side of the album is which, adding an extra sensory layer to the listening experience. MOVE:FEEL1’s design also prioritizes sustainability, using no single-use plastics for its packaging.

Imagine if you could put together a dream line-up of MCs and producers from all four corners of the rap world?

That’s what artist and illustrator Gangster Doodles set out to do when he put together a stellar collection of tracks by the rappers and talent that inspire his work.

The all-star line-up features everyone from hotly-tipped emerging producers like Eets, Caleb Stone, Maze Mountain and LoVibe next to underground perennials like Onra, Mndsgn and Jon Wayne all the way up to top flight producer Kaytranada and established rap vets like Madlib, Oh No, Blu and Defari.

This second collaboration between All City Records and Gangster Doodles is a jam-packed sonic adventure featuring 27 killer tracks from some of the finest creators out there.

Doodles had the idea for a comp two years ago. Hyped after partnering with All City for Knxwledge’s "Wraptaypes" project back in 2015, they initially set out to put together an EP but as the tracks kept coming in it exploded into the sprawling double LP of low-slung grooves and bangers from the best in the business.

With everyone on the record being a friend or friend of a friend, the comp just kept growing as GD went to work with the hustle he has learned from penning his post-it sketches day in day out for the last decade.

Word spread fast and soon he was being sent beats from all over, even reaching behind the prison walls of Bergen County Jail, New Jersey and securing a track from former Dipset affiliate Max B.

The last few years have been busy for Marlon "Gangster Doodles" Sassy. He released his acclaimed Gangster Doodles (The Book) alongside an ever-expanding array of prints, original works, apparel and exhibitions across the globe. Topping that off with animation projects, a graphic novel in the works and now, with this LP titled " Gang$ter Music Vol 1", he is about to debut his first ever music compilation.

He says himself: “Every time a new track came in it was like running down the stairs on Christmas morning to open a present. What started as a slow trickle of work coming in soon turned into a tsunami with some of my heroes like Onra, House Shoes, Blu, Jeremiah Jae joining up with young guns Kojaque, Kean Kavanagh, Dream Panther and others to beef up the record”

Pressed ON Orange Colored Vinyl With Hand Numbered OBI Limited TO 1000 Copies 2023 is the year of Too $hort at Get On Down with our 4th reissue and album number 7 in the catalog of the Bay Area legend. Shorty The Pimp was released 31 years ago on July, 14, 1992 and has not been in print since we originally reissued it on wax in 2018. Taking the title from the incredibly rare 1973 Blaxploitation film, Too $hort does what he does best on Shorty The Pimp: funk beats, boastful braggadocio, a few conscious rhymes and layers of straight up pimp talk. The lyrical content can certainly be considered comical and entertaining. Shorty The Pimp is also a stand out project for producer Ant Banks who did many of the beats for the project, his first working with Too $hort with many more to follow over the next decade.

And we're back in Tacoma, WA for more unreleased and unheard 1994-1995 bangers from the Thunder Jam Alliance crew. All tracks produced by Shaggy C. Such a shame a lot of this material didnt drop at the time of recording, but Herring, like Mighty Mouse, has come to save the day!!



Make sure you peep those snippets - some killer material right here for the heads!!!







Big shout out to my man Hakan Dougpark for the original connect and Unikone for his posts on the excellent Hip Hop The Golden Era Blog - 1L

Wow - here we have a Stunning 10 tracker from Tacoma-based producer DJ Shaggy C & his extended crew of different acts collectively known as Thunder Jam Alliance. There is loads of info in the biography/interview Here but what you really need to hear are the snippets.



A small number of the TJA demos are floating around on the net courtesy of a variety of demo tape collectors but nothing has been formally released, so here is an introduction to this mid-90s Tacoma crew's output. And hot damn, is this stuff special...



