Ssiege Beautiful Age

‘Beautiful Age’ is SSIEGE’s reflection on adolescence and the gauzy fidelity of memory, using an electro-
acoustic array of piano, samples, tape loops, synths and field recordings to evoke feelings of longing for the
eternal spring of youth. The 10 tracks return to the palette of saturated colours found in his well received
2019 debut LP, ‘Fading Summer’ and subtly calibrate the contrasts to evoke the entropic siltiness of memory
recall. Largely shy of fixed rhythms and elegantly pulsing in mid-air, the drifting music suggests a throwback
to therapeutic new age ambient as much as the cues and signposts of melodramatic TV soaps and film
soundtracks.
As implied in the title and decay of ‘Dub Sottomarino’ or most explicitly in the air-trodding ‘Bianca’, dub
process is also a lowkey guiding light for the album, lending a spectral opacity and space that helps
encourage the mind to regress, drift, and depart the prosaic. It blesses the lead track with an underwater
quality that also leaches into the waterlogged synth lead vamps and skeletal steppers rhythms of ‘Veyl’ and
through to the vapourware adjacent title credits of ‘Close Friends’. In the gauzy tender bits between he
probes a fine spectra of feels from the drizzly reverie ‘Fata Foresta’ to forlorn solo piano figures of ‘Cg104’
and a pearlescent highlight of disembodied dance music structures and dolphin calls akin to Hajj in ‘Terza
Acqua’, while ‘Drama Lover’ metaphorically seals the soft focus pulpiness with a coy glance of choral pads and
a deglazed, low-lit mood