1960s Vinyl 7 Inch 97 Items

Cover slightly yellowed.

Shelley Pressing.

Japanese pressing.

Japanese pressing.

Japanese pressing.

Vinyl close to VG

Picture Disc.
Record is close to VG+.
Cover with seam split.

Minor foxing on back cover.

Creased cover with tears from the opening side.

Red vinyl.

Red vinyl is close to NM.

Record is close to VG.
Ships in a brand new plain sleeve.

Back cover with faint ring wear.

Ships in a label sleeve.

Record plays with surface noise that does not overpower the music.

Record has some hairlines and a few superficial scratches,
but is close to VG.

Punch hole at label.

Record has hairlines and superficial scratches.

Stamp on label.

Cover with large tear at the opening side.
Small writing on back cover.
Writing on label.

Back cover with faint ring wear.

Cover with faint ring wear.
Small light scuffs on both sides.

Small writing on back cover.

Small light scuff on side 2.
Cover close to vg+ with minor stain from prior waterdamage on the back.

Minor waterdamage stain on back cover.

Small light scuff on side 2.

Small light scuffs on both sides.
Cover lamination is peeling.

Record is close to VG+.
Minor stains on back cover.

Red Vinyl.
Record is close to VG+.

Cover with faint ring wear and small writing on the back.

Small writing on back cover.

Back cover with faint ring wear.

Small light scuff on side B.

Small writing on back cover.

Back cover with faint ring wear.

Record has many hairlines and a few superficial scuffs.

Ships in a label sleeve.

Record is close to VG+.

Vinyl close to VG+

First time ever reissue of The A-jaes hyper-rare 1964 single on Oak Records, only 99 pressed. Killer high velocity pounder. Plus, also adding two unreleased tracks from a one-of-a-kind 1965 acetate. An alternate and superior version of “I’m Leaving You” plus “Maybe It’s The Way You Said Goodbye”. All four songs will be released on a 7” 45 e.p. as Jaw067. The A-Jaes feature Trevor White later of Jook and Sparks on guitar and his big brother Geoff White on lead vocals and harp. 400 copies on black vinyl.

Copy close to VG+

Push-out centre

Cover is missing.

It was standard practice in the 1960s for British beat groups to pepper their repertoires with American R&B songs. Formed by five music-loving schools from Blackpool, the Missfits were no exception. Although they group released no records during their time together, for two brief years they were the toast of Blackpool clubland. They played at the same veues as local bands such as the Rockin’ Vickers, including some gigs at the famous Oasis Club in Manchester and at the short-lived Blackpool branch of the Twisted Wheel.

In February 1964, they won a recording test in a talent competition and travelled to London that summer to commit some of their favourite songs to tape. The tape reel was soon forgotten and thought lost but Janet had thankfully kept it safe, enabling the appearance of the four tracks on this 60s-style vinyl EP. Drummer Janet Baily provides lead vocals on their version of John Lee Hooker’s ‘Dimples’, and bass player Pauline Moran sang lead on Bo Diddley’s ‘You Can’t Judge A Book By The Cover’, Chuck Berry’s ‘I’m Talking About You’ and Ray Charles’ ‘What’d I Say’, with guitarists Andrea Hine, Carola Daish and Liz Hall joining in on backing vocals.

“You can’t beat the classics” and in the Northern Soul world, no label is more renowned than Mirwood. The Sheppards ‘Stubborn Heart’ has been played since the early days of the scene but is still a guaranteed floor-filler.

Its flip ‘How Do You Like It’ has also picked up many spins in more recent years. As is our habit, to distinguish from the originals, we have changed the label colour - this time we’ve gone for a fetching purple and gold.

First issued on the Dot label in 1965, Karen Verros’ recording of ‘You Just Gotta Know My Mind’ is one of the most popular and in-demand tracks ever to appear on Ace Records’ “Girls With Guitars” compilation series. Pressings of the hopelessly rare original exist in two variants, one 20 or so seconds shorter than the other.

This new Ace release features the longer of the two versions. ‘Karen’s Theme’ on the B-side is the ‘You Just Gotta Know My Mind’ backing track, with added freakbeat guitar in place of Karen’s vocal.

An original copy, in the unlikely event one should become available for sale, is likely to carry a hefty asking price. Designed to resemble a small-run mid-60s acetate pressing, rather than a replica Dot label, this very welcome addition to Ace’s catalogue of 7-inch vinyl singles should set punters back about the cost of a bottle of cheap plonk.

Although for many, David Bowie’s story begins with ‘Space Oddity’ in 1969, Bowie had been releasing singles from 1964. Firstly on Vocalion and then after an interlude through Parlophone and Pye with Deram from 1966. These engaging and curious tracks represent a work in progress of an artist on the cusp of genius. This limited 7” singles boxset has been manufactured exclusively for RSD 2023.

Official reissue of the super rare Spanish EP from 1966, one of the holy grails in the Spanish 60s collector circles, and a key title from the female ye-ye scene.

Includes a nice cover of Stones’ “Get off of my cloud”, and the label has used a song from another EP of Sonia, “Si tuviera un martillo”, replacing the weak “Concierto para enamorados” that was on the record originally.



Has a 4-page full colour insert with extensive linernotes (Spanish only!) and some photos.



Limited to 450 hand-numbered copies.