Big shout out to my man Hakan Dougpark for the connect and Unikone for his posts on the excellent Hip Hop The Golden Era Blog - 1L

We’re honored to reissue an album by a truly unique voice in hip hop and dearly missed friend, Tame One. The year is 2007, Fresh off collaborations with the likes of El-P, Cage, and The Weathermen, Tame One - one half of the Newark duo The Artifacts, was approached by a Montclair skateboard shop Division East, as he personified their East Coast new school culture of skating, graffiti, and MCing. This relationship gave way to Division East Records and their first full length release entitled "The Grudge." Despite its merits and the efforts of those involved, the album went largely unheard outside of NJ hip-hop circles. Call it a casualty of the post-CD/pre-streaming musical landscape of the early 00’s. Now, 17 years later and almost 2 years after his heartbreaking transition, issued for the time on purple vinyl, Tame One’s The Grudge.

Holy grail hip-hop alert! Superstar Quamallah's Invisible Man was never released on wax so, to celebrate the 15th anniversary of this astounding record, we present the first ever vinyl edition. A stunning record which gained accolades upon its initial release, such as a prominent feature on Gilles Peterson's renowned Best Of 2009 show, it's one of the most essential jazz rap albums of all time. Cut across double vinyl, it’s exceedingly limited, with just 500 pressed for the world.

Deep jazz rap on that mellow-melodic tip, Invisible Man is an unforgettable album with nothing but dope beats and dope bars. There's a strong chance this album has passed you by but we truly believe it to be a lost hip-hop masterpiece. It supremely captures the essence of a golden age classic without being slavish to the past. No, this ain't some facile throwback rap. It's a fresh and deeply soulful, original album shot through straight from the heart. Perfect to chill to, Invisible Man is profoundly jazz-oriented and captures with simplicity and sincerity the essence of hip-hop circa 1983-1994. It sounds like vibing with your nearest, dearest and oldest friends on a long hot summer night as the tantalising thought that anything is possible fills the air. You know what, we can just call this "magic hour rap" and we think you'll know what we mean. It's just beautiful. Just Listen.

Brooklyn-born, California-based emcee, DJ, and producer Superstar Quamallah was active in the West Coast underground scene throughout the 90s and recorded extensively with such revered names as Defari and Tajai. His parents were some serious artistic heavyweights, too; his father was soul organist Big John Patton, a giant in the jazz world known for his releases on Blue Note whilst his mother was an active designer. However, he remains relatively unknown. Invisible Man, named ostensibly after the classic Ralph Ellison novel, could also refer to how he is viewed by the public at large. With close affiliations to the Hieroglyphics, Dilated Peoples and Likwit crew, his debut EP "Don't Call Me John" arrived in 1999 on ABB Records, after which he took a sabbatical from recording which included graduate school, travelling, teaching at Inglewood High and eventually a professorship of African Studies at Berkeley.

With a laidback flow and deep, relaxing presence on the mic, Superstar Quamallah is equal parts Big Daddy Kane, Rakim and Guru. Invisible Man is refined, soulful, feel-good hip-hop of the old school. Its wise, spiritual and literate sound, combined with the summertime vibes projected by the smooth beats and the nostalgia-inducing samples and vocal scratches, created jazzy boom-bap rap reminiscent of prime De La Soul, A Tribe Called Quest and Gang Starr.

Irresistibly bouncing opener "You Need Knowledge" loops sparkling pianos, horns and a nagging whistle refrain with scratched vocal refrains from Slick Rick, Mobb Deep and Guru. The super-smooth head-nod classic "88 Soul" also utilises a beautifully swelling piano line and dusty breaks whilst Quamé reminisces about his childhood in NYC. Deeply moving, the silky, sultry "Black Shakespeare" is built around an elegant piano loop and goes hard on the superman lover tip whilst "For My People...It's Spiritual" is transcendental rap in conversation with Rakim and older gods. The "Moment Of Truth"-sampling "Lonely At The Top" is striking for its undiluted boom-bap stylings and the staccato flute-hop of "Just Listen" is riddled with soulful refinement. The deeply-affecting, wistful-yet-triumphant bells and horn-drenched single "California Dreamin'" is top-tier rap of unimpeachable quality. What a flow!

