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Larry June & prolific producer Cardo have joined forces once again to bring you their latest masterpiece: "The Night Shift," a nocturnal adventure that takes you on a ride through the vivid and pulsating streets of Larry's life, as brought to life by Cardo's distinctive production. Larry June, the San Francisco native known for his smooth, laid-back flow and his unwavering commitment to living a healthy and prosperous lifestyle, seamlessly blends his distinctive style with Cardo's signature production, creating a sound that's as crisp and refreshing as a glass of cold-pressed orange juice. "The Night Shift" is the soundtrack to those late-night drives, providing the perfect backdrop for contemplation and cruising. "The Night Shift" is more than just an album; it's a testament to the chemistry between Larry June and Cardo, two artists at the top of their game. This project is a reminder that, in the still of the night, when the city's lights are aglow, and the world is asleep, Larry June and Cardo are hard at work, crafting music that transcends time and place.

Seafood Sam is a futuristic artifact. If that description might sound confusing at first, it matches the eclectic dualities found in true originals. With his effortless cool and timeless style, the North Long Beach native defies convention and exact comparison. He’s a virtuosic rapper, a stop-you-in-your tracks singer, and a symphonic producer. Welcome to the lavish life of a laid-back transcontinental man of mystery, rolling in old school Cadillacs, eating caviar with a blade in his pocket, and making plays in vintage Pelle Pelle gear. A blaxploitation icon for the Instagram age, blessed with the bars of a ‘90s legend and 23rd century swagger. Seafood Sam is a true hero of modernity. On his full-length album debut for up-and-coming label drink sum wtr (Kari Faux,Deem Spencer, Aja Monet) debut, Standing on Giant Shoulders, Sam splits the difference between Snoop Dogg and D’ Angelo, Curren$y and David Ruffin. The songs reveal a forward-thinking sensibility rooted in ancestral soul. He creates spiritual hymns for the streets that tap into universal ideals and irrepresible groove. In an era plagued by short-term thinking, his ambitions reveal a crate-digging depth of music history and a meticulous ear for detail. The giant shoulders in the album’s title refer to James Brown, Bobby Brown, and Miles Davis – the holy trinity who inspired Sam’s process. From the Godfather of Soul, Sam took a perfectionist’s rigor and focus. The example of Bobby Brown lent an unshakeable confidence and self-belief. While the constant artistic left turns of the trumpeter that birthed Cool offered an aspirational archetype. Standing on Giant Shoulders is the evidence of a master, a young sensei in the model of Quincy Jones. All rhymes, singing, production, and arrangements were handled by Sam – with an assist from his close Long Beach kinsman Tom Kendall from the group Soular System. It’s hard-edged and lyrical enough for disciples of Larry June and Roc Marciano, but orchestral and melodic enough for fans of Anderson .Paak and H.E.R.

PRESSED ON BLUE & WHITE SWIRL VINYL!

HOUSED IN A HIGH GLOSS JACKET WITH EACH LP TUCKED INTO A PRINTED INNER SLEEVE
Nasir "Nas" Jones' 2001 record Stillmatic was considered a major comeback for the 90s rap icon. It signaled a return to the gritty, urban chaos of his acclaimed debut album, after releasing record after record of gradually more mainstream material, and Nas' return to prominence in the highest echelons of hip-hop. In spite of this newfound critical clout, Stillmatic's release did nothing to squash his then ongoing feud with fellow New Yorker Jay-Z, who had gone so far as to challenge Nas to a pay-per-view rap battle. A challenge Nas rejected, stating "If Jay-Z wants to battle, he should drop his album the same day I do and let the people decide."

Nas fans never would get the no-holds barred lyrical battle with Jay-Z many had speculated. What they got instead was one of Nas' most personal and introspective releases to date in 2002. Not long after Stillmatic's release, Nas spent much of his time away from the limelight to tend to his ill mother, who would pass on from breast cancer in 2002. His experiences with his mother's mortality as well as the fallout of his feud with Jay-Z, who continued to produce diss tracks as Nas tended to his mother, would inspire much of the lyrical material on his next record.

