Michael Peter Olsen Narrative Of A Nervous System "Blood Slide" Vinyl Edition

As the music industry continuously evolves, pushing boundaries and challenging conventions, artists like Michael Peter Olsen emerge to redefine the very essence of their chosen instruments. With an impressive career spanning nearly three decades, Olsen has had mainstream exposure through collaborations with renowned artists like Drake, Ed Sheeran, and Arcade Fire and developed multifaceted talents as a player, producer, composer, and Grammy-nominated songwriter. However, it is his electric cello based solo project, which debuted in a grimy basement club in Berlin in 2019, and his 2021 album “Yearning Flow'' that truly showcased his desire to subvert expectations of what a cello can be.

With the release of "Narrative of a Nervous System," Olsen taps into the prevailing sense of disconnection in modern society, accentuated by the recent pandemic. The record delves into the increasing divisions between the mind and body, metaphorically capturing the struggles many individuals face with their mental health. Olsen aims to bridge this disconnect through his music, creating a powerful fusion of sonic and visual elements.

While the album is instrumental and conceptually-driven, Olsen remains committed to making the music accessible and relatable. Olsen's vision is further realized through the inclusion of special guests Owen Pallet, Màiri Chaimbeul, alaska B, and Zoon, each representing older music traditions. Celtic, European, North American Indigenous, and Traditional Chinese are explored and stretched, offering a modern perspective on ancient intuitively based traditions.

While Michael Peter Olsen dismantles the preconceived notions surrounding the cello, he continues to create evocative emotional music. "Narrative of a Nervous System" invites listeners to explore the disconnections between mind and body, and offers a transformative musical journey that resonates with both the modern world and ancient traditions.

“Essentially I’m trying to destroy the cello, but do it in a nice way”