Another highlight is the rich melodic piano-rap of "Purity", a beautiful ode to the foundations of rap and those keeping the culture authentically alive. Beautifully played instruments and spiritual jazz samples elevate the deep thinking present on "Kunta Kente" whilst the darker jazz-tinged battle-rap of "93 Shit" goes super hard both in a lyrical sense and with its no-holds drum punches. The breezy Rhodes and string loops that serve as the sonic backdrop to the slinky jazz rap of "We Got Plots" are just gorgeous as our hero evokes Common's "I Used To Love H.E.R." with a head-spinning tale of crime, deception and double crossing. And some twist! "Do Win-Dis" has a tense crime-funk backing and rolling beats which complement Quamé's flow perfectly before the record is rounded out by the tough yet jazzy brilliance of rap confessional "Hope She Remembers Me". Just sensational.

Upon its original release, Quamallah himself declared: "My favorite time period for Hip Hop music was definitely between 1983 and 1994 with 1988 and 1993 being two years that standout as extremely impressive years musically and culturally. The fashion, slang, movies, TV shows and vibe during those years was incredible. While totally submerged in the feelings and music of that entire time period, I went to work on Invisible Man and I am excited for people to hear the result! It is an album that I would want to hear from some of my favorite artists of the past and present today. This is not a RETRO trip for me; this is me at my best lyrically and spiritually using the accessories of the 80s and 90s to fuel me. I am a 88 soul as the song states!"

This album goes deep. It goes all in. When Invisible Man first came out it had a real hold on us here at Be With HQ. We couldn't stop listening to it. We'd venture to say it's one of the top 25 rap records of the 2000s. In the years since its release, it has remained a criminally underrated record, an increasingly hidden gem. We sincerely hope this first time double LP release will go some way to correct this. It's been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. Finally available on the format it should always have been on, it must never be rendered invisible again.

Hip-hop aficionados rejoice as the dynamic duo, emcee Substance810 & producer Observe Since '98, are set to unleash their magnum opus, "The Lion's Share 3: Pride of the Lion."

Building on the success of their previous collaborations, "The Lion's Share" parts 1 & 2, the upcoming trilogy promises to redefine the boundaries of sonic storytelling. This highly anticipated album, featuring 16 meticulously crafted songs, showcases the unparalleled chemistry between Substance810's lyrical prowess and Observe Since '98's innovative production. The listener is invited to embark on a thrilling sonic journey, where each track unveils a new layer of the duo's artistic evolution.

In a nod to the true aficionados, "The Lion's Share 3" offers an exclusive treat with 2 bonus songs available solely on physical copies of the album. This limited edition adds an extra dimension to the already rich tapestry of their musical narrative.

From the impactful storytelling in the lyrics to the masterful production that resonates with authenticity, "The Lion's Share 3: Pride of the Lion" is poised to captivate fans and critics alike. Substance810 and Observe Since '98 invite you to immerse yourself in an unparalleled hip-hop experience, as they once again redefine the boundaries of collaborative artistry.

Prepare for a musical odyssey like no other. "The Lion's Share 3: Pride of the Lion" is more than an album; it's a testament to the enduring power of creativity and collaboration in the world of hip-hop.

Featuring Appearances BY TY Farris, Josiah THE Gift, Ferris Blusa, Warv WON, D-styles & DJ Grazzhoppa!

KutMasta Kurt and Substance Abuse pay tribute to MF Doom with this special 7” release. The A-side contains a dope 2023 remix with that KMK signature sound guaranteed to keep heads noddin’, while the B-side brings the original (2005 released) version that was actually recorded in the beginning of the 2000’s - before Doom’s rise to prominence; thanks to releases like Mad-Villain and Danger Doom. R.I.P. Doom Supreme! Limited to 200 copies.