God's Son was released in December of 2002, and like Stillmatic before it, was subject to major critical acclaim. On God's Son, Nas effectively took the battle-hardened demeanor he had cultivated and tore it down across 14 tracks that were emotionally insular, though still dusted in urban grit, and still finding time to shoot back at Jay-Z's potshots on tracks like "Last Real Nigga Alive" and "Mastermind." Assisting Nas was a slew of top-tier producers like The Alchemist, Eminem, Ron Browz, and Salaam Remi, over samples of James Brown, the Incredible Bongo Band, Fela Kuti, and Beethoven, and guest vocals from Alicia Keys, Kelis, Claudette Ortiz of City High, and even a posthumous 2Pac.

God's Son has been out of print on vinyl since 2020. This deluxe pacakge was remastered from its original audio and pressed on colored vinyl!

2021 double vinyl re-issue, 140g vinyl, includes “Pure Thought” bonus track from the original CD version, original picture sleeve and printed inner sleeves based on the original one. Innercity Griots, the second album from Freestyle Fellowship, is perhaps *the* essential West Coast left-field rap album of the early ’90s. Released in 1993 on 4th & Broadway, it’s a towering, progressive hip-hop masterpiece that expanded rap’s boundaries through lyrical elevation and production innovation. Their talent was ahead of everybody else by light years. This is pure b-boy jazz. The original single vinyl LP is now hideously scarce, and of course the sound suffers from not being officially released as a double. This Be With re-issue fixes both problems, and for completeness also includes “Pure Thought” from the CD version of the album. This incredible display of imaginative hip-hop sounds better than ever. Freestyle Fellowship were some of the earliest technically dazzling rappers to come out of California. Mikah 9, P.E.A.C.E., Aceyalone and Self Jupiter - along with DJ Kiilu - forged their famed lyrical dexterity in the ultra-competitive crucible of the Good Life Cafe. Founded in Leimert Park, South Central LA in December 1989, this earthy health-food store and cafe was where the city’s finest microphone fiends would gather to showcase their freestyle skills at the Thursday night open-mic.

DJ Quik is a giant of West Coast hip-hop. With his fourth album Rhythm-Al-Ism he created his masterpiece, a perfect hip-hop album. As Quik explains, “the name Rhythm-Al-Ism alone tells you what I was doing. I was mixing up rhythms. I was meshing R&B with hip-hop and jazz. And a little bit of comedy”. It’s absolutely sensational and as with a lot of mid-90s albums those original vinyl copies are now rare so here’s the Be With re-issue. A preternaturally gifted producer/rapper, DJ Quik has produced scores of LA gangsta rap classics. He’s released platinum and gold records of his own, as well as helped craft them for the likes of Tupac, Snoop Dogg, and Dr Dre. Quik has always been quirkier and more interesting than his gangsta rap peers, both musically and lyrically. An old-school funk producer at heart, he’s also incredibly nice on the mic. His raps often deal in boasts, jokes and good times but also cover his beefs, his trials and his trauma. Partying and pain, all mixed up. DJing and producing hype beat tapes from age 14, Quik’s tracks blended the languid funk and rubbery synths of Zapp and George Clinton with a gangsta aesthetic, creating a more danceable foil to Compton’s more typical nihilistic hedonism. Ultimately, his records sound custom engineered to drift out over sun-soaked barb

Imagine if you could put together a dream line-up of MCs and producers from all four corners of the rap world?

That’s what artist and illustrator Gangster Doodles set out to do when he put together a stellar collection of tracks by the rappers and talent that inspire his work.

The all-star line-up features everyone from hotly-tipped emerging producers like Eets, Caleb Stone, Maze Mountain and LoVibe next to underground perennials like Onra, Mndsgn and Jon Wayne all the way up to top flight producer Kaytranada and established rap vets like Madlib, Oh No, Blu and Defari.

This second collaboration between All City Records and Gangster Doodles is a jam-packed sonic adventure featuring 27 killer tracks from some of the finest creators out there.

Doodles had the idea for a comp two years ago. Hyped after partnering with All City for Knxwledge’s "Wraptaypes" project back in 2015, they initially set out to put together an EP but as the tracks kept coming in it exploded into the sprawling double LP of low-slung grooves and bangers from the best in the business.

With everyone on the record being a friend or friend of a friend, the comp just kept growing as GD went to work with the hustle he has learned from penning his post-it sketches day in day out for the last decade.