Here's the good word from the fellas:



"Stereotype came together as a group in 2008. Made up of Producer/Emcee Frank John James, Mas1 and Braiiinstorm. Sophomore project, "Through the Speaker", is being presented over a decade later from their initial group LP "Instincts of Organisms" released on Echoes Of Oratory in 2013. After many solo and side projects amongst the 3 of them, they've come together with the help of co-producer Stranger Danger and completed another boom bap classic for the heads to bump. Woven together with samples and cuts from Roach the DJ, each member delivers original lyrics and critical views. Enjoy."



And here's the good word from Herring:



"Stunning album with breaks and drums for miles. Real bboy flava on the production, reminiscent of Strng3r Dang3r's earlier materual on the Herring-released "Tha Roach Killaz" record, but with an extra scoop of the jazz. All round a killer record and perfect for a drop on Herring. Had this on constant rotation in the Herring-mobile., now pleased I can share with the fisherfolk."

Compiled by legendary producer Arthur Baker, "Breakers Revenge" is a near-definitive collection of original Funk, Soul, Latin, Disco and Electro classic tracks from 1970-1984. These tracks, a combination of classics and obscurities, have all since become legendary to Breakdancers everywhere. First played at South Bronx block parties, community halls and park jams in the 1970s and 80s, spun endlessly by the first three major hip-hop DJs - Kool Herc, Grandmaster Flash and Afrika Bambaataa - and found in the record crates of any DJ of note ever since. Seminal funk and soul tracks such as Dennis Coffey"s "Scorpio", The Jimmy Castor Bunch"s "It"s Just Begun", James Brown"s "Get on the Good Foot", The Mohawks" "Champ" sit side-by-side here with the ground-breaking, classic electro of Afrika Bambaataa"s "Planet Rock", and Arthur Baker"s own definitive "Breaker"s Revenge".

Compiled by legendary producer Arthur Baker, "Breakers Revenge" is a near-definitive collection of original Funk, Soul, Latin, Disco and Electro classic tracks from 1970-1984.These tracks, a combination of classics and obscurities, have all since become legendary to Breakdancers everywhere. First played at South Bronx block parties, community halls and park jams in the 1970s and 80s, spun endlessly by the first three major hip-hop DJs - Kool Herc, Grandmaster Flash and Afrika Bambaataa - and found in the record crates of any DJ of note ever since.Seminal funk and soul tracks such as Dennis Coffey"s "Scorpio", The Jimmy Castor Bunch"s "It"s Just Begun", James Brown"s "Get on the Good Foot", The Mohawks" "Champ" sit side-by-side here with the ground-breaking, classic electro of Afrika Bambaataa"s "Planet Rock", and Arthur Baker"s own definitive "Breaker"s Revenge".

The latest slice of tasty vinyl from RS Records, the third one to be exact, is a 45 dedicated to that hip-hop love: heads who’ve had it bad for the culture and hip-hop lovers who just happened to catch a stray from Cupid! This time around, production was handled by Slick Walk, aka SaturnVybz and DJ Robert Smith. Side A kicks off with “50 (More Hits)," a space funk-inflected mellow banger featuring NYC legends QNC (Q-Ball and Curt Cazal) professing their love for the one and only. The combo of Premo-type crisp drum programming, soft cumulus cloud-like synths, and a warm, velvety bass will make you feel like you’re flying, that is, if you’re cruising in your car. If you’re just taking a stroll down your block, the sensation is that of walking on air. Stitched from references to old school and golden era gems, where almost every bar is a hyperlink to a deep classic, the track is literally a hip-hop encyclopedia.

Side B takes a turn into another type of mellow with “No Way Out.” The drums get thicker, the programming loses the retro inflection. The high hats start skipping, stuttering, and scuttling about, while the bass drops hella low to counterbalance a snare that straight up smacks you upside the head. The track features Slimkid3 of the legendary Pharcyde crew alongside Portland native R&B singer Moonbeam Kelly, going for a classic hip-hop duet. If you’ve ever been in love — as in, the type where you can’t sleep for days and all you can think about is... That’s the vibe right here! The instrumental will rattle the trunk lovely, while this extra sticky blend of voices will hijack your ears for a minute and some.

Sixteen beats in honor of the sixteen squares in Sirplus's Akai MPC 2000xl. Classic beats from a classic machine. No eight outs, just straight out the stereo jack. You can hear the time that was put into crafting a clean sound even without the detailed mixing from DAW. Raw beats from Sirplus with help from Exile on the turntables. That's it. Also take note of the vinyl only vocal feature from Blu on the last track. This version will not be on digital platforms.

Nobody Planning To Leave is the new album from Curly Castro and PremRockaka ShrapKnel, fully produced by Controller 7. Featuring Open Mike Eagle, Onry Ozzborn, Lungs, Breezly Brewin, D-Styles (of the legendary Beat Junkies), and Elucid. The title represents a duality. Both a boastful claim and also a resigned recognition. Sometimes you’re planting your flag and sometimes you’re acknowledging that it’s all ultimately out of your control. With the exception of a few cases, nobody plans to leave. Nobody plans to abandon their passion either. Usually the slow grind of necessity chooses that for you. What started as a few DMs between Castro and Controller 7 in 2021 slowly morphed into a fully fleshed opus. Close your eyes and imagine De La Soul is Dead if the Plugs were steeped in the murky tea of the early aughts independent scene. It’s a propulsive, cohesive listen, that finds the rappers forging new ground both sonically and stylistically. The first ShrapKnel LP was wind, a self-titled sheer force that awoke the masses to the New. The second album was fire, forged in a Metal Lung, seasoned by smoke and libation alike. This third offering is earth, rooted in our influences, from soil-turned-vines-turned blades that scale the highest of structures.

Record Store Day 2020 Release.
Limitation: 1000 copies.

Just in time for Record Store Day 2020, Coalmine Records and Duck Down Music are happy to announce the 7’ release of "Latoya Jackson," the commanding, gritty posse cut first appearing on Sean Price & Small Professor's LP, 86 Witness. The A-side is the original version which features Quelle Chris with cuts from DJ Revolution, while the flip side features the “Back to the Old School Remix,” with a gracious guest verse from the luminary lyricist Masta Ace.

Adding to the record's allure for bonafide collectors and hip-hop fans alike, the artwork has been handled by Atlanta-based heavyweight FRKO (Action Bronson, Gucci Mane), who expertly reimagined the cover of Just-Ice's classic Back to the Old School (Fresh Records, 1986). With an aptitude for details, FRKO's vibrant visual take superimposes Masta Ace into the scene, drawing from the rap veteran's cover artwork for his 2004 album, A Long Hot Summer. The parallel merger of classic iconography and refined cultural references accents the 7" release with exemplary execution, giving new legs to a track that further personifies the coveted energy of its initial release as an exclusive Record Store Day drop, all while paying homage to the late legend Sean Price.

This collector’s edition 7-Inch of "Latoya Jackson" is pressed on striking bubble gum pink vinyl.

Historically Casablanca has been known as a global melting pot; a place where cultures mingle and fuse. This quality is evident in the dazzling music of Casablanca-based beat-maker and guitarist saib., who has revealed his debut long-player, the appropriately titled Around The World album for Cold Busted. These tunes showcase saib.’s worldly vibe, tied together with his intricate guitar playing which deftly keeps up with all the styles represented on the album. Hip hop beats form the backbone as saib.’s musical palette skips from jazz flavors to lounge experiments to Asian textures … and sometimes within a single track. Around The World is indeed a non-stop flight, touching down on all of saib.’s influences and predilections, creating a memorable album along the way.

Historically Casablanca has been known as a global melting pot; a place where cultures mingle and fuse. This quality is evident in the dazzling music of Casablanca-based beat-maker and guitarist saib., who has revealed his debut long-player, the appropriately titled Around The World album for Cold Busted. These tunes showcase saib.’s worldly vibe, tied together with his intricate guitar playing which deftly keeps up with all the styles represented on the album. Hip hop beats form the backbone as saib.’s musical palette skips from jazz flavors to lounge experiments to Asian textures … and sometimes within a single track. Around The World is indeed a non-stop flight, touching down on all of saib.’s influences and predilections, creating a memorable album along the way.