Word spread fast and soon he was being sent beats from all over, even reaching behind the prison walls of Bergen County Jail, New Jersey and securing a track from former Dipset affiliate Max B.

The last few years have been busy for Marlon "Gangster Doodles" Sassy. He released his acclaimed Gangster Doodles (The Book) alongside an ever-expanding array of prints, original works, apparel and exhibitions across the globe. Topping that off with animation projects, a graphic novel in the works and now, with this LP titled " Gang$ter Music Vol 1", he is about to debut his first ever music compilation.

He says himself: “Every time a new track came in it was like running down the stairs on Christmas morning to open a present. What started as a slow trickle of work coming in soon turned into a tsunami with some of my heroes like Onra, House Shoes, Blu, Jeremiah Jae joining up with young guns Kojaque, Kean Kavanagh, Dream Panther and others to beef up the record”

Limited to 3000 copies. The impact, influence, and importance of Run-D.M.C.'s self-titled debut – the album that invented hardcore hip-hop and bridged rap, rock, and funk in then-unparalleled ways – cannot be measured. The first full-length record released by Profile Records, the 1984 set permanently changed the sound of music, broadcast streetwise wisdom to every corner of the country, and made the notion of a one-man band a distinct reality. Produced by Russell Simmons and Larry Smith – and bolstered by an incendiary blend of staccato deliveries, stark beats, aggressive exchanges, evocative hooks, and socially conscious messages – Run-D.M.C. still hits listeners in the jaw with the same intensity it did nearly 40 years ago when it could be heard booming from ghetto blasters carried around city blocks nationwide.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g SuperVinyl 33RPM LP is the definitive-sounding version of this groundbreaking work.

MR. HYDE is undoubtedly one of the best representatives of the American underground hip-hop scene, close friend with La Coka Nostra, Necro and many more. "Bonnie & Hyde" Is a Collaborative Project from MR. HYDE and his Wife and fellow Indie Artist/Musician CHERIE RAIN. The Couple/Duo have been making songs together dating back to Hyde's 3rd album If It Bleeds We Can Kill It back in 2012. Almost a decade later, they came together for this full-length debut. Mr. Hyde delivers his vintage cinematic, attacking lyrics and energetic flow over completely sample free Piano/Keyboard hiphop style beats and self-preformed choruses & harmonies composed by Cherie Rain. The album is extremely creative and original and plays out as a sort of "Ride Or Die" type themed audio movie. It comes out in two strictly limited editions: a Deluxe CD edition (TripleGatefold 7" format 1. 000 copies) and on Picture-Disc LP (Gatefold 500 copies), Both editions are numbered with sticker.

Mickey O'Brien is excited to share his most musically ambitious, vivid, and honest record yet. For his second solo album, Shift Change (Hand'Solo Records), he evolves his sound and brings his most evocative and diverse pen game yet. To accomplish the former, O'Brien continues his symbiotic, creative relationship with Juno-nominated producer and live beat champion Fresh Kils and enlists live musicians to add exciting combinations, texture and their own unique imprint to the songs. To accomplish the latter, O'Brien takes us on a journey of self-transformation that goes from night to day and dark to light, enlisting the assistance of Premrock, Ultra Magnus, Juno-nominee D-Sisive, and BET Freestyle Champion Young Stitch. A strong female presence was equally important to O'Brien, with Eyeda Sophia providing powerful rhymes for the title track while Ice tha One, Annie Q, and Sarah Craig all bring their own distinct singing styles.

Always Give Everything 111% . . . MF Khaos releases his 11 track playa soundtrack, including production from Professor Creepshow, Funk Finger, Tracisgrey

Now available on 12" Vinyl Records, Cassette Tape, Compact Disc

vinyl record includes exclusive instrumental version on side B, instrumentals will not be seen in any daylight of digital streaming media

Always Give Everything 111% . . . MF Khaos releases his 11 track playa soundtrack, including production from Professor Creepshow, Funk Finger, Tracisgrey

Now available on 12" Vinyl Records, Cassette Tape, Compact Disc

vinyl record includes exclusive instrumental version on side B, instrumentals will not be seen in any daylight of digital streaming media

saiah Deshon & Professor Creepshow team up to extend the Mac God's prophecy. Tymg