Reggie Gibson, aka Saafir, is a producer, actor and underground Oakland California legend known for his abstract form of emceeing. Saafir made his recording debut on Digital Underground’s The Body-Hat Syndrome in 1993, followed by an appearance on Casual’s Fear Itself in 1994, which led to his solo release Boxcar Sessions. The production was handled by Jay-Z, J Groove and Big Nose, with Sleuth and Saafir serving as executive producers. It features guest appearances from Big Nose, King Saan, Poke Martian and Rashinel.

Limited to 3000 copies. The impact, influence, and importance of Run-D.M.C.'s self-titled debut – the album that invented hardcore hip-hop and bridged rap, rock, and funk in then-unparalleled ways – cannot be measured. The first full-length record released by Profile Records, the 1984 set permanently changed the sound of music, broadcast streetwise wisdom to every corner of the country, and made the notion of a one-man band a distinct reality. Produced by Russell Simmons and Larry Smith – and bolstered by an incendiary blend of staccato deliveries, stark beats, aggressive exchanges, evocative hooks, and socially conscious messages – Run-D.M.C. still hits listeners in the jaw with the same intensity it did nearly 40 years ago when it could be heard booming from ghetto blasters carried around city blocks nationwide.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g SuperVinyl 33RPM LP is the definitive-sounding version of this groundbreaking work.

Quelle Chris' album "Guns" uniquely blends diverse sounds and themes, focusing on the concept of weaponization in various forms, from literal to metaphorical. The album's production features a mix of traditional hip-hop and experimental elements, creating a distinct auditory experience that complements its thematic depth. This work marks Quelle Chris's evolution as an artist, offering a fresh, engaging listening journey. This one time pressing of Quelle Chris "Guns" for the Mello Music Group Artist Series "24 for '24" features limited edition oil painting cover art by KipDaFog Featuring Mach Hommy, James Acaster, Eldar Djangirov, Jean Grae and more

Wow - years before the first Pseudo's release, we have this spectacular album [or is it an EP?] by the boys from Buffalo, NY. Recorded 2001-2003 this is 100%, pure Pseudo-sound from the early days. Sunday vibes, piano loops, smart-ass/tuned-in lyrics - this one has everything for the headz . Never been released or leaked before, this was set to be on Buffalo label Deepthinka Recs, but it never happened. So Herring is here, over 20 years later, to sponge up that Pseudo-juice and wring the sweet nectar into a black piece of limited vinyl, adorned in the typical Herring 'unreleased-style' sticker cover. If you are a Pseudohead this one will seamlessly join the dots from 2001 until now. Perfection on wax. Enjoy!!!

saiah Deshon & Professor Creepshow team up to extend the Mac God's prophecy. Tymg

Mac God Chronicles is now available on digital streaming, vinyl records, cassette tapes & compact discs

vinyl record includes exclusive instrumental version on side B, instrumentals will not be seen in any daylight of digital streaming media

saiah Deshon & Professor Creepshow team up to extend the Mac God's prophecy. Tymg

Mac God Chronicles is now available on digital streaming, vinyl records, cassette tapes & compact discs

vinyl record includes exclusive instrumental version on side B, instrumentals will not be seen in any daylight of digital streaming media

Pharoahe Monch is one of the most revered and influential emcees in the history of hip-hop, and 2024 marks the 10th anniversary of his fourth studio album "PTSD: Post Traumatic Stress Disorder".

In PTSD, Pharoahe Monch continues the story he began telling in his previous LP, "W.A.R. (We Are Renegades)" from 2011. The Queens emcee narrates, in both literal and metaphoric ways, about the trials and tribulations of an independent artist who is at war with the music industry and the struggle of the black male experience in America.

In 2012, during an interview with Shawn Setaro, host of the podcast The Cipher, the rapper explained the connections between the two projects, beyond their titles. “The W.A.R. album was like, I’m going to battle against the machine, I’m doing this independently. I’m putting some things out that I learned and I’m going to expose about the music industry. PTSD is the result of me doing that, where I am emotionally now. It’s similar to how someone comes back from war and is stricken by re-adjusting to a regular situation.”