Mac God Chronicles is now available on digital streaming, vinyl records, cassette tapes & compact discs

vinyl record includes exclusive instrumental version on side B, instrumentals will not be seen in any daylight of digital streaming media

saiah Deshon & Professor Creepshow team up to extend the Mac God's prophecy. Tymg

Mac God Chronicles is now available on digital streaming, vinyl records, cassette tapes & compact discs

vinyl record includes exclusive instrumental version on side B, instrumentals will not be seen in any daylight of digital streaming media

Yung Bleu, also known as, Bleu Vandross, is a rising Hip-Hop/R&B artist from Mobile, Alabama. After scoring several major hits and racking up over 1 Billion streams and YouTube views over the past few years with a series of smash love anthems, the multi-talented artist scored his first Billboard Hot 100 hit with “You’re Mines Still,” a joint single featuring Drake, which debuted at #52 and still stands on the charts. It’s parent EP, Love Scars: The Five Stages of Emotions, likewise hit the Billboard 200 Chart. Following the success, Yung Bleu delivers his debut album, Moon Boy. Featuring the hit song “Baddest (feat. Chris Brown & 2 Chainz),” which continues to rack up streams, views and climb the radio charts, the album sees appearances from H.E.R, Big Sean, John Legend, Kehlani, Kodak Black, Davido, Moneybagg Yo, Jeezy, Gunna & A Boogie Wit Da Hoodie. Prepare for takeoff.

Sick 10 track solo EP from Thunder Jam Alliance artist "Cal-S.K.I." from 1996-1998.

Killer indie flavas for the heads!!!!

Sixteen beats in honor of the sixteen squares in Sirplus's Akai MPC 2000xl. Classic beats from a classic machine. No eight outs, just straight out the stereo jack. You can hear the time that was put into crafting a clean sound even without the detailed mixing from DAW. Raw beats from Sirplus with help from Exile on the turntables. That's it. Also take note of the vinyl only vocal feature from Blu on the last track. This version will not be on digital platforms.

Atlantic Rap Vol.1 is the first volume of DK’s forthcoming compilation, a three-volume showcase of brilliant lyricists from North America’s underground that bumps to the sounds of DK’s knocking and imaginative boom-bap. Enlisting MCs from rap capitals like New York (ufo Fev, Wais P), Detroit (Frank Nitt, Phat Kat, E-Fav), and Canada (Ghettosocks, Saukrates), DK scores their vivid verses with his fusion of crackling samples, analog synths, and progressive instrumentation. Each beat flattens time, conjuring the warmth and grit of ’90s production while moving into the future with lush musicality. DK pairs every suite with the perfect narrator, established and rising rappers who deliver grimy street memoirs and intricate verbal assaults. Atlantic Rap Vol. 1 is a highlight reel from the long-celebrated and the next to blow up.

Pharoahe Monch is one of the most revered and influential emcees in the history of hip-hop, and 2024 marks the 10th anniversary of his fourth studio album "PTSD: Post Traumatic Stress Disorder".

In PTSD, Pharoahe Monch continues the story he began telling in his previous LP, "W.A.R. (We Are Renegades)" from 2011. The Queens emcee narrates, in both literal and metaphoric ways, about the trials and tribulations of an independent artist who is at war with the music industry and the struggle of the black male experience in America.

In 2012, during an interview with Shawn Setaro, host of the podcast The Cipher, the rapper explained the connections between the two projects, beyond their titles. “The W.A.R. album was like, I’m going to battle against the machine, I’m doing this independently. I’m putting some things out that I learned and I’m going to expose about the music industry. PTSD is the result of me doing that, where I am emotionally now. It’s similar to how someone comes back from war and is stricken by re-adjusting to a regular situation.”

Monch told MTV Hive that PTSD is “more mental, emotional and personal” because it came out of the depths of a period of depression. He also gave the internal and external factors that helped him create the album. “I was working on the title track, which took me to a point in between Internal Affairs and Desire, where I was heavily depressed. Through the waiting period, the industry period, and going through a lot emotionally. Then there was the physical [problem] with asthma. It was the worst. So I started off with that title track and my manager was like, ‘Yo, let’s really dive into that state and how you got to where you are now, and how this follows what people go through to get back to a so-called ‘normal’ situation’.”

The concept album follows a veteran through combat experience, his return home, relationship dissolution, drug addiction, painful depression, and, finally, a triumphant but realistically rendered decision to keep living and struggling.

And we're back in Tacoma, WA for more unreleased and unheard 1994-1995 bangers from the Thunder Jam Alliance crew. All tracks produced by Shaggy C. Such a shame a lot of this material didnt drop at the time of recording, but Herring, like Mighty Mouse, has come to save the day!!



Make sure you peep those snippets - some killer material right here for the heads!!!







Big shout out to my man Hakan Dougpark for the original connect and Unikone for his posts on the excellent Hip Hop The Golden Era Blog - 1L

"Audio EDibles" by Edo.G and Tone Spliff is a flavorful boom bap hip-hop collaboration that serves up a delectable mix of insightful lyrics and head nodding beats. Edo.G's seasoned rhymes effortlessly blend with Tone Spliff's production, creating an album that's both lyrically rich and sonically satisfying.

The tracks are a feast for the ears, offering a diverse menu of thought-provoking themes and head-nodding rhythms, making "Audio EDibles" a must-listen for hip-hop enthusiasts.

"Audio EDibles" by Edo.G and Tone Spliff is a flavorful boom bap hip-hop collaboration that serves up a delectable mix of insightful lyrics and head nodding beats. Edo.G's seasoned rhymes effortlessly blend with Tone Spliff's production, creating an album that's both lyrically rich and sonically satisfying.

The tracks are a feast for the ears, offering a diverse menu of thought-provoking themes and head-nodding rhythms, making "Audio EDibles" a must-listen for hip-hop enthusiasts.

"Audio EDibles" by Edo.G and Tone Spliff is a flavorful boom bap hip-hop collaboration that serves up a delectable mix of insightful lyrics and head nodding beats. Edo.G's seasoned rhymes effortlessly blend with Tone Spliff's production, creating an album that's both lyrically rich and sonically satisfying.

The tracks are a feast for the ears, offering a diverse menu of thought-provoking themes and head-nodding rhythms, making "Audio EDibles" a must-listen for hip-hop enthusiasts.

Let’s say after a long day at work, a strenuous workout, a half marathon, or maybe three months into a CrossFit membership, after ending a bad tinder date, you look at yourself in the bathroom sweating , frustrated, exhilarated, or something else to say mean things in a pensive pace. Mav flows over Damien’s slow grimy drums with melancholy loops on some colorfully designed vinyl. He’s either reflecting on some $hit or threatening the man in the mirror like Robert De Niro in Taxi Driver after losing his $hit.

Let’s say after a long day at work, a strenuous workout, a half marathon, or maybe three months into a CrossFit membership, after ending a bad tinder date, you look at yourself in the bathroom sweating , frustrated, exhilarated, or something else to say mean things in a pensive pace. Mav flows over Damien’s slow grimy drums with melancholy loops on some colorfully designed vinyl. He’s either reflecting on some $hit or threatening the man in the mirror like Robert De Niro in Taxi Driver after losing his $hit.

Hip-hop aficionados rejoice as the dynamic duo, emcee Substance810 & producer Observe Since '98, are set to unleash their magnum opus, "The Lion's Share 3: Pride of the Lion."

Building on the success of their previous collaborations, "The Lion's Share" parts 1 & 2, the upcoming trilogy promises to redefine the boundaries of sonic storytelling. This highly anticipated album, featuring 16 meticulously crafted songs, showcases the unparalleled chemistry between Substance810's lyrical prowess and Observe Since '98's innovative production. The listener is invited to embark on a thrilling sonic journey, where each track unveils a new layer of the duo's artistic evolution.

In a nod to the true aficionados, "The Lion's Share 3" offers an exclusive treat with 2 bonus songs available solely on physical copies of the album. This limited edition adds an extra dimension to the already rich tapestry of their musical narrative.

From the impactful storytelling in the lyrics to the masterful production that resonates with authenticity, "The Lion's Share 3: Pride of the Lion" is poised to captivate fans and critics alike. Substance810 and Observe Since '98 invite you to immerse yourself in an unparalleled hip-hop experience, as they once again redefine the boundaries of collaborative artistry.