Monch told MTV Hive that PTSD is “more mental, emotional and personal” because it came out of the depths of a period of depression. He also gave the internal and external factors that helped him create the album. “I was working on the title track, which took me to a point in between Internal Affairs and Desire, where I was heavily depressed. Through the waiting period, the industry period, and going through a lot emotionally. Then there was the physical [problem] with asthma. It was the worst. So I started off with that title track and my manager was like, ‘Yo, let’s really dive into that state and how you got to where you are now, and how this follows what people go through to get back to a so-called ‘normal’ situation’.”

The concept album follows a veteran through combat experience, his return home, relationship dissolution, drug addiction, painful depression, and, finally, a triumphant but realistically rendered decision to keep living and struggling.

Osteoleuco is the unit of Keisuke Saito (MC/Producer) and Shimon Hoshino, whose sound mixes lo-fi hip hop with indie soul and dream pop.This 2nd album features popular Japanese artists Ryo-z (rapper, RIP Slyme) & Emi Okamoto (singer) and more.

Dope collabo between Texan MC $os' [pronounced Sos] and Long Island beatmaker Lars Viola. These 2 cats met online and have been working on joints together for a couple of years. Lars played me the demos and I was instantly on board, like the true

fisherman that I am.



$os', like many great artists before him, growing up as the son of a Preacher[man], learned to play [drums] as a kid at church. He only listened to gospel and Christian music as a kid, but once he was exposed to the realness, he definitely changed his tune! He had always written poetry, even as a young'un, so the transition to rhyming was fairly natural. Hope you cats enjoy this 7" 4 track EP entitled "Food For Yo' Soul". Check the snippets - Lars' beats are crrrrrazy nice on this one...

This album is about influence, inspiration, perception & reality. Every song was written in an outside environment, so that I could observe the subjects that would become my subject matter. All too often in Hip Hop, reality is limited to that of the artists own, actual experiences. People Hear What They See is my attempt to liberate the MC from those constraints & allow reality to be penned other than my own. Listening to congressmen & lawyers converse on the steps of the supreme court inspired 'American Greed', Watching a couple argue over the phone in a bar inspired 'Maybes'. By having a visual representation of my subject matter, my hopes are that the listener will see them through the worlds & melodies of my songs.

PRESSED ON BLUE & WHITE SWIRL VINYL!

HOUSED IN A HIGH GLOSS JACKET WITH EACH LP TUCKED INTO A PRINTED INNER SLEEVE
Nasir "Nas" Jones' 2001 record Stillmatic was considered a major comeback for the 90s rap icon. It signaled a return to the gritty, urban chaos of his acclaimed debut album, after releasing record after record of gradually more mainstream material, and Nas' return to prominence in the highest echelons of hip-hop. In spite of this newfound critical clout, Stillmatic's release did nothing to squash his then ongoing feud with fellow New Yorker Jay-Z, who had gone so far as to challenge Nas to a pay-per-view rap battle. A challenge Nas rejected, stating "If Jay-Z wants to battle, he should drop his album the same day I do and let the people decide."

Nas fans never would get the no-holds barred lyrical battle with Jay-Z many had speculated. What they got instead was one of Nas' most personal and introspective releases to date in 2002. Not long after Stillmatic's release, Nas spent much of his time away from the limelight to tend to his ill mother, who would pass on from breast cancer in 2002. His experiences with his mother's mortality as well as the fallout of his feud with Jay-Z, who continued to produce diss tracks as Nas tended to his mother, would inspire much of the lyrical material on his next record.

God's Son was released in December of 2002, and like Stillmatic before it, was subject to major critical acclaim. On God's Son, Nas effectively took the battle-hardened demeanor he had cultivated and tore it down across 14 tracks that were emotionally insular, though still dusted in urban grit, and still finding time to shoot back at Jay-Z's potshots on tracks like "Last Real Nigga Alive" and "Mastermind." Assisting Nas was a slew of top-tier producers like The Alchemist, Eminem, Ron Browz, and Salaam Remi, over samples of James Brown, the Incredible Bongo Band, Fela Kuti, and Beethoven, and guest vocals from Alicia Keys, Kelis, Claudette Ortiz of City High, and even a posthumous 2Pac.

God's Son has been out of print on vinyl since 2020. This deluxe pacakge was remastered from its original audio and pressed on colored vinyl!

Introducing “Psyche Gems”, the Jakarta Records debut LP from LA based Rapper Juicebox & Norwegian producer duo Myeye. Debut LP “Psyche Gems,” a collaborative musical venture sparked by an impromptu Instagram jam session in 2021, is poised to mesmerize audiences. The brainchild of Juicebox, a versatile artist known for his roles as a singer, songwriter, rapper, and one half of the acclaimed group Figmore (with 10.4 Rog), “Psyche Gems” emerged from Juicebox's admiration for Simen Hallset's psych-pop band Gold Celeste (over 20 million Streams on Spotify). After reaching out to Simen, they swiftly connected with Henrik Norbakk, the other half of Myeye, igniting the genesis of the collaborative project. An Instagram jam session in 2021 gave sonic birth to LP “Psyche Gems”. Buttery vocals meet funky, soul-driven beats, meticulously recorded live, then chopped and repurposed to create an experience that transcends sonic definition. From vibrant head-nodding energy to lush beats seamlessly melded with an inimitable vocal delivery, “Psyche Gems” captures the essence of past and present, offering a kaleidoscope snapshot of life reflected through timeless grooves. The album's distinctive sound is characterized by meticulous layering, where each element is meticulously played, chopped, looped, and jammed over until achieving sonic perfection. United by their shared passion for old soul and jazz records, ‘90’s + ‘00’s hip hop, lo-fi indie, and psychedelic music, Juicebox and Myeye seamlessly fuse their diverse influences to craft a musical experience that resonates with listeners on a profound level. "We wanted to create something that inspires, provokes, and sheds light on the truths we all carry inside us," explains Juicebox. "Psyche Gems is more than just an album; it's an infinite journal entry of reflection, a testament to the power of music to illuminate the human experience."

I love a drop where the artist hits me up. There's something special about a talented cat reaching out to get his project released through Herring. Musa aka Howard Lloyd hit me up with a DAT transfer of joints that had previously been lost in time. They eventually showed up 30 years later after much digging and boy, was it worth the wait.



Cats will probably know Musa from his solo stuff as Howard Lloyd, his work in Sputnik Brown as well as his 90's crew House of Reps featuring Wyld Bunch. Dude has been a fixture on the Long Island and NY scene since the early 90s. He recorded his first demos in 1994 at the legendary Firehouse Studios and here for your listening pleasure, we have 4 tracks and 3 dub versions from those sessions including one mixed by our man C-12. The remaining 3 tracks on this stunning 10 tracker are by his crew House of Reps and were recorded down in GA in 96.



Props to Musa for reaching out and for the incredible music.



300 copies only -

MR. HYDE is undoubtedly one of the best representatives of the American underground hip-hop scene, close friend with La Coka Nostra, Necro and many more. "Bonnie & Hyde" Is a Collaborative Project from MR. HYDE and his Wife and fellow Indie Artist/Musician CHERIE RAIN. The Couple/Duo have been making songs together dating back to Hyde's 3rd album If It Bleeds We Can Kill It back in 2012. Almost a decade later, they came together for this full-length debut. Mr. Hyde delivers his vintage cinematic, attacking lyrics and energetic flow over completely sample free Piano/Keyboard hiphop style beats and self-preformed choruses & harmonies composed by Cherie Rain. The album is extremely creative and original and plays out as a sort of "Ride Or Die" type themed audio movie. It comes out in two strictly limited editions: a Deluxe CD edition (TripleGatefold 7" format 1. 000 copies) and on Picture-Disc LP (Gatefold 500 copies), Both editions are numbered with sticker.