Prepare for a musical odyssey like no other. "The Lion's Share 3: Pride of the Lion" is more than an album; it's a testament to the enduring power of creativity and collaboration in the world of hip-hop.

Featuring Appearances BY TY Farris, Josiah THE Gift, Ferris Blusa, Warv WON, D-styles & DJ Grazzhoppa!

Here's the good word from the fellas:



"Stereotype came together as a group in 2008. Made up of Producer/Emcee Frank John James, Mas1 and Braiiinstorm. Sophomore project, "Through the Speaker", is being presented over a decade later from their initial group LP "Instincts of Organisms" released on Echoes Of Oratory in 2013. After many solo and side projects amongst the 3 of them, they've come together with the help of co-producer Stranger Danger and completed another boom bap classic for the heads to bump. Woven together with samples and cuts from Roach the DJ, each member delivers original lyrics and critical views. Enjoy."



And here's the good word from Herring:



"Stunning album with breaks and drums for miles. Real bboy flava on the production, reminiscent of Strng3r Dang3r's earlier materual on the Herring-released "Tha Roach Killaz" record, but with an extra scoop of the jazz. All round a killer record and perfect for a drop on Herring. Had this on constant rotation in the Herring-mobile., now pleased I can share with the fisherfolk."

I love a drop where the artist hits me up. There's something special about a talented cat reaching out to get his project released through Herring. Musa aka Howard Lloyd hit me up with a DAT transfer of joints that had previously been lost in time. They eventually showed up 30 years later after much digging and boy, was it worth the wait.



Cats will probably know Musa from his solo stuff as Howard Lloyd, his work in Sputnik Brown as well as his 90's crew House of Reps featuring Wyld Bunch. Dude has been a fixture on the Long Island and NY scene since the early 90s. He recorded his first demos in 1994 at the legendary Firehouse Studios and here for your listening pleasure, we have 4 tracks and 3 dub versions from those sessions including one mixed by our man C-12. The remaining 3 tracks on this stunning 10 tracker are by his crew House of Reps and were recorded down in GA in 96.



Props to Musa for reaching out and for the incredible music.



300 copies only -

Wow - years before the first Pseudo's release, we have this spectacular album [or is it an EP?] by the boys from Buffalo, NY. Recorded 2001-2003 this is 100%, pure Pseudo-sound from the early days. Sunday vibes, piano loops, smart-ass/tuned-in lyrics - this one has everything for the headz . Never been released or leaked before, this was set to be on Buffalo label Deepthinka Recs, but it never happened. So Herring is here, over 20 years later, to sponge up that Pseudo-juice and wring the sweet nectar into a black piece of limited vinyl, adorned in the typical Herring 'unreleased-style' sticker cover. If you are a Pseudohead this one will seamlessly join the dots from 2001 until now. Perfection on wax. Enjoy!!!

Wow - here we have a Stunning 10 tracker from Tacoma-based producer DJ Shaggy C & his extended crew of different acts collectively known as Thunder Jam Alliance. There is loads of info in the biography/interview Here but what you really need to hear are the snippets.



A small number of the TJA demos are floating around on the net courtesy of a variety of demo tape collectors but nothing has been formally released, so here is an introduction to this mid-90s Tacoma crew's output. And hot damn, is this stuff special...



Big shout out to my man Hakan Dougpark for the connect and Unikone for his posts on the excellent Hip Hop The Golden Era Blog - 1L

This Japan edition was produced as a limited project for Willie The Kid's Japan tour in 2011 and it's compiled based on "The Fly 2.0" which featured The Alchemist, V DON, Styles P, Cory Gunz and Lee Bannon etc. Although it was originally released just in digital format, it is now available in a long-awaited vinyl format with obi-strip.

Glockoma 2 is the third studio album from Memphis rapper Key Glock, and follow-up to the wildly successful mixtape, Glockoma. The deluxe physical release sees the addition of 8 new tracks, and includes 3 singles released shortly after the digital deluxe release. As we’ve grown accustomed to with Key Glock’s solo albums, Glockoma 2 features all material written and performed by Key Glock, and only Key Glock. Standout tracks from the album include “Work,” “Dirt,” “Chromosomes,” “Presidential Rolex,” & the explosive single, “Let’s Go,” which saw its own moment of virality upon its cinematic music video release and was recently Certified Gold by the RIAA.

Reggie Gibson, aka Saafir, is a producer, actor and underground Oakland California legend known for his abstract form of emceeing. Saafir made his recording debut on Digital Underground’s The Body-Hat Syndrome in 1993, followed by an appearance on Casual’s Fear Itself in 1994, which led to his solo release Boxcar Sessions. The production was handled by Jay-Z, J Groove and Big Nose, with Sleuth and Saafir serving as executive producers. It features guest appearances from Big Nose, King Saan, Poke Martian and Rashinel.

"ME Stations That Swing With Soulful Things" Introducing "W.EN.D Radio," the latest musical masterpiece from the dynamic duo Frank N Dank.Drawing inspiration from their earlier collaboration with the legendary I Dilla on the fictional radio show of the same name, this album is a nostalgic journey for longtime FND enthusiasts.Crafted entirely by the skillful Japanese beatsmith, Mitsu The Beats, the album boasts a stellar lineup of collaborators, including Dj Rhettmatic of the renowned Beatjunkies, soulful British vocalist Harleigh Blu, versatile MC/Singer illa J (J Dilla's brother), and Gram-my-nominated producer/musician King Michael Coy (known for his work with Anderson Paak, H.E.R), among others."W.EN.D Radio" stands as a contemporary homage to the infectious boom bap sound of hip-hop's golden era. Each track is a fusion of rhythmic beats and meaningful narratives, delivering a sonic experience that traverses the spectrum of emotions within a captivating and head-nodding package. This album is poised to captivate J dilla fans with its blend of nostalgia, innovation, and the undeniable skill of its collaborators.

We’re honored to reissue an album by a truly unique voice in hip hop and dearly missed friend, Tame One. The year is 2007, Fresh off collaborations with the likes of El-P, Cage, and The Weathermen, Tame One - one half of the Newark duo The Artifacts, was approached by a Montclair skateboard shop Division East, as he personified their East Coast new school culture of skating, graffiti, and MCing. This relationship gave way to Division East Records and their first full length release entitled "The Grudge." Despite its merits and the efforts of those involved, the album went largely unheard outside of NJ hip-hop circles. Call it a casualty of the post-CD/pre-streaming musical landscape of the early 00’s. Now, 17 years later and almost 2 years after his heartbreaking transition, issued for the time on purple vinyl, Tame One’s The Grudge.

feat. Tha Liks, Pharcyde, J-Zone, Prince Po, ...

Marv Won is a Detroit musical alchemist – a street poet laureate entrenched in the battle rap scene, as well as a cinematic world class producer as capable of channeling Dr. Dre as Donald Goines. Marv breaks new ground with his first Mello Music Group album “I’m Fine, Thanks For Asking” - a soul-baring endeavor, that weaves tales of struggle and triumph, drawing inspiration from his storied life in the Motor City.

As one of the most esteemed battle rappers, Marv Won brings a lyrical ferocity to his unapologetically raw and heartfelt rhymes. This album collaboration with Mello Music Group marks a pivotal moment in his career, showcasing a seamless fusion of his word play and production. The album, featuring collaborations with Quelle Chris, Elzhi, Freeway, Rapper Big Pooh of Little Brother and more, cements Marv Won's status in the rap game. Marv Won's storytelling transcends mere verses, painting vivid portraits of life in the D. Over ten self-produced tracks Marv showcases his ability behind the boards with tracks that blend epic orchestration and Joe Louis drums that hit like Tommy Hearns.

Repress 2024. On “Breakin’ My Heart”, Jim Sharp finds a way to bridge the summery goodness of ATCQ with the original instrumentation sampled by Dilla. The iconic vocal lead of Bebel Gilberto floats over the boom bap drums to make it a sure shot. The flip side, “Check Minnie's Love” once again shows that Naughty NMX and Runex are on point. The product is horns, beefed up beats, fat bass and silky smooth vocals to make you think it’s ’92 again (without the Rhime). Minnie rips the lovely
vocals into a dance floor banger.